#i will be your remedy

[louhinks]

i've taken to drawing AW2 culinary crimes whilst i am beaten unconscious by art block. bon appetit

[popfizzles]

Eeon is awesome and 2018 tumblr did you wrong. we're ready for her now

thank you 🥺 im glad today tumblr loves her

[thoodleoo]

reading pliny the elder for ancient remedies is so much fun because some of it is stuff that coule feasibly help you feel better, a quarter of it is batshit insane, and the rest is just.

[jeeaark]

my mind has gone FERAL for GG's glorious future. BUT, I must know... What convinced Lae'zel to try an extra serving of calamari?! did Emps have to plane shift to save GG and just *Destroy* a bunch of enemies or something??

Oh man, That question brought out the big muse-a-lot hammer. But for like. Different answers. The Bad News: I have NO idea! Absolute zilch what specific moment would make Lae'zel go "Open-Minded-flayer Take #2". Maybe it's not even an exact moment. Maybe it's more like a very long and arduous slow-burning process. A very enemies to rivals to mutual allies to friends-who-won't-admit-they're-friends to I'll-think-about-it to count-me-in. A very 3-4 character developing campaign arc. The Good news: I know what starts them down that path.

Oh the shenanigans. Oh the things that can exist in the Far Realms where time doesn't exist and endless AUs do.

So what if Greygold accidentally meets their evil ending self and gets in an unfortunate predicament where Babe and Squid bud have no choice but to...Partner up to rescue them?

More shenanigans below:

Stakes are set. Maybe Greygold escapes, but can't return home without Grey following and is in hiding. Maybe they're bait and traps are set. Maybe they're dead (temporarily???). Maybe they're both having an intense therapy debate about redemption arcs until they're rescuers arrive. Greygold Mind Games Go.

The long story explanation: Greygold had never invested more into the marketing strategist business mindset than to turn their favorite romance novel, Tusk Love, (comic inside joke) into a pop culture hit. Emps lost a bet that they could succeed and now is following through with their not-so-innocent deal to use Greyg's trusted "adventurer" as their official public disguise.

Since the romance novel Tusk Love is now a popular theater play, Emps' public disguise keeps getting mistaken for that " one pretty tusked fellow on the bestseller novel (which recently updated their book cover with an anonymously commissioned illustration which looks suspiciously identical)" and never fails to receive an abundance of compliments. Emps has reserved the right to remain silent about the whole matter, but is pretty sure Greygold pulled a 'get praised, squiddiot' prank.

Lae'zel is gonna catch up on a lot of Squid Bud facts on this trip. Much to Squid Bud's dismay.

The irony is if Emps asked Minsc for help first, this adventure would have been solved within a day tops.

[dcvidsrossi]

Emily: Hey, Luke. We brought dinner.

Luke: What'd you get?

Tara: [gestures with the pizza box] A box of chicken. I hope you like it extra flat and crispy.

[velvetjune]

I’ve replayed enough Control to not be surprised, but I’ll never forget how magical it was to first uncover small details like the previous director, Northmoor, being in the power plant, all the security cameras following wherever you go, Ahti responding to Jesse’s thoughts, or the book club papers corresponding to deaths you come across in the game

[emborami]

Through the years, from popinjay to coxcomb to maccaroni to dandy to dude

[lostinthewoodsomewhere]

It's been nearly a year since Alan Wake 2 and I'm still obsessed with this implications of this scene... sigh, I just love them so much and the strange headcanon world I've made for them...

[dollopheadedmerlin]

I think it's so funny when people draw Merlin characters with stuff like top surgery scars because it carries the implication that Gaius is a leading medieval gender confirmation surgeon

[saikkunen]

Two artists collaborating, remember?

[halfstayed]

富察·容音 Fuca Rongyin from 延禧攻略 The Story of Yanxi Palace (2018)

TV APPRECIATION WEEK 2024 — free choice: favourite chinese period drama character

[percivals-barrel]

Dr. Casper Darling - Control

[alderaanplacesss]

Remedy just shared these new photos of Ilkka as Scratch and I’m…normal about it. I’m gonna be so normal about it!!!!!!

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[lvcidreamss]

I understand why alan's stamina is absolutely horseshit BUT DEARRRR GOD ALAN PLEASE JUST R U N

This needs to be a mechanic in the sequel bc alan doesnt wanna act like hes about to get shanked by 900000 taken ☹️👎👎👎

[softlytowardthesun]

I'm thinking about Thalia Grace.

In the Percy Jackson TV show, the shades who go to Asphodel don't meander aimlessly for all eternity. Instead, they physically transform into the asphodel plants. And that got me thinking about Thalia -- a tree with a human soul. Laid down her life at the age of twelve, and now trapped in an evergreen limbo, straddling the line between life and death, just as the shades in Asphodel are somewhere between Paradise and Punishment.

Then (spoilers for a 15-year-old children's novel), she's restored. She wakes up. Her life is her own again, but at the same time, it isn't. There's a prophecy, see, and the prophecy says that she will do ... something when she turns sixteen that will either save or doom the world. So she comes up with a clever solution: she joins Artemis's Hunt and takes the eternal youth that goes along with it. She is now frozen at fifteen years, 364 days old until she leaves the Hunt. She trusts Percy to be a worthy prophecy hero, and watches him grow up.

Two years pass. The prophecy is fulfilled, and she no longer needs to be fifteen indefinitely. But she stays with the Hunters. And why wouldn't she? She's made friends among them. Her long-lost brother returns to her, and he's exactly her age now. She gets to watch him make friends, fall in love, and decide what he wants out of his life. Sure, there's another villain who wants to end the world, but she's beaten that before. She can do it again.

And so it goes. Year after year. Her brother dies barely a year after finding him again. She doesn't even get to say goodbye. And there's another villain who wants to end the world. She has to set aside her feelings, her human heart in an immortal body, and set things right once more.

She stays with the Hunters. Why? The prophecy has come and gone. She's already outlived the only family she had left. And she remains in this loop, somewhere between life and death. How much more of this will she take? How many more friends and loved ones will she lose? Eventually, all of them. Percy and Annabeth are on track towards their happily ever after, but they'll die someday. Thalia will be alone, no different from when she was a tree on Half-Blood Hill.