#i was working on a huge timeline/writing project that was also maybe gonna be a vid

[alollinglaughingcat]

sometimes you just be vibin and then bam. ear infection. bedridden for a week

[wrongcaitlyn]

i wanted to know if you have any plans for the og campers???? like luke, clarisse, silena, beckendorf, etc etc

this is SO funny bc i was literally JUST talking to @wronghuntress about them like a few hours ago😭😭 BUT to answer your question,,, it's sort of complicated. bc i didn't realize that i was doing it until like a good way into the series, but i've been unintentionally picturing pretty much all of the og campers/people from the main pjo series as part of the acting side of hollywood, whereas i've been leaning more toward, like, toa/side/minor characters for the rest of the main cast! this makes sense to me because like, nico and will get their big moment in toa, and apollo's a huge character too. percy and annabeth are actors obviously, but i did give them some connections to nico - but either way, i guess i just saw all of those characters as not really having any sort of connection to nico & will (even though i'm the hugest fan of will being close with clarisse and silena and beckendorf- he was totally will's bi awakening it's canon u heard it from me)

but anyway im getting off track, i've sort of had like a completely separate plotline for them going on in my head (not really detailed at all, i'd have to think about it more), dealing with more of those og characters, including percy annabeth and grover! i'm not entirely sure if that'll ever be included in the main fic seeing as they don't have much connection to nico's storyline specifically, but who knows... maybe a spinoff fic one day? i definitely won't be able to write some long 100k fic for them but i'd love to dive into that!

the only thing that i DO see happening is - if you remember this, a while ago, i mentioned the possibility of a third fic or some future plans for nico to write a musical to get that egot, namely hadestown. while the idea was being organized in my head, i've been thinking of silena as helping nico write the musical and playing eurydice, and then ofc i'd love having beckendorf play orpheus - i think he gives the vibes?? or is that just me???

and then jenna (wronghuntress) gave me the BEAUTIFUL idea earlier today of this... silena and charlie as actors, specifically broadway/musical theater actors (though im sure they have also been in some other projects), clarisse as silena's bodyguard,,, and im usually so against love triangles but like. there's so much potential there - again, nothing's finalized, i dont even know if i'm gonna write it, i don't really have ANY plans other than potentially making nico contact silena when he wants to work on his musical and having them + beckendorf work together for the demo recording - it's all VERY vague and blurry so we'll see if i come up with anything more to fall down that rabbit hole!

and as for luke, i pretty much have this: he's an actor, at some point he was prob friends with annabeth after working on a show together or smth, and ends up getting cancelled. for what? i'm not entirely sure yet, but it's probably very shitty for the internet to turn against a hot white guy. actually that fact might make him getting cancelled very unrealistic. but like it's my fic so that's what i'm saying happens! unfortunately he prob still gets roles and he's prob still like a millionaire and stuff but in general: bad person. though he probably (and thalia, because she used to be an actress too before running away) were in a movie/show/something with annabeth when she was young and they kinda mentored her/helped her learn the ropes before her big break. they started a club of neglected child actors which eventually turned into just annabeth, but at least she has percy and reyna and jason and piper and magnus on her side now :)

so long story short: i don't have specific plans, but they're all actors and definitely have a lot of lore that one day i would like to try to figure out!! for now i'm still very focused on tgol/the side stories that take place in THAT main timeline (so right now it'd be 2020-2024), whereas all of the main drama/plot in the actors' timeline would be happening BEFORE talk your talk (percy + annabeth + thalia + luke + silena) (around 2008-2015) or AFTER the greatest of luxuries (silena + clarisse + beckendorf + chris(??? i have no idea what's going on with him?? he's prob famous somehow but idk??? or maybe like childhood friend tis the damn season vibe. god there are so many fame tropes i have yet to unlock and so many characters i have yet to mess with) (around 2024-2026)

thank you for the ask!! i hope that one day when i have some more time to make some playlists, properly listen to hadestown, and learn more about musical theater/broadway/acting in general, i'll be able to answer the question more thoroughly!!

[horsegirlwarcrimes]

would u tell me a bit about some svsss thoughts, au‘s ideas or wips of yours?(<- half way through a 9 hour train/bus journey & really bored) please?🥺

i could tell u about my tgirl-sqq/sy au that i’m never gonna write, cuz i genuinely don’t enjoy writing? or maybe show u a picture of my sisters newborn (cutest baby u have ever seen)

omg PLEASE tell me ur thoughts on tgirl sqq I love trans sqq (any direction but esp transfem it's so special to me)

let'sss see, I have a lot of wip and au thoughts at the moment as I nervously procrastinate several important projects 😅

I had a cold earlier this week so I wrote half of a fluffy fic inflicting my cold onto SQQ:

“Liu-shidi is out at the moment,” Shen Qingqiu said, an awful rasp to his voice that Luo Binghe hated.  “Surely Shizun can call him back?” Luo Binghe pleaded.  “For what?” Shen Qingqiu asked, waving a sleeve. “A small cold? This master has managed worse. He’ll return when he returns, and until then it's not so bad.”  “But Shizun–” Luo Binghe tried to object, but Shen Qingqiu gave him a stern look that caused Luo Binghe to fold at once. He redoubled his efforts of looking sad and concerned and despondent as a quick countermeasure, and Shen Qingqiu sighed.  “It’s not so bad,” he repeated. “This master can still perform his duties just fine. Most likely it will pass before Liu Qingge even returns.”

outside of that, i have been on a major qijiu brainrot kick (i have a 8k fic for them i should be posting as soon as i decide if it needs a stronger dose of sqq or not + decide how to end it (sob)), and also reading a ton of disciple days/canon timeline bingqiu and having big feelings about how much i love them. ive also been returning to my unhorny women and gender studies liu qingge omegaverse fic that i am always contemplating but never actually writing, in which liu qingge is a not-like-other-girls omega in PIDW omegaverse and tries to marry shen qingqiu due to fantasy comp het

besides that, here are some concepts ive jotted down in my notes app this week loll:

dragon!YQY hoarding peak lords

this is literally all i have written down for this but i want it to be something SO BAD. save me dragon yqy. dragon yqy save me

Yue Qingyuan is cursed into an endless sleep The other peak lords call on Shen Qingqiu to enter his mind and wake him up as the person closest to him, only... SQQ actually barely knows this guy! He and Binghe take a dream journey through YQY's subconscious and eventually find that SJ is haunting him and eating his power which is keeping him asleep. They must either banish him ORRR.... Sun and Moon Dew mushroom time

i dont think ill write this so if anyone else does....... please take this idea and run w it haha

Sy transmigrated into the little palace Mistress??? Ahhh...

i THINK this came after reading stiltonbasket's SY!QWY fic, because i was thinking about the old palace master being a huge creep and shen yuan dealing with that from inside huan hua palace. i really see shen yuan going on a journey of gender discovery (his own gender AND the perils of misogyny that he never understood as a cis internet man(he thought he was cis at least)) and political intrigue as he tries to get to the heart of whats wrong with huan hua while dodging and or attempting to track down luo binghe. plot??? idk her

Deaf Shang qinghua!! Mbj doesnt notice

someday i must write this bc i love writing my favs as deaf or hoh. id love to explore shang qinghua as being both physically and culturally Deaf and how that plays into his interactions with the world post-transmigration, where there is even less accommodations or access for someone with a disability and he is cut off from his community, especially in terms of his work on an ding and relationship with his martial siblings. mbj not noticing a major facet of his life feels in character and like great drama lol, and i think the conclusion is definitely mbj learning ZGS that teaches him and he ends up liking using it way more than speaking verbally, both for sqh's ease and because he doesnt like to talk lol

i hope this is what u meant hahaha i could talk abt wips and svsss ideas all day. they are living in my head rent free 24/7 ｡ﾟ(TヮT)ﾟ｡ i hope your trip goes by smoothly and quickly!!

[theokusgallery]

What do you think about middle aged sunflower ????

Okay I'm going to pretend I'm normal and didn't just have a conversation about it yesterday within which I had to restrict myself because of Discord's stupid character limit

Anyway. Gonna talk about fanfics briefly, because fics tend to get more complex with characterization.

A while ago, I got really into Marvel, and for two months I did nearly nothing except read spideypool fanfic all day and night. If you know anything about these two (that isn't from the MCU) (I hate the MCU, I hate it so so much, this is not who Spidey fundamentally is, he is supposed to be a friendly neighborhood loner loser and you Cannot just give him an Iron Man suit and a mentorship with Stark and intergalactic missions at 16 or however old he is in those movies when the essence of the character is that he is an average struggling teenager who just happens to get superpowers and fucks up a lot at the beginning of his journey and mostly works alone and quit the fucking Avengers himself) (wow I started rambling sorry. Ignore that), you'll know that they are both around... 25-30ish, currently. Something like that. The only other fandom that I read as many fanfics of was Ace Attorney, where depending on the timeline, they can be from 23 to like, 35 with a kid. So I'd say me being so invested in a ship with 16 year-olds is... kind of an anomaly.

I don't usually like the coming-of-age, teenage love stuff, and I honestly have never found a single sunflower schoolfic I liked (except Spiral of course but even then they're in college) because all of them tend to... infantilize both Sunny and Basil at great length. And also tear down anything that makes them interesting characters. I think a lot of OMORI artists (that includes writers) are very afraid of doing anything substantial with teenagers, despite, you know, the actual plot of the game, and as a result, a lot of the time most fics where the characters aren't aged up tend to be... incredibly boring. Of course there are some that are good — exceptional even — but in the end all I can think of is the huge gap in... quality? that sounds wrong to say about a creative thing... interesting-ness, let's say (a very personal and subjective concept), when I stopped reading Marvel and went back to OMORI. I stopped reading fanfics altogether because I just couldn't find one I liked as much as the average Marvel fic that I hadn't already read.

Maybe it's a result of the writers themselves being young? I know OMORI's fanbase is generally a lot younger than Marvel's, so that could affect it. I mentioned schoolfics because there's a lot of them and because they were mentioned in my rant yesterday, but it's not really about the fact that they're schoolfics, it's about the fact that more often than not, the setting is the plot, and since it's just your average highschooler writing their favorite blorbos into their own environment and projecting (which is very cool btw, 99% of my own writing is projecting), the plot is... basically nonexistant. It's boring. It's boring and the characterization is usually dull. But even outside of schoolfics, I think I stopped trying to read fics that start with Sunny getting out of the hospital after the True Ending for the same reason : it's often plain and plotless and boring. And, fuck, my favorite books and mangas and such are slice of life, I'm all for mundane plots! But there's a difference between a mundane plot/realism and just no plot at all.

(This is not, like, an attack of OMORI writers who make schoolfics or fics that start with the above mentioned premise, btw, I want to make that very clear. It's very much a personal preference. I think it's boring because all of the fics I read in Marvel had a very unique plot/premise is my point. And also because the characters were a lot more mature and complex. Different strokes for different folks)

I think that's what I'm kind of sad about. OMORI characters tend to be complex and morally grey in their own way, and people tend to forget about that because they're teenagers and obviously no one can do no wrong before the ripe age of 18. Children are all innocent and therefore cannot be more morally complex than cinnamon roll soft boys/girls (looking pointedly at Sunny, Aubrey and Basil. But mostly Basil). Also, I think people tend to straight-up forget that 16 year-olds aren't, like, 10? Of course they're not going to be as mature as grown adults, especially Sunny OMORI, Dissociative Amnesia World Champion, but like... When I was 16 reading OMORI fanfics, half the time I was like "a 16 year-old would not fucking say that". But also generally more mature characters are inevitably more interesting to explore to me because I prefer more mature themes — I'm simply extremely upset at the fact that people don't explore the complexity that's already there when they're 16, including the very mature themes that are already there.

TL;DR: I love middle aged sunflower, I love middle aged ships in general ! In fact, I will tend to prefer sunflower when it's aged up.

(... I probably should've led with that.)

[pineapple-lover-boy]

Can- can I just talk about the Victuuri relationship? Pretty please?

I just…. I’ve never seen a healthy relationship that starts from idolization and a need to get out that has ended in a satisfying way.

Let me elaborate:

We all know that Yuri idolized Victor. It’s why he was so nervous in the beginning and why it took time for them to build on their relationship, he saw Victor as a god.

Victor? He was depressed. He loved the ice so much but he longer found excitement in competitions. He didn’t have any worthy opponents that had a chance of beating him (sorry Chris).

I believe Victor “fell in love” at the banquet. He was attracted to Yuri but, even though he lost, he also saw potential in him. That night was probably the most exciting night for him in a long time. I think he felt genuine affection for Yuri but also saw a way to get out of his predicament.

Then, of course, Yuri didn’t show up the following season (a year had passed before the present timeline). He was most likely annoyed that someone who had gave him excitement didn’t show up. Did he think Yuri had a chance of beating him at first? Probably not. Did he see potential or at least someone he could have fun with during the season? Hell yes!

And then when he saw the video of Yuri skating Stay Close To Me, something that awarded him a gold medal. That’s all he needed. He saw how Yuri not only skated it perfectly but I bet he thought Yuri skated it better. Let’s not forget that emotion is a huge part of skating. If you don’t skate with the passion your supposed to hold for whatever theme you have, your performance can almost seem futile. Victor obviously won because he perfected it but if it was based on how he presented it alone, he would’ve lost. He saw someone worthy of skating an gold medal piece while also having the heart to do it. That’s talent.

Anyways, because of this, their relationship doesn’t hold well in the beginning. He’s passive aggressive towards Yuri because he doesn’t see his own talent and Yuri is just going along for the ride because holy shit it’s Victor fucking Nikiforov.

As they get to know each other and Yuri opens up more (plus Victor getting info on Yuri from the others) Victor starts to see Yuri as an actual person and not someone he can use to project himself onto and then later skate against. And Yuri starts to see him as an actual person too.

I saw on another post talking about how we didn’t see them during the summer and how the end credits of every episode suggest they got to know each other better as both in the credits and in the show they (Yuri) are able to touch each other more. I 100% believe this.

I also believe they might’ve had an argument or two on this topic. It’s not easy to switch from inadvertently seeing someone as anything but a person to an actual person with emotions and feelings. I believe Victor would’ve tried to back away from this subject but Yuri wouldn’t let him. It wasn’t big arguments like in episode 7. It was probably little quarrels that annoyed them both but after having a long conversation they finally started to become more comfortable with each other.

Yuri started letting go of the notion that Victor was a god like creature and Victor saw him as something other than a pawn. Yuri stopped getting as embarrassed with Victor touching him and Victor stopped trying to seduce him as much just so he could see the man from the banquet.

This most definitely leads the way towards a healthier relationship but episode 7 was inevitable. Yuri’s anxiety was at an all time high when he comes out on top. The fact that he needs to stay on top and not mess up is getting to him. As a person with anxiety, it’s pure hell. The thoughts of failing won’t get out of his head and even as he turns off all the monitors he can still hear everything.

Victor takes him away from prying eyes and has no idea what to do. Despite an obvious change that would’ve had to include some emotions from both occurring over the summer, he still has no idea how to help someone in distress.

Then he makes his first mistake. Yuri is visibly shaken by someone’s scores (can’t remember who) and Victor, who is at his wits end, yells at him to stop listening and puts his hands over Yuri’s ears. This tells Yuri how nervous Victor is too and despite knowing that Victor wouldn’t leave him now it shows to him that Victor doesn’t have faith in him (even if he does).

Victor tried to shatter Yuri’s heart. He must’ve expected Yuri to maybe sign heavily but tell him that he’ll do everything in his power to win (probably something that’s happened with him and Yakov). Instead he see’s the consequences of his carelessness. Yuri rightfully lashes out at him and even through all that Victor stills says “should I kiss you?”. Idk what Yuri was thinking but if I were him I would be extremely offended that Victor would try and use me like some doll he can play with and can assume that physical affection and love can fix everything, which was probably what Yuri was thinking.

There’s something off about Yuri and Victor when they emerge but Yuri is surprisingly better now. Cathartic crying can do wonders, kids. There’s also my favorite part of the entire show (couldn’t find a gif):

*head jab* “Hey, fuck you.”

*more head jabs* “Fuck you, fuck you, fuck you. I know you don’t like this you unempathetic dicknip.”

*head pat* “You’re forgiven.”

We all know what happens next: Yuri ends his love story with Victor’s signature move and Victor kisses him out of joy and the need to one up him (with love, of course).

I’m gonna get a little sloppy here with the timeline because I have the memory of a female protagonist that needs to go back to work to get something only to accidentally bump into the jerk CEO of which she will develop a toxic relationship for fan service, so forgive me.

Gonna skip ahead to the scene where Yuri tells Victor that he’s leaving skating, and basically Victor too. (At this moment I realized I’ve been spelling Viktor with a c and not a k which is really fucking with my brain but it’s too late to go back). Victor starts crying and realizes just how Yuri felt when he was rejecting him.

I believe Yuri found some light in the situation because of that fact, which Victor was not having. They’ve been closer than ever now. They’ve kissed, they’ve also announced they they’re getting married, so what the hell?!

Yuri, as we know, feels he’s keeping Victor from the ice. Victor, while he misses the ice and wouldn’t mind being competitive again, has found meaning and if he’s going to be Yuri’s coach to stay where he is than so be it.

He wanted to coach Yuri because he wanted a worthy competitor and while he still wants that, what matters most now is his relationship with Yuri. If he stops being Yuri’s coach and Yuri goes off the ice he knows it will be the end. Yuri loves the ice too and I’d bet he’d try to distance himself from Victor as to not feel regret from leaving without actually knowing that he’s doing it.

They’ve grown so much at this point. But that doesn’t mean it’s over. After all they’ve been through Yuri doesn’t realize that consequences of parting from one another. While being too dependent on your spouse isn’t good, it’s what they both need right now. They are what caused the other person to be happy again and while I hate those types of storylines this one executed it perfectly.

I find Victor’s silent plea to Yurio absolutely heartbreaking. He knows it’s bad to put pressure on people but now he’s doing that to a 15 year old boy. He’s putting his relationship and his life into this child’s hands because he knows there’s nothing else he can do.

I do think Yurio had a crush on Yuri but even if he didn’t: Yuri has taught him so much. He, although being an ass most of the time, has really come to love Yuri as family. It’s clear that Yurio was always lonely (Otabek being his first friend and all) but once he came to Japan and lived, truly lived there, he wasn’t lonely anymore.

Yurio wins, Yuri gets silver and all’s well that ends well.

I guess my point of this was to show how well the relationship in YOI was. I could’ve included some more detail on some points but I usually write stuff in one take (it’s very hard to revise without my mind shutting on itself).

I just love how an implicitly toxic relationship can come out so healthy. They don’t do any of that miscommunication bullshit and when they do it’s because the characters don’t know what to do or how to handle something. Like humans do!

They could’ve easily made this the hot famous guy thinks the kawai girl boy is just so adorable and the kawai girl boy is absolutely infatuated with the hot guy. Hijinks ensue which includes the kawai girl boy thinking the hot guy is in love with someone else. She He gets pushed into thinking that she’s he’s more independent in the end and happily ever after for the couple that will divorce in less than five years! Yay!

Seriously, I thought that was what was going to happen but YOI subverted my expectations so much. They are people that grew from their bad mindsets. And you know what? Yuri still has anxiety! Victor is still bad with handling emotions! And that’s ok! We don’t change that quickly. It takes time and hopefully another season.

I’m definitely using this show as a template for healthy relationships. It’s so hard for me to properly write them when I’ve never been in one and I’m not given the chance to see it happen in different environments (when searching it up all I get is “they trust each other. They blame each other. They’re compassionate.” Like ok but can you show me how?)

Yuri!!! On ice…. I love you so much. You have done so much for my mental health and my writing. Thank you.

[schleierkauz]

Q&A Highlights

Ok so bad news first: My questions were ignored. Cornelia did not clarify any of our death-related theories. Maybe next time.

There was A Lot of other stuff, though so... Enjoy!

- The stream starts with everyone wishing us a happy women’s day! Usually women in Erfurt (where the bookstore people are) get flowers but not today because... you know. Cornelia says America is starting to go back to normal, meanwhile Germany... :| Anyway. Don’t look over here.

- Cornelia says she probably won’t get the vaccine anytime soon because she’s just chilling on her farm anyway and people who have to be out in public/are vulnerable should get it first

- Question: When will Cornelia visit Germany again? In response to this, she gives us some exclusive news, not official yet, heard it here first: She’s gonna move to Italy! Apparently she bought an olive farm there which is cheaper, better for the environment (her current farm will be sold to some people who want to turn it into an organic farm) and obviously closer to Germany so she’ll be here more often. :)

- The 4th Reckless book will be released in English at some point this autumn

- There’s no definite release date for TCoR because she’s busy with Dragonrider but she hopes she’ll have finished writing it by the end of this year

- If she’s still alive after all that to work on Reckless 5, it’ll be the last book of the series... probably. She’s also working on a bunch of smaller projects with her artists in residence

- Question: What are Cornelia’s favorite stories by Jane Austen, the Brontë sister and Shakespeare? She’s not a huge fan of Austen or Brontë because she finds all those repressed emotions too exhausting to read about. With Shakespeare on the other hand she struggles to name a favorite because there’s so much greatness to choose from (she does name MacBeth and Romeo and Juliet though)

- The Black Prince’s legacy in the Reckless timeline may play a role in the next Reckless book or it might evolve into a whole other story. Either way, she’s thinking about it  👀

- Someone asks about Reckless characters and Cornelia says that Kami’en and the Dark Fairy felt very familiar to her from the start in that she always knew who they were as people. She’s not sure why that is. She thinks the Dark Fairy represents many aspects of womanhood, like the ancient forgotten Goddess. Same with Fox, who embodies different sides of that.

- If Cornelia had to date a man from the Mirrorworld, Kami’en would interest her

- Rainer Strecker randomly joins the chat to say hi and everyone is delighted

- Cornelia’s favorite book series is still Lord of the Rings

- Question: Why has the Black Prince never found his true love? Cornelia says she’s not sure that’s true - maybe he did found true love at some point and then lost it again? ‘...and they lived happily ever after’ isn’t a guaranteed outcome after all. Since he’s such a passionate man, she’s pretty sure he’s had at least one big lovestory at this point. She hasn’t asked him about that yet but hopes she’ll find out when she continues writing his story.

- Jumping off that question, Cornelia says she respects her characters’ privacy and lets them keep their secrets until the time comes to ask about them, just as she would with real people.

- Someone asks if Cornelia has ever written herself into a story and she says a part of her is in all her characters. Except the villains because she hates them. She feels closest to Fox because she also always wished she could shapeshift

- The bookstore lady jumps in and asks about Meggie, is she similar to how Cornelia was as a child? Cornelia says yes, especially because she also had a very close relationship with her father and they would bond over books. However, she always envisioned Meggie with dark hair and as a different kind of girl than she was. (Ok sidenote from me on that, I wonder what she means by ‘dark hair’? Because Meggie is explicitly blond, so like... dark blond? Or did we just unlock brunette Meggie in 2021? Cornelia-)

- Continuing the conversation, Cornelia says she doesn’t consider herself the creator of any of the characters in her stories, she feels like she met them and wrote about him but she would never say something like ‘I invented Dustfinger’ because that’s absurd. How would that even work. That’s disrespectful. No.

- Some characters pretty much demand to be written about and are very impatient (like Jacob), others are more shy and elusive and take effort to understand (like Will or Dustfinger)

- There probably won’t be another book like The Labyrinth of the Faun because it was created under such unbelievable circumstances. Cornelia does enjoy writing film scripts, though, like she did for the Wild Chicks recently

- Question: How does Cornelia come up with character names? She has a bunch of encyclopedias and when she knows where a story takes place she checks if there are any artists from there whose names she can steal. She always wants names to have meaning and to paint a picture of whatever character it belongs to. However, she says that sometimes the vibe of a name is a tricky thing: When she wrote The Thief Lord (which takes place in Italy), she thought ‘Mosca’ was the perfect name for a big strong boy. However when the time came to translate the story into Italian, the Italians told her that ‘Mosca’ sounds like the name of a tiny little fly. Oh well.

- Cornelia says a lot of readers have written to her about The Thief Lord because at one point Victor (the detective) calls Mosca (who is black) a “Mohrenkopf”. Context: ‘Mohrenkopf’ is a German slur towards black people and also an outdated name for this goddamn marshmallow cookie:

Fuck this cookie.

- Cornelia says yeah, Victor is being racist in that moment but that doesn’t mean that she, the author, is racist. Similarly, she used the term ‘Indians’ in Reckless and a lot of readers were upset which she did not anticipate. To her it’s a positive word since she admires ‘Indians’ so deeply and finds terms like ‘Native/Indigenous Americans’ very complicated. She wonders how much longer she’ll be allowed to say ‘Black Prince’

- She thinks it’s right to be vigilant about bigotry but simply searching for problematic words is dangerous because context matters

- Bookstore lady brings up Pippi Longstocking and how the N-word has been removed from modern copies (think Pippi’s father). She think’s it’s wrong because the original text is part of the cultural heritage and shouldn’t be hidden from children but instead explained. 

- Cornelia says that in America she sees the hurt that’s connected to that word but she doesn’t think it’s right to simply remove the slur and expect everything to be fine. After all, the text in which it was used is still the same so any harmful ideas would still be in there and that needs to be discussed. Simply whitewashing things doesn’t make them any less racist.

- Cornelia brings up a visual example: The Asterix comics. She always liked them but the fact that the only black character is drawn as a racist caricature is harmful and wrong. It’s time to listen when black people express how hurtful depictions like that can be. Many white people never noticed racism growing up because it never affected them and that’s why it’s important to learn

- The ‘from rags to riches’ American dream was usually reserved for white people and Cornelia thinks a lot of (white) people are waking up to that fact. The way black people are still being criminalized and the way prisons use inmates for cheap labor is horrible and like a modern kind of slavery

- The bookstore people try to say something but Cornelia is not done: We Europeans are not off the hook either because the sins and wounds of colonialism are still felt around the world, not to mention the way other countries are still exploited today. Our wealth rests on the shoulders of poorer nations. Many doors are opening and it’s difficult to step through but we have to do it and admit to the things we may have been blind to due to privilege.

- The three of them agree on that and go back to reading questions

- Question: What are Cornelia’s tips for young authors? She advises to never start writing a story on a computer, always get a notebook and collect ideas & pictures for your story. Don’t rush things. If you have more than one story, give each story its own book and feed whichever one is hungry. It’s important to follow the idea where it leads, if you use cliches your readers will recognize them. And then it just takes time and passion. And trust in your own unique voice. She paraphrases a quote by Robert Louis Stevenson who once said no one cares about stories or characters or whatever, people read books to see the world through the goggles the author puts on them. I’m sure he said it prettier, I’m paraphrasing the paraphrase.

- That said, Cornelia thinks authors who say things like “I’m writing to express my innermost turbulences” are kinda dumb. She thinks it’s important to write about the things that happen everywhere else and around yourself and to try to find voices for others, not just yourself. Just like how carpenters build furniture for everyone else, a writer should use words to build things for others, whether it’s a window or door or a hiding place.

- Speaking of notebooks, as most of us probably know Cornelia has a lot of those and occasionally publishes them on her website. She says she’d love to let people look through them in person, maybe at the new farm in Germany (Cornelia sure does love farms)

- Speaking of writing things on paper, all three of them stress that everyone should write more letters because one day they’ll be old letters and curious people will want to read them, just as we like to read old documents now.

- Last question: How come both the Inkworld and the Mirrorworld feature a character called Bastard? Cornelia thinks that’s a good question and she should probably think about that. (Am I stupid? Are they talking about Basta? I’m confused)

...And with that, the livestream ends. They’ll get back together to do this again two months from now, until then: I’m going tf to sleep

[aspoonofsugar]

Hi! How are you doing? Not sure if it's already been asked, but what are your top 10 favourite canon couples?

Hello!

I am doing fine, thank you! How are you doing?

It is alright, nobody has asked this before, so I can answer! That said, I am not really a hardcore shipper, so I am not sure I will come up with 10 pairs :’‘‘). I’ll do my best though! Also I have interpreted the term “canon” very freely.

As usual, here they are in no particular order:

1) Claire Stanfield and Chane Laforet (Baccano!):

I love their dynamic because they are fundamentally two almost opposite individuals who end up together in a surprising way. On one hand Claire thinks that he is the protagonist not only of his own story, but of the whole world. As a matter of fact he believes that the world is nothing more than a dream of his. Ironically, it is because of this selfish delusion that Claire is able to embrace the whole world:

“So what if I'd spare him? In my mind it's the certainty in myself that I possess which allows me to have that kind of mercy or compassion. There's no wavering on that point. It's fixed like the stars. The fact is I'm never gonna be killed! So remember this: mercy and compassion are virtues that only the strong are privileged to possess. And I am strong.”

On the other hand Chane has chosen to be nothing more than her father’s puppet. She is a satellite character in her own life and can’t absolutely think to live as a protagonist. If Claire’s world is too big, Chane’s too little because it has only her and her father in it. What is more, Chane has gone out of her way to make sure that it stays that way. For example, she asked her father to take her voice away and has not learnt alternative ways to communicate (like sign language).

Given this premise, it is interesting that a person so self-centered like Claire puts a person with such a frail sense of self like Chane at the centre of his world. Claire makes Chane, who is not even the lead of her own story, the heroine of his huge world. Claire instead plays a support role in Chane’s story. It is precisely because of this contradiction that their dynamic works. All in all Chane gets to get in contact with the world through Claire. Because of this, she is challenged to grow. This is another interesting difference between them. On one hand Claire is basically like Peter Pan and can’t really grow psychologically. On the other hand Chane is a character who has changed, but who is scared of this change. This is why she tries to actively regress, but she can’t really go back to who she was.

2) Komugi and Meruem (HxH):

I have explained here what I love about them. Their relationship conveys the themes of the chimera ants arc beautifully. I especially like it because it would have been easy to have Meruem grow fond of Komugi because of her kindness and goodness. However, this is not really what happens. The reason why Meruem is so attracted by Komugi is her prowess as a Gungi player. Komugi is not a character who coddles Meruem, but one who challenges him. As a result Meruem’s attraction for her is rooted in respect. Meruem brings out from Komugi her talent and stubborness, while Komugi brings out from him his caring and kind side. Meruem becomes interested in her because of the traits they share and grows to love what makes her different from him.

3) Ash Lynx and Eiji Okumura (Banana Fish):

I like their relationship, but I would have loved for it to be explored even more throughout the story. All in all, they are attracted to each other because they want something the other has. Eiji wants Ash’s initiative and daring personality, while Ash wants Eiji’s freedom and soothing personality. Eiji wants Ash’s ability to fight for himself, while Ash wants Eiji’s talent to heal others instead of hurting them.

Despite this, they are not fully able to grow as they could have because of the violence of the conflict they are in. Eiji makes some steps in the right direction, but the moment a wound incapacitates him he goes back to his more passive behaviour. When it comes to Ash, he is not able to take fligth like he would like because of self-hate. Their ending is tragic, but I wonder if it could have been different. For example, after a meaningful conflict the two of them decide to avoid fighting and to simply enjoy the time they spend together. This is a relatable choice, but a series of things are left unexpressed and because of this they are not really able to overcome their flaws. Maybe, if they had fought a little more and had called each other out more, things could have been different in the end.

4) Claire Nunez and Jim Lake Jr (Tales of Arcadia):

I have talked about them here. They are two very similar people to the point that they have basically the same flaw. They both feel responsible for bad things happening to them and to their friends. This is why they end up trying to fix everything by their own and fail spectacularly. It is nice to see them find help and support by their loved ones. And it is heart-warming that they keep being there for each other.

5) Chidi Anagonye and Eleanor Shellstrop (The Good Place):

Eleanor and Chidi are completely different people and this is why they are perfect to challenge each other. Chidi inspires Eleanor to be more selfless and to open up to others, while Eleanor inspires Chidi to be daring. This is obvious since season 1 and it is a constant throughout the series. Their relationship is a good example of a relationship which is conflictual, but enriching. In order to stay together they (other than escaping hell) must overcome their respective flaws. Eleanor must be vulnerable and let Chidi in her life, while Chidi must be decisive and actively choose Eleanor.

I also like that this is true even in those timelines where they do not develop a romantic relationship. The fact that their relationship is the same, but also slightly differs in each reboot makes it gain a very nice thematic meaning and enriches it. All in all, what Chidi and Eleanor represent for each other is always the same and what changes is the platonic/romantic aspect of the bond.

Finally I like the motif of them leaving messages to their future selves about the other. At the end of season 1, Eleanor writes to herself: “Find Chidi”, while at the end of season 3 Chidi writes  to himself: “Eleanor is the answer”. This is a very cool motif which conveys their respective growth thanks to the other. Eleanor who only trusts herself chooses to trust Chidi’s ability to help her. Chidi who has spent his whole life searching for answers and failing to write them down decides that Eleanor is all he needs to find meaning in his life.

6) Roy Mustang and Riza Hawkeye:

Their relationship is my favourite of the whole series. Their characters are beautifully intertwined to the point that they can barely function without the other. This aspect of their bond is not excessively romanticized, but it is presented as a dreadful consequence of the traumatic past they share. At the end of the day Roy and Riza are too highly idealistic people whose ideals were shattered before they could evolve in something more than childish dreams. Despite this, they were able to put the fragments of those great dreams back together and have chosen to sacrifice their personal happiness to realize them.

All in all, Riza and Roy want redemption for their crimes and they find comfort in each other while they try to obtain it. In order to make things better they are ready to sacrifice their own existences and they have given up on the chance of living normal lives as civilians. However, they still have each other.

Roy gives Riza someone to protect, so that she does not fall apart and remains functional, while Riza restrains Roy’s most negative instincts. They make each other better even if they can’t completely overcome the pain of their past. They can just share it with the other.

Finally I especially like the scene where Roy chooses not to transmute humans even if it means Riza will most likely die. As a matter of fact, despite it all, that act is not framed as a betrayal of Riza, but rather as the only thing he can do not to betray her. I love both relationships where a character fixated on an ideal lets go of it because of people and relationships which make a person realize the importance of an ideal. They are both beautiful when well written. Here we are in front of a bond where both aspects are present. On one hand Roy must let go of his desire of vengeance not to lose Riza. On the other hand Roy must let go of Riza not to betray the ideals they share.

In the end theirs is a very tragic and strict relationship, but also a very warm and human one.

7) Kokomi Teruhashi and Saiki Kusuo (Saiki Q):

They are not properly canon since they are not together by the end. However, I think there is enough in the series to support the ship. Anyway, it is still a ship I enjoy a lot (and it is one of the few I feel strongly for, so I am adding it to the list no matter what).

I love their dynamic because it is hilarious, but it could also be surprisingly deep if the narrative wanted to explore it more. Teruhashi is my favourite character of the series because she is a nice subversion of both the yamato nadeshiko trope and of the alpha bitch one. She presents herself as an incredibly beautiful and yet innocent girl, but she is actually very aware of her looks and of others’ reactions. Despite this, she comes along as likeable mostly because she often genuinelly means well despite her being self-centered. Saiki instead projects the image of an average person, but he is actually the most powerful being of the world. In short, Teruhashi and Saiki are both opposite and the same.

They are the same because they both wear a carefully crafted mask. They are opposite because the masks they were are opposite. On one hand Teruhashi’s mask of the perfect girl attracts attention. On the other hand Saiki’s mask of the average guy is meant to make him invisible.

The difference between their two personas is the reason why Saiki wants to avoid Teruhashi at all costs. He wants to be average, so he can’t stay close to a person who attracts so much attention. At the same time, it is clear that Saiki grows to admire Teruhashi specifically because of her ability to always keep her mask up. He knows how difficult it is to realize such a feat and he recognizes Teruhashi’s dedication. Basically Saiki is the only person who knows the real Teruhashi and appreciates her for who she is and not for who she pretends to be.

In short, the series could have done a lot with them if it had wanted to go deeper in their dynamic. Saiki ends up coming to the spotlight multiple times to help Teruhashi, while Teruhashi breaks up her image of perfect girl when close to Saiki.

Unluckily this is the end of the list :’‘‘) I tried to think of other canon couples I enjoy, but even if there are some, I would not call them proper faves. At the same time, there are some ships I enjoy, but they are not properly canon/confirmed to be romantic, so I am not adding them.

Thank you for the ask!

[sonickedtrowel]

1, 2, 4, 10, 20!!

Tell us about your current project(s)  – what’s it about, how’s progress, what do you love most about it?

Oh boy so I’m sure I must have mentioned it at some point but I won’t turn down a chance to ramble about it again: me and @regalpotato​ are working on a Day of the Doctor rewrite and I’m pretty psyched about it!  Basically, Eight is there rather than War (although War does make an appearance!) and also River is there, because Duh, and there are other Things going on that are different from the episode/novel, but that’s spoilers and also still partially cooking in my brain, lol.  It’s at 11k-ish right now but still pretty early in the story, too early to probably say what I will love most.  But I’m having a ton of fun with it, especially the dialogue, and currently torturing Ten in every way I can think of.  You know, lovingly torturing.  For the most part.

That is the really big thing I’m excited about, but I do still have two prompts left from a couple weeks back (I didn’t forget you, anons!) and those are milling around in my head too waiting for inspiration to strike. 2. Tell us about what you’re most looking forward to writing – in your current project, or a future project

No secret that I love writing multi-Doctor / River stories, and in fact having somewhat recently finished an 8 and 11 / River fic I will have to be on my toes to not repeat myself too much haha.  But I just love getting everyone together and letting them yell at each other for a while - the best honestly - and then later we get Revealing Conversations about Feelings, as well as POV changing chapters.  Not to overhype it but!  I think it’s gonna be fun! Putting the rest under a cut because I am long-winded lol.

4. Share a sentence or paragraph from your writing that you’re really proud of (explain why, if you like)

Hmmm I’ll pick something I like from the WIP that’s all my writing - this is from Night of the Doctor with Eight and Ohila, but it’s diverged from the original script here and iirc pretty much all new dialogue for Eight.  I don’t normally write this sort of Doctor speech because I’m usually doing romance, but I can hear Paul McGann righteously shouting/soliloquizing in my head so I’m pretty happy with it: *** “What would you have me do?” the Doctor hissed.  “What does your broken prophecy foretell?  That I become one more loyal soldier in Gallifrey’s glorious army?  I can join this fight and take a thousand lives, die a thousand deaths, and this war will still go on.  The universe doesn’t need another soldier!” “Not a soldier,” said the Sister, “a warrior, with the power you’ve refused to wield.  You could have destroyed the Daleks before they were even created.” “Yes, I could have done.  And I didn’t, because I have no right!  Whatever it is you think you can turn me into, Sister, you’ll continue to be disappointed.  Because there’s one person who is always needed in a war: a good doctor, willing to help whomever they can.  No matter if they’re despised, or called traitor— no matter who they lose or how many times they fail!  There will always be more lives to save, and I’ll be there, helping, wherever I can.  I only hope I’m strong enough to carry on doing it half as well as another doctor I knew.” ***

(Yes of course we have Liv Chenka references!) 10. How would you describe your writing process? It takes me forever to get ideas, but once I have a sort of general amorphous direction for the story and an emotional starting point for the characters, I just jump in.  And then I keep getting shower thoughts about more and more stuff happening and what was supposed to just be some fun fluff starts growing a plot and getting wildly out of hand and this is just my life.  I am very much not in control. 20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?) Ohhhh this is such a good question!  Definitely going with There is a love I reminisce because there’s a lot going on under the surface in that fic and not all of it stated super explicitly.  So um, huge spoilers below if you haven’t read it!

Manhattan and Trenzalore (both times) are essentially retconned, through a combination of River’s innate abilities and Eleven going around the timeline trying to do better after being confronted with his shortcomings in TNOTD.  How the Doctor survived Utah is explained and it’s not because he was in a stupid robot.  It spawns an implied post-Library reunion with River, Eleven and the Doctor’s oft-referenced and never quantified or named children from Gallifrey.  It implies a different resolution to the Hybrid thing and an alternate series 10.  And of course it uses BF’s far-superior Ravenous 4 plot twist to preemptively annihilate the timeless children crap, and a combination of Ravenous 4 and Doom Coalition 4 to make River basically a time goddess.  But maybe my favorite thing was giving life to this headcanon of mine.  IT CANNOT BE REFUTED!  They’ve never said ANYTHING specific about his family so it’s free real estate baby!

*** “Yes, sorry to harp on about this, honey, but I think we can discuss the regeneration semantics later,” River cut in.  “You’re saying I came back from your future to your distant past and just… stayed?”

“Well… yes, I think so.  There were certain things we couldn’t discuss.  I had always just assumed that I’d reached the end of my last regeneration and you weren’t too pleased with that, so…  You know, describing it now, it does seem very irresponsible.  But I don’t recall having any complaints.”

“No, I shouldn’t think you would.”  River smiled, but her mind was racing.  “How would that even work?  Eventually, we’d come back round to when we first met on your end, and what, I wipe myself out of your memories?  Selectively, for your entire lifetime?  I think you might notice a little thing like that.”

“I suppose you must have had a plan for it, but I can’t remember it now.  I just remember the two of us, together through the centuries.” He smiled fondly and River felt like the ache in her chest would strangle her.  “I remember our family.”

“Our what?” she cried, as the older Doctor had a sudden choking fit.

“Our family.  Our children and…”  Dread slowly dawned on the young Doctor’s sweet face.  “Oh, please, no,” he whispered.  “Don’t tell me they’re…  No, this happened! It happened in both versions of my memories!”  He looked to his older self, panic-stricken.  “Tell me you remember!”

“You had a family,” River soothed, as Babyface stumbled over his own tongue.  “It just wasn’t with me.”

“What?” he laughed incredulously.  “Who else would it be?”

“Your first wife, sweetie.  I’m your second.  Well, the second one that counts.”

“No, that’s— I’m sorry, that’s nonsense.”  He turned to the older Doctor again. “You can’t tell her, is that it?  Because she hasn’t done it yet?  I’m sorry, River, maybe I shouldn’t have—”

“No!” Babyface shouted, finally collecting himself.  “Yes, we— I had a family, on Gallifrey, before I ever left.  River wasn’t there, obviously, because that’s not how anything works!”

“Who, then?” the young Doctor demanded.  “Who was your first wife?”

“I— I— she was—”  He opened and closed his mouth silently, looking increasingly horrified.

“You don’t like to talk about it,” River explained.  “She passed away.”

“Yes, but just between me and myself,” the young Doctor pressed on with an utter absence of tact that made it easier than ever to see this was the same man before her, “who was she?  And your children, what were their names?”

River hesitated, watching as the older Doctor wrestled with himself.  These were details not even she had ever asked him for.  She knew the general outline, of course, and that was enough.  It was a hurt so deep and so impossibly ancient, she couldn’t truly imagine how distant it must be for him now.  No sense in forcing him to open that door and dwell on it again.

“I, I don’t,” he finally muttered, looking almost fearful, “I don’t talk about it.  I don’t think about it.”

“You’ve forgotten them,” the young Doctor said, voice low and furious.  “How could you?”

“S-Susan,” Babyface stammered, wide-eyed.  “I left Gallifrey with Susan.”

A relieved smile flashed across the young Doctor’s face.  “And where did you suppose she came from?”

“No, she… I don’t…”  Chair legs scraped abruptly across the tile as the older Doctor bolted up from his seat, white-faced, and stumbled back from the table.

“Doctor?”  River stood, her hearts racing.  

His eyes met hers for a split second, the strange terror in them sending a chill through her, and then he was gone like a shot.  

“Doctor!”  She made to chase after him, but his younger version was still clasping her hand.

“He’ll be fine,” he reassured her.  “He’s just working it out.”

“Working it out?” she repeated, too stunned to reach out and grasp for the obvious.  She turned to him in a daze.  He smiled, and for a fleeting moment she fancied she could see the long contentment of a life she’d never dared dream of, etched in each little line on his older, younger face.

“I told you, River.”  He laid his other hand over hers, warm and steady.  “It was always you.”   ***

[thorne93]

Unforeseen Chasm (Part 1)

Prompt: Two sisters fall for men that are absolute enemies. The love they have could tear all of them apart, or it could bring them together. 

Word Count: 2191

Warnings: Language,

Note: This is by far the longest thing I’ve ever written (including my novels). It’s a collaboration with the amazing @mrs-dragneel-stark-solo. It started as a funny “What if...?” and it evolved and got huge. This took two years to write. We are both proud and happy and we hope you enjoy it. It follows from Thor 1 to Endgame in the MCU. Some of the timelines may be off in order to fit certain people, and some characters may show up earlier or in different ways than they have in the movie. But for the most part, it follows the MCU. It also has a bit of crossover with some other Marvel characters throughout the story.

~~~~~~~~~~~~~~~~~~~~~~~~

Once in a lifetime, and sometimes not even then, people meet someone who can be described as their better half. The person who knows them better than anyone. The person who completes them. Sometimes it can be found in a lover, or a sibling, or sometimes...once in a blue moon, it can be found in just a friend -- a stranger you cross paths with one day. A stranger that eventually means more to you than anyone else in the world. 

That’s how it was for you and Shannon. 

It was freshman year of college when she walked into your life. The two of you were set together as roommates. She had a touch of pluckiness to her, drive that you’d never witnessed, intelligence that rivaled yours, and a take no shit attitude. 

Of course, she was shy at first, so were you. But within just a few minutes, you realized that you two were destined to be best friends. Her major lied in anatomical mutation and molecular engineering with a minor in foreign language. Meanwhile, you majored in physics and engineering, minoring in Norse mythology. 

Shannon definitely teased you for that. She wondered why or how you would ever need that, but your reasoning was simply that you enjoyed it. If you were going to spend thousands upon thousands studying something for a career for the rest of your life, the least you could do was study one thing that was a little different that fascinated you, even if was just for four years. 

Your areas of study may have overlapped, but your upbringing didn’t. Shannon had parents, who loved her, and according to her “sent her to a prestigious academy to refine all skills”. And you saw these skills in the way she moved, talked, carried herself, and focused her skills. She was all things a lady should be. In fact, she did so well in this so called “Red Room”, that Howard Stark (founder of Stark Industries) caught wind of her accomplishments and decided to invest further in her. He gave her a full ride scholarship to any college she wanted, to study whatever she wanted. He thought maybe, one day, she might be of use to his son Tony. 

In fact, they became good friends too. Tony and Shannon, that is. He was a few years older than her, but he helped her with her work, and became curious as to why Shannon was always hanging around his dad’s company. It didn’t take a genius to see why Shannon was selected -- she was elite, one of a kind. 

You on the other hand, you were the nerd. The little bit dorky type. All you ever really loved was science, math, technology. You were raised by foster parents, but they weren’t the greatest. They didn’t ever give you any attention past making sure the foster money cleared for you. The only person you had was Remy, another boy that lived in the foster family with you. Kids were in and out of that house for years, but you and Remy seemed to stay, that is, until you left for college. College was where you met Shannon and her family, and ever since then, Shannon’s family was now your family, making you far closer to Shannon than you’d ever been to anyone besides Remy. You went to her house for holidays, even met with Tony a handful of times. 

Once the two of you graduated college and decided on grad school, you didn’t want to separate. Four years of living together had made you two almost inseparable. Not wanting to lose each other just yet, you grabbed an apartment only thirty minutes away from your graduate school. Graduate school was surprisingly a breeze, and when you completed it, the two of you moved into a studio apartment together. 

After being best friends for nearly a decade, you got a dog together, both of you animal lovers and you thought it might add some more character to your home. And he certainly did. 

While the both of you, yes, were involved in STEM, for the most part, your paths slightly diverged.

After graduation from graduate school for both of you, Tony Stark offered a job to Shannon at his company as his assistant. She would help oversee nearly every operation, invention, gizmo, gadget. All of it, would be under her supervision. Through this, she became good friends with Dr. Bruce Banner, and Tony, being at the labs day in and day out with them. 

It was actually in those labs that her… well… accident happened. A lab malfunction caused a chemical gas to react with her molecular structure causing a strange reaction. By strange you meant, well, unusual. She developed a mutation, but not like a third eye, or another pinky. No, she gained the ability to manipulate the weather and drain people of their powers. It was the most magnificent thing to watch. She accidentally discovered her powers at home, in the kitchen, and you witnessed it, but you swore yourself to secrecy for her. You could never hurt her and betray her like that. 

Tony knew, of course, because he had to help her figure out what was wrong with her. And Bruce was an expert in lab experiments gone wrong. Between those two helping her control her powers, and your emotional support, she was just like a normal person -- until you pissed her off. 

Just another crowning jewel on an already nearly perfect woman. She was the epitome of a femme fatale -- beautiful, genius, deadly, and powerful beyond human strength. 

As for you? Your work placed you in the field. Your physics took you to some crazy locations and you picked up work wherever you could find it. You loved physics, you were good at it, damned good. But you weren’t winning nobel prizes, you weren’t heading huge projects for Stark Industries, you weren’t getting offers from MIT for research. No, you were scrounging for contract jobs, for little pick me ups with NASA. It wasn’t that you didn’t like it, or that you were desperate for work. People knew of your work, you spoke at conferences, you were in high demand. 

But by your dumb luck, it wasn’t you that ended up with the glitz, glam, and glory that came from working for Stark. 

For the last few months you’d been in the field with Jane Foster - a highly respected physicist -- with barely any funding. The two of you could barely split the research grant you’d been given and you had to hire an intern. You were all the way out in New Mexico while Shannon was still in NYC, living the dream. You missed her like crazy, but this work you were doing was important… At least that's what you kept telling yourself…

---------------------

Jane and you had set up camp in Small Town, New Mexico, you’d been out here for a few weeks now. There were these strange atmospheric phenomenon that were going on that Jane felt were connected to the research the two of you were involved with. She called Dr. Selvig out to study it with you two, seeing as he was a pioneer in this field. 

Just before you all headed out to the site, you decided to give Shannon a call, a strong case of homesickness hitting you. 

You propped open your laptop and selected her contact and called. The familiar ring only went through twice before her wonderful face filled the screen. 

Y/N! Hey!” she greeted delightfully. 

“Hey!” 

She stepped away from the computer and back to her workbench in Tony’s lab -- a very familiar sight to you. 

“What’s up?” 

“Just missing you. We’re about to go study that aurora again tonight, but Selvig is here now, so it’ll be another set of eyes,” you explained. 

“Ah, yes, the light in the sky. Any headway on that?” 

“None. Hopefully he’ll have some insight because I’m growing tired of staring at clouds each night. I’m not out here to be a storm chaser…” 

“What’s this about storm chasing?” Tony suddenly said, entering your field of view. 

“Hey, Tony,” you greeted in a friendly tone. 

“Why don’t you ditch the desert and come to a real lab?” he asked as he walked backwards, looking at the camera before spinning to stand next to Shannon and work on the tool she was soldering. “You could have unlimited technology here. I could really use someone with your expertise on physics when it comes to landing gear for my suit. What do you say, Y/N? A real job, in air conditioning, not out in the dirt…?”

“Tempting,” you said with a smirk. “But I’m gonna stick to real work for now.”

“Did she just insinuate I don’t do real work?” Tony asked Shannon, pretending to be offended. She merely rolled her eyes and laughed, shaking her head. 

“You two…”  she lovingly chided. “When are you going to come home? I miss you. I need your world famous tacos.”

You laughed. “My tacos are trash and you know it.”

She returned the laugh before becoming serious again. “Seriously though. When? Things aren’t the same without you.”

You sighed, wondering the same thing. “I don’t know. I’m trying to get all this data, but since we have to wait every night… There’s no telling.” 

“Well work hard,” she requested, sadness but understanding in her voice. 

“I’m trying.”

“Seriously. Y/N, pick up the pace, I can’t take another week of this. She is killing the morale,” Tony remarked, gesturing to her with a tool. 

“Okay, Tony, for you, I’ll try,” you said with heavy sarcasm, making the two of them smile. “Oh, shit, gotta go. Time to go watch the sky give me some pretty colors.” You rolled your eyes and told them goodbye before signing off of your laptop. 

The four of you set off about twenty miles west from your little lab in the middle of town. You sat out there for several minutes, nothing happening. Selvig started to question Jane and you, and Darcy was getting restless. Jane was pleading that he just hold on a few more minutes. Finally, Darcy saw something and drew your attention to it. 

This was no subtle aurora. This was… something else. 

Jane ordered Darcy to drive, and all of you launched back into the camper full of equipment, bumping and knocking things as you went over the rough terrain of the desert. Darcy was pushing the camper to full speed, zooming towards the odd light in the sky when suddenly a funnel of light and wind swirled toward the ground. Jane was filming it all and you were taking in what you could. 

Just as you were about to go through the tornado-like event, Darcy cut away from it.

“Darcy!” you shouted, needing to get inside this event.

“I’m not dying for six college credits!” she yelled before Jane tried to take the wheel from her. 

The two of them fought over the steering wheel for a few seconds before -- THUD. You hit something… actually, you think it was someone. Darcy slammed on the brakes and all of you jumped out of the camper. 

You ran over to a man lying on the ground as Jane said, “Do me a favor and don’t be dead.”

“I think legally that was your fault!” Darcy called.

“Get the first aid kit,” you commanded as you knelt beside him. You grabbed his wrist and felt for a pulse -- there was a strong one, good. Next you looked at his face to examine any damage -- but before you could do that, you were taken aback by his beauty. He was… handsome, very handsome. Then he opened his eyes. 

He jumped up, muttering and stumbling around. Jane noticed the markings on the ground, and you saw them too, and they should’ve been important to you, but right now all you could focus on was this stranger. 

“Hammer...Hammer!” he suddenly yelled. 

“Yeah we can tell you’re hammered, that’s pretty obvious,” Darcy noted. 

Jane began trying to note the markings on the ground, telling Erik to look at them, but he was telling her they needed to get this stranger to a hospital. Your mind wasn’t exactly focused on either thing as you watched him. There was something… familiar about him, but you were sure you’d never seen him before in your life. 

“Father! Heimdall! I know you can hear me! Open the Bifrost!” the man commanded, making your hair stand on end. 

“Bifrost,” you muttered inaudibly. You’d heard that a lot. Actually you’d heard that in Norse mythology. Clearly this man was delusional and thought he was some Viking God…

“You! What Realm is this? Alfheim? Nornheim?” the man asked of Darcy. 

“New Mexico?” 

She pulled out her taser and aimed it at him. “Darcy, no!” you demanded. 

“You dare threaten me, Thor, with so puny of a weapon?!” 

She pulled the trigger and he dropped, just as a mortal man would, making some of your suspicion (and hope) fizzle out. Of course gods weren’t real, that was just silly.

~~~~~~~~~~~~~~

Tag List:

@essie1876

@magpiegirl80

@letsgetfuckingsuperwholocked

@iamwarrenspeace

@marvel-imagines-yes-please

@superwholocked527

@missinstantgratification

@thejemersoninferno

@rda1989

@munlis

@thefridgeismybestie​

@bubblyanarocks3​

@igiveupicantthinkofausername​

@kaliforniacoastalteens

@feelmyroarrrr​

@kaeling

@friendlyneighbourhoodweirdo​ 

@damalseer​

@heyitscam99​

@yknott81​

@sorryimacrapwriter​

@glitterquadricorn​

@xxqueenofisolationxx 

@little-dis-kaalista-pythonissama

@bittersweetunicorm​

@alyssaj23​ 

@sea040561​

@princess76179​

@thisismysecrethappyplace​

@sarahp879​

@malfoysqueen14​

@ellallheart​

@breezy1415​

@marvelmayo​

@random-fluffy-pink-unicorn

@cocosierra94

@hardcollectionworldtrash

@capsmuscles

@marvelloushamilton

Loki: 

@lostinspace33​

@ultrarebelheart​

@lenawiinchester​

@esoltis280​

@tngrayson​

@wangdeasang​

@harrymewmew

@jayfantasyatyourservice​

[yume-x-hanabi]

Writer Meta Meme

I decided to do all the questions on this meme :)

1. Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?

My current project is Concubinage, my gaiwin arranged marriage AU. It started as a random, entirely self-indulgent idea, but it has since grown into an actual project. Progress is good, I’ve managed to do bi-monthly updates and I have 30k in my drafts so far.

What I love the most about it is that, since it’s an AU, I’m pretty free to do whatever I want. I don’t have to be too careful of timelines and so on. Plus, in this AU, Gaius and Wingul are able to get closer than they otherwise would, due to the different circumstances. They have their own trials, but it’s different than in the canon timeline.

Another current project is Tales of Xillia Week, but I didn’t get much inspiration for it so I think I’m gonna do meta/headcanon posts more than fics ^^;

2. Tell us about what you’re most looking forward to writing – in your current project, or a future project

I’m looking forward to getting to the part where it’s just domestic fluff haha. It’ll take a while to reach that point though.

3. What is that one scene that you’ve always wanted to write but can’t be arsed to write all of the set-up and context it would need? (consider this permission to write it and/or share it anyway)

Not just one scene ig, but I’ve been wanting to write one-shots showing how the Chimeriad survived, and... haven’t gotten around to planning it. So it’s pretty low on my project list tbh.

4. Share a sentence or paragraph from your writing that you’re really proud of (explain why, if you like)

I have... a few, but they’re all spoilers for future chapters XD;;

5. What character that you’re writing do you most identify with?

I don’t... really identify with characters. I mean, they’re pretty different than me in personality, life and circumstances...

6. What character do you have the most fun writing?

I love writing Gaius and Wingul of course, but Agria’s probably the most fun. She’s completely unrestrained, which makes her pretty easy and fun to let loose XD

7. What do you think are the characteristics of your personal writing style? Would others agree?

Exposition and worldbuilding XD

I can’t help it, I always need to develop the setting...

8. Is what you like to write the same as what you like to read?

Yes. I would love it if more people wrote gaiwin XD

9. Are you more of a drabble or a longfic kind of writer? Pantser or plotter? Do you wish you were the other?

I used to be more of a ficlet writer, but I’m currently doing well with a longfic XD

As for the rest, it varies. I like to plot and outline a bit, but it’s often rather loose and I let inspiration guide me.

10. How would you describe your writing process?

Wait for inspiration time, energy and motivation to align.

11. What do you envy in other writers?

Those who update super long fics every week. How do you do it????

12. Do you want your writing to be famous?

Naah, I’m fine in my corner of fandom. Though I wouldn’t say no to a few more readers, if only to know that the ship still sails xD

13. Do you share your writing online? (Drop a link!) Do you have projects you’ve kept just for yourself?

Yep, I post on AO3. And all projects are meant to be posted one day, but some aren’t simply because they aren’t finished.

14. At what point in writing do you come up with a title?

The beginning, usually, but I might change it

15. Which is harder: titles or summaries (or tags)?

Tags are easy. Titles and summaries are hard, and I always end up with something boring but heh, as long as they get the meaning across...

16. Tried anything new with your writing lately? (style, POV, genre, fandom?)

It was last year, but I tried first person pov with my Agria fic, because that fits her well. I’d like to try poetry, maybe.

17. Do you think readers perceive your work - or you - differently to you? What do you think would surprise your readers about your writing or your motivations?

I have no idea tbh. When I write, I like to imagine what my readers will think (especially like when I write funny scenes, I hope they’ll make people laugh), but idk if it’s exactly like I think.

18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

In Concubinage, I considered adding a plotline where Arst met an ex and had to deal with complicated feelings about it -- being reminded how it was to be in a loving relationship vs political marriage, craving intimacy like he used to have with said ex, etc. I ended up scrapping the idea though.

I also have... two or three possible ways things can play out in a much later plotpoint, and I think I’m pretty sure of which way I’ll go already, but the other possibilities exist. Maybe I’ll make a post about all abandoned plotlines one day...

19. Is there something you always find yourself repeating in your writing? (favourite verb, something you describe ‘too often’, trope you can’t get enough of?)

“And, but, and, but...” XD;

Also characters often find themselves doing something before they knew it...

My style is probably pretty repetitive. I’m not a native speaker, and I feel limited sometimes...

20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)

Concubinage is the result of watching too many sageuk and  taiga drama. No I’m not sorry.

When writing AU, I always like to include “cameo” of the original storyline (for example, as the plot of a book, or treating the canon games as a fractured dimension in Chimeriad Live AU’s, etc)

In Fractured Lives, I try to alternate Wingul and Gaius’ pov. It’s probably gonna bite me in the ass when some plot points work better in one pov but the chapter requires the other. I’ll probably have to come up with some fillers or something...

I have extensive headcanon about Auj Oule’s geography, history etc, which pops up in a lot of (planned) fics. Even if it’s different fics/AU’s (ex. Concubinage vs my pre-game gaiwin project vs the Wingul fic I was writing for the big bang), I reuse the same settings and OC’s. Most of those aren’t written/posted yet so it’s pretty self-contained for now, but if I ever get to completing those projects I hope it won’t be too confusing to readers who don’t follow all the stories...

21. What other medium do you think your story would work well as? (film, webcomic, animated series?)

If I had the art skills, I’d love to turn some of them into comics ;A;

22. Do you reread your old works? How do you feel about them?

Sometimes. Usually because I need to refresh my memory before writing a new chapter XD

23. What’s the story idea you’ve had in your head for the longest?

That project to write the whole pre-game Gaius & Wingul history, that’s something I’ve been wanting since forever. Well, I originally wanted to read it, but since no one’s gonna do it, I started thinking I should write it. It’s gonna be a huge project though...

24. Would you say your writing has changed over time?

I honestly have no idea. I do sense a difference in that it’s much easier for me to just write now; I guess habit helps. But I have no idea if style changed or anything lol.

25. What part of writing is the most fun?

Filling the tag with my OTP XD

[go-events]

GO Rom Com Spotlight: @micky-r-c

The compelling @micky-r-c (also MickyRC on AO3) has claimed The Princess Bride to adapt for Good Omens in the Good Omens Rom Com Event.

For reference, here’s a little background about the source material!

About The Princess Bride: A kindly grandfather sits down with his ill grandson and reads him a story. The story is one that has been passed down from father to son for generations. As the grandfather reads the story, the action comes alive. The story is a classic tale of love and adventure as the beautiful Buttercup, engaged to the odious Prince Humperdinck, is kidnapped and held against her will in order to start a war, It is up to Westley (her childhood beau, now returned as the Dread Pirate Roberts) to save her. On the way he meets a thief and his hired helpers, an accomplished swordsman and a huge, super strong giant, both of whom become Westley's companions in his quest.

We spent some time chatting about how the adaptation is coming so far, as well as future plans for it! Now, get to know @micky-r-c a little better!

* * *

goromcom: You know how if you open a Tumblr chat with someone you haven't chatted to before, Tumblr tells you two things they post about? I wanted to tell you that yours reports that you post "about #good omens fanart and #holiday fic". Do especially enjoy holiday-themed fics?

micky-r-c: Wow, no I would not have expected that. I mean I love a good huddling for warmth or holiday decorating fic, but I don't go out of my way for them.  But I did get really settled into writing Good Omens fic right around the end of November, and I thought, for some reason, that it would be a good idea to do not one, but two advent calendar series.  Didn't finish either of them, but there was a solid two weeks in there where I had two posts a day tagged holiday fic, so I guess that's where that came from.

goromcom: Hey, anything that gets the creativity moving, right? So it’s great that the advent projects inspired you to put out that much content! But let’s look forward to some new content: your rom com! You chose to adapt The Princess Bride. Has this movie been a favorite of yours, or is there some other reason you chose it? 

micky-r-c: Full disclosure here, I'm not a big romcom watcher.  Romcom fic reader, absolutely, but I didn't know most of the movies on the list.  So when I saw Princess Bride on there it was kind of a combination of "Oh!  I know one!" and "Gasp, I could write a sword fight." And now here we are.

goromcom: What's your favorite moment of the movie, and are you looking forward to presenting it in your adaptation? Any loose plans for that scene that you can share?

micky-r-c: There most definitely is.  I bounced between a few concepts for this adaptation, but the scene right at the beginning of Princess Bride when Buttercup realizes the meaning of "as you wish" has me by the heartstrings, and I am very excited to write my Good Omens version (spoiler alert: it happens in 1967).

goromcom: 1967 is such a gift for the GO fandom, how amazing of Neil to give that to us as new content for the mini-series. :) Other than adapting the “as you wish” realization, do you plan to stick very closely to the beats of the original story, or make bigger changes?

micky-r-c: Yeah, pretty close.  I'm not doing an AU, so in weaving the two plots together I'm trying really hard not to lose too much of The Princess Bride, especially since it's such a classic.  I want it to have that specific silly-yet-heartfelt feeling the movie has, which, to be fair, Good Omens lines up with pretty nicely.

goromcom: This movie definitely has a unique feel to it, and I can absolutely see not wanting to poke an alchemy like that too strongly! Given your resolution to preserve that silly/heartfelt tone of the movie, I’m sure you’ve had to make a lot of careful decisions thus far. Perhaps there’s a particularly interesting decision you've made in your planning so far--a notable casting decision, a changing of venue, that you can share with us?

micky-r-c: So I've actually changed the timeline maybe... 6 times so far?  Yeah. It's been everywhere.  But I finally landed on just overlapping with canon in the immediate lead up to the apocadon't, which I'm super happy with.  It means I can have some serious fun with how things could have gone differently.  Plus, I'll be honest, I am very excited to write the Princess Bride version of the wall slam. That one's gonna be A Lot.

goromcom: You can’t see me, but I’m gleefully rubbing my hands together thinking about it. However, I feel like we’re verging on giving too much away, so let’s move on to the wrap-up. I am blatantly stealing this last question from The Good Place: The Podcast, but here goes: Tell me something "good". It can be something big or small. It can be a charity you think is doing good work, or you can talk about how great your pet is.

micky-r-c: Ya know, every time I've seen a spotlight I've thought to myself, wow, I should really start thinking about my answer to that.  Plot twist, I forgot to.  But anyway, one thing that's been really unbelievably good for me recently has been the community I've found through Good Omens.  I've been hanging around the edges of fandom for years, but within maybe a month of posting my first Good Omens fic I was talking to people, getting to beta read things, working up the nerve to leave long rambly comments on ao3... all the stuff I'd always wanted to be doing but never had the community support to build on.  So that's been a literal dream come true, and things like this event have all been a big part of it, so thank you for running it and giving us all this wonderful gift!!!

goromcom: Aww, well, I agree about the GO fandom being amazing. It’s been so much fun so far and I hope we keep on with it for a long time to come. :)

And while we’re all basking in the amazingness that is the Good Omens fandom, don’t forget to keep an eye out for the GO adaptation of The Princess Bride, coming soon!

[songsorter28]

Blackpink: The Album Review

Okay, this is the first time i’ve done this and the truth is i don’t know how, so i’ll just try my best.

First of all: I am a Jennie biased blink. That means I have no trustworthy sense of criticism when it comes to them and if you do, this is probably not the place for you. I will try to talk about this album with a sense of criticism, but sometimes, i’m just gonna like a song because it’s blackpink and y’all just gotta deal with it.

BUT, I am not afraid of saying i don’t like things that the pinks have said it to like, which is actually how i’m starting this review. So, if you guys are all about loving the girls and emotion and “think about how they must feel” this is a decision made by the girls, this place is also not for you either. I am a blink and i share a lot of love for those four women, but i am also a consumer of their work as artists. I will complain if I didn’t get something I thought was necessary as a viewer and listener for my money and attention to be spent. I will not, of course, hate on them in any way.

Ok, before anything:

1) English isn’t my first language, so I apologize for any mistakes. 2) Here, we’re gonna talk about the cover, pre-release single choices, writing credits, tracklist and my honest opinion about the album as a whole.

a) The Cover:

There’s not a lot to talk about but the fact that it’s gorgeous, but simple. I didn’t understand why a crown if the name was The Album (something unoriginal to be honest, but i’m not 100% against it) and there’s no reference to royalty throughtout the album besides maybe Jennie’s rap “didn’t want to be a princess”. I did find the cover visually pleasing tho, could be much more embarrasing.

b) Writing credits and Track List:

This one is quick. I’m extremely glad Jennie and Jisoo were credited as songwriters (Jennie as well as a composer) but Teddy gotta give Danny Chung to god. He hates rapper Jennie and he’s the reason Lisa doesn’t write. He’s always in charge of the raps so teddy gets confortable and Lisa doesn’t get a chance to write her own verses, which is something the sure thing cover showed us she can do. Also, he hates rapper Jennie to the point where she had to write her rap on the title track (wich is good, but, you know what i mean) and wasnt even given a chance to write more than 8 seconds. Melanie I hope this is the last time you were here. Loren you can stay. Tommy and Ryan yall were cute we had fun but it’s over let’s move one (seriously, these producers really made me appreciate Teddy more lmao pls sir never leave us). Okay that’s it. Now, to the track list.

I will be talking about the fact this shouldn’t even be called a full album on the My Honest Opinion About The Album As A Whole topic.

1. How You Like That

I say my opinion more detailed on the next topic but at at essence. Cute. A good opener to the album and what is to come, but too much of a bside to even be a pre release single.

6.5/10

2. Ice Cream

Again, my opinion it’s on the next topic. Cute song. Loved Chaennie’s high notes and wish i didn’t know english so the rap didnt sound that silly. Not as bad as blinks and non blinks make it out to be. 

6.12/10

3. Pretty Savage

I kinda also talked about that in the next topic lmao. It has everything a blackpink song should have. There’s been some controversy about Lisa “born skinny bitch” but Lisa was talking about herself since she has been body shamed through her whole career. She was right and she should say it. You’re entitled to feel uncomfortable but that’s just the thing she wasn’t talking about me or you. She was taking her pain and wearing like an armor. This was a diss track for the haters. Taking that away from her because of our own issues it’s kinda mistreating hers.

8.82/10

4. Bet You Wanna

Yes you guessed it right I talk more about it next topic. It’s a bop. Loved Jennie here. She has such a versatile voice I was very proud to hear her. And Cardi was also good. Just hope Lisa will get her rap part live cause she didn’t have much lines here. But I loved Jenlisa’s brigde. Rosé’s adlibs peak perfection and Jisoo’s chorus and english that’s what i’m talking about. The chorus can be a little repetitive and it kinda ends a bit suddenly but it doesnt bother me much.

8.37/10

5. Lovesick Girls

WHAT TO SAY ABOUT THIS MASTERPIECE OTHER THAN BEST BLACKPINK TITLE TRACK? Love that for me. It was so different than anything they’ve done so far, the lyrics were AMAZING, the message behind it also, the visuals in the MV, storylinne, RAPPER JENNIE OMG, she got the most memorable line “didn’t want to be a princess, i’m priceless” i love her tf the shade to the yg princess title and her scene in the car and in the mental hospital(will not touch on the controversies cause that was annoying) also Lisa’s rap/singing with a flow in the begining her voice OMG I WAS SHOOKEDT. Jisoo’s high note in the brigde? Rosé?? perfect.

10/10

6. Crazy Over You

Rapper Jennie for the last time with a 8 second rap again but LET’S BE POSITIVE. A bop. I loved the i. went. crazy. over. you. I love the lyrics. It bother a bit this much english but it’s bp’s idendity so i’m fine with it.

8.5/10

7. Love To Hate Me

This was a predictable song in the best possible way. Easily one of their best songs. There’s honestly nothing left to say. Also. Lisa’s rap. Maybe Danny Chung deserves some points. It even felt like she was a feat in the song like her flow yall just perfection.

9.4/10

8. You Never Know.

Great song I left with depression.

I like how this album talks with haters and blinks, it really shows a different side from the pinks. Only a few know the emotion Jennie starting off “but you never know unless you walk in my shoes [...] cause everybody sees what they wanna see, it’s easier to jugde it than to believe”. It was written by Loren, a close friend from the girls and the boy who’s Jenlichaeng  boyfriend in the LSG’s MV and Bekuh Boom, a producer who’s been with them for really long, but if anyone got a conspirancy theory that they were involved in the songwriting process of the song, sign me up. You don’t need proves. I believe you. ALSO JISOO GOT MOST LINE ON THIS ONE and we got singer Lisa. After a while, it become my favorite song from the album. Now, it’s my favorite song from their discography. Debate your mother.

9.62/10

c) Pre-Release single Choices: 

I can’t stress about this enough. Whoever was in charge for the single choices needs to go to jail. Not that HYLT is bad (at all) but comparing to the rest of the songs, it look MUCH more like a powerful bside than Love To Hate Me and Pretty Savage ever will. I will lecture later how Pretty Savage was the perfect choice to first release single, just wait. Now, to the controversial Ice Cream. To be honest, i found the song super cute and i think the MV was one of their best. It was different and refreshing, love that for me. But the whole sequence of events that turned out to that disasterous twitter timeline, with constant attacks to the girls especially Lisa over things they cannot control such as line distribuition and a sabotage from antis on yt comment section, was something I kinda already saw it coming. Ice Cream is Blackpink’s most successful single to date, but it was a bad choice from the start (I will talk about that in a second). For starters, YG decided not to promote the song well. While announcing the single, they gave us a poster with pictures from a summer package released months before. And each week they kept doing that, only using actual teaser photos in the release week. The hype was pretty much out. I can’t say my timeline is 100% blink because i have way too many fandoms that i’ve been following for longer than i’ve known kpop, but compared to the HYLT hype, they were pretty down and that’s on YGE. Also, ever since coachella, it’s been antecipated by fans and artists the possibility of a Blackpink x Ariana Grande (one of the most popular singes these last couple of years). The idea of an Aripink collab got blinks (who were already with an eye wide open after Blackpink was seen with Tommy Brown, Ari’s basically oficial producer, who has been producing for her ever since her second album and was reponsible for many hits of her latest project, Thank U, Next, such as 7 rings and Thank U, Next) even more hyped when YG announced (one of those old photoshoot posters. I’m sorry I will never let that go that company is so trash) that Blackpink’s second release was going to be a collaboration with a western artist, and Ariana herself like Jennie’s instagram post about the next single. I cannot put in words the reaction of my twitter timeline when YG confirmed that the collab was actually with Selena Gomez. 

Now, on a more personal note. 

You see, I actually like Selena. I like her songs, besides the critics. Perfect is pop perfection. Waverly Place is the best disney show ever since That’s So Raven. But, to a collab made to the US market, and besides the success of Rare, Selena isn’t a sales force like Adele or Taylor Swift, nor a streaming force like Ariana Grande. Nothing takes my theory that this was supposed to be an aripink collab but, for some reason, she dipped and then interscope (blackpink us label and selena’s label) picked her. Selena showed us a good time and promoted the girls more than YGE did but, it wasn’t a surprise when the song didn’t get a top 10 (a top 13 is really good tho, don’t get me wrong). 

Now back to the story telling

Selena was more than a feat, she sang the whole damn song, getting more vocal lines the the entire vocal line. She’s only a few seconds behind Lisa, who got the most lines in general. I understand that it is a collab, but this is the girls’ single. Why would they want to listen to them for only 16 seconds, the amount of time Rosé got? That set a bunch of solo stans (something that exists more in this fandom than everywhere else) to boycoitt the release, a huge fansite even taking out their funds for the full album (that was low, even for a solo account. JisooBar, you aint seeing heaven). Did i think it was a little of overeacting? As someone who’s an army that had to handle Not Today’s line distribuition, and especially since we’re talking about the main vocalist, someone who will for sure have more lines in the future (as she did), kinda. But, like i said, it was a bomb getting ready to explode at any minute. If it wasn’t that it’d be something else. That being said, NOTHING will ever justify the nastyness y’all did with Lisa and even Jennie’s comment section. Nothing. That was ridiculous even for solo stans. BUT for people who got worried about Lisa’s lack of posts after the release, don’t worry. She didn’t post a lot because Thailand is going through some stuff and I don’t think she has YGe’s permission to talk about it (when I catch the ones in power on that company istg). 

Wow, that was long. At essence, it  was a bad choice for several reasons, but i enjoyed the song a lot. Can’t wait for the live performances with chaesoo’s lines.

Now, back to HYLT. It was greatly promoted, it stopped Zico’s (huge in korea) releases and a bunch of other big artists in South Korea. Got 7 Perfect All-Kills and would’ve gotten more than 12 if the charts weren’t reforming at the time. It also broke a lot of records, and repeated Sour Candy’s position on the bb100 on #33. It’s another very Blackpink song that  I enjoyed but kinda aged. Many non blinks didn’t like it but it’s not like they were ever going to admit they liked a bp song. They’re annoying. The song’s biggest problem is probably the 2015 edm in the chorus. Like. Teddy. You gotta let that go. It’s time. He kinda heard us in the album. But, these kinds of songs are very liked by the general public, especially the korean one. An interview was made asking the general public if blackpink should change concepts and they said a bit fat no. So that tells what you need to know. And that it why i think Pretty Savage should have been the first pre release single. 

Okay, let me tell you another series of event. Back on november 2019, when we were starving because YGe does not like money, BlackpinkBar, a big fansite, payed trucks to be sent to YG building during a whole day demanding for better treatment to Blackpink. You can find all the demands online, but at essence, when it came to music related, blinks always mention: Jisoo’s lines, screen time and blackpink in your area, Main Rapper Jennie, Lisa dance break, Rosé’s high note. On HYLT, we got nothing. And everyone had to shrug it off saying it was just a pre release single, BUT it would be better hyped by blink and the hype to the second pre release would’ve lasted longe if PRETTY SAVAGE, who has basically all of that, was the pre release single. It would’ve assured us of so much. Jisoo said bp in your area twice, she RAPPED, she was singing, she could’ve had more screetime and center time especially bc she’s on all chorus. Jennie Main Rapper would go back and we wouldn’t have to be blue balled (which caused the ice cream meltdown)every single release and only having to wait till the title track and only to have a 8 SECOND RAP. I won’t talk about that now. Moving on. Rosé wouldn’t get a high note, but she would’ve gotten the brigde all to herself and the next pre release single, bet you wanna (wait for it), she would get those incredible adlibs. And Lisa’s dance break. Not only this is bp’s most danceable song and has a bunch of lisa’s raps, it also has jennie’s outro, where for a least 20 seconds lisa could’ve thrived. Yall we were robbed.

Now, real quick, back to Ice Cream. In a perfect world (or just a world where YG’s current ceo) had brains, if they wanted a collaboration to show the pink side of blackpink, with a poppy song and sassy lyrics, the artist not to be in the whole song, and to have an artist who would driven attention from the locals and is a big streaming force, THEY WOULD’VE CHOSEN BET YOU WANNA. My biggest problem with bet you wanna is Lisa’s lack of lines, which could cause stuff and well we just miss her they could have added a rap even for 8 seconds, BUT, seeing her all around pretty savage and knowing she’s gonna have Cardi’s rap during live performances would cool things down. Since we were in the middle of a pandemic, instead of a mv like ice cream where they had to do it separately, they could’ve done something like IU’s eight. A huge part in animation and a few with people. Literally YG why are you so dumb. Bye.

d)  My Honest Opinion About The Album As A Whole:

I did some math (lol) and my rank for The Album is 8.4. It’s easily one of the best releases from this year and I loved it so much, but something were left to be desired and i think i could pass everything and just turn a blind eye at things, except one: the fact we waited for 4 years, watched all ggs and yg groups getting comebacks last semester and only got 8 songs. Loona is releasing a mini album with that amount of songs. Stray Kids and BTS’s mini albums are longer than that. It was bad enough KTL had 4 songs and a remix (a joke) with 2 songs lacking raps and no rapper jennie only for them to carry YG’s dirty name after what their protected boys did. I legit hate it here they didn’t even had 30 minutes, their longest song wasn’t even 4 minutes. Also, before anyone says anything about the girl’s interview about quality over quantity. I’d like to say that i understand them having that when it comes to have one comeback a year and i’m honestly okay with that. But their first full album? 8 songs? Are you kidding me? Like I said, I’m a consumer. I refuse to receive this half assed excuse about quality over quantity when they had more than enough time to produce and write more than 8 quality songs? what, is impossible to write more than one song per moth? these songs have formulas, they can be made more than 8 times. A blackpink album its more than a thousand reals here. That 90% of a sallary. And please don’t come with the “if you don’t want it just don’t buy it” “you can just unstan them” bc that’s not the case. I love their songs. I love the girls. But I’m a consumer of their art and if they want to be takend seriously as artists, they gotta do more than 8 songs on a full album. It’s unfair to anyone that isn’t a diehard fan willing to sell out an overpriced photobook in hours. That’s not the only kind of fan blackpink needs. they need the store locals, the people who are not on twitter or tumblr or instagram. Cause those locals are gonna stay like they stayed with adele and taylor swift. stan twitter is much more likely to leave them with time.

Side note: I’m tired of commenting on rapper Jennie so I’ll just say Jennie deserves better than 8 second raps as the main rapper of the group. That doesnt mean I want Lisa to not rap or to Jisoo not to sing, as many will say bc apparently that’s what people hear when we say main rapper who trained for 6 years to be a main rapper should rap on at least most title tracks even if not on all songs.

But yeah, that’s it. Besides the unfortunate final note, I loved The Album and now Blackpink it’s my second most listened artist of all time. They were top 13 before the album.

[seraphicwiing]

Video Analysis #5- CRISIS CORE (The Truth/’You Will Rot’) 

Alright folks, the wait is over. As promised, I finally have written up my analysis of this very pivotal point in Sephiroth’s tragic timeline. After all of the posts I have made leading up to this, we have learnt of his compassion, his friendship, his loyalty and his martial prowess. Tonight, we’re going to delve into the start of his madness. Buckle your seatbelts peeps and grab some popcorn, this is gonna be a long one. The clip is 3 minutes long, hopefully the analysis I write doesn’t ramble on for too long. Sit back, relax and enjoy the read! (Also testing out a new format for these types of posts with more structured topics and headings <3)

Context

Before we talk about the scene linked below, we must first talk about the events leading up to Genesis’ being an utter douchebag to his little brother and pulling him further into the madness that would lead to his downfall. Sephiroth and Zack arrive at the Nibelheim reactor and quickly discover that not all is as it seems. The pods containing experiments from past JENOVA projects are revealed to the two SOLDIERS and it begins to make Sephiroth question his entire existence. He had been deprived of the truth his whole life, and even now at the cusp of it all his mind is breaking because he can’t tell what is right and what is wrong anymore. Even with Zack trying to help him, the information thrusted at him is all too much for him to bare. 

ShinRa had no idea how fragile Sephiroth’s mental state actually was, nor did they consider the fact that maybe sending Sephiroth to Nibelheim may not be such a good idea considering what was hidden there. But that’s a story for another time, let’s get this started!

‘Am I... A human being?’

Here we begin to see the slow breaking of the once proud hero. The way he says those words, the tone of which he conveys his shock and utter sadness at the fact that the life given to him is most likely nothing more than a fruitless lie. This is such a stark contrast to the Sephiroth we all knew and loved when speaking to his friends in past analysis videos. It hurts a lot more for me since I absolutely adore this character and just hearing him slowly lose his mind really hits me in the gut. After this we see Genesis confirm albeit in the most cruel, heartless and condescending way possible that Sephiroth was an experiment and while Sephiroth really didn’t need to believe a word Genesis said, his psyche had already been broken. All this information being thrown at him is such a huge tidal wave of emotion, it’s no wonder Sephiroth felt overwhelmed. 

(“No such luck. You are a monster.” Okay small tangent for a second: Genesis in this scene is doing himself no favours at all. He wants Sephiroth’s help so that he can live right? Why tell him that he’s a monster and droll on and on about how his life was a lie and that his mother wasn’t actually a real human being but an otherworldly cosmic entity AKA a Monster? AND THEN PROCEED TO ASK HIM FOR HELP THINKING THAT HE’LL JUST WILLINGLY ACCEPT? As I told a good friend of mine: Genesis is such an idiot. I AM SORRY GENESIS RPERS OKAY, I LOVE HIS CHARACTER BUT THE WAY HE ACTS IN THIS SCENE IS SO FUCKING DUMB)

Genesis calls Sephiroth the ‘Greatest Monster Created by the Jenova Project’. And this is 100% truth, we’ve all seen just how strong he is, how special Sephiroth is. This is Genesis trying to turn him onto his side by appealing to the monster and detaching him from his human self. But this was a completely wrong way to do it, especially with a fragile mind like Sephiroth’s. He wanted to be human but he knew he somehow wasn’t in a way, he was always detached. And while he always opened up to people in a manner of which was incredibly kind hearted, he always felt like his brith wasn’t normal. Now finding out the truth, he DOES NOT want to be a monster, he DOES NOT want to be considered compartively to the beasts that were in the pods and with Genesis’ continual insistence that Sephiroth is nothing more than a monster, the small rope that was keeping his mind in check was slowly breaking under the large weight of the truth. 

‘Poor little Sephiroth. You’ve never actually met your mother.” 

Here is where things get super bad for our soon to be psychopath. Genesis throws out all of his cards onto the field, revealing the truth about Sephiroth’s existence and also revealing the truth about his mother: JENOVA. Genesis was right, Sephiroth had no idea who his mother was other than the supposed truths that ShinRa told him. I like to believe that when Sephiroth was growing up, they gave him a forged picture of what his mother looked like AKA JENOVA and from that day onwards, Sephiroth has always conjured that image in his head, that same picture is on his desk back at Shinra HQ and he cherishes it. It makes it hurt so much more watching the scene with this in mind as Genesis further digs into Sephiroth’s heart by mentioning that she was nothing more than a monster and whatever he clung onto was a giant fat lie. 

Notice how Sephiroth turns away from Genesis, the natural smile is gone. His stance, his posture has gone. He’s almost lurching forward, his confident strides naught but small steps forward. His eyes are wide and close at times, he is trying so hard to process everything but it’s all coming too fast for him to handle This form of coercion employed by Genesis may have worked on Angeal but Sephiroth? Hell no. It’s also quite amusing that Genesis knocks Sephiroth out of his confused state by calling him by his full title. SOLDIER: 1ST CLASS, SEPHIROTH. He says it similarly to how a general would do a roll call of his cadets before training, and this is literally conveying Genesis’ belief that he is in full control of Sephiroth, he holds the cards, he holds the power over his little brother this time. He believes that Sephiroth will give him what he wants. Little did he know how wrong he would be however. 

‘What do you want of me?’ 

Genesis’ motivations are finally made clear and we learn what makes Sephiroth so special when it comes to the JENOVA Project. We finally learn of the project where Angeal and Genesis originated from as well as the the one where Sephiroth was from. I’ll let Genesis say why in the video becaue he’ll explain it better than I can, I’ll end up butchering it if I tried. Basically what he wants is Sephiroth to share his cells so that he can stop his degradation. He’s slowly dying a painful death and Sephiroth can stop that because his cells have been perfected. Sephiroth has remained quiet this entire time, pondering the truth while Genesis flaps his gums about being saved, he has already made the decision in his head of what he wants to do. 

‘The Truth I have sought all my life. You will R O T.’ 

And here we finally reach the end. Sephiroth with no remorde left in his heart, his mind deadset on now learning the truth of his birth, denies and what I believe he also does is disown Genesis as a friend and brother. All the memories they shared, all the times they recited and enacted ‘Loveless’ together with Angeal, all of that is now dust in the wind. His expression, the deadpan stare that he gives Genesis is a lot more similar to the evil Sephiroth scowl we all know and love. The way in which he speaks, gone is the relatively light hearted, dry humoured tone of the hero that everyone looked up too when trying to become a soldier. No, he speaks with rage and grief in his tongue. He is legitimately torn asunder after the revalation. Whether it be lie or truth that came from Genesis, he’s done with his brother. Their friendhip is over. And at last, he delivers probably the most scathing, delicious and satisfying burns in Final Fantasy. Not only does he reject Genesis, he literally tells him to ROT. To DECAY! He tells Genesis in the most fitting way to just ‘GO DIE’. ‘THEN PERISH’. It’s one of my favourite insults in Final Fantasy ever. It’s nice to see the sarcastic wit hadn’t died with Sephiroth’s kind hearted nature. 

The scene ends with Sephiroth heading to ShinRa Manor to find further information of his existence while Genesis is left at the reactor. The closing words being: ‘ I see, perfect monter indeed...’. Genesis was actually surprised when Sephiroth denied him, it was quite a priceless reaction if I do say so myself.

I guess this is a fitting way to conclude with a very salty Genesis and a very angy Sephiroth. I want to thank you all for sticking with it this far I know this was a lot longer than normal but there was so much information to digest. I hope I didn’t waffle or state anything that was super obvious from the clip. This’ll probably be the last one for a while as this definitely took a lot of steam out of me. But yes, I’m glad so many of you enjoy this, if you have any scene requests that you'd want to see me have a shot at IM me <3

[thegeminisage]

hey liz i've been thinking a lot about story structure lately and i wanted your take on how you decide what structure your stories will have? i know there's that "you have to do what your story needs and tells you to do" thing but these bitches dont ever tell me anything they just multiply so. thoughts? - bma

(as an aside, i don't know whether involving medium would change many things but it may be worth considering. mainly i think medium is just a matter of arrangement and that the story would be for most intents and purposes the same no matter how you choose to tell it. i guess you could argue that structure is arrangement in itself and intrinsically tied to medium but i sort of feel like it is secondary arrangement, if at all? like if you consider time as an element to outline -- the time IN the story (how things happen to your characters) is not necessarily the time you’re telling the story IN (how you are telling your reader that things are happening) aka internal chronology doesnt equal your work’s pacing? or should it??? does this make sense? i dont think so. i am sorry.) - bma :|

NOOO dont be sorry ur making total sense

i think there’s 3 thots to unpack here (medium, structure, & chronology) & i’m gonna start with medium bc it’s easier. im also putting it behind a cut bc it’s gonna get just stupidly long and rambly. i’m sorry in advance if it’s not helpful to you, i have a lot to say for someone who has never taken even one single class on writing and as a result doesn’t know jack shit (there’s a tl;dr at the end dont worry)

about MEDIUM: 

so like ok i’m just some goof-off with a HS degree who writes fanfiction but In My Very Super Qualified Personal Opinion, i don’t think that most of the time medium is intrinsically tied to STRUCTURE of the main storytelling arc...i think the art of storytelling itself is distinct from the medium you choose to tell the story IN. this post puts it better than i ever could but basically for me, i feel like the story itself is sort of the raw, malleable concept, and the medium you choose to tell it in is how you convey the information??

like in a book, you can say “she forgot her keys” and in a film you have to show her smacking her forehead, heading back into the house, and swiping her keeps off the counter. you can’t TELL in film, you have to show. similarly i regret every day i cannot perfectly describe a facial expression with words when i see it so clearly in my head. for audio-only podcasts that are dialogue heavy out of necessity you have different limitations than you would for, say, animated music videos with no dialogue at all. games allow for more interactivity and exploration while sacrificing accessibility, tv shows allow for more length while sacrificing, uh, a big hollywood budget...medium affects the kind of story you can reasonably tell which is why some stories are better suited to one medium than another. i think trying things in other mediums is a good way to stretch your storytelling muscles but with enough skill nearly any story could be told in any medium. i think when trying to decide on a medium you just gotta weigh the pros & cons and what you feel comfortable with/what you think would be most effective/what would evoke the strongest reaction

re: structure:

firstly “do what the story tells u to do” is a little silly like...the story isn’t sentient. come on. that’s like “i can only write when the writing gods inspire me” there are no writing gods! inspire yourself! it’s all in our weird messed up brains! ok anyway.

this is, again, just how i do things, and i am 700% self-taught so take it with a grain of salt, but when i sit down and start blocking out a story from scratch i don’t...actually consider the big structure at all! sorry if that’s not helpful to you. i like to make a list of everything i want to happen, and then put it together in a few different orders to see what looks best. and when i’m finished, whatever i have just like...IS the structure i go with, with perhaps minor tinkering to make it flow more smoothly. (i think this might be in the same spirit as “do what the story tells you” with less bullshit and more Agency Of The Writer.)

for long and more complex projects, i actually usually have several lists - one list of stuff that is, for example, the Action Plot (the kingdom has been cursed, i’m tracking down my serial killer sister to bring her to justice, i’m running from djinn who wanna kill my dad, i’m trying to bring my dead not-boyfriend back to life). then i have another list for Character A & Character B’s romance or whatever. and maybe a even another one for solo character development (magicphobic prince learns to love magic, former werewolf hunter figures out his family is a cult, half-demon learns to embrace his own nature). and as many lists as we need for however many Main Characters and or Plots/Sideplots

how i order the lists: individually first. don’t mix them together to start with. when deciding the order of an individual list i like to, for example in a romance arc, use escalating intimacy. “A and B have dinner together” is naturally gonna go way sooner than “A and B kiss” or “A and B talk about A’s angsty backstory” because that’s more satisfying. draw it out, good/important stuff last, dangle that carrot so we have a reason to keep reading! for singular character development, it’s basically a straightforward point A to point B...if i want my guy to start hating magic with everything he is and end up being very comfortable with it, i have to put “reluctantly uses magic to save his own life” WAYYY before “casually using magic to light torches and reheat his cold stew.” 

the tricky part for me is when i’m done with these lists and then i need to mix them together To Pace My Whole Story. (this is usually why i wind up with a rainbow colored spreadsheet.) i don’t like to put too many things too close together because then the pace feels uneven. even if my Action Plot is only a thinly veiled excuse for romance and character development, i still don’t want to focus on a romance for 30,000 words and then go “and oh yeah in case you forgot Serial Killing Sister is still coming for your asses.” the more sideplots and major character arcs you’re juggling the harder it is to get an even distribution, which is my main concern always

and like, generally, whatever i have when i’m finished...is my structure. (sorry.) 

i don’t know much about the classic 3-act or anything like that, but i usually can divide them up into 3-5 big arcs based on story turning points. sometimes i take a scene out of one arc and put it in another because it fits better and i like for my shit to be organized, but usually by the time i’m finished with all that, that’s what the final story is mostly gonna look like. (there have been a few exceptions when i realized i needed extra scenes/changes while i was MID-DRAFT and let me tell you that murders me EVERY time. it happened on the merlin fic i’m currently posting and that was like my own personal hell.)

this is also where thots about chronology come in:

i think time CAN be an element of this if you WANT it to be, but it doesn’t HAVE to be. if you want it to be, i would consider it just another “list” like character development or the romance arc. 

i usually plot without considering Time very much...to me, it’s all down to the events you want to show, and however much time it takes is the byproduct. if you want to show something from a character’s chilhood but then tell the bulk of it when they’re adults, that’s one thing. if you want to show a scene from their childhood, teenhood, young adulthood, etc, that’s a different kind of pacing?? i usually do it this way so i can regard time like wordcount: it takes as long as it takes. 3 days or 3 years, a 1.5k drabble or a 100k epic...overall, my LARGEST CONCERN is that even distribution. in the same way that i don’t want one chapter to be 30,000 words when the rest are 10,000 words, i personally am not a fan of huge timeskips offscreen

(because this where i think someone’s own internal chronology DOES matter...this is just a personal preference, as a reader i have a hard time really comprehending, say, a year timeskip or a 10yr timeskip when all i did was turn one page. like, a year is such a long time. i can’t even begin to describe how different i am now to how i was a year ago. it’s the same for character development. time IS development and as a writer i’m not really comfortable having that take place offscreen - for main characters, at least. it’s just too jarring. a little prologue with something happening 10 or 20 years ago is usually fine, but for the most part, i’m not a fan. ...i can do one chapter per year a lot easier than i can do two chapters in childhood and the other 8 in adulthood. of course you can play with this a LOT with nonlinear storytelling, which is a whole other very cool thing, and someone skilled in their work can keep me sucked in no matter what, but imo if you don’t want to risk throwing your reader out of your work it’s better to keep things steady)

HOWEVER sometimes time IS an element u wanna consider outside of just making sure your shit is evenly distributed...if your heart is moved to tell a story in a specific timeframe, over a year, or from solstice to solstice (this was almost the timeline for my merlin fic and then i changed it), for the first six months of a friendship, or even a huge journey in the span of a single day (toby fox had a lot of success with this one lol).

i think it can help to choose a start and end point for your chronology the same way you do for character development (prince goes from hating magic to being ok with it, story takes place from ages 8 to 25, or from new year’s eve 2038 to 2039, whatever) - that way you can keep your distribution even, if that’s a thing you want to do...even if you have a lot of skips you can still note what happens offscreen to make it work better in your head? like, if you just make it another List, another column on your spreadsheet, when you’re in the early stages of organizing you can be conscious of it and make sure it’s playing into the story the way you want it to

anyway these r my thots im SOOOO SORRY this is so long lmao. brain machine broke today which is why i had to ramble more to explain myself. the tl;dr in case ur brain is melting out of ur ears & u didn’t sign up for an essay:

imo medium is totally distinct from storytelling tho ofc some stories are better suited to some mediums

structure? i don’t know her. i plot w/o regard to structure and then if it looks funny i mush it into a more structurally sound shape

my main concern when structuring anything, including time, is an even distribution of Events and a steady rate of escalation

structure to me is just what i have when i’m finished plotting. i’m sorry one day i’m gonna take a writing class

internal chronology matters to me personally because i have a little bit of time blindness but maybe not to everyone, i know many very successful stories where they disregarded that entirely to no ill effect

writer’s block isn’t real! everyone just needs more rainbow spreadsheets

thank u for asking I HOPE i didn’t make you regret it too badly lmao and that at least a little of it was helpful!! 

[ohcoolnice]

Late

It’s a full story, I swear it’s just...I can’t figure out a title so we’re gonna just title each chapter. Also, each chapter’s title may seem like it connects to an insignificant detail, but it has deeper meaning. I’m known for my especially angsty works. MWAHAHAHAHA. 

SUMMARY: 

Marinette seriously just cannot afford mistakes, so, naturally, there are so, so, so many. First, four of their models call in sick, thanks to the lovely flu going around, meaning they don’t have anyone to model for most of their women’s pieces. Then, Adrien’s bright idea to have Marinette model her own pieces gets approved by Gabriel, and, obviously, it all backfires spectacularly-on him.***This is set in the future, The character’s are 19 and 20-ish. it’s all messed up tho bc i can’t figure out timelines so whatever. 

(THIS  CHAPTER IS A BIT BAcKSTORY, But also plot yay :) 

-----

Marinette could not afford to have anything go wrong today.

The new Gabriel HERO™ Collection was going to launch in two days, and with the delay she’d experienced last week with the fit models, she’d only gotten Gabriel’s approval on the final designs three days ago, stayed up all night to do the flats and came in the next day, sleep deprived and sure she’d have a heart attack with the amount of caffeine she’d consumed.

The department had been a great help. Ellie had agreed to touch up some small errors Marinette had made will working on the flats at four in the morning, enlisting Jonah, who was a wizard with Illustrator, to help her.

Samantha was great with construction, she knew every single stitch, and Marinette was sure she’d invented at least twenty of her own. She could work fast without making any errors, all the while making the rounds and helping anyone and everyone.

Marinette oversaw everything. Technically, on paper, she was an Intern. But she had been working with Gabriel for three years now, and not even out of Fashion School yet. At seventeen she’d begun interning, still surprised she’d got it, though she suspected guiltily that Adrien Agreste may have had some influence over the matter once he’d congratulated her when she’d never told him in the first place. They barely even spoke. Every so often she had nights where she felt so bad, maybe taking some other more talented girl’s spot only because she had gone to school with the designer’s son, that she would cry and sob until she passed out from exhaustion. It didn’t help she heard it often.

She learned to ignore comments and overtime the public perception of her grew more positive as people began to see her designs once Gabriel became her Mentor and put her in charge of design for several collections. She knew people knew her name as she often accompanied Gabriel to shows, taking notes on the pieces but also making notes on every work that came from Gabriel’s mouth, but she didn’t want to be too known. Even in fashion school, most of her classmates, obsessed with knowing everything about the fashion world, didn’t know who she was, just that she interned with Gabriel, perhaps. Marinette liked it that way. She wasn’t a big fan of too much attention. She preferred if she could wait until she graduated to make a name for herself.

Gabriel had admitted, in an awkward moment once two years ago, that he wasn’t overly sure as to why he decided to become a mentor to the baker’s daughter, but he remarked on the similarities he saw in his younger self and her.

She didn’t really believe him. She wasn’t sure she’d ever seen him smile, not once, even when she knew he was kind of proud of the work she was doing. Over the years she’d come to notice it wasn’t hard to read his expressions- okay, it was hard, just not impossible- once you’d spent enough time studying him. And Marinette took note of everything he did. Alya often wondered aloud how the designer wasn’t creeped out by her.

Marinette didn’t know how she could possibly be like Gabriel. He showed no emotion on most occasion, but she was the complete opposite. Another reason why the media often wondered what it was he saw in a seventeen-year-old intern. He knew her designing and construction skills from the competition she’d won three years prior, but that was really all he’d seen up until her portfolio, which she’d snuck onto one night before the leaving on what was supposed to be the last day of her internship. The eight days after that where she’d heard nothing had been the most depressing days of her life. Then she’d gotten a call from Nathalie, Gabriel’s assistant, asking her to come in, and she almost passed out. She’d cried so hard after that Alya had thought Marinette’s parents had died. Sometimes she wondered how Alya came up with the conclusions she did.

Everything afterwards hadn’t been smooth sailing, but it was all incredible. Every stressful task was worth it. She was being paid as an intern, since there weren’t technically any positions available at the time. There since had been some, but she didn’t dare ask for a raise. She liked being able to do everything without being confined to the title of “designer” or “dressmaker” or whatnot. She liked doing all of it. The customer service, the finances in accounting (she was terrible at it, but overly grateful), and obviously out of everything, the hands-on fashion was her favorite, but she was getting to experience working in every single aspect of one of the most successful Fashion Companies in the entire world, under the tutelage of Gabriel Agreste himself. She really didn’t think she deserved to be that lucky.

Of course, there were times where she’d broken down at two in the morning, struggling to finish an assignment while balancing school as well. Gabriel had the sort of connections where she was able to miss classes and take them at home thanks to a recording of the class, and while she utilized it, she didn’t really prefer it. She liked being in the class and learning hands on, in an environment electrified by the excitement of young adults itching to get out there and create art. She also knew she did tend to do the work for Gabriel before her studies, and it often resulted in stress and a rush the complete assignments and projects.

If she’d ever felt stress before, it was nothing in relation to the stress of the last two years. And even that was nothing in comparison to the stress of being late to a photo shoot that needed to be perfect because the entire goddamn collection would be public in two days and if she wasn’t ready, no amount of fondness Gabriel had come to feel for the girl would be able to save her job. This was a HUGE deal.

Her car pulled into her spot and she grabbed her things and breakfast for the crew. Next to her, Alya, who had taken the day off to help her best friend, took the trays and boxes from her hand and pushed her towards the entrance. “You’re already late girl, get out of here!”

“Thank you, thank you, thank you.” She pressed her hands together, blessing her friend for being so helpful, before rushing inside, hands full with the last pieces she’d finished last night before, thankfully, getting a good night’s sleep. She was glad the people from Vogue wouldn’t have to see her when she looked as if she’d been attacked by a bear and hit by a train. She didn’t want to wear makeup and risk the chance of feeling anything uncomfortable enough to distract her from her work.

She struggled with the door, grateful when she saw a glimpse of Adrien walking past inside from behind the garment bags covering her view. She knocked on the glass and the door opened a few seconds later.

“Thank ymph.” Her voice muffled behind the garment bags were met with a chuckle from Adrien as she felt the weight in her arms lessen a bit.

“Let me help you, Marinette, you look like you’ve got your hands full.” She gave him a blank look.

“That wasn’t even good. I don’t even know if that can be counted as a pun.” They were almost at the dressing station now, people rushed about, voices mixing as people rushed to prepare the stations and models. Chloe Bourgeois was the only superhero who had shared her identity, so, unfortunately, she would be modeling for the Queen Bee themed women’s pieces. Thankfully that was not until later.

“It can so be counted as a pun. But I’ll spare you because you’re so busy today. I’ll just have to write down my puns and attack you with them later.” She laughed softly, shaking her head as she gently let the bags rest on a table, hanging them up one by one as she took them out of the bags. Adrien’s eyes widened. “Oh wow. These are incredible Marinette. This is- wow.” He looked at her, his eyes sparking with…admiration? She wasn’t sure, but either way she didn’t understand his reaction. She was proud of her work, yes, but she hadn’t expected Adrien of all people to be so impressed by them.

“Thank you.” She replied, ducking her head to hide her blush. No, she had work to do. Focus, Marinette.

“So y-” She shushed him, placing a finger to his lips as he widened his eyes, face warming as he stared, cross-eyed at the finger on his lips.

“Nope, no talking. Let’s go, Hair and Makeup Chat Noir.” His face paled and he stammered and she raised a brow. “Adrien! Your father wants you as Chat Noir, so please don’t make me tell him you can’t do it and we have to find someone else because we really don’t have the time and I really don’t want to have that conversation with him.” He seemed to relax ever so slightly, the color returning to his face. Odd.

“Yeah, sorry, sure. I’ll go be Pat- I mean Chat!” He huffed in frustration and dragged a hand over his face tiredly, emerging with a weak smile that, despite getting over her crush ages ago, still sent her stomach into a frenzy. She pushed down the feeling and giggled. “Sorry, I’m tired.”

“We all are don’t worry. You’re just lucky it doesn’t show because this only can be done today. Now go before I kill you because I am very busy.” She scolded him and pushed him off as he tried to speak, hitting him with the papers in her hand. He laughed and stumbled out, turning to watch her walk back to her station, lost in her work, with a smile on his face.

As he turned to make his way to Hair and Makeup, he narrowly dogged Alya and she ran her way to Marinette, calling, “Hey, Blondie!” as she ran past.

“Who am I to you, Rapunzel?” He called back, eyes following her and landing back on Marinette, smiling with relief as her best friend arrived with food for the crew and Marinette’s purse. 

She’d really seemed to come into her own skin these last few years. For at least three years it was so hard for them to hang out. She was so awkward and stumbled over her words around him. Slowly it began to change and improve, and he found himself spending more time with her and his own mood began to improve as he did. He’d spent lots of time with her before, wearing the mask. He would steal her food and they would talk, laugh, play video games, board games. He loved watching her design and sketch. It was peaceful for him, hanging out with her as Chat Noir. It never was as Adrien. It bore down on him, kept him awake at night, not that he realized that until things changed, and he found himself able to hang out with her both in and out of costume. He realized how awful it was when he wasn’t sure if Marinette hated him or not. She was so different with him in his different personalities that he’d worried about it constantly, without even knowing it. It was all so confusing.

Looking at Marinette now, he felt a smile tug at his lips and a flutter in his heart.

She really was special. He couldn’t ask for a better friend.

[x--daughters-of-darkness--x]

Songs for Screens: Amy Lee Talks ‘Gears 5’ and Evanescence’s First Album in Nine Years

As the 2010s come to a close, it’s high time that one of the biggest acts of the 2000s, Amy Lee’s Evanescence, gets its proper Gen Z-era due.

The band, who have sold 8 million albums in the U.S. and took home the 2004 Best New Artist Grammy, has been largely absent from the mainstream rock scene for the majority of this decade. After releasing 2011’s self-titled album, the band’s lineup continued to shift as it has since co-founder Ben Moody departed in 2003, while Lee took some time off to start a family and raise her now five-year-old son. The band returned another new lineup — two women and three men — in 2017 for “Synthesis,” an electro-orchestral re-recording of mostly previous material that was warmly received by fans but still a stylistic departure from the band’s rock radio heyday.

So when Microsoft Xbox debuted the trailer for its highly anticipated “Gears 5” from its hit “Gears of War” series in September, fans both old and new got a chance to reacquaint themselves with Lee’s haunting soprano on a string-soaked rock cover of Fleetwood Mac’s “The Chain.” Originally conceived as a solo cut for Lee to sing against the game’s score, Evanescence went into the studio to record a full-length version of the single that was released in late November.

The trailer helped tee up Microsoft’s biggest first-week performance for a new title since 2012’s “Halo 4.” It also doubled as a fittingly blockbuster announcement for the proper return of Evanescence, which includes the band’s first all-new album in nearly a decade, tentatively set for release next year.

“It’s been so long since we’ve put out a full new Evanescence album that I think it’s important to re-find our new center and embrace what the band is,” Lee says. “I don’t want it to be a huge departure. I want us to come back to the roots of the core of the band’s sound, but at the same time it’s gonna be rock.”

Songs for Screens caught up with Lee about recording the Fleetwood Mac cover (and the uncanny parallels with her own band), writing new music and how motherhood has re-shaped her perspectives.

How did the cover of “The Chain” come about? It started with “Gears.” They approached me about just singing the music that you hear in the new “Gears of War” trailer, and there was a programmer and producer named Bobby who played me the [instrumental of the] song. I loved the whole idea of the song, but I really wanted the rock to come in and make it into an Evanescence cover. So I said yes, on the condition that my band needs to do this, let us take the rest of the way and make a full version of the song. So I got the band on it, and we were all just really excited about the opportunity to do something new and fresh. It was really fun be with Bobby, the producer who started that preliminary take, and Evanescence-ify it.

Did you identify with the gaming aspect, or the lead character in “Gears 5” in particular? I am a gamer. I can’t say I’ve had a special connection to “Gears” in the past, but I’m getting into it now. I’m a total noob. I am obsessed with “The Legend of Zelda,” the entire franchise — I only have one tattoo on my entire body, and it’s three life hearts. I still play video games to go to sleep at night, instead of reading books like a smart person would.

So the gaming part appealed to me, but also the film and score. I love when I can get these rare opportunities to be a part of a project that is bigger than myself and both visual and musical. From a really young age, what I thought I wanted to do was make movie music. The emotion that’s coming across that trailer and all the anticipation, that gets me really excited to be able to be a part of that voice and the internal monologue of the viewer.

In covering “The Chain,” did you see the parallels between your band and Fleetwood Mac, who has also had several high-profile lineup changes over the years? Particularly with a song specifically about some of that inter-band turmoil? We all love Fleetwood Mac and there are places as individuals where our tastes are different. But this was something we all agreed on, and have loved all our lives. So that in itself was really cool. I loved the original, but this is definitely very different from that song. It has a new feeling to me, it’s like we’re up against something trying to tear us apart and standing and trying our hardest to hold on through that. That’s something I super relate to, having been in a band for maybe 25 years, and at this point it’s been a big part of my life to hold a band together. Sometimes it’s easier than others.

[Guitarist] Jen [Majura]’s the newbie. She’s been with us since 2015, and the other guys have been with me for over a decade now. We’ve seen a lot together, from manager and label drama to just surviving. And thriving, too – we’re a weird little family. It was definitely something that spoke to me on a lyrical level, and I wanted to make that song ours all the way. And one of the ways to do that was to make everybody sing. So at the end of the song I put everybody on it and gave them a part to sing. And I also that it was super cool, as a random side note, that Fleetwood Mac is three guys and two girls, and we are too, which is kind of a rare combination.

You’re also working on your first album of original material as a band with this latest lineup configuration, and the first new Evanescence album in nine years. How’s that taking shape? The writing process has been really fun so far. We’ve been working just here and there, doing our little band camp wherever it makes sense. Whether it’s at my house, which we’ve done a couple times, or we went out in the woods in Canada at a ski resort in the off-season doing our own engineering. Having different spaces is really important for us to keep everything fresh and not feel stuck like this is a job or it’s work. It is work, but it has to be something that you want. We are really craving making this new music. We’ve loved being on tour so much.

You’ve also become a mother since the last proper Evanescence album, with your five-year-old son. How has he shaped your overall creative process? It’s definitely shaped our whole work ethic. Right now, we’ll go on tour, come home, have some family time, go into the studio, so we’re constantly flexing different muscles. I’m historically hyper-focused, and I can’t do anything else until I finish the one thing in front of me. And sometimes that takes a really long time. Since having [my son], you have to learn to focus on more than one thing and multitask.

Do you have a timeline for the new music yet? I don’t. The reason I can’t share one is, first of all it’s not done. We’re thinking about releasing it in a different way this time. It may not be as long as you think. We’re toying with the idea of how to think differently and not release it all at the same time. It might be cool to bring everybody along the way with us while it starts coming out.