#i was robbed of a lot of things and this family dynamic was one of them

[iooiu]

sister of four younger brothers = violence at every corner

[conduitandconjurer]

How do I even articulate this?

Basically I continue to think Klaus is very fucked up but not in the same way that 90 percent of the fandom seems to think (or prefer) and it is the WEIRDEST experience. I'm just constantly like, "oh yeah, I guess that IS how most fans perceive this character."

Does ANYONE else (aside my long-trusted mutuals) get this?

[zepskies]

The Boys S4: Is it just me or...

Okay, anyone who knows me knows I love this show. And I don't mean to be overly critical, but...there's something missing for me in season 4. 🤔

Episode 4 brought me back in a bit more this week, but I have thoughts and just wanted to get them out. Which of course you don't have to agree with, if you so choose to dive below the cut. 😂

So here we go! Highlights and lowlights (and **spoilers**): ⤵️

Sorry in advance for my slightly stream of conscious-style thought process.

Lowlights (so far):

Kimiko x Frenchie: Violently pushing down something you built up for 2.75 seasons? Because "being more than that/family" can also be romantic? Why do you hate the fans, Kripke? 😂

The political "satire" is getting a bit old for me. A lot of the same jokes over and over. However, the problem of taking out Victoria Neuman is a very intriguing conundrum (and Bob Singer sweating over it while trying to keep supes out of the military/law enforcement is keeping me hooked).

THAT Rob scene: lmfao come on now. This was for gross shock value and nothing else. Even the exploding dick and Love Sausage in S3 served a narrative purpose. (But I enjoyed the footnote commentary while watching it on Prime: Rob B. apparently wants to remind everyone that he's a Shakespearean-trained actor. 🤣) I’m actually more disappointed that he didn’t have a more meaningful role in the show, because he really is a fantastic actor and I was looking forward to seeing what his character would bring. (Not that lmao.)

Overall, the season just feels...emptier than seasons 1-3? Maybe that has to do with the lack of Soldier Boy's gravitas as a new antagonist, and connecting the entire narrative and various conflicts of the season -- all while shedding light on the grisly past of Payback, Grace Mallory, and Stan Edgar. Stormfront also brought that ante up in season 2 in a similar way, all while shedding light on Vought's sordid history with the creation of Compound V.

We're missing the layers here in season 4. Now, this could just be because we haven't seen the full season yet as well, but that's what I see so far.

I think it also has to do with the odd dynamic the boys side is in right now. With Butcher on the fringe of the group, and the others splintered off on their own side plots, it feels like the supes' side of things are more...for lack of a better term, "unified" in the narrative.

Which I realize is probably to reverse parallel the state of each side in season 3. But it just feels "off" to me somehow, since we're supposed to be just as invested in the boys side lol.

Highlights:

Butcher and Ryan: Butcher's doing his best there now, and it soothes my heart.

Ryan's slowly seeing the consequences of his choice to join Homelander. In fact, I'm wondering where Ryan is in episode 4. Hiding in his room?

The Khan Worm that appears to be inside Butcher is both frightening and intriguing. I wonder if this is the key to saving his life? Or just another lovely side effect of taking V24 long term. 🐛

JDM (Joe) and Butcher: All their scenes were golden. And that subtle John Winchester reference? Being willing to train up his son to be a killer? Being able to grieve at his son's funeral, knowing he "saved the world?" *Chef's kiss* 🤌🏽

(And if Butcher or Joe end up being the one to break Soldier Boy out of his cryo coffin, my fangirl heart will freak TF out. 🤣)

The way that Homelander is noticing his age is fucking hilarious. Bet you wish you had that life longevity from your father/sperm donor, dont'cha? 😂

But also the way Homelander "confronted" his past in E4 had some truly WTF/Holy Shit™️ moments, in a good way. As in, I'm once again afraid of this unhinged psychopath--kind of way. 😅

A-Train continuing to struggle internally with the place he's fought so hard to keep in the Seven, versus recognizing the evil around him, his own complicity, wanting forgiveness from Hughie, and wanting a true connection with others (namely his family).

It's interesting that Hughie's mom is being brought back in at this time. And even MORE interesting that she seems to be the one who gave her ex-husband Compound V. Her story of why she left her family seemed so normal that I actually got a little suspicious of her. But now, even more so. 🤨

M.M. doing his fucking best. (Except for the way he suddenly had a change of heart about Butcher in E4. Not sure about that one.)

Tilda effing Swinton voicing Ambrosius. PLEASE. My Queen. 😭🤣🤣

I actually had more lowlights before I watched episode 4. There were some really interesting moments that literally had me gasping in shock (this time in a good way), more so than in the first 3 episodes. However, I still think seasons 1-3 were stronger from the get-go.

But even with my lingering reservations, now I'm actually more so looking forward to getting into the meat of the season in this second-half coming up. 👏🏽

[descendant-of-truth]

On principle I don't really like the idea of Sonic being sent after Shadow at the request of G.U.N for two reasons:

It robs us of the god-tier cold open of the original game where Sonic busts out of a helicopter to escape arrest

I always loved the setup where Sonic and Shadow meeting was pretty incidental - neither of them had any idea who the other was, but Sonic thought Shadow was impersonating him on purpose while Shadow just thought he seemed fun to mess with

But depending on what the surrounding context is, I can see how the movie could make this plot point interesting in a completely different way that still complements these versions of the characters, even if I don't prefer it to the original.

So, some ideas:

G.U.N has been the villain of the last two movies, so in order for Sonic to be working with them, they must have a pretty good deal for him. My guess is that they promised to leave him and his family alone - no more schemes, no more kidnapping, nothing of the sort - on the one condition that "Team Sonic" helps them deal with Shadow.

This would already function as a narrative parallel to Sonic enlisting Robotnik's help later for the same thing. The name of the game becomes "we don't like each other, we're enemies, but we need to work together to deal with this guy because he's too powerful," which becomes a triple threat if the whole cast including Shadow gets to team up at the very end to save the world

I think it would also be very fun if Sonic is trying so hard to talk things out with Shadow in large part because he heard that there was another hedgehog on the loose, and wants so badly to be friends with someone like him that it takes at least one full-blown beating before he gives up on that idea

(The other reason he keeps trying is "it worked on Knuckles" of course)

Now, this puts Sonic in a fascinating position, particularly when using the game as a frame of reference. SA2 was very straightforward with how it presented its conflict at first: you have a Hero Story and a Dark Story, and as such you're primed to think of everyone on both sides as either being good or bad.

And most people, I think, were inclined to play the Hero Story first; it's the one with Sonic in it, and the select screen hovers over it by default, too. It tells a very simple story of Sonic and friends stopping Eggman's (admittedly very threatening) evil plan, developing some new rivalries along the way.

It's already a little bit of a twist for Sonic and Knuckles to have formed a respectful relationship with Shadow and Rouge by the end, since you see them as villains initially, but they still remain antagonists. Rouge returns the Master Emerald pieces, but she's still working with Robotnik. Shadow thinks Sonic is pretty impressive, but he still tries to kill him to stop him from saving the world.

But then you get to the Dark Story, and then the Final Story, and you think, oh. It's really not that simple.

For starters, you get to see more of Rouge's bond with Shadow. There's some conflict inherent to their relationship because Rouge is a spy and is only here to get information on Shadow, but after he saves her life, there's a definite shift to their dynamic. There's something genuine there, even if it doesn't get a lot of screentime dedicated to it.

But most important to the story is what we learn about who Shadow is, in part through his interactions with Rouge.

Shadow is cunning and ruthless - heck, his goal is to literally blow up the world. But whether out of compassion or survivor's guilt or both, he can't let Rouge die, so he saves her and then lies about his motivations for it to seem colder than he is.

And even though the things he's doing are definitely bad, his motivations are famously sympathetic; he wants revenge for his best friend, a young girl who was killed by the G.U.N military during a raid.

(It was implied that there was some sort of brainwashing done on him by Gerald after Maria died as well but that part of the story is incredibly vague)

By the end of the game, Shadow comes into his own as a hero and helps save the world instead of destroying it. And suddenly it makes sense why the stories weren't called Hero and Villain, because neither Shadow nor Rouge are especially villainous characters; Rouge is selfish, and Shadow is driven by grief and hatred, but they're ultimately kind at the end of the day. Both of them find people to care about - each other, as well as Knuckles and Sonic respectively.

But y'know, there wasn't a lot of ambiguity about who the heroes were in the Hero Story itself. Sonic, Tails, and Knuckles are pretty clearly The Good Guys, and nothing they do is really questioned because they're always fighting The Bad Guys.

So what I'm seeing here is an opportunity for Team Sonic to not be totally in the right for once. Yes, it's good to stop Shadow from going on a rampage and destroying the world, but look at who they're keeping for company here. G.U.N? Robotnik and Agent Stone? As if either of those groups are trustworthy enough to not stab them in the backs as soon as it's convenient. As if they're not going to find some way to exploit Sonic for their benefit.

And frankly, Shadow is totally in the right to hate G.U.N, and Team Sonic for working with them. Given that his backstory seems to be largely unchanged, it's kind of impossible not to be on board with him fighting the protagonists at least a little bit.

Besides, I don't think it's a coincidence that Shadow is doing the wrong thing for the right reason, while Sonic is doing the right thing with the wrong people (and maybe also for the wrong reason). That has the potential to be very clever if executed well.

I can only imagine the dawning horror on Sonic's face as he realizes just how much he's not on the right side of this conflict; when he learns about what happened to Maria and everyone else on the Ark. Especially if Tom's family was involved in it, like the current popular theory going around.

Also, last-second realization: what if there's something more to that line from Tom, "it wasn't always easy, but you didn't change who you are in here"? Most likely it's going to be used as a way to show how Shadow is different from Sonic, because he did change who he was in response to trauma and it'll be really poetic when he "finds himself" again

But also, consider: maybe Sonic does end up changing throughout the movie. Maybe he does something that goes against his core principles in order to get an advantage in some way, and they kind of play around with the idea that Sonic is similar to Shadow in ways that aren't always flattering to either of them. I want those hedgehogs to make each other worse before they get better

In any case, there's a lot of potential here, and I'm very curious to see what they ended up going with

[nthspecialll]

Bill Williamson "being an asshole"

I hear quite a lot of people saying that they do not like Bill because he is an asshole but I actually don't think it is that true. Some of the points I am gonna run through are going to be shortened but I will link to longer explanations.

Let's drop directly into the one I hear the most "Bill is responsible for Sean's death," yes and no, but mostly no. A lot of people use the argument "how could Bill not see it was a trap?" however I think we forget it wasn't just him who couldn't. Micah, Bill, heck even Dutch could not see it, it is also mentioned around Lenny and Karen while they ride to Valentine, and they don't mention a problem with it either, actually, the only two characters who shows any concern are Sean and Arthur and yet they both go along with it anyways because they think they can handle it.

Quite a lot of times we see characters going on risky jobs even though it might not turn out well, including Arthur and Hosea going to the Braithewaite manor, which was literally turning up two people to a massive family with something they stole from them, but they do it anyways because they think they can handle it, and for the majority of the time they can. A job going wrong, a risky job, going wrong is not new, but as Bill points out "when you mess up it is just one of those things, but when I do it I am an idiot."

One of the many reasons why Bill is being called an idiot by many is because of the dynamite in chapter one that didn't go off, but a surprising amount of people forget that !!Arthur!! set that charge and even admit it! It is even stated other places that Bill is an explosives expert, now imagine some amature comes along, asks if you want help, you give them a simple task, they mess it up and now everyone blames you for the one thing they previously respected you for.

There are a lot of the others reason why he is being called an idiot in camp, but it is more complicated.

Bill is very eager to please, and that is not anyone, but Dutch, Bill owes Dutch everything. Bill got thrown out of the army for being homosexual and lost himself completely, completely lost faith in himself, completely lost confidence in himself, became the man he said he would never become, but Dutch saved him, pulled him out of that hole and gave him everything, just like Dutch gave Javier or Lenny everything they could dream of.

That said, Dutch does not replicate, he likes Bill, he trusts Bill, but he doesn't value Bill half as much as some of the others which weighs Bill down quite a lot. Bill also works hard for the gang, being of the gang members present at most jobs, six-point cabin, Valentine bank robbery, coach robbing, security job and so forth, he mentions it himself, while Arthur is out, so is he. He most likely does just as much coach robbing and stealing as we do.

The difference between Arthur and Bill though is that while they work about as much, Bill does not get the same recognition from the others, especially Dutch, whom he worships, this leads to a lot of jealousy and a feeling of unjustness. This is displayed as fustrated anger and snarking comments as well as the "when you mess up it is just one of those things, but when I do it I am an idiot," but also more visibly when he drunkenly speaks to John and says "everyone thinks you are Dutch's pet" - "or at least I do." He is jealous that those two have such a long leash and no consequences, yet a small mistake from him and he will never hear the end of it.

For seven entire years Bill tried to please Dutch but was only ever made fun of.

In chapter four if you meet Sonny (if you don't know who that is, be glad) Bill will come up and say "he seemed to know all about you!" a lot of people see this as Bill making fun of Arthur's sa, but taking in historical context and the dynamic between Bill and Arthur, that does not make sense, rather it sounds like Bill thinks Arthur had a consensual homosexual hookup and Bill sees a chance to bully Arthur with the very thing Arthur bullies him for. (A link to further explanation)

Then we have one of the reasons why I am not too fond of him and that while I can explain will not excuse, his abuse of Kieran. Now we are going back to the homosexuality because while this is a progressive gang, this is not a homosexual accepting gang, they bully him quite a lot and that isolates him quite a bit. Suddenly he finds a person in camp who he likes, but he doesn't know how to approach. The fustrations of being alone, as well as the lack of "protection" Kieran has, leads to these unfortunate events of him trying to flirt and show affection but not knowing how to. (Wonderful explanation)

I also see some comments on his general racism against Lenny and Javier (which he btw only does when drunk, otherwise he knows to keep his thoughts to himself), and this is very simple to explain. Bill is a man in 1899. That is it. We sometimes forget that people in 1899 were not like Dutch, they were not like Arthur, people in 1899 were racist. Finding an Arthur would be like finding a needle in a haystack, finding a Bill would be finding a haystraw in a haystack. Does that excuse it? No, but it explains it. (Edit; I have looked deeper into Bill's racism and realised it is not this easy, link to explaination here)

A Reddit post called "why I hate Bill Willimason" that I am using right now also mentions how he didn't get any leads at the majors party "because he is a massive idiot and struggles to fit in or get anyone to continue talking to him. Why on Earth was he even brought along to this event?" Because he wanted to, because he wanted to impress Dutch. Again, Bill feels in debt to Dutch, he looks up to Dutch and to some degree Hosea as well. Most likely it was only meant to be Dutch, Hosea and Arthur who went to the ball, but Bill valuneteered as well.

We hear how excited Sean is about going out with Charles, Arthur and John, saying "me and the big cheeses, love it!" This was most likely Bill's "big cheeses," he is used to going on jobs with Charles and John, but Dutch and Hosea? The important ones? That is special to him and he wanted to prove that he could do something, that he was worth something but he failed, why? Because he is not used to people, because he struggles fitting in, when you follow him around at the party you can hear him awkwardly trying to start a convosation but people judge him and ignore him. He is trying but the others are rejecting him.

I have also found this lovely sentence in the post: "Him not giving a damn about Lenny's death and never actually addressing it in the entire game reflects what a piece of trash he is." Bill Williamson grew up as a boy in the 1800, he was taught from childhood that showing emotion means he is weak, something physically beat into him in the military, and the fact that he is gay makes it even worse. Bill being gay, something seen as weak, makes him try to make up for it, he is not going to show a lot of emotion. It is not just Lenny who's death he doesn't comment on, and it is exactly because of this.

Then the redditor goes on to compare Micah and Bill and how they are both terrible but comes with this sentence: "The difference between them is that Bill is supposed to be one of the senior and more trusted gang members." But the thing this lovely person fails to acknowledge is that Bill is not given that seniority, he sleeps together with Lenny who says he "sleeps with the juniours" (even though he sleeps with Hosea? But point either way), Dutch mocks him by saying "yeah what about you Bill?" None of the other takes him seriously and he is talked down to.

Lastly there is the whole he sided with Dutch and he acused John of being the rat. Yeah, he sided with Dutch because Dutch is a god to him, Dutch is his savior, his everything and Bill trusts him, the idea of John being the rat itself was Dutch's idea that Bill just adopted. Now that said, he not completely blinded as some might think, as soon as the Pinkerton's show up in the end Javier and Bill are gone. You can use the camera to search all around camp and while Micah, Joe, Cleet and Dutch are very easy to find, Javier and Bill are not, you cannot find them. Most likely they ran away as soon as it started because they knew that the revenge was stupid and pointless and saw their own surivial more important, not to mention the clear, at least, annoyance that Bill has with Dutch in rdr1.

I am not going to go into talk about rdr1 because there he is a proper asshole, but rdr2 Bill is very defendable and I really dislike people just slapping the label "asshole" on him and calling it a day without looking deeper into who he is and why he does what he does.

Another not so fun fact, Bill's father was an alcoholist who lost his mind due to it, Bill hated it, hated all of it and his biggest fear was ending up like him... I don't think Bill ever liked himself for drinking.

(This is not a defending post and you can absolutely hate Bill if you want, this is an EXPLAINING post to make people understand him and his choices better)

[ceilidho]

there was a lot of moments in the movie where i was like “ceilidh mustve been screaming rn” bc you’re right it was just on the verge of a dark romance plot but this just makes me curious of all your thoughts on the movie. please spill i want to hear every thought in that sexy mind we all know and love

ahhahahha no for real, the friend I went with and I were GIGGLING the whole time.

Here r some of my thoughts in no particular order (spoilers ahead):

- james mcavoy is so fucking hot I’m going to chew my hands off. Like he oozes sexuality. (Also - I cant say what I know, but I have a friend that works in theatre in London who has it on good authority that he’s genuinely the best guy imaginable, like if you guys knew you’d stan him so fucking hard. But I’ve been sworn to shut my mouth lol)

- I thought the relationship dynamics were so interesting. Like there were times when I couldn’t be sure whether Paddy and Ciara genuinely liked Louise and Ben or if they never wavered in their plan to ultimately rob and kill them. Because that car scene with Paddy and Ben felt very much like Paddy’s feelings were genuinely hurt, like he was under the impression that he and Ben were buddies. And then them screaming together in the middle of nowhere?? I was so convinced there would be a twist where Paddy and Ciara offered them a choice to stay with them on the farm

- so so enjoyed the way Ben seemed to subconsciously mirror Paddy throughout the course of the movie (rubbing Louise’s shoulders and feet after Paddy did, saying things in a similar way, agreeing with Paddy, etc)…he wanted that male validation so fucking bad. It took him nearly losing his family to shake the mild male worship he had of Paddy. And it just goes to show the way men will sometimes protect each other even when they don’t know each other and have no real connection - I mean, his WIFE was telling him “we need to leave, these people - especially the husband - make me uncomfortable” and Ben kept making excuses for him!!!

- I can’t even say Ben as a character redeemed himself because even at the end he couldn’t kill Paddy??? Even after everything he did??? Just very odd.

- I don’t dislike the Dalton girl by any means (forget her name) but good fucking lord who CARES ABOUT THAT STUFFED RABBIT. They almost got away the first time and her making them go back almost killed them if it hadn’t been for Louise’s quick thinking and bravery. (On that note- I fucking adored Louise. I completely get why you semi cheated on your lame husband, queen)

- overall, I thought it was such a fun movie and PERSONALLY I enjoy good endings, so I’m glad that this movie didn’t try to completely replicate Speak No Evil (2022). It was that concept but with the “good ending” like in a video game. And it felt very earned and I was so so happy. The tension was CRAZY though, I for sure thought one of them would die before the end.

[knickynoo]

Well, I was sufficiently enabled for the idea, so here it is: ✨Alex P. Keaton's Top Neurodivergent Moments✨

The funny thing is that the amount of time I put into scrolling through my encyclopedic mental inventory of Family Ties scenes, compiling these moments in a list, making gifs, and finding past gifsets/analysis to link back to makes creating this post one of my most neurodivergent moments. Good for me.

These will be organized by season (easier for me than trying to rank on a scale) and are in no way ALL of the moments. I'd need like...15 posts for that. Also, tumblr only allows 30 images/gifs per post, so I'm going to include links to past posts when possible.

ENJOY!

• Alex gets his first-ever failing grade and immediately decides to quit school

Exactly what it says. Alex strolls into college all bright-eyed and confident and ends up a broken shell of a guy just a week or so later. The prototypical Gifted Kid from the moment he learned to speak, Alex cannot handle anything less than perfection. Getting the first F of his life shatters his entire self-image, and he wants to drop out of college entirely.

• Alex's friend Doug announces he's getting married, and Alex spirals into despair. As one does.

The entirety of the "Best Man" episode is one big Alex displaying neurodivergent behaviors moment, honestly. There are a whole lot of Alex-centered plots that are set into motion because A Change happens, and he just cannot deal with it, and this is one of the best examples. Alex is so distraught at the suddenly altered dynamic that he wanders the house like a lost soul—sad and confused and needy. He walks in on Steven's shower just to give him a hug, offers to go shopping with Mal and play dolls with Jen, and also draws up a seven-year contract for his other friends to sign to ensure they stick to their regularly scheduled card games, lest they also run off to get married and destroy his life.

• Alex P. Keaton: child development expert

When faced with the news of another sibling on the way, Alex has some very nurturing advice at the ready for when the baby is crying.

• The Keatons all laugh at a funny story. Alex is not amused.

This is one of my favorite Alex scenes of the series. Uncle Rob shares a memory of the time Steven was young and got in trouble because he started rebelling against the system and refused to write his name in the designated spot on his school test papers. The family shares a hearty laugh. Alex, king of black-and-white thinking and lover of rules, is deeply upset.

I love him so much. He genuinely cannot see how they're enjoying such a story. The Name Spot is for names. And his father dared to write in the Not For Names Spot?? Jail for Steven.

He's so ridiculously autistic.

• Alex's favorite childhood toy

It was a cardboard box. I can't quite put into words why this sets off my ND radar, but it does. Maybe it's the being attached to unusual items thing that's common with autism? The intense fixations that make other people go ????

The Alex and Ba-ba plotline provides some wonderful Alex Lore.

• Mr. Mustache

Yeah, those intense fixations? In the "Fool for Love" episode, Alex grows a mustache and legitimately cannot speak about anything else for the several days that follow. He's asked to present a speech at Mallory's homecoming dance and centers his entire speech around his mustache. He's unable to have a conversation that doesn't involve mustaches. It's incredible.

• Everything in "Matchmaker"

Alex is so sweet in this one. After Mallory comes home crying after a bad date, Alex promises to help her find a great guy. Unfortunately, putting someone who struggles socially and with processing emotions in charge of your love life isn't exactly a great fit. Alex uses the power of science to craft a formula to find Mallory's perfect match (he isn't), then tags along on their date and helps foster a very natural environment (it isn't) for the relationship to flourish (it doesn't).

The episode ends with a great scene between Alex and Mallory that shows just how well Mal understands the inner-workings of her big brother's head.

• Divorce is tough. Alex has some advice.

The Keaton kids are shocked to learn that their Uncle Rob is divorcing their Aunt Maureen. As Jen and Mallory reel from the information, Alex helps to reframe things.

He then pulls out the Special Interest Card and compares the divorce of their aunt and uncle to a "failed merger, not unlike the breakup of the phone company—although obviously less emotional. Nothing more than a natural fluctuation in the marketplace of love and marriage."

And the thing is, he IS impacted by the news. He just hasn't the slightest clue how to actually process it. So, a simple failed merger it is!

• You had one job

Mallory needs some croissants for a fancy get-together she's having with her poetry class. Alex helpfully offers to go pick them up.

Now, I debated about this one because there's part of me that's like, "Hmm, did Alex purposely do this to annoy Mallory?" Is this just a jerk move? But you know what? It stays on the list because the whole "I personally don't like this thing and struggle to see how anyone else could. Therefore, I will get the thing I like" is (for me) a relatable aspect of being ND.

• Every single second of "A, My Name is Alex"

For real, though. This episode is a deep dive into how Alex became the person he is, and it is FILLED with "flashbacks" of an intensely neurodivergent child whose issues were made worse by the people around him. (Mostly teachers and peers. Steven and Elyse did their best with him, but I do also have some critiques of the way they parented him). Anyway, he represses his emotions to the point of a meltdown

And then there's this

Full coin gifset here. Also, I made posts on the full episode, which can be found here and here.

• "Alex has a weird body"

That's Mallory's explanation to Andy as to why Alex can't help her when she needs someone to model one of her latest clothing creations. She says Alex's head is too big for his body, and those words, unfortunately, find their way back to him. In a mini plot reminiscent of the mustache one, Alex proceeds to obsess over the comment.

And I mean, I think being told your head is too big for your body would make anyone insecure, but it's the way Alex handles it. He's unable to have regular conversations for a while because he can't stop fixating on the size of his noggin'.

Both of the "Read it and Weep" episodes fit in this list, to be honest

• An accurate statement by Lauren

I've got to include this because it really does neatly condense a lot of who Alex is

So true, bestie.

And then, to wrap this whole thing up, there's all of this

And this is just what I can fit in this here post without going over the limit lol. Obsessed with the way MJF played Alex.

Thanks for reading ✌️

This is me with Alex, btw

[zbengui]

I've grown to love Singed as a character after watching act 2, which I should've seen coming considering my proclivity for mad scientist archetypes. He stood out to me in the first season too but there wasn't quite enough for me to sink my teeth into back then, so I'm glad they've decided to reveal more details regarding his lore now even if it still remains rather vague. That's actually one of the aspects that I like about him, it's fascinating how much he influences the overall plot even though his character receives almost no focus. He is constantly instigating chaos and causing so much tragedy for the main characters, and yet he is never confronted. I was actually just thinking about how it's a little funny that Jayce is getting blamed for what happened to Vander, even though Singed was the one who injected him with that serum. He brought Vander back to life and offered Jinx and Vi the chance to rebuild their family, only to immediately and brutally take it away.

That's kind of his entire thing. He brings the dead back to life against their will and they come out of it deeply and irreversibly changed (Vander, Jinx, possibly Viktor...?). He keeps his subjects breathing even if being alive is nothing but torture for them (Rio), not necessarily out of sadistic pleasure but in service to his ultimate ambition. For progress, evolution. It is then revealed that the motive behind all of his horrendous experiments is to bring his daughter back to life. It's all because of love, as he admits. I don't know a whole lot about the lore behind this, but I have to wonder how Orianna herself feels about this. Is she in pain, just like her father's other subjects? Is she grateful or resentful for what he is doing to her? Did she have any say in this?

One thing I like about his scientific methods is that he is willing to put his own body on the line and experiment on himself, like when he pumped his blood into WarWick. It definitely goes to show how... passionate he is. I also appreciate that he doesn't let any specimens go to waste. He even preserved the decapitated head of that guy he tested Shimmer on back in S1:

I'm sure most people would agree that Singed has a very impactful screen presence. Almost every single line he says is relevant for the overarching themes of the story. It feels like he's always dominating the scene, even when he was being held prisoner because he knew that his captors would immensely benefit from having him on their side and that Ambessa, the opportunist that she is, was going to ask him to join her as an advisor sooner or later. It's horrifying to imagine the biochemical warfare he is going to unleash while working with the Noxian army. He's going to invent new war crimes.

I also wanted to mention how relevant he is for Caitlyn's character arc in this season because most people seem to be overlooking it. I may have my personal gripes with her character progression in act 2, but her interactions with Singed in episode 5 were excellent. Singed isn't just a "crazed Zaunite", he is actually a Piltovan alchemist that is using the people of Zaun as lab rats for the sake of a deceased family member. Caitlyn realises that she will end up like him if she continues walking down the path she is currently on. That realisation, I think, is what informs her decisions later on.

I find his relationship with Viktor very fascinating too but that dynamic deserves an entirely separate post. They are both scientists with similar interests but very different philosophies and work ethics (or lack thereof). As I've briefly mentioned already, I believe Singed is going to bring Viktor back to life, robbing him of his autonomy once again in the process.

That is to say, I'm very invested in this weird old man and I'm excited to dive into his League lore after this season is over and find out what other atrocities he has commited.

[barren-heart]

We already know the ending of What We Do In The Shadows the show. The movie told us.

Spoilers from both the movie (2014) and the show (2024)

I think it’s obvious when Taika and Jemaine set out to make an American version of their vampire comedy, they weaved a lot of the same storylines into the show. We have vampire roommates, werewolves (not swearwolves) , familiars, an ancient vampire, vampire hypnosis, and a camera crew.

All the same ideas exist from movie to show, just presented differently.

Guillermo, the familiar turned vampire hunter turned bodyguard turned vampire turned back to human, is a combination of the movie’s familiar and vampire Hunter roles. I believe he’s also the love interest, Katherine.

I think the show, while becoming it’s own thing entirely, has a deep connection to the movie. I think they’ve been trying to follow viago’s love interest storyline since the show switched hands from Taika and Jemaine to Paul Simms.

While probably not known to most, Paul was instrumental in bringing the show over to the States, having helped to fund it.

He was already in the world of Shadows, and while I haven’t agreed on the way he’s said things and some direction the show had taken (season 4 had some growing pains), I do believe he’s understood the heart of the show.

Which is why I think they took such a dramatic shift in season 4 to tell and show the audience that Nandor doesn’t want to just date, but to really have a life or afterlife partner. That season had two “coming outs”. Guillermo obviously coming out as gay, and Nandor coming out as pansexual before he was turned.

I think this distinction was really important to build their romantic dynamic. They wanted to show Nandor’s interest in Guillermo wasn’t attributed to just horny vampireness, but actual true love and affection for him.

And having Guillermo formally come out as gay was more than just the Freddie gag (or the purpose of Guillermo having a boyfriend so that Nandor sleeps with him causing Guillermo to get upset about it which encourages Guillermo to take vampire turning into his own hands, leading to the events in season 5), but to show the audience that Guillermo’s not just a hero worshipper of his boss. He could very well have a crush that could become something more.

And while Simms’ execution of Nandermo so far has not been executed perfectly, (mostly because I think his version of Shadows uses jokes to cover or masque serious moments whereas Jemaine’s comedy often highlights and exposes the truth about life in funny situations), I think Paul’s vision is headed in the right direction.

I don’t think it’s a coincidence that Guillermo has a far larger familiar role than the one in the movie. Storytelling wise, it’s expected that Guillermo’s ending will solve the lingering vampire question that was halfway resolved in season 5. Because the show is telling the audience, “Wait. There’s more.” There’s more change to be had. I also don’t think it’s a coincidence that a part of Nandor’s arc is finding love. And part of his ending will have to be resolving this, as well.

And funny enough, Viago’s ending resolves both of these issues. He finds love with Katherine again and turns her into a vampire, but she got to have a full life first. There’s comedy there (he’s still older than her even though they don’t look it) but also there’s heart. She got to have a full life and agency of her own instead of being robbed of it.

I think Paul wants to set up this ending because it’s funny but also, to highlight his appreciation to the original. We expected from the jump that Nandor would turn Guillermo eventually and we can’t just have that without growth and change and conflict in between. It’s nice to get everything we want, but that’s not what sitcoms do. Sitcoms subvert expectations, and Paul is highly versed in sitcom structure. (Something that I think even Jemaine and Taika had to learn. )

Paul Simms’ isn’t just a writer in the room, he is a writer familiar (haha insert lame reference joke here) with the source material in a sitcom format. The movie wasn’t a sitcom. They could resolve Viago’s relationship because movies resolve arcs at the end of the movie.

Sitcoms don’t resolve anything at the end of an episode or even the end of a season. They resolve them at the end of the show. He knows Nandermo would end the show, because when characters get what they want (whatever their aspirations are) it completes the narrative. In sitcoms, the characters wants drive the purpose of the show.

And all good sitcoms don’t immediately give you (the audience) what you want until the end. And yes it can be frustrating, but when done right, the payoff is worth it. When the arcs are finished, the story ends. Even in sitcoms and comedy shows. So, Guillermo and Nandor being together and Nandor even eventually turning Guillermo, would have to be arc finishers. That would end the show. Which is why I think s6 is ending here, because the lead (Nandor) finished his arc.

Now whether that means Nandor will turn Guillermo on screen or not is yet to be seen. Maybe at some point down the road when Guillermo’s family is much older or have moved on from this earth and maybe when there is a new way to be a vampire without blood, Guillermo will be ready.

[chibishortdeath]

Alright I’ve thought about, I’m gonna actually start posting some of my criticisms of Netflixvania starting with the first season. I actually have a notepad document on my computer somewhere that’s just various rants about it that I’m gonna take from lol

Rant under a cut cause it’s long, spoilers, and also cause uh tldr I do not like the show 💀

Ok let’s start from the beginning of the show, episode one.

The first episode isn’t terrible, it’s a bit rocky, some red flags here and there for what was to come, but that’s kinda expected of animations like this. It usually takes them a couple episodes to pick up and grow into their own, so I was skeptical, but not gonna knock it entirely when I first saw it.

My biggest criticism of this episode was the complete missed opportunity to introduce certain characters from this section of the series’s story. Imagine if they had shown Isaac and Hector in the background of the castle or something at this point for foreshadowing later, as they would’ve already been studying under Dracula at that time. Imagine if that old woman Lisa helped ended up being one of Lyudmil’s family members, cementing them as friends of her for later. Alas, Netflix just decided not to use most of the already written backstories for most characters. But eh, that’s getting into nitpick territory.

And then the second episode happens… I honestly genuinely hate the concept of the Speakers and it’s because they completely replace a much more interesting (especially for the tone and themes they were going for) group for Sypha to be a part of: The Church. In the game, Sypha is a witch, something that’s currently not very good to be at this time, however the church employs a bunch of male wizard soldiers. This is already a perfect opportunity set up and ready to go for them to make their points of the church being hypocritical, add some intense dramatic irony with maybe the audience getting to know Sypha is a witch before anyone else does and seeing her interact with a bunch of people who would have her dead if they knew, and create a super conflicted situation where these church soldiers all die during their encounter with the cyclops, but yet they scrapped it for uh random group of magic users that kinda exist entirely for a plot that didn’t need a new device to work. And Sypha just being all hood down and no hiding just takes away something interesting about her character, making her kinda bland in the process. Like it’s one thing to have the Girl™️ who owns the braincell trope and another to have a character with some actual immediate conflicts. They totally could’ve played up the “oh no if Trevor knew would he kill me” dynamic, especially with witches being commonly lumped in with ‘monsters’ in a lot of other media and Trevor being ya know a monster hunter. And already just from this one design choice she completely loses her symbolic putting the hood down scene for much later in the story to show that she actually trusts people and feels safe enough to not need to hide anymore because she’s got people on her side now.

Also the lack of Grant is just a crime in itself. Grant could’ve worked perfectly as like the everyman of the group. Hell, with his background of being a former noble turned thief presumably after hard times to straight up losing his entire hometown to flames and leading a revolution about it, Grant literally has like almost every common not magical vampire hunter person experience. He could’ve given the group any of those perspectives and been told the perspectives of the vampire hunting life he hasn’t had, ya know? And he’d help differentiate the personalities and humors of the group in general. I literally can’t think of a negative to having Grant in the group.

So we were robbed of character development for Sypha and the existence of Grant, what’s next—

The Bishop character is someone that could’ve been interesting if he was written with any kind of nuance, but instead he’s extremely on the nose and blatantly laughably evil. Otherwise this guy is pretty forgettable besides how lame it was that they used Blue Fangs to kill him instead of ya know an actually recognizable enemy. Like the Blue Fangs design wouldn’t be bad if it was in literally anything else, but compared to the designs of most Castlevania monsters it’s just really lame. I’d’ve even accepted a Warg or something, idk. Personally I think having Death walk in taking the form of Zead and going through that speech while eventually turning into the skeleton form we know him as woulda gone hard but for some reason Death isn’t a thing until seasons later which sucks.

I also absolutely hate Alucard and the Cyclops being in the catacombs! Hate it! The Cyclops kinda had like a courtyard area for it and made sense being there since it was standing guard on the way to the castle. Literally what it is even doing in the catacombs 💀💀💀. Standing guard for… eepy Alucard? Why??? And the whole sleeping soldier thing or whatever they called him is just so obviously an excuse to have him appear faster and make it seem like it tied into the plot. Alucard absolutely should not have been introduced to the main group this early on because again that robs him of a bunch of opportunities for background and character development. He got maybe the one oh no dad don’t commit mass death that’s bad scene and nothing else when they had plenty of time to show him initially following his fathers orders and eventually growing to stand against him. And again??? Missed opportunity for anything radio drama related??? Like if there’s any opportunity to get any of that story more known it’s in an animation? And besides, it’s less work to just use whatever materials and supplemental materials already existed for the game!

Dracula’s Curse and CoD have:

Two games

Two manuals

Three manga (TokyoPop and Preorder)

A couple game guides

Flashback sequences in a radio drama

Flashback sequences in SotN AKA: the game everyone knows

A ton of references in later games cause IGA is a big Dracula’s Curse fanboy

Pachinkos

That is plenty of material to make an animation based on, especially because most games don’t get half of that, especially not NES games. They were literally handed like the NES game to adapt lottery and decided not to scratch like half the ticket 💀💀💀.

Alucard also being able to levitate kinda negates a lot of things. Like what the hell is the point of having a bat/mist form and a double jump then? If he can just be flying vampire Jesus immediately or whatever people call him idk. And you can’t tell me Alucard wouldn’t be painfully embarrassed if someone ever saw him shirtless come on this is the guy that wears like 5 layers of clothing in every game he’s in to the point that even in the modern era he’s choosing a suit over casual clothes. Every action he makes in this introduction to him is obviously fanservice for the sake of fanservice with very little thought behind it, except I’m not feeling very served right now. And having Trevor kinda lose that fight is a reoccurring problem this show ends up having: putting down other characters just to make certain ones get the cool fanservice moment. Contrary to what the writers of this show may believe, it actually doesn’t make me go “oh wow, Alucard is so cool and much badas”, it just feels weird and uncomfortable that Trevor is getting cheated out of one of his canon achievements because the writers preferred one character’s tits more than him.

So, basically, the show starts out with missed opportunities, concepts and characters getting cut out, watered down versions of characters that did make it in, cheap fanservice, poor explanations for things, etc etc. this all culminates into a resounding m e h + dread for later seasons being worse (boy was I correct on that fear lol).

Here’s some other things for the first season I didn’t know where else to fit:

None of the humor hit for me at all, like not a single joke. The humor was either a no response at best, but definitely a physically wincing from secondhand embarrassment at worst. Related to this, I feel like most of the dialogue reads like either someone who just learned what swear words are and thinks they’re really cool and funny or genuinely forced. At times most of the characters talk with the same delivery, cadence, personality, etc, it’s really obvious they were all written by the same person or group. And that even goes for background and side characters, too. This is a criticism I’ve never seen said: I really don’t like the voice acting in this show. I’m sure it’s no fault of the voice actors at all, but there were times in this where I either could not hear characters properly or could not understand characters properly and I had to watch it with closed captions on. The clearness and volume of the characters voices varies A LOT even just between scenes sometimes. And that combined with all the characters having really similar speech patterns, there were a lot of times where if I looked away from the screen, I genuinely could not tell if it was Alucard or Trevor speaking cause it sounded like it could reasonably have been either of them (and in some cases it literally didn’t even matter that much which character was saying what). It’s an absolute tragedy that the color schemes in this show are not remotely similar to Dracula’s Curse too. I understand why some color combos wouldn’t make it for eyestrain reasons, but the pixel artwork in all the NES titles is beautiful. Same goes for music, like I am never going to forgive this series for using Bloody Tears for a Dracula’s Curse ‘adaptation’ and not Beginning or Aquarius or Dead Beat or Ghost Ship or Clockwork or— ya know? These are two things that the series are really known for so you’d think with some of the fanservice they did they’d be all kinds of ready to use stuff like that for more of it.

Anyway, past season one is when I started watching the series primarily through clips/episodes reposted on YouTube or elsewhere cause I had completely lost any interest in it. I’ll probably go through synopsises online again for season 2 just to try to better remember what happened in that one because I do remember having very little good to say about season 2 as well and I gotta do that research so I can hate things properly :3.

There’s a certain part of this where I just kinda blanked on things to even say, partially because Season one is kinda bland in general, but partially because I started getting sleepy while typing. So if I feel like I missed anything season one specific I’ll just put it in the beginning of the season two post. d(_ _ )

[jurygarroth]

what your MCD/MYS fave says about YOU

from my jurygarroth experience

aphmau

endangered species. mostly on aphtwt?

tend to be younger

and also a little more defensive of your favs, not like picking fights but sensitive to negativity and avoid it at all costs

diaries fan? zoeymau. mystreet fan? aarmau

garroth

professional mcd overthinkers, physically unable to stop talking about analysis and interpretations. especially betrayal arc.

very emotional fans

garroth boobies

poly garlaurmau believers

have beef with laurance fans but like laurance

laurance

almost always more of a diaries fan

talkative. most vocal in a shooting the shit way

ginger laurance enjoyer. you’ll draw laurance with orange hair and at least 1 green eye until the end

long tumultuous history with laurmau as a diaries fan or garrance as a mystreet fan

have beef with garroth fans but neutral on garroth

dante

dante angst lockdown good heavens what are you guys doing to him!!

you project onto him a lot don't you.

mostly mystreet fans but you’ll also defend his diaries version with your life

danvis and/or daaron

lucinda

you’re gay

made you realize you like women

pretty quiet all things considered? not usually someone's #1 fav but everyone likes her so she's always high up on their lists

adore her voice actress. her voice is one of the reasons she caught your eye

katelyn

yeah you’re gay

also made you realize you like women

usually the most well-adjusted people, have nuanced takes

you project onto her don't you

travlyn is a comfort ship but you pick the parts of their dynamic you like

travis

you are just joyful peppy people

have a very obvious type in favorite characters, more often than not your favs are filled with other "silly guys with hidden depth" types

ninjago fans??? wonder why that is

trans travis enjoyers

aaron

mostly mystreeters

nobody gets him but you. you look into him and see the characterization he was robbed of and you want to save him

you guys have a lot of thoughts.

aaron boobies

derek lycan HATER derek lycan DEATH PENALTY

zane

literally all of you act a certain way and I don’t know how to explain it. not in a bad way but YOU ALL HAVE THE SAME BRAIN

whether it's zanana zanki zanus zanvis zanemau you have a zane otp that you will put your life on the line for

you want to see him slay. drawing him in indulgent outfits forever

you've put some kinda gender into him

kc

big fan of pink

put a lot of effort into making your online profiles look nice. terminally online and a little silly

involved in or appreciator of some type of subculture fashion like scene, emo, gyaru, lolita etc

usually also a zane liker

vylad

incredibly specific about vylad characterization and vylad headcanons you’ve imagined his whole life’s story in your mind already

obsessed with ro'meave family backstory

your nonbinary.

vylance believers

gene

you have a massive crush on him don’t you

[ewingstan]

Something else about Alec—when we first see him on the field, he’s remarkably less intimidating than the other Undersiders, with a costume much less fear-inspiring and more straight-up gimmicky. I’ve talked about the Undersider’s costumes before, but one of the subtler differences between Worm and more “traditional” superhero media is how the villains’ costumes and personas often don’t have the same level of camp to them that comic villains do. There’s much more focus on practicality, where the only thing that matters aesthetically about a costume is that it communicates “don’t fuck with me.” Every hero in worm has a detailed, practical-yet-aesthetically-pleasing costume, but you run into villain capes with no costume or only the bare bones of one all the time. Rachel’s dressed like a horror movie slasher, Brian doesn’t bother with more ornamentation than an intimidating helmet. Lisa looks the part of your Saturday-morning villain, but she’s more invested in doing that than most because her cops-and-robbers theory—plus, when she’s in action she’s nearly always the scariest person in the room. And Lung, the first supervillain we meet, doesn’t have a costume at all, just a commanding presence. In contrast, the next set of villains Taylor meets, Uber and Leet, are established as losers no one takes seriously partially through having costumes that are just gimmicky. Early worm establishes that the successful villains in this setting are focused on being scary before anything else. Considering the extend Taylor internalizes the “be feared or die” strategy as the story goes on, it’s important for Worm to set that dynamic up quickly at the beginning, even if later characters break this rule*.

But early Regent doesn’t care about being scary. He struts into the battlefield like he’s Gorgeous George**, complete with a costume that wouldn’t look out of place in professional wrestling. He spends less time trying to act intimidating when fighting people and more time trying to get people to forget he’s there until he can steal their cool canon. He’s not trying to scare heroes or rival villains off like the others are, and that’s largely because he didn’t create the Regent persona to scare away people and make crime easier—he made the Regent persona to have a life away from his horrible family. It’s an early indication that Alec’s motivation for being here are not the same as everyone else’s—the other Undersiders are criminals for a living, and are using their personas as tools for their job. Alec is in this to have a good time in a way he didn’t get to in his old life, and is using his Regent persona as a form of play.

*for the later successful villains who DO care a lot about aesthetics, such as Accord or Trickster, their motivation for bucking the trend tend to says a lot about them. But that’s a different post.

**now I have the image stuck in my head of Alec coming to an important villain meeting in an evening gown, puppeting his henchmen to spread a carpet of rose petals ahead of him. Fuck he’d love doing that. The real tragedy of the Behemoth fight is that it robbed us of Aisha and Alec forming the best tag-team heel duo the wrestling world has ever seen.

[archerygun]

Was anyone else disappointed as a kid after watching the prequels? (But not for the reason you think. Read further.)

The answer, broadly, is yes, I know. But not for the reason you’re thinking. Just for one, hyper-specific reason that has little to do with the quality of the films.

Owen and Anakin weren’t actually brothers. Owen and Anakin met like… once. ‘Too much like his father’ the fuck you mean Mr. Lars, the man you met ONCE?

You mean to tell me we were robbed of what had the potential to be the funniest sibling dynamic in ALL of Star Wars? Angry old dirt farmer vs the Chosen One/Dark Lord of the Sith? Objectively hilarious. The implication (in the og film and book) that Anakin just fucked off one day to become a jedi starpilot, leaving Owen at home thinking “What a fucking nob.”? Peak comedy.

Can you imagine if these two were actually siblings? Owen watching the look in Luke’s eyes develop into the wild, idealistic look that cost him his brother. Telling Luke his father was a drug smuggler on some old cruiser because that was an easier story for Owen to tell than the reality of it, and after a while Owen himself starts half believing it. Despising Obi-Wan for both taking his brother from him, and then in his eyes causing him to become a monster. The tragedy of Vader ordering the death of his brother.

Say what you want about the brotherhood between Obi-Wan and Anakin, it’s a brilliant dynamic. But the idea of Anakin and Owen coming from the exact same nowhere, same family, same upbringing and everything… it hits me in the feels. Because they represent two polar opposites that ended up with a sort of reverse parallel fate.

Anakin wanted adventure in the stars and he got it, at the price of everyone he loved and never getting to see his kids. Owen wanted a simple life minding his farming and he got it, at the price of dying without ever seeing the stars and becoming alienated from his son. If these two men had been brothers, the TEARS THAT WOULD HAVE COME OUT OF MY EYES-

It would have humanised Owen to the audience long before Kenobi (which I do still basically consider non-canon even though it was a fun ride) did him the - admittedly a little bit over-the-top/ridiculous - justice he deserved. There have always been appreciators of Owen Lars but a lot of people see him as just a bastard. Give him some real PAIN behind that exterior. Give him a VERY good reason, an even better reason than the one in canon, for being the way he is.

Plus, the idea of Owen partially having the force is objectively the funniest concept ever (although I’d still go for the whole “Anakin had no father.” thing and have Owen be normal).

Sorry for the incoherency of my ramblings, I love Owen Lars.

[thirdtidemouse]

pretend i havent been inactive for 100 years. i've been watching renegade nell and its giving me a new sketchbook au idea/accompanying doodles. essentially: fae highwaywoman johanna is on the run, kaisa is Out To Get Her with dark magic

you have to cut me some slack with how silly i sound. its the hyperfixation. im ill

i'm casting these freaks like actors. Johanna is Nell:

it is 1705, and barkeep Johanna has found herself a highwaywoman on the run for a murder she didn't do, accompanied by her daughters and aided by a little spirit named Alfur. she has found fae-like abilities, and despite her good intentions, she is now feared across half the country as an invincible murderess.

Kaisa is Sofia:

hunting her down is Kaisa, a lady whose family owns Johanna's pub, whose father Johanna is falsely accused of killing, and who is obsessed with catching her. she uses dark magic to fuck with Johanna's life remotely, summoning things to attack her etc - she may be untouchable when it comes to human enemies, but not magic. Kaisa herself is lonely, surprisingly empathetic, and is desperate to prove her worth and have control over her life.

other character notes:

give Johanna a gun

she is a painter and illustrator still. she is struggling to find time for her hobbies

she would rather not be robbing people but has no problem if she needs to. the rich ones have more money than they know what to do with anyway, and if she has to take a horse from some poor guy, she leaves him with stolen valuables in exchange. she's a little robinhood about it.

i think it would be so fun to keep the mythical creatures around. watch out for Devilwoman Johanna who is strong enough to kill a troll!! (she would never)

yes Lauren (belonging to @blaithnne) is included. Nell is accompanied by her two little sisters, brave & helpful older sister Roxy, and funny & inquisitive little sister George. Lauren & Hilda take their place, and maybe Frida and David tag along hehe.

Lauren & Hilda keep getting taken hostage in attempts to get Jo to turn herself in, but they always get out of it. until they do, Hilda probably talks their ears off about dragons and Lauren makes terrifying threats.

no one else REALLY specifically fits character slots like Amadin, Thomas, and Charles (there aren't a lot of men in hilda lol) so i'm going to wing it and the other characters can fill their roles when needed maybe

Thomas is Sofia's brother who killed both their father and Nell's father, and is generally reckless, careless, and easily badly influenced. i'm actually thinking of putting 18yo Dylan (oc of mine who is Kaisa's younger sister) in his place. she is a lot sweeter in regular hilda universe but i think the plot & i could fuck with her character enough that she gains these insecure, irresponsibly cruel tendencies. sorry Dylan

both Johanna and Kaisa were witnesses when her father died. Kaisa knows she's innocent, but goes along with the accusation to save Dylan from being arrested and keep the family (and their place in society) from falling apart. I'm thinking of making Dylan a boy in this, to keep the dynamic of the land going to him when papa dies > he would be a terrible landlord > Kaisa gets to take the reigns and keep everything in working order because she actually cares and enjoys having things to watch over and work on

in general Kaisa is very lonely, has to work twice as hard for the power and respect men are given automatically, and yearns for the kind of freedom and support that Johanna has despite being an outlaw from a poor family.

i think David and Frida could fill Amadin's role as friends they pick up along the way. David's loyalty and voice of reason, and Frida's fierce protectiveness and determination to prove herself both remind me of his character.

i'm inclined to draw a blank for Poynton, the main villain, a Jacobite amongst the royal guard, the siblings' traitorous mentor in black magic, and the indirect reason their dad died in the first place. Tildy is Kaisa's mentor, but not an evil one. the closest Hilda has to real villains is Erik, and the head witches maybe, but none of them really hit the nail on the head for this guy. an au oc may be in order!!!

the Bellkeeper can be Charles maybe lol. he is an established highwayman leading a double life as both a wanted criminal and a aristocrat. he is suave, a little campy, and a firm believer that with confidence, you can sweet-talk anyone into believing you are anyone. he annoys Johanna into letting him tag along and help with disguises and plans just because he finds it fun.

Lady Eularia Moggerhanger runs the newspapers, and i'm splitting that between two characters for a couple reasons. Erik is the owner of the presses (not putting him in the royal guard because it wouldn't make sense for him to be a Jacobite rebel) who generally enjoys fearmongering and controlling the public.

Victoria is the head editor with a taste for dramatics but seeks the truth above all else, and happens to be the Bellkeeper's 'friend in high places' who begrudgingly bails him out of trouble.

Gerda replaces Polly, a good-hearted writer and believer of justice who falls head over heels for Jo when she gets highway-robbed by her and mistakes her for a man. is later appointed assistant editor of the newspaper.

this happens i guess

this isn't meant to stick to the plot of renegade nell, there's a lot going on and it would be easier (and more interesting) to figure out an original plot with this different cast of characters. i just thought it would be fun to put sketchbook into an 18th century highwayman period fantasy drama with dark magic and pixies. and enemies to lovers. okay thanks

i might add onto this at some point if anyone has any questions or additions LET ME KNOW!!!!!!!! I LOVE YOU

[moth-related-inquiries]

Hi! I read your oneshot involving Micah and fem child reader and absolutely loved it! I never thought i could see Micah ever taking on the role of a parental figure but you did such a good job tying his character into a role that i thought would never fit him! I was wondering if you could expand more on their dynamic afterwards and how reader would interpret his ‘cull the weak beliefs’ do you think teaching her these would ever come to backfire on him later especially if used against him?

Micah Bell and Fem! Child Reader Pt2: Knives Out

Warnings: incredibly angsty, Micah Bell, you're gonna hate this if u love Micah LOL, lots of murder, terrible beliefs, graphic description of murder, and child death.

tldr: Micah Bell's teachings came to bite him back in the ass. :( Nobody close to him can be happy.

A/n: Hi, Anon! Thank you for the req ♡♡♡ I'm so glad you liked my last fic! I hope you like this one, too. Feel free to send any more requests you might have :p

Listen while you read?:

Today was your third month of 'bonding,' as Micah liked to call it. You'd slowly progressed from being as terrible of a shot as Sean Macguire to being fairly good at your shots. Of course, you weren't as good as Micah, but he congratulated you on your significant progress. Unlike the others, Micah has been surprisingly patient with you. There were a lot of things he had to teach and show you, and you seemed to learn best when you were in the middle of action.

Not only had you become a better shot, but you'd also become a more malleable tool. When you finished your first robbery, Micah decided that from now on you weren't going by your old name. The Bell family had a very specific practice they used when choosing names. For the first time in a long time, he flipped open a Bible and scoured its pages for a suitable name. Eventually, he settled on Elisabeth, the technical grandmother of Jesus. Not because she was a humble or remarkable woman, but because she was stubbornly faithful. Like a dog.

He hoped that, since he'd earned your trust, you'd follow him like a dog to the ends of the earth. And that you did. No matter what he did, where he went, or who he killed, he stayed as your role model. Beyond that, he was also your new father figure. Sure, you liked Dutch and Hosea, but they never saw things from your point of view like Micah did. The Dutch, for one, insisted on the dramatics constantly. He'd make up schemes to entertain himself and some big wig bastard, then steal the money. Which probably would've entertained you if you had the patience. And Hosea, well, he didn't enjoy the 'thrill' of murdering and robbing the same way that you did. Meaning that he liked making a fool of himself and then leaving with a small sum of money.

Not to mention that Micah secretly found both of them to be fools in their own ways. You thought, at first, that he saw you as a fool too, but he assured you that you were anything but. He called you his 'kinfolk.' His kid. You found it odd. He claims to be so strong, yet he practically creates his own weakness. With this idea in mind, you began to dissect some of his flaws.

When the two of you were in camp, you noticed that he was anything but pleasant to the other members. He often harassed and berated many of the women in camp, too, which you found odd. Even odder was the fact that he berated Jack, which made you curious. Was he perhaps jealous of John and Abigail for their achievements? It seemed so. You guessed that he was jealous because he too wanted a family, no matter how dysfunctional. Though he hadn't had much luck considering that, like the stupid man he is, he took his anger out on all the women around him.

Micah Bell could never score a woman, and he knew that very well. And now, so did you. And all you had to do was watch him like you normally do. Every time you did, he'd lean over and whisper in your ear about how someday he's going to get a nice and fine wife, and these floozies are going to be sorry. You knew better. Every time he'd provide some weird back-handed compliment, you wondered if he knew it only made him look weak. He had all bark and no bite. Which, in many cases, he did. All talk until Dutch struts over, then suddenly he's acting like he's a holy deity sworn to do nothing but good.

That was one major weakness you'd noticed about him. His one big fault. Micah seemed to assume that being a snake oil salesman made him a man. A man fit for survival in the natural world. A man who could do whatever he wanted and whenever he wanted as long as he still had his silver tongue. And it did, for a little while. He could go around murdering families and sleep like a little baby the night after. That is, until he met you.

See, Micah Bell had done himself dirty when he began 'training' you. Because, unlike Micah, you shut your mouth, and you watched everyone really well. You waited for someone to come to you, and you didn't, no matter how tough it was to resist, let your guard down. Yet Micah Bell had shown his since the day he decided to mentor you. Sure, you were unaware of the impact of his actions then, but he'd taught you well. He'd gifted you a higher consciousness without even knowing it.

So, after three long months of needlessly long interaction, you put his teachings to work. You woke up bright and early to listen to the birds chirp their jovial toons. It was nice to let the weak be, just for a moment, because sometimes they end up surprising you with their entertainment. Your steel gaze turned to Micah, who was fast asleep on his bedroll, facing the cliffside. He, too, was nice when you left him be. When he did sleep, it looked peaceful. And, for a moment, you decided to let him be, too.

You grabbed your satchel, one that Micah had bought for you, and opened it. From it, you produced a jagged stone that you'd found back in Strawberry, after the pair of you (and Arthur) murdered an entire town. You originally picked it up in order to execute whoever was holding Micah's precious revolvers, but he beat you to it. And, with savagery and cowardice, he murdered another family right in front of you. It was eerily thrilling when you first experienced it, but now? Now you feel nothing but guilt. Not for the town you'd helped murder, but for Micah.

You looked down at him, staring at his greasy forehead. As you lifted your stone, you teared up as you remembered all the times that he'd slipped up. A terrible feeling sank into your chest as you thought about your first robbery. How he wiped your tears away after you'd committed your first murder and rubbed your back like the father you never had. You'd given him your weakness, and he accepted it with unknowing tenacity. From then on, you gave him your weakness, and he allowed you to piggyback off of him like a little parasite.

For such a morally corrupt man, Micah had always done his best to assure your safety, no matter what. When the two of you were low on rations, he let you have the last. When the gang was ambushed, he made sure you were never there. When the two of you were caught in a rock and a hard place, he always made you run back to camp while he distracted the bastards following you. It's your fault that he turned into something he never wanted to be.

It's your fault that he became so weak.

Your brows furrowed, and your face twisted into anguish. You lifted the stone up above your head and, with all your might, sent it crashing down upon his skull. It made a sickening crunch, like a pumpkin being dropped, but Micah did not move. You repeated the action over and over again until his head finally caved in. Once you were done, you walked over to your horse, one that he had gifted you, and shot her, too. Baylock was smart enough to run off.

From then on, you decided that, out of the four of you, Baylock would be the strongest. He was the survivor because he ran like hell instead of sticking around to die. Finally, you walked back to the cliffside and erased the last remaining proof of Elisabeth Bell's entire existence.

A/N: i hope people like this :p i know child death is a very sensitive topic, but I think that this is how it would go in the eyes of a child. I tried to make it a little confusing so that we could really understand how uniquely this kind of situation would affect someone as vulnerable as a child versus an adult.

[angelmichelangelo]

ugh i was thinking abt karai all of last night and it made me Angry. the missed opportunities of karai in 2012 are TRAGIC. she wouldve been such a good older sister living with the turtles and splinter like can you IMAGINE the antics. karai purposefully pissing off raph and they get into sibling slap fights. she indulges mikey on whatever he wants bc hes the youngest and won her heart immediately. she makes fun of donnie for being a nerd but also consistently brings him snacks and makes him go to bed when hes been in his lab for a while. her and splinter talking about their traumas and healing as father and daughter. AUUUGGHG ciro when i catch you. ciro you mf

oh absolutely!! it's so sad that such a big chunk of the entire tmnt plot was karai's backstory and getting her back to her family, and once that was all achieved she kinda just.. faded into the background like a cousin that occasionally showed up every now and then for big showdowns.

ESPECIALLY since she was splinter's long lost daughter. the daughter he'd told his sons about countless times, the one where he'd mention her, get all sad and go 'but no worries i have you boys now:)' like ??? that could have made for some AMAZING storylines. a little bit of jealousy for angst? splinter's guilt?! them trying to relearn their entire family dynamic.. and they chose to go with 'yeah the whole leo and karai thing was weird. that's still going strong btw just a heads up'

we really were robbed of her interactions with the turtles one to one. i'll say this: the turtles relationships with each other? great, fantastic, love to see it. but outside of their brothers.. yeesh. they don't mix well in terms of how they're written. and a lot of characters suffer for it. i can't think off the top of my head a single time karai interacts with, say, mikey, alone. just even in the background. like yeah they pair her and leo off together a lot and raph chews her out a few times but she really deserved to actually hang out with her little brothers a lot more and that's sad :(

i would have really have loved to see everything you mentioned! i think (and correct me if im wrong) but mikey is like the only one who outright calls her their sister. i would have loved to have seen an entire episode where the rest of the brothers kinda come to terms with that, leo ESPECIALLY! he's a daddy's boy at heart and now his dad's first child is back and he maybe feels a bit put out. maybe don raph and mike already feel like they never got enough attention have to try and cope with the fact that they feel even more pushed out, even if not on purpose.

and then on top of that, the guilt karai feels, torn between feeling glad she has her real father back, and sad because she doesn't know this man like the others quite do and she knows she's taking up his time and attention... :( there was so much they could have done! and yet!! and yet!!!!!!!

ugh. i guess that is what fanfiction is for, huh friend :') lol