#i was just bored and didn't want to work

[messywordsss]

Come write, I’ll be waiting for you

Stop. Stare. Write. Stop. Stare. Write.

What? what do I write about? The girl that looked for a soulmate and found a family? The boy that lost his and then gained another he never got used to? The fear they both faced to learn who they were and what they were doing with their lives. Do I talk about all the stupid shit they did? Do I make it fun? Sad? Pathetic? Do I write about myself? change my language, try another one, see if that makes me someone else, someone who I actually want to be instead of the disappointment I am right now? Do I mask myself as some dumb character, pretending to be the MC of some love story I don’t actually believe in but I fantasize about so that I can avoid life and responsibilities. Do I pretend I’m as stupid as I feel? What the fuck do I do when I don’t want to do anything? When I’m scared of even breathing the wrong way, when everything pulls me down and then I just forget about it because I don’t want to face it. How long until it becomes real? how long until I really forget who I am? How long until I actually know who that person is? So what? Do I write about the woman that left her life to find herself? The one that throw everything and everyone away and then drove until her tears wouldn’t let her see the road anymore. The woman that put her head down and walked into a strange town, asked for a job and pretended to be one more, just another common loner in the small town. And then she meets the love of her life, but she has to fuck up, or maybe he does, then more fuck up by other people and bum, love. It always wins, doesn’t it? Or does it win because we want it to? I could have the characters begging me to die, to live on their own or to run away again, but if I want love to win, I can just let it, because I say so. Because this stories live in my head and I am in control of them when my hands get on the keyboard and I forget about the world to focus on them. On my people. On the ones I can always count on because they don’t fucking exits. So if I say they find love with who I want them to, then they fucking do. And there it is again, what the hell do I write about? why do I curse like someone’s reading this? Fuck. Stop. Stare. Write. Stop. Stare. Wri- no, not that. Write. Yeah, that’s better. Don’t think, you don’t need to, you don’t have to make sense, you just have to put it out there, the other you, the one that understands reality, can come back later and put some sense into it, you don’t have to. Just let it flow. Yeah, just like that. Oh, so now you wanna write about the daughter of the gods, the ones that sound way too viking when you don’t know shit about them? Well, fuck, yeah, let’s do it. She is fierce, she’s careless, she cares though, so much it hurts, it bothers her, doesn’t let her be around other people. She needs to save everyone to have meaning, to save herself from her own head, to keep the voices at bay, to be someone she can look at in the mirror without screaming. Yeah, they’re friends, all of them, she loves them, she will save them. Such a noble hero, uh? She kills half the people in the story? Uh, well, they must have deserved it. Wait, no, no, don’t go. Why are you leaving the hero alone? Wait, no, don’t walk out of the story, she just saved her friend and showed the world who she truly was… Oh, you’re not here anymore. I’m getting tired of this, you know? You always walking out on me as soon as you put down the last word you thought about. I told you not to think. Stop. Stare. Write. Just follow the rules, you created them for fucks sake. Well, I guess I’ll just wait here for another one of you to sh— Hi, what do you wanna talk about? Uhm, a new hero? Okay, alright, let’s do it! She’s strong, good, morally gray, nice. She has powers people don’t know about, a girl she likes and would burn the world for, family and sense of humor? Shit, you have to be one of the best ones that had been here. Woah, wait, you’ve finished the story? She gets the girl and has to face a loss for it? I… I don’t know what to say, none of you have done this before, well two others have but they were pretty average if you know what I mean. Well, uh, it was nice to briefly meet you, hope you come ba—. You already left, okay. Guess, I’ll just sit back here and wait for another one.

[corvidus-fr]

super quick musings on Fathoms. i like a lot about the pose + design, but i feel like they kinda suffer from Undel Sameface when everything about their lore is pointing towards "friendly gentle ocean giants". wanted to roughly sketch Merrigan for a side-by-side comparison, and then some rough doodles of how i might push the design in a chunkier, more cetacean-inspired direction - 3 is swapping the features but keeping the overall proportions/layout mostly the same, and 4 is pushing the proportions even further

[batcavescolony]

A Batfam AU where instead of going to get Dick to be Robin again Tim uses necromancy to bring Jason back from the dead. He just leaves Jason on the Wayne doorstep with a 'do better this time' sticky note. Batman can't find out who did it and Tim stays his little latchkey self with semi ok but distant parents (cus canonical they weren't really abusive just not there which isn't good but they could be worse). His parents bring him along on trips but again they love him but they just leave him to do as he pleases. so in Paris he ends up still getting trained by Lady Shiva. This keeps going and Tim just keeps reviving batfam members, if they fake their deaths and Tim tracks them down to check on them. They still have no idea who their shadow is, they can't find him, Tim likes it this way. Bruce goes MIA and Red Robin happens just minus Tim actually being Red Robin. The JLA doorstep gets a passed-out Batman with a 'I can't believe I have to keep doing this shit' sticky note on his head.

[gloriousmonsters]

it's not something I've written but it is fascinating to think about if Val and Alastor were hanging out with Vox at the same time before things went bad with Alastor in the past. Mostly because Val is like, 95% exactly Alastor's (friend) type. Pulling traits from both Rosie and Mimzy, he likes people who are very Loud and a Lot and very confident in themselves and their personality/appearance, who he can have fun nights out and bitchy gossip sessions with, plus he and Val have a decent amount of experience overlap re: being nonwhite and very likely from disadvantaged backgrounds, but affecting upper-class mannerisms, being deeply entertained by Vox (and if I can include headcanon, they were both mama's boys).

Really the only obstacles are:

val being the Sex Guy who does certain crimes Alastor is stated to really not like, but who knows how common that was back when/if Alastor would necessarily know about it

more a reason to break it off, but Val actually being into Vox and becoming his official partner/Val's Stand By My Man loyalty requiring him to dislike Alastor by default

val not being a woman (but then again, Alastor WAS hanging out with at least one guy back then!)

anyway my conclusion is just i can't wait to see them actually interact at some point, bc with how they've acted so far (Val seeming weirdly unbothered about the Alastor feud despite acknowledging he's sorta part of it, Alastor paying him a compliment along with Velvette by calling them the source of Vox's power) I feel like it's weirdly possible for them to be amicably indifferent to each other, even if they weren't technically friends in the past.

[mikimeiko]

The Expanse | Season 4 (2019), Mark Fergus and Hawk Ostby

[youremyonlyhope]

I love when I see posts like "Share how many crochet WIPs you currently have! I have 5, it's so many!"

Like, girl, I have unfinished projects from over a decade ago that I refuse to frog on the off chance I decide to finish them. I've found years-old projects I forgot I even started and will impulsively just finish it on the spot. I've started three different projects in the last 2 months, including one I started yesterday, that I already know I may or may not finish within the year depending on motivation.

The number of WIPs I have is infinite.

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[valiant-portabella-pirkko]

Alright know what here's a little Guild Wars 2 reblog game for everybody; what mounts (if any) do your characters have in their canon, do they have names? Personalities? How'd they meet??

Spill it all below, tell me about all your creatures!!

[13eyond13]

nothing more cringe than coaxing and half-forcing someone to go to the movies with you because you're talking up how good the last one in the series was and then they finally agree to go and then it ends up being over two hours long and also kinda the worst 😬

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[jaythelay]

I'm drunk, probably blocked by most here and that's fine I imagine I'm alot to deal with, but I really think this is something any leftist needs to hear:

Lose your Innocence.

The world does not play fair, nor does it reward it. The world is not like Bernie Sanders or Tim Walz, the world works, presently, upon rules that dictate the strong-minded do nothing as to not oppose their own fears or morals, while the weak-minded do as they please.

The world is going to take and it will grin, you will never know if they're sincere in their justified outward appearance, but it doesn't matter, what matters is you were wronged, and they will get away with it.

The issue is not that something "wrong" happened, it's that it had No Purpose. That is what stops you, you know there's a purpose, and yet so many times you've seen it without. Without ever knowing if it was ignorance or malice, you never try it yourself.

The truth of the matter is always and has always been, that you were too innocent to strike back, to strike first, or to strike too hard.

Leftists need to genuinely? Start being what republicans describe them as, they need to be "the deep state" they need to be ridiculously anarchistic, socialists, not just push for livable wages but thriving, really just shove that shit down people's throats.

They need to start breaking shit and saying mean words.

As is, your innocence holds you back from ever throwing a punch, you feel as though it's meaningless to do so in the first place, but the fact is, Republicans Have No Reason, for what they do other than a Larp, it's Fun to them, they find Fun in Killing or Maiming Innocence.

You don't need to do that. You need a purpose behind it, one that isn't that. Call them faggots, call them absolute larpers, *** them on twitter, do it all man. Because they just proved there Is No Order, No Purpose, and most importantly, No Point in anything.

If they want this kind've world, you gotta toughen the fuck up, and break some fucking teeth (metaphorically, of course.) and do shit you've seen as wrong for so fucking long, because it Will happen to someone you care about otherwise. Republicans don't experience their own bullshit, bring it to them, because everyone pretends the left does anyways, you might as fucking well now.

tl;dr democrats/leftists aren't cool, they kick you out for making shitty jokes instead of making shitty jokes back. They don't have anything cool like my faboribe electric man elgon mufks! They don't even really say anything and when they do, it's some boring politics about another country and that pisses me off because I still can't pay off this thing, or this costs more and now that I'm politically active I'm paying attention to solely what the cool people say because I'm cool.

Leftists don't have dumb content or humor, they don't get stupid, and that, is why they don't understand the dumb fun of republicans. On top of this, they're also too weak to throw any punch socially and instead focus on critique.

To put it simpler, to the wider public, unfortunately and this is a bullet to the fuckin' heart, the Left's HBomberGuys vs R's Keemstars? Keemstar fuckin' Wins. Figure out why.

[greppelheks]

I don't know how you've all experienced the year 2024, but I barely witnessed it, and I've been fighting for my life

[autumnrory]

watching rory's joy at the beginning of her internship at the stanford eagle gazette and later when she worms her way back in during season 6 (which like hey whatever happened to that lol) is why i simply cannot accept a universe where she doesn't have a career in journalism

[justewil]

i did it ... ranlay is finally real ...

[mysteriouslybluepirate]

Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

[engagemythrusters]

hm currently i keep thinking of my modern rebels au (im not immune to a good modern au etc etc) and i think the funniest way to do kanan is jut to make him the househusband. the eyecandy. famous racecar driver hera syndulla and her stay-home-dad husband who teaches self-defence courses every monday tuesday wednesday friday.