#i wanted to say some thing and I did

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[madisoncounty]

"and then you look at it, and it looks... otherworldly. this is denis. he just creates this shape. it's not perfect. it's timeless. it reminds me of... do you remember arrival? you know those big alien creatures? that's the shape." — rebecca ferguson in an interview with hollywood insider

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[mohntilyet]

illario + lucanis growing up together means a lot for obvious reasons ofc like the fact they did not have to go through the dellamorte villa torment nexus alone really helps. immediately from the moment they are taken to that house, lucanis has had something to protect and love. the snark and jokes that they share in wigmaker job finally having a chance to shine outside of the only person lucanis is socialised with and he learns that wow, he's actually likable. because up until this point everyone around him calls him a demon and is freaked out by him but ofc the veilguard only know him as lucanis "he banished harding from the kitchen" dellamorte. sure he's a big bad crow assassin but his reputation simply does not carry that much weight with people who are just equally deranged (maybe a de riva rook but that's also a little different) . and then he's able to share and extend that love with his new friends, and able to try being something that he's not had the chance to before, and his goodness is actively encouraged rather than being an unfortunate sidequest that is tolerated. and i fondly think also of how much of that humor is copied and mirrored off illario ("shoulders....... feeling tight...... need a ..... MASSAGE!") and it's his best experiences with illario that turned him into the man he is. wish the game explored this just a little more because the betrayal would have been made a lot more intense if they had just bothered to show any of illario's redeeming qualities. he has them!!!!! nobody is just born a traitor. you have to love someone before they can become that.

[xxplastic-cubexx]

How would you redesign Headmaster Magneto? Just out pf curiousity because while he served it didn’t feel like… Erik.

i have to keep it 100 i have no idea without just. rerunning his original design but with a palette swap LOL but we try around here

[slavhew]

DO YA THINGKU

for a twitter trend of redrawing miku as album covers!! i wanted to do one of my favorite single from gorillaz. Cover-accurate ver + closeups:

this was definitely the biggest thing ive drawn this year!! and a good chunk of it on stream. thank you everyone who tuned in!! it was loads more fun to make in company :]

[swampthingking]

andrew’s definitely gotten in trouble with his pr manager for tweeting things along the lines of:

“no mania inducing medication will compare to the euphoria i will feel the day donald trump drops dead”

[rawbin-hsr]

OMGGG Your latest smut fic is so amazing!!! The smut is absolutely delicious! but....the angst is breaking my heart so...could you please write a continuation or part two where the reader confronts Aventurine's dark internal thoughts and comforts them? A fic where they actually get him to believe that they love him for real, where they tell him that he's not a monster and that he wasn't ruining them.

You've got it ! (˵ •̀ ᴗ - ˵ ) ✧

Aventurine x Reader

You treat Aventurine with more respect than he deserves. (Part 2)

Read part 1 here !

CW: dehumanisation (internal, thoughts Aventurine has of himself, referring to himself as a “monster”), lots of mentions of death, passively suicidal Aventurine, violent imagery (through metaphors, nobody is actually physically harmed), intrusive thoughts, Aventurine thinks kind of vicious things about you (refers to you as "stupid", "brainless", "naive" etc), cursing.

Lmk if there’s anything else I should warn about !!

Small note: Spoiler alert sorry, but you will not completely fix Aventurine in this fic. Making any real progress would take YEARS. The trauma he's gone through and his beliefs about his own humanity are EXTREMELY deep-seated, just one conversation would not be enough to make him truly believe he was loved. Super sorry since I'm sure that's not what you wanted (you specifically requested they "truly get him to believe that they love him for real", but this does still end on a hopeful note so I hope you won't be too disappointed (•ᴗ•,, ) )

Sometimes Aventurine gains enough clarity to remember where he stands. More importantly, he gains enough clarity to remember where you should stand. That is to say, as far away from him as possible. Unfortunately, you are never keen on doing that. 

In these moments of clarity, he distances himself. If you won’t do it, he has to. He needs to. He needs to even when he can feel the little pieces of him that you’ve managed to haphazardly glue together splinter into tiny shards again, even when it feels like every step away is a step walked on shattered glass. He can hardly be called a ‘person’ anyways, what does his suffering matter? He has already lost so many good things, why not add another loss to the tally?

He reads your texts, but he doesn’t respond. He hangs up on you the moment you call. By doing this, he makes sure you know he is alive. Both because he knows it would devastate you if you thought he died, but even more so to make sure you know he is intentionally ignoring you. He hopes at least some part of you hates him. He thinks part of him hates you.

But he can never stay away for long. Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. Thoughts of you always cloud his mind too much to do what is right. He reminds himself he will destroy you. He comes back anyways. He is too selfish not to. 

And you welcome him with open arms every time. Sure, sometimes you yell. Sometimes you berate him. Sometimes you cry. But he never does something beyond the bounds of what you’ll forgive, even though he tries to. You’re patient to a fault. Though he feels bad, he never takes it fully seriously, because you always hold him with so much sweetness, even when your words are filled with righteous anger and justified hurt. You always end it by reminding him that you love him. Something clenches in his chest; something that is not his heart, because he has none. He claims he is sorry, but you both know he will do this again. He always does. You know he will hurt you over and over, even if you don’t know the extent. You know he will test you, that he will ignore you, that he will cling to you and that he will taunt you. You don’t know he will drag his claws through you and tear you to ribbons; you don’t know he will sink his teeth into your neck and drink all your blood; you don’t know he will lure you to sea and drown you. You are never aware of the true danger you are in. 

Maybe that’s why you one day feel comfortable enough to corner the creature that has taken on the appearance of a lover. You sit down next to him in bed one evening after one of his many attempts to push you away, your expression grim. You look straight ahead, right into his dead eyes, unaware that a monster is towering over you. 

“We can’t go on like this,” you say. For one moment, the crushing relief and devastation threatens to consume him, and he’s not sure which of the feelings is stronger. For one moment he can’t breathe. 

He hacks our a laugh, his skin straining. Something is shifting beneath his flesh, something ugly and dangerous. He needs to leave and he needs to do it quickly. 

“You’re right, we can’t,” he agrees, his voice a lot more steady than he feels. He feels the urge to grab you and shake you until you pass out. He feels the urge to suck out your life force until your body is an empty husk. He feels the urge to slam your head into the bathroom sink in the next room over. He feels the urge to shoot himself in the head, because he does not want to do any of that. 

“I love you,” you say, unexpectedly. Or maybe it’s not unexpected. You always say such stupid, brainless things. (You say it with sweetness. The only sweetness he can offer in return is the sweetness of bacteria digesting rotting meat. Is the flesh his, or will it be yours?) He laughs again. 

“I thought we were breaking up,” he says. Smirking, as if it’s funny. (It isn’t.)

“No, we’re really not,” you say firmly. He snorts. 

“Maybe we should.”

You don’t answer. Instead, you come closer. 

Get away, he thinks. Run, you fucking idiot. 

You don’t have many flaws, but the ones you do have are insurmountably big. You are too forgiving, you are too kind, you are too selfless, you are too naive. You will kill yourself doing this one day. You will let him kill you.

Your arms wrap around him. He can’t help but relax. The thing lurking under his human disguise grows more restless. 

“I don’t hate you,” you say, unexpectedly. And this one really is unexpected, because what made you say that? Your arms squeeze around him tighter. “I thought I was being obvious enough about that, but you’re so bad at understanding it.”

The feeling he has is the same as the feeling he gets when he realises a deal is going awry. You are the highest risk stakes he has ever made a bet on: will he ruin you, or will you ruin him? What you could do to him is so much more serious than death. He knows that he is holding a losing hand. He doesn’t even know what he stands to win.

You kiss his neck. He shudders. 

“Why are you so scared of me?” you ask. 

Scared? He is not scared. What an outright laughable concept. Neither of you are scared, but if one of you was, it should be you, but you aren’t, for some reason.

“What gives you that idea?” he chuckles, but his voice is not as steady this time, and he can feel his smile slipping. (What is wrong with him? He doesn’t want to think about it. The answer is always ‘everything’.)

“Your hand is shaking.”

It is, but that is not because he is afraid. Fear is a human response, borne from the desire to live. It is instinctual. It means kicking and screaming, it means clawing your way out of hell for the chance to see another day, it means fighting for the life you don’t want to end. He cannot die, you see. Death cannot occur twice. Just because his body reacts, that does not necessarily mean he can truly fear any longer.

(Then again, maybe his reaction does not come from the thought of his death.)

“I’m not scared,” he says, and his voice sounds a lot weaker than he had expected. You pull him closer, cradling his head against the crook of your neck. His blood is pulsing too quickly.

“It would be okay if you were,” you murmur. “I know you don’t know how to be loved. That’s okay. I’ll teach you. You just have to let me.”

Squash. Slice. Tear.

Maybe you are the monster. He can feel your claws prying his chest open; he can feel your teeth dig into his flesh; he can feel something that is not air fill his lungs. The biggest difference between you and him is that he devours, while you give. You painfully shove something back into the cavity meant to contain his soul, you pump blood back into his system, and you fill whatever gaps are left in him with something that is first cold but quickly warms. 

(He realises, belatedly, that something is pumping inside his chest again. But it can’t be a heart, can it? He lost that so long ago.)

“I’ll kill you,” he manages through gritted teeth, claws digging into your shirt. It is not a threat. It is not a warning. It is just the truth.

“You think too much,” you admonish him. Your tone is as gentle as your words are cutting. “I wish you would trust me more. You’re so determined to ruin your own life, and I don’t like it.”

“That’s just how I am. Deal with it or leave.”

“I’ll deal with it, then.”

Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. He will destroy you. But you accept it. 

He has tried time and time again to push you away, but he is weak. So incorrigibly weak, and though your flaws are insurmountable, his are all-consuming. He is a monster in all the ways that matter. But you stubbornly will not leave despite that. 

(Maybe that makes him a little more willing to try to change his nature. Just a little. Just for you. If you will not leave anyways, maybe he could try to make his presence a little less torturous.)

“Just… please stop ignoring me,” you sigh, nuzzling into his hair. Tenderly, tenderly, tenderly, so tenderly it makes his skin crawl. Your claws are softly piercing into him and he is helpless, unable (unwilling) to fight back. “I can deal with everything else. I just hate it when you do that. I can’t keep going weeks without speaking to you. I know you have some kind of… weird ideas that I’d be better off without you, but that’s not true. I love you, and I love being around you. I can’t help you when you cut me off at every corner.”

Cut, slice, slash.

Something in him breaks. Something he knows cannot be salvaged. Something he knows you would not want to salvage. Something he is not sure if he wants to salvage either, now that it is broken anyways.

He breathes a shaky breath, his fingers — his fingers, not claws, not this time — digging into your back. He buries his face into the crook of your neck, and he does not feel the urge to bite down. Though his eyes feel wet, it would not be enough water to drown you. 

He knows your line of logic is wrong. He knows the fact remains unchanged: he is a monster of a man. He will ruin you. But maybe your presence sparks enough electricity to keep his heart pumping, just for a little while, and maybe he can wait until things actually start going downhill before he lets you go. Maybe he can remember how to be a human for a bit, maybe he can pretend he is. 

“I just… don’t want to do something I can’t take back,” he whispers. “Not with you. You’re the… the only good thing I have left. I don’t know what I’d do if I…”

“That’s sweet, but I’m not as weak as you think I am,” you reply. “I’ve held out this long, haven’t I? Put more faith in me.”

He smiles.

“Yeah, I guess you’re right.”

---------------------------------------------------------

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3 Also reblogs are EXTREMELY appreciated the final push I needed to finish this was from a very kind individual who reposted and analysed my writing I've been riding that high ever since they did that ily bro

[radiance1]

Something inspired by this post and this song.

Danny blinked as everything around him seemed to pause. Mist escaping past his lips and he looked at the still branch outside of the window.

Hands rested over his shoulders. "My dearest child." Clockwork's spoke from behind him, and Danny stilled. "Won't you join? We can get you out this little predicament binding you by human law."

"No." Danny huffed, resolutely staring out of the window. "I don't want to. You made me try so hard to avoid my bad future, and now you just want me to do something like that?"

"My dear boy," Clockwork flew in front of him, cupping Danny's face in gentle hands. "Your alternate future destroyed this world and as such, the Observants wanted you dead. It would have been unfair for you to be killed for a mere possible future."

Danny scoffed. "You only interfered because you saw a future with me with at your side." Danny scowled, wanting to pull back from Clockwork's hands but found that he couldn't. He scowled a bit more at his body's betrayal, sinking into the touch instead of pulling away.

"I will not lie to you, I had indeed interfered because of such." Clockwork slowly rubbed comforting circles on the boy's cheeks. "But also because you are my child, even if you were then, you would have been eventually. It is a parent's duty to protect their child, is it not?"

Danny wanted to refute that. But the memories of his parent's death at the hands of the GIW for him caused the words to be stuck in his throat. The images of both their and his sister and friend's bodies caused his vision to blur.

He choked down the tears.

"My poor child," Clockwork rested his forehead against Danny's own, a comforting gesture. "To have faced such cruelty at human hands, and for your own human donor to deny you your grief." Clockwork smiled. "Just let us help you, come to our side and we shall make it all go away."

Danny stayed silent for a moment, a small part of himself feeling guilty over wanting Clockwork's touch but a larger part wanting it anyway. "No." Danny breathed out harshly. "They don't deserve to die just because of that."

They don't.

If he says it enough, it'll stay true.

No matter what happens.

Clockwork leaned back, hands falling from his face and Danny had to force himself not to follow the touch as Clockwork circled behind him.

"I am willing to ask as many times as it takes, for you will join us eventually." Danny hated the certainty in the ghost's tone, but couldn't help but push his head into the hand that patted his head. "A piece of advice, however. War is not as patient as I am."

And with those parting words, Clockwork disappeared. Time resuming at once with Danny still sat on his bed. He flopped onto his back, head hitting the pillows as he turned on his side. He stared at his hands silently, before turning one palm up as ice danced up from his palm, slowly taking shape into lifelike versions of his family.

Alive and happy.

A small smile grew on his face he watched. Fighting against living food that Danny had once disliked.

What he wouldn't give to have it all back.

A knock broke him from his starring, and the ice collapsed in his hand.

"Master Danny?" Alfred's voice came from the other side of the door, causing Danny to frown. "Would you be joining us for lunch?"

Danny wanted to say no. He didn't want to interact with anyone in this stupid family.

Danny hated how he couldn't say no without one of them making it into some kind of problem.

So what if he hasn't eaten in a few days? He would live.

Danny sighed, standing up from his bed and silently staring at the door before he got up. He stared at the bracelet on his wrist for a moment as he grabbed onto the doorknob, the one that limited his power extremely, and opened the door.

He stared up at the pleasantly surprised expression on the butler's face, before looking away as he started to lead him towards the kitchen.

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )