#i wanted it to be PERF

[blitzbuckz]

Stolas can't help the soft trilling. With his face pressed against the side of Blitzø's head, eyes closed and a smile curled around his beak, the owl is content. But it only lasts for a moment. Vermillion hues open, hand seeking one of the imp's. Once found, he guides it to the feathers atop his head with a hoot. Only then does Stolas close their eyes once more and start to doze.

【 Found Family 】 — 家族を見つけました ♡

[reineydraws]

this is a scene from opla s2, black leg gazpacho told me himself!!!

src by @op-trash-blog-of-hell

[yangjeongin]

MINHO | 241208 • MY PACE @ DOMINATE OSAKA

[kissingarthurclaus]

From the first time I heard him laugh...💘💘💘

IF YOU DIDN'T SEE ON MY OTHER GUSH POST LISTEN TO THIS DORK'S LAUGH PLEASE 😭😭😭

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @changeling-selfship @crushes-georg

@cherry-bomb-ships @rosieaurora @rejaytionships @tropicalgothships @little-miss-selfships @cupiidzbow @frozenhi-chews @limey-self-inserts

@candyheartedchy @space-sweetheart @halsinkisser @clancykisser @squips-ship @berryshipbasket @soulnottainted @homevideorentals

please let me know if anyone wants to be added or removed! 🫶

[reunitedinterlude]

happy first day of dnptit <3

[problemduetest4life]

My number one Jeremy Knox head canon is that his most common response by text is “perf”

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.

[ego-meliorem-esse]

I hate this man and i hate myself for not hating him harder.

[chiistarri]

litpollo and percabeth are the same when it comes to spoiling one of the persons younger sibling ( georgina / estelle )

[azuphere]

thunder and lightning

insp by blonde!phil and the ii m&g where phil said that if dan were a kind of weather he'd be a storm

[wellhalesbells]

Is the sterek thing that was mentioned in some Deadpool comic true? Is it a comic made my a fan or a legit published one???

It is a real, legit thing that happened in a real, legit Deadpool comic. It's in the Alyssa Wong run of Deadpool (2022). [Which I absolutely recommend: Deadpool dates nonbinary royalty who is genuinely so fucking attractive???, has a fever dream where he's essentially married to Cable, besties with Wolverine, and banging Spider-man and makes a Teen Wolf joke. Proof ↓]

[kimseokjinn]

bangtan gif challenge: your bias + favorite color -> purple

[chewydy]

izlo alien abduction!

[truethes]

with it being 8pm on a sunday i've come to realise it's the perf time to really discuss my goals for the future of my blog(s). in particular, the art of communication.

something that's really come true from when i came back from my hiatus in 2020 are my views when it came down to dynamic. from going multiship with multiple versions of muses, i've found a lot more joy in writing dynamics wherein me and my partner as both shipping with one version per single canon portrayal. it's a rule i've held for a good few years now, and ultimately one i wish i wouldn't change for the world, but ultimately lately i've noticed a pattern my end in which i really want to tackle this year, which i hope will also make you guys all feel a little bit more love, whether we're in the middle of plotting something, having a dynamic in the works or already have dynamics on the run.

i'm going to stop worrying about being too much.

this might sound a little crazy, but i have briefly mentioned before my experience with a mutual i had in the past (pre my hiatus return in 2020) where a friend admitted they stopped talking to me because i was being too much and too fast in my replies to them in direct messages. which has haunted me in every single friendship / chat / plotting session i've had with mutuals before this year. i hold back sometimes, with a lot of art / musings / etc hidden between my aes blog and my twitter. while i don't want to come across as though i'm going to be in my mutuals dms all the time overwhelming them, i want to spend more time messaging my friends for things that made me think of them, for people i wish to plot with / am plotting with because it reminded me of our plot / dynamic etc. me being a slow writer wont change any time soon, but i really am not lying when i say i do not suffer from any kind of friendship / interest decay when i don't hear from someone after some periods of time, nor if i dont message for that time period of time - so i want to show that love a little bit more than i usually do x)

if it does get too much, please don't be afraid to let me know or take breaks. i will totally understand your decisions either way!

[mothwingwritings]

Really proud that my first ita bag that isn't all over the place and random is the most unhinged bag it can be. :)

(Pins/keychains all from RabbitRevelations, Frankenbrainied, WeebsBUs, Gatobob, and @decafdoodlez on Etsy. <3)