#and also just as morally gray and badass as you would hope someone who wants to date deadpool is

[wellhalesbells]

Is the sterek thing that was mentioned in some Deadpool comic true? Is it a comic made my a fan or a legit published one???

It is a real, legit thing that happened in a real, legit Deadpool comic. It's in the Alyssa Wong run of Deadpool (2022). [Which I absolutely recommend: Deadpool dates nonbinary royalty who is genuinely so fucking attractive???, has a fever dream where he's essentially married to Cable, besties with Wolverine, and banging Spider-man and makes a Teen Wolf joke. Proof ↓]

[akzgaj-writing]

How to write an INFP (Guide written by the INFP)

I decided share with my observations, toughts and opinions about an INFP. There's in internet a lot of memes/prompts/other things about this character but it's often stereopical. Sooo, I want to share something form me – hope that it would help for creating an INFP character well.

Contents by @akzgaj-writing

Prompts:

We are not a crybabies. For example: if a lot of people watch emotional movie (for example Titanic) and cry on this, the INFP often rolls the eyes and moan or think something like that: "Maybe I'm heartless? Or maybe they are pretending? Or maybe is something wrong with me? Or maybe this move is boring?" We will cry faster becouse of a trampled flower, a burnt meadow, a dewastated ancient building – or just becouse of seeing a rainbow in the sky or shining dew.

In the other hand, an broken or unhealthy INFP can cry often, but also can be rude and passive.

Honestly, the INFP have stoic and often emotionless face – you never will discover what real happen behind this mask. I often hear: "Why are you never smiling?" Or "Something happend?"

We overthinking. Too much. We are overhelmed by thoughts.

Ah, we love to think. INFP is not a mindless hippie. We have an analítical mind and we love to analyze everything and everyone – even out of boredom or curiosity.

INFP knows how to copy* other people's behavior, other people's point of view, and is able to get into someone else's shoes – we don't* do it for any evil purpose – just becouse out of curiosity and the desire to understand something. We are good actores and we are flexible but we are not fake – we don't pretend anything to everyone.

We have strong morals. We believe in one truth, and a healthy INFP believes (or want to belive – if is unhealthy or broken) in that, is the good and the evil in the world – there's not a gray zone. You are on one side – you are good, or you are evil – the good cannot do evil, and the evil cannot do good. This is example of thinking of an INFP.

Oh, and we not understand or rather – we despise people who change their values and views depending on the situation. Even if we disagree with someone's worldview, we understand that someone has reasons for having such a point of view. But when someone changes everything to please someone else or do it for money – an INFP despises this person but won't show this (or will show this in bad day).

INFP will defend their opinions and values to death (of themselves or someone :')

Adult INFP often or rather, always (but not always in everyone) will lost faith in humanity – but don't they say it – or like me, will show this for everyone ;) laughing is the best cure for broken heart.

We love to dream! INFP like to dream about a better world or want to escape from this world to their world – for various reasons: boredom, tiredness, a desire to escape from troubles and stress, or to rest. But most often is it becouse we quickly lose interest in the gray world and look for another one – one that will have our values.

INFP is cute and sweet type or dark and badass. Or can be both.

We are sensitive but we don't like to show it becouse we are afraid of being mocked. For this reason, we do not want to share our dreams and desires that we keep deep inside. If we're talking about it, we talk to someone that we trust very much.

Anyway, the INFP can sometimes, depending on emotions or situations, be cold and insensitive.

We are introvertics but if in the front of people who we likes, we turned into extravertics and talks and laughs a lot.

We want and we love to help for people who we love.

We want to show a warm feelings to people, and we envy other extroverts for thier social skills, but at the same time we are reserved and cold. Yet we are soft inside.

INFPs often blame themselves for simple things, falls and failures, accusing themselves of being too sensitive and moral. But we are also proud of having our own ideals and morality, at the same time.

INFP can be out going, playful and adaptable.

In the other hand, the INFP sometimes in bad times can be rude, stubborn (in this case some INFP can be proud of this), proud and ironic.

We love deep talks and we hate small talks – the INFP feels in this last one very awkward and want to disapear.

We isolate from others becouse we are tired and we need rest. We like quiet places.

INFP is very idealistic type – try be better version of themselves and want do good for the world. But often do small but big things for the family or the friends. We don't like big attentions (sometimes – we like to get praise but not very attentional, becouse feel awkward).

INFP is an artistic soul – draws, write, decores etc. – likes manual or intelectual work. We like people who like this too.

INFP often in their writing or drawing, show their values or opinions.

INFP often think that maybe is the INFJ or even the INTJ – becouse of their analitical mind and often cold nature, it's easy make mistake and be confuse.

We take everything too much personally.

INFP outside looks stubborn, cold, proud and passive.

INFP is loyal and wants the same from others.

INFP love and dream about old fashion romance. Often like dominant types (but healthy dominant – but it is subjective and everyone has their own taste).

I will write other post about love between INFP and the other's MBTI.

[villainsandvictimsalliance]

I really think people that want Endeavor to die have an immature view on the situation. I understand that enji did terrible stuff but he has to pay for that. But how is he gonna pay for everything if he dies? Gonna waste Todoroki fam money on flowers for his grave?😭 Anyway. There is no situation where enji dying is a good writing. And if he lives he can still be useful as an old hag mentor like allmight, not only sit and suffer. Fans that want endeavor dead have that childish thought that person that they dislike should just die. Right now endeavor is being a good character after pussying out for villain hunt arc and I think it's great. We've seen him at his weakest most pathetic spot so when he drags afo's crusty ass through mountains and does badass stuff with fire we can have that feeling of happiness (I mean I did idk what others feel tho lmao).

I hope endeavor meets touya again and continues to help his family to have better lives and leave as he wanted in his dream

Okay, let me point out first where I don't agree with you and then where do I agree with you, okay?

First thing, I can't call immature the people who want Enji dead. I don't know what they have gone through, I can't know if they find in it a way of deal with their anger and trauma, I don't know. I talk a lot but at the end of the day, wanting a fictional character dead is not murdering a real person, you know?

They can hate Enji all they want.

I just disagree with them. If we speak in terms of narrative, Enji being alive is better for the story. If we talk about a projection from the real life into the situation, Enji dying could be equal parts the remedy and the poison. Maybe some of the Todorokis would heal after that, it is a possibility. Maybe they wouldn't. Maybe they could get worst, we don't know. Ultimately this all depends on what story Horikoshi wants to tell, but I'd rather have the current story where different victims have different responses to the abuse they were exposed to and they have different ways of healing. Dabi has the right to never again see Enji, but Fuyumi also has the right to build a relationship with her father, if she wants to.

Now, I agree Enji is a better person than he was. Not because he's good exactly, but because he recognized how bad he was and he's at least thinking about how he can fix what he broke. It's undeniable that he is on a redemption arc, it's undeniable that he is better, but it doesn't mean either us or the characters have to forgive him or forget his mistakes.

Enji has also always been a good character in terms of what he brings to the table with his character construction. Not good in moral terms, but written interestingly. His constant dancing between the villain and hero standards, how morally gray he is, that's amazing. A great way of making someone root for a certain character is giving them a character to root against. It happened with Deku and Bakugo at the beginning, for example. Not necessarily a villain, but an antagonist, someone who gets in the way of your hero.

I'm not particularly rooting for Enji to get better because of him, but because it'd serve the Todorokis narrative. Shouto doesn't need his dad to die at war. Touya hasn't solved his issues with Enji. And I mean, Enji was never there for Touya, so he should be there for his son now. Even if Touya tells him to go away and doesn't want to see him ever again, Enji has to try. For all the people who looked up to him, for all the people he let down, he has to try.

I wish the Todorokis to be happty and healthy. I want Endeavor to pay for his crimes. So if he changes and some part of the family accepts him back, as long as he's not causing more damage and as long as it is actually healing instead of hurting, I'll accept it.

That's my opinion on this matter.

[thevindicativevordan]

Do you have... Sigh... Do you have thoughts on Superman killing Zod in The Man of Steel and why Superman killing is a problem?

Actually I didn't have too much of a problem with that in Man of Steel believe it or not. At the time I thought Snyder's logic was dumb - Superman needs to kill in order to learn that killing is wrong? - but I thought that both the neck snap and Superman's lack of concern over the destruction of Metropolis were deliberate fuck-ups on Superman's part, and that the creators were cognizant of how both of those came across. Surely a sequel would be all about Superman grappling with the ramifications of both. Instead Snyder just moved the next movie's climatic fight to an unmanned area so he could blow shit up without the pesky nerds whining, and had Superman kill Zod again with nary a flicker of contemplation. That's when I accepted that Snyder just thinks superheroes killing is "badass" (something his rant about how stupid people who don't want Superman and Batman to kill are at Snydercon confirmed).

Now as for killing in general when it comes to Superman? I'm typically anti-lethal force when it comes to him... but I do recognize some gray areas.

Regardless of whether you like Doomsday or not, he's an iconic part of the Super-Mythos and it's a well-established fact that Supes goes for the killshot at the end of their fight. Against a genocidal opponent who can match him, where he truly does not have any other option, it's been canon for decades that Superman is prepared to use lethal force to end a threat. So it's something he has done in the past and most Superman fans don't regard Death of Superman as a massive mishandling of the character.

But here's the core problem with Superman killing: it's pointless. There's no real reason to do it other than to drag him through the mud. Ok so Superman kills a guy, there's only two real outcomes to that.

He agonizes over it and we get a storyline examining how he and others feel about it. That was the route Exile took, Superman had a mental breakdown over killing, and we got an entire omnibus worth of stories where he came to terms with it. Ultimately he accepted that it "had" to be done, but resolved to stick to his rule against killing going forward. So it was addressed and then Superman returned to his status quo.

He kills someone and decides to keep killing from then on. At this point he usually is going full blown evil as Batman and others with strict codes against killing are going to be obligated to stop him (Injustice), unless they too decide to abandon their moral codes (Justice Lords).

Reason those are the only two options is that otherwise Superman is probably going to be killing all of his Rogues at some point, given most of them are terrible people who don't shy away from escalating the stakes. Once he's done that - now that he's lost most of his cool enemies and the track record for making new cool Superman rogues is pretty dismal, considering the last one to really take off was Manchester Black - he has nobody noteworthy to fight and his sales are likely going to suffer until they bring all the cool Rogues back, defeating the entire purpose of killing them in the first place. Much as I hate to even bring him up here, we also have to take Batman into consideration. Nothing on Earth will ever compel DC to portray Batman in the wrong and anyone else in the right, so as long as Batman keeps his no-kill rule, any hero that crosses that line regularly is going to get a beatdown at Batman's hands. Doing otherwise just invites poking at the open wound question of "why doesn't Batman/someone just kill the Joker?" if DC allows another major A-Lister to employ lethal force at will.

But let's put aside the "real" reasons Superman doesn't kill, and ask ourselves a simple question: does it make sense for Superman to kill given who he is as a character? My answer is no. This comes back to Superman's defining trait, which isn't hope, but compassion. Superman cares about all life everywhere, even the most despicable villains.

He's not putting on a front, he really truly believes that there's a way to reach even the most despicable individuals with the right words, and he believes he can find them. Even knowing that for some cases that may not be true doesn't stop him from wanting to try. Killing his Rogues for Superman wouldn't just be a betrayal of his ideals, but an admission of defeat. Accepting that there's some bastards out there you just gotta kill would be him ceding the moral ground to Manchester Black, Magog, and all the other would be lethal successors who have tried to knock him off his pedestal. It's tantamount to Superman all but accepting the argument that he's an old fashioned relic who just doesn't work anymore, and what do you do with him once that's the case?

Besides people complain that Superman is overpowered and nothing can challenge him, having villains out there who resist his attempts to reform them is him getting challenged! That's Superman wrestling with a moral dilemma and paying a price for his ideals right there! Why would we want to get rid of that in exchange for him just smearing everything in his path? Give me Superman busting his chops to try to reach that lost cause everyone else has written off any day, I'm a sucker for stories like that.

[anarmorofwords]

I kinda wanna write a better version of tlh where Tatiana is still insane but there's no Belial bc that makes zero sense to me

In this version there would be:

Kamanna done correctly with actual genderqueer rep and not toxic relationships

Barbra and Oliver bc fight me she didn't die

Genie and Filomena bc I love them and all the lightwoods are queer

The gracelet doesn't even happen bc I refuse to write that

Grace is pretty much still the same but she breaks off their(hers and james') relationship bc she notices that he loves Cordelia

No bad James. He's not a shitty person to Alastair, and he doesn't treat Cordelia like a sex object

Anna puts a stop to Kellington and Matthew's relationship before it gets serious. She also tries to get him to stop drinking all the time

Alastair apologizes around seeing them again for the first time. The merry thieves are a little reluctant because of some of the things he did but they don't actively try to keep him away from events that they're at

Matthew notices how Alastair looks at Thomas and locks them in the sanctuary with Genie and Cordelia's help

Grace gets badly injured due to a mistake in necromancy and Christopher helps her treat it without letting people know

Lucie meets Jesse, and falls in love ofc, so in order to bring him back successfully she asks Malcolm to train her in using her magic

Matthew opens up to his mom about the incident. She doesn't blame him at all and instead apologizes for often putting her work before him

Matthew finds out about Charles and Alastair because he found Alastairxs break up letter to Charles

Matthew, the mother hen he is, decided to attempt to murder his older brother, only being stopped by James who had been there at the right time

Kamala ends things with Charles and tells Anna that she still loves them and hopes that she will give her another chance

Anna told her that they needed time to think, and that she is worried how Kamala's reputation will be affected if anyone besides their friends and Anna's family finds out

Kamala respects her decision and doesn't contact her until Anna's ready to talk about things

The merry thieves don't ignore Christopher and they actively listen and help him

The merry thieves also aren't terrible to Grace bc they realize she's been isolated alone with Tatiana and 1) she might not understand what's saying/doing is wrong or 2) that sometimes she's trying to push them away so her abilities don't accidentally make them do something

Good tid parents

James and Alastair being respectful to each other despite personal differences

Matthew, Alastair, Kamala, Christopher, and Grace being besties, or as I call them, the neglected squad

No fetishizing mlm/wlw

Domestic cuddles and taking care of the other one when they're sick

Jesse/Lucie/Matthew pairing bc I love them and I refuse to pick between lucie/matthew and lucie/jesse

Christopher teaching Grace the elements(at the time) on the periodic table

Tatiana dies at the end yay

It's very unpolished and I'm open to b hearing any feedback and/or suggestions that anyone may have

The idea came to me and I decided it would be best if I told someone before I forgot

hi, I'm sorry it took so long,but I wanted to properly answer this and I keep having either internet connection issues or little time

DON'T BE SHY, WRITE THIS 👀

In all seriousness tho... THIS IS ABSOLUTE PERFECTION?!? I DON'T EVEN KNOW WHERE TO START I AM UTTERLY IN LOVE WITH THIS IDEA, I NEED IT

Look, I've been on the verge of rewriting ChoI, and I keep saying I want someone to write a TLH that will live up to its potential, but I've never actually came up with a proper idea for it, and you?!! YOUR BRAIN DARLING THIS IS GENIUS

ok hold up I'll just react to each and every single one so

yes please?!? I mean it started off so sweet in EEV?! Also actually genderqueer Anna and not dancing around the subject like CC is doing now?! That's what they deserve, and that's what we all deserve too

yesss please. also just,,,, Barbara, the feminine, not-wanting-to-fight-which-doesnt-make-her-less-badass queen that she is, getting the page space and appreciation she deserves

that's actually brilliant?!? it would be so great, just imagine the new girl arrives for her travel year and Genie is completely awestruck. I'm so invested in Joshwood it's difficult to imagine not having them, but this is actually the only valid alternative?!

ok that's fine. I think it could still happen and be done well, but tbh for now... the gracelet doesn't seem to have done anything relevant to the plot itself? I mean yeah it messed up James's life and Jordelia, but what did it give Belial? Tatiana? nothing. It makes no sense atm.

could be! maybe she's still encouraged by Tatiana to befriend/seduce him, but without the gracelet it doesn't work out? or maybe James somehow manages to realize that she's in danger and he actually like,,,, kidnaps her? idk idk

yes. YES. just,,,,z James is a sweet compassionate literature nerd who accidentally makes a good leader and he actually cares about people, and not just judges them from his high horse; he does still have hero syndrome, but he's kind and respectful and overall a good character

ANNA INTERVENES ABOUT KELLINGTON PLZ. PEOPLE ACTUALLY NOTICE MATTHEW'S STRUGGLES. JAMES DOES, TOO, BECAUSE THERE'S NO GRACELET.

ok yes, so what about: basically TMT don't harass Alastair and accept his apology, and realize they were also being stupid and mean at times at the Academy (especially Math). Matthew doesn't want to accept Alastair's apology, because of The Sin, but his behaviour alerts the rest of TMT and they inquire what's wrong and he tells them about the sin and that's how he later tells his parents (because his friends encourage him) and as you say, she just hugs him and reassures him it's not his fault; so after that Matthew slowly begins to heal and accepts it wasn't Alastair's fault, and also since they've kind of adopted/started including Alastair in things, he can't help but notice he's actually changed and he even starts to grow fond of him

then like you said, Matthew notices Thomas likes Alastair PLEASE HE SO WOULD. I'm not sure about the Sanctuary, if it actually happens (I'll get to why later on), but him and Lucie get really invested in the matchmaking schemes, they include Genie/Kamala because these two are friends with Alastair (both? Or at this point only Kamala?) but they also share some Moments during their scheming/talking about love 👀 (yes I'm a Fairdale shipper, I think it's time to expose myself lol)

Which leads me to (sorry I'm going off order rn) YES YES YES LUCIE AND MATH PLEASE. A FELLOW SHIPPER, HELLO, NICE TO MEET YOU. But since we're actually fixing him then we can give Jesse a personality and I'm totally down for poly Math/Lucie/Jesse

Lucie seeking Malcolm's help in secret, morally gray heroine style?!? no, it's probably not legal. but also has there ever been a Shadowhunter like her? If the Law doesn't expect such situations, it can't really forbid them...

Plz Matthew ready to strangle the carrot when he learns about their relationship, YES. sure, maybe he's still not the biggest fan of Alastair, but he's seen how much the boy's been through and starts to develop an attachment to him, and besides, NO ONE DESERVES TO BE GROOMED AND TREATED LIKE THAT. He's SO MAD at Charles, and he confronts him about it - remembering Kellington as he does, and it makes him sick to think his brother would do the same thing to someone. Maybe he gets very emotional over this and later finally tells his friends about Kellington? Maybe they didn't know before, only Anna did? So when they all realize what was happening then they comfort him etc? Or maybe it's just Alastair that learns now, and the others knew before, and they share a bonding moment over that?

Injured Grace seeking Kit's help is a genius idea I didn't know I needed

Kamanna giving each other time and space and deciding they need to question their relationship and figure out if it actually makes sense would be great. Anna realising she's very privileged and Kamala doesn't have those same opportunities, and also in general realising coming out should never be pressured or forced. Just,,,, Anna being self-aware and respectful towards Kamala. Well-written Anna. Plz. Also Kamanna is actually developed and not just "in love" because,,,,, they're attracted to each other? Maybe even remaining friends while Anna makes up their mind?

yeah just TMT being more compassionate and less judgy because they're not written by Judith so her bias isn't projected onto them

It's not a want, it's a need. They adopt Alastair and Grace eventually. Like, maybe not literally - although, Grace? - but you know what I mean.

I think they all should just have various friendship dynamics and switch between them, because people need more than one friend group

no fetishizing, no watching your brother make out with his lover, yessss

yes domestic cuddles, affection, taking care of wounds, all those things. plz.

Gracetopher bonding over science yes

obviously. or maybe she's imprisoned?!

ok, now for some more notes/my ideas etc., if you don't mind:

I actually think Belial could still be featured? After all, I don't think Tatiana could do much on her own, and since she seeks help from demons, it makes sense to include a Greater Demon as well. But Belial would have to be a stronger villain, written better; I'll think more about this

if that was the case, the serial killer plot could still happen, but be done better. and it would allow for a scenario I talked about with @littlx-songbxrd to happen, where it's Alastair who's falsely accused of murder. It creates a great opportunity to explore some things, because we know Alastair is much more likely to be seriously suspected, considering all the prejudices and bad rep his family has and all that

...what do you say to well-written Jordelia? 👀 Cordelia hasn't been obsessively in love with James since childhood, she only had a crush then. And now that they meet again, she's fond of him but not in love, not straight away. They're both grown up, and different people, but as they spend more and more time together, they fall in love. What if Cordelia gets to flirt with some other boys first? What then. What if she ends up choosing James, instead of going for the only boy she's ever had feelings for and idealized since childhood. What if we even make it friends-to-lovers and have James be a little jealous at some point?! but not in a possessive awful way, just "oh damn oh no"

Now I won't know peace until this exists BUT THANK YOU

[snickiebear]

yo nadia <3333 i'm bored in my online classes and u reblogged the questions thingy at the right time lmao, so get ready: 1, 4, 5, 9, 10, 17, 23, 24, 28, 30!!!, 34, 38, 39, 40 (the intimacy of being understood) (imma stop here lol) (also i'm sorry u're not feeling well, ily and hope u'll feel better soon!! <33333)

ELE ILY. (and thank you, i’m stayin home today cause,,, yeah. i appreciate you sm.) you’re the literal best, i adore you. 

1. How long ago did you start reading fanfiction? Writing fanfiction?

The first fanfiction i read was for The Lunar Chronicles when I was like 11?? and it was 100% on accident and it scarred me because it was a hardcore porn one with a period kink and i was like WHAT IS THIS??? OH MY GOD???? LMAOOOOO i didn’t pick it back up until i was 13-14 and really got into the Fairy Tail fandom. I still reread my favorites on ff.net cause i love them. 

As for writing, I wrote a horrible, terrible x-men fanfiction when I was twelve. (my friend still brings it up and REFUSES to delete it so it still gets comments and views, that shit HAUNTS ME ELE.) then tried again for Fairy Tail, posted like two chapters before taking it down cause i wasn’t really feeling it. And then I posted The Intimacy Of Being Understood and here we are. 

4. Link your three favorite fics right now.

OMGG okok 

@murd3rm1ttens ‘s The Problem How Time Works IF YOU HAVENT READ THIS YOU GUYS NEED TO HOP ON IT ASAP. MITTEN’S WRITING SO SO SO SO GOOD. SAKURA AND INO ARE TOTAL BADASSES. KAKASHI IS A SIMPPPP. ITS SO FUCKING GOOD. 

@mouseymightymarvellous ‘s We Were Screaming In Color (Only A Possibility) yes, yes I KNOW. i always point into mousey’s direction but i WILL always advocate that everyone reads her fics, they’re literally so beautiful???? i just happen to be rereading WWSIN rn 

@safelycapricious ‘s Shaking Up And Breaking Down series. I found this like?? idfk but i’ve been raving about it ever since. ALSO CHECK OUT THEIR FICS IN GENERAL. 

fuck i have more than three but also check out @ambivalens999 ‘s Masks

i do wanna make a fic rec thing where i just rav about my favs,,, might do that later or sum

5. What are your fanfic pet peeves? Do they have a huge effect on whether or not you decide to read something?

Omniscient third person. I don’t like it. Like I can understand that it can be a little hard to stay in one person’s perspective but, in my opinion, if you can, it shows how disciplined you are as a writer. Plus, i just get so confused when I go from A’s thoughts to suddenly what B is thinking about A. 

When writers use ‘ ‘ instead of “ “. When writers put thoughts in ‘ ‘ instead of just italicizing them. It’s small things but like they just bother me sO MUCH. most of the time i can ignore it and try to enjoy but other times i just dip. 

9. Tag 3 fic writers you think are underrated/unknown in the fandom/fanfiction community.

@espoir-et-reves !!!!! THEIR SHISAKU FICS ARE SO SO SO SO SO GOOD. And they have a warring states one going on THAT I AM SO OBSESSED WITH. 

@writer168 idk if they’re really “underrated” but THEY HAVE SUCH GREAT FICS ON AO3. Like theres an AU with sakura, kiba, and shino that i reread constantly because it just. is. so. fucking. GOOD. and they posted a new one that i’m YELLING about. 

@eggtoasties okay they only have 2 in the naruto fandom (one shisaku which is still ongoing) BUT THEIR WRITING STYLE IS SO NICE?? I ABSOLUTELY LOVE IT. I still go back and reread their shikasaku one cause UGH i can’t get enough. I love it. 

10. What’s your favorite fandom, pairing, or character to read fic for?

Fandoms: Naruto, Soul Eater, The Old Guard, ATLA

Parings: KakaSaku/ShikaSaku/ShiSaku/MultiSaku, SoMa, Joe X Nicky, Zukka

Character: SAKURA. I will read anything with Sakura as the main character and her being a fuckin badass or becoming a badass. I love her.

17. How obsessively do you sit and stare at your fic after you’ve just posted and wait for feedback?

aha.. haha.. well. I check my email like three times an hour. its the first thing i check in the mornings too. I’m literally a whore for praise and literally eat up feedback like its going out of style. I also reread a lot of my stuff because i make so many mistakes and spelling errors, or the spacing is weird oR SOMETHING. plus, literally any and all comments make my day, i go back and reread them cause they just make me feel so tingly and warm like “wow. this person enjoyed the fic/my writing enough to tell me. thats HUGE!”

23. What’s your absolute favorite trope to write?

Angry, feral, bloodied, morally gray women. They aren’t bad guys, they’re probably the good guy, but that doesn’t mean they cant be fucking raging at the world with raw knuckles and blood on their teeth. I just love an angry woman who struggles with her emotions and just has so much inner conflict but that doesn’t take away from her character or badassery, it adds to it. 

24. What’s a trope that you’d like to never hear about as long as you live, let alone write?

The fake dating or miscommunication troupe. LIKE GUYS JUST TALK. AND TELL EACH OTHER OMFG. the entire like obliviousness of “nah they dont like me” while the They holds their hand and kisses their cheek. MOFO WHAT. it makes me so impatient and like mad HAAHHAHA. its probably because i’m a pretty confrontational person so seeing stuff like that just “cmon bro, USE YO HEAD.”

28. How do you deal with writing pressure (ie: pressure to update, negative comments, deadlines, etc)?

I have yet to receive a negative comment! Which i was really surprised about tbh. As for deadlines or pressure to update, i just kind of do whatever. I do set goals, but i set them flexible enough that hey, if i can’t do it, that’s okay. 

I have a lot of mini goals, like “i want to write this chapter and get it done this week” and then the large goal is “FINISH BY END OF MAY” so i have time. 

Actually, now that I think on it, the entire pressure to update thing is probably why i’m waiting until I have all of OL&W written to post it weekly,, cause well. I wouldn’t wanna leave you guys waiting as I tried to write and work out the next chapters and stuff, you know?

30. Post a snippet from your current WIP without context - no more than 300 words.

AAAAAA YOU KNOW I LOVE THESE AHAHAHAH

Have you seen the way the dead dance, World Breaker? They roar, half mad and starving. Do you not wish, do you not hope to see them twist and bend and dance to your will?

Shikamaru snarls, looking behind his shoulders to where his Shadows lay. “Patience.” He spits. “Is of the essence, Things of Ancient. Know your place as the dark you are.”

34. How much of yourself and your life experiences do you put into your writing? What do you think your readers’ image of you is?

None of my experiences match up to anything I write tbh,,, probably the only thing that is me in my writing is maybe the emotional turmoil? I’m pretty emotionally and mentally mature because from a pretty young age i started forming my own opinions, started looking into the world around us and being like “dude what the fuck this is not what disney advertised”. Then i started talking (read: arguing and debating) with my dad about a lot of it. So, like emotions are kind of hard for me. Like i’m pretty good at controlling them or understanding them, but still. idk its hard to explain ig.

Like the weight of stress, the anger, the sadness. It’s kind of therapeutic to write. Cause i don’t know how to put those feelings to verbal words so writing them really helps. 

As for my readers’ image? Probably like some kind of hunched over figure typing away in the dark with a maniacal grin on their face. I honestly don’t know AHHAHAHA but it is fun to think about. I think they’d see me as someone with potential but a lot of room to grow and someone who is imperfect but in a charming way LMAOOOO

38. What does your writing process look like? How chaotic is it on a scale of 1 (very tame) to 10 (you can’t handle this kind of chaos)?

I’m gonna be real honest. Its probably like a 2. I’m a bit of a control freak so I almost always go in chronological order, my writing is pretty linear. Unless, i get bored and jump to one of my fav parts. It's pretty much i sit down, i open the doc, read over my notes and just start writing. 

It’s a little boring to explain AHAHAHA but once i get into the groove of things its really fucking great, I can like feel myself in the world, I can feel what i want the characters to, i love it. I catch myself mouthing the words as i type too, which i find hilarious.

39. What’s something about your writing that you pride yourself on?

I rather like how raw my writing is sometimes. Which might sound really vain, but i do like the way i word things or describe things. I love juxtaposition and repetition, or making a good ole circle back to some minute detail that wouldn’t stand out until i repeat it at the end and you’re like “omg” AHAHAHAHA.

Like those little poetic snippets or certain wording i just sit back and go “damn thats kinda good nadia! go you!’ HAHAHA  

40. How did you come up with the idea for The Intimacy Of Being Understood?

AAAAA this fic is like my first child, my pride and joy LMAO

so the idea initially came when i was reading some fic, idk if it was even naruto, but i was like “i don't like this, but i do like the rain symbolism.” And I knew i wanted to write something kind of slow paced, something a little sad and angsty, but would show KakaSaku slowly but surely falling in love.

Idk if you’ve noticed but a lot of my fics, the pairings don’t change each other dramatically. They accept each other as they are and then they grow with together. Like that acceptance is something i just love writing, its so subtle, it isn’t something you declare. Its simply “I am going to love you. I am going to love you despite your flaws and faults. I am going to love you unconditionally because I know you, I understand you, and there is nothing you could do to drive me away.” 

The fic kind of wrote itself after that first scene. I kept going back to the rain, go being ghosts, and resurrection, and the small epiphanies one gets. I wanted to focus on each character’s growth with each other. They didn’t find light in life because of each other, but with each other. And i think that’s my favorite thing about that fic. 

I wanted something raw and real and just something beautiful. I’m actually really proud of it tbh. Would i go back and rewrite/edit it? Oh of course! I’d do that with every single one of my fics, but i’m not gonna cause i think its in its rawest form right now. :))))

ask me shit plz

[mkstrigidae]

Okay so I'm making my way through your masterlist and I'm in love?? Like let's start off with Winter's Child- a masterpiece. You make Sansa a loving and relatable character and interweave the powers into cannon in a way that actually makes cannon make more sense (preconceived biases and such). Jon and Sansa's relationship is SO SWEET and they way they bonded was absolutely adorable (and the backstory with the houses and the powers they have make so much sense) 1/3

(2/3) Neon Rain literally the best Cyberpunk AU! I've ever read. Like what you did with the world building?? The stark class differences (haha see what I did there?), the choices in SOUND, and I could FEEL myself there! I love the family dynamics between the Starks and I'm loving the little details you're dropping with the Greyjoy's , Jon's parentage, and all of the medical procedures. Jon is dramatic af and I love it and Sansa is a bamf AS SHE SHOULD. Nothing but love for this

(3/3) A Past Worth Having has a special place in my heart. You build up this setting like a tapestry, just seeing more richness and depth the longer you look. I'm proud of Sansa for holding her composure, just FEELING in the angst that the older Starks feel at her return, and loving the relationships with Robin and the rest of the Starks + Jon Arryn. The detail that you're putting into the investigation/Oberyn is awe inspiring and I can't wait to see what you do next with the trial + Jonsa

Haha thank you so much!!! This is such a sweet ask to get! My response is under a cut, because this might get kind of long! (lots of my own meta below, bc i accidentally had a lot to say, haha)

With ‘Winter’s Child’ I’ve really enjoyed weaving in fantasy elements to the world because I like to look at stories and pick at loose threads until they unravel and asking ‘what if?’. I thought it would be a super interesting concept to take a character like Sansa, who in ASOIAF is exactly what she is supposed to be as a noblewoman of her class and conforms very well in that role, and put her in a position where she was essentially a societal outcast in a lot of ways! In WC, Sansa has a lot of similar coping mechanisms to ASOIAF Sansa, in that she sort of romanticizes society to avoid thinking about how absolutely awful it is. In ASOIAF, Sansa holds tight to the notion of knights and chivalry and courtly love to cope with the fact that she essentially has no control over her future and, as a woman, is basically property. In WC, I have her really struggling to make herself into that perfect lady and using that as a sort of shield to the fact that, without a gift, there isn’t anything she can do to improve her lot in life. Sansa has these ideas about becoming a perfect lady and hoping that being perfect in other areas will ‘make up’ for what society perceives as deficient about her, but is more jaded than ASOIAF Sansa due to her age and her earlier exposure to the ills of society. So you get a Sansa who gets along better with Arya and Jon as a result, in part because she’s had that exposure to what it’s like to be an outcast in society. I think that the best fantasy has a really strong emotional backdrop (a really great example is ‘Fruits Basket’ which starts by hooking you with this wacky, fun premise about people in a family turning into animals when hugged by a member of the opposite sex, and slowly builds into a point where you can see that the family ‘curse’ is a representation of generational and familial abuse- of bonds that should be broken, and of bonds that may kill us even as we cling to them- it’s extremely complex and rich and if you haven’t read or watched it, I can’t recommend it highly enough), and so while I really love writing about the fantasy aspects, and writing scenes where Sansa does really cool things with her ice powers, the core of the story is really about Sansa coming into her own, and learning that she was a person who was worth something even without any sort of gift. Sort of overcoming societal stigma and realizing your worth and forcing others to see it. It’s so much fun to write, but i’m stuck at the moment, because i need to reread the books, and my roommate is borrowing them right now haha!

God, APWH is like, indulging my inner world-building suspense-narrative loving writer persona. It’s literally my all time favorite trope- which is of someone growing up to find out that they’re a long-lost somebody or have family they never knew about- combined with a lot of research on trauma (which i’ve been doing for academic and other reasons for a while) and a lot of slowly growing psychological horror courtesy of Petyr Baelish (trust me, it’s going to get WAY more intense). There are so many pieces of media that I love, but I think that GRRM has so many characters and such a well fleshed out world that it’s very fun to dive into his worlds and create something there. Inherently, I love a slowly unraveling mystery and morally gray characters, and this is allowing me to indulge in both!!! World-building is my favorite, because i tend to be fairly detail oriented, and i’ve been laying bread crumbs in so many places throughout the story to hopefully build up to a decent conclusion! I know sort of how it ends, and I think people are going to absolutely lose their minds if I execute it correctly. We have a few chapters to go until we get to anything in the semblance of a trial- there’s some more emotional aspects that I think need to get addressed first, and so I’m so grateful that people are so supportive of being willing to wait for the Jonsa, because they really start spending a lot of time with each other during the trial and prior to the trial (i’m a big believer in bonding via long car rides and so there’s a lot of that!). I’m just so humbled and awed by the response to it- I never dreamed that people would enjoy the story this much- when I started it, I was writing a light-hearted family piece that wouldn’t be too long, and, uh, it kind of evolved from there. Clearly, I am not good at keeping things concise haha.

I left Neon Rain for last, because your comments on this one really made me smile! Of all of my stories, oddly enough, Neon Rain is actually the most deeply personal for me, and I’m just so flattered at your kind words! I spend a lot of my time thinking about the flaws inherent in our society, and without getting too detailed, Sansa’s experience with a family member struggling in the medical system is not unfamiliar to me. There’s a weight that comes with the realization that a system that is supposed to care for people is based on capitalistic ideals of profit maximization, and as someone who has experience working in the healthcare system- no matter how bad you think it is in the US, I can promise you it’s actually worse.

Neon Rain actually just started out as a series of mental images from listening to music that I had to get down on paper, and evolved from there. I actually really love the ‘soulmates’ and ‘class differences’ and ‘mastermind art thief’ tropes, but am incapable of writing fun stories without thinking about the reality of those tropes (see APWH for another extreme example of this haha), and so as I was writing and trying to capture this mental image, the rest of the world began unfolding around me. Jon is different because of a different upbringing here, and so is Sansa, and to see the formerly idealistic Sansa become so jaded by the time she meets her soulmate is just catnip for me. You have this interesting dynamic between them, because Jon wants nothing more than to have Sansa in his life, and give her everything she wants and needs, but where the old Sansa (who was arguably middle-class and somewhat naive, as financially secure teenagers understandably tend to be) would have swooned over that, the Sansa who meets Jon when the story begins is seeing the world and all the unfair and unequal systems in it. She can’t just live happily ever after with him right away- there’s a sense of guilt there, of sansa not feeling like she deserves nice things, and there’s also Sansa’s deep sense of compassion and kindness that won’t allow her to just live life as the well taken-care-of girlfriend of a wealthy man, because she isn’t able to just put on blinders and pretend that all the injustice in the world around her doesn’t exist, simply because it wouldn’t affect her that way anymore.

I think that the core to writing Sansa, for me, in any universe, is that she is a kind and compassionate person who is capable of feeling sympathy towards even the people who have done horrific things to her and her family- that emotional awareness and empathy is a harsh thing to have in a world like Neon Rain, and in our own world, honestly. I’m so glad that you appreciate Sansa’s BAMF-ness in the story- I think that her chapters demonstrate that she is capable of doing extraordinary things when she’s doing them for people she cares for, to be kind (The scene where Alayne helps Robin down from the eyrie is most indicative of this I think), and so in this world, I just love having Sansa be a complete badass out of necessity. Also, it’s fanfiction, and I really wanted to give Sansa a cool motorcyle, because no one else was gonna do it!!!

Also, my characters like to run away with me, and before I knew it, Rodrik Greyjoy had a huge adorable crush on Sansa in the story that I immensely enjoy writing. The Greyjoys are fun because they’re all absolutely insane, and i’m a total sucker for ‘gruff dangerous character is completely a sucker for the kind sunshine-y character’ trope.

God, this accidentally got really long??? I’m sorry- thank you so much for such a kind ask!!! I love hearing what people think of my stories, and this was so sweet :)

[obirains-archive]

Fir, fern, and bonsai for the floral ask? ❤️💐

Mia ! ! ! 💕💖💟💓💕💗💞 

fern: if you could turn to anyone for guidance, who would it be?

The lion turtle from AtLA!!! I find Aang’s character arc so, so compelling as someone who really struggles to maintain a balance of I think is right and what I fear is necessary. The idea of the lion turtle not only understanding Aang’s reluctance to take a life (which is a totally valid concern that too often gets dismissed and even ridiculed by the fandom!) but also equipping him to administer justice while still solidifying the value of his ideology, and the legacy of his people is just *chef’s kiss*

bonsai: what is something you could spend hours, even days doing?

I haven’t worked on language learning much in the past few months, but there have been stretches of weeks where I didn’t do anything in my free time but take grammar notes, make flashcards, and practice speaking alone in my room like boo boo the fool I’m hoping to take it back up during the schoolyear!

fir: which tropes/archetypes do you find the most and the least compelling?

I'm a simple girl who enjoys a good hero's journey, as well as a good corruption arc. Dorian Gray? Beautiful. Azula? Stunning. Anakin Skywalker? Here for it. I’m also a hoe for masculine men who are willing to be emotional with one another (RE: the Lord of the Rings). I know morally gray protagonists are super in right now but I’m such a slut for people who are flawed but genuinely always try to do the right thing (RE: Obi-Wan Kenobi, Aragorn).

On the other hand I really despise the super badass woman who rejects all traditionally feminine things, as well as the bad boy -> sad boy trope. In my opinion the first isn't really a character, but a shallow reaction to the damsel in distress trope that was and is designed to give men a feeling of power and importance. So there came the badass fighter lady- but incidentally the only qualities that make up her character are qualities men will respect :/ I think AtLA's Suki best summed my feelings on it: "I am a warrior, but I'm a girl, too." I'm all for women being good fighters and mechanics and strategists! But when Hollywood writes them it's still for the male audience imo lmfao

Okay i started on the bad boy trope and then couldn’t stop so, trigger warning: rape and also I’m coming for Kylo Ren’s throat and also the whole ass sequel trilogy, y’all. Reylos, read at your peril. Mia, I am so, so sorry for hijacking this lovely ask :/

Bad boy -> sad boy trope is at best lazy writing and at worst an implicit affirmation of rape culture (and so I don’t understand why it’s so prevalent in the romance genre which boasts of so many female writers!). The bad boy is a young (usually aged 17-35), very conventionally attractive male who exhibits patterns that range anywhere from socially unacceptable to explicitly abusive. He often receives a half-assed "my mom died" and/or "my dad was an abusive alcoholic” which is meant to explain his behavior. If this were followed by an exploration into consequences and familial patterns, I’d be on board. But usually it only results in his love interest “understanding” him more deeply and writing off his abuse tactics because, in a way, it’s not really his fault. Besides, he’s still young, and wants to do better. It’s rarely addressed again. 

Fact: while everyone needs to feel loved and no true love is truly wasted, your love will never fix the Bad Boy. The only thing that will is years and years of therapy. 

Unfortunately there are too many good examples of the Bad Boy -> Sad Boy trope, but this is a Star Wars blog so I’m gonna talk about Kylo Ren again. Sure, he got a “redemption arc” (which was such bullshit and an insult to all redemption arcs. It’s not even an arc; it’s a fucking U-turn in the middle of the last installment of a trilogy. Make. An. Effort.), but he had his ardent fans and defenders long before TRoS, even after TLJ when he made the choice, of his own free will, to continue his path to the dark side and the legacy of murder. 

(Side note: remember when Snape got a semi-redemption in TDH and people got pissed at Rowling because it seemed like she excused his horrendous behavior? I’ve been saying this for years and I’ll say it again: if Snape were a younger, more attractive man portrayed by Adam Driver, he’d have an army of supporters. I’m not saying Snape was a good person, or even that Rowling pulled off that redemption. But Kylo Ren committed crimes 1000% worse than Snape ever did. Given that they were both in their thirties when they died, you can’t even use age to defend Kylo as a lost, immature young boy and demonize Snape as a grown-ass man who should have known better. The only real difference between them is that Snape struck us as an unattractive, older man whose flaws struck a personal chord in readers (many of whom undoubtedly had a teacher who picked on students out of spite), and Kylo Ren is played by Adam Driver and I guess mass murder is a less personal crime to many audiences? The double standard simply disturbs and distresses me.)

The fact that Rey ends up falling in love with him, too, is perfectly on brand for the Bad Boy -> Sad Boy trope in the worst way possible. The first hints came in TLJ, when Kylo’s tragic backstory based entirely on some of the most blatant character assassination i’ve ever seen in my life holy shit elicited her compassion. This was followed by Kylo choosing the dark side of his own volition (not Snoke’s influence! After that choice, he should not have been redeemable), and then, of course, Rey falling in love with him sometime during TRoS. Given that torture scene in TFA, their “love story” made me (and still makes me) sick to my stomach. That scene screamed rape metaphor: Rey restrained and stripped of her agency, Kylo “You know I can take whatever I want” Ren forcibly penetrating her mind in what we know to be an excruciatingly painful process, obviously without consent. The fact that Rey can use her miraculous Palpatine Force powers to fight back doesn’t mean a damn thing; for all intents and purposes, it was rape, clean and simple. Never, by the way, do we see Kylo having to atone for his actions. Never does Rey hold him accountable for what should have been an extremely traumatic incident (I mean, yeah, she relates to him like you would a villain, but not as if he had targeted her personally and taken advantage of her, which he did, dammit).

I’ve also seen the argument that more or less divides Kylo Ren and Ben Solo into two different people, as if Rey’s love story is with one and not the other. I’m aware that this depends on your interpretation of what the dark side actually does to you. I’m of the opinion that the dark side doesn’t kill you like Yoda and Obi-Wan say; there’s too much evidence, for example, that Darth Vader was still Anakin Skywalker- twisted beyond recognition, perhaps, but still one and the same. A love story with Ben Solo (especially given the timeline of the sequel trilogy) is necessarily a love story with Kylo Ren, a rapist and a mass murderer who happened to be portrayed by Adam Driver. 

For whoever made it this far: I do not hate you if you support Kylo Ren or if you ship Reylo. But I do find them extremely problematic. If you take issue with any of my points, I’d rather you message me privately rather than reply to or reblog this post. Thx!

[goblin-alchemist]

FFXIV Character Spotlight

I recently picked Final Fantasy XIV back up again after a nearly 3 year break (which was filled by Miraculous Ladybug and lots of writing) and I decided to wax poetic about my favorite characters.  So, without further ado, I present my 4th favorite character: Nero tol Scaeva.

Spoilers ahead through Stormblood!

Nero may be my 4th favorite character, but he definitely holds my favorite character arc progression of any other character in the game.  He goes from a villain-type character on the opposite side of the battlefield to a reluctant comrade-in-arms, and I love every moment he’s on screen.

Nero is a supremely interesting character. His backstory involves a lifetime of being one of the smartest minds in his nation... relegated to always being in the shadow of his classmate Cid Garlond (who was born to a rich family and well-known famous father).  He never really hates your character or seems very interested in the war itself, as long as it allows him to play with technology like a giddy child with a Lego set.

In fact, his entire monologue when you finally face him in the dungeon boils down to “Cid always outshone me.  If I kill you, senpai will finally notice me and I’ll get the recognition I deserve.”

He ends up fleeing after you defeat him, left to wander our world, for returning to his homeland would surely see him executed for treason (or simply to be made an example of for his failures).

Later on, we meet him again and he ends up undergoing a redemption arc.  And what did it take for the former enemy to join our side?

“Hey, Nero, good job in there!  We couldn’t have done it without your bravery and help.  Thank you.”

That’s it.  A simple thank you, praise, and recognition for his efforts was all it took for Nero to flip and join your team.  For someone who craved such things in the Empire and was denied his whole life to be given praises so freely meant this poor boy really just wanted someone to notice him.  For once, recognizing him for his actions, and not comparing him to Cid.

And for a former enemy, he’s the only one to not place the weight of the world upon your shoulders, sticking up for you in an Alliance meeting and suggesting that alternate means be procured to defeat the current threat, rather than just tossing us at the problem and hoping it goes away.  He even throws a knowing look to your character as he delivers this line, and dammit if I didn’t 100% agree with him in that very moment.

Sure, he does it in a very condescending, arrogant manner.  Sure, he still giggles with maniacal glee at the thought of getting close to any kind of unknown advanced technology.  Sure, he loves to get under Cid’s skin and annoy everyone around him.  But he’s still fighting off a lifetime of living under Cid’s shadow.  And creating an armor of snark, sarcasm, and delightful sass prevents anyone from getting too close to him.  I won’t delve too much into that psychology, but it’s obviously there.

I said before that Nero’s two main motivations are: 1) Can I build something new and shiny from it? 2) Will it annoy Cid?

Nero may lack tact, but he’s rarely ever mean just for the sake of being mean.  He pokes fun at Tataru and the “primitive” headquarters, only to remark that he could build a better coffeepot when she angrily retorts they have the best one in the nation.  His sharp criticisms and arrogant boasting serves to wheedle Cid into creating something better - for Nero is truly the only person who can be called Cid’s equal.  His jabs lack any real venom behind them.  He’s a fun character.  There is so much flavor in his character that I enjoy every moment he’s on screen.  Seriously, watch him in the background of the cutscenes.  It’s hilarious.

I’m told that so far in Shadowbringers, Nero has yet to appear.  But I’m not concerned.  The moment a first piece of technological marvel blips onto my radar, I have no doubt Nero will be there, flinging aside his sunglasses in a ridiculously overly dramatic manner with some snarky one-liner and determined to upstage Cid at every opportunity.

Why is he wearing sunglasses at night?  Because the sun never sets on being badass.  You keep doing you, Nero.  Give me this sassy, sarcastic, smarmy, morally gray, and flamboyantly dramatic man any day!

(I also realized when thinking about this post that Nero’s arc is everything I want Gabriel Agreste’s to be - former villain turned good yet still keeping same sarcastic and acrid demeanor?  Yes, please.)

[yanderewhims]

Hello! Good to see another magi imagines blog! May I ask who are your favorite characters? And which characters would you say make the scariest yandere?

Hello there anon! I'm glad to see there are still people in the fandom to see that! (Already got my first request, yay!)

Personally, my favorites would have to be Solomon, Sinbad, Kouen, Hakuryuu and Judar. Those are my top 5, First 3 are honestly daddy material and Juju and Haku my trash sons, I absolutely adore them :D

I like pretty much most of the characters, there aren't any I actively hate. (Even Arba/Gyouken, as hated as she is by the fandom I think she's a total badass) some I don't care for that much as others may do, but other than that all of the characters are mostly pretty great :)

Who would make the scariest yandere? Hmmm...that's a really good question. I think it's all up to your personal interpretation honestly. Some may think that characters who are shown to be mostly good and on the pure side(Aladdin, Morgiana, Alibaba, Kougyoku, Hakuei) can be the most terrifying yanderes, for under their sweet exteriors lies a much more darker side. Or more aggressive 'gray characters' (Sinbad, Hakuryuu, Judar, Kouen, Kou bros) would be the more openly hostile yanderes and wouldn't shy away from their darker natures. Most of the characters in magi can fit into the morally gray area- some are mostly good people with good intentions, but also are seen to have much darker sides that are shown.

But anyways, me personally -I would say the most terrifying yanderes would be:

Hakuryuu - I hope I don't sound too predictable, ha. Some may not agree with this, but I personally see Hakuryuu being a really terrifying yandere. We've seen how he can get when he's at his darkest- in the belial and civil war arcs. When he wants to kill his own sister, the girl he considered his friend and first "love" later killing his other friend Alibaba (and nearly Aladdin) and even brainwashing his own people- yeah he's done some fucked up stuff xD. I think when it all comes down to it, he would start off sweet to his s/o, being very caring and loving towards them. But also very clingy and a bit possessive because you'd figure he sees it that everyone in his life rejected him, so he's terrified that someone else who he grows to care about would reject him again. If they happen to do something that angers or upsets him, he probably won't be above using certain measures to keep them in check.

Sinbad- ahhh, Sinbad would be pretty scary too. Because of his manipulative, sneaky behavior and being able to just...read people I feel like he'd be a rather dangerous one, because he wouldn't be that open about his darker desires. He strikes me as the possessive type- he'd always want to be around them to the point where he's suffocating them, he'd always want to know where they are , who they're with, and if he's unable to be with them he'd send a spy to follow them around. As stated before, he's very manipulative and is known for having a silver tongue- he'd manipulate his possible so into relying on him and devoting themselves entirely to him, so he can be in complete control. Like Hakuryuu, should they disobey or do something he doesn't like, he'll probably retort to dirty methods to get what he wants from them.

Kouha- well this ones a given. Kouha loves fighting and has an insatiable bloodlust. Should someone try to take his s/o away from him, he'd be more glad to 'deal with them' personally. Also, its canon that he's got a violent side, as he's seen hitting his retainers. He'd probably get a little violent with them, not to the point where he'd severely harm them, but perhaps as a 'warning' if they displease him.

Judar- this is a man who loves chaos and war. He's angry, violent and destructive and is rather hostile towards most people. Judar is someone who wasnt raised under a loving environment, so of course that deeply affected his attitude and his views on the world in general, which are quite messed up. Personally, I don't think its really realistic for him to have a truly healthy relationship with anyone, romantic wise anyway. (Even with Hakuryuu, who's his closest relationship, it isn't entirely all that healthy either in my opinion) I think if he were to 'love' someone, he'd be really confused about it to, which would lead him to lash out at that person and end up hurting them. But once he realizes he feels something, like Haku, he'd become very clingy and wouldn't let them out his sight at all. I feel he'd also be extremely possessive and demanding, if someone dares come near his s/o it'll only end up extremely ugly (and bloody) on their end.

Honorable mentions- David, Ja'far, Arba, Falan, Kassim, Yunan

Well these are just my thoughts anyways! Its always fun really thinking deeply on these characters

[orsino-the-enchanter]

THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

My muse is:   canon / oc / au / canon-divergent (the mere existence of a post-canon verse is diverging from canon)/ fandomless / complicated

Is your character popular in the fandom? YES / NO. It depends on what you mean as popular. Whoever has ever played DA2 knows Orsino because he’s important to the plot (especially in act 3) but the opinions on him are conflicted. like they are on any morally gray character. Still, he is a side character who has like 5 scenes in the entire game, so I believe he’s not getting the attention he deserves.

Is your character considered hot™ in the fandom?  YES / NO / IDK. Orsino certainly is not everyone’s cup of tea, I can say that much. Physical appearance-wise he is very attractive for what he is: a stressed/depressed middle-aged DA2 elf who has seen SomeShit™ in his life. He has aged way more graceful than what he could have, but still, he is in his late 40s/early 50s, which can be a deterrent factor to some; also, the elves in this game have distinctive inhuman-like features that people either love or hate. Personally, I think that there is harmony and beauty in his features, which makes him weirdly pretty to look at and i love the fact that they gave him an hourglass body shape. However, Orsino’s true beauty lies in his personality and his calm, collected, polite demeanor. His voice is another huge bonus.

Is your character considered strong in the fandom?  YES / NO / IDK. I mean... he’s a First Enchanter who keeps his knowledge on blood magic and necromancy a secret, there are hints that he’s a somniari mage throughout the game, he has some very badass scenes where he kicks the asses of bigger/stronger opponents than himself when he’s outnumbered AND he has one of the 2 boss battles in the finale of the game. There is no doubt that he is a force to be reckoned with in battle.

Are they underrated? YES / NO / IDK. I think he’s criminally underrated not just by the fandom, but even  the creators of the game, who gave him no backstory, only a handful of scenes and butchered his character just to add another boss battle.

Were they relevant for the main story?  YES / NO. Meeting him along with Knight Commander Meredith and Viscount Dumar earns you an achievement (the “friends in high places” one). He is one of the main antagonists in the third and most crucial part of the game and you can either choose to side with him or oppose him.

Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG. Lots of elements in the storyline depend on the protagonist’s political views on what’s going on in Kirkwall, and since Orsino is a prominent political figure, he is relevant to the protagonist’s views. He can be either an ally or an opponent, depending to what the protagonist’s views are. Also, he had been involved to the protagonist’s tragic loss of their mother -albeit indirectly-, since he was an informant of the murderer.

Are they widely known in their world? YES / NO. He’s a controversial but VERY well-known public figure, to the point where he can be recognized in the streets -even if people have never seen him before, they can recognize the staff he carries, his distinctive robes and the fact that he’s an elf (an elven first enchanter is news in itself, so he doesn’t go by unnoticed). The protagonist has heard of him -along with rumors and gossip surrounding him- before he had the chance to meet him in person. He has such influence and people skills that he even carried out a rally to overturn the Knight Commander’s rule of the city and almost succeeded.

How’s their reputation?  GOOD / BAD / NEUTRAL. Depends on who you ask. Mage sympathizers see him as a brave advocate of his people’s rights who wouldn’t hesitate to put his life on the stake for them. The common folk and the city authorities see him as a potentially dangerous troublemaker and rebel.

How strictly do you follow canon? — I try to follow canon mostly in my canon verse, while taking some artistic liberties due to the lack of a concise backstory. In post-canon verses and au’s, I have taken all the insights on Orsino’s personality, views and way of thinking and I have adapted them to fit each verse’s context.

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.  —  For him ‘mage’ is not just a term describing his abilities, it is also a term describing his personality as a whole. He has that elegance, cultivation and mystical charm about him; he is morally grey yet charismatic; witty yet cunning and certainly not one to be toyed with. Despite the exterior of a powerful yet restrained scholar he maintains , however, there are many layers to him and each is darker than the last. He can be both the erudite conversation partner you’d like to have an existential conversation with over a glass of good wine, a trusted advisor you’d confide your problems to and a force to be reckoned with who would obliterate you or your enemies in battle, depending on the situation. Still, the First Enchanter has some very vulnerable sides too, but he tries to keep them to himself.

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).  — In the main verse he’s a minor character; with not as much involvement in the protagonist’s life as other characters (such as the companions). He’s also kind of secluded and not in touch with whatever happens in real life -not just because he lives in the Circle, but because he has been institutionalized, like any other person who has been brought there from a very young age. Also, there is the age gap which can make him a bit harder to reach than someone younger.

What inspired you to rp your muse?  —  When I played DA2 for the first time, Orsino piqued my interest because he was the very definition of a tragic figure.  He was the only voice of reason in the madhouse that is Kirkwall; yet he was fighting alone for a just cause that was doomed. He had the whole city and the authorities against him; still, he did not give up trying to protect his people; and he did his best to refrain from violence until the bitter end. His death -a suicide, no matter how you cut it- was equally tragic as the life he led; it was seeing the bringer of hope for mages losing all hope himself and deciding to go fighting and not on his knees. That, combined with his sarcasm and sophistication convinced me that I had to do justice to this poor underappreciated soul and dig deeper into his character -even try to write an alternative ending for him. Hence, this blog was created.

What keeps your inspiration going?  —  My amazing roleplay partners with all the good work they put into their characters and the love they have shown me and my character so far. I love you guys <3

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice?  YES / NO / I SINCERELY HOPE I DO? i have my doubts sometimes, but i think i do ok. Still, I would love to have more feedback to see how i can improve even more.

Do you frequently write headcanons?  YES / NO / SORT OF Headcanons, metas, the works.

Do you sometimes write drabbles? YES / NO. I am not sure what is meant by ‘drabbles’ but sure, I’d love to write more of those.

Do you think a lot about your Muse during the day? YES / NO. All the time, especially before going to bed. That is where all those rp ideas come from.

Are you confident in your portrayal? YES / NO / SORT OF? Again, i don’t really get much feedback, so i am not that sure if I am doing any good and if my Orsino sounds genuine

Are you confident in your writing?  YES / NO / SOMETIMES. I like how i have written some threads more than others, I’m not gonna lie.

Are you a sensitive person?  YES / NO / SORTA. I am a sensitive person in general, but not someone whose feelings are easily hurt/triggered or someone who takes things that are not my business to heart.

Do you accept criticism well about your portrayal?  —  Criticism is welcome only when it is constructive; in the sense that there are clearly stated arguments as to what I do not do right and suggestions on how to improve. If someone sends me an ask like “i don’t like x just because” or anon hate, I am just going to ignore it.

Do you like questions, which help you explore your character?  — YES!!! YESS!!! YESS!!!!!!! I cannot stress enough how helpful it is for me to receive suggestions and questions that help me explore sides of my character i have not thought about so far! Even if your questions are the randomest things ever, i’d still LOVE to answer them. I have received some asks like “what would Orsino do in x situation” in the past and they were SO fun to write!

If someone disagrees to a headcanon of yours, do you want to know why?  —  Of course! As I said, so far the opinion is supported beyond the ‘just because’, I will be happy to consider it. Anything that helps me broaden my perspective is welcome.

If someone disagrees with your portrayal, how would you take it?  —  same as the above.

If someone really hates your character, how do you take it?  — I do not really mind; i am the first person to recognize that Orsino is a controversial figure and people may hate him for whatever reason. I might not agree with the hate, but each to their own I suppose.

Are you okay with people pointing out your grammatical errors?  — If they do not do it in the typical ‘grammar nazi’ style i’m chill with it. Grammatical errors tend to happen more often than not, just because i almost never proofread. *shrug*

Do you think you are easy going as a mun?   —  I think so, yes. As I said, I am not easily annoyed, triggered or have my feelings hurt, and i am very excited to interact with new people. Still, i do recommend reading my verses/about/rules pages, if anything, to know what to expect from my portrayal and activity patterns.

tagged by: stolen from @theharellan tagging: @of-enormous-girth @oftevinter @the-old-and-the-hapless @soldier-of-visus @lathsuledin @redtemplarcommander​ @hisfavoritewolf​ @the-champions-of-the-just​ @lowtownbutcher​ @elderone​ @sworntoprotect​ @altuspavus​ @starkhavenprince​ @aqun--athlok​ @hornedchief​ @iamcole​

[ask-alaska-and-hawaii]

TV Tropes: Alaska

Acting Your Intellectual Age: He has the looks of a first-grader but the mind of a seasoned mountaineer and has no interest in connecting with children that look his age. However, this could just be because he has no interest in connecting with anyone outside his ‘pack’ after what happened last time.

Adorkable: Has his moments, such as when he’s gushing about dogs. He really loves dogs.

The Alcoholic: Being Alaska, Alaska has a love for the sauce, especially salmon vodka. This usually leads him to pass out by the end. 

Animal Motif: Dogs and wolves obviously. Specifically Alaskan Malamutes and Siberian Huskies for the former and Arctic Wolves for the latter.

Badass Bookworm: Loves to read but is a natural survivalist and gunslinger.

Berserk Button: For your safety, do not mention Russia or Texas within ten feet of him. Also, don’t call him small.

Big Brother Instinct: To Hawaii and by extension the other states if they are threatened as he does genuinely care about all of them even if they do think he’s rather odd.

Big Brother Mentor: Also to Hawaii by sharing his experiences to teach her that the world isn’t all sunshine and rainbows. She, however, hasn’t taken on his nihilism and still believes in the best in people.

Big Eater: Given that he smokes marijuana, is a state, and is stress eater this is no big shocker.

Blue-and-Orange Morality: Being raised by wolves, Alaska has a mindset closer to animals than humans. For one Alaska, cares nothing for morality besides protecting his ‘pack’ (America and the other states) and judges things like disloyalty and irresponsibility far more harshly than someone being outright malicious. He also thinks that politicians need to start fighting to the death for their position. Literally. (This also could just be because he just hates politicians since they often lie to gain people’s favor)

Broken Bird: After so many years of tragedy and isolation, Alaska is understandably rather cynical.

Break the Cutie: See ‘Dark and Troubled Past’.

Brooding Boy, Gentle Girl: A platonic version but he is the brooding boy to Hawaii’s gentle girl. 

Brutal Honesty: Everyone agrees that Alaska is probably the most honest of the states, however, his honesty is usually extremely impolite to which he just says ‘I say the truth, it’s their fault if they can’t accept’.

Byronic Hero: Alaska is snarky, stoic, stubborn, excessively cynical but is passionate about his beliefs and has a soft spot for the environment and its creatures.

Celibate Hero: While not asexual, he has little interest in ever having sex and it’s not just because he looks six.

Color Motif: White and gray.

Comically Serious: He does not understand jokes so he will often take these at face value.  

Crazy-Prepared: Winter’s in his state are intense, so he leaves nothing to chance. 

Dark and Troubled Past: Imagine being locked into the form of a baby, abandoned by the people who were supposed to love and protect you, find a new family in wolves only for them to be killed leaving you to survive on your own while looking a like a toddler. When you finally found someone they also die leaving you to want to curl up and die and then be adopted again but seen as odd by your adopted siblings. Yeah, Alaska having depression and anxiety makes a lot of sense.

Deadpan Snarker: Usually this, especially when at states meeting or when he’s answering asks.

Defrosting Ice Queen: Alaska is not an easy person to get along with and can be extremely rude and sarcastic especially to ask blogs that star Texas, however, it is possible for him to warm up to some people outside his family like Dave (@alaska-ask-blog-aph) or at the very least learns the ability to bite his tongue.

Emotionless Boy: Most of the time, he is extremely stoic due to the fact that when he does express emotion, he can come off as rather intense.

Everyone Has Standards: He has a strange morality, however he is openly disgusted by ‘people’ who would rip away children’s innocence.

Foil: To Hawaii. They are both disconnected states and the child of a Native mother and Caucasian parent with trauma happening to them at very young ages which caused them to act the way they do, with Alaska being very stern and no-nonsense while Hawaii is energetic and enjoys making people smile.

Friendless Background: Because of his inability to relate to children his physical age and his autism causing him panic attacks whenever he is in close proximity to others, he has very few friends other than Hawaii. 

Friend to All Children: Zigzagged. He doesn’t connect with older children very well but he does have a soft spot for toddlers and babies and even makes an attempt to be openly kind to them. He also considers the worst people the ones who would purposefully steal their innocence and wouldn’t hesitate to pull his gun on such people.

Friend to All Living Things: Hey, I said humans, I never said anything about animals but yes he does love animals particularly dogs, wolves, and eagles.

Good is Not Nice: Not nice is an understatement. He has a strange moral code, is rather rude to new people, and mainly keeps to himself but if someone dares and tries to hurt his little sister or anyone in his family, they better start running.

Guilt Complex: Blames himself for what happened to his crush.

Hates Being Touched: The only one who he will willingly let touch him, much less hug him, is Hawaii. Other than not, hands-off.

Hates Their Parent: Openly refers to Russia as ‘a sperm donor’. And that’s when he’s being nice.

The Hermit: Lives like this whenever he’s at home in his state.  

Hidden Depths: 

Instead of hockey as one would think, he enjoys figure skating and is actually pretty good.

Not shown on the blog, yet but he actually enjoys the company of toddlers like Nunavut as they are far less complicated than people who are older.

He also enjoys writing and even creates stories in his free time. He also uses it along with his personal journal as a form of therapy for himself.

Huge Guy, Tiny Girl: Brother/Sister version. Alaska is the huge guy to Hawaii’s tiny girl, especially once they’re older where he’ll be at 5′11 to 6′0 to Hawaii’s 5′3. Justified as Alaska is one-fifth the size of the lower 48 and is larger than Montana, California, Texas COMBINED.

Human Mom, Non-Human Dad: While his biological father is Russia, his mother was a normal Yup'ik woman named Uki.  

Hypocrite: Alaska calls Russia a ‘cruel, crazy manchild’  when he openly calls for the deaths of anyone who betrays their country. He also wants Hawaii to seek help when he resists any for him.

Hypocrite has a Point: To be fair, being lenient with traitors is a recipe for disaster for this country.

Ice Queen: He’s a rather cold and rude person but still a nice guy underneath.

Jerk with a Heart of Gold: Cynical, rude, stubborn are all words that would accurately describe him but also family-orientated, protective, and generous when he needs to be.

Knight in Sour Armor: He does see the world as a cold and dark and is a self-proclaimed misanthrope but still does his best to protect his family and people.

Meaningful Name: Alaska’s name Inuit name, ‘Nukilik’, means ‘strong’ and given everything, he’s gone through and still living to see today, no one can say he isn’t strong. As for his European name of ‘Peter’ meaning ‘stone’ and he is stone-faced and it’s also a nice reference to Peter the Great of Russia.

Mixed Ancestry: He’s half-Slavic, half-Inuit. 

Nature Lover: Growing up most of his life in the forests of Alaska, it makes sense the woods are where he’s most comfortable especially among the animals there. He is also disgusted by hunters who hunt merely for the game and not because they need it.

Not Good with People: Type 2. My beloved grumpy boy is unsurprisingly not good with people as he can’t understand their feelings or why he offended him. However, he is good at reading the feelings of animals and emphasizes more with them.

No Social Skills: Justified due to both his upbringing. He also is very indifferent to having them at the end of the day.

Older Than They Look: Being a state this a given. However where he differs, since he was born in 1800, he’s actually older than most states but since he was basically deserted by Russia he was never given the ability to grow.

Only Sane Man: Certainly sees himself as this among the other states as he feels that they play bloated, bureaucratic politics far too much instead of working together to help their father.

The Pessimist: Alaska physically can’t bring himself to hope in the best in people since all he’s seen was the worst in people since he was young when everyone he loved just ditched him or died. 

Raised by Wolves: Played completely straight. After his mother’s tribe abandoned him in the woods an Alpha She-Wolf who had just lost her pups adopted Alaska.

Socially Awkward Hero: Alaska can scale mountains, survive massive earthquakes, and survive on his own for years. However, the ability to interact with humans or even other anthropics is the hard part.

Strong Family Resemblance: Besides his dark skin, black hair, and eye shape, Alaska is basically a younger version of Russia. This has gotten him into quite a bit of trouble like when he was accused of being a communist during the McCarthy era due to his Russian heritage and Belarus has tried to kidnap him on more than one occasion.

Sugar-and-Ice Personality: In spite of cold, loner nature and dislike for society in general, Alaska at his core is a genuinely familial, protective person who just wants to take care of those he cares about. This is best showcased in his relationship with Hawaii, who might be the only person he openly gives affection to and he did go as Elsa twice just to make her happy even if it was embarrassing for him.

Trauma Conga Line: Abandoned, seen as a threat, had his pack murdered, only person he ended up caring about dying, and nearly froze to almost-death. All when he looked 2. Someone get this boy a therapists.

Used to Be a Sweet Kid: When he was young, Alaska was a sweet and gentle boy, even while living with his wolf pack. However, due to the many tragedies in his life, he has become extremely bitter and cynical towards the world.

When She Smiles: Has given a few in some comics and chats. He even admits that the main reason he loves Hawaii (as a sister) is that she is one of the few people who can make him give a genuine smile.

[kingofthewilderwest]

Hey :) I want to watch more httyd but sadly I've seen all the movies, are the tv series' any good? Which one should I start with?

Oh goodness, I have a post somewhere answering this very question, but I’m too lazy to find it. TIME FOR A REWRITE! XD

I find the HTTYD television materials VERY worthwhile additions to the DreamWorks Dragons franchise. I feel like we are extremely blessed to have over a hundred episodes of a show filled with fantastic moments and memories. Personally, I always encourage people to check them out. The shows won’t be for everyone, which is alright, but I feel that the television series has a lot going for it. I love the shows myself and constantly reference some points from them in my analyses because I think they’re so critical. I’ll explain pros and cons so you can make your own choice about whether or not the shows might be your thing.

I’d say the number one highlight of the television series is the increased time with the dragon riding gang - Hiccup, Fishlegs, Ruffnut, Tuffnut, Snotlout, and Astrid. Many of these characters are secondary in the movie trilogy, having little time on screen, but the television series fleshes them out. It’s because of the show that I fell in love with Snotlout’s character and saw him in three-dimensional depth; I’d say he’s the character they handle best, going into how he hides his insecurities with machismo because he wants to impress a berating father. It’s the show for why I attach to the twins; their sibling devotion and love for one another is brought out wonderfully on screen. There’s good moments with everybody, and you’ll see everyone pair up with everybody - what’s the friendship between Astrid and Tuffnut like? Now you’ll know.

I think a decent test for whether or not you’d enjoy the character dynamics is… well… did you like the character bantering that happened in THW? If so, that had a very distinct tv series feel to it - to the point that they were even referencing ongoing television series gags like Snotlout getting his ass caught on fire.

There’s other characters to meet and engage with too! We’ve got Heather, a badass young woman who connects well with Astrid. We’ve got Gustav, an obnoxious wannabe “Snotlout” who shadows the older dragon rider. We’ve got Mala, the queen of a warrior-trained society that reveres dragons. And there’s Atali, Minden, Throk, Savage, Alvin, Dagur, Mulch, Bucket, Mildew, Krogan, Johann, Viggo, Ryker, and more!

The television series is also good for laughs. Did you ever want a musical episode where Snotlout sings about how amazing he is? Did you ever want to see an entire pile of fish dunked on Hiccup’s head? How about where Hiccup painstakingly tries to talk without using the letter s? “TOOTHLEH! PLAMA BLAT!” is a moment I’ll never stop laughing at.

I also think the best DreamWorks Dragons villains are in the television series. Alvin the Treacherous is a hoot on screen, delightfully voice acted by Mark Hamill. Dagur the Deranged has his fan base for a reason. And for me? Viggo Grimborn is my number one favorite villain from the DreamWorks side of HTTYD - a manipulative, morally gray trader who is such a keen strategist he makes Hiccup appear a foolish child.

One small last point: there’s extra depth to appreciate about the films if you go through the shows. Astrid sympathizing with Hiccup in the first film makes even more sense once you realize her family name got tarnished and she felt social ostracization herself. You see Hiccup attempting to develop his flight suit and sword, leading into HTTYD 2 material. The presence of Fireworms in the third film is a reference to a dragon species introduced in the shows. A conversation point in THW about having dealt with “their kind before” (that is, dangerous people like Grimmel) is a reference to Hiccup’s adventures with Viggo Grimborn. The underground caves that become stables in HTTYD 2 were first found in the television series, explored in DOB. Stoick and Hiccup have several conversations about leadership that lend extra feels to the tragedy in HTTYD 2. Tuffnut yakking to Hiccup ridiculously in THW brings up all the memories of weird conversations they’ve had before… there’s extra context, content, and background to appreciate when you approach the movies with knowledge of the full franchise. 

Now, the shows aren’t perfect, and it’s usually the same reasons why people don’t get engaged with the shows. Again: some fans love the shows and scream their way through episodes, some fans dislike the shows and refuse to touch them, and some fans are “meh” about the shows and get through them with liquor. It’s all dependent on the sorts of things you tend to attach to, and the things that tend to bother you.

One reason some people don’t engage is that the first episodes of the first series (Riders of Berk) can feel childish in tone with low stakes. It is to note that the adventures and stakes do grow from the start. The animation levels also drastically improve from start to end… it’s a wild difference to compare the first episode of Riders of Berk with the finale of Race to the Edge.

Another reason is that the shows are not about the dragon characters. There will be the introduction of many cool dragon species like the Death Song, Scauldron, or Thunderdrum, but the shows aren’t about the humans connecting with their dragon friends. They do not focus on the dragon characters. So don’t go here for Hiccup and Toothless dynamics. There’s a few feelsy moments to talk about, but not many; Toothless is mostly a background character as the stories focus on the humans instead.

Next, some people feel like the characters are “dumbed down” or written inconsistently, and while I wouldn’t phrase it exactly like that, there’s a point to be made there. Some audience members especially don’t like how Hiccstrid gets handled in the first half of RTTE, where they feel like the bumbling hesitant startings of romance is inaccurate to how the two would develop relationally. (It’s to note that another group of people fawn over the Hiccstrid dynamics). Others hate Heather, calling her a “Mary Sue” (a term I think should be retired from existence because it’s a pointless criticism word anymore, but anyway, some people feel like Heather is an Angst Child who takes too much screen time, and that’s a fair point too). Astrid sometimes feels too damsel-in-distress-y for me. As far as Hiccup? Well. Hiccup’s personality is presented a bit differently than you usually see in the movies. RTTE!Hiccup is some of my favorite Hiccup, but he is presented with a different flavor.

Next, some people say that the television series story is inconsistent, completely irreconcilable, with the events of the trilogy. I personally find the continuity blips minor at best, and similar to franchise blips that happen anywhere, but it’s your call, and it’s totally fine if you find the continuity irreconcilable. It’s your take! It’s your experience with the story! Things like Hiccstrid romantic development, whether or not Berk was at peace during the five year gap between HTTYD and HTTYD 2, whether or not Hiccup knew anything about Bewilderbeasts, and whether or not Hiccup had run into other dragon riders before Valka… well… the television series will present something different than you might have presumed from movie material alone. This HIGHLY irritates some people, as it can feel like it sabotages the efficacy of certain moments in the films. For other people like me, it’s an entire non-issue. All is all fair because we engage with media in different ways! Here’s the issue just so you know: you can make your call about whether or not continuity questions will bother you.

Last, the plot. The first two television series, the plot is straightforward and fine. For RTTE, the plot is not the best presented. I think the first two seasons start out GREAT, but then it gets increasing issues. It’s for this reason that some people like ROB and DOB but aren’t engaged with RTTE. There’s a lot of fun to be had in it, and there’s many points at which I was fully engaged. In many ways, RTTE does some things BEST of the whole series. BUT. It doesn’t take much observation to realize there are logic gaps, motivation questions, convoluted but repetitive plot twists, some eyebrow-raising unrealistic moments, and instead of showing smooth characterization, people have a tendency to suddenly jump forward or shift in spurts. If you’re someone who gets invested in a show primarily for long-term plot arcs, you might get irritated at decisions in RTTE. But if you’re someone who’s willing to go along for the ride and just have fun and take it for what it is, RTTE has an entertaining story with lots of adventure.

For me? The television series is a blessing and COMPLETELY worth the watch. But I hope this discussion of pros and cons can make your decision best for you!

So! With all that said! What order should you watch them in? The order that they were released:

Riders of Berk

Defenders of Berk

Race to the Edge

Riders and Defenders of Berk are not on Netflix and you’ll have to go elsewhere to watch them. Race to the Edge got released on Netflix and is still available there… though all the shows have been released on DVD by this point.

I highly encourage you to watch the shows start to end as they came out because of plot reasons. RTTE especially needs to be watched in episode order, but RTTE makes sense only in the context of you seeing ROB and DOB first. There are filler episodes, but there are overarching plots. If you went straight into Race to the Edge first, you’d have no idea who the Helheim Heather and Dagur are, and why it’s important to run into them. 

I hope this helps you and any others considering the shows! It’s so much more dragons dragons dragons dragons dragons and I hope that, if you watch, you have just as much of a blast as I did!

[arkus-rhapsode]

Fairy Tail 100 Years Quest Chapter 12 Review

Oh my god... What the heck is even going on?

So our cover page is Natsu and Lucy, and Natsu I hope you enjoy that brain freeze.

So we open on Jellal confronting Touka. We learn like how Avatar was devoted to black magic there was a group devoted to white magic. Now this is cool, but literally if you watch the anime recently, that arc was done in 5 episodes. So this feels really odd on how much effort is being put into it.

Like if there was like something tying into Tenrou or hell edolas, that make more sense, given all thee time on it.

So Jellal describes White magic as a philosophy of nothingness, which that doesn’t make sense. Fans of yugioh gx might compare this the darkness and light in that series and how darkness led to creation while light was subjugation. But Black magic is clearly about ending life or manipulating life. I guess you could dumb it down to all life, but literal Ankherseram black magic is portrayed as nothing but death. So wouldn’t white be about life? I guess nothingness as life without personality isn’t wrong,  but this feels like a stretch.

Also, Mashima said anyone could learn any type of magic. So why is that an abnormality? Like if this was Black Clover where you are assigned a single affinity that be one thing.

Suddenly Laxus steps in, and want to make this clear. I don’t exactly hate the idea behind this. That Laxus wants to defend someonew ho is a part of his family, given his new found view on FT, and its using the family aspect of FT on its head. Someone bad could be using FT’s family mentality for personal benefit. Which is interesting.

Okay, well Jellal has a reason, she is  suspect and as a guild master he has authority to take her in. However, Laxus you of all people know that people in your guild will still harm it.

On the one hand im torn, the shounen loving half of my brain wants to see this fight. But the logical half says that these two are mature adults with enough common sense to take this to the run knights. And confrontation is over after this page.

Yeah for a chapter named after the two, its got very little to do with theem. Instead.... The worst thing in the chapter happens. We cut to Diablos’ ship and we see this.

Yes you are seeing this right. For people who were saying I was to harsh, calling this a submissive Erza fetish that Mashima is putting out, I ask you read this chapter.

You know I can’t tell if Skullion means this is temporary as in terms of magic, or temporary as Kyria will grow bored, but I do know that this is nothing but sick and tastess. Also props to Madmorel for having some class to be disgusted by the perv in the group. Like that is becoming a rarity these days.

We are guided down to the lower deck where natsu and wendy are being held, the motion sickness keeping them in check.

I’ve been putting this off long enough, its time to rant. This is bull shit. People told me, i was too harsh on mashima, but at the least I thought this was some sort of temporary thing that was meant so Kyria could get a win in a fight, but this might be some permanent magic effect feels disgusting.

Now, people say that this happened cause people would rag on Erza, called Erza fights awful, and that now Mashima is going in the complete opposite dirction. You didn’t like strong erza, fine! Here’s weak Erza, you happy cynics?

But that’s not the case. People didn’t like Erza because she was “too strong” she was someoone who went from this amazing badass female character, to this static friendship speech spewing tool that never truly got any development. Its painful for people to see a character like Erza not grow after she had developed so much in ToH, but it just was never followed through. All the times she won just felt like a poor spectacle without any character behind it.

Now you could say an erza who needs to get her strength back could be character development. No. Cutting away a person’s strength with “magic” is not character development, its forced regression. Its the author literally creating an unrealistic situation bcause he has no idea what to do with her  after ToH, hell he can’t even fully commit to a love story between her and jellal.

When Erza came onto the scene, she was cool, in control, yet could over react at times. To see her be pushed to her lowest by ToH and then recover and face midnight in OS, is peak Erza character shining through. That this is how erza’s development deserved to be treated. But Watching Erza crawl on the ground, be spanked, and cry for mercy like a hentai doll, all because of plot convince magic is so gross to me. Its ejecting the Erza that we all love and stripping her of all that personality just for this.

So if you blame this development on people who were too hard on Mashima about how he was writing Erza, I, a critic and very judgemental person, find this worse than any of the nakama power or skimpy armors.

Erza being trapped in Kyoka’s sex dungeon was bad, but you know what, EErza actievly resisted it. She didn’t want to be there aand tried to fight back. It wasn’t handled well, but that t least felt like whatt her character would do in this situation. But this was forced upon her and this is nothing more than an Erza made for this arc.

Also, lets step out of this and look at this from the meta perspective that this is also extremely lazy. In Eden’s zero there’s a villain who is all about subjugating women right now, and Mashima couldn’t be bothered to not let that bleeed into his other work. If that doesn’t scream creately lazy, than I don’t know what will. Also that frog thing in Eden’s zero is actuaally better giveen the fact he’s not mind bending away personality, he’s forcibly turning them in statues to do with what he pleases against their will.

Im not saying this cause im anti ecchi or that im anti  mashima, im anti such a hack story writting device that weather you stuck it out as a fan of erza’s till the end of FT or liked her at first but than soured on her, I ask, would you tolerate this? I’m not claiming ownership of the character of Erza, but I am asking do you think that this is worth a character arc because our author couldn’t think of anything better to do with her. You know if you knew Erza was so strong,Ad that in actuality she would sweep away most threats, why did you bring her? I honestly would’ve preferred Jellal and Erza being out of the action cause they had a kid or something. Erza having to pick between biological family and her guild family seems like a better direction to take her character in than this.

To see Erza cry because someone’s magic made her into a slave is so lacking in power than say the sheer emotional weight of watching simon die. Like this is shit is just awful.

We cut to Luccy and here is where I get to credit thee art. Sure Lucy is in a bikini, but what matters in frame is the wounds on her legs. Which is a nice us of having aa skimpy dress and not sexualizing it.

We get a flashback of Lucy realizing Kyriaa took her friends and this is where I give Caramille a big fuck you. Oh sure, this did happen after they showed up, but Diabolos clearly was going to find the place eventually and more importantly, you did fuck all. Like, go screw cause you have contributed literally nothing.

We find out that there is another ship in the area and that Gray is okay because he was saved by you can guess who...

Okay on the one hand, this definitely seems like Brandish’s kind of entrance, but on the other. Fuck you, Hiro. Like she just passed by and saved Gray? Hw? The entire ocean was either freezing or evaporating, what is your range? Also, who is in charge of Alverez? Yajeel? Oi...

Post Chapter Follow up: Its easy to say why I don’t like this chapter. I feel so sick by the sheer amount of laziness and disgust in the slave Erza plot. Like, my god this is so wrong. Not because of the subject, human slavery makes sense in a series aimed at teenagers, but the sheer disrespect that Hiro treated this character, made my blood boil. At the very least in Alvarez, Erza still seemed like she was the same character from beginning of the series.

People who follow me weekly on this review series are probably going to ask when I will stop harping on this Erza thing. Well each week, it  somehow get worse and more gross.  First time it felt like a cheap win, second it was bad use of domination, now this is full blown fetish material.

As for the brandish thing, I know why she is here, Lucy is literally not strong enough to handle 3 DE’s by herself with a few exceeds, and I’d accept that Brandish reentering the series. But maybe leave out Gray? I guess you could say that this is a subversion of the Musica captured by Doryu, but this feels lazier. You could’ve just made this a big “step up Lucy plot,” but no, had to save Gray, even though Skullion should’ve notice when his magic didn’t actually ash up Gray. Plus think about, if they save save Natsu and Wendy this arc and beat these three dragon eaters, wouldn’t some added bit of tension to the quest be finding diablos’s hideout and saving Gray from the “dinner table?”And I was cool with the kidnapped gray thing, but no, we had to have kidnapped everyone else.Also if he was made small how did he survive the water? Like he’s the size of a pin, he’d drown.

Now the stuff with Laxus and Jellal is actually fairly good Its an interesting take on FTs standards vs the consequences of their past when we are suppose to be rooting for Touka to be extracted. And involving two characters that really have been in the moral gray spectrum make them the most qualified for this subject matter. While i definitely didn’t like the Touka plot at first from how disconnected it was from everything (and it really is kinda shoed in on this point) it still is the more interesting plot. It has more intresting ideas than, “more dragons” and is involving the characters that come off as the most interesting.

Final Verdict: 3/10

There is clearly some interesting idea at work here

However, the way the plotline for the dragon portion of this arc has become a mess

I don’t use this phrase lightly, “Erza literally deserves better than this”

Plot convince playhouse at its finest

[niennavalier]

Okay, belated Star Wars thoughts under the cut; no particular order, just as I think of them. Possibly some unpopular opinions, I dont really know, I'm not all that active in the SW fandom. So maybe I'll get roasted alive but...eh, whatever, this site is somewhere between an void and hell anyway.

Also SPOILERS BELOW (OBVIOUSLY)

[[MORE]]

Okay, so first things first: I enjoyed episode 9. A lot. It was really fun to watch, and just talking in terms of my experience in the theater, it was fantastic. It was so much fun to see the old crew back, all of those appearances were basically like happiness shots in the arm. It was really very cool. The Palpatine reveal and everything around it was pretty damn epic for the obvious reasons. And I absolutely loved seeing the trio bantering and arguing and passing each other - I always love stuff like that. I swear, just give me hours of good character interaction and I'll be happy. Kylo and Rey fighting together/him using the blue lightsaber was also some cool shit and basically like "yaasss heres the payoff for the entire trilogy let's fucking gooo"

Oh, and I need to mention that little droid that Rey fixes. That little guy was adorable and I want merch for him and I will not hear otherwise. (The droids are always great in all the movies fight me)

Also Zorii and Jannah. Badasses, loved watching them and the way they got to interact with the main cast. Just...wanna spill all the love for them in this sentence.

But there are a lot of other things I have to say about the movie - especially the more I think about it and the trilogy as a whole. Dont get me wrong; I still really loved watching the movie. There are just...certain things that feel like missteps or missed opportunities?

(Not counting how badly Oscar Isaac wanted Finn and Poe to be boyfriends, which I just discovered is a thing. And reminds me a lot of anytime anyone mentions Julian Bashir to Andy Robinson and his response is always "oh Garak wanted to have sex with him from the start". Which I literally love so much, this man is a treasure, and I'm glad that apparently the same thing is happening here. And it's not that I'm not gonna talk about it here cause I dont think Poe and Finn should've been boyfriends, but I'm pretty sure Oscar Isaac has much more to say about it than I do)

Gonna start where I always start when I have problems with writing: romance. Because IMO badly written/unnecessary romance can ruin any good story real quick. I'm talking about the kiss at the end. I'm not saying this to bash on the Rey and Kylo shippers. Generally, I dont care what you ship so long as you dont start harassing everyone else; I care even less when it comes to this fandom cause I just participate in it so little. So this isnt me bashing on the ship itself or the fans, but I just think that, in the context of the movie itself, the romance was really poorly handled. To the point that I saw the scene going that way and all I could think was "oh god please dont kiss, I'm begging you". And well...we all know where that went. But I just never got a romantic vibe from the two of them in terms of what was shown on screen. The chemistry always felt familial, at least to me, across episodes 8 and 9 in particular. I dont know if that's just the chemistry between the actors or what, but the tension between them never struck me as romantic - more like two people desperate for someone who understands the chaos around them, not lovers.

Again, granted, maybe that's just the way I read stuff, especially considering I really appreciate movies that don't feature romance arcs. I'm not sure how it read to other people, and I'm not gonna bash on the shippers who like it. I may feel like JJ Abrams didnt write a convincing romance - or just stuck the kiss in there at the end to fulfill some plan from episode 7 that didnt actually pan out - but I have no problem with the ship itself, or the people who ship it. (Because at the end of the day, this is all fiction, and I couldnt care less how anyone chooses to interact with it)

(And this isnt an entirely rated point but because I've seen it around:

In all honesty, I'm starting to think that the romance thing was just a symptom of a bigger problem with this trilogy: it doesnt feel cohesive. It's like JJ Abrams and Rian Johnson had two separate sets of notes and just refused to actually look between them. Two separate sets of ideas that they were too stubborn to compromise on.

And I have a feeling (at least, talking to my little brother, who definitely feels this way) that a lot of people are pinning this fragmented feel to the trilogy on Rian Johnson and The Last Jedi, but I honestly don't think that's fair. Because, and here's the unpopular opinion: I really don't think Last Jedi is that bad. At least, not bad enough to deserve all the flak it gets.

Won't get into that entirely here because that could be a whole separate post, but that's my opinion. Sure, it's not perfect, there are definitely a lot of parts that are pretty irrelevant and not really necessary, but that's true of everything. Frankly, its biggest problem was that it was written for the wrong audience. Which is a major problem, yes, but taken for what it is, it's perfectly decent. As I said before, I could write a whole thing on this movie and why it's not that bad (because I have my brother's points as to why it's terrible for me to argue against) but overall, my reading of 8 is that it's a movie meant to introduce wider ideas and concepts to the universe - particularly this very gray and murky area of morality and character - through stories that are closer to the characters and tied to harsher realities of war. Things aren't always black and white, people are complex, sometimes our heroes can be gravely wrong in ways that aren't glamorous.

Frankly, it feels somewhere between a super deep indie movie and Star Trek (particularly DS9, at least to me, because I love when that show gets to twisty moral stuff). So yeah, wrong audience, yet he decided to stick with his storytelling despite that. No matter I personally might fall into the audience that movie resonates with, it wasnt gonna resonate with most of the fandon.

Again, Last Jedi is far from perfect in other ways too, but it sets up some great ideas that I was really hoping to get some closure on. Honorable mention here is when Rose saves Finn when he's speeding out to sacrifice himself and because of the desire to save the people they love, which I always end up likening to the "we dont trade lives" sentiment. Mentioning this cause my brother always complains about it, but I was thinking this would be one of those virtues that separate the good guys from the bad guys and ultimately allow good to triumph. Yknow, sorta like how Voldemort's lack of understanding of love contributed to his downfall, to liken it to HP. I was under the assumption that would be the concept at some turning point in the climax, but...guess not.

Big one though, which was actually a pretty big disappointment IMO, was the whole neutrality argument, the existence of a grey area. The most interesting thing from Rey and Kylo's scenes in 8 was the notion that the Jedi and Sith could be left to die, and the two of them would essentially find a way separate from those two sides, walking a path down the middle. I know I'm not the first person to bring this up, especially because of how the Force just...works. That the scales need to be balanced. And so, given that, to have the Jedi always destroy the Sith - that's not balance. Give it a few more years and the same problem is gonna happen; if there are Jedi, there will be Sith and war is gonna break out. That's hardly resolution, so neutrality is the way to go. And, personal opinion - I loved that this ended up in 8. It's just a lot more nuanced than "good vs evil, good is victorious" and brought in new ideas to this universe that I really wanted to see explored.

But that just...never happened. Sure, Rey has that yellow lightsaber at the end, but it's really very little more than the barest hint of lip service to that entire concept. Because it's never built on throughout the movie. Kylo's insistence that they look for a different way turns into a demand that she basically become his Sith queen. Which isnt playing with the gray area - it's more firmly dividing light and dark. And as she's fighting Palpatine, he's all the Sith, while she's all the Jedi; doubt that needs further explanation. Sure yeah, she's dealing with the revelation of her bloodline throughout the movie, but that interaction with the dark side is very different than in 8; she's afraid of it (a character arc I love, dont get me wrong), not lured by it. The Sith are very clearly evil, and despite her family, she comes to embody the Jedi as a whole. The opposite of what was laid out in 8.

Which actually just makes her choice to take the yellow lightsaber make even less sense? Because...she has no reason at all to turn away from the Jedi and every reason to keep using the Light side. The only possible reason by that point is if she knows about the balance and makes that choice intentionally to prevent the rise of a Sith lord. But that choice is never shown, so I dont give that a pass. It just feels like the lamest nod to something from 8 - no buildup, no explanation, just there because it technically should be.

And that fucking sucks. What a waste. Puts so much space between these movies.

The romance might be another aspect of that - 8 didnt really give me a strong romantic vibe, and then 9 tried to benefit off of buildup of romantic tension that just wasnt there. And that romance isnt the only other one. Just the existence of Palpatine at all? Like, awesome plot yes, but not at all foreshadowed. The banter between the trio at the start? One of my favorite parts to watch, but it comes out of nowhere, and I guess we just have to live with the idea that all of the development happened off screen. Lame. The return of the fucking helmet? Fuck, i actually have more i can say about the way i interpreted the helmet, but this is getting long. So point being: it's like we just got zipped right back to episode 7 all of a sudden and didnt even get a symbolic moment of him losing the helmet in 9 (at least, not that I remember).

Really, on the whole, JJ Abrams basically did the beginning of 9 such that most of 8 could be made irrelevant. Because that's how I felt throughout the whole movie; like 8 didnt matter. And I know a lot of fans are honestly happy with that (so maybe if was actually the right choice on that front) but god does it make the whole trilogy clunky. Literally nothing flows.

And I think that's my main problem with the trilogy as a whole - or, rather, with the production behind it. It's like JJ Abrams and Rian Johnson were just so goddamned married to their ideas that they wouldnt budge from the story they wanted to tell. Like they put their individual creative visions above the quality of the story as a whole. Like they weren't willing to deal with any changes that they didn't put into play themselves. And the trilogy suffered for it.

Which is really so obnoxious to me. Because it is very possible to be flexible and improv and incorporate other ideas into what you already had; just look at D&D. That's the job of a DM. You can plan everything out perfectly, figure out the story you want to tell, decide how you want everyone to interact with your world, but the players will invariably fuck those plans over. And you just have to roll with the punches. But beyond that, those changes can be for the better, because those are ideas you never thought of, and incorporating those makes for an even richer story than anyone expected. All because the people involved are willing to see where the story naturally takes itself.

Just wish these directors could understand that.

(Also...what was Finn gonna tell Rey? I mean...? This is honestly the strangest thing about the movie because it literally felt like the writers just...forgot they ever had this plot point after halfway. Which just feels like sloppy writing, and I feel Poe when he seems to be really curious what Finn wants to tell Rey. Because...me too!)

[hamliet]

hi hamliet! i saw the Rose ask abt SW, and I agree that I really, really love her as well ^^ if you don't mind though, do you have an answer to when haters cite how she stops Finn from driving the plane into the cannon thing to stop it? like, I totally empathize with Rose's action during that scene bc she wants to save Finn, but i also feel like they have a legitimate claim in that in that moment, the resistance had literally no other option bc they didn't know anyone was coming to save them.

Nice to meet you, fellow Rose fan!

So, I think it comes down to Rose’s character arc and how it ties into the main themes of TLJ, which is very much about moral grayness. See, sacrifice isn’t right or wrong so easily. It’s complicated. Finn dying in that moment would have ultimately been unnecessary even if he didn’t know it then. 

Rose has just lost her sister who sacrificed herself for a cause. She likely decided she could not mentally handle losing someone else she cared for and admired. That’s not wrong and that’s not right, depending on perspective. It's just too complicated. But her decision makes Rose human and a complex character with a trait—love—that is both her strength and her weakness. 

She, like an anima for Finn and with him as her animus (because Star Wars is the most Jungian story ever, jk, but it’s massively Jungian), moves in his direction as he moves in her direction during the course of the film. Instead of sitting on a high horse and judging him for being afraid of dying like at the beginning (which again isn’t right or wrong it’s nuanced and Rose’s position is very understandable, as is Finn’s), she decides there is someone she is afraid of losing. She is moving towards the gray, as is Finn by being willing to make that sacrifice, to hope that it matters, just like Rey and Kylo are doing in parallel, meeting in a place of empathy and finding that what will save the galaxy is precisely there.

But the main reason I don’t buy this argument as legit from fanboys is that the same people are unlikely to hate on Luke for leaving Dagobah to save his friends, which actually turns out to be a trap just like Yoda warned him. In fact they probably think it’s badass because it all turned out okay (not in ESB though). Rose’s actions turn out okay in the very same film. Hence I feel a liiiittle bit like it’s just an excuse to hate on a WOC.