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tojisbbygworl · 1 year ago

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He’s Not Actually That Cool - Hobie Brown x Black!Reader

Based off of this post

Part 2 bonus bonus ii

Masterlist

Imagine Hobie, the undeniably coolest person in the Spider Society, is a virgin nerd with a big dick

Tags: Hobie is a pathetic virgin loser, 18+, a lil smut, Oral (m receiving)

"How are you even cooler under your mask?"

"I was this cool the whole time."

A scoff behind the both of them. It's you shaking your head in your mask.

Hobie smirks at you. "Something funny there, love?" You don't say anything, just pretending you don't hear him and looking away innocently.

Hobie was the reason you were a part of the Spider Society. He and Miguel had captured the anomaly in your own universe with your help, of course. You knew Hobie had immediately took a liking to you what with the way he stared at you through his mask when he first laid eyes on you, frozen in place, color palette pink.

You liked him the moment he ripped his mask off when it was all said and done. He looked real good with his wicks, his sharp facial structure, wide-set nose and even larger lips. You actually believed him when he said he was briefly a runway model, emphasis on the briefly.

He invited you to join them and pulled you into the portal before Miguel could even say anything. You two have been inseparable ever since.

As you met more people, they all told you of their opinion of the man who seemed to be your best friend. Everyone says the same thing, that he's effortlessly cool and it makes him a little obnoxious. It always made you tilt your head.

You've seen the anime action figures in his room ranging anywhere from Naruto to Tokyo Ghoul.

"Oi, don't touch my things. You're the only person I trust to let in here, don't ruin it."

He's talked your ear off about the intricate lore of FNAF (he HATES MatPat btw)

You've groaned at how many times you've heard the name 'Afton' leave his mouth.

"So the place shut down again after the victim lost their entire frontal lobe"

"And that's the bite of '83, right?"

"No, that's the bite of '87. Thought I told you about '83?"

He probably did but he talked about it so damn much that you forgot. "It's cool, I'll tell you. So the bite of '83..."

This man is a fucking nerd but the BIGGEST misconception everyone has is that he's probably great at sex.

He has a reputation of "running through" everyone who wants him at the society...and yet no one has actually done anything with him. Everyone whispers about it, but no one has ever come out and admitted to having sex with him.

He's without a doubt your closest friend, so you asked him about it while you were chilling at his, watching him strum his guitar.

"So I heard you been running through the Spider Society like a tomb raider."

He cackled, "Yeah, that's what they all believe, innit?"

"It's not true?"

He shook his head. "I haven't got bottle, luv. Don't know what the bloody hell I'm doing."

"Oh really?"

He stopped strumming to look up at you, his smirk falling upon seeing your sultry and mischievous face. He grew a bit nervous, but was more excited if anything.

"What's that look about?"

"Would you like someone to teach you?"

He dropped his pick from how badly he was shaking. Hobie gulped and slowly nodded his head. You walked over to him and slowly lifted his guitar off his body, then pushing him back into the couch and sitting on top of him.

That's how this current make-out session started with you doing most of the work, taking off yours and his clothes feverously.

Hobie just sat back and let you do whatever you wanted. He especially loved watching you strip down to your underwear, blood shooting to his dick as soon as he watched your breasts bounce out of your shirt. He watched you pull your panties off of you leaving you completely naked and him only in his boxers.

He shifted in the couch to relieve some tension. You giggled at his starstruck face.

"You good?" You asked him. He nodded. "Do you need me to pull it out for you?" He nodded again.

You laughed, but was quickly shut up by his long, curved shaft slapping back onto his stomach. His underwear did him no justice, nothing could have prepared you for this.

He shyly looked away and bit his lip, not wanting to admit that he liked the way you gazed at it. It fueled his ego, but he didn't know how to tell you without stuttering.

He was actually shaking pretty bad, and it worried you. "Are you okay?"

"Y-yeah...I just..." he gulped and looked back down, his dick jumping upon looking into your eyes. Just like his, yours were a deep brown. Your eyes were furrowed in concern, and your full lips were parted. His breathing got deeper.

"You really want to have sex? With me?"

You deadpanned him, then leaned your head down to his base. Hobie gasped when you stuck your tongue out and licked all the way to his tips. Your played with it for a couple seconds, leaving him a shuddering mess. His precum leaked from it and you licked it all up reveling in the salty taste.

"O-oh..." he moaned when you grasped it gently and began to pump. He closed his eyes and tilted his head back, so glad that he didn't have to imagine it was your hand beating his dick. He humped into it a little, and he looked so sexy crunching his abs that you couldn't help but to enclose your mouth over him.

"Oh, fuck," he exclaimed. He threw his head back up and gazed upon your form. You were giving him the sloppiest top he had ever seen, (he only watched BJ and missionary porn and you were much better than those girls)

God, he couldn't wait to get you under him and hump into you like's he's thought about for so long. He's used his hand, his pillow, he even looked up how to make his own flesh light because he would never be able to hide a real one from you. It was gross but fuck, how else was he supposed to get his rocks off? If he didn't do any of those things, he would have no control around you.

"Fuck, babe. Please keep going~" Hobie was drooling - actually drooling - out the side of his mouth. He panted and clenched his hands. You had to reach out and move them to your hair.

The poor thing panicked, he had no idea what you wanted him to do. He gently pet your small afro, more concerned that he was close to cumming down your throat.

You stopped and popped him out of your mouth, laughing a little at how cute he was.

You didn't notice how stressed he looked, him sitting up a little more in the chair. "Ngh, wait, no-" he whispered.

His dick bounces with each spray of his cum with him letting out a string of moans and curses as it lands on his stomach and chest. "Ffff...uh...uck..."

"Oh, I'm so sorry," you say, watching his fucked-out face. His head bounces with each deep breath he took.

"Why...did you...stop?" he asked in between pants.

"Why did you pat my head?" you asked, standing up, begrudgingly putting your clothes back on despite the ache between your legs.

"What was I supposed to do?" Hobie stares at your ass lustfully, feeling the blood rush back into his dick from how it moved.

"You were supposed to grab my hair and choke me with your dick, baby."

He gulps not being able to take his eyes off of you. "Oh."

You turned after putting your panties back on and froze. His dick was standing straight up again, the head glistening with thick white liquid. He stared at you embarrassingly, hoping that you would just come back over and kiss it.

"You could have said something before I started putting my shit back on."

"Sorry," he said, not being able to contain his excitement when you walked back over to him. His smile went away when you instead hovered yourself over his lap. His cum was still on his stomach and his dick. "W-Wait-"

"Yeah?" You whispered sensually, grabbing him again and pulling your panties to the side to line him up with you.

"I'm still-, I still have-, Is this okay?"

"I'm on the pill."

He starts getting nervous again, but he doesn't know why.

"You scared?" She asks.

He looks at her and rests his hand on her hip. "I don't want to hurt you. Or make you uncomfortable."

You giggled again. "I promise you I'll be fine."

"But, I still got my cum on me, babe."

"I know." You leans over to his ear and lick it. He shivers. "Isn't that so nasty?"

Hobie moaned as you begin to sink yourself onto him. You moan too, Hobie splitting you like you never imagined.

"You really want to shag a virgin?" He finally asked her, his voice wavering.

She rolled her eyes and sighed in frustration. "Virginity is a social construct. Don't be ashamed. Now shut the fuck up."

Definitely making a part 2 and a lil bonus and another bonus (ii)

Taglist is closed!

Masterlist

#across the spiderverse #hobie brown #spider punk #spider punk smut #hobie brown x black!reader #spider punk x reader #hobie brown x you #spider punk x black reader #spider punk x reader smut #black reader

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takavasen · 8 months ago

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Tumblr dashboard in Night Vale simulator

🧪homo-genius

Today's science fact:

Spiders have an open blood circulation system, which means they do not have veins and their blood is different from the blood of mammals. Unfortunately many healthcare professionals do not know this, which can lead to improper methods in...

🎙️voice_of_night_vale

Spiders are a valuable part of our community and deserve good healthcare.

But more importantly, I want everyone to know that Carlos the Scientist made this post, he is my husband and I love him very much! 💜💜💜💜💜💜💜💜💜

🪬a-thousand-fingernails Follow

Cecil everyone knows you and Carlos are married and most of us are happy for you but you don't need to tell this in every post you make

🎙️voice_of_night_vale

Wait have I mentioned it before?

809 notes

⭐sheriffofallarts

Hah saw some loser (@ marble-eyes) bring the same girl (@ mountainbeliever343 I think, couldn't see her face clearly from the cameras) home for the third time this week lol

cmon just say you are girlfriends already dont be shy

💎marble-eyes Follow

Hey you can't just share private information like that!! And besides that is not true, I haven't brought anyone home for a long time, I don't have time for that anymore!!!

🟡secretly-in-your-home

No. I can confirm that what Sam said is true. I was there. I am always there. Also, I put the rest of your cereal to your washing machine. They have been in the cupboard for a while now, I thought they were getting quite dusty and needed cleaning.

31 notes

🏀basketballpalmer Follow

We had an another great season with @nvwheelchairbasketball team again! Thank you everyone, it's an honor to be the captain of the team! See you guys next season <3

👍wallabyyy Follow

Aaaaa congratulations! I miss you guyssss

43 notes

☀️prophet-of-smiling-god

I just had the most delightful date with the most gorgeous theologist in Desert Bluffs Too!!! We had a lovely dinner at my house (some eyeball salad, mushed tarantulas and fried human fingers), watched some movies and of course made sure to serve our great Smiling God by making each other as happy as possible!! Unfortunately Charles said that it would make him unhappy if I shared the details, but I can confidently say that I have never been more joyful!!

🦷smiling-mayor Follow

Kevin, you missed a service in the Temple of Joy because of this. Surely you would remember doing that for an old friend, wouldn't you? 😊

☀️prophet-of-smiling-god

Oh, Lauren, of course I wouldn't ignore anything like that on purpose, you know how much I love tolerating you!!

98 notes

🪽not-an-angel Follow

Does anyone happen to have 10 bucks?

You can send them here: absolutely-not-a-scam-link

🌟erikaaaaaaa Follow

Does anyone happen to have 10 bucks?

You can send them here: absolutely-not-a-scam-link

💵ex-vanston Follow

Does anyone happen to have 10 bucks?

You can send them here: absolutely-not-a-scam-link

💡erika-the-black-one Follow

Does anyone happen to have 10 bucks?

You can send them here: absolutely-not-a-scam-link

3 notes

😎violentfootstool-deactivated20230416

Hey guys, so I just spoke to the new scientist lady and found out I don't actually have three pairs of arms. The lower two were just robot limbs that I tried out when I was seven years old and forgot to take them off. So hows your day ://

🔬janet-lubelle

I am always happy to help with explaining your problems away.

🎀tinfoilforteeth

Hey bitch how is it going under the cow

754 notes

🎙️voice-of-night-vale

Alright, I'm going to say it. Steve Carlsberg does NOT know how to be a basketball coach. He knows nothing about any game structures, and he only allows one ball per game!! He talks too loud, except when you can't hear him. It will be ALL HIS FAULT if we end up losing this season!!!!!

🌠lines-in-the-sky Follow

🎙️voice-of-night-vale

For everyone who finds this post now: I made this many years ago. Things have changed a lot. I'm very sorry, Steve. I couldn't hope for a better brother-in-law. You are my best friend, and I was the irrational one in this situation.

I have changed the way I look at people. I will not treat them the same way I used to treat Steve anymore.

1,642 notes

🎙️voice-of-night-vale

Alright, who let Susan Willman be in charge of anything? She is the absolute worst at making desicions, like, who asks an obelisk its NAME? She had an oppoturnity to ask almost anything, and that's what she chose?? She better stay away from our way for at least seven decades, and keep her "Huntokar"-nonsense with herself!!!

11 notes

#fake dashboard #wtnv #welcome to night vale #unreality #this took way too long

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drchucktingle · 10 months ago

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Good day Dr. Tingle. I haven't read your stories, but I've known about you from afar in this website for a while. Your recent post about separating Ideas and Message is very similar to how I teach a class. I wanted to ask you, if you could share some of your Messages, in whichever structure/length/complexity you think about them before writing, to have some real world examples to show in class.

Personally I tend to simplify and shorten my messages as much as possible, like "everyone deserves forgiveness" for example, so that I can permeate it throughout the story, and so that anyone experiencing the story can come to a similarish conclusion.

I'm curious as to how your Messages look like inside your head, during the creative process. Not the refined versions used for marketing and sales and stuff.

Thank you!

sure buckaroo.

high concept idea of the book STRAIGHT was this: zombie apocalypse story but the rage only effects straight cis people (there is also a second high concept idea in there which is: what if zombie plague only happened one day a year? how would culture handle this politically and otherwise?)

so i had this idea that i thought was good, but before i can write it i think 'well what do i want to SAY about this? what am i FEELING?'

and i realized that i was a little torn about how to write this story because of the one day a year thing. when is it okay to fight back? can you hurt a zombie if it turns back into a person the next day? is that right or wrong? and WHEN is it right or wrong? what situations?

then i realized that with the metaphor of this story what i was really asking was something bigger: why is it up to the victims (in this case queer buckaroos) to be forced to make these decisions? marginalized groups have TWO kinds of violations done to them, the first is the obvious act of violation, but the second is that they are forced to use their time and mental space and emotional tolerance to learn how to HANDLE the first violation in an 'acceptable way'

so THAT became my message. if you want to know how i feel about these questions you can read STRAIGHT and find out.

CAMP DAMASCUS high concept idea was (SPOILERS IF YOU HAVE NOT READ CAMP DAMASCUS STOP READING HERE) what if the church really DID decide the ends justify the means and instead of stopping demonic possession they were inflicting demonic possession to counter sinful acts.

but that is not the message of the book. that is just the idea. if i just had that idea i would not write it, but as things evolved i realized WHAT i wanted to say with this story

in this situation WHO is the force of 'evil'? would it be the demons? would it be the possessed? or would it be the SYSTEM AND MENTALITY that was creating this situation in the first place? so the book sets out the answer this question and express the conclusion that ive made for myself

i also noticed that many churches who are anti gay have a sort of infantilizing trot with how they handle their young buckaroos. this idea that gay feelings will just go away if they are ignored and that they can almost keep young queer buckaroos from ever aging into fully realized adults. obviously i think this is WRONG and so fighting back against this mentality became part of the message as well, and that informed most of the metaphor and symbolism in the book.

it is important to keep in mind that sometimes the message can change. as the book trots along i am LEARNING myself, working out these thoughts on the page and coming to a conclusion of my own. this is actually VERY true of BURY YOUR GAYS, which is probably most autobiographical thing i have written. i will save talking about that MESSAGE and HIGH CONCEPT for after book is out though

EDIT FOR CLARITY OF MY WAY:

when i say i write MESSAGE FIRST that does not mean i think of the message first in TIME (although that does happen sometimes) it means the message is the most important thing over plot or characters or anything like that (although those are important too). it means that i write with message as my north star, which is rare, but it is how i make art

#writing #buckaroo lifestyle #chuck tingle

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dogtoling · 14 days ago

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General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

#rambles

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twig-tea · 4 months ago

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Why We Are Gives Me Anxiety

I have been fighting myself on this We Are post for weeks because I wanted to make sure I knew what I wanted to say and was able to say it. I feel the need to say off the top that I don’t begrudge anyone who enjoyed this show and I’m genuinely glad it brought comfort to people. The show in and of itself, as 16 hour-long episodes of fluff (shout-out to @stuffnonsenseandotherthings for using this word to pinpoint the genre for this show, because it’s perfect), is not offensive or bad or wrong or any judgmental or moralistic word. And it does some things well; the centrality of the friend group was a lovely aspect to this show, and the chemistry in the friendship group scenes was on point. All of the couples have good romantic chemistry as well, and the show is packed with butterflies-inducing moments.

That being said, I did not enjoy watching this show. I watch television mostly for the story; This show felt more like watching 16 special episodes for a show I hadn’t seen (I think this can be attributed to the point made by @italianpersonwithashippersheart in her post here that the show assumes the audience comes to the show with a pre-existing buy-in to the ships). The lack of overarching narrative structure of We Are gave my brain nothing to hold onto and I spent so much of every episode futilely trying to figure out how scenes worked with what had come before, what the show was trying to say, what these characters were thinking–all of which I knew was the wrong way to be watching, but it’s the way my brain works, so I spent a lot of the show frustrated. In short, this show wasn’t for me.

But that’s not why I feel the need to write about it. Shows are fully allowed to not be for me, I usually can differentiate between when a show is doing something I don’t like well, or when it’s failing at its own goals. And I don’t begrudge people with different taste getting catered to sometimes; my refrain is that most problems of representation are not solved by calling for less of something, and rather than wanting something not to be made, I’d rather champion for more and a greater variety of content. And lord knows there’s enough BL to go around these days (shouting out @respectthepetty’s post along these lines, which I loved) . But We Are still worries me, and I’ve been trying to find a way to articulate that my concerns are not actually about the show itself, in isolation, but rather about how it feels like part of a pattern. This is my best attempt at laying that out. It’s going to get a little ramble-y, so apologies in advance.

Shout-out to @bengiyo who first articulated this anxiety in his post from relatively early in the show’s run . Ben gets into some of where I’m coming from with concerns about what this show means for the genre in this post, which as he mentions we've chatted about in DMs. I’m really grateful to him for these conversations because in isolation, I worried that I was being alarmist. It was helpful to have confirmation that he was feeling the same way so that I could get out of my own head.

Ben mentions in his post that New Siwaj has been in this business a long time, and I, like Ben, have jived with him for years because he manages to imbue queer angst into his shows in a way that resonates with me, even when he’s had missteps. I'm going to lay out some of the major highlights of his work for those who haven't followed New for years.

He was an editor on Love Sick, arguably the start of the Thai BL genre as we know it today, and a show full to the brim of queer angst. He directed Make It Right, one of my favourite Thai BL comedy series. This show was also an ensemble centered around a friendship group (though admittedly it didn’t balance the friendship and romance content as strongly as We Are), and it covers so many topics that felt refreshing at the time and still are rare (morning-after sex visits to the clinic because things went poorly, hooking up on the apps, sex acts beyond just penetration, suicidality, I could go on). He also was involved in the GMMTV Waterboyy series–this was his first work for GMMTV that I am aware of. That show had a lot of issues but did explore internalized homophobia and bullying.

He worked as a cinematographer on En of Love, which is again similar to We Are in that it has several couples connected by a friendship group (and is several novels in one series), but each couple was given its own miniseries instead of bundling them into one show. En of Love also still dealt with some serious queer angst, especially in the Love Mechanics story [Sidenote, Niink, the director for En of Love, stuck with New and moved on to work for Wabi Sabi].

At this point, New created his own company, Studio Wabi Sabi, which he's said in interviews was to gain more creative control over what he was working on. And his stories became arguably even more explicitly queer and inclusive of queer trauma. He screenwrote and produced Love By Chance (which folks may not remember or know, but that core story starts off with Pete being blackmailed for being gay until Ae convinces him to come out to his mother and shut down the leverage for blackmail, and a good chunk of Pete’s character arc is unlearning internalized homophobia and not seeing himself as ‘corrupting’ Ae) and then Until We Meet Again. The queer angst in UWMA probably doesn’t need my help spelling out, but just in case anyone doesn’t know the summary, this show was about a queer couple who committed suicide in the face of homophobia in the 1980s, and were reborn and given another chance to be together in present day. I did want to note that in both of these series (LBC and UWMA) the core romance itself has no major conflicts; both AePete and DeanPharm felt like they were intentionally side-stepping so many of the usual BL drama tropes of jealousy and misunderstandings through trust and communication. Dean and Pharm’s story took that even further by having so many of the usual drama pitfalls for a gay couple just not be a problem; their only drama comes from their past lives, in a beautiful exploration of the breaking of intergenerational trauma. So many external threats to their relationship ended up being non-starters, and this was my version of a comfort series for that reason.

From there, New started working with GMMTV again, and directed My Gear and Your Gown. This series was, to my knowledge, the first GMMTV BL series to mention HIV and to show characters getting tested at the clinic, and while it wasn’t perfect representation (didn’t get into PrEP, treated HIV as a death sentence), it felt like an important milestone.

[I’m skipping the sequels and specials he did for series I already talked about, because they don’t feel that important to the story I’m telling here and this is already so long, but I wanted to acknowledge that I’m not covering everything in his oeuvre.]

He then directed 7 Project, which had some serious storylines dealing with bullying and struggling with life in the closet, out of Wabi Sabi, and then Star and Sky out of GMMTV. Star in My Mind included one of the main characters in a beard relationship for years, and some controversy over the adaptation choices to make Daonuea (Dunk’s character) less polite than in the books. There was drama around the pronouns and characterization in that show (both Daonuea and Khabkluen use guu/mueng in the series, but in the novel, Daonuea uses rao; he also curses in the series and novel fans complained that he was too ‘masculine’). I thought it was an interesting attempt at a departure from BL character tropes to try to make Daonuea more evenly matched with Khabkluen in terms of his gender presentation in the show. Sky in Your Heart also included some angst about whether people of a particular station could be gay. Both of these shows (SIMM and SIYH) were also very trope-y, but they had clear throughlines.

My Only 12%, the next show New directed out of Wabi Sabi, contains one of my favourite moments in all of BL, in which Seeiw sees Love of Siam and cries because it makes him realize he’s gay. There’s this heartfelt moment where he asks his sister, if there’s nothing wrong with being gay, why doesn’t the film let the gay characters have a happy ending? Despite the weird PSA ending, this show remains one of my favourites.

This is an aside but I’ve long been fascinated about this moment in New’s history: he played himself in War of Y, as a director of BL who is sick of being forced to make BL shows full of fanservice; he treats the actors with disdain and cuts marketable high heat scenes from the show which makes everyone nervous for the show’s future. Later we see him and the actor characters on set for My Only 12%, much happier. I ask myself about this moment at least once a week: Did he write this self-insert? Did someone else write the character and he just played it, and the similarities to his style were (were not?) a coincidence? I hope someone knows and tells me one day,

From there, New functioned as an Executive Producer of Dear Doctor, I’m Coming for Soul [I think this was the first outsourced project by Wabi Sabi]. This series’ entire plot is a metaphor for living in the closet and waiting for the time when the main couple can be together fully without having to hide.

He directed A Boss and a Babe for GMMTV (which had its problems for sure, but also had Cher as an out gay man at the workplace dealing with casual homophobia in a way that was extremely satisfying), and then Between Us, which is maybe the least queer feeling show Wabi Sabi produced on its own, but did go into the issues of dating and the closet while trying to become a star (if I’ve forgotten something from this show let me know, I only watched it the once). One of the things that was so strange about this show was it being a sequel to UWMA but not engaging with the same themes. The only mention of real world queerness I can remember was the acknowledgment that they can’t get married in Thailand and Dean and Pharm discussing again going abroad and getting married there.

Absolute Zero was a complete mess of a show; New directed this one for Wabi Sabi, and it has some similarities to UWMA in the sense of there being an attempt at saving the gays from the bury your gays trope, this time via time loop rather than reincarnation, but it did not take the issues it raised seriously enough (including the age gap created between the two characters by virtue of time travel).

And that leads us to We Are for GMMTV, which as Pluem (@happypotato48) wrote in his excellent post about this, includes Toey using nu and other 'feminine' or 'youthful' sounding language, but also apparently dropped the main conflict of the novel between Phum and his father (because his father disapproved of Peem).

Why did I go through all of that? Because I wanted to lay out how I've watched New Siwaj’s career go from finding a way to tell incredibly poignant and healing queer narratives (by creating his own company, and fitting these moments into the GMMTV series he did work on) to stripping out queerness from the shows he’s creating in the last year or so.

And this is a pattern we’re seeing more widely at GMMTV in particular, but also in Thai QL more widely. This is something that was touched on but not really discussed in the most recent episode of The Conversation podcast (the 23.5 and only boo! episode here). In both 23.5 and Only Boo!, the show faked out a homophobic parent and then treated their kids like they were silly to assume the worst, and I hated that.

Both Ongsa and Kang had internalized homophobia in their respective series. Both were terrified of telling their mothers about their homosexual love interest. And in both cases, their mothers told them something along the lines of 'of course I will support you no matter what'. In Ongsa's case, even though she was outed by Sun without her consent, she's the one who ends up apologizing for her hesitancy and feeling foolish for her concern. In Kang's case, the show never challenges his mother's assertion that she'll always support him even though we know she hasn’t (she was the one who wanted to prevent him from studying art before his father died), and it’s the audience that was left feeling foolish for our concern.

In the GMMTV round table for Pride Month, it was mentioned that the decision for Ongsa's mother to be accepting of her relationship with Sun was made in order to model good parental behaviour for the older generation in the audience. In the novel, Ongsa's mother presents a significant conflict, but this conflict was erased from the show. I don't know if the same decision was made in Only Boo! for the same reason or not, but either way, the show definitely signalled to Kang's mother having an issue with Kang's relationship with Moo, and then said "sike", which I did not enjoy. The Conversation panelists were correct in the conversation linked and transcribed above that this wasn't the most egregious misstep either show made, but it feels like a telling symptom of the larger overall narrative problems that New is also now succumbing to.

It seems as though telling stories stripped of queer conflict is being seen as progressive, and possibly also easier to sell, and this is where my anxiety lies around what this will mean for Thai QL content in future.

For the record, I am all for creating queer content in which we envision a better world for ourselves. But when that is the goal, understanding where internalized homophobia comes from and thinking through how removing parental objection will affect the character and the story is vital to the story and characterization remaining coherent. Otherwise it just ends up feeling like the show is telling queer kids that they're paranoid, rather than rightly worried (like I wrote about in this thread on My Love Mix-Up Thailand, where the same decision was made again to fake out a homophobic subplot that was removed from the adaptation but was present in the source material).

These choices speak to adaptation choices with an eye for specific moments and story points, rather than to a narrative or character arc, which is where it feels like they fall into the wider pattern of what @bengiyo, @shortpplfedup and @ginnymoonbeam were describing in their discussion: shows caring more about hitting specific meme-able story points listed out on a whiteboard than about making cohesive sense or having something coherent to say.

[So as not to leave it out: I don’t think there were concerns of homophobia in the Wandee Goodday novel (novel readers feel free to correct me if I’m wrong about this) but the show faked us out about homophobia concerns anyway, which again really bothered me during that watch and which adds to the pattern.]

Now, of course, as I stated up at the top there is value in the creation of different kinds of media. These shows sell different fantasies than the ones I want to see, but that doesn’t mean they don’t have value.All of BL has some amount of fantasy that it’s buying into, that’s what comes with the territory of ‘fiction’. The BL bubble (in which homophobia doesn’t exist and all men are gay for each other) is a version that is at its most extreme; nothing bad ever happens that isn’t quickly resolved within an episode, so there is never narrative tension, and nobody really needs to be that concerned about how anything will go ever. I do not find these relaxing because I can’t buy into the fantasy they’re selling; for me, the lack of narrative tension is so unbelievable as to ruin my immersion. But I can see why that would be appealing for someone whose brain is not always on alert and running at 11/10! The problem I am anticipating is when the majority of content is made that way, and when it is done in a way that takes up all of the mainstream space. I think it’s notable that the only show that’s really felt not in the queer bubble from GMMTV in 2024 is Cooking Crush, which was done by a subsidiary team within GMMTV (and the same team went on to make Only Boo!). And this is why We Are caught my attention and made me nervous; When a director who is known for his representation of poignant queer angst makes an entire 16-hour series in which there are no significant conflicts at all and the only hint of homophobia is in Toey’s reference to being bullied prior to the timeframe of the series, I get worried about who is going to be making the queer angst shows in future!

For the record, my personal preference for comfort shows are the shows that do not pretend the world is perfect, but do depict an idealized subset of that world→where there’s a group of people that support one another through the bullshit of others and the less than perfect world that surrounds them. Shows that teach us to be kind to one another, and ourselves. Shows that say the world is going to suck sometimes, but we can be good to one another, and not lose sight of who we are, and make space for others to be themselves. A few of my favourite Thai series that do this would be:

Bad Buddy

Cooking Crush

City of Stars

Knock Knock Boys

Miracle of Teddy Bear

My Only 12%

Secret Crush on You

To Sir With Love

Until We Meet Again

(and of course these occur in non-Thai shows as well. A few examples of my favourites: What Did You Eat Yesterday, DNA Says Love You, Light on Me, Oppan, Marahuyo Project, TsukuTabe, Tadaima Okaeri, Koisenu Futari, Joshi-teki Seikatsu, Gameboys, Hehe and He, Twilight out of Focus, She Makes My Heart Flutter)

These are shows in which there are explicitly external judgments on the relationships in the show and/or the characters for things intrinsic to who they are, and the characters build a support structure in which folks are encouraged to be themselves within that ‘bubble’ (Bad Buddy walks a fine line because it’s within the BL bubble but the problems that the main couple face are so a direct allegory that everything feels familiar; this is also the case with Tadaima Okaeri, which is both omegaverse and one of the most beautifully kind shows of all time).

So for now, I still have the other smaller Thai studios including Kongthup Productions (who made Knock Knock Boys; we’ll see whether their latest series Monster Next Door deals with any queer angst or not), idolFactory (just finished My Marvellous Dream is You, which had a ton of queer angst, and is currently doing The Loyal Pin, which I have hope for on this front), DeeHup (currently making I Saw You In My Dream, which I’m holding out hope for) and StarHunter Entertainment (who made City of Stars, but whose record is a little spotty on this front; Their latest, Sunset Vibes, has not done a great job of handling the theme of office relationships and blackmail so far, and feels very much in the bubble) to look forward to.

But as you can see even just by virtue of the caveats I included above, it feels like this shift is happening in the smaller companies too (harder to see a real pattern with fewer data points, which is one of the reasons why I picked on GMMTV–in addition to it being the largest media conglomerate in Thailand and therefore able to take it). Maybe it’s nothing, maybe I’m just an anxious person. Or maybe I’m just wrong about what would be best for the genre and for queer people in Thailand as well as viewers all over the world. But I, for one, would find it a loss if Thai QL decides en masse to pivot away from queer angst, and right now it kind of feels like that’s what it’s doing. In this context, to reiterate my original point, the existence of We Are is not a problem, but is one in a set of exemplars that raised specific alarm bells due to the people involved and their history in QL and queer representation, its deviation from the source material, and the surrounding shows that seem to indicate a pattern rather than a one-off.

#bl meta #multi bl #typed so that i can stop thinking it #long post #we are the series #i'm not going to tag every series I mentioned in this post or I'll be here all night #thanks for bearing with me everyone

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tyrantisterror · 11 months ago

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A couple months ago, one of the kids at the daycare brought in a D&D starter set and asked me to DM a game for him and some of the other kids in my class. Now, I had considered doing this in the past, but written it off for a variety of reasons, mainly asusming it'd be a couple days of chaos before the kids get sick of all the math involved and lose interest. But if a kid broaches an idea and others seem on board, I feel it's kind of my duty to at least try it.

So far my assumptions have been... mostly correct? Like, 70% of my predictions have come true, it is chaos, ten-years olds are the most murder-happy murder hobo PCs you could possibly imagine, and they've really been pushing my improv skills to their absolute limits with the choices they've made (and the constrictions I have on me as a daycare teacher). But they haven't gotten bored with the math, and they absolutely love playing the game still, which is nice. I like it when my students are passionate about something.

Anyway, I bring this up because seeing how children play with D&D canon has made me realize one critical fact:

D&D needs a Mons Game spinoff.

Kids love monsters. This is not my bias, it is something that has been categorically proven to me in my four years of working at a daycare. Every kid loves the idea of weird, impossible creatures, and they love the idea of befriending a whole horde of those creatures even more so. One of my kids in the daycare D&D campaign is making it his goal to find and tame every monster he can find in the kid-friendly monster manuals I bought for the class. He wants a Tarasque and a Bullete and an Owlbear and on and on and on, and keeps proposing tactics for capturing them based on his time playing Ark: Survival Evolved, a game where you can tame dinosaurs and mythic beasts while trying to survive a wild world full of danger and obstacles.

And it turns out that, while the mechanics of D&D don't support this, the philosophy of how its settings are structured according to those mechanics does. D&D is filled with hundreds of wild and imaginative monsters, all with distinct appearances, habits, adaptations, and environmental needs. The need to make the "dungeons" part of D&D interesting has required it to build really interesting monster ecosystems, and, much like mons games, the need to keep players buying new content has resulted in them building a vast library of creatures, because selling $50 books containing a slew of new monsters is a pretty guaranteed way to get money. D&D may not be a mons game, but it's accidentally made its setting perfectly suited to be one.

And what a money-maker that would be! Skew it more towards a child audience in tone, use simpler mechanics so kids can hop into it without spending, say, three solid weeks of afterschool daycare time crafting character sheets more or less one on one, and you'd have a game that would easily hook a younger audience while planting seeds of interest into the bigger game.

Of course, there are already indie TTRPG mons games, and I imagine some of them are actually good, but unfortunately they're not exactly easily obtainable on a daycare teacher's budget. And, you know, they wouldn't let you make a team of a bulette, an otyugh, a gray render, and an owlbear.

But then again, Wizards of the Coast continues to be absolute bastards, so maybe this idea is too good for them. Which makes it a good thing they're never going to read this blog post.

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drconstellation · 11 months ago

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Chiastic Structure of S1

Here it is!

Yes, I deliberately made it detailed. You NEED to see the detail, it is, quite frankly, eye-opening in parts.

If the image I have posted is not clear, let me know, and I'll post a broken-down version in sections so you can read it. I'm just not sure how this is going to work.

I've got five footnotes for various sections where I want to make extra comments, so see them below.

If you don't know why some of us are looking into this - a chiastic structure or pattern a literary device where a sequence of events is presented then repeated in reverse order. For a complicated story like Good Omens this can and does gives us some interesting insights into the hidden stories we meta writers like to speculate on and discuss.

I have to admit it got a bit messy in places, so there still might be some tweaking to do in the middle parts.

The plain parallels still exist - I have a couple to mention in the footnotes. I'm also very excited about taking this challenge on because I've basically found proof that backs up my theory about the scene at Tadfield Manor telling part of the story of the Great War in Heaven, and also proof that the Flood may have been the time of their first "vavoom."

[1] M-pair: When Newt turns up to his new job there is an office meeting called and the upcoming "training initiative" is discussed. This then leads on to the paintball fight at Tadfield Manor. I discussed how the two scenes give us an insight into the past and the Great War in two metas, The Great War of Tadfield Manor, and The Newton/Crowley Mirror-Parallel in S1. The mirror-pair here is Dagon is rousing the troops with reminders of the "Glorious Revolution," providing us with a direct connection to the events of Tadfield Manor.

[2] Q-pair: This is a really interesting pair, as as it is still tied in with Tadfield Manor. Does it give us any insights into Crowley's role in the Great War and his Fall? I'll be looking more closely at this in the future!

[3] There is an interesting set of parallels around this area that didn't quite fit into the chiastic structure proper that I though was worth mentioning and I have already flagged for a meta before I had finished plotting this out. It's to do with Newt and Anathema and the prophecies in the book - oh, and the Velvet underground reference. Actually, I really need more space for that...you'll have to wait for the meta, sorry.

[4] Ohhh yeah. This one. The Vavoom moment. I wondered if the sex under the bed between Newt and Anathema would reveal anything. It certainly did! If you haven't read @vidavalor's meta about the first time they probably kissed, then you should. Stat! This pair backs it up - and maybe more.

[5] There is a parallel noted here that doesn't fit in the structure, that Crowley signs to start everything rolling, and Aziraphale signs to end it.

On to S2. Then I'll see if I can work a three-series structure together for some predictions.

Link to S2 Chiastic Structure Post.

@aprilodite @kayleefansposts @ineffable-endearments @sendarya

#good omens #good omens meta #chiastic structure

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writingquestionsanswered · 7 months ago

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I've got all the writing structure/craft books, watched tons of advice videos and have been checking out novels to learn by example. But just because I can write doesn't mean I can write a book. This is hard. At what point should any writer consider taking writing courses or hiring a book coach?

When to Consider a Course or Book Coach

Reading books, reading craft books, and watching advice videos isn't enough to teach you how to write a book. You also have to practice...

Imagine if you'd never sewn anything before, had never pieced together and hand sewn or machine sewn anything in your life. You could spend years reading books about sewing and garment construction and could watch hours upon hours of sewing videos on the internet, but that doesn't mean the first time you sit down to actually sew a garment, you're going to end up with a garment worthy of a ritzy department store...

Writing books IS hard, even if you've written a lot of them. I've written a dozen books (though they're not all published), and I still don't find writing a book to be a piece of cake. Part of that is just because different books present different challenges--and where you are in life can also play a big role--but the point is, no amount of learning or practice is going to make it easy.

There's an unfortunate myth among aspiring authors that being an author looks like this: spending some time learning to write, writing your book, and voila! You have a book to publish! The truth is very few authors publish the first book they ever wrote, and if they did, they probably have mountains of short stories and/or fan-fiction or other writing behind them. Most writers write two or three books before their skills are honed enough to write a publishable book. Which doesn't mean you can't write a publishable book on your first try, it just doesn't happen a lot.

So... writing courses... there's not a lot you're going to learn in a writing course that you haven't probably learned from reading, reading a lot of craft books, and watching a lot of advice videos. Certainly, anything you would learn in a writing course you can learn online for free. The main benefit of a writing course is the interaction with others, but even that is really dependent upon the teacher and your classmates. You really have to go into it with a thick skin, knowing that the opinions of your teacher and classmates are not the end all be all.

Writing coaches can be great but they're expensive, and you get more out of the experience if you go into it with a complete or near complete WIP that you want to query or publish, but can't quite get where you want it to be.

So, having said all of that, before pursuing either a writing course or coach, I would recommend trying to finish one or two WIPs to at least first draft stage, but preferably second draft stage, and see how you feel. They don't have to be good. In fact, if you haven't completed a WIP before, they're not going to be your best work (because that comes much later), but remember that part of the writing process is taking the "rough draft" and improving it, and revision is where you really start learning things.

Ultimately, though, follow your gut and follow the path that feels right to you. ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

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crescencestudio · 1 year ago

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Devlog #35 | 09.26.23

Hi everyone!

Hope the beginning of Fall has been kind to you all <3 To be Frank, it has not been Kind to me LMFAO. But I'll get into that, so let's dive in yippee!

Before I do, someone liked this post recently, which was such a throwback. It was before the full demo was out and everything!! I was so young and full of life. I'm going to sprinkle some comparison shots of the new assets with the old ones to break up the text and also walk down memory lane with me! (Full GUI not shown as I'm still waiting on the assets)

Chapter Cards (Left: After | Right: Before)

The "Progress"

I'm going to structure this devlog a little differently from the usual template. The main reason being, for those of you who didn't see, I have not been feeling Myself recently.

This month I found myself all out of sorts. While I felt like I was making progress and doing so much everyday read: fighting for my life, when I looked back on things at the end of this month, I didn't feel like I really did much.

On a higher level, I finished fulfilling Kickstarter physical rewards, opened a Kofi shop of the remaining merch, edited Druk's route and continued writing Etza's route, updated assets and code for the updated demo, and then general commission stuff (BGs from Vui, soundtracks from Peter, etc.).

But overall, Alaris felt largely like it was kinda sitting at around the same spot as it did when I entered this month. Which made me a little sad! I had wanted to make So Much Progress on Alaris because next month I won't be able to work on it really. Then, I realized I haven't taken a break from game development since I started it two years ago HA!!!

The Real Progress

Development for me has been back-to-back. Chapter releases every 1-2 months during my first half year of development, Full Demo release shortly after, Kickstarter shortly after, Full Game Development shortly after. When I was feeling burnt out from Alaris, I made intertwine. Then I was Heavily Involved in the development of two games shortly after.

All of this on top of my IRL responsibilities, which include a job, PhD school, and well, functioning as a normal human occasionally.

And then here we are at the end of September 2023, and I'm wondering why even though I creatively want to work on Alaris, I find my brain literally just getting too tired to think.

Etza CG (Left: After | Right: Before)

I think ever since the Kickstarter, I've put a lot of pressure on myself to consistently put out LOTS of updates for each monthly devlog. I don't want people to think I'm not working on things or I'm not committed to delivering after giving me their hard earned money. But now, with two years under my belt, I'm realizing that is... HMM maybe too high of a standard to put on myself for my first game ever. There are many much more seasoned developers than me who don't put that pressure on themselves (which is Good and Healthy).

So this month, I debated scrounging around and gathering all my crumbs to give you all a devlog that you'll be satisfied with. But I decided ultimately that wouldn't be good for me and would honestly not be the most transparent way to present the current process of things.

And so. Here I am. Head in my Hands. Letting you all know that while I'm not "burnt out," I am.... only human LOL (one human at that). And so some months, like this one, will just not have much progress to report. Not because I'm not working on it or any other deeper reason. But because it's physically impossible and unreasonable for me to be continuously pushing out a steady stream of content.

In-Game Sprites & BGs (Left: After | Right: Before)

Next month, I'lll be taking a vacation. It's actually my first Big, Official one in a Long Time! I'm very excited for it. And while I did initially think about working on Alaris while I was traveling on trains or things like that, I decided to respect my own need to be a Human and just take a break for once in my life. I don't even want to say I Might work on things, because that sentiment alone will pressure me to make some progress. So yes. Next month, there will be no devlog or updates. But please rest assured, I am "working on Alaris" by letting myself just Exist and Rest Up!

Not an Alaris screenshot but it is market research that deserves to be included because I played House in Fata Morgana recently and it was Phenomenal!

Thank you all for understanding and your continued support. I'm extremely appreciative to have such a kind and patient community. Hope you all have a wonderful October filled with Fall Treats, and I'll see you in November! <3

#alaris #devlog

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duchessofostergotlands · 3 months ago

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Just read your last post on autism and well you sound like me. I don't even have a diagnosis because it could stop me from becoming a public servant which I want to be (governmental prejuidice is amazing, isn't it?). However, I also have ADHD as a possible side "quest" on my laundry list. Everything I learned about it in women in recent years screams my experience. However, no one thought to test me because I did academically well like you in school and didn't have issues conforming to classroom rules. Back then you had to be a boy, running around constantly and failing classes to even get a consideration for ADHD here. No one saw that school was my own personal dopamine farm and that I constantly quietly fidgeted with something.

Idk where I'm going with this here but yeah I just felt seen by your post. I think I want a diagnosis eventually after I got my public servant position but I'm also scared of looking for one. Because what if it isn't depression, autism, ADHD and/or even BPD? What if I'm just a lazy slob that peaked in school and someone who is just easily distracted and not great at social interactions I haven't played through in my head a thousand times before?

Hello :) The internet can be a terrible thing but the best part of it is there will be someone, somewhere, who has experienced what you are experiencing. So yes, totally relate to what you're saying. I have similar thoughts all the time. "Maybe I'm just lazy, maybe I'm just sensitive, maybe I'm just a bitch" lol. To be honest I think genuinely lazy people probably don't ever think about the fact they're lazy or get upset about it so it's probably an indication you're not. Like I often think "am I actually a good person?" but I don't think genuinely bad people ever consider that!

I did see something helpful a little while ago. The comedian Aisling Bea did an interview where she talked about her ADHD and the shame she felt when she believed she was just lazy. She said that she loves acting and she can get given a script and learn three pages of dialogue over night - her dialogue and everyone else's - and people are astonished. But you give her a simple task like filling in a form and she just can't do it. I suspect you might find you're the same way. If someone gives you a task you enjoy or find value in then you can probably do it more quickly and to a higher standard than other people. You are capable of hard work. But if it's a task you don't enjoy or think is pointless you will feel like there's some kind of forcefield stopping you from doing it. I also think if it was just laziness, if it was a choice, then no one would ever choose to be lazy about things which are detrimental to them. The call it took me 3 months to make was to register with a doctor. It was really important, it was harmful to me to not have a doctor, and yet I couldn't do it. If I could have gone online and done the whole process there I would have. But I couldn't do it because I had to make a phone call which I struggle with. So if you 1) find that you are capable of putting in hard work in certain things and 2) find that the kinds of tasks you struggle with are important tasks and not doing them is potentially detrimental to you, it isn't just laziness. I think it comes out in a lot of women when we leave school because we don't have structure, routine, someone caring for us. The fact so many neurodivergent women were high achievers in school and burnt out later in life is not a coincidence!

But also, something I don't see talked about that much is how sometimes we are lazy but that laziness is a totally natural response to how exhausting it is to be neurodivergent. Having to be constantly aware of how you talk, how you sit, how you write all day to fit in with a world that you don't fully understand but you know if you get it wrong you could lose your job, your home, everything. The stress, the anxiety, the energy involved in that. After years and years of dealing with this, you are going to crash. So when we do have a rare good day where we feel energised, sometimes we choose to do the fun thing instead of the task we have to do. Other people can be productive because they know that they will probably have the chance to be lazy later in the day or the next day or the next week. Whereas I don't know when I'll next have that opportunity. So sometimes we are being "lazy" but it's to try and repair the years and years of exhaustion and anxiety and stress that has built up! Other people are allowed to be occasionally lazy but we punish ourselves for it so much.

#ask #anon #neurodivergence #neurodiversity #non royal #personal

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blarrghe · 5 months ago

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Shop talk! I know you're currently doing the whole writing and posting thing differently than before - like the whole thing is written, you're just editing and posting once a week. So what do you think of that? Do you prefer it over how you worked previously? Does it depend on the fic??

And how much editing are we talking? Both in terms of words changed as well as time spent on it? Do you do editing the next chapter for a whole week? Are you constantly editing all upcoming chapters??

Thanks for the ask! I love talking about this stuff :) Sorry for the obscenely long answer.

So it's the first time I've done that, and now that I'm in the posting part I am liking it a lot. I like the structure, I look forward to Wednesdays, I feel like I gathered a little bit of an audience that is there weekly with me as well, which is nice for everyone. I don't know if it makes any difference to people in terms of engagement if they hear that its completed in advance or see it posting regularly, but idk if it was me as a reader I would appreciate the regularity so I hope people do. At least one person has told me they're waiting to read it until it's finished/waited to start until it was over half posted, idk if I'll suddenly get new readers when its up in full or what but I def understand that. But yeah! The posting weekly thing has been nice. It feels productive even if I actually don't do a ton of writing every week.

Actually writing the thing took like two years though, specifically because there was absolutely no gratification to it haha. I didn't really even post wip snippets or talk about it much, because I wanted to keep my secrets. I was writing either Matchsies or A Complicated Match still when I had the idea and started plotting, so part of it taking so long is also that I was dividing my attention, and devoting more of it to the ongoing stuff I was actually posting. But I started this fic with the intention of letting it be a slow side-burner project so that I could make it "really good" by the time it went up. And that was a good call, because I did a lot of re-writes and re-structuring to elements of it, especially some of the early chapters, when I got further into the plot. To be clear, it's had the same outline all along, but there were connecting details that didn't work, like logistical travel time things that would have been glaringly annoying if I'd posted the first drafts of the first few chapters before writing the later ones. Also I re-vamped Sylvanna's character really early on into a more major role. She wasn't originally a bodyguard! Or really a main element of the story at all. Absolution came out at some point and I got Ideas.

Anyway, a lot of the editing that went into the fic before I started posting was pretty major, but by the time I was ready to actually start posting everything was much more concrete. I tend to edit the next chapter in the days before it goes up, and right before posting, mainly just for little details. But I try to give myself some distance and not overdo the constant editing so that when I do look at it right before posting I have some fresher eyes, right now I haven't looked at the next chapter (lying, I read it last night, but not from an EDITOR standpoint) in a couple weeks and I plan to put on editor glasses tomorrow morning before I post it. A big part of the editing that is ongoing is for how the prose reads, like I might come up with some gorgeous metaphor or re-do how a scene is described but keep the content the same. You get better all the time as a writer, so it's just about getting the Good Copy as Good as I can before it goes up. Every now and then I have a genius thought and go stick it in where it fits. Every now and then I also delete stuff or have a genius thought that doesn't actually fit and stick it in "CUT CONTENT" on the bottom of the doc. There's some Taren-perspective Bher stuff in there that didn't work with how I structured Ch. 20, for example. I was thinking for a sec I'd re-write that whole chapter and do a flashback chapter for him but it did not suit the flow at all and I only got a couple paragraphs in and then just... added like two lines of Taren Thoughts to get the point across instead haha. I also cut a couple chapters in half but didn't change them (19 and 20 are an example, which is also why a ch. 20 rewrite did not work.)

The most major edits I've made have been to the last two chapters, mainly to add in a few new ideas I had or to tie up loose ends I realised I was still leaving. I haven't majorly changed any of what was going to happen, it's more just me trying to really nail those last chapters. I am also constantly re-reading it in full (sometimes making minor tweaks to names in the narration ;) and also boring stuff like punctuation). I'll post a chapter and immediately get excited for the next one and go read from that point to the end...

There's also a "secret" epilogue that I wrote, really liked, and then cannibalized and entirely re-wrote like, yesterday. I wasn't initially sure I'd even post it but now I definitely will. So stay tuned for that ;)

#ask me things!#the hunter the snake and the fox #thanks for the ask!#this fic has been a monster to wrangle but it is at this point mostly wrangled :3

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bananaactivity · 3 months ago

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hello!! What is Jay like in your au? I apologize if you've already talked about him I haven't seen it ><

Brooo Jay is making me shiver my timbers rn 🥶

when I say, I have ideas for everyone and I do mean every character that is from the original series like I have design ideas for everybody, even dumb ass Doug. I can’t for the life of me figure out Jay.

I’ve never been able to figure out what direction I want to go with design wise. However, as a character it’s a different different story. I know what I want him to be as a character and the way he acts and behaves with others.

I want him to be more in tune with his culture, that is the culture of the origins of the story of Aladdin in the Middle East. I don’t want to stereotype and make the designs that older Disney did way back when they made the og movie because it feels very costumey not in a good way.

I wanna give it a modern spin, but I’m not really sure where to look for more authentic costume for him. Of course, this is pertaining to the way he dresses, and not to do with his facial structure or hair, as I usually just take inspiration from the actor for that look. So, in this case, he would just look like BooBoo Stewart with small changes to make him look like Jafar, but in a relative way.

As for his personality I do have it figured out. He is very similar to how he is in the original descendants canon. He is protective and strong, If not a little dumb compared to Carlos. if you write my other post, you know that Carlos is very smart, like astronomically, smart and cunning and witty. Jay is not per se stupid, as I’ve given the role of truly dumb Himbo who bounces off of Carlos to Chad, but anybody that talks to Carlos can’t help feel a little stupid.

Jay and Chad are still besties who game and enjoy each other‘s company, but Jay is jealous of Carlos’s relationship with Harry. Not in a romantic sense as I really want to go the Huma route, just in a way, he wishes he could be close to him so he can study him. Harry is an excellent swordsman and a master at fear/manipulation of others. a lot of the story takes place before the cast can go to Auradon so they are still trying to be their most vicious self, and no one is more vicious than Hook and his son Harry.

Jafar ended up, moving to the aisle from his homeland after he was ousted by the Sultan. in this AU, I had to change a lot of things so that villains wouldn’t end up dead or trapped and unable to actually be on the aisle without it being this horrible thing where they were brought back to life just to be put on a prison island. I also do want people to remember that I changed major part of the story as well and what makes this a true AU is the fact that Auradon is the place that is locked up. It’s still a caste system as Auradon is still a wealthy place, it’s just locked up so that is incredibly hard for anyone that does not have a wonderful reputation and lots of money can’t get on Auradons land. It’s also critically hard to get off of the island as security is very high and measures were never put in place for any of the rich patrons of the island to get off as it is seen as Haven and no one should want to get off anyhow.

but of course, it is literally super boring on Auradon due to all the rules about magic, and what not, as well as other more adult activities being incredibly frowned opon. That is how Hook makes his money, he found an entrance through water passages to get wealthy patrons off the aisle, and he “imports” them to their illicit activities and then bring them back. no one never tells because everyone on Auradon wants to be able to leave and they know they’ll never get the chance if they tell about somebody giving them the ability to not live a lavish lifestyle, but also do to depraved things they want. just like rich people in real life :D…

Anyways, all of this basically culminates in Hook teaching his son to be an absolute weapon which Jay wants to become. When he first came to the isle he was 12 and everybody else was also 12 and he really looked up to Harry at that time was super cool and a good swordsman. Seeing as Jafar lost everything when he was forced to leave his homeland and his high, paying job, he decided to take inspiration from Aladdin . He has his son steal items to sell in his shop, eventually becomes a really bad habit for Jay and he is a habitual thief. Or a klepto I guess you could call him.

He teaches himself sportsmanship after spying Harry, and eventually becomes friends with Mal after saving her girlfriend, Evie from Gil who actually wasn’t trying to hurt her he was just a bit confused. It was a whole thing. Carlos is the last to join the core four gang and when he does he lets slip that he is close with Harry. And seeing as Jay has always looked up, despite them being the same age, Jay was super happy to learn this, and eventually that turned into jealousy. He and Carlos are cool friends though.

For the core fours parents and other Pre VKs I’d say their stories are about them, wanting to find a reason to be against the norms of society, and eventually finding that and seeing, it’s not all that, and they become the worst versions of themselves. And for the Descendents, I’m writing each of them to have bad traits that is shown through the first part of their story, and in the lead of the story, the part that sends them to Auradon Uni they learn how to get out of that mindset and they each break their evil habits the rest of the story concludes.

Jay’s habit is his kleptomania as well as his jealousy.

Carlos habit is looking down on others and just unethical practices regarding his fashion. Reminder guys, it’s OK to wear real fur as long as it’s ethical.

Mals habit is also looking down on others, but it’s different from Carlos who’s kind of justified, he really is smart. But Mal looks down on people for how they present themselves, as well as basing, how useful they are based on her own power set and what she thinks is truly powerful. she’s also the last to figure out herself and what she desires to actually be in life

Evie is pretty chill, but she is vain. And mostly has to deal with all the shit that comes from Mal Actually falling for Ben. They have a little breakup moment. But if she does move past this and she and Mal make up after a good amount of time separate.

if you have any specific questions, you can always ask and I don’t have too much specifics down. It’s just a really detailed overview of what I want to write eventually.

The structure of the Fic is kind of a three book deal. The first book takes place during the events predating Rise of Red with the original timeline it follows through to the second book which loops through the first three descendants films and those characters growing, and then circles back to the third book with rise of red again but this time it’s dealing with the alternate timeline with red and Chloe. (Also I can’t write music and I don’t wanna do a juke box musical either so any music style animatics I make will be non canon)

Books:

1: Not Like The Others- the life of future villains, showing what in their young lives lead to their Vile despicable present.

2: Cruel, Hateful, Twisted and Wicked- the story of young adults growing from their family’s trauma and becoming more then the sins of their vile parents past

3: Just Like The Others- Two idiot child hood freinds go back in time and cause a whole heap of trouble that effects the present in terrifying ways

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