#thanks for bearing with me everyone

[twig-tea]

Why We Are Gives Me Anxiety

I have been fighting myself on this We Are post for weeks because I wanted to make sure I knew what I wanted to say and was able to say it. I feel the need to say off the top that I don’t begrudge anyone who enjoyed this show and I’m genuinely glad it brought comfort to people. The show in and of itself, as 16 hour-long episodes of fluff (shout-out to @stuffnonsenseandotherthings for using this word to pinpoint the genre for this show, because it’s perfect), is not offensive or bad or wrong or any judgmental or moralistic word. And it does some things well; the centrality of the friend group was a lovely aspect to this show, and the chemistry in the friendship group scenes was on point. All of the couples have good romantic chemistry as well, and the show is packed with butterflies-inducing moments. 

That being said, I did not enjoy watching this show. I watch television mostly for the story; This show felt more like watching 16 special episodes for a show I hadn’t seen (I think this can be attributed to the point made by @italianpersonwithashippersheart in her post here that the show assumes the audience comes to the show with a pre-existing buy-in to the ships). The lack of overarching narrative structure of We Are gave my brain nothing to hold onto and I spent so much of every episode futilely trying to figure out how scenes worked with what had come before, what the show was trying to say, what these characters were thinking–all of which I knew was the wrong way to be watching, but it’s the way my brain works, so I spent a lot of the show frustrated. In short, this show wasn’t for me. 

But that’s not why I feel the need to write about it. Shows are fully allowed to not be for me, I usually can differentiate between when a show is doing something I don’t like well, or when it’s failing at its own goals. And I don’t begrudge people with different taste getting catered to sometimes; my refrain is that most problems of representation are not solved by calling for less of something, and rather than wanting something not to be made, I’d rather champion for more and a greater variety of content. And lord knows there’s enough BL to go around these days (shouting out @respectthepetty’s post along these lines, which I loved) . But We Are still worries me, and I’ve been trying to find a way to articulate that my concerns are not actually about the show itself, in isolation, but rather about how it feels like part of a pattern. This is my best attempt at laying that out. It’s going to get a little ramble-y, so apologies in advance.

Shout-out to @bengiyo who first articulated this anxiety in his post from relatively early in the show’s run . Ben gets into some of where I’m coming from with concerns about what this show means for the genre in this post, which as he mentions we've chatted about in DMs. I’m really grateful to him for these conversations because in isolation, I worried that I was being alarmist. It was helpful to have confirmation that he was feeling the same way so that I could get out of my own head.  

Ben mentions in his post that New Siwaj has been in this business a long time, and I, like Ben, have jived with him for years because he manages to imbue queer angst into his shows in a way that resonates with me, even when he’s had missteps. I'm going to lay out some of the major highlights of his work for those who haven't followed New for years.

He was an editor on Love Sick, arguably the start of the Thai BL genre as we know it today, and a show full to the brim of queer angst. He directed Make It Right, one of my favourite Thai BL comedy series. This show was also an ensemble centered around a friendship group (though admittedly it didn’t balance the friendship and romance content as strongly as We Are), and it covers so many topics that felt refreshing at the time and still are rare (morning-after sex visits to the clinic because things went poorly, hooking up on the apps, sex acts beyond just penetration, suicidality, I could go on). He also was involved in the GMMTV Waterboyy series–this was his first work for GMMTV that I am aware of. That show had a lot of issues but did explore internalized homophobia and bullying.

He worked as a cinematographer on En of Love, which is again similar to We Are in that it has several couples connected by a friendship group (and is several novels in one series), but each couple was given its own miniseries instead of bundling them into one show. En of Love also still dealt with some serious queer angst, especially in the Love Mechanics story [Sidenote, Niink, the director for En of Love, stuck with New and moved on to work for Wabi Sabi].

At this point, New created his own company, Studio Wabi Sabi, which he's said in interviews was to gain more creative control over what he was working on. And his stories became arguably even more explicitly queer and inclusive of queer trauma. He screenwrote and produced Love By Chance (which folks may not remember or know, but that core story starts off with Pete being blackmailed for being gay until Ae convinces him to come out to his mother and shut down the leverage for blackmail, and a good chunk of Pete’s character arc is unlearning internalized homophobia and not seeing himself as ‘corrupting’ Ae) and then Until We Meet Again. The queer angst in UWMA probably doesn’t need my help spelling out, but just in case anyone doesn’t know the summary, this show was about a queer couple who committed suicide in the face of homophobia in the 1980s, and were reborn and given another chance to be together in present day. I did want to note that in both of these series (LBC and UWMA) the core romance itself has no major conflicts; both AePete and DeanPharm felt like they were intentionally side-stepping so many of the usual BL drama tropes of jealousy and misunderstandings through trust and communication. Dean and Pharm’s story took that even further by having so many of the usual drama pitfalls for a gay couple just not be a problem; their only drama comes from their past lives, in a beautiful exploration of the breaking of intergenerational trauma. So many external threats to their relationship ended up being non-starters, and this was my version of a comfort series for that reason. 

From there, New started working with GMMTV again, and directed My Gear and Your Gown. This series was, to my knowledge, the first GMMTV BL series to mention HIV and to show characters getting tested at the clinic, and while it wasn’t perfect representation (didn’t get into PrEP, treated HIV as a death sentence), it felt like an important milestone.

[I’m skipping the sequels and specials he did for series I already talked about, because they don’t feel that important to the story I’m telling here and this is already so long, but I wanted to acknowledge that I’m not covering everything in his oeuvre.]

He then directed 7 Project, which had some serious storylines dealing with bullying and struggling with life in the closet, out of Wabi Sabi, and then Star and Sky out of GMMTV. Star in My Mind included one of the main characters in a beard relationship for years, and some controversy over the adaptation choices to make Daonuea (Dunk’s character) less polite than in the books. There was drama around the pronouns and characterization in that show (both Daonuea and Khabkluen use guu/mueng in the series, but in the novel, Daonuea uses rao; he also curses in the series and novel fans complained that he was too ‘masculine’). I thought it was an interesting attempt at a departure from BL character tropes to try to make Daonuea more evenly matched with Khabkluen in terms of his gender presentation in the show. Sky in Your Heart also included some angst about whether people of a particular station could be gay. Both of these shows (SIMM and SIYH) were also very trope-y, but they had clear throughlines. 

My Only 12%, the next show New directed out of Wabi Sabi, contains one of my favourite moments in all of BL, in which Seeiw sees Love of Siam and cries because it makes him realize he’s gay. There’s this heartfelt moment where he asks his sister, if there’s nothing wrong with being gay, why doesn’t the film let the gay characters have a happy ending? Despite the weird PSA ending, this show remains one of my favourites.

This is an aside but I’ve long been fascinated about this moment in New’s history: he played himself in War of Y, as a director of BL who is sick of being forced to make BL shows full of fanservice; he treats the actors with disdain and cuts marketable high heat scenes from the show which makes everyone nervous for the show’s future. Later we see him and the actor characters on set for My Only 12%, much happier. I ask myself about this moment at least once a week: Did he write this self-insert? Did someone else write the character and he just played it, and the similarities to his style were (were not?) a coincidence? I hope someone knows and tells me one day,

From there, New functioned as an Executive Producer of Dear Doctor, I’m Coming for Soul [I think this was the first outsourced project by Wabi Sabi]. This series’ entire plot is a metaphor for living in the closet and waiting for the time when the main couple can be together fully without having to hide. 

He directed A Boss and a Babe for GMMTV (which had its problems for sure, but also had Cher as an out gay man at the workplace dealing with casual homophobia in a way that was extremely satisfying), and then Between Us, which is maybe the least queer feeling show Wabi Sabi produced on its own, but did go into the issues of dating and the closet while trying to become a star (if I’ve forgotten something from this show let me know, I only watched it the once). One of the things that was so strange about this show was it being a sequel to UWMA but not engaging with the same themes. The only mention of real world queerness I can remember was the acknowledgment that they can’t get married in Thailand and Dean and Pharm discussing again going abroad and getting married there. 

Absolute Zero was a complete mess of a show; New directed this one for Wabi Sabi, and it has some similarities to UWMA in the sense of there being an attempt at saving the gays from the bury your gays trope, this time via time loop rather than reincarnation, but it did not take the issues it raised seriously enough (including the age gap created between the two characters by virtue of time travel). 

And that leads us to We Are for GMMTV, which as Pluem (@happypotato48)  wrote in his excellent post about this, includes Toey using nu and other 'feminine' or 'youthful' sounding language, but also apparently dropped the main conflict of the novel between Phum and his father (because his father disapproved of Peem).

Why did I go through all of that? Because I wanted to lay out how I've watched New Siwaj’s career go from finding a way to tell incredibly poignant and healing queer narratives (by creating his own company, and fitting these moments into the GMMTV series he did work on) to stripping out queerness from the shows he’s creating in the last year or so.

And this is a pattern we’re seeing more widely at GMMTV in particular, but also in Thai QL more widely. This is something that was touched on but not really discussed in the most recent episode of The Conversation podcast (the 23.5 and only boo! episode here). In both 23.5 and Only Boo!, the show faked out a homophobic parent and then treated their kids like they were silly to assume the worst, and I hated that.

Both Ongsa and Kang had internalized homophobia in their respective series. Both were terrified of telling their mothers about their homosexual love interest. And in both cases, their mothers told them something along the lines of 'of course I will support you no matter what'. In Ongsa's case, even though she was outed by Sun without her consent, she's the one who ends up apologizing for her hesitancy and feeling foolish for her concern. In Kang's case, the show never challenges his mother's assertion that she'll always support him even though we know she hasn’t (she was the one who wanted to prevent him from studying art before his father died), and it’s the audience that was left feeling foolish for our concern. 

In the GMMTV round table for Pride Month, it was mentioned that the decision for Ongsa's mother to be accepting of her relationship with Sun was made in order to model good parental behaviour for the older generation in the audience. In the novel, Ongsa's mother presents a significant conflict, but this conflict was erased from the show. I don't know if the same decision was made in Only Boo! for the same reason or not, but either way, the show definitely signalled to Kang's mother having an issue with Kang's relationship with Moo, and then said "sike", which I did not enjoy. The Conversation panelists were correct in the conversation linked and transcribed above that this wasn't the most egregious misstep either show made, but it feels like a telling symptom of the larger overall narrative problems that New is also now succumbing to.

It seems as though telling stories stripped of queer conflict is being seen as progressive, and possibly also easier to sell, and this is where my anxiety lies around what this will mean for Thai QL content in future. 

For the record, I am all for creating queer content in which we envision a better world for ourselves. But when that is the goal, understanding where internalized homophobia comes from and thinking through how removing parental objection will affect the character and the story is vital to the story and characterization remaining coherent. Otherwise it just ends up feeling like the show is telling queer kids that they're paranoid, rather than rightly worried (like I wrote about in this thread on My Love Mix-Up Thailand, where the same decision was made again to fake out a homophobic subplot that was removed from the adaptation but was present in the source material).

These choices speak to adaptation choices with an eye for specific moments and story points, rather than to a narrative or character arc, which is where it feels like they fall into the wider pattern of what @bengiyo, @shortpplfedup and @ginnymoonbeam were describing in their discussion: shows caring more about hitting specific meme-able story points listed out on a whiteboard than about making cohesive sense or having something coherent to say. 

[So as not to leave it out: I don’t think there were concerns of homophobia in the Wandee Goodday novel (novel readers feel free to correct me if I’m wrong about this) but the show faked us out about homophobia concerns anyway, which again really bothered me during that watch and which adds to the pattern.] 

Now, of course, as I stated up at the top there is value in the creation of different kinds of media. These shows sell different fantasies than the ones I want to see, but that doesn’t mean they don’t have value.All of BL has some amount of fantasy that it’s buying into, that’s what comes with the territory of ‘fiction’. The BL bubble (in which homophobia doesn’t exist and all men are gay for each other) is a version that is at its most extreme; nothing bad ever happens that isn’t quickly resolved within an episode, so there is never narrative tension, and nobody really needs to be that concerned about how anything will go ever. I do not find these relaxing because I can’t buy into the fantasy they’re selling; for me, the lack of narrative tension is so unbelievable as to ruin my immersion. But I can see why that would be appealing for someone whose brain is not always on alert and running at 11/10! The problem I am anticipating is when the majority of content is made that way, and when it is done in a way that takes up all of the mainstream space. I think it’s notable that the only show that’s really felt not in the queer bubble from GMMTV in 2024 is Cooking Crush, which was done by a subsidiary team within GMMTV (and the same team went on to make Only Boo!). And this is why We Are caught my attention and made me nervous; When a director who is known for his representation of poignant queer angst makes an entire 16-hour series in which there are no significant conflicts at all and the only hint of homophobia is in Toey’s reference to being bullied prior to the timeframe of the series, I get worried about who is going to be making the queer angst shows in future!  

For the record, my personal preference for comfort shows are the shows that do not pretend the world is perfect, but do depict an idealized subset of that world→where there’s a group of people that support one another through the bullshit of others and the less than perfect world that surrounds them. Shows that teach us to be kind to one another, and ourselves. Shows that say the world is going to suck sometimes, but we can be good to one another, and not lose sight of who we are, and make space for others to be themselves. A few of my favourite Thai series that do this would be: 

Bad Buddy

Cooking Crush

City of Stars

Knock Knock Boys

Miracle of Teddy Bear

My Only 12%

Secret Crush on You

To Sir With Love

Until We Meet Again

(and of course these occur in non-Thai shows as well. A few examples of my favourites: What Did You Eat Yesterday, DNA Says Love You, Light on Me, Oppan, Marahuyo Project, TsukuTabe, Tadaima Okaeri, Koisenu Futari, Joshi-teki Seikatsu, Gameboys, Hehe and He, Twilight out of Focus, She Makes My Heart Flutter)

These are shows in which there are explicitly external judgments on the relationships in the show and/or the characters for things intrinsic to who they are, and the characters build a support structure in which folks are encouraged to be themselves within that ‘bubble’ (Bad Buddy walks a fine line because it’s within the BL bubble but the problems that the main couple face are so a direct allegory that everything feels familiar; this is also the case with Tadaima Okaeri, which is both omegaverse and one of the most beautifully kind shows of all time). 

So for now, I still have the other smaller Thai studios including Kongthup Productions (who made Knock Knock Boys; we’ll see whether their latest series Monster Next Door deals with any queer angst or not), idolFactory (just finished My Marvellous Dream is You, which had a ton of queer angst, and is currently doing The Loyal Pin, which I have hope for on this front), DeeHup (currently making I Saw You In My Dream, which I’m holding out hope for) and StarHunter Entertainment (who made City of Stars, but whose record is a little spotty on this front; Their latest, Sunset Vibes, has not done a great job of handling the theme of office relationships and blackmail so far, and feels very much in the bubble) to look forward to. 

But as you can see even just by virtue of the caveats I included above, it feels like this shift is happening in the smaller companies too (harder to see a real pattern with fewer data points, which is one of the reasons why I picked on GMMTV–in addition to it being the largest media conglomerate in Thailand and therefore able to take it). Maybe it’s nothing, maybe I’m just an anxious person. Or maybe I’m just wrong about what would be best for the genre and for queer people in Thailand as well as viewers all over the world. But I, for one, would find it a loss if Thai QL decides en masse to pivot away from queer angst, and right now it kind of feels like that’s what it’s doing. In this context, to reiterate my original point, the existence of We Are is not a problem, but is one in a set of exemplars that raised specific alarm bells due to the people involved and their history in QL and queer representation, its deviation from the source material, and the surrounding shows that seem to indicate a pattern rather than a one-off. 

[armoricaroyalty]

I've REALLY been struggling creatively lately, and I think I've finally decided to go back to the drawing board with the scene I've been stuck on.

I think I've known for a while that there was a script problem with this scene, but I was really resisting the idea of changing it because the stuff I've written is really good, it's just not good for the story. I'm going to be scrapping like 3/4 of what I wrote and revising what's left...it's a bummer, but this is what they're talking about when they say "kill your darlings."

Related, I might need to take another break or I might drop down to one post a week or just posting updates as I finish them...much to consider.

[chubbychiquita]

i have overextended myself with this foster cat thing, all 7 of them have the same gastrointestinal illness and are ruining my upholstery & carpets. i'm a little miserable, but will be okay i think.

for my birthday, i got a crossbow and a 4 foot tall tom nook piñata.

i hope you're all surviving the heat okay, and also just in general 🫂

[teenagenutant]

btw are we as a society ready to talk about how leo named his swords ‘rules’ and ‘consequences’

[reallybadblackoutpoems]

some tumblr post (2023?)

"trans people are models! #mattress"

submitted by @pastelwolfy

[tieflingteatime]

this completely reshaped my brain

[karasukarei]

Daily questions 9 - 💙Umemiya Hajime💙 (full compilation)

For each individual day: 1, 2, 3, 4, 5, 6, 7

For all other translations, see this post!

Umemiya's answers:

If you have 500 yen, how would you use it? - I'll refill the stock of candy! (t/n: he even calls it "ame-chan" which is so cuteeeee)

If you could travel to somewhere in Japan for a holiday, where would you go? - I want to go to all the places I haven't been to before

What's your favourite condiment? - I like sauce on sunny-side-up eggs!

What do you think about before you sleep? - I'm concerned about the plants, so tomorrow's weather!

What would you eat for your last meal? - Kotoha's omurice! (t/n: he is SO SO SO happy saying this you can FEEL ALL HIS LOVE FOR HIS IMOUTO this is so sweet i want to lie down and cry)

Recently, was there something that made you a little happy? - A seed that wasn't sprouting finally sprouted! (t/n: HE IS SO HAPPY HERE IT'S LIKE HE JUST WATCHED HIS FIRST BORN SON GROW UP)

If someone of the opposite gender asks you for your contact number, what would you do? - Ohh! Let's be friends from today onwards! (t/n: CAN WE BE MORE THAN FRIENDS)

[butchcarmy]

ALEXITHYMIA CH 2: alcohol, garlic, and lipstick

Roommate AU: Carmy Berzatto x Reader (R18)

ao3 link ch 1 ch 3 ch 4

Summary: Carmy can’t put into words how he feels about his roommate. It’s only been a couple months, but here he is looking forward to going home and sharing a smoke with them. That’s all it is, though. There are no underlying feelings, none at all, even if everyone around him has something to say about it. 

Or: Carmy is repressed as ever, but through the combined power of vulnerability, weed, and the horny, Carmy too can find love. 

tags for this ch: alcohol use, throwing up, semi-permanent lipstick, accidentally embarrassing carmy in front of all his coworkers

Chapter 2: alcohol, garlic, and lipstick (8k)

He doesn’t get to see them for a couple days after that night on the couch.

This is more the rhythm he’s used to—early mornings and late nights, out of the house so long he never sees them. The next several days blur together into what feels like one very, very long day. When he sleeps, he doesn’t dream. It often feels as if he didn’t sleep at all. 

Their past exchange haunts him. He catches himself slipping, lost in thoughts as he watches the pot simmer. They’ve never had any sort of conversation like that before. Sure, they didn’t really talk about anything, but…

But in that same vein, Carmy can’t stop thinking about it. He wonders if they’re thinking about it, too. The thought feels like a tangled ball of yarn in the pit of his stomach, writhing and messy. He shouldn’t be thinking about it—they’re just roommates, after all. 

He’s restlessly worried about that moment on the couch, and yet, he can’t even muster up the words as to why. 

Because if you finally say it, it’ll all be real, he thinks vaguely, somewhat hysterically to himself, and that’s where it always ends. 

Wednesday evening, he comes in from home exhausted as ever. Nothing new. He feels the strain in his wrist when he shoves his shitty front door open—obviously overdid it in the kitchen. After shoving his sneakers off, he flicks the lights on in the kitchen, and he spots a bright pink sticky note on the counter. 

Now that’s new.

He walks up to it, squinting at the pink that’s almost neon under the fluorescents. It’s a note from his roommate. 

hey carmy, it reads, scribbled on in pen. im going out with friends tonight, so I won’t be back until later + leftovers in the fridge if you want any :)

Carmy makes a small noise of acknowledgement to himself. Picks up the note, puts it back down. 

Running a hand through sweaty hair, he opens the fridge. It’s full of ingredients, perhaps far too many for a guy who barely cooks for himself. Ironically enough, it’s the one who doesn’t cook for a living who keeps the fridge stocked. There's a lot of miscellaneous sauces, near empty coffee creamers, and mysterious tupperwares.

He spots a new tupperware that has another pink sticky note on it, so he grabs that one out of the fridge. 

He pops it open. There’s condensation on the inside of the lid, and it drips onto the floor. Inside sits pasta, potatoes, chicken, onions, and peppers, all cooked into a cheap, yet harmonious meal. It’s a familiar instant pot recipe. 

It tastes familiar, too. The ingredients together taste like home. He’s not sure if it even tastes like his home, although surely his mom cooked something like this. As he stews over the flavors in his mouth, Italian seasoning, garlic, and black pepper, he wonders if maybe this apartment is starting to feel like home. 

The thought is so ridiculous he shakes his head to himself, but…

It feels warm coming home to someone. He can’t deny that he likes that feeling. Maybe he’s settling into this place more than he thought. Maybe he’s…getting more used to having a roommate than he expected.

Maybe I’ll see them tomorrow, he thinks as he stares at his dark bedroom ceiling. He’s so sleepy he can’t even help himself from thinking about them. The lethargy always goes full blast as soon as his back hits the mattress.

Graciously, he doesn’t dream when he sleeps. Unfortunately, he wakes back up again in only a matter of hours. 

When he reluctantly wakes up and squints at his phone, he sighs. 1:14 am. Slapping his phone back down on his side table, he stubbornly shuts his eyes in an attempt to go back to bed. It would’ve been too nice if his body let him sleep throughout the night. 

Then, there’s the sound of the door opening.

He listens to the familiar sound of their footsteps against their old hardwood floor. It’s admittedly a little strange—it’s usually the other way around, with Carmy coming back home so late they’re already asleep. Except for this time. 

They’re in the kitchen, he deduces, carefully listening. It’s easy to hear everything, especially in the quiet of night. As he closes his eyes again, listening, he imagines them. 

The sound of the fridge opening. No, the freezer—it always squeaks when it opens. It shuts. Yes, now that’s the fridge door. He imagines them looking into the fridge just like he was a couple of hours ago, tilting their head thoughtfully to the side. He’s not sure if they know that they do that. 

By all means, it should be disruptive, the way they’re opening and shutting cabinets in the kitchen. And yet, as he lays there, snuggled drowsily into his sheets, it starts to sound like a lullaby. He listens to them, thinking of them cooking, and he begins to drift to sleep.

“Fuck—fuck! Shit shit shit—”

There’s a sharp yelp, and Carmy’s jumping out of bed. 

If he’s being honest, he probably wasn’t actually going to fall back asleep so easily anyway. He rarely ever does. 

He stumbles into the brightly lit kitchen, dressed in sweatpants and a baggy t-shirt. The lights are so bright that he’s squinting, struggling to adjust. 

“Sorry if I woke you up, there was a roach,” they explain meekly before he can think of what to say. They’re standing there, bottle of roach killer in their hand. 

Carmy looks down. As expected, there’s a big dead roach, sitting in a pale pool of roach killer. 

“I…see.” He yawns, a big one that makes the corners of his eyes tear up. “You didn’t wake me up, I was already awake. You just got back?”

“Mhm,” they reply, reaching for some paper towels, and that’s when Carmy really notices their outfit. Black, flashy, clearly meant for a night out at a bar. Dark colors always looked good on them. Their makeup matches, dark and smudged around their eyes. Seeing them dressed up like this makes it nearly impossible to deny how much he likes looking at them. 

He in particular likes the plunging neckline on their thin shirt, dipping right down their chest.

Stop stop stop, he thinks suddenly, tearing his eyes away. He’s lucky they’re not looking at him, instead preoccupied with throwing away the roach corpse on the floor. He looks around almost a little frantically to find something, anything else to talk about.

“What’s this?” Carmy asks, peering into the pan on the stovetop. 

“I, like, really want garlic bread right now.” They lean onto the counter, looking at the pan with him. “So I was making garlic bread. But then that fucking roach came and killed my vibe.” 

This is when Carmy notices that they’re rather drunk.

“Huh,” he says. “Isn’t this, uh, just a piece of bread?”

“Oh.” They pause, lifting the bread gingerly with one finger. “Um, this is so totally a piece of bread. No butter. No nothing.” They start laughing then, leaning harder onto the counter and covering their face. “Fuck, that is so  dumb.”

“You were getting there,” he comments, unable to resist an amused smile. 

“I couldn’t find the garlic powder,” they admit, face turning into a frown. “Or, like, anything else. But I need garlic bread, Carmy. I need this.”

“We have garlic cloves,” he points out.

“You cannot expect me to mince a fuckin’ garlic right now,” they retort, motioning at him with their arms so aggressively they stumble towards him. Instinctively, he puts his hands on their shoulders, and tries not to think too hard about it. 

They’re warm, and they smell like perfume, weed, and alcohol. 

“I think you should sit.” Carmy suggests, an eyebrow raised. He doesn’t think he’s seen them this drunk before.

“Hm. Yeah. Imma do that.” They trudge over to one of their bar stools at the kitchen island, slumping onto it. Their shirt droops, revealing more skin, and Carmy pointedly looks away. There’s the sound of their forehead smacking against the counter, and then a groan. 

“Uh, you ok?” 

“I’m drunk and I want garlic bread,” they whine, flopping their arms across the counter. “But I can’t find the garlic—the garlic powder, and…I’m too stupid to make it right now,” they end in a miserable mumble. 

“I could make you some,” Carmy hears himself saying.

“...Really?” They tilt their head up to look at him, eyes big and full of wonder. “You would do that for me?”

“It’s just garlic bread,” he tries, instantly stricken with embarrassment. He hopes he’s hiding it well enough.

“But you’re making it!” They make a contented noise. “Imagine getting the best chef in the world to make you garlic bread.”

“I can do a lot better than garlic bread. Just so you know,” he says, entirely in an attempt to hide the way their praise makes him feel giddy. 

“I know.” His attempt backfires—their response is so genuine it makes him feel worse. “You could definitely do a million times better than garlic bread.”

“Maybe not quite a million, but somewhere around there,” he says, and then he starts working. 

He starts with a clove of garlic, mincing it quickly on their small wooden cutting board. He stands at the kitchen island with them, eyes flickering between the garlic and their watchful gaze. They’re still strewn across the counter, cheek pressed against the surface. 

“You literally mince garlic so good,” they mumble, eyes glued to his knife. “I wanna do it like you.” 

“I could teach you.” The garlic is chopped thin, and then scraped against the edge of his knife. “Just takes a lot of practice, really.”

“Teacher Carmy,” they say, almost like a song. They’ve got this big, dopey smile on their face that makes Carmy’s heart hurt. “Mr. Berzattooo,” they add, their smile growing more mischievous.

“I don’t think I like the sound of that,” he admits, words tinged with amusement, and they laugh. “I think we should just stick to chef.”

“Yes, chef!” They salute unnecessarily, and he chuckles. 

He takes out the butter—their nice butter, not the spread stuff. Heats it over their pan, scrapes the minced garlic into the hot butter, creating a delicious sizzle.

“You, uh, go out to a bar?” He asks, because he’s curious. It’s easier talking to them with his back turned to them, forced to face the pan. 

“Yeah, just went with a couple of friends. I wasn’t scheduled for tomorrow, so I thought a little fun would be nice. But I must say, bars are not exciting on Wednesday nights.”

“Seems like you got to have a good time anyway.” 

“Mhm, yeah. They had cheap drinks. I got so many.” They laugh. “They honestly didn’t taste that good.” 

“And you kept getting them?”

“It’s just ‘cause they were strong. Sometimes you just wanna get fucked up, y’know? Oh my god, it smells so fuckin’ good right now. What the hell are you doing?”

“It’s just butter and garlic,” he answers honestly. 

“This is the best thing ever. You are literally so nice.” The sincerity in their words is so palpable that Carmy feels his stomach twist. “Anyone would be so lucky to be with you.”

Fuck, Carmy thinks distantly. He adamantly refuses to acknowledge how this comment makes him feel.

“I dunno about that,” he replies, a safe neutral even though he can’t help the embarrassment. 

“Really?” They blow a raspberry at him. “Well, I like having you as my roommate. That’s something, right?”

Carmy’s glad he’s not facing them. He’s not sure what his expression looks like right now. 

“Well. Lucky for me, I guess.” He pauses, listening to the sizzle of the garlic. for a moment. “You’re a good roommate, too. I…didn’t know if I would like having one at all.”

“Oh yeah? You never had one before?”

“Not since culinary school, and they weren’t good.” He sighs at the memory. “But this…I like this.”

“I like it too,” they agree, almost a bit dreamily. “It’s nice not having to be by yourself all the time.”

“Yeah,” he murmurs. “It is.”

He turns around then, garlic bread plated and in his hand, and they gasp, hands over their mouth. 

“Carmy,” they whisper. “Oh my god. Oh my god.”

“You’re definitely drunk,” he says, smiling in endearment.

“Um, yeah. And you just made me garlic bread. To a drunk person, garlic bread is the next coming of Christ.” They slide the plate towards them, staring at it with big eyes. “And you put cheese on it!” 

“Should I not have?”

“Of course you should have!” They exclaim. “You could’ve put some shit on this I’ve never heard of and I would still eat it. You’re a wizard in the kitchen.”

“Well.” He laughs. Shakes his head. “I’m flattered?”

“You should be,” they whisper. They take a huge bite of it, resounding with a satisfying crunch. “Fuck.” They shake their head from side to side as they eat. “This is so fuckin’ yummy.”

“Good, good.” He nods, pleased. He props his elbows up on the counter, gauging their reaction.

“You are so talented,” they gush, continuing to eat urgently. “And so nice.”

Carmy knows he can’t hide the way his ears go pink. 

“Well.” He gives them a shrug he knows looks as half-hearted as it feels. “I do nice things for nice people,” he says finally, mostly because he can't just take the damned compliment.

“I'm nice people?” They repeat, so genuinely earnest that Carmy almost laughs. “That's a relief. I’m, like, so glad you think that, because I can be an annoying piece of shit sometimes.”

“Annoying?” The self deprecation surprises him. They don’t usually talk like this. “I don’t—I don’t think you’re annoying. Have I ever, uh, seemed like I—?”

“Nonono, it has nothing to do with you,” they interrupt with a hiccup, waving their hands. “I just, like, have issues.” They laugh, although Carmy’s positive there’s nothing funny about this. “And I really like you as a, as a roommate,” they stutter clumsily. “So I don’t wanna fuck it up.”

“I, I don’t think you would fuck it up.” There’s something a little unsettling about all this, something that’s putting Carmy on edge. 

“I always find a way! I just do, because, I’m—I’m not good at being a person,” they blurt out, and then there’s tears spilling all over their cheeks, streaked with black mascara. 

Shit, Carmy thinks. 

“Hey,” Carmy says softly, gentle and careful. He looks up at them, concerned eyes searching their watery ones. He wishes he had the words, but they're talking again. 

“I just can’t do anything right,” they sob, bottom lip wobbling. He’s also not sure if he’s ever seen them crying so hard. Their face is scrunched in pain, skin drenched in tears. “I, I, I can't even fucking make garlic bread!”

“You're drunk,” he reminds them, carefully. “Very drunk.”

“I'm drunk, too,” they wail, and Carmy wonders if he said the wrong thing. “I'm a drunk fuck-up! I, I'm too damaged…”

“Damaged?” He echoes. Their own brutality towards themself takes his words away, and all he can do is repeat their cruelty in disbelief.

“My whole life, I've just,” they whisper, and something about it nestles into his chest and stays there. The feeling of it is familiar. “My—my whole life, I—oh, god—” 

They stop with a sharp inhale, slapping their hand on their mouth. It’s a movement that Carmy would recognize just about anywhere.

“Shit,” he curses, and he rushes them to the bathroom. 

They’re still crying as they throw up into the toilet, apologizing profusely. Carmy tries not to look, just focusing on holding up their hair. 

“I’m sorry,” they apologize again before shoving their face back into the toilet. 

“It’s okay. It happens.”  He absentmindedly notices that he’s never touched their hair before. It’s soft—must be well taken care of. “You’re doing great right now, okay?” 

“Thank you,” they sob, tilting their head to the side to rest their cheek on the toilet seat. He lets their hair fall behind them, instead just keeping one hand on their back. “I’m really s-sorry,” they say again, eyes watery and red. 

“It’s okay,” he repeats, because it's all he can say. They seem grateful enough.

I haven’t thrown up like this since college,” they tell him miserably. “I don’t like it.” 

“Nobody likes throwing up,” he reasons, and they make a weak noise of agreement. 

“Last time, I threw up in my roommate’s bathroom—” they pause, as if fighting a wave of nausea, but it seems to pass. “And I barely missed the toilet,” they whisper, like it’s some sort of dark secret. 

“Damn.” Carmy’s not sure if he should be smiling, but he is, just a little bit. “Sounds like you were shitfaced.”

“So shitfaced,” they echo. At least they’re smiling back at him. That’s a good sign. “It was such a mess. I felt so bad.” 

“Were they mad?”

“No, they weren’t. They even cleaned it up for me.” They groan. “I felt soooo bad, Carmy. So bad. I was worried they would forever hate me for that.” 

“Well, if they weren’t mad at you, I’m sure they wouldn’t hate you for it.”

“I just really didn’t want them to hate me,” they say, and they’re looking so intently into Carmy eyes that it feels like he’s bearing his soul to them. “Are you gonna hate me?”

“I'm not gonna hate you because you're throwing up.” Their hair’s falling into their face, and he moves to tuck it behind their ear before he can think about it. Their cheeks are hot to the touch.  “Would I be doing this for someone I hate?”

“Good point,” they mumble. Carmy’s hand lingers behind their ear before moving back to the middle of their back, rubbing little circles. The touch is guiltily electric on his end. “Sometimes I just…think people are waiting for a chance to hate me.”

“I think it’s a bit too late for me to find an excuse to dislike you,” Carmy says. “But…I get it.”

“...You do?” 

“Yeah,” he says, even though he’s not sure what else to say. They’re still looking at him, clearly waiting for him to elaborate. “I’m not used to anyone caring much about me.”

“I care about you,” they whisper. “I care about you a lot.”

Silence settles between them as any words Carmy had disappear on the tip of his tongue. They just keep looking at him, their eyes gentle and searching, and he can’t tear his gaze away. He can’t tear his hand off their back, either. 

“You shouldn't,” he whispers, strangely honest. “I'm not worth it.”

“Too bad.” He can't look away from their gaze, their eyes that are infinitely knowledgeable. “If I can't care about you, you have to stop being nice to me.”

Carmy opens his mouth to protest, but he can't. They seem to know it, too, with the way a knowing smile creeps up their face.

“I don't wanna do that,” he replies finally. 

“Thought so.” Their face glows brilliantly with a smile, and it should be infuriating, but it's not. “So deal with it. Me caring about you.”

He laughs at that, because it's so stupid. 

“Stupid,” he laughs, and they laugh back, their giggles echoing into the ring of the toilet. “Y'know, I fucked up today at work.”

“Oh yeah? What happened?”

“I was cutting onions. I've done it a million times, but for some reason, I fucked it all up. Onions got all over the floor, and I had to redo it all. Well, my sous had to redo ‘em.”

He's not sure why he's mentioning this to them, or why he's even mentioning it for a second time, but he is. 

“I haven't fucked up like that in forever,” he continues, reliving the memory in the back of his brain. The knife hitting the floor, metal against linoleum. “It was stupid. I hadn't done something so fucking, stupid like that in—god knows how long.” 

That can't be the point, he thinks to himself. He can't just bring up him messing up onions just to complain about messing up onions. That's not worth anything, to him or to them. They're drunk, anyhow. Why is he bringing up his issues like this, right now?

“You're allowed to mess up on onions,” they say with surprisingly clarity. Their words carry a measured gentleness that doesn't seem possible from a drunk. “It would be crazy if you never messed up, y'know. Like, ever.”

“But it's been years,” he protests. There's a pressure building. “Years since I messed up like that. And someone had to clean up after my shit. They shouldn't have had to do that.”

“Hm…” They make a thoughtful noise. “It's not like you did it on purpose, right?”

“Of course not.”

“That's what friends are for,” they murmur. “And coworkers. Sometimes. It's ok that you messed up.”

“...” A part of Carmy wants to continue protesting, but it feels futile. “I shouldn't have brought it up, you're still drunk anyway,” he says, mostly to himself, but also because he can't stand to acknowledge it anymore.

“I don't care,” they whisper. “I like it when people talk to me about things.” Carmy feels something twist in his stomach, palpable and physical. 

“I’m probably being annoying,” he mutters, and as soon as the words come out of his mouth, he wants to bash his head in for saying something so childish. 

“No. You’re not.” They respond before he has a chance to take it back. “I want to know you, Carmy.”

“You already know me.”

“Not as much as I would like,” they mutter, eyes fluttering shut, and Carmy has no choice but to swallow the heavy truth. 

“You shouldn't fall asleep here. If you're feeling better, we need to get you into your bed.” He knows it's unfair, changing the subject like this. But he can't bear to look at it anymore than he already has. 

Luckily for him, they relent without any protest. They lean up against him as he helps them to their room. It's a bit difficult to wade through the piles of clothes on the floor, but Carmy's no better. 

“I really didn't mean to get this fucked up,” they mumble once they're laid back in bed. 

“No one does.”

“Maybe not no one,” they mutter, mostly to themself. No comment. They sigh. “What time is it?”

“Uh…2:35,” he says after a beat, searching eyes landing on their bedside analog clock.

“Motherfucker. I'm sorry. Don't you have work tomorrow?”

“I do. But…it's fine.” It's very much not fine, he has to wake up in a couple hours, and yet. Here he is, at the end of it. 

“You're sweet. You really are.” 

“I'm…not sweet,” is all he can get out, voice quiet. 

“Well, I think you're sweet to me. Taking care of me like this.” They outstretch their arms all of a sudden. “Come here? Please?”

He knows what they're asking. They've never hugged before. He’s only a hugger when it comes to family. He's seen them hug friends before, maybe, but him? Never. 

He shouldn't get closer, he really shouldn't. But he ends up doing it anyway, because he tells himself he likes the way they say please.

“Can I hug you?” They ask.

“Um,” he says. He nods.

They smile again, as brilliant as ever, and bring him into a tight hug. They smell like the mint mouthwash they insisted Carmy retrieve for them, along with their perfume.

“Thank you for taking care of me,” they say. He’s never heard their voice in his ear like this before. They wrap their arms around his neck then, and Carmy’s heart feels like it’s in his throat. 

“No problem,” he gets out, feeling a bit breathless. 

Before he can even form the next thought, they’re pressing a sleepy kiss on their cheek before flipping back down on their bed. 

Carmy feels like throwing up, but…not in a bad way.

“Good night,” they mumble, so sweet. “And thank you.”

Something in his brain shuts off after that. He walks to his room like a zombie, and he falls asleep nearly instantly. 

It turns out that going to bed at 2:30 am the night before work is not so fine at all. 

“Sorry I’m late, couldn’t sleep,” Carmy says groggily when he comes in, and everyone’s eyes are on him. They’re staring so intently like there’s something on his face. “What?”

“It’s, uh,” Sydney starts, but Richie swiftly cuts her off.

“Must’ve been a long night, eh?” Richie says with such a shit eating grin that makes Carmy pinch his eyebrows. 

“Fuck’s your deal?” Carmy bites back, gesturing at him. The length of his fuse matches the amount of sleep he got—slim to none.

“Nothing, cousin,” Richie replies, even though he’s still grinning like a mad man. “You better be telling me about it later though, got it?”

“Whatever,” Carmy mutters. It’s too early in the day to be dealing with this shit. “Just catch me up on what I missed.”

The day starts off rough, but he gets through it because he has to. Throughout the day, though, he can’t help but get the feeling that people keep looking at him when he’s not looking. Maybe it’s just his typical paranoia, but… 

“These look good,” Carmy praises. “Really good,” he reiterates, turning the delicate dessert around on its circular plate. Marcus beams, clearly pleased. It’s a small matcha cake with carefully placed layers of ganache and fruit. Carmy takes a bit of it with a fork, rolling the earthy and tangy flavors around on his tongue. 

“How is it?” Marcus asks, eyes firm on him.

“A little crumbly,” Carmy answers honestly. “Did you take my advice from last time?”

“I did,” he replies, frustration evident in his voice. “Think it’s the oven?”

“Maybe. Probably.” Carmy takes another bite. “Try a lower temp. Other than that, though, it’s excellent.”

“Thank you, chef,” Marcus says. “Means a lot.”

“Wouldn’t say it if it wasn’t true.” He claps Marcus on the back, short and quick. “You’ve been working hard. That’s all.”

“Yeah. Yeah, I have.” He pauses then, staring at Carmy. Just like how everyone has been all damn day. “Uh, Chef?”

“What?” He feels the impatience bubbling up in him, frustrated and confused. “People have been staring at my goddamn face all day like I got some shit on it.”

“You do,” Marcus says. “It’s not shit, though. Looks like…lipstick,” he says after a beat. 

“Lipstick?” A rock drops in his stomach. Carmy raises his hand to his face, searching. 

“On your left,” he clarifies. “By your ear.”

He rubs aggressively there, but he pulls his fingers back without any color on it.

“Did I get it?”

“Well, I thought you did.” Marcus makes a noise, thoughtful. “Guess it’s one of those permanent ones.”

“Permanent?” Carmy repeats, a little hysterical. 

“Semi permanent,” Marcus clarifies. He seems amused.

Carmy rushes into their small, shitty bathroom, getting close to the streaked mirror. He angles his head to find the stain. Sure enough, it’s right here on his cheek. It’s a dark, reddish color, in the smeared but recognizable shape of a kiss mark.

“Fuck,” he mutters under his breath. His head feels hot. It must’ve happened last night, when they kissed him right before falling asleep. 

Semi-permanent, he hears Marcus say in the back of his head. Of course it is.

With a wet paper towel, he scrubs at the mark so hard it hurts. Even so, it remains, still clear on his pale, reddened skin. He wishes his hair was long enough to hide it.

“It’s not coming off,” he says, stressed upon returning to Marcus’ station. He hopes he doesn’t sound as hysterical as he feels. Sydney’s there too, chewing on the matcha pastry Carmy had earlier. “Why the fuck isn’t it coming off?”

“You’ll probably need a makeup wipe. I think I have some in my bag if you want one,” Sydney offers. Carmy swears she has a halo around her head. “Just a warning, though, they’re old as fuck. I haven’t worn makeup in a long time.”

“It’s fine. Can I take one?” Carmy runs a stressed hand through his hair. “Can’t believe no one fuckin’ told me. I—I fucking greeted customers like this!”

“It’s cool, Carm. At least it wasn’t a hickey,” Marcus reasons, and Carmy thinks his ears go hot. 

“Thank god,” he replies, sarcastic, and they have the nerve to laugh at him. “Shut up,” he tries, but there’s no real heat behind it. Sydney leaves and comes back with a semi-dried up makeup a minute later. 

“Don’t get mad if it doesn’t work,” Sydney states, a cautionary disclaimer. “It might be one of those that has a specific remover.”

“Are you serious?” The sigh that comes out is full of disdain. “Fuck me.”

“Day’s already almost done, if it makes it any better,” Marcus notes with a cheeky smile, and Carmy just shakes his head.

The makeup wipe doesn’t work. Carmy tries not to get mad, but maybe he does. Maybe just a little bit.

“It’ll come off with enough washes,” Sydney reassures him. Tina’s standing with her now, too, eyeing him like a spectacle. Everyone seems to be enjoying his misery. 

“Just ask your girl to get rid of it for you,” Tina says, an eyebrow raised. She raises a thumb to his cheek, rubs at the mark like a mom. “Damn. Shit’s on there.”

“They’re not—it’s not like that,” he sputters. He’s been trying to get through the day without anyone asking about it, but now that there’s some down time, there’s no stopping anyone. 

“A one night stand?” Tina guesses, eyes widening. She laughs and smacks him on the arm. “Didn’t think you had it in you, boy!”

“It’s not that, either,” Carmy stresses. He knows he’s getting overly flustered about it, but he can’t help it. His eyes flicker towards the clock. They’re closing soon. “Just forget it, okay? Please.”

He can tell from their expressions that neither of them want to forget about it, but by some stroke of luck, they’re considering letting it go. Just for now. That’s enough of a victory for now, so he’ll take it.

At least, it would’ve been a victory if Richie didn’t take that very opportunity to step into the kitchen. 

“Been trying to find you all day, bastard!” Richie hollers, slinging an arm over Carmy’s hunched shoulder. Carmy sighs, expressive in his annoyance. “Looks like this baby’s finally growing up, huh?”

“I’m 30, asshole,” Carmy says, tiredly, but that never works. Richie’s still talking, anyhow. 

“So? Do I know the chick?” Richie’s grin makes Carmy want to punch him.

“No,” he replies, flatly. He’s so tired. “And it’s not what you think. It was just, they’re, uh…”

“Oh shit, cousin!” Richie’s laughing, obnoxiously loud in his ears. “Didn’t think you were capable of—“

“It’s not a one night stand. Already guessed that,” Tina interrupts him. 

“What?” He sounds annoyed, like he has the right to be more irritated than Carmy himself. “Then what’s the secret third option? Or are you lying to my face?”

“They’re my roommate,” Carmy explains, finally.

There’s a beat of silence. And then, uproarious noise.

“You have a roommate?” Is Richie’s first question. The second: “Why the fuck didn’t you tell me?”

“Is, like, dating a roommate a good idea? No offense,” Sydney says, hands raised in defense. “Just wondering.”

“It’s not,” Tina answers for her, sharp eyes narrowed at him. But strangely enough, she’s smiling nonetheless. 

“They’re my roommate, we’re not dating, and I didn’t tell you because I knew you’d be weird about it!” He shouts over the noise, directing the last one at Richie. “Look—they were just drunk, and I was helping them because they were fucking throwing up. Happy now?”

“And they kissed you,” Richie points out. He’s grinning like he knows some big secret.

“Fuck, okay, can we stop fucking talking about this now? It was just an accident, it’ll be gone tomorrow, and we’re never gonna mention this shit again!”

Carmy gets saved by some distant catastrophic noise in the back, somewhere around the freezer. He leaves without a word. Behind him, he hears raucous laughter mostly to Richie’s tune.

Before he leaves for the night, he stops by the bathroom one more to try and get it off. Predictably, it remains stubborn and stalwart through soap, hot water, and scrubbing. The skin under it is red with irritation, and Carmy knows that he's getting nowhere. If anything, he's making it worse. 

His eyes linger on the blotted lipstick on his face. It's smudged, but he can see the cracks and the shape of their lips. His gaze follows the lines of it. 

The memory burns bright in his head for a split second. It bursts in like a flashbang, intense and unavoidable. There's a phantom sensation of their lips on his cheek, the smell of their perfume, the warmth of their embrace, and it's, it's just—

Carmy shuts the lights off and heads out. He needs this lipstick mark gone by morning. 

When he gets home, the apartment is dark. Unoccupied. As he flicks on the lights, he searches for them. They're usually home before him most nights. However, it seems tonight is an anomaly. He walks down the hallway past his room to theirs, and their ajar door reveals an empty bedroom.

“Fuck,” he mutters to himself. Just his luck. 

He opens his phone then, a last resort. He has his messages pulled up, but his thumbs hover over the keyboard and stay there. 

How the hell does he even word this?

Hey, I need lipstick remover. 

No, that isn't enough information. Who knows how many types of remover there could be? What if it isn't the right one? He needs to be more specific. 

Hey, I need lipstick remover for the lipstick you were wearing last night. 

That sounds even stranger. Too specific, although it's the truth. That's what he needs. But he can't just…type that, can he? No, there's no way. 

Is there any way he can get out of saying that there's lipstick on his face from last night and not make it weird? He wishes they were here so he could just show them. Words have never been his forte. There's little hope for him now. 

Please come home right now, he briefly considers typing. It's by far the worst one out of all of them. 

After pacing for a solid five minutes, he decides to send a hopefully neutral message. 

Hey, you out for the night?

It's still pretty weird. Carmy is not a texter. There's not much he needs to talk about that can't wait until he sees them next. They're usually the one texting him, and it's usually only about groceries or bills. However, he tells himself it's fine because there's no note left on the counter. They always leave a note when they go out.

…They always leave a note when they go out. 

This thought resets his pacing around the apartment, frantically looking for the square shape and vivid color of a sticky note. That's how they usually do it, and it's typically on the kitchen counter. So, it's honestly a futile effort to be looking around the whole place, but he does so anyway. 

He looks at his phone. It's been almost 10 minutes, and still no response. 

This isn't unnatural by any means. They always end up responding eventually, but the prickling anxiety is getting pricklier by the second. 

They've got to be so hungover. There's no way they're out again tonight, he thinks to himself, and he's positive it has to be true. 

They're missing, and you're not ever gonna get this shit off your face, his brain adds helpfully. 

That's what finally kicks him into gear and forces him to press the call button. 

It rings for a long time. The more it rings, the longer he stands there in the kitchen, the stupider and more anxious he feels. It's a pitiful feeling to be consumed by, but here he is, unable to resist. 

However, when they finally pick up, he's not sure if he feels completely relieved. A different part of his anxiety is spiking now.

“Carmy?” Their voice carries a trace of static through the phone speaker. 

“Yeah, hey. You see my text?”

“Oh, oops. Sorry, I missed it. Is everything ok?”

“Where are you?” He asks instead. 

“I'm just gettin’ a drink from the corner store. Why? You want me to grab something for you?”

The absolute nonchalance in their voice humbles him, reducing him to complete embarrassment.

“Uh, no, I don't need anything. I mean, uh, I do actually need something from you, though,” he amends hastily. 

“Sure, what's up? I guess it must be important if you're calling, right?”

“I, um—yeah, kinda important,” he says with attempted tranquility, completely ignoring how much he was freaking out earlier.  “So…you got, uh, lipstick remover?”

“Lipstick remover?” Their surprise makes him shrivel. “Well, I have a couple types of makeup remover…”

“I think it needs to be specific?”

“You think it needs to be specific? What exactly are we dealing with here?” Their voice carries bewildered amusement.

“It's, uh…” He swallows. He can't tiptoe around it anymore. “It's…yours?”

“...Huh?”

“You got some lipstick on me last night, and it's not coming off,” he says finally, mortifyingly, and the line goes silent. 

“Fucking—I'm so sorry, my memory is spotty from last night and I, I thought I imagined that, and, uh—” They awkwardly clear their throat. “I'm sorry, I really am. It's not supposed to transfer like that, but I guess it just…”

“It's okay,” he says, despite how hysterical it made him earlier. That part isn't their fault. “It's just, uh, really staying on there.”

“Shit. Of course. It's this super resilient lipstick I use for when I go out drinking, because it's not supposed to come off like, at all, so it comes with this specific remover—I'm sorry, I don’t need to be rambling like this.” They laugh nervously. “I'm on my way home now, but it should be on my desk if you wanna look at it. It's a black tube, which…isn't very specific, I guess. And my desk is really messy…”

“I'll start looking,” Carmy decides. 

“I'm sorry,” they reply miserably. 

“It's okay. You said you were coming home now?”

“Yes. Yes, I am. I'll see you soon, okay?”

“Cool. See you.”

The call ends. Carmy just stands there for a minute. It's like a tidal wave just rushed over him, and now the water is slowly settling to a stand still. 

Black tube, he thinks. How hard can that be?

Very hard, it seems. 

Their room is comfortably messy. Definitely not as messy as his. There's some clothes on the floor, jackets on chairs, underwear he turns his gaze away from (don't imagine them in that lace one lying in the corner or the flowery one or the fucking thong he didn't see anything), but that's about it. Nothing outside of typical clutter, in his opinion. 

The desk, though. The desk. 

He doesn't think he can even see the surface of it. There's just lots of little things scattered across it, from piles of jewelry to stacks of papers and books. It's like an ispy book. 

He stares at it, trying to find a black tube. He quickly realizes how much of a futile effort it's going to be. 

In this moment, he thinks about how he's never spent much time in their room. The two of them usually hang out in the living room. Besides, he's not one to go snooping around in someone's personal space. Until being pushed to his limits and being given explicit permission, that is.

He leans in, peering closer at the scattered items. There's a little bit of everything. Receipts, make-up brushes, scissors, paper scraps, empty water cups, hair ties, empty candy wrappers, lipsticks…none of which are black tubes. 

Maybe it's not on their desk. Maybe it's on a different shelf. 

They said it was on their desk, a voice in his head says, but he’s not listening.

The next closest thing is their nightstand. It's a little messy, but nowhere near as bad as their desk. There's a melatonin bottle, some lip balm, a bedside lamp. He squints, seeing what might be more pills or maybe skincare until a dark tube catches his eye.

When he picks it up, he realizes it's not black, instead being a dark blue. Also, it's not a tube, it's more of a bottle.

The text on it also reads as lube, not lipstick remover. 

…Lube?

It's lube, his brain repeats, helpful as ever. 

I can see that, he thinks back.

“Hello? Carmy?”

A familiar voice has him scrambling to put the lube back. He moves it back to the night stand more quickly than he could have ever expected of himself. 

“Hey, I'm in your room,” he calls back, hoping that his fabricated nonchalance comes off as believable. He steps out of their room into the hallway, and they appear at the end of it. 

The first he notices is how much better they look when he saw them last. To be fair, the last time he saw them, they were sobbing and throwing up into the toilet, drunk out of their mind, but still. It's still an improvement. Their cheeks are flushed from the cold, and their hair is mussed from being outside.

“Hey. Did you find it?” 

“I couldn't find it,” he admits. He steps out of the way to let them through, and then he follows them back into their room. 

“Yeah, sorry, my desk is a fucking nightmare,” they mutter darkly, making a beeline for their desk. “I swear I took it out and put it right here…Ah, yes!”

Miraculously, they pull it out. It looks like a lipstick in itself, and when they uncap it, it just looks like a white lip balm. 

“So, do I just…rub it on?”

“Well—yeah, you should, but it emulsifies with water, so you just use water and then use a cotton pad…” Carmy supposes the confusion isn't too well masked on his face. “Can I see where it is?” They ask tentatively. 

Wordlessly, Carmy turns his head. He supposes they're just glad they didn't see it immediately.

“Oh.” When he turns to face them again, their cheeks are dark with color. It's not a look he's used to seeing on them. “I'm sorry,” they say again with a downturned head. 

“It's okay,” Carmy says again, and he means it. He brings a hand to his cheek subconsciously. “I just…”

“Let me take it off,” they insist, guilt knitted in their expression, and that's how Carmy ends up seated on the toilet seat. 

“Now I'm the one getting patched up on the toilet,” he says quietly. He wonders if it was the wrong thing to say, but it makes them laugh.

“So, um, when did you notice?” They ask. The tube uncaps with a small pop.

“A couple hours ago,” he admits. The balm feels smooth and oily against his cheek. “I had no idea, but my coworkers, uh…”

“Oh my god,” they mutter under their breath. “I just don't think I'm ever gonna stop apologizing for this.”

“It's fine, really,” he insists, even though he was manically scrubbing at his skin earlier. “It was sorta funny,” he adds, even though he was freaking out while everyone else was laughing. They don't need to know. 

“That's good, at least.”

“Yeah. It was—uh…”

He feels their thumb rubbing circles into his cheek, and the words disintegrate like sand in the wind. 

“Sorry, this is just one of those things that takes a little bit of work to get off.” Their tone projects a casual indifference to it, but their voice is so quiet that it feels unfairly intimate. 

“I didn't know lipstick could be this…intense,” Carmy hears himself say. He's far away, still trapped in the feeling of their hand on his face. 

“It's what you need for an intense night out,” they reply with a small smile. He looks up at them then, meeting their dark eyes, but they're concentrated on the spot on his cheek. When they catch him looking, though, they don't look away.

“Are you feeling better?” He asks quietly. He can’t stop looking.

“A lot better. Yesterday was rough, but I'm feeling okay now.” 

“Good.”

“Yeah. Um…” They lean back, breaking eye contact, and Carmy feels a pressure releasing. They grab a wet paper towel and carefully drag it across his cheek. “Thanks again, by the way. For putting up with me last night. I mean, it was more than just putting up, but…y'know.”

“Sure,” he says, much softer than intended. “It happens.”

“I think you're just nice,” they tease, fully intended to be light-hearted, but because Carmy's the way that he is, it weighs heavily in his chest. 

“Sometimes,” he mumbles, because that's all he can bear to say.

Because last night, they looked him in the eyes and whispered that they wanted to know him. That they thought he was sweet, he was kind. They spoke with such earnestness that for a split second, Carmy considered believing them about everything, even though that’s always the wrong thing to do.

Because once he believes them a little bit, he’ll start acting like he’s a good person. He’ll fool everyone around him, even himself. 

Then, the inevitability that is his self-destruction will arrive like it’s always promised. He will mess everything up like he always does, sharp-edged flaws unfurling from the inside out. They’ll slice everyone he was able to fool into getting close enough.

The least he can do is try and give some kindness back before it happens.

“Just take the compliment,” they say with a small grin. “Y'know, I don't remember everything from last night. There's bits and pieces I know that're missing. But from what I do remember…” They make one final wipe at his cheek. “You have to let me be nice to you.”

He remembers, too. 

So deal with it, they had said. Me caring about you.

“How could I forget,” he tries to joke, but his laugh comes out sounding far too breathless. Luckily for him, their laugh, much more tangible and believable, joins his own. 

“I said some crazy shit last night, I know.” They take a seat next to him on the edge of the bathtub. “But I meant it. I like being your friend, Carmy. I hope I didn’t say too much.”

“You didn't say too much. You were just drunk.” He feels a bit stunned. 

“Okay,” they accept after a beat. “I mean, you're right. I was just drunk. Um…” They gesture towards his face. “I got the mark off, by the way.”

Carmy stands up and checks his face in the mirror. Sure enough, it's gone. He feels relief wash over him like a breeze, and another feeling he can't place. It's…It's…

“Thanks,” he says, and they nod. 

“It's the least I could do.” They stand up, too, and walk out of the bathroom. They stand in the doorway for a moment before looking at him. “I'm gonna smoke. You wanna join?”

It's…

“Yeah, for sure. I'll be just a sec.”

Then it's just him in the bathroom, the door shut as he stares at his reflection. The harsh fluorescent bathroom light casts harshly down the planes of his face, creating dark shapes on his face. He stares at the spot where the lipstick mark used to be. The longer he stares, the more the unnamed feeling stretches outwards. 

When it drops in his stomach, that’s when he realizes.

The feeling is disappointment.

~

@zorrasucia

[crow-caller]

I'm chuffed to do YT and have found some success and also how it helps feed me, but man it is extremely extremely weird and unsettling as an experience in a difficult to describe way. I'm a guy I'm just being a person. also, I am an uncontrollable entity, I am two million hours of my own voice, I am whatever I am perceived as and what I am perceived as will exist without me longer than it will exist with me.

existential stuff I get why people lose their minds

[geezmarty]

What if the holo-conciousness of your ex got stuck in your head and you had to go on a galaxy wide quest to get her a body? Surely you can just do that without consequences and then get rid of her, right? (scifi/action/romance, 54 pages.)

💙 Only 5 days left to get Crossing Wires from the Shortbox Comics Fair!! 🧡

Please make sure you read the CW + download your pdf within 24hours of recieving your email as the link will expire after then.

>>>Grab it here!!<<

[mel-loly]

-I'm back, my dear people! Did you miss me? :]

(I hope so, because it took a while for me to find time to come back- also.. sorry for the bad art😃👍)

[q1ngqve]

I DESPERATELY NEED TO HEAR YOUR THOUGHTS/TAKE ON YINGXING..!! im starving for more fics with him.... need him to manhandle and make me sob i just know he's a little mean like that

have you seen what the hsr wiki wrote about his personality? "he became more confident as he grew up, and was described to be an arrogant man by many" LIKE HELLO???

he’s so big and tall and strong and if he wanted to, he can send you flying at 100 km/h easily :(

and you are so right!!!! he’s very, very mean and would coo at you when you’re sobbing and squirming under him 🙁 i just know he loves edging and making you cry, begging and cursing at him softly for not letting you cum

i think he’d be into gentle ‘degrading’, says things like “c’mon baby, just one more for me.” and he’d pull you back by your ankle when you move away from him, his fingers digging into your inner thigh and looks up at you threateningly, “where do you think you’re going? I’m not done with you yet.”

i also think he would tie you up either at your wrists or your ankles and manhandles you into any position he wants!!!!!!!!!!!! flips and drags you around like a rag doll, probably even calls you “doll”, or when he’s angry, he’d tighten the bindings on your wrist and call you his “little fuck toy” <3

[dailyteamrancher]

Can Jimmy or Tango cook?

[day 84] jimmy can! tango, uh… it’s best we don’t talk about that

(this one was also by @slumbear !)

[mushrooms-and-manga]

KABRU BACKTRACK PT 2

He doesn't know how to respond to Laios saving his life. He's only been causing problems for Kabru and his party until this point, and he's basically a stranger outside of that.

He still did die anyways, and for the life of me i still can't find the exact panel where it happens, but I'm sure Laios's attempt didn't go unnoticed. His first instincts when he's revived are also very telling- First, where is the danger. Then, how do we get everyone back on their feet?

He's not only looking out for the safety of his party, but everyone else in the fight too.

This direct look into his thought process is huge for what I'm trying to do here, too. He really is constantly in analysis mode. Thinking so many steps ahead of everyone, the lasting impacts of every move... And the fact that he genuinely thinks Laios could pull it off actually says a lot for Laios's merit, too. Honestly, I think Kabru might take him more seriously than anyone else in the cast so far.

But then, he must also know that with Laios's love of monsters, he wouldn't give the place up that easily... And I'm sure he's even more worried about what that would mean. The dungeon in Laios's hands...

This must be the panel I skipped over last time. I'm guessing I assumed this was just.. general visions of monsters being horrible. I don't think I realized that these were all personal experiences.

Though that still doesn't make this exchange any less funny. Laios, you poor, oblivious bastard...

All in all, giving myself this focused look on Kabru has helped change my opinions on him. I think i coined him as a "manipulative bastard" from the start and had a hard time letting go of that.

Now that I've looked him closer some stuff is the same and some is different- He's still scarily smart, one of the smartest characters we've seen both from technical knowledge and analysis skills. But he's also extremely protective of every single one of his party members, something I'd never given him credit for before.

He's working hard to put himself in everyone's good books, but also judging them in the background the whole time... And we still don't know where he came from or what his goal in all this is. We know Laios and Toshiro's parties were both down here looking for Falin, and that Toshiro worked with the Touden party until Falin's death-

But I have no idea what Kabru's party was here for originally. Sure, they've been spending most of their on-screen time tracking the Toudens, but what about before that? A party of extremely skilled spellcasters and fighters capable of going extremely deep into the dungeon, for... What? Honestly, the fact that we don't know makes me more worried about him.

And it seems like we won't get to find out for a while, since the next time we see him he's back on the surface.

[braveasnouns]

you ever think about how becky's identity has always always been centred around other people... her identity is always tied around being a big sister and having a little sister. then came the animal army and she was the head of the operation and she was in charge and she had to put her everything into it. she was so adrift without her sister. and then season three she is literally characterized as being so blasé about getting tortured and dying, because it means she protected her sister. she has so little regard for her life in season three when she thinks wendy is safe it's insane. god

oh my god. YES!

seriously almost every action she made throughout the series (and her life!) was for someone else!! was about her being there for someone or saving someone or being something to someone!

she never let herself feel her own emotions because she’s never been able to! someone else always comes first in her own story.

the only reason she cared about getting out of her situations in season 3 was for her sister, or was to help Gus. she would never have fought that hard for *herself*, wouldn’t have fought at all if they were really safe.

and we see this when Rosie points the gun at her, she thinks she deserved it, because for once in her life, she reacted to something that was a danger to HER, that she would have been dead already if she hadn’t protected herself. in her head, how dare she protect herself?

and yes, it’s really great that at the end of it she seemed happy. but still, STILL she was taking care of others before herself! her identity is still wrapped in helping the kids!!

I think this would come as a rude awakening to her, when there’s not much else to do and everyone else is kind of peaceful.

does she know who she is? does she know how to talk to herself if it’s not about someone else? would she sit with her thoughts, not knowing where to categorize them, not knowing where to put her feelings down when she’s only ever put them into protecting someone else?

[angelapleasant]

With a sword in a bag in my trunk I keep my eyes and my mind on the road

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