#i want my own product it's good get it post

[coralchoral]

honestly thinking about the sonadow twitter takeover and how the plummeting to earth thing very much affected Sonic a lot more than it affected Shadow. like in a previous takeover Shadow even made it a positive memory about Sonic trying to save him.

Meanwhile in Prime, Sonic has a moment of saving Shadow from falling into the void that's very reminiscent of that other fall (in the same way Prime has a lot of motivations and references that only make sense from a fandom insider perspective).

Sonic also gets repeatedly tilted, loud and anxious, (which I'm pinning more on RCS's/whatever writer's sense of humor, as is all the voice acting gags) and is coping badly any time Shadow comes out ahead. I think Sonic's insistence on his ability to grow chest fur is as big a Cope as floaties=fashion statement.

But really, Sonic's repeat date suggestions and Shadow's own descriptions of Sonic's behavior (dragging out their races, etc "just to annoy me") reads, whether romantically or platonically, that Sonic just really wants to spend time with Shadow.

He feels he needs to justify it, though, insisting that he and Shadow have something other than occasionally getting in each other's way ("two sides of the same coin") (friendly competition being "why you keep me around-" seemed like odd wording to me).

Needing to make it meaningful, because that's what Shadow wants out of a relationship- Shadow /says/ he dislikes Sonic for being frivolous and inauthentic, that (for instance) his hugs don't mean anything, and that he doesn't want "(Sonic's) kind of hug."

Sonic really wants to spend time with Shadow because he's also intimately aware that that time is limited. Either Shadow's patience (and/or social battery) is limited and he's liable to make a batman exit if he doesn't want to be somewhere (not that we've ever seen Shadow do this in canon, he seems to awkwardly/quietly hang around as if he doesn't realize he can just hit the bricks (or he likes being there and has no idea how to express it re: smiling at Big the Cat) ), Or Sonic and Shadow will get caught up in their own lives again and not see each other until Fate Deigns to Allow Them to Cross Paths Once More.

And Sonic misses him.

(This ties in with my Sonic Frontiers is the Saddest Game Ever posting from a while back, too. Sonic is lonely AF and Needs Other People to Talk To or he'll start talking to the walls and robots, and Shadow will almost always either talk back or groan in exasperation, which is as good a reaction as any.)

All this, plus Sonic's opinion flip-flops (shopping with Amy vs shopping with Shadow, opinion on Orbot) could be either (Sonadow Optimist) Sonic is Down Bad and not even conscious of his mirroring Shadow/trying to appeal to Shadow, or (Sonadow/overall Pessimist) Sonic trying to appeal to the Most Popular Character Right Now and getting increasingly desperate as he is rebuffed.

A few of these Twitter Takeovers have had moments of Sonic in particular getting thrown off and not really able to recover. (which makes me question what the writing is like, if there's any at all and these VA's aren't just riffing on an outline. Considering they don't talk over each other constantly, there must be something like a script, but it also does occasionally feel like a bad roleplay (and I've been a bad roleplayer).) It leads to a Something Is Wrong feeling in the "We're doing this for fun" question-answering joke show. Sonic needs therapy. (We all need therapy.)

Meanwhile, Shadow really is pulling out all the grunts, groans, and whines with Sonic that, if scripted, would be egregious as hell to read or write. He doesn't make these noises in the games (or shows, really?) mostly because there's a sort of efficiency necessary to production that cuts out that interpersonal realism and partly because it's annoying? Shadow, you're the annoying one?

Unrelated, everybody latched on to Sonic's "Go off, King" but nobody even noticed Shadow's "Deal With It."(sunglasses drop) How soon we forget the sacred texts and/or the deep magic, I guess? (It's an old meme, but it checks out!)

[shopwitchvamp]

product

it's good get it

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[bleaksqueak]

Insomnia is letting up off and on, but I'm still super jelly brained from it case in point, I want to continue back with posting WIPs for the aired pages, but I can't remember what page I left off on now lmao (guess I'll have to dig through my blog to check... eesh. at least it's decently organized by tags?) Not a result of goo brain, really, but equally "AUGH" is that I let my screen protector go for too long without replacing it and now it's slick as snot and I don't have a replacement handy to put on it. This isn't a resulting consequence of goo brain but it does mean I'm going to be trying to draw without any traction while I'm already loopy. Good times ahead!

[chiistarri]

if i had a more fem face it would be over for all yall 🙄

[cosmogyros]

I, a huge fan of Tracy Chapman's first couple of albums, decided to listen to her 1995 album New Beginning while making breakfast today. I hadn't previously known this album – only the hit blues song from it, "Give Me One Reason", which rocks, so I was eager to discover what the rest of it was like.

It was awful. I was horrified. I felt betrayed. I addressed her aloud while chopping onions and making coffee: "Tracy, what happened? You've got this utterly gorgeous voice, you've got guitar skills, and you've been one of the most gifted songwriters of your generation up until now. The technical skills are still there, but what happened to the songwriting?"

Then I jokingly added to myself, "Maybe she got into a happy relationship or something." This wasn't really serious, of course, but there's a grain of truth in it – I have noticed that sometimes the greatest songwriters lose their edge when their yearning is satisfied (see also: Joni Mitchell, when she finally found her daughter).

Anyway I couldn't stomach listening through the rest of the elevator music that New Beginning was turning out to be, so I skipped to her next album: 2000's Telling Stories. And right away, I was rocking out to the first track. "All RIGHT!" I thought. "That's what I'm talking about! I wonder what happened? ...Maybe she broke up with her girlfriend?"

I chuckled at myself for thinking that. And then I stopped chuckling. I got curious. I couldn't help it. I looked up the "personal life" section of her Wikipedia article and...

THE MID-NINETIES. Exactly when New Beginning came out. I TOLD y'all.

[seventh-district]

.

[lucalicatteart]

Poll adventure (paventure? lol) Day 16: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should offer to help the travelers with their broken wagon.....

~

After much internal deliberation (and some zoning out staring at butterflies), The Adventurer decides it would be best to offer his assistance. Technically, he IS still following his goal of not getting distracted, because theoretically it would make his journey much faster if he were able to catch a ride on a carriage. So really, this is all an ultimate big brain genius strategy for maximizing efficient travel.. Or, at least that sounds like a good enough justification to him.

Gathering up all of his social courage, he approaches one of the travelers fiddling with a broken wheel near the far end of the carriage and meekly asks if there's anything he could do to help.

The man was so focused on his task, he seems initially startled to look up and find someone near him. "OH..! Oh, uhh.. help? With the wagon?", he smiles pleasantly, gesturing towards a few wooden boards that are just out of his reach, "Sure, kid. If you could just hand me th-"

"Apologies, but we actually won't be needing your assistance, stranger." A taller man, surprisingly almost matching the stature of the Adventurer, suddenly slinks out from somewhere behind the carriage, sternly placing himself like a barrier in front of the man working on the wheel. Wheel Guy nervously averts his eyes, making himself smaller, silently resuming his work.

The Adventurer tries his best to maintain composure against the weight of the tall man's bitter gaze, but can't seem to muster much of a response "Aeughh,,, uh… b-but, h- Bu--HHHh,,?.."

"Look, disregard whatever my father told you, he's old, never has any clue what he's talking about. It'd be best for you to simply move along." ('Father'? They don't look alike at all, and seem to be nearly the same age..)

"W-well.. he.. he didn't really tell me anything, I me-hhH,,.. I mean, I literally just got here, s-so...."

"Good. Even more reason to be on your way."

Placing a gloved hand firmly on his shoulder, the tall man begins to motion the Adventurer away from the wagon, but a strange noise interrupts, echoing from inside. Perhaps some sort of animal sound? Or a person faintly yelling about something? Or… both?

"WH-wHggg… whAT was t-that???!!" The Adventurer immediately stops in place, pausing to listen as the tall man keeps trying to push him ahead.

"I didn't hear anything, stranger."

"No, t-there.. was dEFinitely, UHH, a-"

"Likely something in the forest."

"Wh--aah... d.. do you think it was an animal?"

The tall man continues a dramatic struggle to 'subtly' drag him further down the road, whilst the Adventurer mindlessly digs in his heels, too distracted to even notice he's being so strongly prompted to leave.

"Many animals do, indeed, exist within forests. This should not be suprising."

"...It's just.. ..eughh… s… so weird…"

"I assure you, it is not."

"I-it really sounded like.. like it came f-from insid-"

"Yes, from inside the forest. Now, please, if you would.."

The noise interrupts again. It's definitely someone, or something, in some sort of distress.. And definitely from inside of the cart.

"wHoAAGH, aa!!! T-tHat's NOT from the f-forest, that-"

The tall man fully just shoves him now, sending the Adventurer toppling across the dirt, clumsily rolling and landing just past the other side of the carriage. A mother and young child who seem to be part of the traveling group simply stare down at him with empty blank gazes, wholly unconcerned about helping him up.

As the Adventurer fumbles back to his feet (still confused as to why he was even pushed in the first place), the tall man looms by the carriage, diligently watching to ensure that he leaves.

"Travel safe, stranger."

Despite his initial obliviousness, the Adventurer begins to piece the situation together as he stares back at the man, now fully convinced something suspicious might be going on...

…What should he do next??

~

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[1roentgen]

hmmmmmmm

[swinging-stars-from-satellites]

Danger Days as a narrative actually makes more sense/is slightly more insane if you go with "Jet Star and Kobra Kid die and [the song] Party Poison is a direct response to the setting and mindsets that made that happen" btw. if you even care

[aeide-thea]

the problem for me with both witcher s3 and wot s2—well, okay, one of a few problems, but the one i'm singling out at the moment—is that i've just reached a point with SFF where i've largely used up what little patience i ever possessed for the 'young trainee gets frustrated that they're not progressing faster and gets reckless' trope?

like it's not that it's not a plausible way for someone to behave, it totally is! but. i don't know. i need a, like, decade-long break where i just get stories starring middle-aged people who have, probably painfully, learned some damn patience and slow perseverance…

[frozenambiguity]

Mayhaps I have shed a tear.

[toytulini]

wish the little listicles and articles reccomending google alternatives didnt like, mention ios. like no offense but do you think i dont know what an iphone is. you think im looking into google alternatives but i dont know that apple exists? you really think that? if i was going to buy a fucking apple product id already be doing that?

[velocitic]

something on my mind lately that i'm not sure entirely how to phrase is like - this is mostly targeted at white trans influencer types, but i find something very grating on the kind of body negativity posting i see in relation to dealing with body dysmorphia. now, body dysmorphia/dysphoria are something that anyone can experience, and not everyone does, and it's different for different people. however, i take issue with the content made around learning how to "pass" by hiding your body, and specifically the language used for it. primarily i see this around "wide hips", and i do see the need and/or want for clothing tips that help people feel comfortable in their bodies, and i don't think there is anything intrinsically wrong with this content's primary goal. however, as trans owned/focused fashion brands are becoming more in number, i'm finding that the representatives i am seeing for these brands are overwhelmingly white, skinny, transmasc individuals. and the language used to market their products is one that is, i think, meant to be addressing dysphoria, but it comes across to me as a narrowly defined negative view. as someone with a larger chest and a larger/stockier frame, all of the tips about "hiding" my wider hips can do nothing tangible for my appearance. you cannot hide genuinely large/noticeable features of your body; trust me, i've tried for years to do so, and sometimes i still try in vain to wear the straight jeans and the special cut tee shirts, and it just leaves me feeling worse because i am not the target audience of these tips. i am not skinny. i also do not think i subscribe to this belief that wide hips are a "dead giveaway" that will prevent you from passing; i think that (and other such beliefs) honestly is rooted in bioessentialist beliefs that i wish we would all unpack and be a lot better off without.

it is not to say that skinny trans people's issues with their bodies are not valid or not okay to talk about. but i do think that rebranding body negativity into the language of progressive thought is unfair and cruel whether it is shaving razor ads telling women that they are beautiful no matter what but that doesn't mean stop shaving, or if it is a skinny, flat chested, white trans person telling me that all trans people are wonderful but more importantly how much their wide hips bother them - and how a product can "fix" both of these issues.

and how am i meant to feel about this whole thing, anyway? if this skinny person's hips are too wide, then what the hell is wrong with me? there is inherent comparison in self hate. putting yourself down will only lead to holding bias against those who are "worse" than you (whether you're aware of it or not) & broadcasting to all the other people with the feature you hate about yourself are surely also ugly or inferior in the same way you believe yourself to be. i don't think body dysmorphia should not be talked about. i do think that talking about it in the language of product placement and brand marketing is doomed from the start. when a skinny person says that their hips are too wide, their jaw is too soft, they hate their nose and with a chest like theirs they'll never pass, i earnestly have no idea what to possibly say, because in their self hate they have entirely vilified me. i am short and stocky with muscle and my jaw is soft and i have acne and wide hips and a large chest. how am i meant to feel safe with those who believe my features to be their worst nightmare? how can i build community with you when i can imagine how you preen in the mirror over your 110 lb build and how awful it is?

this is what is meant when we talk about self love as a form of resistance. you cannot expect to be a safe person as long as you hate yourself for being human.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)