#i want more thai novel adaptations :(((((((((

[yioh]

thai drama industry was doing so damn well ALL these years creating interesting original content but boom all of a sudden we need to be making all these remakes 😐

[coldzonkprofessorturtle]

An Affair to Remember

Alright, let's get into Affair the Series, which has been giving me brainrot the past few weeks so feels like a good time to get into an analysis of why I find it so fascinating. Eventually I'd love to do a deeper dive into Thai GLs and that industry (that's a whole other thing though) but after having seen my share of them (Gap, Show Me Love, TSOU, The Loyal Pin) I've really found myself falling into the rabbit hole with Affair the Series and the way it depicts friendship, love, and acceptance.

Deep dive below and also thank you gif makers for your work 🙏🏽

(also will go over events from episodes 1-5, so spoilers ahead if not up-to-date)

So first off, I have read the novel, which is the first time I've finished one of those for a GL and quite frankly, the translation wasn't that great but the story still came through. I won't refer to it much and will base this on the show as I think they've done a fantastic job with the adaptation and fingers crossed continue to do so.

Where in most GLs the core conflict is external. The main couple can't be in love typically due to familial/cultural pressure or a man interfering (that still exists to an extent here) the main conflict in Affair is simply that Wan and Pleng love each other too much but they do so in different ways.

When we meet Wan and Pleng they're 17 years old and have spent their entire lives together. They're sisters but not and while Wan seems to have a social circle, Pleng really has no other friends outside of Wan. The spoiled rich girl and the maid's daughter. Couldn't be more different if they tried and yet by circumstance their lives are as intertwined as it gets.

At 17, they have different ideas for their futures. Pleng is musically talented, wins every contest and is financially set. She can live the life she wants. If she wants to be a musician then so be it. Her parents love and support her and there's no pressure. Wan on the other hand has an overbearing mother (and a resentful father), no prospects for her future but at least she has Pleng.

Despite her parents, Wan loves wholly and openly. She knows she loves Pleng and while she doesn't yet know it she does know that Pleng loves her too. I would argue that Wan truly knows herself, which is why she comes across as so self-assured in their younger years. She's slowly trying to guide Pleng to understand herself too.

Pleng, however, has never had to sit with her emotions in the same way. Take this as differences of personality, class and upbringing. Now that they're 17 and entering adulthood, Pleng has to start engaging with the world (and her emotions) rather than hiding behind the rich, insular lifestyle she's had up to this point.

As the idea of boyfriends comes up, Pleng starts to lash out. She's jealous, she's pushy but really she's just in love with her best friend and doesn't know it. Everything starts happening too fast. Wan meets a boy at an art gallery, Aunt Wi pushes Pleng to help Wan get with Ek, Pleng's dad is extremely stressed and she doesn't know to what extent and throughout that Pleng is dealing with her feelings that for some reason just won't go away. Feelings that Wan keeps bringing up in her over and over.

Pleng is a mess. She doesn't know how to connect with her peers, she knows something is wrong with her dad, she sees that Wan is seemingly moving forward in a way that she's not (dating a boy) and whether she realizes it she continues to isolate herself.

From Wan's perspective she couldn't care less about dating Ek. She's already completely devoted to Pleng (in ways that Pleng doesn't even know).

They're 17, hormonal, gay, and incapable of seeing each other's perspective. Wan wants Pleng to let her in. Pleng can't help but push everyone away.

As soon as Pleng starts to really come to terms with her feelings about Wan. That's when everything falls apart. Her dad kills himself, her mom goes into cardiac arrest, all of her family's assets are seized and she's now orphaned and staying with Wan's parents who clearly and vocally have no space for her. Pleng who was already struggling to find her footing before that fateful night now has absolutely nothing to stand on.

The break point is when Pleng finds out about Wan's academic achievements and that Wan had been hiding that truth about herself their entire lives. Wan has always been intelligent and capable but hidden herself behind a veil of ineptitude. Wan in loving Pleng puts her on a pedestal to her own detriment. She has no issue blighting her own light so that Pleng can shine but from the moment we meet 17 year old Pleng in the show we see her pushing Wan to better herself. Wan thinks loving Pleng means her own success doesn't matter whereas Pleng loves Wan and all of her potential.

They both love each selflessly but while Wan would burn the whole world to keep Pleng warm, Pleng loves Wan despite her own existence. So when Pleng leaves she writes,

"Your parents will feel at ease. And you'll finally get to live your life as your true self... I know you love me but I also want you to love yourself. And be proud of who you are."

For Pleng, her leaving is the ultimate way to show her love to Wan. A clean break. She runs away so Wan can thrive but here's the thing Wan needs Pleng to keep her grounded. Pleng does too but she can't see it at this point. Too much has happened and so, in her desperation she removes herself. She is her father's daughter after all.

So when 13 years pass and Wan has spent that entire time holding on to whatever she can to keep herself close to Pleng (becoming a doctor, riding a bike to work, marrying Ek, separating herself from her parents); Pleng has become a ghost of herself. Wan has imbued herself with all the things she thinks/knows Pleng would like while Pleng is stuck in a cycle that she can't get out of: play music, make a bit of money, pay rent, rest, repeat.

Pleng never reaches out to Wan because why would she? Her loving Wan means staying away and on top of that there's a sense of shame of what her life has become.

So when they finally meet again it's too much. Wan is successful but she's still clearly in love with Pleng and while it was all Wan's doing, in a way her success is a direct result of Pleng's influence. In removing herself, Pleng slowly begins to realize not just that she took Wan's smile with her but the why and how. Wan's changed and devoid of the joy and innocence that Pleng loved most.

They slowly fall back into their natural rhythms but Pleng still can't accept her own presence in Wan's life. Wan is back to pushing (albeit more aggressively then before - time was wasted) and in pushing Pleng, Pleng pushes back. If they take their relationship that one step further, what then? What if it falls apart? Why not just stay in a cycle where nothing shifts? What if there's another ringing shot in the distance and everything changes in a moment?

If there's one core trauma to Pleng as a character it's her desperation to not feel like a burden to anyone. Especially Wan. And then she finds out that Wan (though separated) is still married to Ek and she can't accept that she could have ruined Wan's potential happiness. Not understanding that Pleng herself is Wan's happiness. Pleng feels like a disruption because at the root of it the thing she wanted above all for Wan, "I also want you to love yourself. And be proud of who you are" is not something that Pleng accepts for herself.

I'll leave it there and hope the show navigates the situations that are about to come as well as they have so far but kudos as Affair manages to oh so gracefully skirt what could otherwise be an incredibly toxic relationship. Somehow they manage to give these two characters so much grace despite their flaws. And truly that's also a huge credit to Sonya and Lookmhee's abilities.

It's chaotic and messy but in coming back together these two might just realize that's how they both best shine.

[absolutebl]

This Week in BL - In which we all feel the collective meh

Organized, in each category, with ones I'm enjoying most at the top.

Feb 2025 Week 4

Ongoing Series - Thai

The Boy Next World (Sun IQIYI) ep 8 of 10 - so the premise is such fun! It's like "if the red thread was a multiverse." I guess that makes it a 4th dimensional red tapestry? All the parallel world Cirs interconnected via a shared dream world and trying to manifest their relationships with their respective Phus via interference from the ones who have figured it out. I like it. Makes me wonder if the mastermind Cir lost his Phu and that is why he's so vested in fixing the relationship in all the other timelines. That said this was a relatively boring episode with Cir mostly in the hospital and lots of plot talking. Yet still fun because of this premise. Especially at the back end.

ThamePo (Fri YT) ep 12 of 13 - Nice to see Po being savage to his ex, his first major OGT. Bit of a sadsack of an episode though. Looking forward to next week.

Perfect 10 Liners (Sun YT) ep 18 of 24 - I love these two together so much I can’t stand it. Also the bathroom trope scene was particularly lovely. Great lighting in that bathroom.

Flirt Milk (Sat YT) ep 6 or 10 - This show is not good. The seme is overly aggressive, but I still like the sides. The more time we spend with anyone but the leads, the happier I am. 

Ossan‘s Love Thailand (Mon YouTube) ep 8 of 12 - I don’t even have the energy to get annoyed that they put my beautiful Thor in a terrible wig. This show has already stretched my annoyance to the max, no more fucks to give.

Ongoing Series - Not Thai

Secret Relationships (Korea iQIYI) ep 1 of 8 - Stars Wei's Kim Jun Seo. Adapted by Cradle Studio (Kakao). This displaying all signs of a classic Kdrama: Office setting, love triangle, lead suffering for his self-actualization. And as a result I absolutely love it. This one was entirely made for me. I love a lead suffering because of his situation. I love that all the boys are interested. I love that there’s lingering crushes and long-standing misunderstandings. Everything about this appeals to me. 

Eternal Butler (Taiwan Fri Gaga) ep 11 of 12 - Queer robots are the best robots. Also, have I mentioned recently that I love a good butt slap? Very underutilized move in BL. Thank you Taiwan. Wow Kevin’s English is perfect. I mean i expect the best of Taiwan but this is the best. (Inquiring minds want to know if it is all those international competitions he flexed at?) Also perfectly kinky. 

FC Soldout (Korea Thurs iQIYI) ep 7 of 8 - New boy is very sus. But I like him for it. Adore the sides! Must be so novel for an idol to have someone tell him he actually needs to eat. Wild. How gay is this damn football team? 

Fight for Love (Vietnam YT) ep 4 - it’s perfectly serviceable. Which seems to be a lot to ask of Vietnamese BL right now so... yay!?

Impression of Youth (Taiwan Weds Viki) ep 8 of 9 - Well, hello side couple. That was very nice. Thank you Taiwan. Meanwhile, I'm over here idly wondering if Will Wen could be persuaded to pull a hat trick and appear in a Thai BL and a KBL as well as this one - since he apparently speaks most major BL languages fluently.

The stuff dreams are made of.

Heart Stain (Korea Weds IQIYI) eps 7-8 end - this classic love triangle KBL had a classic separation in the final eps, nobody is surprised. But 4 years is a long time to pine. 

Conclusion:

This was a serviceable high school KBL, based on the love triangle standards for which Kdramas inevitably wave the last flag. It was mildly enjoyable if you don’t mind a triangle, certainly earnest, if somewhat forgettable with a lackluster ending. 7/10

Checkered Shirt (Korea YT) ep 4 of 8 - This episode was very rough going. How annoying. But also now realistic. Not that I want realism in my BL.

Exclusive Love (Taiwan Fri Gaga) ep 4 of 12 - this is all a lot darker than I thought it was going to be from Taiwan. Although it still remains primarily just very weird. Also not enough of the second couple in this episode.

Teenager Judge (Vietnam Sat YT) ep 20 end - well it was the final episode last week so here we go! <rant>

Judgement

An interesting premise with two decent couples that failed to commit to the BL side of the equation and thus got mired in a never-ending commentary on bullying. The show could’ve been 8 eps and covered exactly the same material. The entire relationship arc (stepbrothers, my FAVORITE, argh) hinged on lack of communication. And that’s just the beginning of the mire of frustrating flaws. An all round bummer of a show, because the chemistry was decent. This is not a romance and there is no happy ending so don’t expect one. I wasted my damn time and I’m mad about it. Don't make the same mistake. 3/10

It's airing but......

Gelboys (Thai Weds iQIYI) ep 1 of 7 - I’m giving this show a pass. It’s just too far out of my wheelhouse. I don’t have patience right now.

Sashes and Hearts (Pinoy YT) - Philippines is doing Drop Dead Gorgeous only all gay boys queening their asses off. I'm wathing this only if I feel like it.

The Last Time (Thai WeTV) trailer - from 2024, not sure about this one, looks dark. Since it's also difficult for me to get hold of I am giving it a pass until I know about the ending.

A Perfect Match (Taiwan iQIYI) - A not very well regarded Taiwanese sports BL from earlier this year picked up for rerelease. Anyone watched it and like it? Not sure if I should bother.

In Case You Missed it

End of 2024 wraps are here (last chance to read):

2024 Trend Report

MY BEST & WORST BLs of 2024

Best Kisses (and sex scenes) of 2024

BL's 2024 Quirky Awards

2024 Awards - Quick Picks

Next Week Looks Like This:

Upcoming March 2025

3/2 Last Meal Universe (Thailand Sun ????) 10 eps - Trailer. An alien who has come to destroy earth instead falls in love with Thai food and then the Thai boy who cooks it - realistic, actually.

3/12 My Golden Blood (Thailand Weds YouTube) 12 eps - Trailer. GMMTV taking on Weds nights and midweek discourse (they hope) with this hotly anticipated vampire series. I happen to find Joss watchable but this looks very bad and also very Kissable Lips. But at least Thailand is finally giving us the trashy gay vampires we richly deserve? Just realize we don't deserve much.

3/12 Lost in the Woods (Thailand Weds Gaga) 7 eps - Announced for 2023, adapted from a novel of the same name. Fifa just graduated high school and travels to a remote province to take care of his grandma, before starting uni. There he meets Chief Hem, a forest ranger.

3/20 Top Form (Thailand Thurs WeTV) ?? eps - Trailer Adaptation of a Japanese manga. Boom (Chains of Heart) opposite Smart (Don't Say No). Actor recognized as the "The Sexiest Man of the Year" has his first-place position usurped by newcomer. But while he sees them as rivals, turns out the new kid has other ideas. I'm super excited for this but hate watching on WeTv so gonna be a challenge.

3/28 Heesu in Class 2 (Korea Fri ????) 10 eps - Adaption of the comic by Lily, about a shy unpopular boy with a secret crush on best friend who somehow also ends up his school's relationship counselor. Supposed to have completed filming in 2022, the fact this has been in dev hell since then somewhat mitigates this being my most anticipated BL of 2022. I still kinda doubt we are actually getting it but new stills have been released (so something got filmed in the last 3 years).

2025 Line Up

BL Announced for 2025 - PART 1

BL Announced for 2025 - PART 2

20 BLs Announced for 2025 That I'm Really Excited About

GMMTV 2025 Line Up - My Totally Biased and Wildly Flawed Feels

THIS WEEK’S BEST MOMENT

Got nothing. Another unmemorable week.

(last week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

[mono-blogs-art]

The Loyal Pin - Lesbian Period Drama Royalty

Stunning cinematography, a color-coded love story, and an overall excellent production made "The Loyal Pin" a highlight. For the past few months, I've been obsessed. Here's my full review with a spoiler-free version first and a deeper cut down below!

Summary: Overall: 9/10 - this is a must-watch, if you're into the genre. Genre: Period Drama, Historical Romance Watch if you are looking for... : A slow-paced childhood-friends-to-lovers story, beautiful and vibrant camera work, a highly dramatic romance with a happy ending! Watch out for... : period-accurate homophobia and misogyny, and overall ridiculous drama shenanigans Length: 16 episodes averaging about 60 minutes each Where to watch: Idolfactory Youtube Channel, the whole show is officially subbed in multiple languages and free to watch!

Adapted from author Monmaw's original novel "ปิ่นภักดิ์" (pinphak; The Loyal Pin) and directed by Kittisak "Fuse" Cheewasatjasakun, the series stars "Freen" Sarocha Chankimha and Becky Armstrong, who rose to sapphic fame after the roaring success of Idolfactory's 2022 lesbian drama "GAP the series". Now the acting duo is back better than ever for this high-budget production, officially co-funded by the Thai government's Ministry of Commerce.

In 1950's Bangkok, a young Pilanthita "Pin" Kasidit loses both her parents. She's taken in by her aunt, Princess Pattamika, to live with her at the court of the high-ranking Sawettawarit royal family - where she meets the royal family's youngest daughter, Princess Anilaphat "Anin". The two girls immediately become best friends and as they grow up, lovers. Even when Anin is forced to study abroad in England for most of her teenage years, their love doesn't waver. But with royal expectations, their class disparity, and the looming threat of an arranged marriage in sight, Pin and Anin have many obstacles to overcome before they can live their impossible happily ever after.

Let me be clear: "The Loyal Pin" is a good, even great show. But it will absolutely not be for everyone. I had a fantastic time with it and although it's not perfect, I sincerely loved my time within this world and with these characters. I could clearly see the incredible dedication and love poured into every aspect of it, from the performances by the actors to the beautiful camerawork and vibrant colors, the dialogues and scenes overall.

That might not be you. I don't want to dismiss critique of the show (I have plenty myself, as I'm about to lay out) as simply saying "You just don't Get It™️ like I do". But I do think the series is so vastly different from GAP that I'm sure a lot of people wished for just, something different. I can't blame those people, and hey, maybe Cranium will be more up your alley! Long story short, I have seen a lot of quite bad faith discussions of The Loyal Pin in the months since it aired and I want to stress that this review will not be that. Generally, if I didn't like something very much, I probably won't review it (which is why I didn't write about Blank or TSOU, sorry for catching strays).

Now that I've said that, I want to write about a show that I connected with a lot and why. I'm going to break down a few stand-out points to me, starting with our two main characters!

The Characters, My Beloveds:

Lady Pin: Our title character is the princess in this tale. A shy, polite and rule-abiding noble commoner, she's barely above the bottom of the food chain at the royal court and basically a servant. How can you not root for her? The way she endlessly loves and cares for Anin but is still conflicted about her burgeoning feelings and sexuality make her an endearing character you want to see happy. She's extremely devoted, faithful (I mean, the show is called The Loyal Pin...), and willing to sacrifice everything for what she believes in - including herself. We really see our heroine have to go through hell and back to see even a sliver of happiness. As time goes on, Pin becomes more confident but also grows jealous, makes mistakes, sacrifices too much, and is just incredibly human. She's a bird in a cage, and you just wish she could finally fly.

Princess Anin: The actual princess in our tale takes on more of a role of a gallant prince. Anin is the strongest character of the show, both in terms of bravery and emotional growth but also in being extremely consistent and easy to love. She's the mischievous rule-breaker of our main couple and a total optimist, always dreaming of a future everyone around her deems unthinkable. And with her natural charm, she's used to getting what she wants. On the flip side, her power and privilege have made her naive and she easily gets jealous (a trait she does share with Pin, so I guess it's at least equal). Anin is just as devoted as Pin is and works tirelessly to make their happy-ending happen, even when it seems nigh impossible. She doesn't even know that she's just as caged in her position as a princess as every other woman at the royal court - until it's all gone way too far.

The notable supporting cast of friends - Prik, Anin's loyal servant and the mandatory funny side-kick; Anan, Anin's oldest brother and certified Lesbian Ally™️; and my personal favourite Uangfah, Anin's cousin, who also has a crush on her (let's just not talk about that) - are all wonderful additions to the cast that make the world feel big and complex.

The two biggest antagonists in the show - Kuea, Pin's primary suitor, and Princess Pattamika, Pin's aunt, also bring the necessary spice to the mix. Admittedly, putting them in the same category is a bit mean - Kuea is a dumb prick you love to hate, while Auntie Patt is much more complex and hating her definitely hurts - but they're the closest we get to villains in this story. The show makes a big point out of the fact that, technically, most people are on board with Anin and Pin together, but the society around them is just simply not.

With a runtime of over 16 hours, the show can also really take its time to let you feel for the characters. And I love that!

Visuals: As already mentioned, the show just looks gorgeous. Kudos to the entire staff behind it - camerawork is consistently smooth, and although the layouts are often simple and can get repetitive it's still functional. The sets, the costumes, everything fits well together to transport us back in time. It's that delicious government money coming in clutch. The dialogue and writing is excellent, and character pay-off is deliciously sweet. The show works with very saturated colors that make everything look vibrant and pull you in with this nostalgia fantasy. Characters are also heavily color-coded, with Pin and Anin wearing palettes of pink and blue respectively. And when things go awry, those palettes also shift to represent their current emotional states.

The Plot (AKA the Romance): The story of "The Loyal Pin" can be easily summed up: It's the story of the romance between Pin and Anin. Their love story is the plot of the series - how they meet, how they fall in love, and how they end up together. There's no big mystery or drama outside of that - although there is plenty of drama to be had within. We've got jealousy plot lines aplenty, miscommunication, secret-keeping and everything else you'd expect from this genre. And it's all juicy as hell.

And if I may put some mild spoilers here already - my favourite part of the whole drama is that it has a point, and that our main couple actually learns how to talk to each other, process their feelings, and admit wrongdoing. It gives both Pin and Anin flesh and blood and makes them feel real, and so even when they fumble I want to see them get back up.

Pin and Anin have an undeniable attraction to each other and insane chemistry. Obviously, the actors are familiar with each other after all their projects together, so this should come as no surprise. The show is, of course, also really sexy, and although we don't see a lot of skin per se, my God, believe me, you're gonna be sweating.

(^ Anin is a certified Boob Girl)

Conclusion: What makes this show a 9/10? There's really not much to complain about here. I think if period dramas are your thing, in all their melodramatic glory, then you'll enjoy this show - and if you don't then you won't. For me personally, the repetitive layouting, the weird pacing in the somewhat drawn-out last 3 episodes, and "The Scene" (this one will have to go in the spoiler part, sorry!), among other smaller misses I wish weren't there, all made me retract a point. It's a great show - but I can easily name things that it could improve on. And I would like to see it in Idolfactory's next project.

With "Cranium" already having its pilot out, I've got high hopes!

I would recommend this show to anyone who watches (Thai) GL shows. It's one of the best I've watched so far. "The Loyal Pin" is a show with a lot of heart, great characters with even better chemistry, and beautiful visuals. It has well deserved its spot in my top 3 shows of the year. Go watch it, now, and then come back and tell me what you think!

Thank you for reading this lengthy post! This is the end of my spoiler-free review!

Now, let's get into spoilers to discuss some stuff more in depth - the great, the good, and the very bad.

The Break-Up - A Perfect Episode of Angst:

I famously wrote a very lengthy post about how excellent I found episode 13 AKA the break-up of Anilpin, which you can read here in its entirety. The post somewhat blew up on TLP twt when it got reposted there (without my permission, but it's all good now). And I'm glad people enjoyed reading it. I still stand by all of it! Sorry for not typing everything out again and linking to a different post. I just needed to highlight it again and how deliciously tasty the angst was. It was really the perfect distillation of showing the class disparity, power plays behind the scenes, mixed up with Anilpin's jealousy and miscommunication, the misogyny all the main woman are experiencing, Pin's martyr complex, and Anin's blind optimism. Really, really tasty, and it made their reunion in episode 15 even sweeter.

Princess Pattamika: A character I really need to expand on is Auntie Patt - and just to get it out of the way: I love her. She's my favourite "villain", because I can understand why she does what she does - even if she ends up deeply hurting the person she cares about the most: Pin, her adoptive daughter.

Princess Pattamika took in her niece after her brother and his wife, Pin's parents, died. Herself also having been adopted into the royal court of the Sawettawarit's, she inhabited an extremely similar position to Pin. A noble commoner, earning herself a good standing by serving the royal family well.

... and as we find out later on, she even wound up in a very similar romance - falling in love with a high ranking princess. Their relationship seemed extremely intense, probably similar to Anin & Pin's, but was cut short due to the princess' untimely death. Until this day, the loss of her love hurts Patt.

No other character understands Pin's position and struggles better than Patt. Which is also exactly why Patt is so exceptionally cruel to her when she finds out about Anin & Pin's relationship - and even before that, when Pin was just mildly disobedient and getting into trouble with Anin. She sees the heartbreak she suffered as inevitable for Pin. More importantly, she understands exactly the position this puts Anin in. Preserving the royal family's integrity and honor is the top priority of lower ranked nobles like Pin (and Patt herself). Anin & Pin's relationship is a ticking time bomb for the royal family if it were to be found out, so Patt is livid when she finds out that Pin has been keeping this secret for so long.

Throughout the show, Patt is stern and harsh with Pin (let's not forget the corporal punishment in episode 1?!). At the same time, you can see how much she cares for Pin and just wishes her to have a good life. Patt is also very conservative - again, see all of the above - and is keen on having Pin follow a traditional woman's role as a wife and mother. Which is why she also pushes Pin so hard towards Kuea, who can successfully charm her because he's buddies with Anon and works for the government. It doesn't matter that Pin loathes him, Kuea is the ideal husband because they have similar standing and he's on good terms with the royal family. Patt's misguided perspective morphs into cruelty and conservatorship. Only after Kuea is finally exposed as the POS he always was, Patt's world shatters - she's been wrong all along, and caused unthinkable pain for her Pin.

In the end, it's up to us as the audience whether or not we "forgive" her. I know I do, and I know Pin definitely does. Pin, being so similar to her, knows exactly why Patt did what she did, and that without her she wouldn't have the life she's living right now at all. This isn't to say that children should just be grateful for what their parents give them, and forgive them all the pain they cause - but Pin and Patt clearly see how they've been misguided, and find the love they have for each other again. In the finale, Patt stands by Pin and encourages her to follow her heart and do what's right for her love even if it would mean running away to England.

I just think Auntie Patt is a great character but also very divisive, and I was viscerally hurt when she turned on Pin, it's like I was betrayed by her myself. In the finale, she ends up giving Pin her unwavering support, even if it means defying authority and not adhering to social norms. It's such nice character development. Man, Patt, you've come a long way. I will not defend your crimes but I WILL defend YOU. And I wish you a very yuriful future. #lesbianmilfinyourarea

"The Scene":

(HBomberguy voice) "To me, it is always The Scene."

Alright, let's get this over with.

I'm referring to a very specific sequence of events that play out in the final episode, that are so astronomically stupid and bad that they have been in my mind for weeks. It taints the lovely memory I have of watching the finale with my bestie because it just makes me shake my head and think: "Wait, what were the writers thinking?". Completely immersion-breaking. I have to take a break from praising this show to shit talk this scene because I just can't get it out of my head. Among all the great characterization, pay-off, and overall love for Pin & Anin in the show, this scene stands out like a sore thumb. The finale itself is good - we'll get to that in a second - but this still makes me mad.

So let's break this down. "The Scene" plays out after Pin confronts Anin's father. In a very ominous scene he declares that he will have to simply "remove the problem" with Pin in order to have his way. Subsequently, guards show up at the Lotus Palace and abduct Pin, with Prik, Pia, and Auntie Patt all screaming for help trying to stop this. Pin then wakes up, blindfold removed - in the Pine Palace, surrounded by a moody and romantic setup themed around her and Anin's relationship. Confused, shaken, she looks around to look at the pictures of her and Anin, before Anin comes in to reveal that this whole charade was just a show her father orchestrated to get Pin to move in with Anin permantently. In a small flashback, we even see Patt, Prik and Pia being in on the joke, laughing their asses off as Pin is being driven away.

Now, to her credit, Anin didn't know about it and wanted to warn Pin first but came too late. But the rest? None of you have any excuse. Especially for Aunt Patt, whose writing I just praised to hell and back, this was a complete slap in the face. And even Anin - she just let it slide? That they fake-kidnapped her already anxious girlfriend? Pin does point out that she was (rightfully) terrified, and even then Anin is like, "It was just a little surprise!". Anin. Anin. I'M SORRY????

Whoever wrote this seriously needs to put themselves in the position of the audience. For 15 and a half hours we've been struggling to see the girls be accepted, taken seriously by their families, only for their relationship to be dissected and belittled endlessly. And now, that we finally have them be accepted, become some sort of joke to prank about? I could not believe my eyes. It's honestly unfathomable how this ended up in the final script when you look at the bigger picture and compare it to the rest of the (fairly tame) shenanigans this show pulls.

For this one, really, I have no excuse. What a way to destroy half of your main cast's development with just one scene. And for what? To bait us into a dramatic finale with the episode preview? Go to hell.

Now that I've said my piece on this, by far the worst scene of this show, I can move on and hopefully finally let it go. I've decided that this is simply just not canon and the writers just wanted to clock out early that day. Anyway. Lots of digital ink has already been spilled over how this is the worst scene of the show and I won't kick it while it's down any more. Let's get back to the good stuff again, which I promise is the other 99% of the runtime.

The Finale - or, The Defiant Pin:

The rest of the finale is very tasty and enjoyable and I want to talk about my favourite thing, which is our heroine Pin finally standing up for herself and her love.

The biggest conflict Pin faces throughout the show is her powerlessness in any decision, even regarding herself. Her life, her love and her body is commanded by the people above her. And it's no different when it comes to her relationship with Anin. Although Pin believes the impossible for a while, she's faced with the horrifying reality as soon as someone finds out about them.

This was admittedly quite frustrating after a while. As a viewer, I wanted my heroine to stand up and FIGHT! How many L's can this girl take without breaking? Well, a lot, apparently. The martyr complex really runs deep. So when it finally happens in the finale, and Pin goes to talk to the King directly, demanding of him the impossible, I cheered. That's my girl!!!! It was the character pay-off I've been waiting for all this time, and it was delicious. I wished it could have been earlier in the series, but I'll take it.

An Impossible Happy End:

In the end, all was well. Anin and Pin get to live their quiet lesbian life together, with the support of the entire family. Surely, this will not end their struggles - something we've been reminded of for almost the entire show - but with everyone having their backs, it might just work out. They even get to be the cool aunts to their niece Alin (named after Anin, aw!) and they get to have their own mini "wedding" in front of the whole family and brother, it brought a tear to my eye. The devotion paid off, our girls can be together forever. The End!

Who cares about realism, historical accuracy etc etc shut up. Just stop right there, I don't want to hear about it. Sometimes you just want a sapphic period piece to have a euphoric happy ending after all the shit they went through and I'll never be mad at it. We even get to hear that my bestie Lady Uangfah got rid of her POS fiancé and is presumably living it up as the hottest lesbian princess in Phrae. Bless. And for Pin and Anin, we know no surface in the palace is sacred, and every single person in the court will walk in on them making out at some point. And that's good for them!

Missed chances:

For one last nitpick, just to satisfy all the haters out there, let me list out a bunch of things I thought were either 1) stupid 2) disappointing or 3) both. Lightning round of cinemasins committed by a free YouTube series GO:

The hairpins that Anin and Pin have don't come back as major symbols in the end and I thought that was really disappointing. It was set up so nicely; Anin angrily gives hers back to Pin when she gets engaged but then they don't do anything with it. They didn't even wear them for their wedding or something. Boo!!!!

Anin gets sexually assaulted by her "friend" and the show, Anin included, just lets that slide? Sure, Anin is uneasy around Lady Aon for a while but eventually it's just like, okay? Not a great look and I found the way it was handled in quite poor taste.

The show has a weird way of going from funny to serious sometimes, I think it was episode 14 that this especially bothered me. But it's alright, whatever.

The layouts especially in quite important scenes are boring as hell, and that really softens the impact of them and that's a shame. You know which FreenBecky project has fantastic layouts? Uranus2324. For all the faults that movie had (and boy, there were many), the frame compositions were fucking amazing all around. It took me so long to write this review that the movie is now finally out so I'm allowed to mention it, and you should go watch it!

Pin wears blue to signal her allegiance to Anin when she gets engaged, but Anin never wears pink to do the opposite. Sure, her blouse in the epilogue has a bit of pink in it, but boo!!!! I wanted more. If you set up color coding this strict, ride it until the end.

The first opening theme song is really boring (although it does fit the period drama vibe very well) and I don't understand why we couldn't have had Cheevee as a theme song from the very beginning. That song is a huge banger.

Not enough Uangfah, like, just in general. Show me my girl.

We never had a scene where Princess Alissa calls Pin her daughter-in-law/second daughter or something. I was hoping for that to happen all throughout the show. We just hear that she's really fond of Pin all the time, and in a quite bad display of Tell Don't Show they barely have any scenes together. I really hoped they'd do something for the finale but no.

Anon sucked and idk why he was there, just to annoy me specifically I guess. They could have done much more with him!

Pin has a job and I think they just forgot about that half of the time.

... and that's all I have to say for now.

This is by far the longest review I've done so far, and if you made it all the way through, congrats and thank you!!! Thanks to all the messages and personal encouragement by my fellow Thai GL lovers I get to have fun writing these things. Whether or not you agree with me in the end, I hope you enjoyed reading.

As always, my askbox and DMs are open if anyone wants to geek out. Cheers!

Love, Mono

[gunsatthaphan]

~ Monthly BL Breakdown: December 2024 ~ 

🎆 Happy New Year!!! 🎉

Hey everyone! This will be my last breakdown as I have decided to discontinue the tradition. Making compilation posts requires a lot of work and dedication and unfortunately the engagement is not big enough for me to have the motivation to keep going. Thank you to those who have liked and reblogged and said nice things, I appreciate that very much!! 🧡 I will continue to run my blog as usual so I will remain available for asks about anything (as long as they're nice) and I will continue to post updates here and there. Thank you 🧡

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

As always feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Addicted Heroin Special Episode - December 1st (Thailand)

🌟 Tokimeki Bomb - December 1st (Japan)

🌟 Hidden - December 3rd (Thailand)

🌟 You Want Some? - December 5th (South Korea)

🌟 Be Moon - December 6th (China)

🌟 Eyes on You - December 11th (Hong Kong)

🌟 ThamePo: Heart that Skips a Beat - December 13th (Thailand) ✅

🌟 The Renovation - December 14th (Thailand)

🌟 Only For Fans - December 15th (South Korea)

🌟 Eternal Butler - December 20th (Taiwan)

🌟 Gangster And His Boyfriend - December 21st (South Korea)

🌟 The Way Home - December 24th (China)

🌟 Sangmin Dinneaw - December 29th (Thailand)

Monthly Likes / Dislikes

❣️ - ø 👎🏻 - ø

New series & movie announcements

🎥 Lost on the River (starring JudoFluke) - Date TBA (Thailand)

🎥 I'm Not Wrong - Date TBA (South Korea)

🎥 Love Destiny from Hell - Date TBA (Thailand)

🎥 Concealed and Blended - Date TBA (Thailand)

🎥 City of the Sun - Date TBA (China)

🎥 Secret Relationship - Date TBA (South Korea)

🎥 Love and Punishment - Coming March 2025 (Taiwan)

🎥 Desire - Date TBA (China)

Other news from the BL world

❗️ The winners of GMMTV's BL contest Y-Find have been announced. A total of 4 submitted plots by Thai fans will be adapted into series. The winning titles are My Lovely Pet, Who Killed My Boo?, Lost Time and รักนี้พอดีเป็นของพระรอง. Further production steps have not been disclosed by the company.

❗️ The Japanese BL I Became the Lead in a BL Drama is getting a sequel. The title as well as a premiere date have not been announced.

❗️ The Japanese lgbt dating reality show The Boyfriend is getting a second season. Further details are unknown.

❗️ Former Be On Cloud actor Barcode Tinnasit has joined GMMTV.

❗️ In a public statement, the writer of the novel Pit Babe, which was adapted into a series in 2023, announced that they have removed the Omegaverse elements from the sequel as it no longer complies with their beliefs and principles. These changes will be carried into the upcoming series adaption by Change 2561 in 2025.

❗️ The yearly Y Entertainment Awards were held on December 1st. The following BL actors/productions won:

Last Twilight: Best BL of the Year

Aof Noppharnach: Best BL director of the Year

Pooh Krittin: BL Prince of the Year

Pit Babe: Best Production of the Year

"Re-Move On" by GeminiFourth: Best OST of the Year (My Love Mixup)

Up Poompat: Best BL Lead Actor of the Year

❗️ WETV released their 2025 lineup on December 5th. The following BL productions were announced:

Shine (sequel to ManSuang, starring Mile P. and Apo N.)

Love of Silom (starring Up P. and Poom P.)

Top Form (adaption of the manga Dakaichi, starring Smart C. and Boom R.)

Knock Out (starring Gunner N. and Nice B.)

Me and Who (collaboration with Domundi, starring Big T. and Park A.)

Upcoming series & movies for January:

👉🏻 The Boy Next World - January 5th (Thailand)

👉🏻 Ossan's Love Thailand - January 6th (Thailand)

👉🏻 When It Rains It Pours - January 9th (Japan)

👉🏻 Idolfactory 2025 lineup event - January 12th (Thailand)

👉🏻 Impression of Youth - January 15th (Taiwan)

[blackleatherjacketz]

Shadow and Sin: Chapter 2

Elijah Mikaelson x Female Reader

Summary: Having just moved to New Orleans, you get intimately acquainted with both Mikaelson brothers, but don't find out who they truly are until it's too late.

This Chapter: Looking for information on Klaus, you find your brother in the library and run into another handsome stranger.

Warnings: Sexual Tension, Dark Themes, Dante's Inferno, The Phantom of the Opera, Literary References, Delicate Touches

Word Count: 2k+

Read the rest of the story HERE

You spent the next few days staring at the number written on your palm, the name ‘Klaus’ scribbled beneath it as the ink slowly began to fade with each wash. Putting the number into your phone for safe keeping, you continually fought the urge to call him and take him up on his tantalizingly generous offer. Just to be safe, though, you asked your brother to look up any information he could find on this playboy billionaire philanthropist, but he wasn’t answering his phone, which wasn’t like him. This either meant that he was buried in casework, that he was purposefully ignoring you, or something way worse.

You decide to go to the library and check his most likely location.

“Shit, sorry.” Austin looks at his phone to see your three missed calls and four text messages after uncovering it from his scattered papers on the library’s study desk. “I should have told you I couldn’t make it to your art show the other day, but Allan’s really kicking my ass with this one.” Your brother hurriedly takes the cup of coffee that you brought him, the bags beneath his eyes growing darker by the minute. “I really do plan on going to see it, I promise I will as soon as this case is over.”

Law school had really put your brother through the ringer, draining him of the light that used to shine bright within him. He’d said that once school was over, things would be better, but you’ll believe it when you see it.

“No, I get it. I just wanted to make sure you were okay when you didn’t respond. And you know what they say: ‘It can be pretty dangerous in the city after dark’.” You nudge him in the side, repeating one of his favorite phrases back to him in a mocking tone.

“Hey, I mean it when I say that!” He shouts in a defensive whisper, taking a sip of coffee with a grateful sigh. “If only I could show you half of the stuff I see at work without getting fired, I would…”

“I know, you’re just looking after me.” You ruffle his hair affectionately as you assess his messy work station. “You hungry or what?”

He rifles through his papers as if he’s lost something very near and dear to him, the crinkling sound seeming to drive him even more insane than anything. “Give me… forty-five minutes and we can get something to eat? Thai food?” He looks up at you, exasperated by the state of his workload.

“Fine,” you roll your eyes. “Forty-five minutes, and not a minute more!”

You turn away and leave him to his madness, silently exiting the most boring part of the library, walking through the science fiction and mystery sections in order to get to your favorite part; the horror section. You stroll through the alphabetized authors of terror, skimming past dozens of Stephen King novels before pulling out one of your favorites that had inspired a handful of adaptations over the years, all of them successfully paying it due homage. You’ve read it more times than you can even count, having collected a slew of copies of it at home, but none of them like this.

You admire the intricate cover of the hardback, smiling at the familiar sight of the white mask and red rose before tucking the tome lovingly into your chest. Knowing that the next forty-five minutes will surely fly by now, you turn down the aisle to find a quiet place to read, only to bump into a man you hadn’t seen there before.

He’s dressed in a three piece suit seemingly cut out of shadow and sin as an ancient aura surrounds him, almost as if he were as old as the city itself. His face, in turn, is just as timeless, reminding you of the old black and white Cary Grant movies you used to watch with your grandmother before she passed. Only he’s here now in living color, and it takes everything you have just to stop staring as a chill runs down your spine.

“Sorry,” you whisper shakily.

“Apologies are all mine,” his voice is deep and refined as he steps into your space, carefully placing the book back in its spot directly in front of you. “I wouldn’t want to create more work for the librarian.”

“This coming from someone reading Dante’s Inferno?” You finally say to break your awkward silence, noticing the famous title as he pushes it all the way in. “That’s a pretty heavy read for a Thursday night.”

He smiles with a low chuckle, eyes black as night glancing down at you before he deflects the attention away from himself. “And the Phantom of the Opera is such a light hearted story.”

“I find it comforting and romantic.” You defend the book in your arms with a grin.

“Is that so?” He tilts his head, taking the book from you without a hint of remorse before tracing the raised letters on the cover, almost as if to memorize the feel of them. “Two lovers obsessing over one incredibly talented beautiful woman? One driven mad with obsessive infatuation while the other truly has her best interest at heart?”

“So, you’ve read it?” You joke, noting the underlying bitterness in his tone despite his charming smile. This story’s personal to him, just like it is for you.

“Several times, yes.” He turns toward you, flicking through the pages as if he’s able to read them at superhuman speed. “Leroux really did know how to set the scene, didn’t he? A beautiful French city always seems to make it easier to fall in love.”

“Is that a fact?” You attempt to play it cool as he speaks so fondly of one of your favorite authors, drawing you in a little closer as he speaks.

“It’s a common literary device used in countless classics throughout the centuries, but I’m sure you already knew that.” He pauses, the dim lighting of the library making his dark eyes seem less imposing, almost sparkling as they look you over before scanning through the pages one more time. “Or maybe it’s the drama you prefer, the constant danger, the countless brushes with death that make you feel more alive than ever? Making the romance that much more palpable than if it were against any other monotonous backdrop?”

Jesus, is it written all over your face that you like a little bit of darkness with your romance? Is there a sign on your forehead that reads… What did the other man call you? Ah yes, ‘morbidly disturbed’? Was it so glaringly evident that you moved to this city to relish in the black magic you’ve heard so much about? Or maybe everyone else here is just as crazy as you are, no matter how elegant and put together they may seem.

“A little bit of both.” You decide to lean into the madness, slowly brushing your fingertips over his hand in order to catch him off guard just long enough to take your book back from him. “But what fun is romance without any stakes? It doesn’t make for a very good story, now does it?”

“I suppose not.” He smiles, the skin around his eyes wrinkling as he stares at you, warming you to the idea of opening up a little bit more.

“Or maybe there’s something to say about someone who is so in love that they’re willing to fight for it, willing to kill for that other person because they can’t imagine a world without it, without them.”

He raises his eyebrows as he considers your words, visibly tensing up as he clears his throat and shifts the weight in his hips. “The Phantom doesn’t kill for Christine, he kills despite her. It’s who he is at his very core before he even gets involved with her. He’s a ghost, a phantom, a monster.”

“A monster capable of love and empathy after he’s finally shown that in return.” You counter, now unsure if you came away with the correct message from the book.

“Ah, a truly hopeless romantic.” He grins, licking his lips before speaking again. “I didn’t think they still existed.” His eyes rake over your entire frame, taking in every inch of you as he allows the following silence to remain between you, hovering around you both in a heavy fog as the weight of it nearly takes your breath away.

“But enough about me,” you laugh nervously, changing the subject as you feel your cheeks begin to redden beneath his gaze. “What draws a man like you to The Divine Comedy? Are you the religious type, or are you just trying to figure out which circle of hell you’re doomed to spend eternity in?”

“Oh I already know that answer too well, I’m afraid.” He lets out a long sigh before leaning against the bookshelf. “But Dante’s work can be studied from a more worldly perspective on how the justice system deems their punishments worthy of someone’s crimes.”

“So you’re a lawyer like my brother. That explains the suit.”

He smirks again with a shake of his head, clearly amused by your failed attempt to figure him out.

“Well, a professor certainly wouldn’t get paid enough to wear a jacket or watch as nice as yours, so I think that Dante would place you in the… fourth circle, if memory serves me correctly.”

“A hoarder of wealth? Is that what you think of me?” He laughs, stepping in just close enough so that his smoky scent of cedarwood swims around the both of you, pairing perfectly with the musk of the leather bound books beside you. “And what other assumptions have you already made based on my appearance, young lady?”

Young lady?! Uh oh. Your eyes widen, the muscles in your abdomen tightening as his term of endearment triggers your brain to start trickling oxytocin into your bloodstream.

His answer, however, gives you pause, forcing your eyes to narrow as you take in everything about him. He’s not a lawyer or a professor, but he certainly carries himself like someone of equal or higher importance, like an executive of some major company that you know nothing about. He’s a mystery cloaked in a seductively elegant darkness, and you can’t help but want to get wrapped up in it.

“I ummm…” you trail off, fearing that the dim lighting is doing little to hide the deepening flush of your cheeks right about now. This man is way out of your league, and it’s only a matter of time before he realizes that you’re in uncharted territory.

“Well, as long as we’re going off of first impressions, I’d say you would fall into the first circle with the Greek philosophers… if you qualify at all.” Those onyx eyes seem fixated on you still, dropping down to your neck and chest before glancing back up at your face, spreading that blush up into your ears.

“The virtuous unbaptized?” You try not to laugh, wondering how it was possible that the man yesterday had thought you to be such a dark and tortured soul, while this one paints you as some sort of angel. They were both wrong in their own way, a single thread of truth holding each of their ideals together. “That’s very kind of you, but I’m afraid that the second circle is where my most devious nature starts and stops,” you confess, feeling your heart race as he closes the gap between you.

“The sins of the flesh.” He smirks, clenching his jaw before delicately touching the spine of your book. “Unsurprising. I assume that a beautiful woman such as yourself is provided ample opportunities to get you into trouble there.”

“You assume correctly.” You let your mind wander about what he looks like underneath all those expensive clothes as he leans in further, the top of your book now pressing against his tie as his fingertips graze the back of your knuckles, forcing the hair on the back of your hand to stand on end.

“Alright, I’m done!” Your brother interrupts your conversation as he walks down the aisle, his messy work bag barely hanging off his shoulder when he spots your new friend. “Who the hell is this?”

The man gives you a somber look before clasping both of his hands over yours, finally looking up to address your brother. “Forgive me, it seems that I’ve lost my manners, I’m Elijah.”

[helix-enterprises117]

Halo: A Beginner's Guide

For all of you newcomers out there, here's a list that I've wanted to do for a while now. For those who are new to Halo, likely introduced by the TV Show, and want to get into it, here's my 2 cents on how to ease into the franchise.

The Games

Play the original four games PLUS Halo Infinite in chronological order. The spin-off games (Reach, ODST, the Wars games and the Spartan games) are all completely optional, but they are there for people who want play other games that aren't centered around the Master Chief. I recommend just watching all of the cutscenes of Halo 5: Guardians in some supercut "movie" Youtube video, since the 5th game is... bad and, story wise, you're not missing much.

So in this order WITHOUT the spin-offs:

Halo: Combat Evolved

Halo 2

Halo 3

Halo 4

Halo Infinite

If you want to play the games WITH the spin-offs included, then in this order:

Halo Wars

Halo Reach

Halo: Combat Evolved

Halo 2

Halo 3: ODST

Halo 3

Halo: Spartan Assault

Halo: Spartan Strike (Note: This game takes place in two different time-periods, so just play this after Spartan Assault for convenience sake)

Halo 4

Halo Wars 2

Halo Infinite

My advice: Play the main four (+ Infinite) FIRST, then replay the main-games WITH the spin-offs in chronological-order.

Books & Comics

Here comes my favorite part!

Books

Halo: The Fall Of Reach, Halo: First Strike & Halo: Contact Harvest - The FIRST books in the entire franchise, these books set the stage for the entire setting of the Halo world. The first half of The Fall Of Reach is Master Chief's origin story, while the second half is about, well, "the fall of Reach." First Strike is a book that takes place in-between the first and second game AND, for a high-octane action-book, has a shocking amount of shipping material. And finally, Contact Harvest details the early years of the Human-Covenant War AND further fleshes out the Covenant as an antagonistic force by showing their side of things.

Halo: Silent Storm & Halo: Oblivion - For those who want MOAR Master Chief, these two books focus on a younger Chief fighting the Covenant in the earlier uears of the war. These two are probably my favorite Halo books thus far.

Halo: Ghosts Of Onyx & The Kilo-5 Trilogy - It's crucial to read Ghosts Of Onyx first BEFORE delving into Glasslands, the first book in The K5-Trilogy, since Glasslands takes place IMMEDIATELY after Ghosts Of Onyx. Anyways, these stories are for those who are bored of Master Chief and want to read about other, admittedly more fascinating Spartans. Kurt and Naomi are definitely among my favorite Spartans that aren't named "Master Chief," "Blue-Team" and "Silver-Team."

Halo Evolutions - An anthology book with each story taking place in some corner of the Halo universe or another, this is a book I recommend for world-building purposes.

Comics

Halo: The Graphic Novel - Just like Evolutions, Halo: The Graphic Novel is an anthology series thay tells different stories from different corners of the Halo universe for world-building purposes. These stories are all new stories and are NOT comic-adaptations of any of the stories in Evolutions, so don't worry about basically reading the same stories twice; The Graphic Novel has a similar concept, but all of the stories are different.

Halo: Blood Line - Black-Team is the coolest group of Spartans in the entire Spartan-II Program; they're group of misfit loners (who secretly have feelings for each other) who answer ONLY to ONI (the CIA of the Halo universe) and wear black suits of armor with roman-numerals etched onto their visors. They do cool-guy shit together, and this comic follows their story.

Other Material

Audio-Dramas

I Love Bees - Taking place in various different points in time, I Love Bees was an ARG that was turned into an audio-play long after it was deciphered. I won't spoil anything that happens, but I will say this: Shit gets kinda crazy.

Hunt The Truth - Another ARG. This fictional podcast was made to promote Halo 5: Guardians and... it's the best damn part to come out of that stinker of a game; Hunt The Truth's narrative is SO much more interesting than Halo 5's story, it HURTS. Anyways, it's about a reporter uncovering the truth of the Spartan-II Program as ONI starts a smear campaign against the Master Chief to cover their own asses.

Movies & Shows

Halo 4: Forward Unto Dawn - This web-film was promotional material for Halo 4 (as it's title suggests), and it follows a group teenaged military-school students going about their lives as Lasky, a confused cadet who is struggling to find a direction in life and live up to his family's reputation, grapples with the struggles of military-life in his academy.

Halo: The Series - If, by some off-chance, you WEREN'T introduced to Halo via the show, here's the recommendation. Form your own opinion, but here's my advice: Like what you want to like and don't follow the word of mouth.

Halo Legends - An anime anthology that, just like Evolutions and The Graphic Novel, world-builds the mythology of Halo by telling different, disconnected but ultimately in-continuity stories set within the game's universe. Odd One Out, Homecoming and The Package are my favorite shorts in the film.

Machinimas

Red Vs Blue - What else? Seasons 1 - 14 are my recommendations, don't watch anything else beyond that because it SERIOUSLY drops in quality. Just wait for it's final season, Season 20, to come out; you're not missing much with seasons 15 - 19.

The Spartan Legacy - A seriously underrated series. Made by a Youtuber under the name: 'Chronicler177,' The Spartan Legacy takes place in an alternate-continuity where Chief disappears and never comes back after the events of Halo 3. As a result, the Spartan-IVs and Vs (both of which are more interesting than in-canon; and the Spartan-Vs are a new creation within this web-show itself) are created to take his place.

CRASH - A neat new series that features a group of special-ops scouts being relocated to an old NATO-Base. These characters are SO LIKABLE IT FRUSTRATES ME. Words can't really do the show justice, so just go watch it. What're you still doing here? WATCH IT, DAMMIT.

WHEW! That's all, ladies and gents.

@authortobenamedlater, @silverpelt3600, @ionlymadethissoicouldleaveanask, @makowrites, @mrtobenamedlater, @biomecharnotaurus, @killer-orca-cosplay, @cheezbot, @caffeineyum, @asimplesimpsimping.

[waitmyturtles]

Final Thoughts on Spare Me Your Mercy, Thailand's Biggest Queer Show of 2024*

(*domestically!)

Due to the holidays, I was behind on watching last week's finale of Spare Me Your Mercy, but I got it in, and I'm glad I did.

I am mucho on the record that I thought, throughout this series, that the romance portion of this series was done weakly. I throughly enjoyed and appreciated @clairedaring's objective and appreciative commentary throughout the airing of this drama to provide all of us with context about novel!SMYM versus series!SMYM, helping us to understand what of the many bits were missing between the two versions of this story.

There has been a nice lot of debate online about the ultimate success of the telling of the SMYM story in drama format, both pro and not so pro regarding the script. There was also quite the revealing interview with the screenwriter Lux Sirilux, who revealed that the show's design purposely excluded NC scenes to favor more time being spent on the euthanasia ethics debate (thank you so much to @clairedaring for reblogging so much, I wouldn't have these references without you!).

I want to note that even despite the recent holidays, that the heightened online burble of debate around SMYM indicates to me -- like the ensuing debates after the airing of the 4 Minutes finale -- that the story of the SMYM drama format didn't land for everyone. If it was universally successful in its storytelling from all the classic narrative markers, then much of this debate would not be happening.

I first entered the SMYM world understanding that it was a part of a storytelling trilogy of sorts, connecting Sammon's previously adapted stories in 2020's Manner of Death and 2022's Triage (I haven't reviewed Triage yet, but I watched it in 2024 and it is absolutely one of the five best Thai BLs I have ever watched.)

To go back to the Lux interview quickly, and to note fan commentary in defense of Lux's position: what Lux Sirilux posits is that the show essentially decentralized NC scenes and intimacy in favor of giving the script more time to dwell on a debate about euthanasia -- the ethics and morality of being a part of a person's death, and the ethics of a person deciding to die in the first place. The defense of this position essentially stated: well, because the show wasn't intended to be about romance, then why criticize it on its romantic context?

When I think back to the show's original positioning as a part of the MoD/Triage trilogy, I think to myself: the couples of TanBun and TinTol were absolutely central, as romantic pairs, to the success of those two stories, and both shows absolutely balanced their mystery elements so as to leave us fully satisfied on two (!!) genre fronts. At least, before SMYM premiered, to be excited about the TorJJ/KanTew coupling was therefore a reasonable expectation.

As well: there was a lot of implied attraction and romance in SMYM. A lot!

All these scenes! And we had more.

As soon as this show started airing, I was pulling for it to work as well as Manner of Death and Triage had. And I was side-eyeing to my drama homies about what I was smelling, when I started to feel like SMYM was NOT working. While a defense that the show was never meant to be a romance is... an interesting postscript to ponder: I don't buy it, because many elements that were clearly designed to otherwise communicate romance actually failed. I squinted heavily at the middle episodes of this series, really wondering, ".....so......are these guys.... DATING? Just feeling things out?!"

If these elements weren't actually intended to be in the show, the attraction between Kan and Tew, then -- why did we get them?

What was missing, narratively, for me? It was emotional context based in the reality of how I understand intimacy to function between two humans -- an understanding that, in the very best of art, I don't need to suspend in order to make a narratively unsuccessful show otherwise work.

The progression of emotional (let alone physical) intimacy was choppy in this series, to say the least. @clairedaring gave us the very important context early on that the novel version of SMYM had two volumes -- the first of which focused on KanTew's dating, before the ethical clashes of euthanasia entered the picture. If we had had that narrative context in the drama, the drama would have worked wonders, and I believe the crew was working throughout this debate in the writing process, from how the script turned out.

The script here did not work, because even if romance was intentionally deprioritized to focus on the euthanasia debate -- many episodes still spent too much time on KanTew, without giving us viewers an emotional journey for us to understand where they were in their emotional intimacy. And I posit, because the script seemed to be so indecisive, that the euthanasia debate got lost for much of the show as well. Up until the end, in the final episode, with that utterly fabulous attic scene.

If only the show had the strength of dialogue and conflict as that attic scene! I wrote yesterday that Tor and JJ will win awards for the whole series, based on that scene alone. That scene finally held the full and holistic scope of the tension between Kan and Tew totally bursting out in all its glory.

Let me just note, though, that we had to get through the first half of the episode to get to that scene -- a first half that really, REALLY made Kan look like an AWFUL LYING SCUMBAG to Tew (HOW COULD YOU LIE TO TEW LIKE THAT IN YOUR HOSPITAL BED, KAN, AND TELL HIM THAT HIS PAIN HE WAS FEELING WAS GUILT, YOU MF'ING ASSHOLE, okay I got it out of my system). Really, with all the lying Kan was doing to Tew about Tew's mom, I was praying that Tew would do the full COPS treatment on Kan, "Bad Boys" and all.

Kan was, in my absolutely personal opinion, ultimately rendered unforgivable during that first half of the finale (regardless of my personal thoughts on the ethics of euthanasia) simply because of his disingenuousness to Tew. The penultimate conversation in attic between Kan and Tew was a phenomenal encapsulation to the ethical conflict that Kan and Tew had danced around for the entire series -- and it highlighted, to me, again, where the script had failed the show, because it actually put a spotlight on moments when the EXCELLENT and FASCINATING nuances of the euthanasia debate in Thailand were sidelined for weak attempts at romantic development. (The socioeconomic nuances, the inequity in health care nuances, the impact that terminal illness has on caretakers, all of them! GAH!)

My takeaway from all of this is that the crew of this show did not hit the exact and delicate formula of deciding what the crux of this show should have been about, despite the commentary we received posthaste from the screenwriter. While the intention of that commentary indicated that the euthanasia debate was supposed to be the only center of the show -- too much time was spent showing us KanTew moments, and those moments lacked context and clarity to give us viewers an understanding of where they stood in their engagement or relationship at any one time. Thus, I do think the postscript commentary from the crew was also a touch disingenuous, regarding the success of the narrative itself as art.

And — I believe it was also disingenuous to the two previously adapted Sammon stories of Manner of Death and Triage as well, as both of those dramas were able to hold both mystery and romantic storylines to excellent ends, with wonderful touches of intimacy along the way (MaxTul couch scene, my beloved). There's more to say, as other people have noted, about writers deprioritizing intimacy to tell "another" story, as it were, but that's a debate for another time, that I think speaks to where Thai BL is going in general.

But otherwise, while I think SMYM was ultimately narratively unsuccessful (that last "I love you" and the rushed close were just brutal), I'm not surprised about how well it did in Thailand. No one can argue with the star power that Tor and JJ hold in Asia — the show was always going to do well, no matter the artistic success of its narrative. I just wish the show had lived up to the caliber of acting and writing that Tor and JJ got to display in that attic at the end.

[happypotato48]

I think it would be fun to highlight some changes wandee goodday made as an adaptation. so here a few notable things in no particular order.

I'm not going into spoiler territory, but even if i want to the book didn't had a lot of plot to begin with and i doubt the show will follow what gone down in the book without adding a lot to it.

In the book Wandee is 29 and Yak is 20. cause of the age gap their dynamic is slightly different than in the show. Yak called Dee Phi and he use Nong as 1th person pronoun with Dee.

the convenience store scene is where they first met in the book. there was no hospital visit at all. Dee legit was following a complete stranger and being unhinged for the first peice of man meat he can find.

Yak have more of a passive personality in the book. the book made a point that although he looks like a thug Yak is actually very soft spoken and polite. this + the age gap made it feels like Dee is the one in charge in their relationship.

there was no scholarship in the book. Dee asked Yak to be his fake bf solely for petty reason, people in the hospital were gossiping and he just don't want to be the loser who got rejected.

Ter didn't said "I only like girls" in the book and made it clear that he didn't wanted Dee because Dee was too boring for him.

Pakao is not a doctor who work at the same place as Dee. his sexuality was never stated and he barely shows up in the book.

Taemrak gender was never clearly stated in the book (in the thai version at least.) but it's heavily implied by their appearance description and Yak choice of pronouns that they're a boy. Taem same with Pakao in the book had zero characterization and mostly there just to be plot points than an actual characters.

I really loved what they've done with the show so far. and although i had fun with the book, i'm way more excited and invested in what going in the show. @shortpplfedup put it best "i read the novel and it is truly porn without plot"

[guzhufuren]

one of the biggest reasons i want more people to know about Meet You At The Blossom and watch it when it airs (other than it looking really fucking good and gay from bts videos and trailer) is cause if it becomes successful we might get uncensored bl adaptations of other beautiful chinese danmei novels through thai ways and wouldn't that be amazing

[twig-tea]

2024 Tumblr Top 10

tagged by @lurkingshan here and @neuroticbookworm here, thank you both! This really reminds me that I need to do a real pinned post at some point.

If you want to generate your own, you can use this link! I used the link to find the posts but wrote this below because I thought reflecting on the posts would be fun.

My GL rec list (covering everything through to Feb 2024), which I'm very happy about taking first place. If you want GL recs, check that out first, and then feel free to browse my #GL recs tag.

The admittedly shady post from October calling out the director of the Addicted Heroin Thailand adaptation for (a)making weird choices and (b)defending them as artistic. But I stand by my anger about this. Censorship is not an aesthetic!

The non-novel-spoilery reaction post to episodes 1 & 2 of Love In The Big City which was also from October, but which honestly stands up for my reaction to the whole series. What a gift of a show.

A quick pitch for Akaya is in Love with Hiroko from July. This one hurts! I was so ready to cheerlead for this show and did several times, but the penultimate episode made me wary and the finale really upset me, to the point where I didn't end up writing about the finale, so I'll take the chance here: Don't make a show about two self-aware lesbians, one who has been comfortably sexually active for years and one who is super horny for her, and have them get together as adults and yet be celibate for a year out of "respect". Is the message that sex between consenting and enthusiastic adults is not respectful?! GTFO. For the record I can be respected with orgasms, thank you.

The episode celebrating the messaging in the finale of Let Free the Curse of Taekwondo from November. Glad that this is here between the previous entry and the next two, because this is a good balm for the pain. LFtCoT landed the ending and gave us all a giant hug while doing it!

The list of things I was thinking about at the end of Wandee Goodday ep3 from May. Another disappointment for me. The things this post shouts out are still things I like about this show, and reading it again is a reminder of where the back half let the first half down (not taking seriously some of the things we were told to take seriously in the first few episodes).

An early post about Love Is Better the Second Time Around from March. Another show that did not land everything, in this case because it felt like it tried to shove in a complicated conflict in the last two episodes that they didn't have time to handle. But I still love those early episodes and all of the interplay between Miyata, Iwanaga, and Shiraishi.

My clown theory for Every You, Every Me also from October, which ended up being correct! I've never been more happy to be right, I liked this reveal for the show so much.

In February I wrote this thesis about the state of Thai BL looking at data from 2022 and 2023, which I have been meaning to go back and update since I think Shan as usual was feeling the start of the wave and we needed more data to see the change actually play out in 2024. I now no longer feel (as I did in this post) that things haven't changed, I do think they have this year. But I need to crunch the numbers again to prove it to myself (and everyone else) though. Stay tuned!

In July I did a round-up post about the various theories surrounding Century of Love, and whether Vee and Vad were the same person. Turns out San did wrestle with this as I'd hoped but the show itself felt like it lost steam and copped out around this, unfortunately. At least we'll always have fox demon Offroad and grumpy old man Daou's collarbones thanks to this show.

Special shout-out to @lurkingshan because two of the posts above are answers to asks she put in my inbox that spawned project posts. Shan knows what the people want to hear!

Tagging @italianpersonwithashippersheart @benkaben @ellsieee @colourme-feral @pigglepiephi @impala124 no pressure tags and apologies if you've been tagged already!

[hallowpen]

There was a lot of destructive criticism surrounding My Marvellous Dream is You, but I actually thought the series was quite good despite its shortcomings. I'm a lot more forgiving than most when it comes to Thai GL series, and that will have absolutely affected my viewing experience. But... every time I would see a comment that just read "This is boring/terrible/stupid" without ever elaborating, I felt very much like Khun Pu's character from Be My Favorite hehe

*WARNING*: There will be minor spoilers for the final episode of My Marvellous Dream is You, should that be something you wish to avoid.

I will be the first to admit, that I was very skeptical about this series in the first handful of episodes. So let's just get my personal negatives out of the way first... I think, by now, it's no secret that I do not support where a lot of Thai GL adaptations source from. So, this series already had an admittedly disadvantaged subjective expectation from the get go. It wasn't really surprising to see pacing issues within the first 5ish episodes, that seems to be a common occurrence in Thai GLs produced by IDOLfactory. Whether that is a result of the novels the series have thus far been adapted from OR from a choice in direction is up to you. I, personally, think it's a bit of both. Where I believe certain productions struggle in letting their narratives breathe, I find the complete opposite problem to be true with IDOLfactory. There were a lot of plot points that needed restructuring or to be removed entirely in order to have a stronger cohesive story that focused on the main characters' relationship more so than it did.

Now, while I stand behind my opinion that the series could have benefited from tighter and better organized storytelling, a lot of the groundwork was there to make a decent character driven narrative. And that's what I've chosen to focus on. Wan and Kim are both deeply flawed characters. There were so many inferences to be drawn from character relevant visuals and their joint backstory that truly informed their current dynamic.

The👏🏾character👏🏾focused👏🏾visuals👏🏾in👏🏾this👏🏾show!!!

One of the most interesting parts of watching a series, for me, is having to pick up on certain character cues in order to understand and delve deeper into the core of their behaviors.

Wan and Kim share a trauma, and it's easy to see how they both became so dependent on one another to fill the void their fathers left.

In flashbacks, Wan is presented as egoistic and headstrong since high school. She is also shown to be extremely protective of Kim before she even realizes her feelings. Kim, on the other hand, is a bit more sensitive. She cherishes Wan's attention and affection to a point where she would be willing to play a little dirty in order to keep it for herself.

All of these emotions become heightened once they are forced into adult life with adult problems. Wan is struggling with her mental health. While trying to balance fame and the repercussions her actions might have on her career, Wan must also deal with her mother's alcoholism... which has essentially caused her to check out from Wan's life. Her need to have Kim by her side, and never leave her, has become less protective and more possessive. Kim's desire for approval and affection has led to an over devotion of herself to Wan and constant worrying about disappointing her mother. She's neglected her own wants and needs for so long, that she's afraid putting herself first would be considered too selfish...too much like her dad. Her mother's cancer diagnosis further pushes Kim to continue to place her mother's wishes over her own desires. Even though comments about Wan and Kim being 'annoying' or 'frustrating' were aiming to be negative... they weren't exactly wrong. The audience was supposed to feel that way. Heck, even the surrounding characters called out their behavior on more than one occasion. Because in an effort to not lose one another, Kim and Wan fell into a cyclically unhealthy dynamic where their actions and reactions were actually pushing each other away. Their inability to communicate their true feelings to each other beyond their (unbeknownst) shared dreams prevented them from making any true progress toward a romantic relationship that they both so desperately wanted, but were each terribly afraid to pursue. Their feelings for each other were put up against the reality that their love being unreciprocated could spell the end of their relationship altogether. There was an added pressure of being unfairly compared to their fathers, where any romance between them might be found 'unacceptable'. Couple that with societal views of same-sex relationships, and you can understand why these two were so hesitant to reveal their truths.

(Quick sidenote: I did not agree with the idea that what Kim and Wan did was exactly the same to what their fathers did. They did not leave and abandon their families. Marwin didn't make it easy for them, and given the glimpse we saw into his family's cruelty, it made all the sense in the world to have him react in the way he did. Kim and Wan were at least willing to stay and face the hard consequences of their choice, no matter the outcome.)

I think them having to work through all of their issues made the moment of Kim and Wan finally deciding to be together that much more satisfying... And that was the point Kru A was trying to make when he explained his direction for their relationship on social media after hearing viewer feedback (He was subsequently rudely criticized by interfans for that decision, to the point where he alluded to the fact that he might take a break from directing... but that's a whole other discussion).

That final scene of them being married purposely not clarifying whether it was in a dream or in reality alluded to the fact that their shared dream world and their real life were no longer at odds, finally. I thought it was very fitting.

The frustration caused by KimWan's lack of communication reminded me of a similar dynamic between Team and Win in Between Us, a series that suffered from a lot of the same problems (not enough focus on the two leads and irrelevant plot points). However, those characters and the actors that portrayed them didn't receive even half the amount of negative reactions. They existed, trust me, but there were a lot of positive reviews to balance it out. I'm not going to get into what that means, because I think you can make the inference for yourself.

All in all, I don't think this series deserves to be completely written off. Is it perfect? No... but an effort was made, and it wouldn't hurt to make the effort in return to understand the vision. Fay and May did an incredible job for their first go around as main leads. And I hope they get the chance to develop their craft further.

[absolutebl]

This Week in BL - Lesbians WIN & I'm excited about a Thai BL again!

Organized, in each category, with ones I'm enjoying most at the top.

April 2024 Wk 4

Ongoing Series - Thai

My Stand-In (Thai Fri iQIYI) ep 1 of 12 eps - Adaptation of Chinese novel Professional Body Double by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KP (not a recommendation IMHO - my biggest criticism of KP was the clashing directing styles). The MDL description made it sound complicated af but actually it's not so bad. In fact it's GOOD.

Stuntman Joe dies on the job and wakes up in the body of another Joe who has an entirely different life. But our Joe just gets his new body right back into his old existence, full of friends, enemies, and one troublesome ex. Poom is absolutely killing it in the lead. Mek is perfectly cast as the Actor du Jerk. I’m not sold on Up’s bratty brokenhearted rich kid... yet. The show though, I like it. I like a one (two) night stand starting things off and I like a lot of morally gray characters. Fun fun!

Deep Night (Thurs iQiyi) ep 8fin - The lesbian moms are the cutest thing in the world and my favorite thing this week. Bar none.

Summation:

It's about a host club and all the gay boys in it and some stuff that's not important because... PEOPLE OF EARTH WE HAVE A HONEST REP OF POLY IN A BL. Stand up and raise your hands in prayer to the Thai BL gods because sure as shit no one else was ever going to give this to us. For that alone this show gets 8/10 from me. Bonus Lesbian moms and great kisses.

Two Worlds (Thurs iQIYI) ep 7 of 10 - Say what you want about MaxNat all these years that they've been paired makes them great onscreen boyfriends. And you know me, I'm a total sucker for linguistic negotiation. Makes my heart go all mushy. That said, now that the leads are together, I’m really uninterested in all the drama around the ex-boyfriend/triangle. I'm glad this is only 10 eps.

1000 Years Old (Thurs iQIYI) ep 11 of 12 - They gave me the tiniest teaser for the kinky vampire BL that I have wanted my whole life. And now I'm just fucking annoyed with the rest of the show. 

We Are (Weds iQIYI) ep 3-4 of 16 - Q & Toey are the only interesting thing going on. I actually didn’t like this pair in My School President, but I’m enjoying them here. The others are all fine but these two have my heart. I have questions like: did Phum ever get his shopping bags back? And why is Phum driving a different colored car half way through the ep?

Only Boo! (Sun YouTube) ep 3 of 12 - The quality is good (it’s GMMTV) but the acting is... not. Still I loved that Moo just made the confession for both of them. Very in character. Does this plot remind anyone else of Footloose? Just me? Side couple was cute but now a bit too stalker for me. 

Ongoing Series - Not Thai

Unknown (Taiwan Tues YouTube & Viki) ep 10 of 12 - It’s fantastic. Such a great show. We are so lucky. This is basically Taiwan’s The Eights Sense. I didn’t know they had it in them, but I’m really glad that they did.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 3 of 10 - As JBL’s go this is way more my speed (than Alaska). It’s just so sweet and awkward but charming about it. The confession was so earnest. 

Blue Boys (Korea YouTube) 2 of ? No MDL link - It’s very sexy this one. Not sure what Korea thinks it's doing, but I’m not mad about it. 

Gray Shelter (Korea Thurs iQIYI) ep 5fin - summation: About a slacker nursing a crush on the (brief) older stepbrother who abandoned him. Upon finding him again he moves in with him, upends the mans lost suffering life. A dark gritty piece with confusing subs making it too chewy to really grok. It's trying to do too much for its length. The tension is real and the acting is good, it's just everything else stymied clean execution of the core concept. Frankly I spent this show expecting (and wanting them) to just fall into bed together - in a kind of desperate fight sex. It didn’t happen, and I’m disappointed by the non-ending we got. (Whether it’s going to have more in the series or not.) 7/10 I'm open to changing the rank if a part two fixes this one's flaws.

Boys Be Brave AKA Roommates (Korea Thurs Viki) ep 1-2 of 8 - Oh dear. Terrible hair. Jock nerd pairing. OCD baby cakes. Cohabitation trope. Killer side couple. Def unhinged. 

At 25:00 in Alaska AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 2 of 10 - I’m still genuinely not sure about this one. It’s just a little too awkward for me in the wrong way. I expect all Japanese BL to have a certain aura of awkwardness so I don’t know what it is about this one turnign me off. I do enjoy that we’re getting both stories, the one between the actors, and a little bit of the roles that they’re playing on screen but... yeah

Love is like a Cat (Korea Mon Viki) eps 7-8 of 12 - The leads finally had a moment but there is negative chemistry. Why am I watching this? 

It's airing but...

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

Memory in the Letter (Thai WeTV) - 6 eps, when it's done, tell me if I should bother?

In case you missed it

Kiseki Chapter 2 (Sun iQIYI) 6 eps - finished its run but I won't be finishing it. Stays dropped.

GMMTV announced the second half of their 2024 line up. I got excited and picked my favorites, details + trailers here. Basically my ranking is:

The Heart Killers

ThamePo

Revamp

Sweet Tooth

Perfect 10 Liners

The Ex-Morning

Ossan’s Love Thailand

Next Week Looks Like This:

What happened?

Knock-Knock Boys (Thai WeTV) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous pairing) and Best, news here. But will it actually air this month?

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENT

I have adopted him. He is MINE. I love him, your honor. (The Stand In)

I love them SO MUCH. (Deep Night)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

[pharawee]

So. Addicted Heroin Thailand.

A small disclaimer first: I have neither watched any of the Chinese adaptations of Addicted Heroin nor did I read the novel. No wait, that's not true. I watched a few eps of the first series years ago but I barely remember anything about it (just global pandemic things, I guess).

Also, I only watched the tv-version of the first ep, which is apparently a whole 10 minutes shorter than the uncut version (and whatever they decided to cut, it's probably not spicy - unless it involves som tam or something) but ... I really like it so far? The cheap cash-grab argument that I've seen on MDL (🙄) doesn't hold up at all because they clearly put a lot of thought into this to turn it into an adaptation that (to me as an interfan at least) feels genuinely Thai - from ror dor to the public school backdrop to Pop reciting a poem by Sunthorn Phu (fun fact: it's the same poem that was prominently used in I Feel You Linger in the Air).

I also really like the production quality. It feels light and soft, kind of nostalgic actually - and while that's not how you'd describe the tone of the original novel (which is at least somewhat dark and toxic, I believe?) I don't think it necessarily has to since it's an adaptation and not a remake.

This is only the first episode of course and if you're hesitant about how this show will navigate around the age gap of the actors in light of the mature source material I'd hold back on watching for at least a few more eps.

That being said, I'm reasonably sure that Addicted Heroin Thailand will be a lot more soft and lighthearted than the original(s) - not unlike Jinloe's last show Hit Bite Love that had the younger cast in a separate, much more fluffy storyline.

Unfortunately, some people seem to expect or even want the show to be as dark and explicit as the novel, and there's of course nothing wrong with that, except that's not really a possibility with a cast that young. Going by what I've seen of the show so far, Jinloe are aware of this and have adapted the source material accordingly.

Granted, they could have chosen another, more lighthearted novel to adapt, but personally I don't think that an adaptation needs to be 100% screen-accurate (or is it novel-accurate?) to be an entertaining watch. There's plenty of themes to focus on, after all. Afaik, Stay With Me (the second Chinese adaptation) was well-received and the main characters didn't even kiss, so why single out this production as exploitative and unsafe* before it's even aired?

*Oh, and I've also seen people explicitly bash the show for its Thai-ness which is another matter entirely.

With the way things are right now (and I say this in good faith - don't go where I can't follow, Jinloe! 🙏) I don't really see how this show could ever live up to the controversy. Right now at least, it's got gmmtv-levels of toxicity (so, uh... about none).

tl;dr: The first episode of Addicted Heroin Thailand was cute and well done. That's about it.

[gunsatthaphan]

~ Monthly BL Breakdown: July 2024 ~ 

🫐 Happy August!!! 🐝

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Takara no Vidro - July 1st (Japan)

🌟 This Love Doesn't Have Long Beans - July 5th (Thailand) ✅

🌟 The Boyfriend (Gay Dating Reality Show) - July 9th (Japan)

🌟 The Next Altitude (BOC lineup event) - July 9th (Thailand)

🌟 Century of Love - July 10th (Thailand)

🌟 Meet You at the Blossom - July 11th (China/Thailand/Taiwan)

🌟 Heavens x Candy - July 13th (Japan)

🌟 Sky Valley - July 20th (Philippines)

🌟 I Saw You in My Dream - July 24th (Thailand)

🌟 4 Minutes - July 26th (Thailand)

🌟 Love Enemy - July 26th (Thailand)

🌟 Mitsuya Sensei no Keikakutekina Ezuke - July 26th (Japan)

🌟 Battle of the Writers - July 29th (Thailand)

Monthly Likes / Dislikes

❣️ - 👎🏻 No series but I find the whole Y-Find thing really fucked up like what are they thinking? I know it's the usual capitalism but to leave the winner with nothing but a paycheck and NO rights to their story whatsoever is wild to me. Kinda makes me want to write a story about Thailand's biggest company completely screwing over their fans and submit it lmao 💀

New series & movie announcements

🎥 Let Free the Curse of Taekwondo - Date TBA (South Korea)

🎥 P.S. You (starring Yoon Phusanu) - Date TBA (Thailand)

🎥 Buddy Boy - Date TBA (South Korea)

🎥 Project Red (movie, starring BillkinPP) - Date TBA (Thailand)

🎥 Dear My Paradise - Date TBA (South Korea)

🎥 I'll Turn Back This Time - Date TBA (Taiwan)

🎥 Host Friend - Date TBA (Thailand)

🎥 Pretty Boys - Date TBA (Philippines)

🎥 Luminous Begins (prequel to The Luminous Solution) - Date TBA (Thailand)

🎥 Eternal Butler (sequel to Anti-Reset) - Date TBA (Taiwan)

🎥 The Hell Guard - Date TBA (Thailand)

Other news from the BL world

❗️ After the withdrawal of Chimon W. from the upcoming BL Perfect10 Liners, GMMTV announced that company-newbie Santa P. will be taking on the role of Gun and thus become Perth's new partner in the show. Furthermore they announced that Chimon will still be taking part in the upcoming series Hide & Sis.

❗️ The production company Headliner Thailand announced that actor Seng Wichai will no longer participate in the upcoming BL project The Bangkok Boys due to scheduling conflicts. It has not been revealed whether or not his role will be recast.

❗️ Actor Frank T. made a post on Instagram, announcing the end of his ship with fellow actor Long Shi Lee, saying that there won't be any more joint projects as they are pursuing separate acting careers.

❗️ The annual Digital Awards Thailand were held on July 14th. The following BL actors/productions won:

UpPoom - Most popular pairing (My Stand-in)

GreatInn - Couple of the Year (Wandee Goodday)

MeenPing - Best Couple in a Sports Themed Series (The Rebound)

MosBank - Best BL Couple

❗️ Max Nattapol (Manner of Death) and Na Naphat (Until We Meet Again) will be paired as a side couple in the upcoming GL Petrichor. The show is an adaption of the novel of the same name and author Sammon has been confirmed as the screenwriter. An airdate is still unknown.

❗️ Former GMMTV actor Mike Chinnarat has joined the cast for the upcoming Domundi BL Your Sky as the character Oh. An airdate is still unknown.

❗️ GMMTV announced that their newly announced project Y-Find will accept submissions until August 31st. The project gives (only Thai) fans the opportunity to submit original BL/GL stories, one of which will be chosen to be extended and adapted into a series. The winner receives 30.000 Baht (~800$) and has to sign a copyright transfer agreement for the story and will not be involved in any of the further productions processes as all rights will be transferred to GMMTV. (wtf lmao)

❗️ The Korean vlog-style BL City Boy Log is getting a fourth season. An airdate is unknown.

❗️ GMMTV released a statement, declaring the end of Ohm P. and Nanon K.'s work as a pair and the end of the OhmNanon ship as a result. The pair debuted in Bad Buddy in 2021 and reunited for Our Skyy2 in 2023. According to the statement they want to pursue separate careers - Ohm will be the lead in the upcoming BL Kidnap where he is paired with Leng T. while Nanon has taken a step back from acting.

Upcoming series & movies for August

👉🏻 Sugar Dog Life - August 4th (Japan)

👉🏻 Summer Night (bl side story) - August 5th (Thailand)

👉🏻 Cosmetic Playlover - August 6th (Japan)

👉🏻 Monster Next Door - August 8th (Thailand)

👉🏻 First Note of Love - August 12th (Taiwan)

👉🏻 The Paradise of Thorns - August 22nd (Thailand)

👉🏻 My Idol - August TBA (South Korea)

[girlacticrailroad]

series review: pluto

Ai-oon, the girlfailure of our dreams.

Pluto was a fun series to follow week by week, not just for the twists and turns, but for the extra layer of meta suspense on top: Could Snap25 somehow turn this trashy book into a masterpiece?

Okay, to be fair to Chao Planoy, I haven’t actually read the novel, so I shouldn’t judge. But among GL fans her work is controversial, to say the least, and Pluto—a messy tale of romance, mystery, and deceit—seems like an especially tricky work to adapt, with its dubious use of disability as a plot device, among other issues.

Nevertheless, backed by a big-time company (that sweet GMMTV money), and with two popular actors in the lead roles, Pluto promised to be one of the most ambitious Thai GL productions yet. Watching Pluto can feel a bit like watching acrobats walk a tightrope over an abyss. Every week I held my breath and wondered: Can they pull it off? Can the creative team make this adaptation work?

Pluto is the most visually striking Thai GL to date.

To their credit, they come *so* close! I don’t want to be too hard on them—by all accounts, they improved on the source material a lot, and most of the flaws are only glaring in hindsight. Let’s start with the good: Pluto looks great. It doesn’t have the extravagant sets and costumes of The Loyal Pin, but it’s more visually interesting; there’s an artsy flair to the cinematography that goes above and beyond what the story requires. On a storytelling level, Pluto is certainly one of the better GLs out there (although let’s be real y’all, the bar is not sky-high). The characters are fairly nuanced, and the plot is...well, unlike TLP, it’s not boring, that’s for sure. The acting, for the most part, is fabulous. Namtan is the standout as twin sisters Ai-oon and Ob-oom, two demanding roles that run the full gamut of emotion. She absolutely nails both, all without overacting or hitting a false note. It’s a bit scary how good she is. Film in some ways has the even more challenging role, since May is written less consistently imo, and her motivations are less clear, but she does her best with the material, and has lots of fun with May’s devious side. (Side note but it’s pretty funny that she has now played “girlfriend of comatose twin who dates conscious twin impersonating comatose twin” twice.) Also, that scene in the haunted bougie bathroom at the end of episode 7? Wowee.

Not a wholesome thought in this head.

It’s tempting to blame any issues with Pluto on the source material, but considering the liberties that were taken in adapting the book, I don’t think Chao Planoy can be held responsible for everything. What I think Pluto might be lacking, in the end, is a director. Technically the “Snap25 Team” is credited as director of the series, and I’ve heard they have a very collaborative style, working closely with the actors to develop the story. On one hand, I love that! And the egalitarian approach of crediting the whole crew is super cool. On the other hand, when you’re dealing with a story this nightmarish to navigate, it might have been smart to put someone with a clear vision in the driver’s seat. Because baby the tone of Pluto is all OVER the place. Sometimes the drama is lowkey and naturalistic, and sometimes the soap opera dial is cranked up to 11. Sometimes the writing is subtle, and sometimes a character will turn to the camera and say, “That’s emotional abuse!” in a scene about emotional abuse. Sometimes there will be a dream sequence/musical number with like seven costume changes in the middle of an otherwise down-to-earth episode. The whiplash is wild.

Namtan and Film display their mastery of the “down bad” stare.

There’s an inherent challenge in translating Planoy’s work to the screen, and there might not be a perfect way of going about it. Do you soften the characters, like Gap did, or lean into the toxicity, like Affair? Do you tone down the melodrama or embrace it? (You can watch the ongoing series Us struggle with this dilemma on a weekly basis.) Pluto’s problem is that it kind of tries every possible way of going about it. The instinct to make the characters more grounded and realistic is a good one, and makes the drama more relatable, but then you have to deal with these relatively normal people doing the unhinged things that the plot demands of them, and also with how seriously we should take all this as an audience. For me, the cracks didn’t really start to show until the last few episodes, or at least I was entertained enough to ignore them, but from then on it became clear just how much of Pluto was stuck together with masking tape. May’s behavior, especially, is increasingly bewildering. The dramatic scene in episode 11 where Ob-oom asks her sister to choose between her and May is a fan favorite, I know—but May’s reaction to being abandoned by Ai-oon makes no sense to me. Why is she sobbing like her only child was murdered in front of her eyes? Why isn’t she furious? Any sense of character consistency or emotional logic flies out the window for the sake of a big tearjerking climax, because someone thought the show needed one. A sharper directorial focus could have fixed at least some of these tonal problems.

Okay how tf does Namtam always look so damn good when she cries though? Girl stoppp

The lack of focus extends to the story, too. Pluto tries to be about a lot of things—disability, childhood trauma, forgiveness, atonement, justice, why you should never date a cop no matter how good she looks in that uniform—but can never decide what matters most. As a result, all the themes and subplots end up feeling underserved. The clearest victim is the Pang/Jan/Phim love triangle. To this day I’m not sure how they made me lose interest in a lesbian polycule revolving around potted plants. Three gorgeous potted plant enthusiasts one of whom is played by Earn my beloved? Um, hello??

How is this not riveting??

I love side couple drama, and I wanted to love this subplot so bad. I do love Jan, but I’m not sure how much of that is residual affection for Charoen, Earn’s character in 23.5. Sadly she’s not given much to do here, and the subplot as a whole feels weirdly disconnected and superfluous, like it’s just there to fill screentime.

So many other plot elements are potentially interesting but ultimately superficial. May’s lectures on disability rights and universal design are well-intentioned (and a vast improvement over the treatment of blindness in the original novel, I’m sure), but nonetheless sound like the screenwriter is quoting directly from a pamphlet distributed by a disability advocacy group. I’d be willing to forgive some stiff writing for the sake of raising awareness—I don’t think art always needs to be subtle about things like disability rights—except that the script, after insisting that blindness is not a limitation, then wants viewers to rejoice at the restoration of May’s sight, and even implies that her blindness was a punishment she had to endure.

The childhood trauma angle is another missed opportunity. The past exerts a powerful influence over all the main characters, and there are so many flashbacks emphasizing this point, but we never see the parallels underlined in a satisfying way. How was growing up with an abusive dad different from—or similar to—growing up with a caring but overbearing grandmother? What about growing up fabulously rich vs. growing up poor? All we really learn about May’s experience of growing up in an elite family is that she got homoerotically bullied for it. How do these different upbringings still reverberate in their lives?

When your anti-bullying PSA is awkwardly hot.

The flashbacks end up exacerbating the tonal whiplash because the childhood scenes are some of the most bonkers, like when baby Ai steals a picture book from her sister and just motherfucking burns it. That destroyed me. Later we see May’s cartoon villain father snatch a picture book out of her hands and berate her for reading too much. These are parallel scenes...sort of? But what on earth is the picture book doing as a symbol? And doesn’t that align Ai-oon with May’s dad?

Speaking of Evil Dad, I’m not necessarily 100% opposed to giving him a redemption arc—forgiveness is a theme of the story, and it can be interesting to explore the idea of atonement through a character who seems irredeemable—but you have to lay a little groundwork for it! We get absolutely nothing from this dude. He’s the worst man ever until one day he decides not to be. Show us a glimmer of remorse before his change of heart, at the very least.

And speaking of symbols, I wish I could say the Pluto metaphor was a successful attempt to tie up the themes of the series, but I honestly could not tell you what Pluto is meant to represent, despite multiple characters monologuing about it.

Pluto is a metaphor for the way my head spins when I think about May’s dad’s character arc.

I wonder if Pluto needed to be longer, to take the time to properly address all these themes, or if it just badly needed restructuring. So much time is wasted on the “Who was May’s first love?” mystery, and on May’s upper-crust friends, that could have been better spent on the hilarious “May helps edit Ai-oon’s bad erotica” subplot, or on developing the other side characters. There are some lines toward the end that suggest Phim may have originally had a larger role that got whittled down. Are there deleted scenes out there somewhere? I demand the footage! And, off topic, but while I’m listing random complaints, why are all the visual effects so godawful? The opening credits are an actual travesty—whoever is responsible should never be allowed near Adobe Protools again—and the car crash scene looks like it was done by an unpaid intern.

Here’s a spicy screenshot for reading all that, you’re welcome.

Um, so Pluto is kind of a mess, in other words, but at least it’s a glorious one! Mostly. Everyone involved (except the aforementioned vfx department) is amazingly talented and deserves a better story, although they certainly try their damnedest to save this one. I would love to see what this cast and crew could do with a stronger vision to guide them, or maybe just with some source material untainted by the pen of Chao Planoy. Which is why I am absolutely rabid for Girl Rules lol but we need not get into that here!