#i want her to protect herself!!!

[demeterdefence]

Can we talk about how last chapter Persephone had that moment with her past self saying she'd protect her, protect herself... and then this new chapter didn't have her do anything at all except stand there. She has ONE line protesting apollo's plan and then shuts down. Everyone else is arguing for her. And like, I don't have a problem with people protecting her but. As a story it's hard to take it seriously when she has this big moment saying she'll protect herself and then nothing comes of it. She also only has SIX lines this whole chapter, and 4 of those are after leaving the press conference with Hera.

god yeah i was already so disgruntled over the "i will always protect you" thing because we KNEW it was just more classic "therapy speak" tacked on for some kind of semblance of girl power, but the next part really does just seal it in doesn't it

like i'm sorry, but persephone telling her younger self she'll "always protect you" is a lie front to back because persephone has not and likely will not do anything to address what happened to her, she has done nothing to bring her rapist to justice, she won't even let other people deal with him so the whole scene is just this random facade of girl power that is anything but. and then we dive into the actual mess of it and like

absolutely unrelated but i love how rachel cannot draw feet facing forward she has to draw them from the side so we have this anatomy twister anyways

the warning ahead of the chapter said "manipulation that causes psychological distress" so couple that with the "i will always protect you" from last chapter, you have either persephone realizing how wholly out of her depth she is at doing that, or you have rachel thinking this is? somehow protective?

like okay it's cool you're angry i guess so are you going to do anything about it? are you going to tell all the people watching live that apollo is a rapist? are you going to point to any of the many gods milling around who know what happened (hermes, for example) and say "hey, these guys can vouch for me that apollo is a predator, he has hurt me before and i have good reason to suspect he's trying to do so again."

classic copy paste of panels to meet the panel count but also two former love interests of persephone get to be the one to point out the logical fallacy! interesting!

i forgot about that stupid drill lol but yeah that sure looks like protecting nineteen year old persephone i guess

and i'm not trying to be coy or nitpicky because again, we are talking about facing a rapist who has caused unimaginable damage and it's very easy for people who haven't gone through that to say "just say something persephone!!!" so my frustration isn't necessarily with persephone herself, it's rachel insisting in the narrative that persephone is healed and getting better and stronger and then failing all across the board to show it. it's rachel having hera come in at the last second to save persephone, while the male admirers in persephone's life fight the male abuser. and it's downright insulting that all the times persephone has had a quote unquote "girlboss moment" it's when she's bullying lesser beings or those who simply cannot defend themselves against her. when she's up against a force that frightens her or is stronger than her, she lets other people do the work. it's just so absolutely disrespectful to abuse victims, to the concept of abuse, and to the idea that persephone is protecting anyone, least of all herself.

[wistfulwatcher]

bau members + near death experiences

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next

[aparticularbandit]

Agatha's trauma isn't that she should be punished.

Agathas trauma is that she believes she should be.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[bhaalsdeepbat]

Lae'zel is like a play on the "I'm not other girls" thing, except she's trying SO hard to be like other Gith girls. She's trying to steel her heart and be a perfect soldier in the collective army serving beneath Vlaakith. No will of her own. Just blind servitude alongside the other Gith who are also denying their own individualism.

Rather than gutting the companions right then and there - as any other Githyanki would do - she joins them AND promises them a cure. A cure that was meant to be ONLY for Githyanki warriors. And she doesn't know about the lies or the fact that he cure is a death sentence, but she still extends that olive branch to the group. She'll speak up when she's grouchy and try to project a hard exterior, but she's SO secretly soft.

When you approach Rosymorn, she'll stay on that part of the map if you try to leave. Upon returning, you can make her admit she missed you.

You can make the strong Gith who was raised to pillage, kill, and conquer admit that she missed the player character.

Lae'zel isn't like other Gith Girls.

Her act two scene is trying to progress the romance as though it were between two Gith raised within that culture. It's a fight to prove your worth through your battle prowess, which makes only the best *warriors* worthy of companionship. However, it becomes clear that isn't want Lae'zel wants. If the player loses, and Bae'zel beats the fuck out of them, she becomes distraught because she doesn't WANT to fight her romantic partner.

She wants to mutually protect one another. She wants companionship with her partner. She wants to enjoy the sunrise with them, feel the tickle of the night breeze, see the Tears of Selune chase after the moon across the night sky, she wants to live and she wants to share those experiences with her love. She doesn't WANT to be the stone cold Gith that she was raised to be.

Lae'zel wasn't given any role to do with the eggs, but once the egg is in the party's possession, she's instantly drawn to it. When Xan hatches, she gives him a name to represent that he'll be raised to be free to be himself. He'll have the freedom to choose his own path, whatever that maybe. Xan DOESN'T have to be like the other Gith. He could be a scholar, an artist, a warrior, anything he wishes to be. It's his life and Lae'zel is just happy to see her little Xan be raised with the freedom she didn't realize she craved until she arrived on that silly little planet.

Lae'zel isn't like other Gith girls because no two people are the same, even if raised in the same circumstances and culture. Everyone is an individual, even when they serve a collective or are fighting alongside Allies with the same main goal.

Lae'zel isn't just a nameless, faceless soldier. She isn't interchangeable with other Gith. She isn't like the other Gith girlies.

[autumnoakes]

okay but going back to zagreus and melinoë for a second... i think when they meet they're going to have a LOT to work on with each other if they're going to get along. zagreus likes to push boundaries and he doesn't like leaving things unresolved if there's something he can do about it and melinoë is a LOT like hades in so many ways (temperment and sometimes her tone in particular). they're going to get on each others' nerves. they're going to drive each other up the wall. they're going to need time to get to know each other and understand each other and they might not get the chance to during hades 2 (what with mel's task seeming pretty nonstop. i know she's a goddess but girl don't you get tired???).

[wiihtigo]

non canon to casey official lore but what if she did get that son of a bitch

[shiningstarr15]

Their relationship in a nutshell (in my eyes)

How I managed to capture Greg with the same vibes in all three, but Vanessa’s is completely different in each one is beyond me but it’s hilarious 😂

That’s what we call ✨versatile✨

Can you tell the hyperfixation is hyperfixating lol😀

this was three more doodles that I decided to turn into full drawings lol

Here’s the three separate drawings too lol

[howlonomy]

So I was struck with inspiration and decided to draw how I think a battle with Kanako in the true lab would look! I know this like, COULDNT happen given how she wasn’t really aware enough for something like this, but I thought it would be fun lol.

Didn’t know what to call her so I just went with layering “slither” and her name bc I couldn’t think of much better lol

BRUUUHHH THIS IS SO COOL?!?! AND UOU ADDED ATTACKS WHAT THE HELL

im obsessed with how you combined both the sir slithers and also cerobas attacks that SO clever?? AND THE CRIES SOFTLY FOR ITS FAMILY ARE YOU TRYING TO KILLMEEEEE

THIS IS SO COOLMI LOVE THESE IDEAS SO MUCH!!!!

[smokestarrules]

Suletta saying love me. love me please. I’ll do anything. I’ll kill for you, I’ll listen to you, I love you. love me and let me stay. vs Miorine going hate me. hate me. I need you to hate me because I love you. I need you to run away, to stop loving me, to be safe. hate me and it will be worth it in the end. hate me and leave. (Suletta saying love me, please love me, please don’t leave me)

[rottengurlz]

lover, don't touch me // leave, i am a danger to you // but ooh, i hunger for you

[wistfulwatcher]

emily prentiss + leaving and coming back for her family

[sbd-laytall]

Don't mind me, I just have a lot of thoughts about Helena Sandsmark and motherhood.

Young Justice (1998) #16

Young Justice (1998) #18

Young Justice (1998) #19

[milfygerard]

but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.