#i want a trans romance option

[perilegs]

i still dont think im playing datv until way after it's released IF i play it at all, but oh my god top surgery scars being a cc option. even if the game is complete dogshit at least it gave us this. and i knoww it's a very small and a simple thing that some may see as performative but this is big!!! even if it's in a game i may not play it's great to know someone did have us in mind

[beaulesbian]

DRAGON AGE: THE VEILGUARD - Rook & Taash

💖 Romance dialogue option while being trans or non-binary

[kwyoz]

wow, i love when the dragon age fandom is very normal about veilguard's companions being pansexual and totally not being lowkey really fucking pan and bi phobic.

[lokh]

If you want the romance with another parent, you could always have his first husband be supportive but tragically pass away -- though maybe having a dead dad would distract from the dead mom trope

ooooo i think it wouldnt take away from it actually it might just be a horrible horrible tragedy that he escapes the dead mom trope but the. dad dies instead LMAO but no yeah it does take the focus away youre right.....

[sanguinesky-if]

Sanguine Sky

DEMO [Public] [Updated 07/12/2024] genres: romance, modern-fantasy, supernatural, mystery, dark-fantasy.

Sanguine Sky is a work-in-progress modern dark-fantasy interactive novel. The story is heavily focused on romance, characters, and relationships.

The story rated 18+, contains mature and distressing content that may be triggering to certain individuals. It is recommend to check the full list of warnings before you proceed to the story. Please exercise caution and take care of yourself.

Total word count: 197k words [excl. code] | 227k words [incl. code].

You are a detective, tasked with investigating mysterious murders that have taken place in your normally quiet and peaceful hometown, Fallenmor. 

With two victims confirmed already, the initial one being your former mentor, Detective Bergmann, the situation couldn't seem more dire. Or so you thought until you received the news of another body, a possible third victim, discovered at the police station. In your very own office. 

An accident, a mere coincidence, a straightforward warning, a looming threat, or something entirely else… Whatever is happening, you feel it affecting you, awakening something both significantly familiar and distinctly foreign inside of you.

If only you knew that this was just the beginning… Things could have been different.��

But back then, in your ignorance, your singular concern lay with a pressing question: if you failed to find the murderer, who would become the next victim?

➤ Play as male, female, non-binary or trans; straight, gay, or bisexual.

➤ Customize your appearance and shape your personality.

➤ Take on the role of a detective, immerse yourself in the work of the police station.

➤ Embrace the mystery of your existence, or reject that inner sight of you.

➤ Seven romance options to choose from. Select their gender, be shy or bold, or focus on your goal without pursuing anyone.

All ROs are player-sexual and gender-selectable [M/F].

Kyle / Keira Moreno

Your colleague, a police inspector, and one of the rudest people you have ever met. Sharp and stern, K is surprisingly perceptive, and they use it to really see you. The good, the bad. Everything. Appearance: icy blue eyes, dark red hair, very pale skin.

Alexis 'Lex / Lexie' Conlan

Your best friend, and also your former partner from times when you were just a patrol officer. With a heart of gold and an approachable attitude, L always chooses you over the others. Appearance: forest green eyes, copper hair, beige freckled skin.

Morgan Schoivell

Your other colleague, a highly-skilled lab technician. M is rather reserved when it comes to emotions, and after almost a year of working together, M is still a walking mystery for you. Appearance: dark brown eyes, ash blond hair, light skin.

Roderick / Rebecca Reyes

The commanding agent of the Criminal Investigative Division (CID) team sent to catch the killer. Overbearing and ruthless, R has their own way of getting things done. Appearance: gray eyes, blond hair, pale skin.

Theodore 'Theo' / Theresa 'Tess' Vazquez

Another member of the CID team. With a cocky smile, T is full of flirts and sneering comments, regardless of the occasion. T has no doubts about what they want and isn't afraid to vocalize it. Appearance: dark green eyes, black curly hair, rich brown skin.

Isaac / Iris Brailsford

I looks the most mature and approachable of CID's fellow agents. Looks can be deceiving, though. Working behind the scene and watching from afar, I carries all the scars within. Appearance: hazel eyes, dark brown hair, olive skin.

Sebastian / Selena Goldstein

Someone new and temporary, S has a velvety voice and a perfect smile that doesn't reach their eyes. You're not sure if your paths will cross in the future, but something tells you S can't be trusted. Appearance: black eyes, long black wavy hair, bronze skin.

Other notable characters:

Your twin-sister: Your sweet, kind, caring, and gentle twin sister. She always tries to be there for you, and show how much she appreciates you, no matter what. Chief of Police, Kendrick Nash: Your boss, who is not handling his job so well after the recent death of his husband, Klemens Bergmann. Detective Klemens Bergmann: Police chief's husband, who happened to be a senior detective and your mentor. He was the first victim, murdered under mysterious circumstances.

A full list of warnings is available in the demo before beginning of the story. I recommend to check it before you proceed to reading.

Links: DEMO | CoG Forum | Q&A | Romance | Tags & Links | Patreon | Ko-Fi | Error Reports |

Thank you for your interest ♥

[from-the-depths-if]

Your whole life, all you've known is life with your pod. Scavenging, hunting, crafting and guarding alongside your family. You'd heard of the surface dwellers, of course, but they were barely more real to you than you were to them.

Until one day that changed.

Ripped away from your pod you find yourself in a world you don't understand, held hostage by a strange man with intentions you couldn't hope to grasp. He wants your magic - but all you know is that he's a threat to your family.

Find your place between both worlds, or risk losing everything.

From the Depths is an 18+ interactive fiction novel created in Twine using Sugarcube. Content warnings will include blood and gore, animal death in a historical context (looking at around chapter 3 - skippable), death and murder (including of those responsible for said animal death) and sexual content (skippable). List will be updated in the future.

Play as a male, female or nonbinary MC - cis or trans. Customise your appearance and personality, and choose how to navigate your new role in the human world.

Choose from two gender-selectable romance options - the determined guardian of your pod, or the idealistic princep. Or don't choose. Neither or both are also options.

Choose from five options to customise your pod - with two unique traits to aid you on your journey.

Learn the human language - or force them to adapt to you.

Learn the truth about why you were taken from your family, and find your way back to them - or build a new life for yourself on the shore.

Llyr - gender-selectable he/him, she/her or xe/xem | RO

Llyr joined your pod a year ago after xir own pod was scattered. Since them, xe has taken xir role as one of your pod's guardians to heart. Maybe at the end of that year you're still indifferent to xem. Maybe you're friends - or maybe there's something deeper. All you know is xe won't take kindly to what happened to you.

Nakia - gender-selectable he/they or she/they | RO

Nakia is the crown princep in the human country you've found yourself in. Idealistic, hopeful and curious about the world, they immediately set out to learn about your strange ways and get past your barriers. You can't tell them the truth about who you are - but maybe, just maybe, you can let yourself trust them. Note: regardless of which gender you choose, Nakia is always transgender.

Other characters to come in the future.

Demo (Prologue - Updated 25/12/24) | Characters (Coming Soon)

Note: This is a side project with my main IF being 'Immortal', purely because I already know exactly where that storyline is going while I'm still fleshing this one out. I will be working on From the Depths alongside it, but it won't be my priority.

Avatar Photo by Ole Kloth on Unsplash

Banner Photo by Naja Bertolt Jensen on Unsplash

[golden-hearts-silver-tongues-if]

Demo: (Release Date: when i figure out twine, and then a week)

Life was never easy, but the day you first found your talent for less than legal practices, it certainly got easier. And when you finally got taken in by a nosy noble who could appreciate your talents, life finally seemed like it was looking up. But the highlife isn't all it was cracked out to be. You had to leave behind your best friend for this chance at the high life, and that's not even to mention all the enemies you've made while in service of the person who brought you in. Was it worth it? Can you keep your skeletons nice and tidy in your closet? Or will the past prove to have a few too many chips on its shoulder. ------------- This is a game about many things. Struggling to find meaning in your own life, trying to cling to those you care about as life drags you apart, and what can happen when you don't make peace before the storm. You take on the role of a peasant with a talent for the illegal, be that quick hands or a quicker wit. After years of dealing with the dirt of life to make a living, you get taken in (read, bought into service) of a noble who claims to have nothing but good intentions. They want to expose other nobility for their wrongdoings while climbing the ranks themselves. Will you be willing to remain loyal to their cause, or is money truly the only thing motivating you? That remains up to you to decide. Golden Hearts, Silver Tongues is rated 18+ for explicit language, mature themes, drug and alcohol use and abuse, violence, thoughts and mentions of suicide, self-harm, death and mental trauma. -------------

Customizable MC, choose your gender, pronouns, appearance, sexuality, romantic attraction, personality, history with some characters, potential disabilities, and most importantly, how you choose to go about your crimes. Are you a smooth talker, or someone who prefers actions over words?

Romance one of four available ROs? Will you fall back to your tumultuous Ex/Ex Best Friend? Or perhaps your new coworker or Boss? Or perhaps the most dangerous, the Ex-Noble hunting you down?

Struggle with Morality as you get pulled in different directions. What constitutes good anyways? And let's be honest, do you even care about being good at this point?

Resolve all of your lingering issue, before choosing how to move forwards. To remain trapped by the chains of your past, or to cast it all off and move forwards, unburdened. Ignorance is bliss, after all.

-------------

Romance Options:

The Rival (F, Cis or Trans selectable) - Your one and only friend in the early days of your life, and perhaps something more? You two grew up together and often were the only ones each other had. Perhaps she was your best friend, your lover, or someone you were so close to you could consider them family. Regardless, whatever she was, she isn't anymore. A fight caused a rift between you two, and now you two aren't on talking terms, much less anything else. So, when she shows up to one of your jobs, to steal the same items no less, is it any surprise things don't go well? Tropes - Exes to Lovers, Childhood Crush, Exfriends to Lovers, Rivals/Enemies to Lovers

The Boss (M, F, NB selectable) - The person who scooped you off the streets and showed you what the high life was like, and all you had to do was steal whatever they told you. Simple enough, right? You'd think. In practice, it seems like they keep upping the ante on your targets and at some point, you have to wonder whether or not this is all born out of good intentions. Though, with the looks they keep sending your way, perhaps more than just your skills have captivated them? No, that couldn't be true. After all, a noble and a peasant would cause far too much of an uproar for the already tumultuous figure that is your boss. Right? Gender Footnote - If NB, the Boss will be Agender. Tropes - Forbidden Love, Age Gap, Nobility x Peasant, Employer x Employee

The Coworker (M, Cis or Trans selectable) - A surprise your boss sprung on you just a few months ago, he is another noble who embraced your Boss' rhetoric and now wants to help reveal the darker side of the Kingdom. It's a shame he doesn't know what he's doing, but luckily (or unluckily), that is where you come in. Tasked to show him the ropes of thieving, you must figure out how to teach this eager learner what you've known all your life. He might not have quick hands, nor can he lie to save his life, but if there's one thing, he knows it's how to get up after a failure. And that surely has no correlation to all the gifts of his you've ignored over the years, right? Tropes - Coworkers to Lovers, Master x Apprentice, First Crush, Himbo, Potentially Grumpy x Sunshine

The Baron (M, F, NB selectable) - Hate is a strong word. Luckily, the Baron is a strong person. The first major noble your Boss ever sent you after, they by far had the hardest fall from grace out of anyone you know. Going from ruling an entire quarter of the Kingdom, to being nothing more than a rogue knight hunting you down for revenge. It's a shame they still have so much money at their disposal to hunt you with, and for all that it's worth, they are very good at finding you. Catching you, not so much. You always manage to just barely evade their capture....surely nothing to think about. Gender Footnote - If NB, the Baron will be Genderfluid. Tropes - Hate-Hate Relationship, Enemies to Lovers, Murder makes people hot, Villian Route, Potentially Redemption Arc

------------- Note Zone: Hey there! Thanks for reading all the way through this. This little place down here is where I plan on placing things like links in the future, and also any notes on progress or big topics and stuff that comes up. For now, all asks are welcomed, and once again thank you!

[stormsbourne]

common complaints about veilguard: the counterpoint post

Spoilers under the cut lol

1) "why isn't the betrayal of felassan a mural?" the reason that the betrayal of felassan isn't a mural is that solas' regret about it is so potent that the evanuris manipulate it into a guardian to try and sabotage the crossroads. it is not that he doesn't regret it, it's that he regrets it enough that the regret is easily manipulable. the game tells you this about the guardians. "betrayal of felassan" isn't just a fun name for a revenant, it is the emotions and turmoil that revenant was made from. THE GAME TELLS YOU THIS

2) "why doesn't lucanis say he's a/demisexual, saying it online is a dumbledore moment" because it's not super relevant to his arc or romance and it's possible he doesn't know the words the same way that taash had to be told what being nb was. also it's insane to compare harry fucking potter to a game full of pansexual companions, one of whom is trans and has an arc based around their identity. it is not comparable lol.

3) "solas said in inquisition that he doesn't think blood magic is all that bad, this is a retcon" no, he's lying to rook because he is doing a blood magic on them as they speak. again the game establishes this. turns out you can't always take people at their word, especially if they are a god of lies and treachery. sometimes characters will lie to you!

4) "lucanis should be able to come to trust rook again even if you sacrifice treviso" he DOES trust rook but he's just not able to be romanced! those aren't the same thing! it's not even really about rook, it's that his arc as a character is changed if you sacrifice treviso (ie instead of coming to coexist with spite he decides that he's going to separate them and grant spite their own separate existence) so his dynamic with rook just cannot be the same. sorry you can't romance him, he'll be there in a future play. also I thought we liked consequences isn't that why we're all so mad about the three decisions only from inquisition stuff

5) "but that means lucanis is black and white not complex like the writers keep saying" I don't think you know what complexity means in terms of character writing. being able to come to trust and forgive someone for a decision that impacted you and your people, but still not being able to cross the line into dating them is a pretty complex set of emotions. people are complicated and messy and lucanis is too. sorry

6) "but you can still romance neve if you sacrifice minrathous" yeah, neve is complicated in a different way from lucanis. they're different people with different priorities and different reactions to trauma. this isn't bad writing, it is in fact, good writing to have characters respond realistically and have complexes they can or cannot move past instead of having a random approval tipping point that makes them ok or not ok with something

7) "solas is TOO morally gray, bioware just wants you to hate him" yeah I'm sure that's why there is a redeem option (overwhelmingly chosen by players) where you make him see the error of his ways and he willingly surrenders his plans after being told that he can let go of his guilt for his mistakes. sorry john epler thinks solas is a complicated person but that's what's most interesting about him. when the castling shit happens I started hollering because it's the best thing solas has ever done onscreen, it's so delightful. also, lol, the elven god of lies and treachery lied to and betrayed you? you don't fucking say

8) "why'd they have to kill varric" varric dying, as many people have pointed out, is the actual catalyst that releases the gods and traps solas by basically doing to him the same thing he later does to rook. The implication is that he immediately regrets it and this regret jams him into the fade prison in the place of elgar'nan and ghilan'nain. the game does not directly tell you this but it is implied. as for why they made that story decision, I can't tell you, but it definitely wasn't made just to piss people off

9) "weird that you can't tell taash that they can be both qunari and rivaini." I agree! next

10) "taash's nb stuff is so cringey and 101" yeah well it's not being written for tumblr folks who have all had a gender journey and read queer theory, it's being written for people who don't know shit and may never have even heard of being nonbinary. sometimes there's an audience besides you and things are written to help them understand the basics of the basics

11) "why do they kill davrin/harding" you are fighting gods and things are dire. if they hadn't killed one of them then we'd be getting complaints about how easily rook and co manage to handle things. Hell dude we're still getting those complaints right fucking now

12) "I can't believe they destroyed all of southern thedas just to burn bridges from the previous games" it is intended to be a world changing conflict because these are literal gods who are empowered by the blight. also it's not like it's a smoking crater. you don't know that they killed all your faves and in fact that is a slightly unhinged assumption to make. I get it, you're dissatisfied with the game, but you're reading in more malice than is intended

13) "why isn't rook in the book club/cooking rotation/lucanis and davrin monster conversations/whatever" so that you have room to decide if your rook would be there or not. this is an invitation to decide what kind of person your rook is, not a refusal to put them in the group

14) "why does everyone call rook that instead of their surname" logistics, same as any other dragon age game

15) "why is rook making the decisions for these characters, they're grown adults" do you think adults never seek advice or input from their friends. the point of the character decisions is that they're hard and the companions don't know what way is "right," and for that matter you're not deciding what's right, either, you're giving them advice and input that they take seriously as either your friend or your teammate.

16) "I reject this thing about canon and have decided on my own" that's fine, my rook doesn't have the "canon" mercar backstory because I just chose not to incorporate it with my view of that character. nobody is stopping you, especially not the people at bioware

[breathlesswinds]

(Devlog) What We Learned Making A Trans Dating Game

Hello, Amelia here, the writer for Breathless Winds. It's been 250,000+ words, countless revisions, and three years since this game entered development, and I wanted to talk about what I've learned leading up to release.

The concept for Breathless Winds was actually sort of a joke between friends. I was talking with Doris about how there should be a dating game where you play as a trans woman and your dating options revolve around certain ‘tropes’ we’d both seen in trans fiction-- the totally accepting cishet guy who falls in love with the trans heroine before she even knows she’s a woman, the cool trans woman who the heroine doesn’t know if she wants to date or wants to be, and so on.

Doris wound up suggesting we make this game ourselves. We both like visual novels and want to tell LGBT stories. Still half-jokingly and half-seriously, we started fleshing out what the romance options would be and coming up with a setting-- and soon, we were fully committed to making this game real.

I was a fan of visual novels but had only ever written prose. I knew which visual novels I liked and which scenes stood out, but I didn’t know why they did or how to make my own. 

I read some great advice from visual novel developers, but a good amount of my knowledge came from just working on Breathless Winds. As our first project, this game has grown a lot with us and we’ve learned a lot while making it.

Learning How to Write Visual Novels

A bad habit I had to break out of was only using the ‘novel’ part of the game and not the ‘visual’ part. I would sometimes write “He smiled” or lines like that, and Doris informed me that we can convey this much more simply with a sprite change.

It sounds obvious in retrospect, but lines like that are often pretty invisible when you’re reading a non-visual novel. These lines change the sprite of the character inside your head (if that makes sense, haha). I realized that I’m so used to them being ‘invisible’ that I didn’t notice their absence in visual novels I liked, so I would accidentally include them while writing. 

I was also writing these routes in a word processor, so I didn’t have the visual portion to reference, myself. I wound up making a lot of ‘tone’ notes like, “Lantana should be smug here” so that the meaning would carry when revising and implementing these into Ren’py. 

So, while visual novels share a lot with prose, they’re an entirely different medium. On the subject of representing things visually, I’ve struggled trying to figure out how much can be visually represented and how much should be written. 

Every asset in the game has to be drawn by Doris, so if I want the characters to go to a new location for a scene, I have to keep in mind that’s another background that Doris has to draw. If I want a new character to show up, that’s another sprite she has to draw. I don’t want to overload her, but if I’m trying to avoid this entirely, characters sometimes wind up standing in one room talking for ages without anything significant changing on-screen.

I’ve learned that it’s recommended for something to almost always be changing on-screen, though, so sometimes I just have to ask Doris to make a new asset for a certain scene. I still try to stick to locations/characters that already exist more often than not.

Every single thing in a visual novel is deliberate. Another thing I’ve had to learn that I never even considered before is how to write each line so it fits in the text box. It sounds obvious, but when I’m playing a visual novel, I don’t usually think about how each line has to be carefully constructed so it doesn’t need to be split up into two or more text boxes. In my mind, if a visual novel is well-created, there’s not much that breaks a reader’s immersion.

Planning & Outlining

The previous section might sound really weird to some people, so let me elaborate.  I’m a lifelong ‘write by the seat of your pants’-er, so the biggest trial-and-error of creating Breathless Winds for me was planning out the game.

Initially, I created outlines for each of the four routes, and we agreed ahead of time on which CGs each route would have. That way, Doris could draw the necessary backgrounds and CGs while I was in the long process of drafting this game.  My original outlines weren’t great. I know a lot of people have different experiences with writing, but for me personally, a story is always shaping itself in my mind. When I started making the outlines for Breathless Winds, I knew the concepts we wanted to convey, but I didn’t know what each route (and the game as a whole) was really about yet. This might sound weird and unprofessional, but sometimes, I don’t know what a story is about until I finish the first draft.

So while I was writing, I would look at my outlines and I would think, “this doesn’t actually make sense, he wouldn’t say that” or “this plot point would work better if moved to this other section” or “there’s a plot hole here I didn’t notice”. The story wound up changing a lot in this way as I learned what it’s really ‘about’. 

And even after I finished the first draft, I’d get feedback from Doris and/or my editor and they would suggest fixes to problems that even I hadn’t noticed, and then I would revise the route some more, and later on I’d come back and need to redo part of the route to comply with something I wrote in a later route-- I haven’t really felt ‘finished’ with Breathless Winds at any point, and I think I’ll still feel this way after the game is released.

This means that sometimes, a background was created but would go unused because there was no space for the scene that would use it, or we’d need a new CG last-minute, or so on. 

When I’m figuring things out as I go while writing a non-VN, the only person that I can adversely affect is my own self… so I’m eternally grateful for all of Doris’s patience with me on this matter. I think Breathless Winds has come out a much better game for all the re-plotting and revision. 

I redid the outlines several times as I went. I think I’ve understood how to create outlines that personally work for me-- ‘living’ outlines that hit all the main points, but leave wiggle room for moments when a character does something unexpected, work the best for me.

Scope Creep

So, originally, each route was meant to be 40,000 words. “With four routes, that’s only 160,000 words!” I thought. “And some of my favorite visual novels are about that long, so I can write that much, too!” ← clueless

This is the most infamous mistake that new creators make, and I walked right into it. I should have known better since I’ve bitten off more than I can chew with past non-VN writing projects before, but I was starry-eyed and didn’t realize how much work it is to make a VN. Some of those favorite visual novels I referenced were made by much larger teams, writers whose full-time job was writing (I wrote all of these routes on the side while working at a day job). 

If I could have done it again, I would have asked Doris to start out with a really short VN. But, I don’t regret making Breathless Winds at all. It’s brought Doris and I a lot closer, for one. Every time I thought I wanted to give up on this, Doris would motivate me to continue. Without the two of us both and our strong friendship, Breathless Winds wouldn’t exist, and I think that’s beautiful. 

No matter what, we’re going to see it through to the end. (I hope people like it, though…)

Anyway, here I am talking about how much 40,000 words is. Each route now is about 60k to 70k words. The problem with having evolving outlines is that they can often evolve into double their original size.

We came up with the idea of the poachers really early in development, and then not addressing the poachers felt like a failing, but by that point it was too late to remove the poachers entirely… and so the game wound up a lot longer dealing with the poachers. 

I think that if we had an editor sooner on in the game’s development, then we might have had someone to tell us, “do you really need all of this in the game? Does this plot point really need to be there? Will you be able to write all of this in a reasonable amount of time?”, haha. But Doris and I were really excited about the possibilities of this game when we started creating it, and without anyone to reel us back in, we wound up coming up with more and more things we wanted to put in the game.

Did you know there was going to be an island full of talking rats who say things like “the big cheese” and stuff all the time in Breathless Winds? Yeah. 

The Core Design Philosophy of Breathless Winds

So, for anyone who’s read this far but doesn’t know yet-- the premise of Breathless Winds is that you play as a trans woman who doesn’t know she’s trans yet, and she finds love with one of four love interests as she discovers her gender identity. 

In real life, it can be a lot messier for a person to date when discovering their gender identity. To put it briefly and mildly, a trans person’s life and sense of personal identity can rapidly change during a gender crisis and the early stages of transition. 

However, we wanted to make this game a ‘wish-fulfillment’ type story-- a trans fantasy about acceptance, community, and love. During a gender crisis, it can be easy to feel as if one has lost touch with themselves and become isolated from others. A sincere wish shared by many trans people is to be accepted, loved, and even celebrated as their true gender, not just tolerated. 

Since many trans people don’t get love and acceptance in real life, especially with the ongoing transphobic moral panic, we wanted to create a game that would bring this feeling of trans joy and celebration to trans audiences. 

We also hope that cis players will still enjoy the story and characters, and maybe come away from the game with a new understanding about being transgender and other aspects of LGBT identity (although we never intended this game to be ‘educational’).

Making Characters that Celebrate Trans Identity

Although we went through several revisions, the core identities of each character stayed the same since the game was first ‘jokingly’ pitched. In another post, I discussed how each character is themed around a change in seasons. (I also wound up theming them around the four humors when I was initially concepting them-- I really wanted to avoid too much ‘overlap’ in the LI’s personalities, haha). 

Ultimately, characters are created to serve a role. The LIs in Breathless Winds were designed to be love interests, of course-- characters who would appeal to the hypothetical trans femme audience. As mentioned earlier, we modeled them after other trans fiction tropes because these types of characters have a certain tried-and-true appeal, but this left plenty of flexibility to put our own spin on it. 

A trans woman being loved as a woman by a cishet guy can feel like a high form of ‘passing’, ‘fitting in’ to the female gender role, and being validated by his orientation. He only likes women, and he likes you, so you’re undoubtedly a woman. As a cishet guy, he represents a sort of acceptance into a societal norm that trans women can desire to live to. (Lantana, as a cis lesbian, represents the sapphic counterpoint to this-- although there is of course a big gap between the ‘normalcy’ of a cishet man and a cis lesbian woman, and I don’t mean to say those two are equivalent.) 

But not all trans women want to live to that (cis) societal norm. Rue and Valerian, as a trans woman and a trans man respectively, are the t4t options. 

Rue’s route represents that trans/sapphic ‘envy’ (“do I want her or do I want to be her?”) as well as finding power in community aside from what society considers ‘normal’. We’ve always been pretty clear about what we wanted to do with Rue’s route.

We went back and forth a lot more on Valerian’s route. Initially, we were unsure if he should be trans. He and Rue are the two less-friendly love interests (at least initially), so I was afraid it would come across that t4t is a more hostile option, which is not true at all. But it also felt like a mistake to not have a trans man in the game-- but making Gallardia trans would have required a big overhaul of what we had in mind for him and his route. (Although, childhood friends t4t is a really good idea...)

Beyond that, Valerian takes a villainous role in any route that isn't his own. We were worried that it would be wrong to have a trans antagonist who represents unjust power. However, Breathless Winds is a queer game with other positive trans characters, and we've always approached Valerian as a hot anti-villain man that you can't help but like.

In the end, Valerian’s route is about breaking generational cycles and what it is that makes you a man, and I also managed to sneak in a scene where they dance at a ball in the royal palace, so in the end I think it all worked out great.

Wish Fulfillment and Catharsis

Doris and I both agreed that we wouldn’t depict on-screen transphobia in Breathless Winds. Poppy worries about not being accepted, but fear of acceptance can come with any change in identity. Rue was rejected by her family for being trans, but this doesn’t take place ‘on screen’ in the game. There exist certain metaphorical parallels for transness and transphobia, but every route has a happy ending. 

Following up on this-- it can be difficult to write about discovery of gender identity without writing about transphobia, considering how many trans people suffer from internalized transphobia during their period of repression.

Sometimes, repressed/closeted transgender people ‘hyper-perform’ their assigned gender as a form of denial. A trans woman might grow out a beard and join a gym, while a trans man might become very interested in makeup and feminine clothing. 

In Breathless Winds, Poppy often struggles with ‘strength’ and what it means to be a man. In several routes, she tries to prove her strength under the assumption that being stronger would make her happy. Afraid the world would reject her if she became who she really is, she preemptively rejects herself.

Not every trans person suffers from prolonged denial, internalized transphobia, or even gender dysphoria. I don’t think it’s impossible to tell a purely-positive story about trans joy. 

While Poppy never gets rejected for being trans, faces transphobia, gets called a slur, etc, she faces both internal and external (metaphorical) obstacles to realizing and accepting her identity. 

Gallardia represents a societal norm that Poppy can’t live up to herself as a man.

Lantana suffers from certain aspects of her identity as a woman, which makes Poppy feel guilt for wanting to be a girl.

Rue is isolated from town at the start of her route, a ‘punishment’ for breaking this societal norm.

Valerian has to hyper-conform to his masculine gender role at first in toxic ways before finding acceptance from within and from his loved ones.

These struggles are real to a lot of people, but instead of pretending they don’t exist, I hoped to tell a story about catharsis. Poppy is able to live up to her truth as a woman and finds love with Gallardia, Poppy and Lantana redefine what being a woman should and does mean to them, Rue and Poppy find community in others who don’t fit the norm, Poppy and Valerian stop seeking gender validation from a society that was never made to serve them. 

Although these powerful forces of oppression exist, loving yourself as a trans person- and loving those around you, protecting the natural world, and standing up for what you believe in- can save the day. That’s the kind of story we wanted to tell.

Wrap-up

There’s a lot more I could write, but this has already gotten really long (sorry!) so I’ll wrap it up here. 

Learning how to write a visual novel in terms of technical skill (how to depict events on-screen, how long each line should be) as well as in terms of writing skill (how to outline the game, how to plan visual assets) has been a massive undertaking for me. 

Writing Breathless Winds has been a big challenge but also deeply rewarding, and all of your support has made the experience even more wonderful. Thank you for reading and thank you for supporting the game!

[someshakespearequote]

Okay, I don't want to give airtime to assholes, but let's unpack this a little.

On the left, for the sexy way things used to be, we have:

Concept art for a Qunari woman, which was shown next to a Qunari guy wearing about as little. This didn't look like how Qunari looked in DAO! Also, this isn't actually a character! I understand that the guys making this video would prefer that women be objects of their desire rather than actual people in any capacity, but this was just an example piece!

Art for Morrigan looking like Little Red Riding Hood -- again, not actually how she looked in the game.

Leliana with a ridiculous glow-up because this is how she looked in the Urn of Sacred Ashes trailer, not in the actual game.

Isabela, okay, you got me, this one is actually an in-game asset, except that no, do not cite the DA2 ladies to me, witch. I was there when they were written. I am old enough to remember when DA2 shipped, and the spiritual ancestors of this asshole posted comments on messageboards saying that DA2 had no attractive romanceable women, because Bethany was your sister, Merrill had elven features, and Isabela was, according to these sad incels, "too exotic." I remember this because I remember saying, "If the dirty-talking sexually liberated rogue with sun-kissed skin and a lip piercing who runs around with no pants is not up to your standards, your standards are bad."

Meanwhile, on the right, for the apparent current non-sexiness, we have:

Morrigan, who a) looks great, to the point where some people are saying she should look older (not me -- give Morrigan the Cate Blanchett/Rachel Weisz "inexplicably hotter as she gets older" treatment, you go, girl); b) isn't a romance option this time; and c) is actually an in-game asset, unlike Little Red Concept Art over on the left.

Neve, using concept art that was meant to show the costume and not the attitude. Because when you see Neve in game sashaying up to you after freezing bad guys, she looks great, and when I saw the bit of her in the lighthouse with her scarf untied and her blouse unbuttoned, I legitimately forgot what the conversation was about. (And perish angry, ableist haters. People with prostheses get to be sexy, too.)

Taash, looking great. We still don't know what's going on with the whole gender deal there, but as someone who was lucky enough to take one random college elective course the same quarter that half of the varsity women's volleyball team decided to do so, if your spectrum for finding a woman hot does not include women who are tall and have muscles, then that's a you problem, not a them problem.

One random chargen Qunari, which, whatever.

Notes about people being trans, which, as with the ableism, perish angry. Trans women are women. And if Taash ends up being non-binary or some other non-cis-woman option, and that is what turns you off and not the muscles, then again, that's a you problem, not a them problem, and those of us who can like boobs even when they're on someone who isn't a cis woman will be over here with Ruby Rose and Demi Lovato.

Oddly not present on the horribly unsexy right:

Bellara, who is adorkable and also giving Neve a run for her money at "most distracting collarbones in the Lighthouse."

Harding, whose smile lights up the room in the scenes we've seen so far and who was called out by fans as someone they wanted back as a romance option after people saw her in DAI, which was before her glow-up.

Like, I understand that the ideal right thing to do is to tell these jerks that the companions of Veilguard are deep and fully realized characters, and judging them just based on which ones you wanna bang is asshole behavior... but this is a Dragon Age game. It is, as the devs once joked, a dating sim with a small "save the world" minigame you do between scenes. And by those standards, the women of Veilguard (either including Taash, or and also Taash, depending on how that goes) look fantastic. I don't know who I'm gonna romance yet, because I fall for a character more while I'm doing quests with them and getting to know them, but this is a squad with many flavors of gorgeous. Sorry it has character art that includes, you know, character and not the creepy sex doll look of one of those Steam games that includes disclaimers about everyone being of legal age and none of the girls being actually related to you.

It's not a them problem, assholes. It's a you problem.

[zenless-zideblog-zero]

ZZZ sexuality headcanons

Because everyone else seems to do it.

~Phaethon Sibs~

Wise: Biromantic (slight preference for women) Pansexual, but like Theater Kid Bi/Pan. He IS LGBT+, but he's so dramatic about it the only people he ends up falling in love with are those with big dramatic reveals and backstories (Lycaon, Caesar, ETC.)

Belle: Demi on both accounts. She finds herself falling for girls more often but to be fair, an inordinate amount of the people she's around are Girls.

She has some Trans Vibes™ to me, but also just as likely to be cis.

~The Cunning Hares~

Nicole: Likes Women, and Certain men. Aromantic, but willing to be in a romantic relationship.

Anby: Sex positive Asexual, Panromantic. She only recently figured this out since she escaped her mysterious past.

Billy: Okay, him being a Robot, even a sapient one, makes the whole Sexuality/Romanticism thing weird to consider, but given the fact he has some kind of attraction to Monica that seems to be deeper than an emotional infatuation, so like. Straight? But also I reserve the right to change this in the Future.

Nekomata: Okay, as a bisexual it's hard not to make everyone like both men and woman as a form of projection, but also. Shooting her with the Bisexual Beam™.

~Belobog Heavy industries~

Koleda: Pansexual Demiromantic.

Grace & Anton: I am putting these two together because I cannot begin to fathom what is going on inside these People's heads. Should either of them have a sexual and/or romantic partner, they won't care what their partner is, in a way that is impossible to distinguish between Bi/Pan/Omni/Etc and Asexuality.

Simultaneously, I can also see them both being DEEPLY Homosexual, OR in the vein of "HRT Hit me like Freight Train" trans, but not both gay and trans.

Ben: Either the straightest man ever or the least flamboyant gay man in history, because on one hand he's a Bear (Heavyset Hairy Man) and a Bear (Furry) but also he's the accountant, which means he likely was in Business classes in college. I have never met a gay person good at math.

~Victoria Housekeeping~

Lycaon: I think he is like, pan/Omni/etc, but he's so deeply uncomfortable with being open to those he doesn't know he seems like he's demi.

Rina: Again, as a bisexual it's hard not to make everyone like both men and woman as a form of projection. But also, *Bisexuality Beam*

Corin: She really hasn't put much thought into it, but to seem 'normal' her kneejerk reaction to such a question is to claim that she's straight, even though she's still very much figuring herself out.

Sapphic, with unclear feelings towards men.

Ellen: (BisexualProjection.TXT) Sapphic, but Demi with guys, sort of like how Nicole is described.

~Criminal Investigation Special Response Team~

Zhu-Yuan: Comfortably Pan, terribly single.

Qingyi: Same thing with Billy where it's different because she doesn't have "Organic" Impulses, but also she's lesbian.

Jane Doe: She's so deep into the "Flirty Femme Fatale" Persona that she's forgotten what her actual preferences are. When is the flirting real, and when is it a ploy? If it was real would it actually be for this Guy/Girl?

She lands somewhere between Lycaon and Corin's deals in this way. I don't Think it's that clear to her, let alone to anyone else. She just needs to be allowed to be honest with others to be true to herself, and figure it out again.

Seth: Sex-Neutral Ace, Panromantic. He WILL Cuddle you after and he WILL Make you breakfast in the morning.

~Sons of Calydon~

Caesar: Bi, heavily leaning towards men because that's mostly what she can find in her romance stories.

Lucy: (BisexualProjection.TXT) As a revolution against her dad, she went HARD into being a lesbian, but the freedom and kindness provided by the Sons have let her really consider her options. She does like women a LOT, but sometimes ... she wouldn't mind a guy treating her like the princess she wants to be.

BUT TO BE CLEAR. She is a Disaster Lesbian for Caesar specifically. Caesar is basically the pinnacle of Sexual Attraction to which she bases all other potential partners against. She does not realize this and it is part of the reason she fights Caesar so much because of the Weird Feelings™ She gets.

Burnice: Literal Flaming Homosexual. The MOST Lesbian. If the bad word for gay (F**) didn't already have the hitorical context for it's existence, Burnice would be the origin of it.

Piper: Also a lesbian. She had a wife ten years ago, but they've divorced. This cannot be surprising to anyone.

Lighter: GAY GAY HOMOSEXUAL GAY-

~Misc.~

Soukaku: A Child. Do not bother.

Soldier 11: A Good Soldier's only love is for their country, and their only marriage is to the code by which they live!

The amount of Psycho-sexual issues this Woman will have if she ever uncovers her own personhood will be Deep and Troubling. and HOT.

[laudnasratking]

as much as I love the idea of Laudna struggling with her body image and everything in regards to romance (i am trans), I LOVE the secondary option of Laudna (known Imogen obsessor) being so confident in Imogen's will and choices that she accepts instantly that if Imogen wants her then she has to be a 10/10 certified stunner, and maybe even getting a bit annoying about that

[kunosoura]

BG3 companions ranked based on how much I buy their bisexuality

Fits the character naturally:

Laezel. Easiest Kinsey 3 of the bunch. She’s dtf with anyone who impresses her and is willing to buy in to her dynamic. No further explanation needed.

Halsin. Man has zero hangups. He’d fuck a plastic bag if it was capable of reading Polysecure.

I buy it with an asterisk:

Shadowheart. Has a trans girl ex. She’s sorted her sexuality shit out probably a nonzero amount at her ex’s expense. Her Girl Best Friends thing on the selunite route feels weird for a straight romance but whatever.

Wyll - the slow dance feels like it was originally concepted as a thing for a straight romance, but I can fully believe it as an aspect of courtly life he was raised in and hasn’t really had a chance to participate in since his exile, even if leading a guy isn’t how it went when he was young. Wouldn’t be surprised if I learned he was originally written as a straight guy, though.

Wish it was more written:

Gale - he kind of has the feel of a bisexual in theory guy who likes the idea of being bisexual and talks about finding either super feminine or super masculine guys attractive but almost only dates women. I feel like what we got in game could have been interesting as a “this-is-my-first-serious-time-with-a-guy” thing in the shadow of his disastrous and shady relationship with Mystra.

Minthara - her romance with men and women should not be identical. Should have been an uphill battle to convince her to respect a male lover. She’s a drow’s drow except for having been coerced into forsaking Lolth. Cmon

Ultimately I don’t disagree, but:

Karlach. Do you know that post going around about how Brienne of Tarth would be a 100% straight girl who triple checked that she wasn’t attracted to women because things would be monumentally easier if she were and Jaime’s the Kinsey 5 in the relationship. That’s sort of where I put Karlach. I dunno. She kinda seems like she just wants to lad out with a guy. Idk I don’t doubt she was always intended to be a bisexual option I just feel like she fits into that little archetypal niche of “straight masc woman everyone including her thought would be a lesbian but it just didn’t shake out that way”. I don’t hold this one against the writers because it’s much more me than them but still.

That’s a gay man:

Astarion. I’ve said it before and I’ll stand by it: the much braver and more interesting version of BG3 has him dumping any woman he’s dating after coming clean about using sex to manipulate her, then becoming unavailable for romance unless you destroy his self worth and ascend him.

[goodluckclove]

Some Loose Thoughts on Queer Rep (Specifically Aspec Rep)

(Just in advance I'm going to dunk on Alastor from Hazbin Hotel like a lil' bit, as a treat. Mainly the team that made him and what he represents, but still. If that's rage bait for you, I suggest maybe dipping out now)

I have a theory that queer media needs both queer characters and queer genre characters. The difference is very important.

I think a queer character would be a character in a story about their queerness. For some reason the only two characters I could think of are the guy from Love, Simon (What was his name again?) and the protagonist from Rubyfruit Jungle, which should express the weird and complicated relationship I have with this particular archetype.

Queer stories centered around queerness are definitely needed, but at the same time I feel like we're just starting to come to terms with the desperate need for the alternative, which are queer characters in genre media that contain overarching plots larger than their sexuality. Not separate, necessarily (Their queerness certainly influences things), but just beyond. This is more accessible for a variety of artists, which is also the reason why it can be a flop or a massive success.

We get more of this than ever for gay and sapphic characters, as well as some trans folks and occasionally non-binary. It's definitely way less seen in aspec characters, and even less respected. I started thinking this way because the internet is flooded with references to fucking Alastor from Hazbin Hotel as an aroace character and - like - god, I don't get it.

Like you can have your serial killer comfort character, that's fine. But latching onto him as representation for the entire aspec community when he was only confirmed to be aroace through a reference in a livestream and the weakest joke onscreen is pretty disheartening. It definitely reads like this part of his identity was added pretty late in his character development, and by a team of people that didn't seem to consider what the response and reaction would be and how they'd handle it.

I also wish the newest aspec icon in media wasn't created by a team so adamant on encouraging shipping culture above actually respecting the identity they've decided to provide representation for. Like I see it means a lot to people to have an aroace character doing something cool in a fun TV show that doesn't necessarily have anything to do with their identity. Then there's like four other people right behind that person who really wants that person to be romantic and fuck.

And like, yeah, aroace people can do that sometimes. It's a spectrum, I know. But can't we start with a baseline representation before providing proof of fluidity?

I just think we deserve better. Like a character who in the media is established to be aspec, and people are like "great" and move on to fight robots or do magic or whatever. And the person can be morally grey, or even a total dick, but like I'd personally prefer something with a little more depth than Hot Topic genericism.

Like don't get me wrong, I'll take some sort of eldritch horror as my representation, but...make him at all horrifying? Like everyone talks about how he has Eldritch powers, which I know to mean unfathomable and maddening. But I've seen everything he does in the canon of the show and it is both incredibly fathomable and makes me feel normal and sane. Yog-Sothoth this man is not.

But yeah, I don't think there's a solution here besides more aspec artists creating aspec characters in their work. That way people can still like Alastor if they want, but he's not like the only viable option in terms of representation in the media. Let me see lovingly-crafted cool guys and dipshits and chaos goblins and little babies and True Horrors, all of whom have varying degrees of distaste or indifference towards sex and romance.

Do it. We need it. Please.

[allwaswell16]

All the One Direction fics I read and enjoyed in July 2024. You can listen to my podcast to hear me talk about each of these fics as well as an overview of what was posted on ao3 including the fics on this month’s fic roundup [ @1dmonthlyficroundup ] which you can find here! Please let the writers know if you liked the fics by leaving kudos and comments! Happy reading!

Fanfictional Podcast #64 |  ko-fi | fic recs

- Louis/Harry -

🌊 don't be afraid to love (and love again) by localopa / @voulezloux

(T, 83k, trans Louis) the one where louis is trans and afraid, harry is cis and brave, and being 100% yourself is easier said than done.

🌊 The Things We Know To Be Wild by harryanthus_annuus / @harryanthus-annuus

(M, 39k, dragons) Louis is a London zoologist sent by the University of Highlands and Islands to assess the safety of the island of Eroda as part of the Wonder Seekers Project for sustainable tourism.

🌊 let me carry your weight by @soldouthaz

(E, 28k, trainer Harry) louis is fresh out of a bad relationship with someone who made him feel awful about how he looked. on his journey to better himself, he meets harry - the ridiculously attractive and fit personal trainer.

🌊 Rewriting the Melody by LadyAJ_13 / @ladyaj-13

(T, 26k, canon divergence) Louis doesn’t get put in One Direction. This time, the path to true love takes the long way round, including singing in toilet cubicles, fruit baskets, and long distance band counselling from someone who really doesn’t know what he’s doing, he just wants to keep talking to Harry.

🌊 Peeping by jacaranda_bloom / @jacaranda-bloom

(E, 16k, roommates) Louis has a thing for his housemate, Harry is under the impression that clothing around the house is an optional extra, and neither of them seem to be able to stop wanking long enough to get their shit together and admit their true feelings.

🌊 It's halftime. Are you ready to go? by momentofclarity / @gaycousinlarry

(E, 12k, body worship) football is gay and Harry is trying to cope.

🌊 Be Mine? by @softfonds

(E, 12k, famous/not famous) Getting dumped the week before Valentine's Day wasn't in Harry's plans, and neither was being dragged to a concert to forget about it.

🌊 The Checkout by @silverstuff50

(E, 12k, omegaverse) Omega Harry is a bit obsessed with one of the workers at the small supermarket around the corner from his flat.

🌊 every day and tomorrow night by @justanothershadeofblue

(E, 8k, high school) “You know the rule, Z,” Harry answers, still not pulling his eyes away from this unexpected Adonis. “If I lick it, it’s mine.”

🌊 Standing On the Edge of Falling by therogueskimo / @bravetemptation

(NR, 5k, famous/not famous) It’s Harry’s first security gig, and somehow, he landed Glastonbury. Unfortunately, he’s been tasked with telling a very gorgeous man that he can’t stream the football match. Things go … much better than expected.

🌊 Body Stay Vicious by LetTheMusicMoveYou / @letthemusicmoveyou28

(E, 5k, pwp) the one where Harry is feeling himself in the gym and gets a little carried away. Of course his gym crush just happens to walk in. They work it out

🌊 Unspoken by Speechless / @smokingluckiesalltheway

(E, 5k, exes) Harry and Louis broke up when they were nineteen. They see each other after six years.

🌊 Figure This Out by @haztobegood

(E, 2k, age difference) Louis is everything Harry could have imagined when he’d typed “silver fox enthusiast” into his Grindr profile. Too bad he's probably scared Louis off by giving him too many expensive gifts.

🌊 sandwiches on the shady shore by @juliusschmidt

(T, 2k, summer romance) And then, because he’s already showed up embarrassingly early in the day and made Louis a cheese sandwich, he adds, “I wanted to.” Part 3 of Cabin on the Bluff

🌊 Irrumabo by LadyLondonderry / @londonfoginacup

(E, 2k, sex pollen) Harry’s plane is delayed. He buys a plant.

🌊 coming home by @nouies

(E, 2k, canon Euros 2024) It’s coming home, one way or another.

🌊 Tastes Like Violets by @allwaswell16

(T, 2k, famous/famous) Louis has a death metal band, Harry doesn't mind public challenges via Twitter, and Lottie thinks they're both hopelessly chaotic.

🌊 It Was Electric Touch by @allwaswell16

(E, 2k, silver fox Louis) Harry, assistant to The Snuts' manager, has been indulging in fantasies about the headliner and founder of the Away From Home Festival, Louis Tomlinson. He gets the chance to indulge in the real thing at the after party.

🌊 If Life Is a Photograph by @allwaswell16

(T, 2k, famous/not famous) Harry gets plucked out of the crowd to take Louis’ crew pic on stage in Guadalajara.

🌊 For you i would lose my mind by @dreaminrainbows

(E, 1k, pwp) Louis is a total menace on stage and Harry has had enough of it

🌊 Salt On My Tongue by @homosociallyyours

(E, 649 words, incubus/witch) Harry is a witch who's been dabbling in summoning sex demons for a while now. He's become especially devoted to one incubus in particular, a blue eyed demon called Louis.

- Rare Pairs -

🌊 Four, Five, Finished? by @beanno28 , @lalalaartje

(E, 45k, Zayn/Louis/Harry) Now that they've all settled down in their relationship dynamic, Zayn, Harry and Louis agree it's time for the next step. They're having a baby! As usual for the three of them, nothing goes as planned. Part 3 of You Only Fall In Love Twice

🌊 Pay It Forward by @reminiscingintherain

(M, 3k, Zayn/Louis) Zayn's agreed to be a sperm donor for his lesbian friends. Louis' his best friend, and he supports Zayn's decision... right?

[pinkyjulien]

I really, really hate the "Female V is canon" vs "Male V is canon" debate that been popping here and here in the tags those past weeks

Cyberpunk 2077 is a Role Playing Game, there is no "canon" protagonist, that's the whole point. We all have a different playstyles, different stories and headcanons, our custom V is The Canon V of Our Own playthroughs!

After Phantom Liberty dropped, I've seen a lot of players, on Tumblr or Twitter, voicing their concerne and disappointment in how much more Female V focused the official promo, videos and even in-game credits became

I was one of them too, expressing my feelings multiple times, sometimes awkwardly, frustrated that Male V players were once again brushed to the side, because that's how it feels like, right?

Well, it might feels like it, but this isn't the case AT ALL, far from it. This is only what I would call a "Fandom Phenomenon" and I want to talk more about it a bit

I had a great conversation with a friend of mine who works in the game industry and it opened my eyes on the matter, and I've since been really interested in seeing RPGs statistics!

Because it's really, really important to make the difference between the Casual Player Base (majority of players) and the Fans / Fandom Base (minority of players)

━━━━━━━━━━━━━━━━━━━━━━━━━━━━

I always been lurking in fandoms here on Tumblr, since Mass Effect, Dragon Age, and now with Cyberpunk 2077 and Baldur's Gate 3

First I want to drop some stats- might be completly wrong, but I'm only sharing my point of view here, in an attempt to explain why some people are frustrated with Female V being the focus (and why we shouldn't be!)

I think it's not wrong to say that fandoms are mostly occupied by women and fem-identifying individuals; fandoms are a safe place for players and fans to share their passions. Women are STILL HEAVILY harassed and hated in the gaming industry as a whole, it doesn't take a lot of digging to catch a vile comment on Twitter or on Twitch for example, you cannot go far without seeing someone either attacking or sexualizing them

This is a huge problem in the industry still, every games that release with a female protagonist get trashed- just look at the bullshit surrounding GTA 6 just because players will be able to play as a woman as an option

Fandoms are also safe for non-gender conforming people, non-binaries, trans people and queer men, but I think fem individuals and women are a clear majority, at least on Tumblr (only talking about genders identity here and not about being queer or not, not talking about sexualities or attraction) (not an official stat at all and only my point of view and experience from being on Tumblr since ~2012)

Now let's talk about Cyberpunk 2077- because this is my main fandom since 2020, and what prompted me to write this post in the first place

CDPR didn't share any stats recently, but it's REALLY SAFE to assume the MAJORITY of players are playing a straight Male V romancing Panam, followed by a lesbian Female V romancing Judy, but the player pools for both options are still majoritarly cis hetero men (and they are still the focus for AAA studios to sell their games, this is sadly just how it is)

However on the fandom side, Fem V was always the focus; virtual photography, mods, ships, OCs... She was always more popular than Male V, getting more interactions and notes and why trends like "Male V monday" were created and why there is still a lack of male V focused mods (non-binaries and trans fem folks and characters are also sadly under-represented in all type of content and art)

So, being yourself as a non-fem player, playing as a Masc V, seeing CDPR officially make the switch from Male V to Female V, when the space you've been in for the past 3 years has been overwhelmingly Female V focused on all front, was a bit of a punch in the guts; like I said earlier, I was reaaally frustrated with this too!

And I'd say it's "normal"? or at least "ok" to feel this way, it makes sense considering how little attention Male V in general get in the fans community

BUT. BUT... It's REALLY important here to realize how we sound and how we look like when we voice our frustrations on the matter; we sound and look just like all the misogynistic people over on Twitter who screams about "woke games" everytime there is a female protagonist in their "non political games". We have to remember that fandoms are suuuch a small part of the game industry

Baldur's Gate 3 recently shared their stats and this interesting tweet got into my dash

▶ tweet

Astarion is nowhere to be seen in the official most romanced companions statistic, but I'm sure a lot of people will agree that he's probably the most popular one in the fandom side!

Another stat here from Mass Effect and really interesting info coming from David Gaider about how the hardcore fanbase aka fandom's choices were WILDLY different from the casual / main player pool

▶ tweet

Getting my head out of the fandom bubbles and seeing the bigger picture, how much under-represented women still are in official medias (not talking about fan content) and how insanly misoginistic the game industry still is, both on the player and devs sides, helped me handle my own frustration on the matter, accept and even celebrate Female V being the focus for the Phantom Liberty campaign

With all that said tho, we all should be able to vent about the lack of Male, Masc and Non-Binary content in the fandom side, while still being aware of the industry state, it CAN co-exist! It doesn't make anyone a bad or misogynist person!

We are all humans and can be awkward and make mistakes, especially when voicing frustration or talking while in a negative mood. Let's educate one another in good-faithed manners when we slip instead of jumping to conclusion and throw accusations

Not gonna lie I kind of lost my train of thoughts and not sure how to finish this post, but I hope this can enlight some people on why CDPR made this choice!

Repeating this as a finale note; this doesn't mean that Female V is the "main" V or "canon" V . It's simply her time to shine, and it's well deserved! The industry needs it