#i wanna talk character development

[farglefarf]

I have been wanting to write an essay about Falsettos since sophomore year of highschool and I graduated college last year. Maybe I should just fucking write that essay lmao. I have many things to say about Falsettos (2016/2017) and one day you may hear them. Also I finished that video and I put it on a drive one sec I'll get that link for you, sweetheart ♡.

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[silly-cuchufli]

Can we talk about how pantheon weaves the exploration of grief into every aspect of its story!!!!!! Specifically, the show captures the complex nurture of grief by highlighting the different stages of grief through its individual character and how they progress throughout the story

First, you have Ellen, who represents denial. She lost her husband, David, and somewhat forces acceptance upon herself and her daughter. Even though the story picks up after David’s death, we see Ellen’s journey through grief when David comes back. Ellen’s acceptance of her loss is juxtaposed with denial. When her husband comes back, she’s confused and hurt. She doesn’t want to accept he’s back because, well how could she? She’s lived two long painful years without him. She’s gone through so much, having to accept that he’s gone just for hime to come back. She’s terrified with the pain that comes along side embracing him. If she accepts him as alive again, she also has to accept the possibility of losing him again. She has to learn to accept the pain that accompanies love. Even though she eventually accepts David, her denial to his resurrection is still highlighted earlier on in the show.

There’s also Chanda. He is a not so subtle representation of the anger associated with grief. He literally burns a building and kills a family because he was blinded by his grief. He was grieving his life, and how he would never live as he once did. All of his actions are propelled by his anger over the loss of his life. He is desperately trying to achieve what he never got the chance to while he was human. He’s trying to create the world he never got to live in. He can’t accept the way things are because he’s still stuck in his anger over his loss.

Next, there’s Cody. He represents bargaining. He can’t accept the loss of his wife, so he does anything minimize and postpone his sadness. He doesn’t question or deny Laurie when she comes back like Ellen did with David. Rather he accepts her without a second thought. His actions aren’t solely propelled by love, but rather his avoidance to pain. Even before he knew Laurie’s upload was successful, he didn’t accept that she was gone. He still felt that she was alive and the same as she had been. When she came back, he did anything for Laurie because he didn’t want to lose her or accept that things had changed. He did everything in his power to keep things the same and try to live as he did before. When Laurie is prepared to die to spread her message to the world, he doesn’t accept losing her again. Rather, he prepares to “reboot” her and keep thing the way the are, even though they’re not.

Next there’s Capsian, who represents depression. Now the thing he’s mourning is a bit different from the other characters in this analysis. He isn’t mourning the physical death of someone, but rather the death of his innocence. He found out he was a clone and that his entire life was a lie. Everything he thought he knew wasn’t real, and that’s terrifying. While he goes through the other stages of grief, the show draws attention to the depression part of grief through Caspain. He quickly recognizes the true extent of his loss but still struggles to accept and cope with it. Thus, he is easily manipulated by Pope and throws himself into curing the flaw because to him it’s a way to avoid the looming hopelessness of his situation. He’s lost interest and passion for the things he once cared about, and focuses on what he feels he has to do. He feels hopeless, and desperately trying to cure the flaw is his way of trying to reclaim agency. If he solves the problem, he regains some control over the hopelessness he feels.

Finally, there Maddie, who represents the complex journey to acceptance. Throughout the show, she experiences all the stages of grief. The show focuses on her journey to accepting the loss of her father and the life she once had. We watch her go through the stages of grief at her own pace and eventually come to terms with her loss. We watch her grow into the person that can eventually let her father pass. We watch her move forward despite her loss. She still is in unimaginable pain because of the death of her father, but she still keeps moving.

While all of the characters experience all the stages of grief, it feels like the show focuses on specific stages with specific characters. Pantheon displays how grief is complicated and messy, and not just some straight line. It highlights non-linear growth and how character progress and regress throughout their respective journeys with grief. It shows how grief isn’t something that it easily overcome, but rather a long and exhausting process. It shows through its main cast how each stage of grief is its own journey and hurtle to overcome. Pantheon demonstrates that even after you accept loss fully, it doesn’t take away from the immense pain loss causes you to feel. All you can do is keep moving forward.

[maraudersidk]

Albus 'daddy's boy' potter you will always be famouse to me.

[fox-guardian]

[ID: A digital sketchpage of Colin Becher from The Magnus Protocol on a gray background. He is a thin white man with a receding hairline and a blonde mullet that is very long in the back, tied into a low ponytail. He also has a mustache, patchy facial hair, body hair, and blue eyes. In four out of five sketches, Colin is wearing silver stud earrings, rectangular glasses with yellow lenses, a yellow t-shirt under a light blue button down, a light brown zip-up hoodie, blue jeans with brown knee patches, blue and white striped socks, brown sneakers, and bracelets including a braided one with pink and burgundy threads. On the right, there's a shoulder-up sketch of Colin with his body facing to the side while he turns his head to the viewer, looking angry. Below that is a far less detailed doodle of him on all fours like some kind of creature. On the far left is a shoulders-up sketch of him leaning against his hand looking tired with one eyebrow raised. Below that is a drawing of him facing away from the viewer on all fours looking under something with a little dark smudge above him denoting annoyance. In the middle is a full-body drawing of him posed as though sitting with one leg bent as he holds a game controller. He is wearing his glasses and earrings, as well as a white crop top that says "slut.exe" in blue text, yellow underwear, and blue and white thigh-high socks. He looks focused but also relatively relaxed. end ID]

~~~~

normal about that IT manager

and yes whenever i draw him with striped socks i need you all to know that they're the programmer socks. alice gave them to him mostly as a joke but he actually loves them and that's one reason they're buds in my mind

[twilightprince101]

So! The ost for Indigo Park chapter 1 released on youtube. and they come with official titles for all the songs

Do with this what you will Rambley Fans

[stresskidz]

Moodboard for my fic ideas #1

Reader and Minho are both exchange students who struggle to fit in. Minho has a hard time with English, and reader is an introvert. They build a friendship and help each other out. Despite Minho’s parents wish to study abroad improving his English in hopes of getting into a top university one day, he secretly keeps practicing his one true passion - dancing. His biggest supporter? Reader. 

"Do you ever dream of becoming like them?" I ask Minho, whose face was illuminated by the purple light of the BTS poster announcing their upcoming concert. He didn't even have to respond, i could see it in his eyes. This was his dream.

[okeydokeylackey]

Would anyone's MC / OC want to be noncanon friends with Caelestus 👉👈

Either as an adult or in school tbh

[moeblob]

Erin, to her crush: You're a dick

Mason, the crush: I won't argue! But to clarify -

[gamebunny-advance]

Irreplaceable

It's all "pikmin yaoi" this and "pikmin yuri" that, but then y'all will go and ignore the canon pikmin yaoi/yuri that's right in front of you.

[finisnihil]

It always amuses me when people will approach me with recs like “This book is sooooo good but it’s mostly plot and politics not a lot of spicy stuff” and I’m like my brother in Christ that is exactly the shit I’m into give me that book. I cannot stand chronically horny protagonists like drink some fucking water bestie the stakes will not wait for you to finish banging and if they do they aren’t actually stakes and this is erotica in a fancy dress.

[silusvesuius]

i legit love when a character's gender is so integral to their personality (and perception obviously.) like so concrete that if genderbent their whole shtick would just be absolute dookie. anyways i'm just writing this text so i can talk in the tags (My beautiful safe haven)

this 14 minute song is soooooooooooo FYRE

[beigetiger]

Thinking about the Darquesse prophecy and how it was kind of a self-fulfilling prophecy

She didn’t really begin her existence as violent, just…a curious baby god figuring out what she could do.

But she had been told throughout pretty much the entirety of her existence that she was going to end up destroying the world, even if she didn’t know why she would want to do that (hence her conversation with Argeddion in KotW).

And she eventually started to see people less as people and more as energy, and decided that turning everyone back into “pure energy” was what she should do, likely directly because of the prophecy. Because really, she was a tad obsessed with that prophecy. Girl told Skulduggery she was going to kill him because of the prophecy multiple times and in DotL, when the prophecy was actually coming true, she kept on checking what was going in accordance with the visions and seemed kind of upset when it wasn’t. It had defined so much of her existence and she didn’t want that idea or her to be wasted.

And then she got to go to the Faceless Dimension and ended up getting some more life experience before being brought back by Sebastian, with the weirdest plot line ever about learning to love being human ever.

And she did learn to love humanity and people as being more than just energy, so much so that she decided to learn about every single thing in the entirety of the universe so that she could perfectly recreate it when Obsidian decided to end it.

There’s an entire religion dedicated to her love of everything, and the only reason that she actually learned how to love people was because she was taught how, just like how she was taught that she was going to destroy the world one day and that she was a terrible violent sociopath.

Darquesse was never fully evil, she just accepted what she’d been told her fate was and that fate was that of an evil god. All it took was someone showing her legitimate love instead of fear and hatred for her to learn to care about the world beyond just magic-energy.

Maybe one day I’ll make a post about all the versions of Valkyrie and how their arcs intertwine, because arghhh I’m thinking about them.

[sarellathesphinx]

Both square enix and other players can take the idea that Cait has his own personality and sense of will separate from Reeve from my mummified hands

[frobby]

i love madoka magica however i dont think we as a fandom talk enough about how tragic madoka herself is. probably because the narrative itself steers you away from thinking about her personally. shes not a character shes a desire that homura has, shes a force of good, shes homura's foil. but those are all madoka's narrative roles but madoka herself as a person is not really looked at because we are viewing this world from an unreliable narrator(homura) who only sees madoka as those things. The best thing homura could have done for madoka was give up on her, to let her go. because every time we go back in time the image of madoka is distorted, she loses more of herself every regression of homura's as she tries harder and harder to save her. We don't even know what madoka originally wished for to become a magical girl in the original timeline. and she actually acts quite differently than the madoka we meet. shes a lot more honest and caring and bold. by the time homura's has reached the actual anime madoka has been reduced by the sands of time to a figment of herself. she has no wants or desires of her own beyond wanting to do good and help her friends and when all her humanity is stripped away is when she finally acends to godhood because thats all thats left of her. an ideal and a faith in her. madoka kaname died a long time ago and all that is left is her ghost.

[midnightfangz]

You know. When i started playing skyrim, i expected to get stuff like exploring a vast open world for hours, long and useless fetch quests, a handful of funny glitches here and there, a decent storyline.....

In a way, i got all of that and yet. It gets boring pretty quickly and the worldbuilding is kinda lacking so i padded out the lore w my own headcanons and interpretations in the more important parts to entertain myself, but uh.

Is the intense and long lasting Cicero obsession supposed to be a part of the whole playing experience, too, or