#i try to help it

[hersurvival]

You are alive -

You open your eyes each morning

And breathe just like the rest of us.

But do you live?

Or do you fight every night

Just to get out of your own mind,

Desperate to escape the past?

Exhausted day in and day out,

Distracted, your head swirling

With thoughts better off

Forgotten?

Talk to me,

I don't understand where you go sometimes -

I search and search

But I have lost the word to utter

When you give up,

When you wish to end the game of hide-and-seek.

I just want you to come back to me.

Olly olly oxen free.

[ducktracy]

sharing a very sage bit of advice from The Simpsons' own John Swartzwelder that i've been trying to hamper down in my writing and drawing alike. let your inner crappy little elf do his worst

[captainjonnitkessler]

You know I used to think "tumblr's absolute refusal to actually engage with the Trolley Problem in favor of insisting that there must be a third, morally pure option that doesn't require them to make a hard decision and anyone who asks them to make a binary choice is just a short-sighted idiot is really fucking annoying, but I guess it's not actually doing any harm".

Anyway that was before we asked tumblr at large to decide between "guy aiding a genocide but making progress elsewhere" and "guy who would actively and enthusiastically participate in a genocide and would also make everything else much, much worse for everyone elsewhere" and the response was that there must be a third, morally pure option that doesn't require them to make a hard decision and that anyone who asks them to make a binary choice is a short-sighted idiot.

[milesofstars]

dont worry about it jason...

[thecoolertails]

thanks that was really helpful

[theoldkyokodied]

Really quick doodles of a few scenes from the stream yesterday. Including combat flirting taunting, gale’s magnificently distracting shoes and.. whatever you wanna call gale agreeing to give 15 gold to astarion 😐😑😐😑😐 (that’s me blinking)

[rhinestonesox]

When Senshi was young in the dungeon the majority of the adults he were with ostracized him. All except Gillin, who died to make sure Senshi had something to eat: unseasoned boiled meat that may or may not have been one of their comrades.

It really puts into perspective why he was so nurturing towards Chilchuck. When Chil reveals he’s 28 to the party, Senshi responds by telling him that he thought he was older. Senshi was in his 30s when he and his comrades got trapped in the dungeon, so it’s safe to assume that he thought Chil was at a similar age.

He met a young boy who was, from his perspective, forced to do dangerous work in the dungeon just like he was, and so, Senshi made an effort to look after Chilchuck in the same way Gillin looked after him.

Mind you, when Senshi was young in the dungeon he had to starve for weeks, eat the horse he loved, and finish it off spending the next i don’t know how many years wondering if he committed cannibalism.

Senshi understands first hand the value of nutrition and proper eating, so when he’s with the party he makes an effort to make sure they’re all eating a full and balanced diet. Not only that, but Senshi INVOLVES them in the process of getting food to eat, always preparing it in front of them and narrating every ingredient in the process so that there’s no doubt about what they’re eating.

[thelostmoongazer]

more figuring out how i wanna draw the Lamb :3

[musubiki]

my favorite fields of mistria boys 🥰

[lonndoodles]

HEAD CANON: What if walking mushrooms sat on decaying corpses to get their nutrients. A useful tactic when they roam dungeon areas that aren't their typical environments and can't provide them food so this is how they adapt 👀 hufhufhfuf

alternatively:

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[chloesimaginationthings]

William Afton is a master manipulator in FNAF..

[stuckinapril]

Honestly the cliche advice is true. If you fill your life w things you’re passionate about, if you challenge yourself every day, if you give your own opinion of yourself more weight than you do other people’s opinions of you, you will actually thrive. Like no one can tell u anything

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[hansoeii]

let time pass.

[bluespiritshonour]

how zuko trying to help azula would go like