#i think we need to plot this/dynamics a bit. i wasn't sure what to do for paul

[ofthewhitehands]

@impercre ( PAUL) <3'd

"I'm only here because of my brother Brandon." She pointed across the hall, pointing out her brother. " he's marrying Catelyn. Or will be, once things are sorted."

She'd never left Wintefell before and was rather dazzled by all the commotion and the goings on of what she perceived as a strange place.

"She's being very nice, I suppose. But Brandon said I don't have to do anything I don't want to-- well most anything." She looked back then, " have you been in a sept? " her voice dropped to a near whisper, " I don't know how those gods can see you in such a tomb."

[deeply-unserious-fellow]

HOLY FUCKING SHIT HAZBIN WAS SO FUCKING GOOD IM GOING INSANE AAAAAAAAAAAAAAAAAKENFKCMKWJRKFNSMSMDMSMDN-

Okay. Okay deep breaths. Time for some cool and collected comentary. Okay.

Putting it under the cut so ppl can avoid spoilers :)

HUSK USED TO BE AN OVERLORD!?!?!?!?!? HELLO!?!?!?!?!? FUCKIN PLOTTWIST OF THE CENTURY WHAT THE FUCK!?!?!?!?!?

Huskerdust my beloved

SIR PENTIOUS MY BELOVED

Vox was great. I love him he's so fucking cool-

If Vox wasn't already a Tumblr sexyman he's definitely gonna be one now. He's so fucking Onceler coded it's insane.

Velvette was amazing too. It's so funny that she's British lmao I was not expecting that

Velvette is also very Anne Boelyne(like from SIX not from Real Life) coded it's wild. Her part in that song with Carmila was giving so much Don't Lose Your Head

I swear I'll stop comparing them to other characters I SWEAR

Okay but me and my brother are working on a Hazbin Hotel swap AU where we swap the main cast with the overlords and in that AU we swapped Husk and Vox. The Husk used to be an overlord reveal is gonna make that AU soooooo much easier lmao

ADAM IS REALLY GOOD I promised I would stop comparing to other characters but he was giving SO MUCH Hades from Disney's Hercules like its insane

I think we should let Alex Brightman sing rocj and roll more often that song was such a fucking BANGER

SPEAKING OF THE SONGS- oh my god I love the soundtrack so fucking much-

Stayed Gone was a lil less hype then I was expecting but thats okay cuz it was still a banger and I loved the visuals

That song battle between Carmilla and Velvette????? Oh my god??????

Carmilla and Vaggie's song was also amazing but I think I know why they didn't have Stephanie Beatriz sing her own song in Elena of Avalor y'know, girl cannot hold a character voice while singing

LOSER WAS SO FUCKING GOOD- I love Huskerdust so much. I love Keith David so much. Blake Roman is such a phenomenal Angel Dust.

SPEAKING OF all the voice actors are amazing. Blake Roman, Brightman as Pentious and Joel Perez were the ones I was the most worried abt but I loved all their preformances so much it was fucking fantastic

Valentino can go die in a fucking hole <3

The other Vees are cool and fun to watch but I hope Valentino fucking dies

Okay to be fair he's also fun to watch when he's not in the same room as Angel Dust but tHAT DOESNT SUPERSEID MY HATRED FUCK 👏 THAT 👏 GUY 👏👏👏👏

Speaking of the Vees tho I do love their dynamic

My favorite episode was probably Radio Killed the Video Star bcuz of mY BOYS PENTIOUS AND VOX!!!!!!!!

And the most painful episode to watch was- no surprise- Masquerade

That episode was a fucking rollercoaster Jesus fucking Christ...

Those scenes with Angel and Valentino where so fucking visceral... like. Who the fuck wrote that. Who are you. Are you okay. Do you need help-

Tho I'm not sure abt how they're handling the ah- more serious bits of Angel's character. It is WAYYYYYY to early to tell and I think Loser wasn't like. Trying to downplay the situation. But the writers better have been careful moving foreward bcuz I can def see a world where Angel's arc goes very wrong very fast-

Also while we're criticizing: wasn't a fan of the pacing. Especially in episode two. Like I can look past it, but the way they breeze past some plot points kinda bugged me

Otherwise it was sooooooo fucking good man oh my god

THE HUMOR WAS SO MUCH BETTER THAN PPL MAKE IT OUT TO BEEEEEE PPL NEED TO STOP SHITTING ON THE COMEDY IN THESE SHOWS MAN-

The gag where Niffty just fucking stopped thinking every time the camera turned on was so fucking good

Niffty in general was really fuckin funny

Alastor was a lot less prominent of a character then I thought he would be but tbh I think that's for the best. He's like Discord from My Little Pony, fun in small doses but if you don't set perameters for how often he appears and when he's willing to help it kinda breaks the show

Chaggie is adorable and I love them <3

I think this show does a really good job balancing the focus on the whole cast! These first 4 episodes seem to be pretty Charlie, Angel and kind of Vaggie heavy but everybody still gets their fair share of attention!

THE ANIMATIOJ OH MY GOD- IT WAS FUCKING PHENOMENAL IM LOSING MY M I N D

Im going feral IM GOING FERAL THIS EXCEEDED MY EXPECTATIONS AKFNVKKENFEKFNDN

I love comedy. I love musicals. I love drama. I love silly characters. I LOVE ANIMATION!!!!!!!

It's like the South Park movie but longer and better animated and IVE BEEN WAITING FOUR FUCKING YEARS-

Just. So excited overall. Can't wait to see where it goes. May make more posts abt my thoughts in tbe future.

[adamnablelittledevil]

I'm excited for Devil's Minion but I hope the Lesmand aspect isn't undermined in its favor. That ship may not be endgame but it's so important to both Lestat and Armand.

I only know Devil's Minion content from what I've seen on the tag, but I share the same feeling! I also enjoy Armand and Daniel's dynamic on the show. I can't wait to see more if it (and any possible duo, romantic/endgame or not, because they're all so appealing) and I hope they did have something in the past as well (and I think it's highly possible), because both Eric and Luke are great. And, well, this chemistry is too extraordinary to ignore.

Sure, this scene wasn't a positive one, but tell me they don't have potential to deliver the romantic content?

So, about the books, I'm still on chapter 5 of The Vampire Lestat (I'm leaving IWTV for last), but so far I don't see how they could reduce lesmand. I guess you could say there is some romantic aspect to them, but there's so much more than that too. Now, I might be interpreting this wrong or things will naturally change over the course of the books, but I believe they have this soul ties/mirrors/foils/two sides of the same coin aspect. It's only been a little over one chapter since Armand was firstly introduced, but their dynamic already feels so important. They're so similar and yet so different, they're fascinated by each other, they see parts of themselves that they don't like on one another, they see things they can't understand but want to, there's empathy, there's protectiveness, they're attracted to one another and not even just in a physical/romantic sense, but there's some genuine curiosity, admiration and magnetism there, but they're still afraid of each other, they still despise one another, they hurt each other, they know it's better to stay way, but don't really want to so it challenges them to the point they also HATE each other... I even feel like it's more frustration and projection than actual hate, but still... They're very INTENSE, in every sense of the word. And it keeps fleeting all the time, sometimes it's warmer, sometimes it's more explosive, sometimes they have similar reactions to one another and sometimes they don't... Which leads to different types of tension that is entertaining to play with. Plus, they have the best conversations and arguments for me. They touch on some really relevant topics about each other's existence, their collective existence as a species and as individuals (which is part of their conflict). Basically, we can call them whatever we want, but they're never boring.

So I can't see them being able to change that even if they want to? Also, because Armand is the first vampire Lestat meets after his maker and fledgling. Magnus kills himself shortly after turning Lestat, Gabrielle and Lestat are almost on the same level when it comes to powers and knowledge about vampirism. Armand exists out of their sphere, has been a vampire for a while, has more abilities/knowledge than them... I feel like you need that in order to 'shake' things up on the flashbacks instead of just being in the bubble of Lestat and his fledglings or using Armand as a small character.

And Assad is one of the main actors, he's paid for main actor screen time, so it would be a waste not to use him as such? And, like you said, it's so important for both Armand's and Lestat's arcs, and this is a main character + main character dynamic, it's not like a side plot with a guest star. It would be killing multiple birds with one stone, because you'd find a way to use two fundamental characters, tell the story in a proper and also engaging way. Not to mention they would be insanely stupid to waste this.

Yeah, I know this is different on the book, but my point is that the enigmatic chemistry they're supposed to have is there and Rolin should make the most of it. Like, I'm still a bit frustrated they didn't play a little more with Jacob and Assad's chemistry too.

So let's not do it again? I mean, this is the first show I watch where everyone has amazing chemistry and good reasons to have lots of scenes together because they live forever and need to have more than just one company, lol. I say let's explore all of it, whether something is romantic/endgame or not.

Anyway, I believe we'll see a lot of Armand in the 1700s flashbacks and that lesmand will be top 2 of Armand's dynamics on season 3. Depending on what they want to do with armandiel, they might even explore more of lesmand next season, since that's 'Lestat's' season and they can have all future seasons for armandiel? I mean, I can see something kind of like season 2, when we had loumand, but dreamstat was still a significant presence and then the big scene at the end. Plus, I'm expecting Daniel to have a lot of screen time with Louis and Lestat, respectively.

Btw, sorry I deflected so much, I just had a lot to say, lmao. Thank you for the message. :)

[miraculouslbcnreactions]

Sorry if you answered this before but do you plan on watching S6 of Miraculous ?

I'm not sure. I'm certainly not planning to watch it as it comes out, but I may watch it once it's streaming. While I'm clearly quite critical of canon, I did genuinely enjoy a lot of things prior to season five. Little moments and character interactions that made it worth watching the individual episodes even though the overall plot kinda sucked. It was a good blend of entertaining in the micro and bad in the macro, making it something enjoyable for my partner and I to watch and then talk about.

Season five wasn't like that. There are a mere handful of good moments and most episodes gave me nothing of value, so I'm very hesitant to give canon more of my time. This is extra true because season five ended the show's first big arc, making it a really good off point as I'll fully admit that seeing Gabriel's ultimate fate was a draw for me. Now? There's really nothing left to look forward to. I no longer care about the canon square, Lila is one of the most obnoxious villains ever written, and both of our "leads" have been character assassinated into characters I don't really want to watch, mostly because they're not allowed to learn and grow, but they have the kind of character flaws that desperately need them to learn and grow for their characters to stay engaging.

Marinette's issues are pretty obvious, but Adrien was done equally dirty, just in the exact opposite way. It's really hard to get excited about for a male lead who isn't strong enough to make it to the final fight after five seasons of promising that it was "us against the world." Especially when every other character was able to overcome the nightmare dust! At least Marinette is doing things and talking to people even if those people aren't necessarily the people she should talk to and her actions aren't the ones she should be taking. Adrien just keeps sitting stuff out and doing nothing to change his situation because one of his big flaws is his passivity and it's aggravating! He's supposed to be an action hero!

And before anyone rants at me about victim blaming, please remember that this is a story and Adrien is a fictional character who - as best I can tell - isn't even intentionally written as a victim. While he is one in terms of what actually happened, the story does not seem to view him as one so I don't think his writing is some active choice to rep victims and, even if it was, I'd still have issues with their choices.

Either way, Miraculous is not the type of show that is here to give us deep character analysis. It's a rom-com superhero show for kids and that is the type of content I tuned in to watch. I was here for Ladybug-the-smart-badass and her faithful, flirty hero partner, but the show is giving me nothing on either front. Ladynoir was barely a thing in season five and I don't think we got a single Ladrien moment. Those relationship dynamics were my two biggest draws. My third tier dynamic was Adrienette and even that failed me because they didn't even give us Marinette growing up enough to be the one to ask Adrien out because, as stated above, the characters are not allowed to grow because that would mean that the episodes have to be watched in a specific order and it leads to terrible writing choices.

I've honestly given the show way more time than I ever planned while running this blog! I didn't expect it to get popular enough where I'd go away for a week and come back to over a dozen asks! I just wanted to vent about season five for a bit because the writing was just so incredibly bad that I needed an outlet to stop stewing over it. I've found that writing a thing down and throwing it into the ether is a great way to get my brain to move on and stop thinking about it, thus the blog.

[bengiyo]

Unknown Ep 12 Stray Thoughts

Last week, Wei Qian and Xiao Yuan consummated the physical desire in their relationship, before Wei Qian ended up trying to deal with his head injury on his own again. Yuan broke through that and the two went home together, where Li Li was being supported by San Pang. I'm still feeling some consternation about the way they framed that sex scene and how they handled the emotional aftermath.

Li Li is reminding me of my own sister handling my coming out somewhat poorly because she was mad that she wasn't informed sooner.

I like her moving around the table to talk more intimately with Yuan after getting the big answers she needed.

Episode 12: Us

I like everyone trying to navigate this dynamic between Wei Qian and Yuan carefully. I'm a big fan of Xiong wanting to make sure he knows he's on their side.

Wei Qian looks so much better when it doesn't look like he's being crushed by the weight of the world.

Men should grab each other by their ties and kiss each other more often.

Yuan is a menace! He was not going to keep this on the DL at all.

Oh no...top-bottom discourse. Thank you for shutting it down, Wei Qian.

Li Li is pregante!!

This hallway scene is phenomenal. Wei Qian really is such a good brother, and I really love the way this scene reminds us of that. This thing with Yuan was super confusing, but he kept his cool so quickly with Li Li and focused on the important things. Yuan coming out of her room to intercept Qian. Li Li coming out of Yuan's room to talk. San Pang entering from Qian's room, and then the ensuing fight across all three rooms.

See all of Qian's reactions here are well-grounded in what we know of his relationship with Li Li and how hard things were with their mother.

Not me crying because of this group handhold.

I'm not sure it was clear earlier that their mom chose to die. This adds another harsh layer to Wei Qian's worries for Li Li.

They're doing that thing where they focus on Yuan maybe a little too much.

I'm relieved to know that Li Li had her baby without many lingering worries.

Final Verdict: 8.5, Recommended. I think the early parts of his series were incredibly strong, but I think there were some problems after they sent Yuan away to NYC. I feel like they didn't properly capture the turn for Wei Qian where things go from fraternal to romantic, and especially sexual. They introduced terrible sexual trauma to his story in a way that went unresolved, so it hurt the big moment where he decided to accept things with Yuan. I'm also high-key mad about this head injury plotline because they ended this show without telling us about the surgery, too. It didn't fully-connect with the family angst they were going for and left me a bit unsatisfied with it as a running plot in the background. That said, I think this show took the found family and relationship change conceits seriously and I respect that.

[invisiblegarters]

(Absolutely not) Micro BL and GL Reviews

I spent the last couple of weeks being ill in bed with very little energy. Not great, but also it meant that my limited ability to get up and move around much gave me endless time to catch up on a bunch of shows that I'd let fall by the wayside (or never even started in the first place), and now I have thoughts to share!

Joy? Joy! Welcome to yet another set of my talks about shows that is supposed to be small but never actually is.

Completed

Wandee Goodday: This wound up being way sweeter than I expected from the promo material, but I'm not complaining. I genuinely love shows where most of the people are just trying to get alone while being decent, and that was certainly the vibe here. I was happy with the sex positivity and the introduction of Kao being ace, although I will admit that I felt like it was a little too "let me educate you" about that bit at certain points. That said, it's a topic that maybe needs that kind of thing in this context? I also really really loved that Dr. Dee and Yak got it together and spent a bunch of episodes just being adorable and dealing with struggles that had nothing to do with their relationship. It's so refreshing to see adults being in an adult relationship and actually acting like it. There were several times when the show could have just manufactured drama for drama's sake and chose not to and I really respect and love that. It was also fun to see Title appear in a role that wasn't to cause problems. And Char and Yei were fucking adorable my god. 8/10

We Are: Way better than I expected, if I'm honest. It got a little draggy for me at the end, but Pond and Phuwin always give solid chemistry and I finally got to see what everyone likes so much about Winny and Satang paired together. I never watched MSP and I never will because it's just a little too young for me, but Toey and Q were fucking cute so I get it now, guys. I especially adored Toey - Satang plays endearing brat very well. I also really liked Tan and Fang - their teasing dynamic worked for me. Also Boom is so pretty my goodness. I do think that it was trying to juggle too many couples but as I already said it dragged a little for me at the end so I think they could have done it with better pacing. It seems to me that New has a thing for dramas driven by internal conflicts, and that was We Are all over. The plot advanced as the characters did, which I can understand might be frustrating but I find that if I'm in the right mood I eat it right up. Especially ones like this, with mostly sweet people just living their lives and trying to do right by themselves and each other. Cute, earnest, a really good friend group. It probably won't be something that I revisit much or that sticks in my mind for a long time, but I had a good time. Giving it a 7/10, mostly for the pacing stuff I already mentioned. It kinda lost me towards the end.

My Marvelous Dream is You: idolfactory's second GL and I think I wanted to like it more than I wound up liking it. The chemistry was good and I love the cast (even if I think my girl Silvy was way underutilized), but the plot was a little...not great. I'm still not entirely sure what it was going for, or why the shared dreams were important. I really liked Ae (Kim's mom). And Wan was my favorite. Girl was messy and brash but my kind of messy and brash if I'm honest, and I cheered aloud when she went off on Mawin's family. They were awful. Awful, too, was Mawin in the end. I get being hurt but I always get a little (a lot) irritated when people mess with someone's livelihood out of pettiness, so him fucking with Kim's business because she broke up with him (and yes, in a really shitty way but also lbr here he knew she wasn't into him in some ways he did that to himself) was never gonna do anything but piss me off. It does amuse me that Heng has now played 2 dudes in idolfactory GLs who very nearly marry one of our heroines when she really really doesn't want him and he's very aware, though. I find myself wondering if he's gonna go for the third in The Loyal Pin (I hope he does). 7/10

Love Sea: I loved this one. I knew I would. The premise had me from moment one, lol. And frankly, Fort and Peat deliver on chemistry so it was kind of a no brainer for me. I knew that Trongrak was gonna wind up being really messy the second love came into the picture, and I was absolutely right. I love how he was perfectly fine with Mahasamut holding him and defending him against his shitty dad and following him around and getting all jealous when he implies he's going out to fuck other people (and whether or not he'd have done it is up for debate - I think he would have forced himself to try and failed miserably because that's my favorite lol) and take care of his niece like family, etc...but the second the word "love" actually makes its way out of the dude's mouth he can't handle it. My only quibbles were Prin - why was she so awful for no reason, MAME? The dad - he was not an effective villain to me. I wish that he'd been a little more menacing but I guess it works that he just let Tongrak think that he'd done a lot of things that he hadn't, and I do like that he was basically squeezing money out of both Tongrak and his mom just by showing up on occasion and assuming that they wouldn't talk to each other (which they weren't, both trying too hard to protect their family from his sliminess). I also like that it was finding that out that made both of them snap out of it. And last but not least - what the FUCK, MAME. How dare you give me that lesbian side couple and make it SO COMPELLING and actually get me invested than then not actually offer a resolution because oops, we're on episode 10 now and it's time for the love issue between Tongrak and Mahasamut to rear its head? How very very DARE you. Genuinely this made me the angriest and dropped my personal enjoyment a lot. I haven't seen the special yet so maybe that gets addressed (it SHOULD I was INVESTED), but while I would probably have given it a 9 (I really liked it a lot okay) I am dropping it to a 8/10 for that. Tempted to drop it to a 7 because I am petty.

This Love Doesn't Have Long Beans: Another one I really liked! The chemistry between Sailub and Pon is absolutely scorching and while I have noticed that actors are getting a lot better about it in general, I always take notice when they are so entirely comfortable with not just the steamier scenes but the emotionally intimate ones as well. I love when I am watching a show and I can believe that the characters want each other and like each other, and not like a part of them isn't flinching at the very idea of it (unless that's the character, but just go with me when I say that there's just a very specific vibe you get when one (or both) of the actors isn't comfortable and I think it actually happens more with the sweet, couply stuff than it does the steamy stuff. But I digress). Chemistry like that can help me forgive quite a bit.

I liked how obnoxious Wan was in the beginning - I did not expect that and it was annoying but also kind of delightful. He grew on me despite my initial annoyance. Oab was a little different - he annoyed me right out of the gate by not calling Kao Suay and telling her about her dad. I get the respect thing, I do, but also what if he died and she was abroad, none the wiser? How would everyone have felt then? Keeping it from her was NUTS, and I don't even care that Kluer called her and told her for nefarious reasons. Someone had to. Oab's wishy washiness with her when she came back annoyed me too - a personal failing of mine has always been that I don't have time for that kind of waffling. I just wanted him to make a choice and stick with it (and was doubly annoyed as it became clearer and clearer what his choice was and he still couldn't just say it). Thank goodness he had Nubnueng there to gently prod him into finally doing the thing.

I wish Kluer's turn to villainy had been more evil, but I guess that wouldn't have made sense for this show, since no one really was, not even Enemy No. 1 Methas. Speaking of which, I wanted to like him and JJ more than I did in the end. I did like them, but I guess I just wanted more development there than I got in the end. They were cute though JJ was hands down my favorite character. I understood Methas so much. I also really enjoyed his relationship with Wan.

One thing that I thought was utterly hilarious was Oab's pettiness. As a petty person myself I can't help but find opening a new restaurant to steal all of your ex's customers because he wouldn't just apologize for, you know, deceiving you for most of your relationship and initially planning to sell your restaurant to the one man in the world you emphatically never wanted to own it absolutely hilarious. No notes Oab you keep rocking on. 8/10

Currently Watching

The Loyal Pin: Everything in this show is so damn pretty it's hard for me to think about much else. Especially Freen, and it seems like all the show wants to do is remind us of her beauty at every moment. Which, well. I am not complaining the woman makes my breath catch.

But this week I finally started paying a bit of attention to something more than oooh pretty, and I am genuinely wondering if this show isn't going to be all pretty dresses and gorgeous women falling in love and carving mangoes and if maybe there aren't some extremely serious things swimming in the waters.

Watching Anin wield her power this week hit me way way harder than all the ways that she'd been doing it before, and in a way that made me think a lot harder about how she'd done it before as well. I think it's because usually she sticks to manipulation to get what she wants - she's charming, she smiles, she talks people around - but last ep she dropped all pretense a couple of times, and we watched it cut more than once. Anin is a woman who knows exactly what she wants and she has the means to get it, she is spoiled and she will do whatever it takes. Other people have talked about it better, but I will say I am absolutely fascinated, and am genuinely curious to see if this is going to be addressed or if it's just the way it is. I also want to see if there's something that will butt up against Anin's frankly terrifying amount of power. Something she can't either manipulate or brute force her way through (although in the end I bet she manages to do one or the other anyway).

Also, kisses. Teach Pin more things Anin! She's a good student.

The Trainee: This show was not really on my radar at all, and I'm genuinely not sure why I decided to pick it up. Maybe because I was finishing up another GMMTV show and it was next in the youtube queue?

Whatever the reason, I'm so glad I did because I fucking LOVE this show. it's my favorite thing airing right now and that I never would have expected or believed.

It really is so good though. I think for me it's that it feels realistic - maybe in a way that can be uncomfortable for some but I love it. No one here is perfect, it's not just the mentors constantly schooling the kids because even though they are older, they are still growing too, and still have things to learn. Especially when it comes to Jane, who is my favorite character in the show I think and is hands down the best Off character I have personally seen. I am so iffy with Off normally that my adoration for Jane is confusing me, but he's so good. He's an adult and he handles most of his problems like an adult (which frankly I think is sometimes missing from these shows), but still has moments where he fumbles because he's still human. And I like that when he does fumble, he apologizes. I'm also really in to the whole deal that happens in the workplace where people think he's a certain way and judge him for it, but he's really just...dedicated. Strict, yes, but not entirely uncompromising. I dunno he's just a great character.

I also really like how this feels like an ensemble show with the romance not at the forefront. I don't always want that but this is so well done that I'm happy for it. I like that we have gotten to showcase each intern, their struggles and their achievements and just...growing up and learning to handle that scary point in life where you're really starting to enter the adult sphere, with all it's responsibilities, but still not ones that are entirely on your shoulders. If you do things the more traditional way, that is - I know a lot of us were in that world well before college. Still, it does resonate with me.

I am also enjoying the insight we're getting into the background of production. Such as how much work and effort goes into even the smallest change in filming even something that seems as simple and straightforward as an ad. Imagine how hard it would be to reshoot scenes from something like a TV show, especially considering the stuff like location, OT, cast and crew...I had already guessed a lot of it, but it's always nice to be proven correct. I like being right, what can I say? And the Ryan's awkwardly trying to draw people out without directly asking them how they are After Work Corner is very charming. I like that it gives insight into the business but also Ryan, who I do sometimes feel is the weakest of the interns. Which is insane because he's played by Gun Atthaphan, but there you go. I did like that he was brave enough to ask Jane about his feelings last ep, and I'm looking forward to seeing him more in his element (or at least what he's used to) next ep.

I really hope this show continues to impress.

1000 Stars - This is a rewatch for me as I roped a friend into watching for the first time. I warm up to this one more each time I watch it. The first time I was annoyed with Phupha's everything but I feel like I get him more and more as I go on. I also love a show that has heart (heh, this show has heart ror sure (and this is why we can't take me anywhere)) and this has a ton of it. It also amuses me whenever Phupha and Tian start doing their intense staring thing and there are other people around. I bet they're all just like "welp there they go again we've lost them, best go about our business" and leave them to it.

I also always forget Khaotung is in this one. Every time I watch I'm like "oh yeah" when he shows up. It's so funny to me.

Looking Forward To:

Peaceful Property (28 Aug) - Is it BL? Is it bromance? Who knows. Do I care? I...don't think so. Whatever the romance situation it looks like a ton of fun, and I am excited to see Tay back in glasses and to see this cast, especially doing comedy.

Kidnap (06 Sep) - This one also looks like fun. I love Ohm, Leng looks like he's doing a good job matching him, they seem to have good chemistry from the trailer. And pettily I'd watch this anyway because some of the shenanigans of certain fans have made me that annoyed. Good for me that it looks like something I'll like regardless, I guess.

Pluto (???) - GIMME GIMME GIMME GIMME. It has been 84 years I am DYING here. If it doesn't get released this year I might actually cry, but I am hoping that it will.

There are others I am looking forward to (honorable mentions if you will): My Golden Blood, The Heart Killers, ReVamp (still a stupid title), Friendshit Forever, Hide & Sis, Us - but all of these are either not filming yet or so early into their schedule that I'm not letting myself get too excited for them. And for The Heart Killers especially I don't want this to be an Only Friends situation where I got really hyped and then was inevitably kind of disappointed (at first - I shook it off and came back around eventually lol). I just wanna go in there and have a good time - I'm excited to see that entire cast do a romcom, I think it'll be fun, and that's about all I want to expect out of it. I'll get excited when we get an air date.

Also thinking of picking up 4Minutes since it's on Gaga now, apparently. And maybe trying to find My Stand In since it's over and I can inhale those deliciously toxic fumes all in one (or two) sitting(s). And maybe, just maybe, poke around for BL and GLs outside Thailand, lol. I feel like it's been all Thailand all year for me when I used to watch JBLs and KBLs too.

Any recs?

[poomphuripan]

how do you feel about the changes from the original source in episode 2? personally i love how much more screentime women get compared to the novel—the brother-sister dynamic they added was such a nice touch and showing more of Ming’s family life early on really humanizes him. i also like that sol’s motivation for rejecting joe is different. it kind of got into gay-for-you terrority sometimes 😭 sorry for the ramble!

okay nonnie so my current verdict is I'M IN LOVE but i'm also wary.

before this series was even out, i had MULTIPLE conversations with different people on managing expectations for a better experience watching my stand-in because any novel reader would know it's NOT an easy novel to adapt considering its source material. you need a fine balance on how to make the scum ml as terrible as the story needs him to be for the emotional payoff to be as satisfying as it did in the novel, while not to make him so terrible that he's irredeemable in the audience's eye (which i'm sure not all novel readers felt yan ming xiu had redeemed himself yet at the end).

watching the first and only trailer, my fears heightened because it definitely has a lot of sweet ming and joe scenes than i expected it to -> the impression i had then was that 'oh no they're going to softening up yan ming xiu and make him less callous towards zhou xiang' -> i told myself alright it's an adaptation, i will be happy if they just get the major PLOT points (as you can see my expectations bar were on the floor because i didn't wanna get my hopes up, that's how much i liked professional body double)

but so far, i think i've been loving the changes in this adaptation because it feels liket the same story but slightly different characterization and pacing.

so first let's talk about yan ming xiu aka ming. as i mentioned my fear of him being softened, i think that fear has gradually dissipated while we ease into ep 2 because i think the series does a GOOD job of recharacterizing yan ming xiu to fit with up poompat.

so a bit of !!!!!novel spoilers warning but not really because im being very vague about it!!!!! but i always felt like yan ming xiu wasn't really well depicted in the novel since the novel is written from zhou xiang's perspective, yan ming xiu is so often to be looked through this rose colored lens of his to the point where i felt like ymx was a rather one dimensional pretty, arrogant, spoiled brat. reading the novel back then, i felt what a lot of average audience is currently asking from the series: SO WHAT DOES ZHOU XIANG SEE IN YAN MING XIU, is his dick that worth it?

but like you mentioned, the series does well in humanizing ming and i would argue that the series has answered the question above better than the novel as joe makes it explicitly clear why he likes ming so bad (bonus is getting ming to hear this as well). with series!ming, we get to see aspects of his family life, the people around him and his general background whereas it took the novel 2/3 of the way for them to start introducing ymx's family to us but not for a very good reason but rather for a cliche subplot which i dislike (that i need the thai adaptation to do something better with this one).

so rather than fearing the 'softening' up of ymx, i feel like this humanization treatment the series is giving ming is a better way of adapting novel!ymx because my stand-in doesn't shy away and unapologetically makes ming a terrible red flag...

... yet simultaneously gives the audience some clues as to why ming is a red flag the way he is and it's not a seemingly inherent callous nature like other 188 novel scum mls. don't get me wrong, he's still a scum ml nonetheless but if you look at ymx's inherent level of maliciousness, it's nowhere near other scum mls written by the same author. and i think what my stand-in does well. because it is making the point 'ming is a terribly mean person but it's the result of his jealousy, his inability to listen to his own feelings and stubbornness, rather than an intentional aim to emotionally deceive joe' across much better than the novel did with just two eps.

so far in terms of changes, i also like how the comedic elements are in here but they're not dominating the tone of this series and balances well out with the drama/angst going on. i guess this can also be credited to the actors/production team because they've always promoted my stand-in as a '120% sweet, 200% bitter romance DRAMA' series so i did not go in with the expectations of so much light hearted moments

it's not to say that there weren't comedic elements in the novel, as the infamous 'and they were both top' scene is an exact adaptation of their first meeting in the novel.

but being an adaptation, not to mention being a thai one nonetheless, my stand-in does well incorporating its way of doing humor into the original work seemlessly. joe's mood swings (affected by ming) were presented PERFECTLY through his three training session with his juniors. i feel like this is the kind of humor that could only be achieved through series/tv format as opposed to novel zhou xiang whose mood swings affected his acting work.

on my beloved sol aka novel lan xi rong, i actually really like that they made him a former stunt actor as well and us getting to see porsche tanathorn doing all this action sequence (yes go yyds, rig your actor some of that screentime). but i thought it was very similar though, the reason for rejecting joe and his realization that joe was the only kind hearted genuine guy he's ever met once he's actually 'been in the industry'. i sure hope they don't characterize sol like how they did novel!lan xi rong 'i'm only gay for you'. give this man his own LOVE INTEREST (i'm actually betting my whole wallet on a brand new yim/sol loveline. i see it happening. it would not be a thai bl without at least one other side bl couple).

all that being said, my only worry is that i feel like they've already adapted so much of the novel within 2 eps and thai bl adaptations have a tendency to diverge greatly from the original source material. so i have worries for the possible new subplots they might add into this series.

tldr: i love my stand-in so much right now as a novel reader but i hate how i can't figure out what they're going to add in future eps ಥ_ಥ

[elizabethshaw]

hm. thinking thoughts

under the cut for spoiler reasons:

this is literally just me writing stuff up in no real order so there is probably not all that much coherence to it. ah well

loved how unsettling it was having something wrong with the tardis! the tardis (in the tv show at least) is usually the one guaranteed safe place in any given dr who episode and so to have it suddenly a threat like that felt genuinely unnerving

the time window sequence was cool. really liked the fuzzy, there-but-not-quite-there visual effects

i also loved the monologue/prophecy/whatever, built things up very nicely and idk. i just vibed with it. i have more to say but the words are not coming to me right now

"and standing on high is the Mother and Father and Other of them all" i haven't even read lungbarrow but them saying "other" here immediately got my attention lmao

for an episode called "the legend of ruby sunday", it felt like (particularly in the last third of the story), there was remarkably little actual focus on ruby. while i do genuinely like her as a companion, i do feel like she's been one of the biggest casualties of the shift to a shorter series length with less time for "filler" episodes - we simply haven't had the time to get to know her on a deeper level, and i was hoping, given the title, that this story would do something to rectify that a bit. and then it didn't.

saying that, i did appreciate them giving her some more scenes with her mum this episode, i think she has a really nice dynamic with her family and we haven't seen enough of it since the christmas special imo

no trickster :( he got a mention at least but i was hoping he'd be the villain ngl

i have watched pyramids of mars once, four years ago, and barely remember the plot (my main memories of that episode are sarah with a gun ngl), probably going to have to rewatch it before next week. dailymotion you may have to be my saviour once again

not entirely sure how i feel about sutekh as the main villain. this is at least in part because my memories of pyramids of mars are hazy as anything, but i'm just... undecided. to its credit, the episode itself actually did a good job of getting me very excited about the reveal while i was watching, but as an overall thing? i don't know yet. i think i'm going to have to wait until i've watched the finale next week to form a full opinion

i reckon he must have hitched himself onto the tardis around/during "wild blue yonder" though - this is the first time where the tardis starts making The Noises, and is also the first time susan twist turns up, and that can't be a coincidence, especially given that, as previously established, it was likely fourteen's salt trick in this episode that let the toymaker back into the universe

i rewatched "the church on ruby road" earlier this week bc i figured it'd be a good shout and i hadn't watched it since broadcast, and during that i felt like mrs flood was maybe a "retired" companion, possibly a future companion (maybe of a future doctor) that we haven't met yet. after this ep though, i'm not so sure. she seems at least aware of sutekh in some way, and also seems potentially antagonistic, but i'm not sure she's actually directly linked to him. i'm fairly sure as well rtd said at some point she's more of a mystery for later series so. hm. it'll be interesting to see what more we get of her in part two

i can't shake the feeling that they are going to do something with susan further down the line. there have been more mentions of her in this series than in basically the rest of new who put together and i can't help but think that this must be for a reason even if susan twist wasn't her

anyway the real mystery for me: what is the vlinx. i have been thinking about this on and off since december. what is it. how did it get into unit to begin with. i need answers

[thewickedbohemian]

Thoughts on the latest High Potential

did anyone else have this episode start with no segue from Dancing With The Stars or was it just me

sweet ride

okay so they weren't up to no good just play stupid games win stupid prizes

good thing he at least survived the fall

and she's got her own own style just like Elsbeth

if the daughter were a smartypants too they'd remind me of modern Baudelaire children

so they're both trivia geeks

and we have a B-plot-case-that-sounds-like-an-A-plot, how's this gonna tie in

aspiring Broadway star, did you really need to get me even more invested in this kid's fate

and here's all the colleagues and a seeming-smoking-gun tattoo

first rule of crime shows, first obvious suspect is never the culprit

okay shit just got weird and the nail polish thing wasn't a throwaway bit

DAE think detective guy (don't know how to spell his name but her partner) is reminiscent of the dad from American Housewife

Morgan are you sure that's allowed (or does she not care)

mom mode activate

and now I'm getting cross-flashbacks to Brilliant Minds with the sticking up for people

so daughter might have a gift (and in that, the family dynamic and her general demeanor she's giving major Zoe Carter)

I really dig the dad's art and cue her Jessica Fletcher moment

fun fact of the episode and classic trope of wrong freaking victim

IF YOU'D JUST FREAKING TEXTED ROLAND YOU COULD HAVE ALERTED HIM!

that must be overwhelming for someone with her powers of noticing but then again she is a mom

don't just stand there, call 911 (or is them not doing so supposed to indicate he's dead not just critical)

did we just have as close as you could without invoking the literal writer to literal Chekhov's Gun (or at least Chekhov's gunman as the robbery case was mentioned in the first act and brought everything together at the end)

making another social point with the public transit thing I see

I feel like we accidentally a couple scenes

case solved, paycheck gotten, banter adorable

and the little aspiring broadway baby can dance another day

enter the "Morganmobile" (which probably needs a wash)

so he didn't ditch the fam but what the hell happened

[mdhwrites]

Do you think it's a bit odd how muddy the premise of TOH is?

I can sum up the premise of other similar shows I've watched in one sentence to any hypothetical viewer going in blind. SU: A chubby boy struggles to master his own power, identity, and goodness while navigating complex family dynamics, old wounds, and sick sci-fi technomagic. Amphibia: Three girls search for each other, stretch their friendship to its limits, and find a way back home in a wacky land populated by amphibians. She-Ra: An imperialist soldier turned rebel fights to free her homeland from occupation whilst struggling with the unique bond she shares with her frenemy.... etc!

I'm just not sure what I could say for TOH. A girl runs away from home to be mentored by a wild witch? But she doesn't really get mentored, and she didn't exactly run away either (she just... didn't go home until it was too late.) A girl leaves her home dimension to enroll in a magic school - hm, but that wasn't really something she super duper cared about, it was just part of the witch gimmick for her.

What else?? A human enters a land of witches, only to discover sinister scheming from the only other human to genocide - which - he's 400-ish too, so, uh, that proves that... colonialism... um.. religion... Let's restart. A human enters witchland and discovers things are not as they seem - no, things are pretty much as they seem-

A closeted girl is thrust into a new world in which she can be herself, and catches the eye of a popular rich girl? Hey, that's not too bad, except it ignores a whole lot of other shit that went down.

How about: A girl enters a wacky land that fulfills her dream of living a fantasy to a T, including the unpleasant parts of the genre.

...Yeah, I guess that's the closest I'm getting. Anyway, what d'you think about TOH's premise? Is it clear to you?

So when I bring up that TOH has a split personality problem, this is what I'm talking about. It effectively is trying to tell three different stories, with three different tones. Any one would be good on its own. Any two would need some finesse but they had plenty of time. All three? Well, even disregarding time constraints, you would have had to be really smart in mixing all three elements in order to make something cohesive as keeping them all separate for longer would simply create the same problem as keeping them apart for a short time does.

And TOH doesn't even fucking try. The literal only element that consistently ties all three story ideas together is Luz. I'll get into it more in a second but this is part of why when you pitch the show to someone, you kind of just have to focus the entire description on Luz in one way or another. To mention any of the other elements causes you to inherently imply one is more important than the others and TOH never chose anything to prioritize.

But of course, what were the three stories trying to be told and with what tones? And I'll talk about how it handles each of them weaving into one another once I've just established a baseline for each.

Well, first we have the slice of life, comedy, coming of age story that is Luz, Eda, King and Lilith. Especially in S1, most hijinks with them are focused around blunt morality, hijinks and just dealing with a problem of the day. It is the most bluntly kid's show of any of them, adopting a lot of the tone of Amphibia. This is why we get so many B plots with King that are the same thing over and over again. It's why Lilith and Eda are on opposite sides of the law but they don't fight until the end but instead are just nice, silly sisters here for hijinks. It's also part of why Lilith is made into a joke in S2 because that is more keeping in line with the tone of this storyline than if she were to actually what happened to her seriously and mixed in with:

The second is a fantasy epic about the corruption of a world by hate and prejudice. Of one man's corrupted beliefs of religion and want for control ruining a land. It is a much darker toned story, meant to reflect the horrors of the real world and its prejudices. This is the plot of Belos and Hunter. It is also the plot that is the smallest part of TOH but should have been the most omnipresent due to how so much of it is tied strictly into the worldbuilding. A lack of world building easily makes this sort of story, like most dystopians, fall completely apart. It also is the one that requires the most adherence to it as conflicting elements makes this story feel all the weaker each time someone treats this existential threat as nothing to be worried about.

The third is the most obvious: The school drama/romance story. This one is probably the one actually trying to be the most concise due to how almost every element for a season and a half of this plot is dedicated just to the weird girl/serious girl romance. It's a classic and one I've iterated on multiple times myself as it's just a fun concept to handle.

So there you go. Three ideas that are each on their own a good story but have their own complications. Each one of these could have easily taken two seasons to properly explore and tell. With more efficient storytelling, any of them could have taken a single season or less.

But then you get the exponential problem of mixing them together. Because mind you, tonally you have a comedy slice of live, a romantic drama, and a dark epic. Those are VASTLY different genres for each tonally and in narrative intent.

The easiest combo is actually the first and second. This is actually what Amphibia is effectively. The show starts in a somewhat isolated part of the world so its lighter tone can not contrast with the darker epic that is to come, giving it a safe space for character development, relationships, etc. Then with each threat, it gets a little more serious with its tone. There's a reason Hop Pop buries the box in S1 but the confrontation about what that means isn't until S2. There's a reason why S3B of Amphibia is MARKEDLY more serious than anything that came before it. The strength of this combo is that when the darker elements show up, the contrast of what came before makes them hit all the harder and makes you care about the stakes.

So what about how TOH handles it? Well, Lilith and Eda are theoretically a blend of the two but Lilith is never treated quite seriously enough. Also, rather than it being ideological, it comes across more personal with those two and it kind of leaves Belos out of it for the entirety of the first season, especially due to how wishy washy the show is about the covens being a big deal. Then in S2, Lilith absolutely SHOULD be the connective tissue. Her and Luz share a similar anger towards Belos and the two acting on that anger is a way to show that hate in any form is destructive, playing on the grander themes of the epic side of it while bringing in The Owl Family.

Instead, Lilith is just kind of flicked away, rendering any connective tissue from S1 to just evaporate, especially as no one actually seems to have cared about Belos almost murdering Eda. Rather, Raine is the connective tissue for the two plotlines. You know, the character who never gets to meaningfully interact with Luz or King, nor actually has a role in potentially pulling Luz to different ways of learning like Lilith might have, meaning they don't interact with the mentor side either. Even in their first episode, Raine is entirely self contained away from the other two. Eda and King's closest contribution to the plot before S3 is honestly in trying to get info out of Warden Wrath and that's really it. Otherwise, they're entirely divorced from Belos, his philosophy and his machinations.

So next easiest combo: The grand epic mixed with the school setting. This is how you get things like S3 of RWBY, My Hero Academia or Harry Potter (Though HP sucks dick at it too because good old Joanne sucks both at being a good person and actually writing anything serious.) The school setting is used as a kind of safe space for drama, romance and teenage shenanigans while the dark elements allow those things to come to a fever pitch as well as a way to test the bonds made at school versus the grand threat's hate and evil. It's hard to make smooth though, if the fact that I listed two things with... questionable plot writing to put it mildly isn't indicative. It at least has been done before. Oh, Naruto pre-Shippuden could possibly also be counted as this.

And TOH mixes these two by... Hunter? That really is the closest it ever comes to mixing them. The school is easily the part that obliterates taking Belos' regime or themes seriously as it constantly, CONSTANTLY undermines the worldbuilding of the show and struggles to actually feel like a part of the grander society. None of the Hexside Squad members ever properly face what being a wild witch or ditching the coven system actually means after all. Amity literally treats it as something that will mildly disappoint her parents but isn't a big deal.

So all you really have is Sport in a Storm and Labyrinth Runners as at least those episodes are using the school setting to give Hunter a chance to make friends and become a better person, theoretically, and he's important to the epic storyline so that kind of counts. If you REALLY want to stretch it, Eclipse Lake is another point of crossover before all three plotlines are mashed together starting at Clouds on the Horizon but the only justification there is that Amity is from the school stuff, though it's closer to fitting the tone and tropes of the mentor's storytelling than that of the school's.

But that is still three... In almost 38 episodes.

The last one is easily the most awkward and the one I don't have examples for: Mixing the Mentor and School plotlines. It's actually pretty easy to see why this would be hard. Both are about teaching the main character but in different ways. I think you could claim some works have done this by having a specific teacher be the primary teacher/mentor for the main character while the school is just where that mentor is accessed.

So how does TOH mix the-

Error 404.

Huh...

I'm not over exaggerating that much. Besides Teenage Abomination, VERY WEAKLY, the two never actually mix. Eda comes to Hexside once. King interacts with the Hexside kids a couple times but always in episodes or B plots that are much closer to the silly slice of life stuff than anything trying to mix the two tones. Even when it does, you get Really Small Problems where neither story is progressed and it all feels bad. Remember the closest that Eda comes to ever being a part of fixing a school problem is in Understanding Willow where she's just a spell dispenser before then being an idiot for Gus. It doesn't make her look better or play with any of the themes. The next closest is during The First Day where she is isolated entirely in her own plot so it's not actually mixing it besides the fact that Eda is at the school.

And for all three?

Well... I think the best way to point this out is that the best example of all three plots coming together is Edric deciding to expand his knowledge of magic. He actively chooses to reject what society has told him, tries a new method endorsed by the mentor figure but does at least acknowledge that his old schooling didn't prepare him for it. It's not strong and it's still hamstringing the epic storyline because he's already practicing two types of magics and so is mostly just nervous about being any good at this but it's SOMETHING.

But otherwise? The three shall never meet. Even once Clouds on the Horizon happens, they never meet. Eda literally never spends time with the Hexside Squad, especially as a whole. King is barely a part of the mentor stuff by then and is purely in the Epic territory and he's still not interacting much with them. Even in the final episode, the Hexside members are entirely on their own while Luz, Eda and King properly take out Belos, rather than everyone trying to protect Luz or having to fight by her side.

This sequestering of characters, themes, plotlines, etc. causes the show to waste a LOT of time and never have a proper focus. You never know what the point to a scene is because what it's serving is unclear, if it's serving anything at all. The show, by the end, can still have cut Amity and Hexside out entirely and lost literally nothing except much of what made the fandom engage with the show. And a reminder: Disney SUGGESTED Hexside. Dana said yes. It wasn't forced on her.

And that fits the show's entire storytelling ethos. It never feels like it is actually focusing on a single point. Instead, individual episodes will present interesting ideas or statements that immediately conflict or need to be retconned by other episodes because nothing is properly congruent. It is all conflicting against each other because each part is acting entirely independent of the rest.

It is an ever growing leviathan but rather than bringing in more of what is around it to make it stronger, it only ever hurts itself more and more as the details that once shone on its surface are made murky and unclear by all it has piled upon it until there is nothing but a rancid sludge. Unclear, unfocused and hard to describe except in the most blunt way possible. So what is the most blunt way to describe TOH?

The only factor that gets to cross all three storylines: Luz. So the only way to describe the show is "A story of a teenage girl going into a fantasy story." What type of fantasy story? Who knows. The writers didn't seem to after all so why should we?

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[accirax]

initial thoughts on DCAS episode 20

^ reminder for everyone that this applies to these initial thoughts as well! it was quite the surprising sight to have pop up at the beginning of the episode, though.

... what is Emily's motivation to kill Trevor here, exactly? i guess she took a page out of Riya's book when it comes to pushing gays off of cliffs.

yayyyyyyy, they're finally getting along! :D

does framing people for theft and twisting their already broken ankles count as "working"?

i guess we do know from Aiden in Season 2 that Tom and Jake were the most popular players. it makes sense (especially given the grandparent context Ally goes into), but it was still quite surprising.

i really hope that Tom and Jake talk this out at some point, whether in the finale finale or in the tomjake miniseries, because the truth of the situation is that Tom's absence from Jake's life was contributing to his misery, which was apparently much greater than anyone expected. i know that Tom never intended it to be that way, but i'm also sure that his fooling around with lying about having a boyfriend wasn't doing Jake any favors. i just want to make sure that the inadvertent hurt that Tom caused Jake doesn't get swept under the rug.

haha, it's puns in visual storytelling :)

this is understandable. Riya can and will use your backstory against you.

.......................................sigh

this might sound like an odd critique given how much people love to dunk on DC's writing (especially in All Stars), but i actually think that the ONC writers don't have enough faith in themselves. i mean that in the sense that, across the season, they set up really compelling plotlines and rivalries between both Jake/Ally and Connor/Riya that people will naturally want to see fulfilled.

for Ally and Jake, just being here and being forced to work together after everything they've been through is already enough, especially when Connor's hopes are stacked on top of it as well. we're in it with the characters for the ride. so, we don't need more bits of fake drama, like Jake being petty and shocking Ally out of nowhere last episode, or Ally reacting stupidly to Riya's obvious lie, to keep up invested. we don't need a huge last-minute spectacle to feel like Ally and Jake working together is a big deal, because they've been subtly and slowly convincing us of that through the entire season. instead, diverting from the steady characterization to inject needless drama in is just going to convince everyone that nothing matters.

i don't know if this could be a miscalculated flaw from trying to account for the fact that any viewer could hop in at any time on youtube, or appealing to the youtube/tiktok algorithm, or an internal, insecure standard to insert drama into the show at any cost, but i hope that the writers realize how good they are at using heartfelt scenes to build up character dynamics across entire seasons and stop breaking character for silly plot twists in season 4. i have a lot of faith in the writers. i hope they can find that faith in themselves.

y'know, everyone keeps saying that...

OOH THE MOTION BLUR??? POP OFF ONC ANIMATION TEAM I SEE YOU

the "Ally, you're going there!" sign was so fucking funny

that's not very "i'll never work with or trust Riya again" of you, Grett

i literally said before Riya struck her pose, "i hope that Riya does the 'aren't you gay?' pose when it's her turn" and then she did! it's her signature move for a reason ;D

this is, like, the exact same spot and pose as when Trevor initially found Derek and Kristal kissing. i wonder if that was intentional. also, the Gay Thoughts Montage(tm) was really funny.

why would you do it like that? hasn't Trevor suffered enough...? (/j)

@venus-is-thinking pointed out the hilarity of Jake being the one to say this, as he's one of the two contestants who actually has been in the mines before. i guess it just goes to show how disorienting the bags were.

get his ass!!!

i KNEW Ally was going to make a minecraft reference as soon as Kristal explained the challenge. miiiiiiiiiiiiine diiiiiiiiiiamoooooooonds...

way to keep your eyes on the prize, queen.

we love money laundering!! (i think that's close enough to what money laundering is? also i'm joking, obviously.)

again, what is Emily's motivation here? i know it's technically "get the show canceled to embarass Kristal," but she really believes in that so strongly as to put the lives of six innocents-- including an eight year old-- at risk to do so? idk, i feel like Emily's character fell off the realm of reality into supervillain status. it's sad :(

boy, i sure am glad that we witness Riya and Yul pick up 10 gems in this scene! (/s /j)

very brave, Jake. i feel like this parallels something in s1, although i can't remember what. maybe it's just Alec protecting Fiore? that doesn't seem particularly relevant, unless Jake is also auditioning to be her dad.

James: wait... does that mean Jake and Ally are going to fall madly in love with each other? #rivalstolovers.

they look like paleontological fossils in there. the fuck happened to them?

somebody, quick, give them a miniseries! this is too good of a poster opportunity to pass up!

you have to make sure you strike a slay pose, even as you're dying.

props to the trailer for making it look like Ally was the one who sent the rocks to James' face instead of Riya. that was a fun setup and subversion of expectations!

see, Riya can and will use your backstory against you! i was kind of expecting her to do this to Jake, too, given the setup from earlier in the episode. i guess they might be saving that for the finale proper, though.

(check out the reblog for my thoughts on the ending, i ran out of images)

[petrichoraline]

they should have left august have genuine feelings for day imo like we already saw him kinda disappointed it was not a date with mork... the whole kiss thing felt so wrong they did day (and august too tbh) dirty

to start off, thank you for indulging me with a ltts message 🥰 also I hope this isn't too long, i havent had the time to seriously think about this episode so this is my chance 💓

throughout the episode I began wondering if august was a legitimate contender and the thought bothered me for a few reasons: i had been under the impression the plot isn't really about that; that there would be no space to fit in a love triangle of this size if other conflicts were to be explored and resolved. basically that mork and day would have enough on their plate without august in the picture and focusing on those two would only slow down the development of the main couple. I did find the thought of august's intentions being serious intriguing though, a bit frustrating, yes, but also interesting.

now, I had a bit of trouble understanding your point but im guessing you mean we already saw that day was disappointed the party wasn't a date so we're aware of his feelings and they are not aimed at august anymore? so it wouldn't have been an issue if august just continued liking day because day doesn't like him that way anymore, right? because I get that, it wouldn't have been the first time that's happened on screen haha but also that's exactly why I'm not that fond of the idea. day and august having a mutual crush and that going for a few episodes? THAT I find intriguing, an actual relationship trying to figure itself out while it's doomed by the narrative because it isn't the main romance.

but august having actual romantic feelings for day and stepping aside (because the show wants this couple dealt with by the end of the first half, apparently, and it would have cut him off somehow) would be something both sad and also, in my humble opinion, redundant. I've seen it before, it's just a bummer for everyone involved and I don't need it here.

what the plot actually did was very nice, as weird as it sounds. it gave us a character who loves his mate a lot. I do not doubt that august has strong feelings for day. everyone is pissed at him at the moment, day is hurt because there was pity, mork is angry because there was lack of consideration but that boy cares for day, a lot. i suppose there are feelings of guilt, they were on the court together when day lost his vision and then he didn't contact august for over a year. august probably felt some sort if personal responsibility for day's condition or for his behaviour towards him while they were partners, for the fact day felt he couldn't tell him the truth. so there is guilt and there is pity but also there is affection for a friend, for a partner, for the person alongside which you aimed for your dreams. they have a bond (and im sure people have expressed a lot about their sync and dynamic that I haven't picked up on but a bond is undeniable).

august tried to be a better person, a warm one, someone day doesn't recognise. he tried to be everything he wasn't before because thats what he decided day wants and needs. the night at the bar he was already feeling bad about leaving day to hang. on a side note, while the episode was airing i ran to check whether the cast was there that night and if it was on the same arm. it was. august didnt lie and im paranoid lmao anyways

the scene was crushing for mork and us, sure, but it was also very hard for august. he had had an accident, he couldn't contact day and still went as soon as he could after midnight. when he heard the confession he ran which honestly felt like an appropriate reaction - indicating he was there would make day embarrassed and pretending to come in later also wouldn't work because his partner who recently came back into his life with shocking news after ghosting him for a year suddenly confessed he's in love with him. while he's exhausted and hurt. of course the kid needed time to process what the fuck is going on! and he came back the very next morning, ready to make things right.

the issue stems from the fact he had no clue what right is, his underdeveloped brain told him to be a better friend than before but it went too far off in the direction of that thought and landed at "be what he wants you to be to a T" which includes, well, a romantic interest. and that's just not something you can force but alas, earnest, stupid august tried to check off everything on the "make day happy" list.

that boy ran off crying (I would too if mork glared at me like a maddog but still) because he kissed and got kissed by someone he didn't want such contact with ( the reciprocated kiss was A Lot for him) and then realised he'd hurt the person he wanted to satisfy in every way. his words indicate he didn't intend the kiss to be just one, that he wanted to actively change the way he feels about day, that he considered being his boyfriend. I figure he truly realised that was not an option while the kiss was happening hence why the second one had him running away again.

we know august is impulsive and earnest, his intentions were coming from a good place but he couldn't plan to save his life. he acts with his heart and so he was relying on falling for day till the end with no backup plan. it's either that or he knew before the kiss and intended it to be a single gift and I can't tell which is worse. in any case he was aware of the big possibility him and days weren't going to work out so his actions were majorly irresponsible.

the kiss had me screaming NOO literally and then the second one nearly had me gripping my hair, idek what sounds I made from the beginning till the end of that scene but "felt wrong" is something I can understand though it didd feel wrong but maybe not in the way you mean?

i didn't know nor suspect august's intentions and thought process so the kiss felt real to me and though I was against it as an avid morkday shipper, I didn't think that narratively it was bad. day was done dirty a 100% (though he gets mork acting on his feelings finally so..glass half full..?). let's not forget that mork actively supported day's perception of the situation as flirting - not his fault, that's what august was doing after all - but it's something that made the fall that much worse. day was getting hyped up by mork the way he was by gee ABOUT mork before that. he gets affected by his friends' opinions because he relies on them to read the other's body language and intentions. so there is this feeling of helplessness not only because of the pity that guided august's actions but the fact he couldn't assess the situation himself. so yes, for this and many other reasons, day was done dirty by every definition of the phrase.

but as for august and the plot I'm not so sure. august as a character is, to me, much more interesting as this confused and, frankly, unintelligent young man whose heart seems to be in the right place..? but whose actions are totally misguided than if he were, let's say, a good guy finally acting on his crush after years. I suppose he could've stopped before the kiss and told day the truth and maybe day would be a bit disappointed but definitely more forgiving and less heartbroken..

but then how would we see that day can help mork tame his anger with just a touch of the hand? and we needed an act so grotesque that would lead them to have a conversation that makes mork want to scream "I do not pity you, I haven't pitied you for a second, you are so strong and smart and loveable, i love you, how could you ever focus on a nobody like him when you are everything, you deserve so much more, how could you not know that, why did i ever let him near you, i should have never allowed for this to happen, i love you so much god I LOVE EVERYTHING ABOUT YOU" (yes thats what those eyes at the rooftop said, idk what yall heard.)

i believe the charm of this scene and this whole conflict is that no one there is acting out of malice. it's just people doing what they think is right. mork stepping aside was not the right move technically but it fits his character and the plot as well. imo august wasn't done dirty, he was made interesting and also he isn't a bad guy. he did some really harmful shit but by the end of the scene i didn't feel an ounce of malice from him. there could still be love between the two but one that's not based around day walking on eggshells and one that doesn't rely on august to be something he is not. when they arent forced by the outside to be in close proximity and make things work, when they can just tease each other comfortably without taking all of the other's happiness and well-being as their own responsibility, thats when they could have a nice casual friendship with a lot of appreciation for the other. i believe him and day would reconcile at some point in the future when day is ready to forgive and august is ready to stop running.

[lusthurts]

sebastian and blaine for the character asks <3

ahhh hi bestie im so excited to yap about these two <333

sebastian smythe

how I feel about this character

Sebastian is the love of my life <3 I'm obsessed with writing this character and reading this character and consuming any and all content related to this character.

I have sooooo many head canons about him, and the way I feel about him/his backstory/his personality has evolved a ton over the years, even since I've been writing about him. He has that snark and edge that I love to a character with a clearly very interesting past that we have complete creative liberties to explore. it's so fun and I love him !

all the people I ship romantically with this character

BLAINE! seblaine is of course my otp, and no ship will ever come close to them for me in terms of the extreme brain rot obsession I have because of them - I love that they sort of balance each other out and have this undeniable chemistry that's pretty monumental for both of them and leaves a lot of room for us to explore

I don't think anything will ever come close to them for me, and I fully cannot bring myself to get behind kurtbastian no matter how much I love enemies to lovers as a trope (though when my mutuals write kurtbastian I still try to read it lol)

I did enjoy writing jeff x sebastian in how bright we burn (totally snuck up on me on accident - he needed to be with one of the other warblers for plot reasons and I picked Jeff because they're always in shots together in canon) but that's not something I think I'd ever be super into on like,, a bigger scale - I love it as a platonic ship though

my non-romantic otp for this character

honestly, the warblers as a whole - I really like the idea of Sebastian not really fitting in anywhere/never feeling at home anywhere before dalton and being very reluctant to get close with them at first which resulted in him coming on a little strong/trying to take control rather than trying to develop meaningful friendships, but then by the end he's found he really cares about them and wants them to succeed and finally feels like he's found a home and core group of friends

OH and i ADORE his friendship with cooper in the I'll be there for you series - their dynamic together is fantastic and I think probably the best written friendship for Sebastian that I've ever read

my unpopular opinion about this character

I'm not sure if this is unpopular or not, but I do really like that he's an imperfect person who clearly has a lot of growing up to do. He acts like an asshole and he is one kind of a lot of the time, but even the things he does maliciously aren't meant to be that harmful, and there's clearly a complicated person beneath the surface. I love slutty Sebastian and snarky Sebastian and bullying/blackmail/assault Sebastian so so much

I also don't like the idea of him being "soft" or immediately comfortable in a relationship with blaine just because he's the person he's meant to be with - a lot of my head canons about him revolve around him having a kind of unhealthy relationship with love/relationships, and I don't think it's realistic that they'd just immediately be in a happy relationship. I love fluff as much as the next person, but I definitely don't think their problems end when they get together.

one thing I wish would happen/had happened with this character in canon

obviously seblaine - even if they'd just given us a little bit behind the scenes (what were those phone calls and texts??? they were clearly good friends!!)

I wish he'd been around more after season 3 - I realize because of real life reasons this was impossible, and he probably would've been back quite a bit if it wasn't for the flash, but I would've loved to see him develop friendships and plots and sing more songs and maybe have a relationship or two

blaine anderson

how I feel about this character

he's one of my first favorite glee characters and one of the main reasons I still love this show

I think I relate to him more than I relate to any of the other characters in the show - he has that passionate, overachiever, ruthless drive for success thing that Rachel has but he's also clearly very anxious about things and experiences depression and has some attachment issues, and I think all that makes him a much more complicated character than he's given credit for

all the people I ship romantically with this character

Sebastian ofc - see above lol

I used to be a huge blam fan - I haven't read or written them in a long time but I still think this is probably my second favorite blaine ship - they have a lot of chemistry together with a lot of fantastic scenes and development in season 4 specifically, and I think this would've been a cool path to go down during their senior year in the post-kurt/mercedes era

I also used to love klaine (prior to realizing how toxic that relationship was lol) - they were def cute in season 2, and they were probably one of the first queer ships I saw on tv that I felt that attached too. I think if handled better in the later seasons they could've been great, and I think if they're written well they can be a lovely ship - I played blaine in a glee rpg during covid (dark times lmao) and I found writing klaine with a person who really cared for writing Kurt's character well to be super fun

my non-romantic otp for this character

definitely sam & tina! blamtina is my favorite trio in the show, and I think their friendship felt very realistic and well-developed, especially for something that really only existed to that extent for one season

a close second would be rachel - I think blaine and rachel definitely get each other in a way the other new directions don't really, and I enjoy their dynamic a lot, especially in the beginning of season 6

oh and the warblers. he referred to that group as a brotherhood and then just,, left ? makes it hard to believe they were as close as he said, but I also will die on the hill that he must've had strong relationships with those guys if they got him from how he must've felt post Sadie Hawkins to the guy that was confidently singing the lead at every performance

my unpopular opinion about this character

while I do think he was occasionally too whiny and treated as a caricature in the later seasons, I also think a lot of that was the natural progression of his character given the circumstances he was dealing with. I think it's very natural for insecurities to come up when you go from where he was at in season 2 (star/lead vocalist of the warblers, admired and beloved by his peers, confidently helping Kurt through the bullying and trauma of McKinley) to season 3 (ignored/disregarded by ND's leaders like finn, only getting the occasional line or two in performances, treated almost exclusively as Kurt's boyfriend)

he was more interesting in seasons 2 & 4 when he was single than he was at any point during his relationship with kurt

one thing I wish had happened with this character in canon

seblaine !

or honestly getting to see him in any romantic relationship with someone other than Kurt (karofsky doesn't count lol we all collectively pretend that didn't happen)

why do we know like nothing about his life !! he's one of the major characters in the show (second in solos only to Rachel I think?) and yet all we get are a few one off and very concerning lines about his dad??? then his mom randomly shows up at the wedding??? and cooper's there but only for an episode and then never brought up again??? girl what I need to know his lore

[practically-an-x-man]

Don't have to answer this right away... or at all honestly.

I was wondering how Jimmy and Robert got together, how they met and how they found out they liked each other, and how they found out it was reciprocated. Do you have headcanons at all on it?

If this is stuff Jimmy will mention later, feel free to say "Spoilers!" at me. *Big grin*

Absolutely! Let's see...

So first things first, I haven't thought a whole lot about their relationship prior to Jimmy's death scene, both since it was a fairly new relationship in-universe, and from a writing perspective I was looking at it as more of a plot point than a fully realized relationship. I mean, they've got a fun dynamic and I enjoyed writing them, but... it's kinda just a device to spur along Jimmy's backstory and the tragedy of it.

That being said, I'm sure I can lay some things down for this. They're not exactly headcanons if they're both my own characters, right?

How They Met:

Well, we see that Robert is a bit of an academic, just in the way that he carries himself. And Jimmy is too, in a way. He's not as educated, but he's a devout bibliophile and a very innately curious person. I think they first crossed paths while Jimmy was working - he was in the aviary doing maintenance, Robert came in and ended up asking a few questions about the different birds he saw, Jimmy got to share his knowledge and his passion and Robert appreciated that. They both expected that to be a one-off encounter, but then they ended up stumbling into each other at the New York Library a little while later, and it was Jimmy's turn to ask the questions while he was looking for new reading material.

They realized from there that they had a lot in common, with the way they viewed the world and where their passions and curiosities sat, and that was where that initial spark came to life.

How They Found Out They Liked Each Other:

Obviously they both needed to be careful, because of the time period and the situation they were in. It's fine for a man to have friends, of course, but suspicion does start to rise when it's only ever the two of them meeting up, never a larger group. I think as a whole, this stage of their relationship was a lot of "accidental" encounters, echoing their first two interactions: Robert stopping by the aviary to ask about the birds, Jimmy popping into the library to talk books. They both assumed it was just a friendship at first, of course, with so much of that ingrained heteronormative culture around them.

The way Jimmy realized it was a crush was actually through his birds - Robert had picked a favorite a while back, just one he found particularly fascinating and always seemed to ask about more than the others, and Jimmy realized that same bird had started to become his favorite too because it reminded him of Robert. That didn't happen with his friendships, this was something more.

The way Robert realized it was a crush was through the way he missed Jimmy when he was gone. Robert had a fair amount of friends in and around the library, and plenty of people asked him for book recommendations on a daily basis, so it wasn't the conversation itself that he missed. Once he realized that, and realized he missed Jimmy, he found those romantic feelings.

How It Was Reciprocated:

Those same two friends we see in Francesca, Dorothy and Marie, were the ones to help Jimmy realize it. They'd already known that Jimmy was gay (don't ask me for how they found out, I don't know, but they were supportive because he was such a close friend, and occasionally acted as beards for him when he needed a quick cover), so they were definitely keen on what was up from the beginning.

They were working on cleaning up the aviary, closed for maintenance and only the three of them there, and Jimmy was talking about his feelings for Robert. The ladies pointed out how often they'd seen Robert there, and how he spent hours asking questions he probably didn't need Jimmy to answer for him - he worked in a library, for heaven's sake! - and that he was probably only coming around because it let him be near Jimmy.

The next time Robert came around, Dorothy and Marie made sure Jimmy was the only other one in the aviary (nobody else to overhear or intervene), and he admitted his feelings. The funny thing was, Robert's friends at the library had given him almost the same conversation, after noticing how Jimmy would specifically walk until he found Robert even when the other librarians offered him help (and how he'd check out books he'd already read before at Robert's suggestion.

Their shared curiosity gave their relationship a lot of parallels, especially since it was a time period that didn't allow them to be anything other than careful and hidden with their relationship. There's only so many times one can ask the same questions, after all.

What Came Next:

Their relationship was still very new at the time of Francesca, which is what makes it such a tragic story and why Jimmy holds onto it for so long. Their attempted kiss in Francesca was meant to be their first kiss, and when Jimmy talks about his neighbors asking questions when Robert suggests an alternative, it's because they'd only ever interacted carefully in common spaces like the aviary and library up until that point.

The feelings are still very much reciprocated at this point, but Jimmy's plan in Francesca was meant to be their first real opportunity to actually act on those feelings. It was the result of weeks, even months, of the same careful meetings just to spend time together, and up until the scene in Francesca they hadn't even dared to try more.

[lurksunderthebed]

Hi, I saw that you had a discussion about the queerness of our beloved characters. I really hope you’re not tired of that topic, because I wanted to add another point.

First of all I don’t really care. I really like the dynamic between most of the characters, especially Ghost and Soap, but I don’t care if it’s interpreted as besties or lovers. I think both is fun.

I just wanted to add that maybe all of the MW story feels so fucking gay, because we lack cool women? We have Farah and Laswell, but let’s be real Farah is basically married to Alex (I thought they were a couple at first) and Laswell is married to a woman. Now people go great lengths to ship the male characters with female villains, who only appear in a small fraction of the story and have no real chemistry. I mean they can do whatever floats their boat, but I don’t really see the point here.

Which leaves us with a bunch of man ‘flirting’ with each other vor comedic value. I think given this and the points you already said on your account, I think it’s even a bit intended that most of our characters might not be the straightest.

Sure, a bunch of straight men can exist without women and still be straight and the military still might not be the most women friendly institution, but I think having more girlpower would have been an easy way to make everyone appear more straight and the devs didn’t go that route sooooo… (I still would love to have more cool women, but that’s another topic)

Anyways, I hope you have a good day and I wanted to add that I really enjoyed your character analysis posts <3

Ahh thanks for enjoying my analysis posts. 💞🥹 Honestly, I'm still surprised people are reading them lol. (And asking me about it haha)

But yes, I don't think I'll ever be tired of the ol' queerness discussion. It's a fun topic to debate especially with these characters in this particular game.

Controversial take, but I actually don't think adding any extra female characters would've been helpful in making the 'gay' go away.

(gonna be a long discussion here, settle in if you want to read it haha 😅)

What we have to put in mind, is that this game wasn't made for the female audience. The vast majority of the people buying and playing it are going to be male. That's the facts. It's going to cater to men.

A game made for men is going to have a majority of those characters be male. Adding new female characters in a REBOOT series is a delicate task when a good chunk of the population playing have played the OG and want to see legacy characters back (which are all male—the OG was all men).

That means that when we look at why certain things are framed and why there aren't many female characters, and especially why there isn't much of any confirmed (het) canon romantic ships between any characters, it's because the game itself isn't focused on it.

That same vast majority of men don't actually care about ships in general and with people trying to be more progressive, any female characters introduced are painstakingly written to omit any overt possibility of romance. In one sense, it's a welcome change from the action movie style plot line where man + woman = relationship with the women being just side characters/window dressing to the MC.

Women here are shown to be tough, that they don't need a man at all. They have their own agency. It's pretty nice actually that they did that. None of the female characters are infantilised nor is there a sense of them being there to "check boxes" in the minority bag. They make sense in the framing the game has placed them in.

But we do have this interesting dynamic whereby removing the romance factor, but having female characters in a setting that most are conditioned to read as man + woman = relationship, it de-emphasizes heteronormality and actually emphasises the relationships between the core characters.

And with a game full of men, that means the relationships between men are going to be the focal point.

Adding extra female characters, wouldn't have changed any of this, because the writers have gone out of their way to not make romance a plot of any sort. (There's a whole other discussion on the flaws of trying to give women agency/proving strength of character, but by doing so, taking away their sexualities by removing any sort of romance, but that's beside the point)

I think there's also an argument to be had that meaningful relationships with others don't have to necessarily imply romance between characters. It's totally fair to be sick of always having romance injected in to these sorts of relationships. That's an extremely valid take.

But there most definitely is a double standard that everyone is operating on. And we see that when we compare Alex/Farah's relationship with Ghost/Soap's.

Alex's most meaningful relationship is with Farah. He sacrifices himself for her cause and loses a leg for it. He comes back and stays by her side. Most people assume to take it as Alex is in love with Farah. We never see any type of flirting between the two. In fact it's mostly Farah testing Alex and looking at their dialogue you can tell there's respect between the two, but anything more is undefined/up for interpretation.

Yet it's just assumed by virtue of Alex and Farah being man + woman, that they must be together because of how much Alex had sacrificed. Completely ignoring the possibility of Alex doing so because he believes in Farah's cause and was sick of being jerked around with no choice by higher ups who largely didn't care about the suffering of Farah's people. Suffering that the man had personally witnessed. But no, he must be in love with her. (If Farah was a man, their whole relationship would be read as platonic with Alex's beliefs as a focus, not him being potentially in love)

Ghost's most meaningful relationship is with Soap. Soap has changed Ghost's whole MO as a lone wolf, and has challenged his very notion of trust. Ghost tests Soap and is proven wrong when Soap survives despite the odds. We even see them have plausible deniability flirting/snark. They are framed as a unit and on the off times (off of missions in cutscenes), they are always physically together. There's definitely respect between the two, but anything more is undefined/up for interpretation.

By itself, their relationship seems innocuous, but looking at the context we see a very different picture. Context matters heavily in seeing how this relationship has changed Ghost/the importance of it to him. It's assumed that Soap is the first person in god knows how long, that Ghost is emotionally attached to. What constitutes a normal, albeit flirty and snarky, friendly relationship for most, is amplified for Ghost in the glaring fact that he really doesn't do this for anyone else ever. As far as we can tell for a man that appears to live his job, Soap is Ghost's most important person.

We can even arguably say that Ghost and Soap had a flirtier, friendlier, more emotional relationship than Alex and Farah ever had, yet it's assumed (by the male audience) to be completely platonic by virtue of them both being men.

For all those people who argue to stop shipping characters, those same people turn around and are completely implicit in the notion of Alex and Farah being a thing.

It's a really annoying take, because you and I know that it's not the romance they're bothered by. It's the idea of having a character that exemplifies the silent male loner badass archetype as anything but the pinnacle of masculinity. IE, totally and utterly straight.

I feel I could go on about all the ways Ghost surprisingly subverts his archetype, but I'll leave it there. This is prob already too long 😅

But yes, having new cool female characters is always good, but it still wouldn't settle any sexuality debate since they would most likely be written without any hint of romance between the core 141 group and that potential new character. Just like how Farah and Laswell, as you said, have been both removed completely from the romance/sexuality debate, any new female character would also be put under similar framework.

I suppose it would just make them appear more straight (and get rid of all the speculation) if they had a new female character added into 141, but I don't see the point of adding a new character for that sole purpose. And tbh, it would come across as insulting to women if they did for that one reason.

Given how little character development we had in the latest game, I heavily doubt they would introduce new characters at all when they barely showed anything of the current ones we have already. We need more development of the characters we have, adding someone new would arguably take away from building proper relationships/dynamics between the characters we do have currently.

But yeah, heh. I'll stop for real now. If you got this far in my latest Ted Talk™, kudos to you good sir 🫡, you have all my love ☺️

Hope you have a great day too nonny, and I hope this helps with the discussion. Feels like I went off on too many side tangents. 🤔🤔🤔

[muttsona]

top 5 B99 episodes?

OFFICIALLY MY FAVORITE ASK EVER. okay so spoilers for most of the show up ahead, BE WARNED! 

s1 e6, halloween – the original halloween heist episode is really important to me for a couple reasons actually. i think this is the episode where a certain bond between holt & jake is established. holt is willing to indulge jake in his crazy ideas, it just has me thinking: maybe holt really does care :) my favorite episodes are always the ones where jake gets the whole cast involved in his shenanigans, it really brings home the found family dynamic of the show. 

s4 e18, cop-con – this episode is also important to me for Holt Reasons. he wasn't mad that his team had disobeyed his orders to stay in line at the convention, he was mad that they hadn't thought to invite him. i think this is where we see the team involving their captain in their adventures more often. 

s5 e22, jake and amy – i think this episode was great for a lot of reasons, not just because of the Jake And Amy Finally Get Married bit. like, we watch literally everything go wrong on what was supposed to be their special day, but they still pull through. and i don't say this as a case of: wow they're so strong. no, they used their coworkers and boss to get there. im hearing you say: "wow zane why is this important??" im so glad you ask... jake has a known thing for hating to work on teams unless he can take charge, and amy has a similar deal where she always needs to be in charge as a way to make sure everything gets done correctly. but at this point in the show they had gained enough trust within the team to be like: yes, i trust you not to mess things up, even on our big day. it was something special to watch amy not crumble under the pressure of something she had planned so perfectly just go So Badly. it's something about the way she knew as long as she ended the day with jake, things would be fine. 

s3 e23, greg and larry – i always love the episodes with tons of plot twists, which is probably part of the reason i've always enjoyed this episode so much.  i love the idea of the team coming together to help out holt, who for the longest time had no one on the police force backing him up because of his identity as a black gay officer. this episode was also the start of the mess that was season 4, where jake & holt had to run off to florida to go undercover. i think the fact that holt and jake did the undercover mission together was really important to the story as a whole. by this point it's clear that holt sees jake as a son, and jake sees holt as a father figure; the anger that holt shows jake on this mission was really just thinly veiled care, and fear of seeing his son get hurt. 

s6 e18, the suicide squad – how do i even put into words how much i adore this episode. wow. members of the 99 are teaming up with their old allies to stop the corruption being caused by commissioner kelly. i think this entire episode just goes to show that they all care more about the good of the nypd rather than whatever beef they may have with whoever. decades of bitter rivalry is set aside so that they can stop the corruption from inside the police department. i think my favorite part of this episode was holt having to deal with the fact that if he messed this up it would be throwing away everything he had worked so hard as a police officer to achieve. he had fixed so many issues within the nypd at this point, and he had to decide between continuing a bitter rivalry versus saving everything he had worked to change. idk, one of my favorite parts of the show was always the way that holt very seriously cared about the core of the nypd remaining being about helping the citizens of new york, rather than turning into a game of politics. 

OKAY IM DONE BLABBING. THANK YOU SO MUCH FOR THE ASK HEHE