#i think we are aging... is this what it feels like

[classyrbf]

DO I LOOK LIKE HIM! — MEGUMI FUSHIGURO

SYNOPSIS...all his life it was just him and his mother, his father nowhere to be seen or found, vanished, a ghost. No one ever spoke a word of him, he didn’t even know his name. But deep down he begs for answers as his mother always said that he looked just like ‘him’

INFO...megumi fushiguro x mom!reader, toji x fem!reader, angst angst angst, megs is 17, absent father, family trauma, young love, arguing, talks of pregnancy, talks of killing/assassination, not proofread

OTHER...likes and reblogs are appreciated

based on: like him by tyler the creator

“Alright move closer into the photo—yep! Perfect!” Your mom held the camera up to her eye, slightly bending down. “Alright, three…two…one!” She snapped the photo, smiling as she looked at you and Toji.

It was Megumi’s first birthday, friends and family surrounding to celebrate. Endless gifts and food, music playing over the speakers. Small children ran around the yard, infectious laughter filling the air. The sun shined brightly, not a cloud in the sky. You were happy. Toji held Megumi tight in arm, looking down at the baby with a full head of jet black hair.

You and Toji had met in high school, falling for each other in an instant. You were captivated by his silent and mysterious presence and Toji was capture by your smile and the way your eyes shined in the light. But neither of you expected to end up with a baby boy just two years later after graduation. Not a single moment was regretted. You wouldn’t trade this for the world.

“Happy birthday, little man,” he scoffed, holding Megumi above his head. He babbled, giggling as he chewed on his chubby fingers, smiling at his father with love in his eyes.

“I can’t wait to frame this one. You guys look so cute.” Your mom pouted, walking back into the house to put the camera away.

A soft smile spread across your face, holding onto Toji’s arm. “Did you ever think you’d become a dad?” You suddenly asked, watching as your baby played with the fabric of his shirt.

Toji turned towards you, a confused look on his face. “No, but…I’m happy I did. You know I’d do anything for you two.” Toji pulled you in by your waist. “Did you ever think you’d become a mom?”

You shook your head, reaching a hand out to move hair out Megumi’s face. “It’s just weird. We were so young, you know? We still are. But, it feels right.” You rested your heard on his shoulder, letting out a small sigh. A small laugh erupted from your chest, “I carry him for nine months and he came out looking exactly like you.”

“What can I say? I got strong genes, baby.” He nudges you slightly, teasing.

“Oh, hush. I did all the work.” You roll your eyes at him.

“I’m only messing with you.” He plants a kiss on your forehead. “Go on, give mama a kiss, little man.” He holds Megumi towards you. As if on cue, he leans his head down and places his slobbery mouth on your forehead. “There you go! Good job!” He chuckles, smiling at his son. “I can’t wait until you’re older so I can teach you about all sorts of things.” Megumi grabs ahold of Toji’s finger in his small palm, squeezing it. “Gonna teach you all types of sports, how to fight so you can protect mommy. I bet you’ll be a good baseball player.” Megumi squeals at Toji. “Baseball? Yeah? Alright, baseball it is.” He kisses his cheek.

You stand there, admiring your two favorite boys. It’s like you see the future when you look at them. A happy life, a cozy home. Maybe even a sibling for Megumi. A ring on your finger, happily married. Thinking of the days when Megumi starts going to school and brings back all his little projects so you can put them in a box and keep them for the future. You already had so much planned at such a young age, but you were determined to fight for it. For him. For your son.

Megumi sits on the edge of his bed, deep in thought. The ceiling fan provides a low hum as it spins. He stares at the wilted paper in his hand, a handwritten note to him—one he’s never seen until now. His chest feels tight, tears welling in his eyes as he reads who it’s from over and over again.

—Your Dad

It feels like he can’t breathe, anger swirling through him. He thinks of all those times you dismissed his questions and conversations about his father—whoever his father was. And now, he was holding a note from him that was written fifteen years ago. A note of how sorry he is and nothing else. A man of few words. No explanation, nothing.

Growing up, Megumi learned from a young age that he looked just like ‘him’. His grandmother and grandfather always slipping up, staring at him like a ghost had just walked in the room. It only got worse as he grew older, starting growing into his features. You even began to stare at him, a look of sadness in your eyes. He never would say anything, always keeping his mouth shut like he didn’t notice. Not once, did you ever speak of his father. Hell, he didn’t even know his name or what he looked like, but from what he’s been told, he probably looks like an older version of him.

All those days, watching fathers bond with their sons, his friends dads coming to sports games, school events, he always felt like deep down something was missing. He felt different. Every Father’s Day, being tasked to make something special in school for their fathers, but how is a nine year old supposed to say he doesn’t have one? How is a thirteen year old supposed to participate in the father-son day at school when he doesn’t have one? How is a seventeen year old supposed to feel when he sees everyone posting their dads on social media, a heartfelt message written with each one, yet he doesn’t even have a photograph to remember him by?

Tears fall on the paper and the hurt that he held back is now manifesting. Why was so hard for you to say anything about him? Was he dead? Is that why it was so hard? Yet, there was no excuse. Whatever it was, he needed to know why he left. Why he was so sorry. It wasn’t until he heard the front door open, your calming voice calling out to him.

“Megs, I’m home!” You shut the door, placing your bag on the countertop.

The door to his bedroom swung open, fresh tears still on his cheeks, the wrinkled note gripped in his hand. He stomped towards you. “What is this?” His nostrils flared.

A crease between your brows formed, noticing the distressed look on his face before your eyes landed on what he was holding. You felt your heart drop, your mouth falling open to say something, anything, but nothing came out. “Meg—”

“What is this? Huh?! I found it in the back of your drawer! A note from my dad!” He slammed the paper down. “Who is he?! Why did he leave?!” He was screaming, his anger pouring out through his words. “You never talk about him! No one does!” He throws his hands up. “You kept…you fucking kept this from me! Fifteen years!” Hot tears spill from his eyes.

Your eyes widen, your lip quivering as you hold back tears. “I’m sorry.” Your voice breaks. “I’ve been wanting to tell you—”

“When? When, mom?! I don’t even know his fucking name! I don’t know what he looks like! There’s not a single picture in this house of him? Is he even alive?!” The look in his eyes makes you want to break down. You knew this day would come sooner or later, but you never expected it to turn out this way. The note. Of course it was the note. Almost like it was fate.

You inhaled deeply, licking your lips as tears fall. “I’m sorry, baby. I just…”

“Why can’t you tell me?” He speaks softly, voice wavering. “I see it in your face. Everyday when you look at me…you can see him. Who is my dad?” He clenches his jaw, letting out a shaky breath. “Why did he leave us? Why did he leave me?” He questions before fully breaking down into tears, sobbing.

“No,no,” you whisper, taking him in your arms. His tears soak through the fabric of your shirt, clinging onto you like his life depends on it. “It’s not your fault, baby? You hear me? It’s not his, not yours. It’s complicated.” As you stand there with him in your arms, flashbacks of that night Toji left flood your brain.

“Then where is he? Is he dead?” Megumi asks, raising his head to look at you. The question makes you freeze up, biting on your bottom lip so hard you’re sure to draw blood. “Is he dead, mom?” He stands up straight, wiping his tears.

“I…I don’t know,” you sniffle, shrugging your shoulders. You shake your head as you look at your son, feeling so ashamed and embarrassed. So hurt and disgusted. “He loved you so much, Megumi. I promise you.”

“What do you mean you don’t know? If he loved me, he wouldn’t have left!” He shouted in anger. “Who is he?! Just tell me!” He pleads through his cries.

“His name was Toji. Toji Fushiguro.” You stare at him. “Me and your father met young, back in high school. We had you two years after we graduated. We were so scared. Well, I was scared, but your father was ready. He was so excited,” you chuckle, remembering when you first told him you were pregnant. “He loved you, Megumi. And that’s the exact reason why he left,” you explain.

He shakes his head at you. “It doesn’t make any sense.”

“Your father did everything he could to provide for me and you. You were his everything. His little man. But, he got caught up with the wrong people trying to find ways to make quick money. He was young and desperate, we both were.” Your eyes flutter shut, letting out a sigh. “What your father did for money…you wouldn’t think he was a good man. He made enemies—”

“Mom, what are you saying?! I’m not a kid anymore! Just tell me—”

“He killed people, Megumi! Is that what you wanna hear! He fucking killed people just so he could put food on the table! Fuck!” You hurriedly stand to your feet, looking away from him.

“What…?” He nearly said in a whisper.

“I don’t want you to think he wasn’t a good man, Megs. I don’t want you think he hated you or me. He didn’t. But what he was doing put him and us in danger. He realized that and he left. He couldn’t put us in danger, especially you. That night he left he wrote you this.” You grabbed the note off the counter. “I begged him to stay, baby. I did. I tried. I tried everything.” Megumi sat on the edge of the couch, staring blankly ahead of his as he took all this information in. “He never stopped loving you, Megs. He never wanted to leave.”

He slowly turned to look at you, his chest heaving up and down. His eyes were red and glossy from crying. “Where’d he go?”

“I don’t know, baby. He never told me.” You shook your head. He sobbed softly, holding his head in his hands. You walked over, sitting beside him and pulled him into your arms. “Don’t hate him,” you whispered. “He’d be so proud of the man you became. Such a sweet, strong, and smart boy.”

“When did he leave?” Megumi asked.

“A week after your second birthday,” you spoke, biting at the skin on your lip. “He told me you were the best thing to ever happen to him.” You wipe away his tears as they continue to fall. “He’s not a bad guy, he’s just done bad things.”

Now knowing what happened to his father, Megumi felt like his whole world came crashing down. What his father did, who he was. How he came to be. And as much resentment as he holds, he can’t bring himself to hate him. In a way, he understands, but at the same time he doesn’t. He wonders how different things would be if he was here. What life would be Ike. “I’m sorry, mom,” he cried.

“Don’t be, baby. I’m sorry for keeping from you for so long. I didn’t know how to tell you. I didn’t want you to think he was a bad man. I was scared.” You continue to hold him in your arms, consoling him.

“What does he look like?” He asks.

You smile, looking down at him. “You guys are damn near twins.”

Megumi chuckles a little, “I figured.”

“Wait there a moment.” He watches as slip into your bedroom, a few second passing by before you walk out with something in your hands. “Here.”

Megumi looks down, seeing the array of photos you hold on your hands and hesitates on taking them from you. You sit beside him as he grabs them and looks at the first one. “Is that him and you?” He asks, never taking his eyes off the photo.

“Back in high school.” It was one of the first few photos you and Toji ever took together. A picture at the homecoming dance, a plain look on his face while you had a wide smile on your face. “Your father barely ever smiled. But when you came around, he couldn’t stop.”

Megumi was struck. He really did look like him. From the hair, to the eyes, to the nose. Everything. He looked at the next photo. You were pregnant, Toji holding your belly while kissing your cheek. “You guys looked really happy,” he says.

“Of course we were. Me and your dad loved each other very much. I still love him.” Megumi looks over at you as you say those last words. You still hold so much hope and love in your heart and that tells him maybe he should let this resentment for his father go. Maybe it was time to move on.

“Was this my birthday?” He questions, looking at the family photo your mother took of you three that day. He could see a faint smile on his father’s face, looking at the way Toji held him so close in his arms.

“Your very first birthday. So many good memories. Despite the fact you threw up on your dad’s shirt,” you laughed.

“Really?!” Megumi smiles. You nod, still giggling. “Yikes, he must’ve been pissed.”

“At first he was mad, but then saw you started crying after and felt horrible. I remember his exact words, ‘Stop crying, little man. You can throw up on this shirt a thousand times if you want to.’ He could never stay mad at you.” You brush his cheek, watching his smile get wider and wider.

He finally gets to the last picture. One you took of Toji asleep with Megumi on his chest. “I took that picture after it took him three hours to get you to sleep. You didn’t want to sleep in your crib, kept crying and crying and finally your father just fell asleep with you on his chest.” You watch as he runs his thumb over the picture, observing it more than he did the other ones. “You can keep it if you want.”

“Really?” He glanced at you, a desperate look in his eye.

“Of course.” You kissed his cheek. “I have more we can look at later.”

Megumi nods. There’s a moment of silence as he sits and goes through the pictures again, almost like he’s reliving memories he had no recollection of. “So, you really don’t know if he’s alive or not?”

You shake your head. “Like I said, what your father did caused him to get caught up with the wrong people, making enemies out of anyone. He was never scared of them, of course. But he knew if they ever found out about you or me, it wouldn’t end well.,” you explained. “I wish I knew.”

“Is it weird that I miss him?” He turned towards you, confused. “How can I miss someone I don’t even remember?” His eyes became teary.

“Oh, Megs.” You wiped his tears. “It’s not weird at all, sweetheart. I’m sure he misses you too. A whole lot.” You give him a sad smile.

He sniffles, looking down at the pictures. It was like he finally felt this weight had been lifted off of his shoulders. After years of this gut wrenching feeling, he finally knows the truth. His father did love you. Love him. He no longer felt casted aside. And that feeling gave him hope that maybe he’s still out there, still alive.

[maybevarric]

at the end of tresspasser we see many of the elves mysteriously disappear across thedas correct? honestly this should have been the origin story for the veil jumpers: they get recruited by solas under the guise of restoring the ways of the elvhen.

initially these recruited elves would have been generally supportive across the board because finally there’s some kind of reclamation of their history and their past. finally there is an explanation and some kind of hint of a future as a whole. things are looking up under the protection and guidance of the dreadwolf.

but as solas’ plan would progress we’d start to see a divide amongst his followers, and i reckon this is where the veil jumpers would begin. as a pushback to this. as an act of defiance against what was coming. learning what solas’ plans are for the future of thedas and tearing down the veil and all that. the veil jumpers choose not to reclaim their history and past through these kinds of designs, but instead to learn for themselves because they are owed it. they deserve it. but not at the cost of the world ending.

idk i think the worldbuilding and the lore could have been SO much better. and i think it’s really strange that solas had agents in tresspasser and then suddenly had nothing come the start of datv.

[quantomeno]

I've been following this matter for a while now (a quick search of newspaper articles showed it's been floated since mid last year, and I remember having to use my passport to verify my age on my gmail (it's not the account I use for tumblr, the account has my name in the address, so it's already pretty clearly me, so I was begrudgingly okay with it but am still annoyed my other account now can't watch age restricted youtube videos unless I tie it to my identity)). It's a vexed issue.

The first thing I'd like to point out is that the person quoted in the above post ("I am 100 percent etc") is Keith Pitt, a member of the Nationals who was resources and water minister under Morrison. I feel this is important because while he'd definitely be someone who'd vote in support of the measure, he's not a member of the party in power, let alone a Cabinet minister. His opinion is not necessarily that of the Prime Minister ― Anthony Albanese ― and it makes it seem like what he's talking about is what the government is planning to do.

What is the PM actually saying they'll do?

To be honest, I don't think the government knows yet. From what I can gather, there has been no suggestion by the PM that they would force people's accounts to have their real names. The Age a few days ago reported this:

"Australia’s eSafety commissioner has instead recommended a “double-blind tokenised approach”, whereby information would be provided to a verifying third party that would certify the user’s age to social media platforms without revealing details about the child. The details of the plan are being worked through by a trial of age-verification technologies."

(the "instead" is in reference to the current practice of social media platforms asking people if they over 13, which I'm sure most people realise would stop pretty much no child)

In that same article though they also said "the government has not unveiled key details, including the technology that would be used to keep children out". So I think there is quite a bit of time before anything is going to be written into law.

While I don't think your name will be "slapped onto your tumblr account" (if that does end up being what they do I would actually delete my tumblr, I really do not want that), there is still the question of privacy being invaded in that the government would (I think? I'm not a tech expert in the slightest) be able to connect you to your account.

Keep in mind that we are close to an election (there's been whispers it could be May next year), and this is an issue that (as the Keith Pitt quote shows) both of the major parties seem to mostly agree on. A cynical view is that the PM is talking tough to neutralise the issue so it can't be attacked by the opposition for not protecting children. The fact that both are talking about it does however suggest it will eventually come to pass (unlike other complicated legislation that was touted as 'essential' but then got shelved after being too hard to get through (naming no names i.e. Scomo's religious discrimination bill).

The other point to discuss is that while I really do enjoy people not knowing who I am on tumblr (and people in my life not being able to know I'm on tumblr), I also don't really think kids should be on social media (or at least not in the way they currently are). I avoided social media (I only had a facebook account I barely touched) until I was an adult (and even then I waited a while) and I'm quite glad, mostly because I think I'm a lot more mature. On the other hand, while I didn't interact with people, I grew up in a time when you could browse most platforms without an account, so it's not like I wasn't exposed to things on the internet. And then there's a bit of a moral panic about the internet, which can be a bit overblown at times. But then I'll hear a 14 year old I know mentioning stuff that makes me think he's kind of obsessed with growing muscles and I wonder if he's seeing these sorts of things online. I mean, there's a lot of garbage on the internet. But there's a lot of really useful things too... it's complicated and I'm not settled on an opinion yet.

Kids really do need to learn better internet practices and behaviours, but there are also kids in primary school with social media accounts. I mean, what does a 12 year old do in their life that they need the world to see? (don't answer that it's rhetorical, I'm sure there are plenty of 12 year olds doing interesting things worth showing off, but I mean, beyond messaging friends, 12 year olds don't really need to be communicating with strangers on the internet). Note too it's specifically social media (the definition is given by OP but it's anything where the main purpose is share content or talk to a wide audience of people. Things like games with chat stuff are also being looked into.

I'm also a bit of a luddite and think kids should read more. I'm not actually trying to convince people the ban is good, I'm just thinking aloud here. The whole thing feels rather heavy-handed, brute-force, and there's every chance kids will still find ways around it. I don't think this is the ideal solution, but I do feel there is a problem to be addressed.

But yeah, do tell your local member that you are concerned and want to make sure your privacy is kept safe. Just be aware of who your member is and their/their party's stance (all Labor MPs vote with the party, Liberals and Nationals can vote against their own party, so they may not all be in agreement). The Greens are opposed to it. I am not sure what the teal independents think of it.

You may also want to contact some senators from your state, not just your MP.

As for the contents of the letter, maybe something like:

Dear Mr/Ms/Dr (whatever title they use) surname MP,

I am a resident of your electorate (electorate name). (Maybe say a little bit about yourself, just what you think is relevant to the letter or your arguments).

I am writing to you to discuss the proposed social media ban for children. I am concerned (explain what/why you are concerned).

(Try to keep it brief, but also try to be personal)

State what you want your MP to do. Ask them to reply to your letter.

Sincerely,

your name.

You may want to mail the letter rather than just emailing. This page from Oxfam I just looked up five minutes ago has some nice tips.

Hey Aussies, do you want your real name and ID slapped on your tumblr account? If the answer is fuck no, our gov’s got a upcoming legislation for banning 16 year olds and under from social media even WITH parental consent. And by “Social Media”…

The code defines social media as electronic services that meet the following conditions:

The sole or primary purpose of the service is to enable online social interaction between two or more end users

The service allows end users to link to, or interact with, some or all other end users

The service allows end users to post material on the service

Such other conditions (if any) as are set out in the legislative rules.

So. You know. Just the entire fucking internet. They even named youtube as banned, god forbid kids out in the bush get access to LGBTQ+ communities online when they could be watching adds for sportsbet.

I am 100 per cent supportive of eliminating bullying and fake information from online platforms. The easiest way to do that is to be able to utilise existing laws, and the easiest way to do that is to ensure there are no fake accounts. Your digital, online life is your real life. If you want to make comments, that's fine, but it should be as you, as a verified account. This means everyone knows who it is that makes those comments, that you can be found and prosecuted under existing laws, just as you would if you express those opinions in a newspaper, for example, or you went on to a television station and said something similar.

Contact an Aussie senator about this shit. They’re trying to slide it under all the USpol news.

[soleilchanson]

Wearing a backless dress in front of Nanami for the first time.

Note: early relationship feels. F!reader, AFAB reader. Not proofread, I’m sorry for torturing you guys. A smidge of SUGGESTIVENESS

Nanami was a punctual man. He hated tardiness especially when it came to himself. Which is why he was getting agitated when you were taking too long to get ready.

“Honey, are you done?” Nanami impatiently called out from your living room. You were going to meet his friends for the first time today. It was a high school friend group reunion because everyone conveniently happened to be in the same city at the same time.

You were all meeting at a very luxurious bar so you wanted to dress well to make a good first impression. “Yeah, let me just get my coat and we’re good to go.” You said as you left your room to get to the coat stand in the living room. He thanked his lucky stars at that moment. He knew it took you a long time to get ready but he was starting to think that he should give you an earlier time so you could get ready faster from here on out.

But time stood still for him when his eyes landed on you.

Nanami immediately stood up when he saw you. He involuntarily put his hand on his chest. Almost like he was trying to calm himself down.

His tawny eyes raked down your figure. It was a simple dress- full sleeved with a square neckline and a hem that reached right above your knee. The show stopper was your bare back.

Sure, Nanami had seen you naked a few times since the beginning of your relationship, but he hadn’t seen you dress up so beautifully unless it was for a date at an expensive restaurant (which seldom happened for you both enjoyed exploring hole in the wall places).

Friends be damned. His girlfriend looked like dessert served on a gold platter.

“You…” His rasped out. He couldn’t even find the words to describe the sight in front of him.

He slowly walked towards you (with heart eyes) and removed your jacket from your grasp. “Everything alright?” Your eyes searched his but he was too busy staring at your neckline.

“Yeah, just… spin for me, darling. I want to take this all in before we leave.” You giggled at his request and did as he asked.

“Like what you see?”

“Very much.”

“You can have me whenever, babe. We’re gonna come back to my place after meeting everyone anyway.” Nanami pulled you to him with a small tug to your wrist after you said that.

“Yes, but knowing that we’ll be late because of how beautiful you look makes me feel excited.” His said as he stroked his fingers up and down your back. He leaned in to get a kiss but you pulled away. “I just did my makeup.” You whined.

“Just one little kiss. I promise I won’t ruin it.” You groaned at him but leaned in, planning to leave a small peck on his eager lips.

Except you were met with an intoxicating kiss. His mouth was ready to devour you as his hands situated themselves behind your head.

“Kento-“ You tried to remind him of his promise as you pulled away but he just used his grip on your head to pull you back in.

“Little more.” He mumbled into your mouth. You let out of a sound of annoyance and he squeezed your ass to comfort you.

His tongue lapped up whatever was left of your lipstick as he continued to attack your lips. His hands pulled you impossibly close that you could feel his need for you through his pants.

After what felt like ages, you both pulled away. “Great, we’re going to be late now.” You said as you stomped away to your room to apply more lipstick.

“Come back!” He yelled out as he followed you. “We can afford to be a few minutes late.” He said as he entered your room and closed the door.

You had managed to shake the principles of the ever punctual Nanami Kento.

-

I was thinking about that one scene from How to Lose a Guy in 10 Days while writing this. You know, when Benjamin sees Andy in that yellow dress?

[littleprinces]

Day 12: Age Gap

Haerin x Male Reader

Kinkvember Day 12

She was sitting alone at a quaint coffee shop in Greenwich Village, her eyes scanning the crowd as she sipped her latte. She was new to the city and hadn't made many friends yet. As she looked up from her book, her gaze met mine. I was a 40-year-old man with a lean, muscular build, and I couldn't help but be drawn to her youthful charm.

"Excuse me," I said, leaning over her table. "I couldn't help but notice your book. Are you enjoying it?"

She looked up at me, a slight smile playing on her lips. "Yes, it's a classic. Have you read it?"

I nodded. "Many times. It's one of my favorites."

We spent the next hour talking about literature, art, and the city. Haerin was intelligent and witty, and I found myself increasingly drawn to her. As we left the coffee shop together, I suggested we continue our conversation over dinner. She agreed, and we walked to a nearby restaurant.

Over dinner, our conversation turned more personal. I learned about her dreams and aspirations, and she asked about my experiences in the city. The chemistry between us was palpable, and as the night wore on, I found myself wanting her more and more.

"You know," I said, leaning closer to her across the table, "I've really enjoyed our conversation tonight. But I have to admit, I'm finding it hard to concentrate on anything but you."

She blushed slightly, her eyes flickering with a mix of surprise and excitement. "Is that so?"

I nodded. "Yes. In fact, I think I'd like to see you again. And not just for dinner."

She raised an eyebrow, a playful smile on her lips. "Oh, really? And what did you have in mind?"

I leaned in, my voice low and husky. "I think you know what I'm talking about, Haerin."

She held my gaze for a moment before her eyes flicked down to my lips. "I think I do," she whispered.

The following week, Haerin came over to my apartment. As soon as she walked in, I could see the desire in her eyes. I poured us some wine, and we sat on the couch, our bodies close but not yet touching.

"You're beautiful, Haerin," I said, my hand reaching up to tuck a strand of hair behind her ear. "I've been thinking about you all day long."

She leaned into my touch, her eyes never leaving mine. "I've been thinking about you too," she admitted.

I leaned in and captured her lips in a soft, gentle kiss. She responded eagerly, her lips parting to allow my tongue to explore her mouth. Our kiss deepened, becoming more passionate and intense.

I broke away from her lips and trailed kisses down her neck, feeling her pulse quicken under my touch. She moaned softly, her head falling back to give me better access. I nipped at her earlobe, making her gasp.

"You taste so good," I murmured, my hand sliding up her thigh. "I want to taste more of you."

She shivered at my words, her breath coming in short gasps. I unbuttoned her blouse slowly, revealing her smooth, creamy skin. I leaned down and captured one of her nipples in my mouth, swirling my tongue around it before sucking gently.

"Oh, God," she moaned, her hands tangling in my hair. "That feels so good."

I switched to her other nipple, giving it the same attention. Haerin's body was on fire, her hips moving restlessly against mine. I could feel her heat through her jeans, and I knew she was ready for more.

I unbuttoned her jeans and slipped a hand inside, finding her wet and ready. I stroked her slowly, my fingers exploring her folds. She gasped and bucked against my hand, her breath coming in short, sharp gasps.

"You're so wet," I murmured, my voice thick with desire. "I can't wait to taste you."

I slid my fingers out of her and brought them to my lips, sucking them clean. Her eyes widened at the sight, and I could see the desire in them. I pushed her back onto the couch and slid down her body, my hands gripping her hips.

I hooked my fingers into her jeans and panties and pulled them down, revealing her glistening pussy. I leaned in and ran my tongue along her slit, tasting her sweetness. She moaned and arched her hips, giving me better access.

I licked and sucked at her clit, my tongue swirling around it before flicking it lightly. Haerin's moans grew louder, her hands gripping the couch cushions. I slipped two fingers inside her, curling them up to hit her G-spot.

"Oh, God, yes," she cried out, her hips moving in time with my fingers. "Right there, don't stop."

I kept up the pressure, my fingers moving in and out of her while my tongue worked her clit. Her breath came in short gasps, her body tensing as she neared the edge.

"I'm close," she panted. "So close."

I increased the pressure, my fingers moving faster and harder. Haerin cried out, her body convulsing as she came. I lapped up her juices, savoring her taste.

I stood up and undressed quickly, my cock rock hard and ready. Haerin watched me, her eyes filled with desire. I climbed on top of her, my cock poised at her entrance.

"Are you ready for me?" I asked, my voice gruff with desire.

She nodded, her eyes locking onto mine. "Yes," she whispered. "I'm ready."

I pushed into her slowly, giving her time to adjust to my size. She was tight and wet, her pussy gripping my cock like a velvet glove. I groaned at the sensation, my hips moving slowly at first before picking up speed.

"You feel so good," I grunted, my hips moving faster. "So tight and wet."

Haerin wrapped her legs around my waist, her hips moving in time with mine. "Faster," she begged. "Harder."

I obliged, my hips slamming into hers as I fucked her hard and fast. The sound of our bodies slapping together filled the room, our moans and cries echoing off the walls.

"Oh, God, yes," Haerin cried out. "Right there, don't stop."

I could feel my orgasm building, my cock throbbing inside her. I reached between us and rubbed her clit, my fingers moving in time with my hips. Haerin's eyes rolled back, her body tensing as she came again.

"I'm going to come," I groaned, my body tensing as I pushed into her one last time. "I'm going to fill you with my cum."

I came with a roar, my body shaking as I filled her with my seed. I collapsed on top of her, our bodies slick with sweat. I rolled off of her and pulled her into my arms, our bodies still joined.

"That was incredible," she whispered, her fingers tracing patterns on my chest.

I smiled, my eyes closed. "It was," I agreed. "And I'm not done with you yet."

We spent the rest of the night exploring each other's bodies, our passion and desire never waning. As the sun rose, we lay entwined in each other's arms, our bodies sated and satisfied.

[cadaveerie]

cw: child abuse and non-sexual grooming

VEILGUARD SPOILERS (from lucanis' writing, a mission towards the ending and a little general)

About Lucanis and the Antivan Crows...

after finishing datv, I can finally say for sure that despite the fact that i find this game was overall fine, there are several things about it that have disappointed me. one of those things is about lucanis (and it's not even the only thing about lucanis that bothers me, but we'll leave that discussion for another time, because there's a lot to say about the writing).

in this game, Caterina Dellamorte (lucanis and illario's grandmother) is portrayed as a woman that's cold and demanding. not particularly nice, lucanis fully acknowledges that she's not exactly the loving type, and it's easy to assume things about her and about their relationship based on that... but for some reason it's never addressed that she abused lucanis when he was a child, by beating him and starving him. this is something that you can read in lucanis' story in tevinter nights, the wigmaker job, which was lucanis' introduction.

"Memories of sweat-filled days without food or water came unbidden Lucanis’s back tingled from where his grandmother’s cane had bruised his flesh for letting his guard down or fumbling his footwork. For years, he’d hated her. But his time as a Master taught Lucanis that Caterina’s cruelty was her way he was prepared for this life—that he survived."

I was waiting to finish the game before I said it, because I expected him to mention at some point but... no, nothing. I don't know if there's anything in a codex or something specific I missed, but even if that's the case, I expected it to be significant at all. it wasn't.

i'm not even going to get into what lucanis should feel about this. before the game came out i talked about some of my hopes for him based on the info we had about him, and imo there was not even half of that level of depth to his character. but i wouldnt have minded if the game went in another direction, or if lucanis simply just wasnt open to discuss it, or if he came to the conclusion that it was fine. i won't get into how "problematic" thinking that is, because i could understand that he tells himself that, and as a fucking assassin, i understand that he's come to terms with it because otherwise he probably wouldnt have survived in such a dangerous enviroment. i won't get into it bc as i said, i can understand it. my problem is that lucanis never says it. he never tells rook or anyone else that caterina abused him, or that the crows overall are very abusive and that they do this to children and break their minds basically in order to become emotionless living weapons. and if this is said in any banter, then i missed it in my 91h of gameplay, and i had lucanis in my party every single time we went outside. or it might be in a codex entry, idk. the point is that even if that's the case, that's not a great way to tell this info, especially when in the story theres no other way to learn anything like this about the crows. ppl that i talked to that didnt read tevinter nights didnt know this fact abt caterina and lucanis' past, they simply didnt cause how could they. I just wanted to say this because I think it's important to know if you like lucanis, or the antivan crows, and it's never even actually implied.

I also have many other issues with his writing, but the antivan crows are unfortunately also whitewashed. at least if you've played dragon age origins you know this, but our first antivan crow companion, zevran, talks about how he was taken as a child by the antivan crows. how he was literally bought by them as an orphan, and forced to become an assassin, and when he tries to flee, they attempt to murder him throughout the game. he even talks about how apparently some crows even made their members go through blood magic rituals to acquire abilities (SOUND FAMILIAR? IT'S LITERALLY WHAT ZARA DOES TO LUCANIS, ISN'T IT. HOW FUCKED UP). i think it's so disrespectful to dragon age's worldbuilding and so appalling that they simply... ignored all of this. I'm very upset that this was completely whitewashed. i wont get into it, but i assume they didn't show the crows being awful because, well... they have to be the good alternative for government in antiva. the bad guys are the antaam, and that's it. but one of the things i always loved about dragon age is how they treat these sort of political things. as i said, in origins the crows were more of an antagonistic figure, but at least it made them feel more real and serious. and people loved the crows like they were, fucked up assassins. in this game... idk, am i supposed to believe the assassin guys are nice? why hide the ugly? of course it's gonna be there, and it's ok. irl it happens a lot that oppressed people have to rely on groups that are less than ideal for their liberation, and a lot of times citizens are kinda ok w it bc no one else will stand up for them, so they have to work w what they have, and they're just relieved theres someone there for them. and it also shows that people are not perfect victims. if you're putting ppl in a corner, at some point ppl are rarely gonna care about being "good", and it's only human. and im not even gonna get into being an antivan crow rook because... sigh, it's more of the same. just disappointing. rook even mentions that theyre an orphan. and im pretty sure in the final mission about treviso, at least if you helped jacobus, he is like "i'll take in orphans and give them a chance". oh man, yeah. cool. please tell me how you'll raise them to be, im so curious to see how you won't groom children and abuse them into becoming mindless cold soldiers. that's fucking insane. this feels like fucking US army levels of propaganda and grooming. i love when we normalize child soldiers that's so fucking awesome i love this "woke" game when it's pro-military and anti-fucking-questioning-anything-a-military-force-does.

i even wondered if all of this has been retconned or simply ignored. i dont have a problem w retconning overall, and it's only natural it would happen in a franchise that's as old as DA, but the thing is... why would you do it. it literally just makes them flatter, it doesn't make any fucking sense.

so yes. im VERY disappointed in this game and the writing. this is one of the many things in the writing that disappointed me. the antivan crows are an organization that bring hope, and im perfectly fine with them being portrayed as "saviors", but im not ok with them conveniently not addressing any of their very bad issues. it's unrealistic. it's disrespectful to our intelligence, to dragon age fans and to dragon age origins. it's disrespectful to characters like zevran, who got into an insane war with them for a fucking reason. it's disrespectful to every antivan crow character to be honest. and im sorry, i dont even think this is insane to ask from them. like.... im literally just asking for consistency. they had it already, i dont understand why they did this. i had faith in them, but perhaps that's on me. im so heartbroken.

and i promise i actually think the game overall is ok. it was fun. definitely one of my least favorite games, if not my least favorite, but still. i appreciate it, and LOVED. LOVEEED some scenes. in fact, it might have at the very least one of my favorite scenes from the whole franchise. i think this game has very low points, and very high points, so it's hard to say what i think about it in few words.... but there are so many things like this in the writing, and it's just SO upsetting and disrespectful. im sorry. im truly sorry, you don't know how much i wanted to love this game and the writing. you have no idea. but i have self respect, and i don't lie to myself when i see something i dont like. it feels like they're whitewashing the crows cause we'd be too stupid to understand complex political issues. i thought this game was mature and could handle mature themes, but it doesnt seem like it's the case anymore. perhaps bioware is dead. i still want to believe they can come back from this but......... the post credit scene doesnt reassure me AT ALL. sigh. im just upset and sad. and as i said, this is only one of my many issues. i'll talk about the rest in the future, but im writing all of it down and i need time for that. i hope you understand that this comes from a place of genuine love. sorry i can't be happy about this game, but some of the stuff i see just ruins the rest for me.

edit: someone told me that apparently theres a banter when you go to dellamorte's villa and lucanis *implies* that he was beat by his grandmother (at least to another antivan crow rook). this whole post still stands though. i think that should have not been a banter that i (and im sure others) missed. and again, it also ties to how i think the crows as an organization and their methods were whitewashed. even if it's not particularly a lucanis problem, it could have been to some extent addressed by him.

[cancerian]

The only “dense motherfucker” is one that believes it is women that must do so (make men feel comfortable) for men. You live in a society highly governed by your fellow males, if anyone is making you feel “bad” or “sad” it is because of the rules and laws created by your fellow males. Why should women who have been oppressed and subjugated for years, and are still subjugated by a different name care for your hurt that is caused by other men.

The biggest threat to women is men, the biggest threat to men is other men. At these your big ages, you would think that half a braincell would have formed by now. There is nothing that men will do now that they have not already done in the past. This is why women’s history and their experiences with the men they loved is very important for young girls to know. That way they don’t fall into the trap of “if you show them love, they will change and be kind.” Stop trying to put women in dangerous situations under the guise of loving all humans.

You have to be small minded to think women treat all men the same, your kind needs their ego stroked. Which is why women/girls are required to say “but not all men” when discussing things that disproportionately affect them. No one owes you love, but as humans we owe each other some sense of respect. So, you must respect women’s decisions to interact with you how they feel safest doing. The same way women have learned to respect that not all men are going to respect them. Only a dense pig would think that women do not understand the concept of viewing others as humans. In fact, time and time again it is women that are viewed as less than human by the same group you’re forcing them to care for.

As women (regardless of age), and especially as black women (moving away from the POC bs) you should prioritize your safety, you are not mother Theresa (even she was proven to be a fraud) and should focus on your own wellbeing. Don’t let an idiot calling you “dense” put you in situations many never come out of alive. As someone who has a male in her life that would do anything to see her happy and accomplished (and vice versa), I don’t go around with rose colored glasses trying to change anyone’s opinions because they chose to adopt an ideology that demonizes the living experiences of others. If being called “brother” is the only way you feel welcomed, then you need to rethink your entire life. Once you’re above 25, I implore that you try using at the very least 1/3 of your brain. I know using even half would probably cause a headache, so for now let’s aim to use 1/3.

Also you bring up the fact that men disproportionately hold more seats of power, so maybe direct your sadness to the people actively causing it. Which is the men in power not caring about the broke men (any man not in power). “It won’t pan out great for anyone who is not a male” because this is what males have done throughout history (I know you used man, but I used male for a specific reason and no I’m not a terf, but I don’t care about being called that). What a pathetic thing to say, especially if you’re not the man in power. This is an issue that egotistical idiots have (not calling you an idiot, but it is what it is), claiming men created this and that, when your ancestors are not the men that created it. Stop claiming power you personally don’t have. Stop claiming other men’s hard work as your own, especially when they put in the work to actually be productive members of society.

To the original twitter post, my dude you sound very stupid and seem like the kind that spends more time watching videos than actually reading on your countries history. The win was predictable, not because “men are becoming more right wing” but because this has been a common theme in America. These people are influenced by certain kind of media because deep down they already hold these beliefs, which is why they accept them. Men don’t genuinely want to see equality, hence why when they notice any group they view less than getting more rights they retaliate. The election result only tells us the reality of America as it pertains to race and sex (even more so when we look at the outcome of certain women’s voting history). So, the replies need to stop trying to make women take the blame for actions caused by other men. We should all aim to grow up.

To all the women/girls out there, avoid men that always want to be coddled and victimized. Most importantly find ways to protect yourselves, utilize the 2nd amendment given to you not by all men, but by the men that actually wrote it in. Protect yourselves by all means, and don’t be made to feel guilty for opting for safety over danger and stress.

I couldn't have said it better myself.

[jane-the-geek]

Caitlyn and Jinx: Fueled by Vengeance and Love.

Ok, I saw some messages suggesting that Caitlyn wasn’t necessarily very sincere during the kiss and that it was a bit manipulative, justified by her expression right after in the tunnel.

I think Caitlyn was sincere with the kiss. She is consumed by vengeance, that's a fact, and that's why after the kiss, when they're walking in the tunnel, her expression turns hard again because she refocuses. But I genuinely believe that when she kissed Vi, she was sincere.

She doesn't feel like she's changing, she doesn't see that she's 'going off the rails.' And that's why, when Vi grabs her arm and says, 'You're the one acting like her (Jinx),' where Caitlyn should say, 'Yes, you're right, I'm sorry,' she loses it because vengeance and anger take over—she's just blinded. But she's still herself.

It's more of a duality than a change in behavior. It's an internal battle between who she is and who she could become if she lets herself be blinded by vengeance, which is exactly what happened to Jinx.

There's a strong parallel between Jinx and Caitlyn because their traumas split their identities in two: one who loves Vi more than anything and is ultimately a good person with a moral compass, and one consumed by vengeance, who punishes Vi.

Jinx punishes Vi because she gets closer to Caitlyn and the enforcers, and Caitlyn punishes Vi because she gets closer to Jinx and Zaun.

Caitlyn sees Jinx when she looks at Vi because they share the same blood.

Jinx sees Caitlyn when she looks at Vi because they share the same uniform.

And the parallel is even stronger because Jinx becomes a symbol for Zaun and a leader, just like Caitlyn for the Piltovians.

Where some might think Caitlyn is becoming like Jinx, I believe she’s always had that potential in her. Just as Jinx might have been an adorable little girl without trauma, here we have two highly intelligent, curious people, but with traumas that struck at different ages—Jinx as a child and Caitlyn much later. That’s why Jinx is more unstable, because she was still developing her sense of self, whereas Caitlyn had time to blossom and strengthen her identity.

Jinx is more unstable than Caitlyn, with less control. Others have already discussed their weapon choices, which align well with what I think here: both are primarily long-range fighters, precise by nature, but Jinx’s instability is expressed through her explosives, in contrast to Caitlyn’s sniper rifle. This highlights Caitlyn’s control—she’s calculated and thoughtful.

[arnivold]

Having played Emmrich's romance from start to finish I can say it does a shockingly good job of realistically portraying a romance with a significant age gap, speaking from experience as someone who once dated a guy in his fifties while I was in my twenties

Spoilers under the cut

So when you first start flirting with Emmrich, he doesn't assume you're being serious or doesn't even register it as flirting. Then he realizes what's going on and plays along with it. Then he starts flirting back, and uh oh we both acknowledged there's chemistry and now we have to figure out what we're gonna do with it.

Then you start dating. Or at least you're sorta dating. And your friends notice what's going on and immediately they voice their concerns. Are you sure this is a good idea? Happy for you but do you think maybe you're going a little too fast? Does the older person have bad intentions here? These are all questions the companions and even Hezenkoss ask in banter when you start the romance with Emmrich

And yeah when you first start dating someone new these questions don't seem to matter cause you're in love. You're charmed by Emmrich's gentlemanly ways, Emmrich likes the feeling of having a young person show interest in him because it makes him feel younger so he doesn't have to grapple with his mortality

But then as shit gets more and more serious and you near the end of Act 2, Emmrich wants to have a genuine discussion with you about the relationship. He's concerned that maybe this isn't such a good idea after all, because even though you both have the best of intentions, eventually you will have to deal with losing him and it will be decades before you have to worry about your own death.

And you have to ask yourself, is this serious or not? How are we gonna introduce each other to our families? Are you prepared to care for a sick/elderly spouse in your 40s and 50s? If you want to have children, are you prepared to handle having a partner who is already a generation apart from you and old enough to be your children's grandparent? How will it look when an older person in a teaching position is dating someone the same age as their students?

And for a lot of people these are serious obstacles to having a serious long term relationship! And discussions like that often do end in a fight like it does in Emmrich's romance! It happened to me in my relationship with an older man, too! It didn't work for me in my specific case but some people are able to work that stuff out, and in the case of Rook and Emmrich, they eventually do. But those are important discussions to have when you enter that kind of relationship

Idk man, the whole time I was romancing him I kept hearing the same comments my friends and family made about my relationship, the same arguments and discussions we had about the logistics of that kind of relationship, etc. etc. I figured they were just gonna go the route of indulgent wish fulfilment, and I was left slack-jawed when the game actually delves into the realities of dating in age gaps that large

[edisacornball]

I hate to say this, because it's a really soul-crushing answer, but there isn't going to be a clear enemy, especially if people are trying to claim that all of a demographic is the enemy. This is an all or none fallacy. If an organization or person is trying to convince you that all the people of one demographic are your enemy, it's a way of creating alienation, isolation, and dehumanization. This is how soliders justify that it's okay to kill "the enemy" in a war.

The enemy isn't an entire demographic. Think of the other times in your life when you've been convinced that an entire demographic thinks or feels or believes in one way. Were there any times you were forced to confront that that wasn't actually the case? Okay, now also think about a time you met a stranger who immediately formed opinions about you just based on traits about you that you have no control over. How did that feel? Were they right and that's actually who you are? Or was it just easier for them to dismiss you that way?

It's hard. It's really, really, really hard. Part of the whole way our brains work is that we're trained to look for patterns and shortcut work whenever we can. Sometimes that means making quick, easy assumptions. But sometimes, we have to take the time, effort, and work to recognize that sometimes we built our pattern recognition from really faulty sources. Like Hollywood. Or a racist upbringing. Sometimes, we grow up not knowing that the ideas around us can really hurt the people around us, and it's really hard to recognize how deeply that can work into our own psyche.

The hard pill to swallow is that other humans are not your enemy. Stop going for the easy answer. It's easy to hate a gender, a race, a religion and say anyone associated with it is the "enemy." Don't be so naive as to believe that the enemy is a tangible being, a supervillain wrapped in an easy package to defeat. The difference between stories and life isn't "reality," it's complexity. Stories are based in truth, absolutely, but a shrunk down and simplified truth, able to fit an entire lifetime inside, what, less than 500 pages? Life is so much more complicated, and that's what people are trying to mean when they say "stories aren't real."

The "enemy" isn't a race, a religion, a nation, an age, or even a gender. It's so much more intangible and insidious than that. Because it's just... belief. Belief that some are better than others. Belief that anyone is deserving of pain. Belief that some people should be prevented from building happy, stable lives. Belief that exists a concept such as a person not doing "enough" with their life. And the hardest part of accepting that as the enemy... is accepting that you're going to see it in yourself a lot. And it's probably actively hurting you.

TL;DR: The enemy is hate.

garden variety conservative transphobia is going to get worse but radical feminism is also going to get worse. if youre a cis women terfs are going to try to recruit you and make you believe that the reason your rights are at stake is because of trans people. they're going to tell you that all men are your violent oppressors and they're going to include trans women in that category. they're gonna tell you about women who are gender traitors and joined the enemy and they're going to point to trans men. don't believe them. trans people are not your enemy, we have no power over you, and we desperately need your support and your solidarity.

be aware of radfem pipelines and dog whistles too. be skeptical of anyone that talks about the divine feminine or correlates birthing, menstruating, or female reproductive organs with womanhood. be especially skeptical of people who use those biological things as reasons to why women are more spiritual, or more in tune with nature, or just that they're better than men (read: anyone they decide is a man)

radical feminism is an expected reactionary outcome from cis women who are being oppressed by conservatives, especially when all they practice is ciscentric, liberal, white feminism. they feel the need to be radicalized but don't have the experience and information to pinpoint the true source of their suffering. trans people are not your enemy, AMAB people are not your enemy, anyone who identifies as a man is not your enemy. we're all being crushed under the same stone

[jaal-ama-daravv]

dissecting the emmrich romance scene (lich path)

dissecting the graveyard scene dissecting the alternate romance path dissecting the argument scene (lich path) emmrich x rook cinematic

Emmrich Volkarin - Dissecting the Lich Romance Scene fair warning you're in for an emotional rollercoaster

first, i wanna touch on this from our previous dissection (argument) -

"What if I can't bear that for eternity?" Oh, Emmrich. his entire soul aches over the inevitable future that awaits rook. i think this line is so important for emmrich because 'bear that for eternity" implies Emmrich will either, a) go rogue trying to bring rook back c) live with so much grief over his lost love it changes his soul forever in a dark, yet unknown way. and quite frankly, all of these are incredibly sad, and that just hurts. i thoroughly, full heartedly believe that there is no concievable way that emmrich just 'moves on' and 'accepts' the death of rook as previously stated in the lichdom scene. sry bioware, but youre wrong on that one as if he was 'fine' with it, he wouldn't of had a massive panic attack over rooks death and his grief. COUGH, the eternal flame. i could rant for hours and HOURS about how emmrich in the lich path is absoloutley devastating if rook were to pass on, because he is so compulsively, irrevocably in love with them. and not only is he in love with them, he has the love he has yearned for, for over 20 years. its huge for him which is evident given how both romance paths have him terrfied of how much he loves you.

anyway, to the SCENE -

immediately we are hit with this, to which Emmrich replies stating that he did it not to scare the citizens. what a load of huff. youll see why thats a straight deflective lie soon -

don't you worry handsome man, youre not alone emmrich expressing his fear of losing rook, and/or losing eachother, continues to be a major dynamic between these lovers

oh rooky, im so proud of you for opening up about your feelings. (remember the argument they had prior, it was fort knox up in here)

rook expresses clear fear and gratitude that they were able to escape the fade. I do believe that the line "I was afrad I'd be there forever" is a parrelle to emmrichs lichdom - as they would of spent eternity without eachother. hence why this next line, hurts so much -

the raw emotion, the crack in his voice when he says this line tells you everything you need to know. he is so grateful to have rook back with him. I do believe in this moment that emmrich has a moment of realisation of his love for rook, and just how immensed and attached he is with her. which is why he later vows that nothing will part them ever again, "not in this, nor any other world" (cough, soulmates). idk man, i have a feeling that emmrich would find rook's spirit in the fade (or any other world) if they passed on, and he'd never leave.

I also want to touch on the "you're here with me" line. this, this is important considering what happens directly afterwards - remember how i mentioned desire a few posts ago? lets break it down, "you're here with me." Emmrich has held a consistent view throughout the whole romance that "its gratifying a fresh-faced adventure took any notice in me at all", does emmrich also possess the belief that the love he so dearly desired may not of been possible in his life time due to his age? i think so. which is why desire and the "wow, you're here with me" is so, so important. Now watch closely -

he looks defeated, ashamed - "why would someone like her be with someone like me? let alone, desire me."

the pose, how he is holding his chest and his body up against the coffin, the disbelief and sadness that is pained over his face. he is heavy with angst. this man wants rook, body and soul. he is SO in love with her. god my heart breaks typing this. he is so in love with her, but is so afraid that she doesnt want him now that he is undead - I will add in here to think back to when he was mortal, 3 flirts lines in total were regarding his looks. UGH, just stab me - ps the music in this scene rips out my heart, stomps on it, and shoves it back into my chest bloodied and bruised.

when rook touches him, his face unstiffens and his body relaxes. he looks at her nervously, but before he can address her or admit his pain, rook has NOTICED (YAY - take that argument scene rook) what is bothering emmrich, because she loves him so much, maybe even more, regardless of his undead figure. "You don't have to hide your face from me" is just a perfect way of phrasing that you are made for eachother. rook reassures emmrich of her undying love for him.

its that gomez and morticia dynamic, unwavering, obsessed dedication to eachother. a bond that strengthens the other. for emmrich and rook at least, theri dynamic is so strong I wholeheartedly believe the death of one, would break the mind and soull of the other.

there is so, so much emotion in this scene and most of it is written into the facial expressions and movements of the characters. watch how the fear of death becomes easier now that emmrich knows that rook loves him truly -

im not crying, you are -

this WRECKED me. because there is a slimmer of hope in his voice and particularly the words he chose. "I will let nothing part us again, my love" emmrich is a lich lord, with powers we dont understand just yet (cmon sequel with rook & emmrich), it is safe to say though that emmrich and rook would fight for and protect eachother to the death so that they may not be parted. This also takes me back to my original point of not letting anything part them, nothing - not even death. hence my belief that emmrich would do anything to find rook in the fade or any other world.

"Not in this nor any other world" - do i need say more? the hope seeps through, its not alot, but its there. don't get me wrong, he still has a crippling fear of death, but its, different. different in the sense that if rook was to pass or trapped somewhere, he would get them back and find his way to them, at all costs, one way or another.

the rest of the scene is very, very sweet and shows them being happy for the extra few hours they have together before facing untold danger - by either rook being able to see the fade through emmrichs eyes, or them boning again. actually i think both lead to boning.

this scene has me in absolute tears everytime I witness it because it is so powerful. it is hopeful. it is pure committment of their relationship and bond to eachother. combining this with the knowledge of the argument scene and having played through the mortal romance path, this - is extremely emotional.

Both romance scene are emotional and touching in their own regard - however, I do think the lich romance scene is more deep due to the dynamic. It is not about simply coming to grips with mortality, it is coming to grips with mourning your lover for eternity, and if you cant bear it for eternity, (which he wont, cmon) he is afraid. afraid of losing, rook. his heart. his dearest heart, and of losing himself because rook is, and I quote, "the most magnificent thing to ever happen to me."

mourn watch rook and emmrich are on a whole other level, and that level is something that is told in the minute details, the edging looks. the tone of voice. there is hope in this scene and a sense of overwhelming love and acceptance, but, there is also impending grief. which makes this story so real.

you can feel emmrich yearning for rook throughout the entire romance path because of the fated connected they share, in this and any other world. you can feel it. but this, in the lich scene? there is yearning, acceptance, hope, grief, joy, and melancholy all in one. without a doubt in my heart, these two, are made for eachother, in every world.

I shall break down the mortal romance scene next ♥ see you soon

[snuffysbox]

Some thoughts on Dragon Age Veilguard and Rook.

I'm currently only halfway through Act 2, so no endgame spoilers, but I have thoughts about the game that I doubt will change with the ending.

It should have been the Inquisitor's continued story.

Straight up.

I don't hate Rook, far from it, I think they're charming most of the time and the VAs do a good job with the acting, but Rook is just a Guy ™️

They're literally just a person who has no special qualifications for leading the Veilguard, aside from being Varric's partner. All of your companions are far more qualified experts in their field who easily outshine Rook in their chosen faction. Rook is just their manager, making sure they all have what they need in order to save the world. They're the Commander Shepard to their crew, if you're generous. But Rook doesn't hold the rank of commander, they're just a mildly controversial figure within their faction. Yes, Solas is in their head, but he's not particularly helpful most of the time (likely because his role was diminished after the pivot from Dreadwolf to Veilguard).

Like, I like a regular dude being thrust into a story as much as the next guy, but when the motivation is just 'Rook wants to save the world because they live in the world and it would kinda suck if it was blighted by the gods', I feel like that's not quite enough. Yes, you get some more direct stakes if you play as an elf, but that's one choice of four potential races, so I don't think that counts.

The Warden was also just a Guy™️before Duncan recruited them, but they were one of the only few wardens left. Hawke was just a Guy™️but their story was much more personal, and what was at stake was moreso Hawke's family and friends. The Inquisitor was just a Guy™️but their ability to close rifts gave them a unique role within their organization.

None of the other protagonists were replaceable (within their story circumstances). I feel like Rook is kinda replaceable. If they got knocked out for a week and couldn't lead the team, any of the other companions (especially Harding or Davrin) could easily take over.

Imo, it would make a lot more sense if Varric and the Inquisitor had been the ones to track down Solas. It would make a lot more sense for Solas to be stuck inside the head of the Inquisitor. It would make more sense for them to be leading a new, smaller team after the dissolution of the Inquisition (or even if not disbanded, they could have left Cullen or Cassandra in charge).

I know Veilguard went through production hell. I know they had to pivot away from live service multiplayer. I know it's insane they even made a final, polished single player game after such a pivot. I know they were probably expected to make something to please the masses or risk studio closure.

I just think it's such a shame that what we got has so little in common with earlier titles, especially lore-wise. Rook is not a terrible protagonist. But the Inqisitor would honestly have been a superior choice, in my mind. Same new companions, same setting, same antagonists.

I'm sure a version of that exists out there somewhere, as an early concept. I'm just sad we didn't get to see it.

[nyxlarkyn]

YES!!! This has been the only thing I can think about after watching pt.1. How GOOD these dynamics are between those three along with Vi's relationship with Loris- Shield fighting Enforcer/Drinking Buddy/Vander Clone.

Isha is holding onto the role of an inner child/Powder for Jinx.

I keep seeing mother/daughter comparisons between the two. A nice sentiment but not what's playing out. Think of Brittany Murphy's "Uptown Girls" Where a young girl forced to grow up early falls into the care of a woman clinging to her youth. Isha and Jinx will be about the cycle of trauma children face under the corruption of the upper and under cities. Isha is forced to survive at all costs at a young age and Jinx is a damaged individual lost within herself due to the same conditions Isha currently faces.

She's introduced to Jinx almost exactly the same way Silco took Powder in; terrified for her life a child buries herself in an adult for protection. Silco raises a hand to the child and his cronies watch on afraid of what he may do to this kid. Jinx waves a gun at her child and the audience watches on with the same dread Silcos lackeys held. Both sparing the girl and choosing to protect her. When Isha risks her life to save Jinx, I couldn't help but think of how Jinx must've been at that age with Silco. How she made a name for herself as his psycho daughter. The weight of a child ready to risk their life and kill for you.

Almost all of Isha's movements feel like they're just Powders old animations being recycled or her actions directly mirroring hers.

Isha's wardrobe is also very detailed. She has a similar helmet we've seen Powder wear, her boots have a very prominent X stitched on one and the other has a very deep V silhouette, she has one glove that looks like Jinx's gloves, her other arm is covered and wrapped with a red string- reminiscent of Vis wrappings, she also wears a beaded chocker that's laced around her neck the same way Jinx and Sevika wears theirs.

Speaking of Sevika:

Jinx chose to gift Sevika a new arm made out of parts of the old punching game the girls would train on as kids. We know the significance it holds to Jinx, so her taking it apart for Sevika is huge. This act is her dismantling her old relationship with her sister to form a new one with Sevika.

Sevika's eyes reflect more silver this season than brown making her more reminiscent of Powder and Vi. Her hair being down later in the season and Vi growing hers out and dying it black adds to their mirroring. They also fight with mechanical fist(s).

Silco was a man both Jinx and Sevika answered to. Whether or not Sevika viewed him as a Paternal figure, he was her most respected authority figure. Both women have that grief over Silco and bond over their resentment towards him and aimlessness with him gone.

NOT SEEING ENOUGH PEOPLE TALK ABOUT JINX'S LITTLE FOUND FAMILY AND HOW PERFECT IT IS THEMATICALLY!!!

Specifically what I want to highlight is how Jinx found the two most important parts of herself that she lost in Sevika and Isha.

In Sevika she found a new Vi, a new older sister figure. She cannot fix things with Vi, she understands that, but her relationship with Sevika is something she can fix, and she can mourn Silco with Sevika in a way she and Vi could never mourn Vander together.

In Isha she found Powder, the person she once was who she can't be anymore. In many ways Isha gives Jinx the opportunity to protect and love Powder in the way she always wished others would do for her, quite literally Isha heals Jinx's inner child.

[solxamber]

Heyya saw you're still open, so I will request my favorite character. I've been seeing a lot of RSA!Silver. So it's about Silver and MC/Yuu still not in relationships. Then some shenanigans happen. Where there's RSA version Silver shows up. I'm not sure if he can be a different character or personality, but the interpretation is up to you.

Imagine how RSA! Silver can be more up front showing affection to Yuu but Silver is not. It ends up confusing Yuu's feelings and makes Silver try his best to show his affection too. It's making RSA!Silver and Silver fighting over Yuu. Hopefully no problem.

Silver x reader x RSA! Silver

loved the idea! thank you for waiting and i hope you like it <3

It all starts during a spell misfire, and suddenly an RSA student who looks exactly like Silver but acts a little differently is standing in the middle of the headmaster’s office, looking only mildly concerned. “Well, well, what do we have here?” Crowley had crowed, immediately shoving the “guest” into your care.

The RSA Silver is… different. He’s friendlier, more open, and somehow even a little more dazzling with that unguarded smile he flashes your way. He introduces himself as a knight-in-training who’s proud to serve his prince with a wink and, surprisingly, a slight bow directed at you.

“This should be fun!” he says with a laugh, catching your stare.

Silver — your Silver — is already watching from the shadows, his calm gaze hardening when he sees RSA Silver’s warmth towards you. Normally, Silver isn’t easily rattled, but he finds himself lingering close, always observing this other version of himself who seems so openly comfortable with you.

The jealousy is subtle at first: he stands a little closer, making excuses to keep you nearby when RSA Silver is around.

And you? You’re a little bewildered yourself. This easy-going RSA Silver is affectionate in ways you aren’t used to — patting your shoulder when you’re joking, walking close enough to brush your arm, offering to help you with even the most minor tasks.

He’s friendly, sure, but it stirs up a mix of confusing emotions when compared to the quieter, more reserved Silver you know.

One afternoon, RSA Silver and Silver both linger in the garden as you sit with them. You’re laughing at something RSA Silver says, and he leans in, his expression soft. “I know we only just met, but it feels like I’ve known you for ages. When I leave, would you—”

Silver clears his throat, cutting RSA Silver off. “There’s no need to trouble them,” he says, almost flatly, surprising you with the way his usually calm expression is edged with something sharper.

RSA Silver just smirks. “Jealousy doesn’t suit you,” he teases, crossing his arms. “But it’s cute.”

Silver’s jaw clenches. He moves closer, his presence steady and warm at your side, more open than usual. His gaze softens when he looks at you, a small but genuine smile on his lips. “I don’t think you need anyone else,” he murmurs, just loud enough for you to hear.

By the time RSA Silver’s two days are nearly up, the confusion you feel is almost overwhelming. Your heart’s been tugged between two versions of the same person, each showing you a different side.

When RSA Silver finally approaches you, his expression is thoughtful, almost reluctant. “I’ll be leaving soon, but… I’d like you to come with me. My world could use someone like you.”

It’s tempting, for a moment. You glance at Silver, the one who’s been by your side all along, steady and loyal, the one whose quiet strength has already won your heart.

You shake your head with a soft smile, looking back at RSA Silver. “I appreciate it, but… I think I’ve already found what I’m looking for here.”

RSA Silver accepts your answer gracefully, with a small, wistful smile. “He’s lucky, then,” he says, clapping Silver on the shoulder in a final parting gesture before disappearing in a swirl of magic.

As soon as he’s gone, Silver’s gaze locks onto yours. “Thank you,” he murmurs, his hand reaching for yours. “I… I wasn’t sure if you—” His words trail off, and without thinking, you lean up and press a soft kiss to his lips.

“I always liked you, Silver. Just you.”

His face softens, his cheeks just barely pink, and he smiles — the genuine smile you don’t see very often. “I was hoping you'd say that”

Masterlist

[tercais]

Some words about Diego and Lila Hargreeves.

Lots of you is young and/or never been married and it really shows. In a lot of ways, i'm like Lila. Almost the same age as her, two kids, SAHM for five years. I don't have superpowers and i was neven an assasin, but apart from that, yeah.... And let me tell you, if my husband treated me like Diego treated Lila, i wouldn't need seven years in interdimentional limbo to leave the marriage.

So, here are married woman thougths about their marriage, in no particular order.

Diego is missogynist. That one was apparent in season one already, when he turned off Grace (who He claimed he loved) because she showed one (1!) small malfunction. Makes you think what He would do if his wife got seriously sick.

He didn't say single nice thing to Lila until the last episode, and even then he "changed" because OTHER MAN told him to.

From season two, He showed reluctance in letting Lila take the lead in any form, from dancing together to calling the shots in a life or death situation. This caused them to fight even under active shooting.

Lila was one foot out from beginning of season 4. She was exhausted, overwhelmed, quite literally at the end of her rope. And everytime she tried to comunicate this, she got silenced, her feelings ignored and Diego always twisted her (reasonable) complains into direct attack on his person. They wouldn't worked out long therm without Lila getting pregnant right at the beginning. And the kids only slowed down the inevitable.

We may argue S3 Diego would never (which i digress), but unfortunately, we got what we got and we have to work with canon characterisation.

Seven years is long as time. I don't think people realize how long. Fivelila haters like to act as if they had "typical" affair, but the truth Is far from that. It's longer than Lila and Diego knew each other, and given the circumstances of those seven years, it would be wierder if nothing had happened between them.

Lila has way more in common with Five, than she has with Diego.

Woman have the right to leave unhappy marriage. Your kids are your number one responsibility (which Lila demonstrated over and over), but you don't have to sacrifice yourself to be a good mother. She didn't mention coming back to Diego, it was always about coming back to her children.

I came across the argument why would Lila hate her suburban life with Diego, but love her cottagecore life with Five. This boils down to who you live this life with. Her unhapiness wasn't rooted in the suburban lifestyle itself, but more in the person She shared that with. Where Diego only saw mother and caretaker, Five saw equal partner. She was happier with Five, because he treated her better.

People call Five a homewrecker, but the home was wrecked long before Five got into the picture.

[qqueenofhades]

so I've been watching a lot of videos abt food that's uniquely Hong Kong and y'know with all the changes happening there I had a thought like hm is this preservation and documentation of cultural foods that are at risk of being lost?

and then I thought gosh this sounds familiar likkke everywhere we see violent colonization occur not only are lives and freedom lost but also language culture food

and then I wanted to ask you as a historian: has this always been the case? have people always had low key anxiety about culture "loss" or did they think of it a diff way? is this framing of colonization and cultural loss a recent one?

I'm realizing this is a big question and we are all le tired from les recent events, so pls view this as a no pressure ask, I just uh figured you're the only historian I have real access to haha

This is an important question that I don't currently have the mental wherewithal to answer in great depth, but I think it's important to speak to briefly. And I'll put it this way: yes, human beings have always felt that their culture, their way of life, their present existence, their friends and family, and the forces at work against them are tenuous, uncontrollable, and prone to sudden and violent destruction. I'd say it's one of the key themes of being human. I'll cite the famous example of the 8th-century Old English elegy The Ruin of the Empire, known usually as The Ruin:

This is what many of us would consider the dark and distant past, wherein an unknown person in Anglo-Saxon England is observing the ruins of the Roman Empire in Britain and reflecting on how fragile and frightening the present day feels, as if all the glory has faded into the past, as if things will not be "great" anymore, and the present is just moving inexorably toward darkness:

Bright were the castle buildings, many the bathing-halls, high the abundance of gables, great the noise of the multitude, many a meadhall full of festivity, until Fate the mighty changed that. Far and wide the slain perished, days of pestilence came, death took all the brave men away; their places of war became deserted places, the city decayed. The rebuilders perished, the armies to earth.

And yet... that was the 8th century. That was a very long time ago. A lot of history has happened since then, and despite everything, it's still here. People have always looked at the danger and fragility of their present situation and yearned for the perceived stability of the past. Indeed, the reason we have the myth of the "Dark Ages" is largely thanks to the 14th-century Italian humanist Petrarch, who looked at the (also objectively very, very crappy) 14th century, which is similar to now in a lot of ways, and built the shining myth of the Greco-Roman era as a bygone golden age that society needed to reinstate if it was going to save itself from self-inflicted destruction. This in turn gave rise to the Renaissance, which was intensely a cultural project to reclaim and re-instate a seemingly "better" past in the face of present-day chaos and uncertainty. This included a strict reifying of gender roles (etc. etc. Was There a Renaissance For Women?) and turn toward "purer" social ideals.

Anyway: these concepts have been shaped and articulated differently in various historical periods. But yes, the basic feeling that we are losing ourselves somehow, that the past was better and more stable, that the present challenges can be solved by insular reactionary politics, and so forth, is a very, very common human experience. For better or worse: both tangible and intangible artifacts have always been lost, destroyed, subject to violent sociopolitical conquest attempts, written out of history, and used for oppressive political and cultural processes. Part of the reason the right wing is doing so well worldwide right now is because they are tapping into a very, very old "put the strongman in charge and everything will go back to how [good] it used to be" mythology that is also as old as dirt and time, and which humans just keep doing when things feel existentially scary. This "weaponized nostalgia" is even more of an issue in the age of rampant disinformation, AI, and fake-news bubbles which can totally create what is accepted as reality, very often to the benefit of illiberal, right-wing, authoritarian forces. That is very hard to deal with and overcome, and I don't think we're anywhere near doing it.

That, therefore, is the bad news. The good (as it were) news is that at least these cultural processes and human instincts are not new, and indeed have continued for a long, long time. And even when these old things are destroyed, new ones emerge as well. So yeah.