#i think we all thought about the same scene for this one lol

[couldnt-think-of-a-funny-name]

okay disjointed thoughts about the wicked movie 1 day after watching it lets go

-first of all, my movie theater put speakers outside and was just blasting the entire soundtrack on repeat. we could hear it down the street as we were driving up. that's just simply insane

-the opening establishing shots of the land were great but honestly. the very clearly animated dorothy and gang really annoyed me lmfao like I'm sorry it cannot have possibly been too hard to get a few extras to stand in front of a screen for point 5 seconds lol. it was so fast that I Know I'm being dramatic about it but they looked more cartoon than the flying monkey's did

-baby elphie and baby nessa are the cutest things I've ever seen in my life...

-I kinda...like the more human/animal hybrids that the stage show and the original movie had. sorry. like I Get they were only like that bc you can't make a real life goat sing and dance but they're just more interesting to look at than normal-looking animals who happen to talk!

-jeff goldblum's face being hidden every time he had a dance number...I have a sneaking suspicion that he wasn't really dancing lmfao

-whoever decided to bleach ariana's eyebrows deserves jail time

-when jonathan bailey first showed up on screen my mother leaned over to me and whispered 'he's HANDSOME...'

-when cynthia finished the 'wizard and I' I had to actually stop myself from applauding. it felt so weird and rude for there to be dead silence after that performance my GOD.

-also omg the part where she's singing about the wizard de-green-ifying her and the colors in the suncatchers were canceling out the green so she looked normal....inspired!

-madame morrible had these HUGE crystal ball looking rings and I just want them so much lmao

-glinda's friends were really funny the bit were she was like 'I need to lie down' and they immediately picked her up like a plank of wood and carried her off while the one was screaming 'WE NEED A PASTRY!!! IT'S AN EMERGENCY WE NEED A PASTRY!!!' had me cackling

-I wish there was more time between them moving in and 'what is this feeling' starting? like I wanted more time to see them bickering and then also more time seeing them getting along after the ball??

-'dancing through life' was BEAUTIFUL however two complaints 1) why would they cut the line 'what's the most swankified place around?' I Quote That Often and 2) at the end when glinda and elphie dance together like...it's beautiful and everything but from what I remember after their solo moment fieryo joins them?? and they have a cute three way dance moment??? and I'm very pro "they're all in love with each other" so I missed that lol

-also just in general would of liked to see more of fieryo with the girls! like it felt like ball->lion cub->emerald city, in the course of a couple days, and idk I just feel like they could have slowed it down a bit?? especially since they broke it into two movies?? like I don't think that Actually all happened in the span of a week, but they didn't do a good enough job establishing how much time was passing so it Felt like it. which is dumb bc then it just doesn't seem realistic that elphie and glinda are THAT attached to each other by defying gravity like it feels like not enough time has passed for them to really know each other

-boq felt very mild tbh I know ethan can be more unhinged than that

-would've liked to see glinda in magic class!!

-I was a little underwhelmed by elphaba's costumes? like there were clearly patterns on the material but it was all the same shade of black so you couldn't make anything out. it felt a bit flat. and I love the idea behind the freckles I agree with freckles I am pro freckles HOWEVER her's looked very obviously drawn on. like, I have seen way more realistic fake freckles before. so that was a bit annoying

-other than the lunchmeat dress glinda's costumes were good! especially loved the flower shaped one she wore to the ball

-the whole trying to escape in the hot air ballon scene was cool as hell but as the flaming remains of it fell to the ground I couldn't help but be like wow...she really just killed all those guards huh!

-also lmfao the bit in the woods with the lion club and fieryo has like a scratch on his temple. genuinely thought to myself 'is that his lobotomy scar' lmfao

-still trying to get over the part in dancing through life where people were dancing on the spinning gears in the clock tower...bitch

-the flying monkeys were correctly horrifying

-when I saw the broomstick I was like 'won't that be really uncomfortable between your legs' but then she just held it next to her like they do in the stage show and I was like....okay I guess you win that one? lmfao like I don't mind it for when she's hovering but when they had her like supersonic zooming on the broom it was weird that she wasn't actually riding it

-overall I just don't understand how it's an adaptation of act 1 but it's the length of the entire stage show?? lmao like I wish they took advantage of the split and added so much more but really really it was still just such a solid great movie. 5 stars. I can't keep talking about it right now I'm gonna start screaming.

[fandom-geek]

act 3 thoughts

well, i guess it looked pretty.

i didn't actually think it was possible to rush vi/caitlyn after s1 but uh... they managed it. i actually feel pretty bad for fans of that ship? like wow, they basically had zero build-up after the reconciliation (especially for the weirdly placed sex scene) and now vi has no one but cait (assuming she doesn't know that jinx is alive) and they're "happily ever after". and i'm saying this as someone who has had zero investment in caitlyn since s1, lol, so i can't imagine how ppl invested in her story feel.

and sevika just literally might as well have not existed after episode 4. like i guess i'm happy she's zaun's only council member against six pilties, but like. s2 basically refused to engage with the zaun/piltover conflict besides attributing it to individuals like caitlyn, ambressa, and jinx. the closest we got to acknowledging there were institutional reasons was the alternative universe in s2, but even then... vi dies (and possibly jayce and viktor too???), there's no hextech or seemingly shimmer, and suddenly zaun is thriving? and having silco show up, having forgiven vander, just felt like the same shallow fanservice from the flashback earlier in the season.

which ties into how everything got subsumed by the arcane subplot. i get that they needed to join the plots up at some point, but war between zaun and piltover seemed like a pretty solid bet, narratively.

having seriously looked forward to how they were going to deal with mel being a mage and viktor being the machine herald. i am impressively disappointed. no machine herald here, only the arcane herald. i guess his final design was cool, but i wanted to see fortiche's take on the machine herald. having him reinvent himself as the machine herald in response to the arcane taking his bodily autonomy would've been cool, but i guess he's cool with using his inventions as weapons now if it means he gets to evolve more people. after hearing and reading so much about the nuance of the conflict btwn him and jayce in league, i am painfully disappointed that we didn't get any of that. and the lack of resolution as to whatever was going on with skye, so instead she was just a plot device for viktor's character development for the entire show? god, in hindsight her narrative treatment was the first red flag over where the writing was going.

also a bit disappointed that jayce's mysterious mage didn't turn out to be ryze despite the various hinting at it (didn't even netflix themselves imply it at one point?).

and poor fucking mel, she kills her last surviving relative and her boyfriend just disappears without a trace and she's forced to renounce her compassion and adopted home to embrace her noxian heritage. i don't know if massively depressing stories are on par for mages in runeterra, but her ending was just utterly tragic. she has no one left, just a faceless army of soldiers.

jinx's fake-out death is like. urgh. i get why because it means piltover leaves her alone, but there's just a ton of emotion in a moment that you immediately undercut at the very end.

for all they said that s2 was written alongside s1, it felt like they needed another season (you know, if this wasn't so expensive to produce) to properly pace stuff out so it can be developed properly. like, spending an entire episode on alternate universes when you have three total left is utter madness. it should've been 1/3-1/2 an episode at most if they kept the same episode count.

but given their apparent willingness to throw fanservice in (felicia & silco flashback) when it doesn't exactly make narrative cohesion with s1, i'm not sure if that was possible or meddling by someone else or whatever.

oh, and rip blitzcrank. too innocent to exist in arcane, i guess?

[letters-to-rosie]

okay time to collect some thoughts

spoilers for season 2

as soon as they said there were other regions going to be explored, I knew Noxus was going to be the big thing, and that the battle between the cities and the class conflict angles of the story were going to be set aside. if you know me, you know I would hate this, but because I anticipated it, it wasn't too bad. I had already killed the version of the show I wanted in my head and was ready to take things as they came. and it wasn't all bad. Ambessa makes for a great villain, and all the twists and turns with her and Mel were pretty enjoyable

that being said, the second season in general did away with most of the things I liked about the first: subtlety, nuance, environmental storytelling (and all that sweet sweet class conflict)---I mean the cities just faded into the background as we watched everything play out. even a lot of the great character work we got in the first season was just left as it was. most the characters didn't really get to move much from where they were in the first season. even the ones I enjoyed (like Ambessa) were essentially the same as they were before. there were a lot of things that were cool. a lot of things that were interesting. most of them don't work when put together

Jayce? liked him this season, actually. had fun when he was suffering lol and fighting Viktor. Jayce disappearing out of the blue when the basement of the hexgates wasn't set up at all? boooooo

Jinx? gets to realize she isn't just a jinx. gets to help people. is this realized in a satisfying way? nope. we get one scene of people touching her and then Isha dies and she's back where she was at the start of the season, almost. plus her relationship with Sevika just drops off, and I was having fun with that

Cait? love her evil era. I also like that the plot didn't let her entirely off the hook. love less how she engaged in fucking chemical warfare like what even and that was never addressed

Ekko? has my whole heart. did before, but whatever. saved everyone's asses by being the best boy. love how he's motivated by helping the people who need him. love MUCH less that we never get to see him doing that work. like what did he think of Jinx becoming inspiring to people? how would that combine with his experience in the alternate timeline?

I could go on. I might be better prepared to deal with this than some because I didn't think it would be good in the first place lol I had like no hope. it was such a grand show in the first place and they made it so much grander. there's a lot to like, but the first season REALLY carries it. it feels like two separate shows. I don't begrudge anyone really liking the second season, but I will maintain that the fanbase deserved (and still deserves) better

[adultemophase]

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

[redishsunflowers]

this is all my personal opinion as a somewhat new arcane enjoyer.

act 3 of arcane really ruined it all for me. one of the things that makes me love shows so much is when they make me just feel so so much. and arcane did this so well, especially in s1. act 1 and 2 of s2 also did this very well, tho not even close to as well as s1 in my opinion.

i felt sad about isha's death, but i don't really care about jinx's. this isn't bc i cared more abt isha than jinx, a million percent no, this is bc it didnt feel liek there was any weight to it. we saw a very small clip of vi sobbing then, boom, she's almost fine???? her humming powder's lullaby isn't enough, i need to see her grieve. jinx literally completely gave up because of isha's death. vi wasn't even close to being in the same position as jinx but that was still her sister. her sister whom she tried so hard to protect and get back and finally got her back. it just didn't feel real. and on top of that, everyone thinks she's not actually dead. i wish they showed the "proof" of that later or something because i needed that grieving period from vi.

i felt so strongly about jayvik and their whole dynamic snd ending this season. in act 2 i felt that the writing for caitvi wasn't as good as it was in s1 and act 1 but then it just pissed me off at the end. i kinda liked the fact that they were in a cell when they had sex lol but i feel like it was weird timing and also could be a weird setting. but what rlly got me was the fact they don't fucking talk. they dont talk it out. one of the bjggest reasons i love jayvik is because of their lines too eachother. theyre so devestating and beautiful and thats what we got with caitvi before act 2. i was hoping they would talk about alllll the problems they were having because they were having a lot but, either they didn't or we just didn't see it. the resolution to jayvik was so satisfying because we got to know all of their closing thoughts and emotions. we didn't get to see cait apologizing or vi talking abt jinx and it just felt so emotionless.

im really sad they got rid of all the political stuff. i feel like the first step to doing that was putting vi in an enforcer outfit but with that i thought theyd explore into it and the trauma around it even more. but they didnt at all. they put more of the oppressed into the oppressors outfits and called it "fighting against a greater evil" i think thats a fine thing to happen but not if you throw away the whole conversation about politics you were having beforehand. i felt enger towards the piltover people and council just because they were a part of the oppressive regime. after s1 i felt like they tried to act like those ppl were never in the wrong. they swept it all under the rug.

it really just felt like there wasn't a clear conclusion. what happened to zaun and piltover? the scene of sevika sitting at the table isn't enough (don't get me started on sevika I MISS HER). what happened to the firelights?? everyone says ekko lost everything but like do we know what happened to the tree or to the firelights??? i wanted to see the progress the two cities made and how PILTOVER compensated for their actions.

thats it ig, im rlly trying to be happy abt the ending and to do that i have to think abt jayvik bc theyre the only perfect ending in my eyes and i miss caitvi i miss them

[clonerightsagenda]

Kat's "I could fix her" Arcane season 2 post Part 1:

Yeah we're skipping straight past the recap/reflections on what this show actually was into my 'just let me into the writers room' post because I'm currently tormented by, ironically, what could have been

What's funny is the characters didn't even end up doomed by the narrative because of their League of Legends fates!! They killed a whole bunch of champions! They just Did All That anyway.

As I was saying in previous posts, the season was overstuffed. I genuinely liked some of the music video portions lol, but there was just so much going on.

I still would put Mel in a Magic Coma for the entire season and spin out her Black Rose plot for a third season or new spinoff (it seems like there will be one anyway). Her storyline as is felt like an afterthought and wasn't fully explained. Am I supposed to know the Black Rose lady? I don't. Being crammed in does her a disservice; I'd rather give her room to breathe. This would create a stronger absent mother/absent daughter bond between Ambessa and Caitlyn, and Caitlyn could see Ambessa claiming to do things for her daughter's sake even though it's obviously stuff Mel would never approve of, and that could force Caitlyn to reflect on how her mother wouldn't approve of the actions she's taking allegedly for her sake. That could sell Caitlyn's immediately re-siding with Vi better.

This may be a very hot take, but I didn't really like the werewolf Vander plotline. My understanding is he's a LoL champion, but he felt particularly cartoonish even in an increasingly cartoonish season, and just kept retreading the same ground. Vander's dead. :( He's alive! :) He's dead again. :( Obviously the cycles are part of the point, and he represents how Vander's death is this monstrous always dying never at rest force between the sisters tying them together and strangling them at the same time, but I'd cut it. Have Vi seek Jinx out after the prison break because she can't believe her sister did that, have Jinx admit she only did it to save one girl, and they reflect on how Vander also did stuff just for kids versus ideals. Make Vi reflect on how her little jaunt with Jayce killed a kid, and here Jinx is saving one, and people are complicated. Still not clear on how Jinx has no negative effects from Shimmer, so give her a few and that can be their new reason for going to Viktor's commune. Ambessa can hear about his new weird magitech without needing a werewolf to pique her interest.

Obviously this raises of the question of what Vi and Jinx are doing in the finale, and while I don't think every character needs a big damn fight scene, they can back up Caitlyn versus Ambessa since Mel won't be there, which also forces them to deal with the Vi-Caitlyn-Jinx tension. IDK if there's a way to have Jinx ambiguously blow herself up in that scenario but here's a thought, maybe the most prominently disabled characters don't all need to die and/or commit suicide? More on that later. Ambessa is subdued, not dead, though, so she and Mel can talk later.

Finally (for this post) I already expressed my frustration that the key class conflict so present in the first season and first half of the second gets mostly shoved under the rug because there's a new enemy to fight. Yes, that's often used as a distraction irl, but that's not a *good* thing. Sevika's sitting at the councilor's table at the end of the show. Who negotiated that? Caitlyn? If we absolutely must go the direction of a big damn final battle, I want to see that conversation and all of the pain and distrust that must've come up during it.

That's the kid gloves version. If I was being aggressive - and I would be - I'd have the fighting totally destroy Piltover with arcane corruption, and now everyone from Piltover has to live in the Undercity/Zaun as refugees. Forget Sevika sitting down at the Piltover table as the new councilors glare at her. Now the Piltover councilors are having to sit awkwardly down at a table with Sevika and Ekko's number 2. (Or Ekko. What is he doing besides sitting sadly on that roof. Is he involved in governance. Is his tree ok.) Piltover suffocated Zaun for years with their industrial runoff. Now they're choking to death on their own magical industrial waste, and they're going to have to learn to live like everybody else.

I am still parsing the whole Viktor, Jayce, and disability thing since as you know that's one of the elements that fascinates me most about this show (the new improved crunchy ableism even as they genuinely try to explore something interesting) so I will be typing a separate post about that, probably thinking through it as I write. Stay tuned.

[vidavalor]

re: modern day flashback: That would be so fun! I'm a bit confused, though-- the trip to Edinburgh was to go to The Resurrectionist for the Everyday mystery (& for Aziraphale to go to the graveyard to work on his PTSD)? I do think we're probably going to briefly flash back to *very* modern days-- to after Aziraphale blew up his halo and The Metatron got on the circle floor zoom thing, as Aziraphale seemed to be saying happened the prior night during the morning of the end of 2.06.

We're going to see that Aziraphale told The Metatron to go fuck himself the night before right around the time that Aziraphale gets off the elevator in Heaven and is brought to... The Metatron. Because the one who took on that appearance and showed up with the coffee in The Final 15 is Satan. Hell doing Heaven's punishing for them a la the Job minisode, as Furfur brought up again just before The Final 15. Then, the actual falling part of Aziraphale's fall happens.

Our angel's a demon now but he's about to become the last angel to fall because the concept of Aziraphale being seen as evil is going to be enough to break the brains of every other character in this show enough that it's going to wind up toppling Heaven and Hell by them challenging The Metatron over it. That would be needed to help some people see what they just watched in The Final 15 differently and set us off running for The Finale.

If they want to show us another era that is closer to modern (by comparison to others lol), didn't they want to do the 1980s at one point? That would be fun. Like with anything, it'd have to be short and critical to the story to make it into The Finale but we don't know what else they have in store for us.

re: Bad Omen... Funny you should mention that... *dark snerk* I do think there was a plan for a Bad Omen-- not within the story but the show itself...

Didja notice how damn neat and tidy what I laid out in that post is? Like, suspiciously neat and tidy? I've had the thought that S2 was done in such a way intentionally that it would be possible for it to be concluded as a season or a movie. The asshole was always a ticking time bomb. I'm sure it was planned with options and I'm glad we get an ending but I've plotted story before and this was left in S2 in a perfect place to go either way with a season or a movie. I don't think that was sheer dumb luck.

S2 went deeper and slower in a way the story needed and it might have seemed like nothing was happening at times but everything really was. People mistake fast, action-oriented scenes for story. It's one of the reasons why the Armageddon threat being over so quickly in 1.06 throws some people. They don't realize that all the legwork to build to that quick dispatching of the threat was the slower-paced stuff they were watching the whole season through. The Finale is going to be the same way. People are freaking out about there not being enough time for flashbacks and it's just like... get Crowley & Gabriel to see what's going on and rally the other characters together and once that's in place within the first third of The Finale? They can end the fascist Mr. Potato Head in the length of time of a commercial break because we already spent S2 watching them get to that place.

Would I want more? Sure. Always. I love this show. Since the news of the film broke, though, have I ever been concerned that the film is too short to handle the main story points left and conclude it in a way that people will love? Not for a single second. It's going to be great.

<<The F15 was essentially the end of act 2. We only have the final act to uncover.>>

Exactly. I think people are concerned because they think that S3 was going to be about Jesus judging humanity and it's not. In a lot of Christian traditions, The Second Coming and Armageddon are more two parts of a whole rather than being the same thing. In order to get to the Jesus part, the war of Armageddon has to already be fought and won. In Good Omens, that would mean Earth would be destroyed and Heaven would defeat Hell. That's not happening. We may well see Jesus again before it's all over but, if we do, it's going to be briefly in some quirky capacity, not because The Second Coming in the Biblical sense was successful.

The Metatron's end goal is to get through Armageddon to The Second Coming but the plot is really Armageddon: Round Two. It's the same as it was in S1-- they have to stop Armageddon. They can do that by coming together and getting rid of The Metatron. That's very do-able with the time that's left because it's really now just a matter of needing something that pulls the characters back together and motivates them to do this-- i.e., needing to help Aziraphale.

The Finale is really more like not having a S3 but, instead, having a bonus, two episode finale to S2. I think it helps to think of it all more like we've only seen six of the eight episodes of S2, which is the final season, because The Finale isn't a separate plot with a new starting place. It's going to pick up where S2 left off.

<<If I was running the show I would hit us up with the flashbacks back to back like in S1, ending on their new arrangement which would feed right into the final 15. Recontextualise everything, and then hit the ground running...>>

Oh, you're a dastardly writer. *grins* I like your style! Just come in hot, flip everything on its head, leave everyone reeling and riveted through to the end. I think it could very well be like that and that would be a lot of fun.

I have a pretty big suspicion that the first scene of The Finale is The Vavoom. Whether that's a one-off scene that flips the kiss in The Final 15 on its head for some people and then goes into the opening title sequence and we're back in the present or whether it's the start of a second cold open, I don't know.

I tend to agree with you that doing a flashback sequence cold open to start The Finale would be pretty amazing. Structurally, I think this is the best place for it to go... in large part because of what could happen immediately in the present on the other side of it.

Imagine they cold open for, like, 25 minutes straight like they did in 1.03 and we go through time with Crowley & Aziraphale again in a half-dozen scenes and now, since they're past the point of needing to duck and weave in order to pull off the S2 twist, these are all pretty openly romantic scenes. The ancient times first kiss, a story around the cottage making us unable to wait for them to go live there, the origins of "A Nightingale Sang in Berkeley Square", the last part of 1941, etc...

...and then, while we're all trying to come up for air? Boom, we're back in the present, where Aziraphale gets off the elevator and is taken to the The Metatron to fall-- and Saraqael takes his memories before he does.

Everything we just finally watched is, for the moment, now gone in the story. We saw it to set up its existence being temporarily erased. Aziraphale goes into the pit of boiling sulphur and... cue the opening title sequence.

They should definitely do that. 😂 People would be screaming.

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[imjustapoorwayfaringgeek]

Day 2

"Has he done this before?"

[atopvisenyashill]

on reflection the fact that we didn’t see laena claim vhagar, and now didn’t see the moment addam got on seasmoke either? kinda annoying me

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[moodr1ng]

eventually i have to assume im not a good writer or, perhaps, not a writer at all (like, just someone who happens to have written stuff, but not so much someone who does writing as a characteristic), cause i cant find any other way to explain how i cant find anything to write ABOUT. its been months and i cant write anything and its not bc i dont want to or cant bring myself to do it its because i have nothing to say i guess

edit: who tf are you people reblogging this and can you fuck off lol. like how many times are you gonna do this to my personal posts. once again i was venting about suicidal ideation in the tags of this and this is a post about putting myself down as an artist for having deep depressive episodes that keep me from creating. fuck off!!!!!!!

[unnecessarilygrandiose]

.

[jane-asmo]

Here’s a quick review of the amazing opening of Arcane season 2:

Vi seems to be struggling with her identity / Loss of identity

Vi is wearing the tank top that I believe is the one she wears under her enforcer uniform. That’s the outfit she’s wearing throughout the opening.

Jinx, who was hiding behind, rises and steps into the light—maybe a way of showing that she’s grown symbolically, that she’s now 'bigger.'

Ekko with his shadow resembling a clock winding back time.

Caitlyn is shown in her turtleneck (also what she wears under her enforcer outfit ? ), With a curtain to suggest a stage, she takes a deep breath before stepping into the light with a fake smile. Honestly, if I analyze it, we can say without much risk that she's in inner conflict, that she has to step into the spotlight and is showing a different face from how she really feels.

There’s so much to say about the other scenes, but others will handle that perfectly; I have a special focus on CaitVi (😂). Here they are again in the same outfits—the turtleneck and tank top. It’s an interesting way to present them, and there’s a lot that could be said, which I won’t go into, but I wanted to point it out. Cait and Vi are more vulnerable in these outfits; it’s very intimate, as are all the shots with them in this opening. We’re really in deeply intimate territory.

The looks are very intense, filled with hatred or something else? (my poor babies).

At first, I thought they were kissing, but now I think they’re fighting. They could be kissing or strangling each other in that shot; it’s hard to tell. In both cases, it’s very interesting because this little backlit scene with its colors is very intense. And, as I read elsewhere, very lesbian flag.

And Caitlyn is still struggling, with her shadow looking like the Evil Queen, I think (lol 😆). And the effect on her hands gives the impression that she has blood on them.

And I really like this shot because that's my Caitlyn; she has the look of someone who’s realizing, who understands. And maybe she’s coming back to her senses? So, there you have it—just my initial thoughts. I was so awestruck by this new opening that I just had to watch it again and again.

[parfaitblogs]

baby it's halloween ❀ s. reid x reader

in which a mutual friendship leads to a run-in with your ex, and it's halloween, which means you can be anything. even normal with him right?

pairing: ex!spencer reid x fem!reader genre: smut (18+ mdni) tags: garcia party in rossi HOUSE 💜. alcohol consumption. reader's dressed as a swan (stunning gorgeous amazing). pre established friends with benefits (don't fuck your exes). s10 bau team is there in spirit i think. crazy spare bedroom hookup. brief nipple play. oral (f receiving). fingering. p in v. he dresses you afterwards. porn with plot. oral fixation. soft dom!spencer.  word count: 3.8k a/n: ex spencer reid makes a comeback. this is separate from bad idea right? but same pairing same sitch kind of same everything. LOL. thanks for giving me costume ideas guys. parfaitblogs revival!!! happy birthday spencer reid!!! happy halloween criminal minds tumblr!!!

"Penelope, what the fuck are you wearing?"

It was a very loud exclamation, over the sound of party music that certainly didn't match the overall theme of Halloween. It was only nine o'clock but the fox eared blonde in front of you had lip liner painting her chin, a pink flush on her cheeks barely hidden beneath a layer of makeup, and two cans of some multicoloured premixed vodka drink you weren't sure about trying (despite her holding one out to you). 

"Fox costume. I'm Agnes! From Fantastic Mr. Fox!" Penelope says, cheerfully, urging you to take the drink she had in her hand, not relenting until you did.

"We agreed on swans," you huff, feeling awfully stupid now, in your all white costume, a pair of fluffy wings settled on your back. 

Penelope looked genuinely apologetic for changing her costume idea on you with no warning, and so as she rambled about how she got excited after seeing fox makeup on her phone, you decided it wasn't actually that big of a deal. She finished her spiel with a comment about still technically matching because you're both animals, and it was enough for you to accept. 

She led you further into the house. House, because she had convinced one of her coworkers to let her host a Halloween party at his, claiming her apartment was far too small for such a thing. Apparently he was very easy to convince. 

It was a quick tour of where all the most basic of amenities on the first floor were, before she was shoving a shot glass of vodka into your hand, and encouraging you to take it. 

So you did. 

Perhaps it was a loosening up technique she was using in an attempt to keep you from ripping her head off when she began another conversation with you with the words,

"So, I need to preface before you get too drunk—" a sentence you really had never hoped to hear in your life "—that Spencer's here."

You're not too sure why your world begins to crumble around you at that fact. You figured he would be. In fact, when you were choosing the articles of clothing for your costume a week ago, you had the idea of Spencer Reid seeing you in mind. You had mentally prepared for seeing him. And yet; panic. 

However, instead of making a scene about how anxious that thought made you, you force a small smile onto your face and murmur out, "That's fine."

"Are you sure?" Penelope presses. "You can hover around me the entire night to avoid him, if you want. I'll stay away from him. I'm really sorry for inviting him."

You didn't like that. "No. Pen, it's okay. He's your friend."

"So are you."

Your heart stuttered in your chest at her words, a warm feeling spreading throughout it. But, ultimately, you were not the person who wants perfectly good friendships ruined because you're too scared to hold a relationship together. 

"I'll get drunk enough and start talking to him anyways. It's fine," you reassure her. 

And get drunk enough you did. 

You had bumped into him a few times already, making awkward eye contact when you passed him on your way to the kitchen for another drink, or to the bathroom to fix your corset that felt like it was getting tighter every breath you took. 

Yet here you were, stuck between the fridge and him, a collection of things you wanted to both beg him for, and cuss him out because of, sitting delicately on the tip of your tongue, waiting for the right trigger word from him.

Unsuccessfully, for he was rocking back on his heels, clasping his hands around the glass of water he was nurturing, keeping the peace between you two and staying silent. 

And you couldn't have that. 

"Hi. How are you?" you chirp after closing the fridge, a can you were getting for Penelope and not yourself now settled between your hands.

"Hi. I'm good," he says, sending you an all too familiar tight lipped smile. One he always did when he was feeling awkward. "How are you?"

"This is really formal," you say, tilting your head to the side. "I'm good."

He nods his head in agreement, and you find every curse word you had ready to yell at him dissipate in an instant. "I like your costume. Swan?"

"Yes," you nod your own head, forcing the flutter of your heart to stop.

You weren't sure what he was when you had first arrived to the party, but a few short exchanged words between the two of you revealed the fake teeth he had settled in his mouth, confirming Penelope's earlier guess that he was a vampire. 

Fitting, you had almost said then. 

"I like yours too," you say after a few beats of awkward silence and you realising you hadn't said much after his compliment. 

"Thank you."

It was an awkward song and dance around the elephant in the room (your relationship, or lack thereof). An even more awkward interaction of him reaching behind you into the fridge to get out a drink for Morgan, and then a breathless apology when he had gotten a bit too close and you hadn't had a conscious enough mind to step back.

"I don't like this," you blurt out.

"What?"

"This. Us," you clarify. "Being awkward. Not talking. We talk fine when we hook up."

Because yes, there's that secret you were keeping hidden away from Penelope. 

"We're preoccupied during that."

"I'd argue seeing each other naked once a week is much more awkward than bumping into each other drunk, at a party."

"I'm not drunk."

Right. You knew that. Spencer Reid didn't drink. It was why the cup in his hand was only water, and the alcoholic beverage in his other wasn't for him. 

If you were any less buzzed you probably wouldn't say the unfortunately very embarrassing sentence you let leave your lips, that sounded a little foreign even to you. 

"Then do we need to see each other naked tonight to make this not awkward?"

His lips parted and he froze, rightfully so. You weren't sure how you'd react to somebody asking you that either. It seemed awfully blunt for even you, and if you were any sane person, you'd probably be backtracking to take it back. Instead, you were just as frozen as him, fearful for how he would respond. 

"No," he says, but there was a strain in his voice that told you otherwise. Thankfully, you had enough self restraint to not call him out on that. 

"No?" you tilt your head to the side.

"No, we don't need to. Do you want to?"

Does it make you a horrible person to say yes? To take advantage of one of the many rooms littering the Rossi house, and use a situational run-in to have sex with your ex-boyfriend?

Probably.

"Yes. Do you?"

"I like how you look tonight."

Your heart rate speeds up. "That isn't an answer."

"Yes," he says. "I do."

The kitchen was left empty with a glass of water and two unopened cans on the countertop, that Derek Morgan was no doubt bound to discover when Spencer never returns. Followed closely by — probably — Penelope discovering the same about you. Which would probably lead to the discovery of the friends (were you friends?) with benefits situation the two of you had. 

You've barely stepped into the spare room he had located before he's kissing you. Feverishly, devouring you whole, as your back is pressed up against the door. Your wings dug into your shoulder blades, the feathers tickling your arms, and yet you couldn't find it in you to care. 

"Spencer."

His response to your plea of his name is to kiss you harder, fingers entangling in your hair, and you think if he pushes against you any more, you'll meld to the atoms of the door. 

"You taste like alcohol," he mutters against your lips. 

"Funny that."

"Are you drunk?"

"I'll remember this all in five minutes, if that's what you mean."

"Sort of."

His mouth detaches from yours, and there's a desperation in the way he kisses down your neck you don't think you'll ever get used to, no matter how many times he does it. 

It was a heartbreaking reality of the difference between how he would have sex with you then, and now. 

It's his grumbling that forces you to focus on him again, and not the comparative thoughts you have whirring in your brain. His fingers are fumbling with the lacing on your back, as he says, irritation you find almost hilarious in his tone, "I hate corsets."

"You said you liked it earlier."

"I liked it when I wasn't trying to take it off of you."

You smile. "I'll wear something more convenient for you next time."

"Yes. Thank you," he nods, successfully loosening the lacing enough so he could take the corset off of your body. "T-shirts are good."

"Duly noted." 

"Or nothing. Nothing's better," he adds, leaning in to kiss you again, his hands dropping to your chest — completely bare, considering you couldn't justify the wearing of a bra beneath the corset. 

"I'll ask the board."

You feel him smile against your lips, his hands cupping your chest, thumbs delicately running over your nipples to elicit a breathless whine from you. Ever so careful, he uses his thumbs to circle them, amused with just how easy it was to fluster you.

His lips trail down from your lips again, his hands dropping to your waist, using his hips to nudge you towards the bed.

The backs of your knees hit the edge of the bed and you wince, although any pain dissipates as he murmurs a gentle apology and lowers the two of you to the bed. 

It's quite amusing; the articles of clothing you're removing from your bodies. You didn't think feathered wings and a Dracula-esque cape piling together on the floor would be a sight you ever saw in this context, and yet. 

"What do you want, honey?" he asks you, though your brain is a little preoccupied with his pulling of your skirt down your legs, fingers brushing against your skin. He forces your focus back onto him again with the calling of your name, and a kiss to your inner thigh. 

"What're you willing to give me?" 

"You know I'd do anything."

Your heart soars. Yes, you do know that. He loves to prove that feat to you. 

"I don't know," you shake your head. "Whatever you want. You choose. My gift to you this Halloween."

It was a tradition you had started with him three years ago, on your first Halloween together. You knew how important the holiday was to him, and so you had bought him a plethora of decor for his apartment (on top of what he already had). You had helped him set it up, and later that week he had gifted you a charm bracelet with a pumpkin clasp. Every Halloween since, you bought him more decor, and he bought you a Halloween inspired charm for the bracelet. 

This was your first Halloween where you weren't together. 

"I didn't get you a charm."

"That's okay," you reply, earnestly. 

"You're so wet," is voice is breathless, changing the topic of conversation awfully quickly. For his eyes had dropped to the only item of clothing you still had on, and his fingers had trailed far enough up your thighs to brush over it. 

"Do something about it then," you retort, bluntly, and he smiles amusedly. 

He probably murmurs something about you being a brat, but his hands were pulling your underwear down your legs, and you should not be expected to focus on two maddening things at once. 

Thankfully, he does do something about it. And quite quickly, too. Wasting no time teasing like he usually does, instead attaching his lips to your core, tugging a moan from your lips. 

His tongue licks a stripe up the centre of your folds, circling your clit, expertly so. 

"Oh God," you whine out, breathlessly, head falling backwards and digging into the mattress beneath. Sinful as it was, Spencer's tongue on you did feel like the closest thing you'd ever have to a religious experience, a thought that had crossed your mind the many times he's done this before. 

Once he's sure his tongue flicking over your clit had worked you up enough, you're forced into shock as you feel one of his fingers at your entrance. Lack of hand-eye coordination aside, he's well versed in the art of using two different body parts at once to make you come, and yet you're still writhing beneath him like it's the first time.

Sometimes it felt like it was. 

"Spencer," you nearly cry out, if not for your hand flying to your mouth to muffle how loud you had anticipated you'd be. 

He pulls his lips away at that, instead lifting his head to hover over yours, as he pushes a single finger inside you. Even when your eyes flutter closed and your head tilts back further, you can still feel his gaze on you, as if in awe of the way you looked. 

"That was so easy," he murmurs, leaning down to kiss your cheek. "You really did want me to do this tonight, hm?"

Too wrapped up in the feeling of being touched by him again, all you can do is nod your head, and you feel him smile against your cheek. 

"Yeah, I know, sweet girl."

He captures your lips again, swallowing a string of moans that leave your lips when he begins to move his finger in and out. Finger that becomes fingers, for he's pushing another one in, and you're arching your back up as you attempt to accomodate to the stretch. 

"I know, I know," he repeats when your head jerks back as your lips part in another, this time silent, moan. "I shouldn't have missed last week, hey? I'm sorry I was out of state."

You want to tell him it's okay. That you didn't really mind being celibate for an extra seven days on top of the six the two of you leave between your nights together. Unfortunately, growing accustomed to a once a week cycle meant the interruption of it left you overwhelmingly easy to shatter with the simplest of touches. You did mind, so you kept your thoughts to yourself. 

"Please," you ask him, almost pathetically, when he curls his fingers and your entire brain goes fuzzy.

"Please what, honey?"

You're not sure what. More of his fingers? His tongue back on you? You want it all. Yet, time was unfortunately of the essence, and you were acutely aware of the ticking alarm clock in view on the bedside table. You did not have the minutes to receive absolutely everything you wanted from him.

"Want you to fuck me," you murmur. 

He breathes out a laugh. "I know. I'm going to, I promise. I just need to get you ready first, okay? How're you feeling?"

"Ready." Your voice is an impatient grumble, one that amuses him greatly, which frustrates you even more. 

"I don't think so," he shakes his head, pushing his fingers back inside of you to elicit a sharp whine from your lips. "I want to do this a little longer, anyways."

"Spencer."

Your protest and attempt to bribe him with a kiss is hopeless, for he is continuing to pump his fingers in and out of you, using your arguably selfish kiss to quiet every single sound you make. 

It isn't until you're quite literally writhing beneath him and begging him with an incessant repeat of his name, does he pull his fingers out of you. Tapping your lower lip with them, you take his fingers into your mouth, despite your panting and attempts at catching your breath. 

You want to close your eyes, but the way he's looking at you as you suck on his fingers is borderline ridiculous, and you should probably be locked up for just how attracted to it you are. 

He trails his fingers out of your mouth after a few moments, but any desire to protest that is lost on you when your eyes catch his removal of his boxers. 

He disappears from above you for only a minute, though he knows you too well and says, "I'm getting a condom," before you have a chance to start complaining about it. By the time he's returned, he's kissing you again, and you've forgotten all about your irritation.

The head of his cock pushes at your entrance, and you're already a mess. He's slow as he eases into you, and you're eternally grateful for it, because your entire body tenses up, and he's forced to pause, and ease your muscles with his hands kneading your thighs. 

"I'm sorry," he says, genuinely, when your eyes squeeze shut, and you're back to remembering why you're not happy about the dreadful thirteen day celibacy he forced upon you. But he's so nice, and so apologetic, that as he bottoms out, your hands are wrapping around his neck to provide him with silent forgiveness. 

He stays still for a few more moments, his lips tickling your jawline. His breath fans your skin, warm, and just as desperate as your own, which is comforting. 

"Tell me when you're okay," he says, quietly, breathing out a moan when your walls flutter around him. 

After a beat, you murmur, "I'm okay," and he pulls his hips back, before rolling them back into you, slowly. 

You're a puddle of content and pleasure and love as he repeats the gentle motions of fucking you, moaning and squirming beneath him, despite his hands on your hips in an attempt to keep you still. 

"Doing so well for me, honey," he tells you after a few minutes, and heat warms your cheeks at the compliment. He laughs at your bashful smile. "You feel so good."

He moves his hips a little faster, and you're moaning again, hands dropping from his neck to the mattress. At that, he picks up his ministrations once again. All up until all the tender, slow motions are gone, and he's listening to your throat produce broken whines and pleas, his own presenting breathless groans.

"Spencer," you gasp out at one particular thrust, and he's instantly repeating that same deep movement. "Oh fuck."

"Like that?" he asks you, tenderly, and you're frantically nodding your head. "God, look at you. You're so pretty when I do this to you, you know?"

Vulgarity — in any form — coming from Spencer Reid's mouth should sound foreign, and yet it doesn't. Though, perhaps you're too lost in the pleasure of just how good he feels to believe he's anything but perfect.

"I want to come," you tell him, a disguised plea.

"Okay. I can make that happen."

You know he can. He's proven it a thousand times, you're sure. 

One of his hands drops to your cunt, fingers finding your clit and timing the circles onto it with his thrusts, until you're pretty sure there is no longer a coherent thought in your brain that isn't simply him.

If his aim was to turn you into a mess with very little time, he was excelling above average. Your hands had grabbed fistfuls of the duvet cover atop of the bed, your mouth producing nothing but a constant repeat of, "Please," and "Spencer," one after the other. 

He wasn't surviving very well, either, you found. His breathing heavy and his thrusts growing sloppier by the second, until he was feeling your own walls clench around him with your stomach tying itself into a knot. 

He forced his hips to keep moving, albeit much more messy now, as he moaned against your skin, his own orgasm wracking through his body, while still attempting to chase your own. 

It didn't take much more than that, to be honest, and your entire body went boneless and shattered beneath him as you came too.

Jelly seemed like an apt description for what you felt as you relaxed in the bed and your nerves began to calm down, Spencer breathing heavily above you. Up until he was sliding out of you, and standing up on legs you could see shaking, perhaps just as much as your own. 

He's disposing of his condom as you lay there, attempting to regain your breath, eyes fixated on the ceiling above you. He's shuffling around more than you'd expect for a simple trash trip, but then you feel hands on your ankles, and your head snaps down to find him kneeling at the foot of the bed, gently tugging your underwear back up your legs. 

"I know it's not ideal," he says, when your face scrunches up as the piece of fabric lands back on your hips. "But I also know your skirt is too short to not wear these."

"I'll get over it," you reply, letting him redress you with delicate fingers that leave your entire body hot, with goosebumps rising on the skin.

"Yeah," he agrees, though half-heartedly, expert fingers clasping your bra back onto your body. 

Once your skirt is back on, he helps you up into a seated position, helping to reapply the feathered head piece you had on. 

It's oddly intimate, way he's kneeling in front of you, breath warm against your face as he clips the feathers into your hair. Your breathing hitches as his hands drop back to your thighs upon finishing, and you swallow the lump in your throat. 

"Everybody's gonna know what we did," you say, quietly, for it was true. You two had been gone for too long of a time for people to not draw correct conclusions. 

"They already know we do." Hook up.

"What? How?"

"You need to stop telling Garcia things."

Your face falls, and he smiles, sympathetically, thumbs drawing gentle circles on the skin of your thighs. 

"At least you don't work with them."

"I guess there's that," you confirm with a small nod.

He's silent for a few more moments, simply staring at you and studying your face, before he sighs, and goes to pick up your corset. 

"You need to go to the bathroom after this," he instructs you, though gently, motioning for you to stand up and turn around so he could do up the dreaded lacing. 

"I know. Don't worry."

"Good," he replies, your skin tingling with every extra bit of pressure he put on your back as he laced up your corset. "You feel okay?"

"Yes," you nod your head. "Do you?"

"I do," he confirms for you, tying off the lacing and tapping your hip so you could turn back around. 

You do, and your eyes flicker up to his face. "Do you also promise not to make me wait two weeks again?"

"I'll talk to the board."

your reblogs and replies are always appreciated ♡

[ffxivtranslations]

Why did Haurchefant have to die? Interview Translation

I translated part of an interview with Yoshi-P and the two main scenario writers of HW, Ishikawa and Oda. It's about Haurchefant's character arc and why he had to be sacrificed. At least Oda tried to save him, bless his heart!

Interviewer: In 2.x, Haurchefant appeared to be a cheerful character, but in 3.0 his role takes a serious turn. What was the reason for this change?

Ishikawa: In the 2.x series I was in charge of his dialogue as the Character Concept designer, but in 2.55 I felt I had properly written down his important points and position in society, so I could hand him over to Oda and Maehiro for 3.0. Because of this I don’t think anything changed about him from the start; how he cares about his friend, or his essence as a knight.

Oda: I agonised over Haurchefant’s fate right until the very end… over and over I suggested plots in which he might somehow survive.

Yoshi-P: Those plots were too contrived; I couldn’t approve them! LOL In depicting this war between humans and dragons, I thought it was wrong to only have the dragons’ side experience loss after loss and not have the humans make any sacrifices. So that’s why I told them to properly decide the fate of every character. The fate of every character should have been decided early in the development phase of Patch 2.3. So Haurchefant’s fate was decided by then too, right?

Oda: Yes, that’s right. That’s why in Patch 2.4 and 2.5, when I wrote all his un-voiced lines, I was already doing so conscious of the fact that he would die later on.

Yoshi-P: Haurchefant is a character that is not just loved by players, but also loved by the development team. But since we decided on the plot twist where he would become the Warrior of Light's shield, we were prepared for the worst. Because of that we were able to write the Patch 2.5 scene, in the Falling Snows, where he reaches out to the Warrior of Light in his time of need. I think that such a long build-up led to the deep emotional impact of Haurchefant’s final moments. In that way, I think the deciding his fate early on was connected to how much importance he had to the story.

Oda: However, seeing how warmly players reacted to him, I feared that having Haurchefant lose his life would cause some players to quit the game forever, and fought desperately against it to the end…

Yoshi-P: He kept giving me re-takes of the plot where Haurchefant is able to come back to life, and eventually I remember getting quite mad at him. At one point, the 3.0 ending ceremony scene had Haurchefant appear in a wheelchair and I yelled “Hey, isn’t that the same as Thancred in ARR?!”. I’m pretty sure I shouted at him LOL

[maplesyrupsainz]

˖⁺｡˚⋆˙bows before bros | LN4 ˖⁺｡˚⋆˙

pairing: lando norris x actress!reader y/n (she/her)

genre: social media au

warnings: sooo super fluffy!!

summary: in which a trail of bows leads to everyone's new fav grid couple

a/n: feel like i havent written for lando in ages so here we are!!

request!!!: I’d like to request an au for lando where y/n’s an actress who’s getting recognized more and more, she’s really humble and sweet but pretty similar to lando as a goofy and funny girly(idk why but I picture Sabrina carpenter vibes) 🎀 if u could add a little scene of some of the f1 drivers and wags reacting to their relationship/talking to the media how they’ve never seen lando so happy. Just a sappy and goofy couple living life (manifesting✨🕯️)

fc: sabrina carpenter

my masterlist

instagram ->

yourusername

liked by reneerapp, sydney_sweeney, and 301,283 others

yourusername sooo where else can i put bows? 🎀

view all 6,918 comments

user1 omg the bunny is so cute im going to do that

user2 i dont wear bows in a coquette way i wear bows in an y/n y/l/n way

liked by yourusername

user3 i love seeing y/n in her movies so srs then going on her ig & it's jus this

reneerapp put them on your hand soap 🥺

yourusername you make jokes but i really will do that

user4 LOL as u should y/n!!!

user5 oh i love her

sydney_sweeney this is so real of you!!

yourusername i knew you'd get it

sydney_sweeney bows before bros ‼️

yourusername louder 🗣️

landonorris

liked by sydney_sweeney, danielricciardo, and 819,055 others

landonorris you got my heart loud.

view all 11,193 comments

user6 okay simp lando?

user7 HUH????

user8 looking a LOT like a soft launch i cant lie to u

user9 thts what i was thinking.....

user10 the bows...... anyone one else thinking what im thinking?

user11 DONT EVEN SAY IT

user12 VERY y/n y/l/n coded

user13 y/n was here vibes

oscarpiastri simp simp simp

landonorris shutup pastry boy

yourusername posted a story

liked by sydney_sweeney, daisyedgarjones, and 89,541 others

user14 so cute ily y/n

user15 my spidey senses are tingling

user16 is this a hint that ur dating lando norris.

user17 feels very very targeted miss y/n

user18 our bow queen 🙇‍♀️

twitter ->

instagram ->

landonorris posted a story

liked by yourusername, oscarpiastri, and 159,701 others

user22 omg y/n y/l/n is ur gf fr

user23 never thought i'd see the day lando norris pulled

user24 THE BOW AND THE MCLAREN HOODIE AHHH

user25 the most y/n thing i've ever seen

danielricciardo she's made you soft

landonorris she definitely hasnt i'll tell you that much

danielricciardo right. not what i meant but great to know thank you so much

yourusername

liked by landonorris, oscarpiastri, and 661,328 others

yourusername feeling orange 🍊

view all 16,754 comments

user26 oh my god

user27 is this the hard launch

mclaren your best look yet, y/n!

yourusername 🤭 feel very honoured

user28 next we want orange bows

liked by yourusername

sydney_sweeney sports 🤢 but make it girly 🎀

yourusername me with everything

landonorris it's papaya y/n we've been over this

yourusername there isnt a papaya emoji ✨🎀💕🫶🍊

user29 omg they're first public interaction...?

user30 they're in love i called it.

interviews ->

twitter ->

instagram ->

landonorris posted a story

liked by lilymhe, carlossainz55, and 157,814 others

user36 omg lol

user37 THAT'S Y/N'S CAT

user38 lol at ur response to ur friends saying ur obsessed with a girl is to post her cat on ur story with bows on

sydney_sweeney one of us now

landonorris this feels like a cult

user39 the coquettification of lando norris

user40 the y/nification of lando norris

landonorris

liked by yourusername, oscarpiastri, and 1,091,727 others

landonorris my response to everyone talking about me recently is you would be the same if you bagged a girl like mine

tagged: yourusername

view all 22,183 comments

user41 A GIRL LIKE MINEEEEE

user42 how did he do it

lilymhe congratulations 🥂

carlossainz55 yippee!!

oscarpiastri we are all beyond proud of you lando

danielricciardo good for you bro

charles_leclerc happy for you

mclaren our fav girl!!

yourusername 🤭🧡

user43 all the celebrations in the comments 💀

user44 they had no faith in him fr

yourusername blushing and giggling at this!!! i love my lil lando!!!!!

landonorris you what?

yourusername i wont be taking questions at this time

landonorris you love me so bad

landonorris i love you so bad

THE END 🧡