#i think this will become a series too

[magiertama]

Jiyan and the Rovers look incredible on brown paper

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[heatherchasesyou]

do ya?

og source lmao

[king-magppi]

❤️I hear Canada is very lovely this time of year🇨🇦

[mephistopheleswasrobbed]

Only two more episodes to go after this one and the gay is thriving as usual, so let's take a look:

1

Home and Peach keep staring intensly at the other's unconcious face while putting their head directly above the other's, resulting in unintentional headbuts. Boys, I know you're worried and want to be the first thing the other sees after waking up, but I'm sure there's less headache-inducing ways to go about it.

2

As per usual, Home is carrying Peach without complaint. (And I'm reminded once again that he's certainly not shy around his body o.O)

3

The looks/nonverbal communication between them are constant. Even surrounded by the rest of their family, their eyes always find each other first. Whether it's to comment on what just happened or to reassure each other on what's about to happen, one look says it all.

4

Pangpang is streaming and her viewers are shipping. They must be happy to see that Home and Peach have moved past their divorce era. ("Where's Peach?" they say, which, if you've ever been present for a live of some BL actors, well, you know.)

5

This shot is right out of a 2000s gay coming-of-age short film.

And the way Peach laughs so fondly and asks Home what he wants for dinner in a soft voice? The love is strong in this scene.

And then their kids join in to bug them.

(a commenter on YT pointed out Peach pulling down his shirt but I'm not even going to go there)

6

Home is so tuned in to Peach, when he get's a message and looks at it a little weirdly for a second, Home is immediately there to ask what's wrong.

7

Home is so genuinely happy that for Peach when he hears that he's finally getting closer to achieving his dream

only to force himself to keep up that happiness when he realises that it might get in the way of his own dream.

Meanwhile Peach can't even really be happy about this himself because being a cook is his dream but he doesn't want to lose his family, lose Home, to get there.

In fact, his first impulse after finding out is asking Home what he thinks about it, because just like Home, he's clearly at this point considering Home a part of his future. Decisions like that have to involve him. (And Home, you idiot. You could have just said you'd come with him. It's not like there's anything keeping you in Bangkok.)

But unfortunately those two have still not achieved this sense of security in their relationship (and definitely Home, probably also Peach, being orphans, I guess it's not surprising they're having some issues around attachment and feeling secure in the long-lastingness of their relationships). And so Home falls back on protecting his vulnerability by pretending it's not there. Rather than imposing difficulty onto Peach (,rather than facing the smallest possibility that Peach might choose this over him,) Home plays it off like there was never any future for them anyway, even after he had just confessed to his uncle ca. one minute earlier that all he wants is for them to stay together.

He isn't even very subtle in his overplaying (is that a word in English?) of his troubled emotions, at the same time using this opportunity to get physically close to Peach for potentially one of the last times.

8

Of course, as he told his uncle, all Home really wants is to stay together with Peach and his family.

But he has come quite a long way from tricking Peach into unfair contracts. So he'd rather stap back than cause Peach any problems, doesn't think it his right to put his selfish desires onto him. (Unfortunately, judging by the preview, Peach is also insecure so by doing that he's just hurting Peach more)

"Just us" huh, Home? You know, at this point you might as well just propose to him.

At least this time he has another member of his family there to cry into the shoulder of.

Lesbian Corner

The girls have taken a page out of the HomePeach handbook, clinging to each other at the revelation of a ghostly presence.

Now that Peach and Home are somewhat settled (well...) it's their turn to flirt their way through the end credits

Edit:

Oops, it seems I missed something. Kan and Pangpang even have their own shippers now

[whitestnoise]

[hjbender]

*Implying that the total number of works will only ever be two.

[fellamarsh]

another thing i've been trying to do recently is read more self-published stuff. "but fell," you say, "you're a self-published author. surely you've been reading self-published stuff all along" and then i laugh for so long in response we both become uncomfortable.

see, the fear (which has for a long time been killing my mind) that i'll read other self-published stuff and find out that it's so much better than mine that i might as well stop writing forever kept me from doing that basically ever. i have a hard time not unfavorably comparing my work to others and had convinced myself i was being smart by withholding an avenue of de-motivation (reader: i was not being smart). it also doesn't help that i'm pretty low income and have a hard time spending money on books i haven't already read, and that self-published stuff isn't always available at the library---but really a lot of it was just me being a coward. which i'm working on. i could talk about how this particular cowardice is Very Silly, but i think enough has been said about it on writeblr and in the Writing Space in general that i don't feel the need to (though i will if anyone wants me to).

instead, i wanna talk about the self-published things i have read in the past few months and ask about the self-published things you love!

so: what happened was i got real sick, and while i was real sick i (naturally) read over 200,000 words of ace attorney fan fiction in the span of a few days. eventually i got bored of it (and also maybe annoyed at how people were characterizing some of my guys), but i still wanted to read something gay and romantic and nice, something i knew was gonna end happily, which isn't my typical fare.

now you may be saying (having gotten over all the uncomfortable laughter from earlier) "fell, you write gay romance. what do you mean that's not your typical fare?" listen. until a couple months ago i hadn't read a cut and dry romance novel since before i finished college. for context: i graduated in 2015. i know it doesn't make sense. i'm a guy who doesn't make sense.

but in this case it worked to my advantage. not the not making sense thing, but the not having read Published Romance in 1000 years thing. I didn't know where to start. I was very skeptical of everything the library had Available Now in the Gay Fantasy Romance category. what if it was all bad and also not good?

and then i scrolled past the familiar cover of our very own @ashen-crest's A Rival Most Vial.

now this was comfortable territory! this was a novel by a very nice writeblr person whose posts i enjoy! i already loosely knew the plot, i was familiar with the characters, i knew the names of things like rosemond street and the griffin's claw and that ambrose had blue hair and that at the end of it all there would definitely be Boyfriends. i didn't have to worry that this would be bad! i only had to worry that it would be really good!

but i wasn't worried about that, because i was officially Not Writing at the time, and because why the hell hadn't i read this book yet Ash literally emailed me some very kind words last year when my cat died??

Y'all, I devoured ARMV. If you haven't read it yet---especially if cozy fantasy is more your thing than it is mine---you should check it out Immediately. It was fun! It was heartwarming! It was sweet and earnest and confident! I was delighted to find it was occasionally hot! Ambrose and Eli snuggled up into my sick exhausted heart and found a permanent little place there. (Especially Ambrose. I have such a thing for Stiff Guys who Kind of Suck for Tragic Backstory Reasons and are So So Lonely They Don't Even Realize It. gawd)

(And a very small part of my brain spent the whole time wondering why I had been so afraid to really engage with the work my community is doing. The community that I'm in. The one I'm a part of. Why?! Maybe more on that later.)

But from there the curse was broken! I immediately devoured @stjohnstarling's What Manner of Man in a similar sort of frenzy (and hooooly shit guys am I excited for the expanded, finalized version to come out at the end of next month!) and started digging into @lurinatftbn's The Flower that Bloomed Nowhere (which I can already tell is going to be an All Time Favorite).

And now I want to ask you what your favorite self-published books are so that I can read them, too, but I think I will in another post that doesn't dedicate so much space to talking about my various and sundry Issues and isn't Terminally Long

[sciderman]

howard the duck (1976) #10

[riacte]

so hey guys i finished dungeon meshi yesterday and i'm still thinking about it

[empresskadia]

Halo self-insert thought...kinda

Can you imagine John's reaction to finding out his partner became a Spartan-IV when he came back? When he sees them again, they're different yet the same. There is a hardness to them he hasn’t seen before, but when they look at him, they just soften to the person he remembers.

And later, when they're alone, he traces all their new scars and old wounds from battles he knows nothing about. The wound of Cortana being gone is still fresh but now he blames himself for his partner’s suffering too. In his mind, he’s let down two people close to him, regardless of what you tell him. John doesn’t even know how to ask why you did this or how this happened, he just feels so much guilt, like he's to blame for this happening, that he couldn't keep his promise to protect you.

He will do his damn best to reroute orders to have you on Blue team, only to find out you’ve met them and they've been watching your back this whole time and you theirs. Fred just gives you a nod and greeting, saying it's good to see you again and he's glad you're doing well [aka glad you're not dead], Kelly bumps her shoulder against yours affectionately, something she only ever does with her spartans, asking if you're ready to cause trouble and Linda shocks John by giving you a spartan smile on your helmet, which you promptly return. He has no idea who you're asking about when you turn to Fred and wonder about the Ferrets and company, a note of warmth taking hold in your tone.

He finds out it's Kelly who hunted his partner down the moment she heard rumors about you being involved with him and made it her personal mission to watch over you, a mission that Fred and Linda jump aboard instantly without even meeting his partner first. When Fred found out you joined the Spartan IV program, he requested your transfer to Blue team indefinitely and the three had trained you to be the best after them. So that you could survive their world to see John again and he feels his chest constrict when he knows he's the reason you signed yourself up for their world of bloodshed and war.

[frogaroundandfindout]

You remember when dick was in space (for the first time with the new teen titans) because komand’r took Kory back and they needed to save her? And you remember how he understood it was a war they were fighting and that they needed to do what they had to in order to survive it? And how when Gar told him he needed to control Kory, dick wondered if he even should try to stop her from killing her sister? And how he literally killed to save her (there’s some deniability but he’s literally hitting them with lasers described as deadly right in the head)? I do.

[theswedishpajas]

The man truly can’t take a genuine compliment 🙄

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[inaflashimagine]

Did someone say a Nagumo fic? I would like to see it 🤲🏽

ask and you shall receive (pasting 2k below bc i'm unhinged)

–

You’re considering poisoning the vice principal of JCC.

It’s still in the planning phase, of course. But the true challenge, if this impossible task were to ever be achieved, would lie in the execution portion. Before leaving the airtight rooms of the laboratories, all students in the poisons department must properly discard any concoctions they’ve made in the fume hood (and any other chemicals that require extra care in their disposal are handled by the 24/7 toxic waste team). As many faculty in the department often repeat during their classes, the greatest poisons a student could ever make are arrogance and ignorance. For that reason alone, anything made for off-campus assignments is safely stored by lab managers in the school’s securely locked freezer until they must be given out.

Not to mention that every poisons professor also practices their due diligence by constantly updating the school chemicals inventory, which includes keeping track of the approved materials and poison recipes that students can take out of an extensive library of hazardous reagents, toxic substances, and highly coveted venoms.

That doesn’t mean that students haven’t tried to outsmart faculty or find a loophole in the system. Third-year Tanaka Kaito thought sneaking out with the tiny glass bottle containing his newest poison inside his mouth was a smart choice; and it might’ve been, if he hadn’t tripped over the lab assistant’s foot, which, coincidentally, happened to be in his way. Peers smarter than him have managed to avoid ruptured intestines or chemically burnt mouths, but considering these individuals–of which there are many–still fail and end up being expelled, stealing such precious items is not a risk many in your department are willing to take.

You understand the delicate position JCC is placed in when students break the institutional rules; since the JAA requires any poisons that are used by assassins or during non-educative assignments to be manufactured by those with a toxicology license, it makes sense that the JCC would adopt the most stringent guidelines to avoid a bad reputation.

Still. It doesn’t hurt to dream–or at least, you can’t get expelled for wishful thinking.

Besides, you have to find some way to pass the time in this dreadful class.

“Who are you thinking about killing this time?”

You blink, your eyes falling on the person who interrupted your delusions. The one who makes this class even more agonizing than should be tolerable.

“What makes you think I want to kill someone?” Flipping over the pages of your notebook to a blank one, you begin to scribble today’s course topic and can’t help but note the irony of you desperately wanting Ito-sensei to enter the room so he can start your least favorite class.

The Art of Espionage: For Intermediate Learners

From your periphery, you can see your dark-haired classmate leaning back into his desk chair as he deftly twirls a pocket knife in his hand, unfazed that all of his weight is balanced by one precious metal leg. He laughs lightly at your question, but it’s difficult to catch any mirth that follows it. “I always assumed only assassins carry bloodlust, but you proved me wrong. Though I guess I should’ve seen it coming.” His smile widens, a hint of smugness tugging the corner of his lips as he points the blade toward you like he’s just pointing a finger in your direction and not a potentially lethal weapon. “The ones in the poisons department do love holding grudges.”

You don’t know what others see in Nagumo. Sure, he’s objectively attractive–it would be stupid to argue that fact, and you’re not blind. And yeah, he’s one of the top second-year candidates in the intelligence-gathering department (though there are rumors of him wanting to transfer to the assassin program)–that’s not a surprise for someone who comes from a prominent family of spies, even if it is quite funny that the tidbit is well-known despite everything else about him being shrouded in the largest cloud of mystery…

…but any of those appealing characteristics seem to be thrown out the window the moment he begins to talk. And boy, does he talk.

“See, if I didn’t know any better,” he speaks up, yet again, eyes closed into half crescents as he cheerily jokes, “that annoyed look on your face says you wanna kill me!”

“Well, if you must know, you’re the third on the list. The first person is the vice principal for not switching me into another class.”

Each semester all JCC students must enroll in one class that falls outside the curriculum for their major. This is to ensure that their graduates are competent in all skills that they may need to succeed on the field or in the lab, even if it is unlikely they’d employ every skill on a daily basis. Since the best assassins, spies, weapons makers, and poison experts in the world are adept at rapidly adapting to different situations, it makes sense that the JCC would implement such a rule for their students. But that doesn’t mean you have to enjoy following said rules.

Your first semester at JCC wasn’t too bad. Technically, only third years can matriculate in poisoning classes–though there are a few introductory courses and practicums you can take starting your second year–so you’ve grown well accustomed to enrolling in classes that are beyond the usual chemistry and physics gambit. And since all students are allowed to rank their top choice electives, you were fortunate enough to get the History of Weapon Craft and Creation (considered one of the easier electives for those outside the weapons fabrication department). 

The semester after, you barely passed Firearm Handling & Defensive Training, but at least that class improved your aim with the laser guns in the cafeteria, meaning getting less of those horrid JCC bowls. Yet your luck quickly ran out at the start of the second year, as this semester you now find yourself to be the only poisons department student in a room filled with good-looking, downright intimidating, and incredibly sharp intelligence-gathering students.

You have no idea how you were even allowed to take a class with prerequisites that are nested in the intelligence-gathering department, but your grievances fell on the deaf ears of administrative staff who didn’t even apologize for the scheduling mishap. (Then again, these are the same people who don’t bat an eye when students in the assassin department are gravely injured and even die during an assignment or in the middle of class. It’s no shocker that the second-year class size has considerably dwindled from last year.)

With all other courses being full, your choice was to stick to this option or switch to Martial Arts & Tactical Hand-to-Hand Combat for Advanced Learners. Even if you can’t avoid your fear of looking like an idiot in front of Japan’s future spies, you can at least evade the terror of literally dying by the hands of the country’s strongest assassins-in-training (you heard Sakamoto Taro was a killing machine, a fact you would be happy to simply believe rather than test out for yourself).

However, your earlier fears have now evolved into a living nightmare after Ito-sensei announced that everyone would be assigned a partner to work on assignments together throughout the semester. You didn’t know who Nagumo was until your roommate Asami gasped at the mere mention of him (which isn't even his full legal name! What is he, Prince?). Banging your head against the wall might be a more pleasant experience than having to hear her complain–for the umpteenth time–that you get to learn from such a ‘genius’.

Admittedly, it's only been a few weeks into the semester, but you're still having trouble identifying the genius part.

“Wow, how scary! I’m terrified!” Nagumo sounds anything but after hearing your empty death threat. “Who’s the second?”

“None of your business.”

“Aw, don’t be like that! Do I know them?”

You think about it for a second, drawing the potential lines forming the network before shaking your head. “Well, actually, yes. Because congrats, you’ve just been bumped up to #2.”

He grins at that, big eyes crinkling. “See, now that’s a better response! But wait, am I third–”

“Second, now…”

“–right, second on the list because I forgot to do my part of the presentation? I swear I meant to get to it, but I got carried away with an outside mission.”

Genius? More like a lazy piece of shit, you think bitterly, eyes squinting at him to scrutinize what he’s hiding under those large dark eyes and that apparently innocuous grin. Of course, because you suck at intelligence-gathering, you come up with nothing other than a pathetic, “Stop lying, you sucky liar.”

The corners of his lips droop a bit further down than usual, but he still manages to adopt that customary smile of his and waits for another beat. Fully aware that the silence and staring make you uncomfortable.

“About the mission or getting the work done?”

“Both.”

“You’re funny!”

“See what I mean about the lying?”

The chair he’s sitting on instantly lands on all four, the harsh sound of pegs scratching the linoleum floors making you startle against your better judgment. One hand rests on his chin as he raises a brow at you, clearly amused. “But really, why would I lie about either part? If it makes you feel any better, I’ll make sure we get top marks on today’s presentation.”

You only have enough time to offer your exasperated sigh as an answer, since Ito-sensei finally walks in and announces the start of today’s presentations.

“Good afternoon everyone, apologies for my tardiness as a meeting went over. In preparation for your first exam next week, each group will be reviewing a different fundamental skill for carrying out espionage. First tactic: seduction.”

When you hear your name and Nagumo’s being called out, your suddenly heavy legs slowly drag their way to the front of the room, already anticipating to make a fool of yourself with your half-assed presentation on how to seduce a target, a skill all these students staring at you in boredom more than likely have performed a thousand times before.

Straightening your posture, you’re ready to begin your long unnecessary speech on the purpose of seduction until Nagumo yawns. Loudly.

The action has you momentarily pause, soft tittering spreading throughout the classroom until you narrow your eyes at your beaming partner, clear your throat, and continue.

“Seduction can be used as a weapon when the person employs the technique to obtain an objective, as seen in–"

“This demo we’re about to show!” Nagumo cuts in, waving his hands animatedly as if about to introduce a mesmerizing performing act. Your confusion only continues to grow as he sharply turns on his heel to face you, bewildered to see that his usual bright smile has been replaced with a more coquettish expression on his face.

“What are you–”

“The word seduction means to ‘lead astray’ in Latin. Doing such a thing means you have to observe your target’s every move. How they move. How they look at you. At others. At their surroundings.” Every step he takes forward means you take one step back. Until you find yourself hitting the wall, your eyes widening with how cold it feels against the back of your neck. “How they react. How they respond to you.”

He doesn’t even have you pinned, his arms laying idly by his sides while you dumbly acknowledge you can easily escape right now. But for some reason, you feel trapped under that curious gaze, the upward quirk of his lips sending a weird shiver up your spine.

“Catch the changes in their body language.” He tilts his head, and when strands of his shaggy black hair tickle your cheek you fully realize the distance–or lack thereof–between you two. “Are they fearful? Or are they open to receiving your advances? Do they approach you just as eagerly?”

Since when did he get so close?

You gulp when his hand dances over your hip while the other outstretched one reaches your face, and you hate how your head instinctively leans toward the motion. It becomes harder to stand your ground while your gaze flits back and forth between the inked numbers on his fingers and those half-lidded eyes, a darkness so rare with how inviting it seems.

As he delicately brushes a strand of your hair behind your ear you wonder if he can hear the frantic hammering of your heart against your chest. Even if he can’t catch it, you can tell by the slight way his eyes glisten that he certainly knows, and maybe even relishes, the effect he has on you–the way you’re futilely trying to snap out of the reverie you’re currently in, drunk in the smell of whatever woodsy fragrance he decided to wear today mixed with the sickly sweet scent of that caramel candy he was chewing on earlier.

Well, fuck.

“And it’s in that moment, when their mind is distracted and more focused on you than their own thoughts”–his nose brushes yours, and your breath hitches as all you can do is close your eyes–“is when you make your move.”

You feel your lungs deprived of air the second he presses you deeper into the wall, one hand still on your hip as he uses the other to swiftly grab a piece of paper tucked in the back pocket of your pants.

A sharp inhale is what returns you to reality, your jaw slackening upon seeing him retreat and wiggle the neatly folded piece of paper he stole from you.

“Nagumo,” you nearly growl as you feebly attempt to get it back from him, which only seems to get him more excited as his face breaks out into a full-blown grin and he waves the item higher with that freakishly long arm.

“Should I unfold it? Reveal to all the secret recipes?”

“Do it and you die!”

“Is that a joke or a threat?” As if he’s some film actor breaking the fourth wall, he turns his head toward your classmates and winks at them. “You can never tell with poisons students.”

The room erupts into laughter.

If only you did lace that paper with poison! You’re mentally preparing to fight (and definitely lose) to him when Ito-sensei’s booming voice keeps you two in check.

“That’s enough, I believe we extracted the main point of your presentation. Either return to your desks or report to the staff room after class for wasting more of our time.”

Both of you don’t need to be told twice–you practically sprint to your desk while an elated Nagumo hums a merry tune from behind, your mind still reeling from what just happened while the chaos in the room dies down and the next group begins their presentation on deception.

How the hell was Nagumo able to do all of that? A presentation you conducted research and rehearsed for around two hours was something he easily accomplished in less than five minutes. And with you as the guinea pig! The thought makes your cheeks burst into flames, but you refuse to hide your face for fear of appearing weaker.

“What did I tell you?” He tosses the paper into your lap–still folded into its original position–as he sends you one of those big smiles that used to give you the creeps but now seems to evoke some other inexplicable feeling. “Top marks!”

The urge to spit out “No thanks to you” is so strong that you have to bite your itching tongue, because that would be a fat lie. So you let out a spiteful ‘hmm’, twitching fingers creasing the folded paper even further.

“Wasn’t it fun teaming up?”

He’s still a bit too close for comfort when he whispers the question, so you lean forward into your desk, trying your best to ignore the buzzing coming from the pest.

“You and I have different definitions of fun.”

“And how would you define it?”

“Not being near you.”

“Guess I’m not the only sucky liar on this team!”

That earns him a glare as you plot several ways to wipe that pleased look off his face. You cross off a few bad ideas that you’re embarrassed your mind even conjured.

“The silent treatment, huh…Didn’t peg you to be the type who does that.”

The eye roll you offer him appears to be a sufficient answer as he lets out a small huff and pretends to listen to his classmates’ project, his bored yawn louder than whatever is being presented. You naively think you’ll be able to endure the remainder of the class without his yapping.

And then he turns to you once again, an impish spark in those large, curious eyes.

“But I just need to ask–what’s written on that piece of paper anyway?”

You press your lips firmly into a straight line and stare at him, bemused that he hasn’t figured it out. He matches your stare, looking at you expectantly. Maybe he’s pretending that he hasn’t read it–with how fast he is, you wouldn’t be surprised if he only needed one or two seconds to skim over the writing.

Then again, you’re the idiot for having a physical copy of your plan to cheat and steal from the school chemicals and rare toxins inventory.

“It’s my formula for a poison that I’ll use to kill you.” Like a psycho, you grin triumphantly upon seeing the way his mouth turns into a tiny shocked ‘O’.

And like the maniac he is, he’s quick to return your smile, though it doesn’t quite reach those indecipherable eyes. “Looking forward to it!”

You’re too proud to admit that you feel the same.

[ravi-is-my-beloved]

Don't you love when the people who say that wanting Tommy to die is making gay/bi men feel unsafe in this fandom are also the same people who are saying they want to punch people in the face and are going after queer women in said fandom?

I'd say that I wish I could understand why they think this is the best course of action to deal with homophobia, but I fear knowing why would make my brain lose brain cells.