#i think the main thing that stresses me out is the story

[ravensvirginity]

Titans #15 Review

Oh my god. Where do I even begin.

To start with my one and only positive: the art is gorgeous. Lucas Meyer is the best artist the Titans have had in ages, and his new Raven design really delivered. I'm so sad that it appears that the artist who'll be taking over for him in #16 is undoing his design changes, I think it's a massive shame. I did appreciate the detail of Raven's white cloak design having rings on her index fingers, but it feels a little pointless without the lore of Azar's rings to back it up.

Now, the negatives: literally everything else about this comic. This comic fails to deliver on an eight issue arc in any kind of satisfying way, has a bizarre and out of character tone, and severely misunderstands the lore of its main villain. They literally defeated Trigon with the power of friendship. Maybe that could work in Teen Titans Go, but in a main timeline DC comic? What?

First, the demon Raven stuff. Gar saying that demon Raven and regular Raven aren't two different people--yeah, obviously. The severe degree of separation between demon Raven and regular Raven has been one of the big issues of this arc, and this conclusion is as unsatisfying as the rest of it. Raven and her demon side being able to talk face to face isn't new, but them being two separate people with separate physical bodies who can operate completely independently of each other--while there is some precident for this, to me it's a very strange writing choice and misses the point of a demon Raven arc.

The original idea of Raven and her demon side was that her demon side is her. It's all the worst instincts she inherited from Trigon locked up and carefully controlled. When Trigon takes control of her and turns her into her demon form, everything she's repressed, both good and bad, is released. Raven still having a soft spot for the Titans in her demon form makes sense; she's still Raven, just corrupted by Trigon into something she isn't. Raven deciding to stop being evil (not that she even really was) and going back to normal from one brief conversation with her teammate does not, and is really anticlimactic.

It's just such a waste of the story's potential. If you don't want to commit to Raven being the villain of the story, don't do a demon Raven arc! It's possible to do a Trigon story without Raven being evil, I don't get why they didn't just do that. None of the drama with Raven being evil was particularly well executed, and all it seemed to do was drag the comic on longer and longer with nothing actually happening, because they were unwilling to make Raven actually do anything villanous.

All that pales in comparison to how they defeated Trigon. I don't think I've ever seen such blatant disregard for previous canon. As Raven, powered up by the other Titans, fights Trigon, Gar narrates as follows:

"I doubt Trigon has ever been in a fight. An actual fight. With someone his own size and power level. Never had to face someone like Nightwing one-on-one. Never tried to stand while being pinned by the power of Donna Troy's will. Never been blasted... with a giant-sized Apokoliptian blast from Cyborg. And never, ever... felt the full force of a Tamaranean hit powered by the stars."

WHAT?

This comic canonically takes place in the same timeline as the New Teen Titans. There are many homages to the New Teen Titans. It has been made very clear that the team started as the New Teen Titans, and then after many, many years of crazy comic book history the team reformed as the Titans of this run.

The first ever Trigon arc that introduces him and Raven as characters takes place in the first six issues of the New Teen Titans, and culminates in Trigon being defeated by the Titans and thrown into an interdimensional prison. I can't stress this enough: literally every single one of the things Gar said have never happened to Trigon happen in that fight. Donna uses her lasso to dampen Trigon's will, in combination with Raven and Arella's empathic abilities. Wally rips a hole through the fabric of reality to throw Trigon into, and Kory and Vic connect their powers to amplify their blasts to throw Trigon into the interdimensional rift. The whole thing is coordinated and managed by Dick Grayson (who was still Robin at the time).

Gar was there when all this happened. There is no reason for him to not know that this happened. The only explanation is Tom Taylor doesn't know, or he doesn't care. This would be disappointing for any comic book run, but it leaves an especially sour taste in my mouth for this to happen in a run that's so built on NTT homages. It's clear that the writing could not care less about the comic it was inspired by.

And then Garth causes Trigon to have a heart attack. Okay, that was just stupid. Admittedly, I did think the page of Raven stabbing Trigon was cool (again, the art is really the only saving grace here), but her saying "Fuck you, Dad"? Seriously? An ongoing problem in this run has been the dialog feeling janky and too much like lines from a generic superhero movie, and this line embodies that very well. I'm not opposed to swearing in comic books, but to me, this is not the right time for it. It doesn't fit the moment, and I think it's quite out of character for Raven, even if the sentiment behind it isn't.

And then Trigon isn't even dead? What does "Demons don't die. They just fade away." even mean?? Is he dead or not? Will he come back tomorrow or in a thousand years? It's such a strange, confusing letdown of an ending.

I didn't have high hopes for this issue, but it was somehow worse than I could ever have imagined. I'm so glad that this run is getting a new writer. Here's hoping that the coming issues will actually feel like a team book, and that the decades of lore and characterization of these beloved characters will actually be considered during writing.

[tortademaracuya]

😥

[villainvillain]

oop ALREADY seeing cold takes that are just "i thought the finale was good so if you didnt you are clearly just watching the show wrong and you missed the point of everything ever" like ok can we just accept that the world is more nuanced than that and doesnt always revolve around ur thoughts and opinions

[todayisafridaynight]

any hopes for kiwami 3? like things u wanna see added or changed stuff like that

if they dont keep kiryu's goofy walk stance and the hoof-like walk sounds i dont wanna play it

[icewindandboringhorror]

Some recent pressed leaves and stuff to add to the collection :0

[mmescarlette]

Favorite Books Read in January 2023

Since I thought it might be fun to turn this blog into a space to talk about books I've read, here's a roundup of books I particularly liked this month! There may be spoilers for each so feel free to skip between the titles if you like.

The Heir and the Spare - Kate Stradling (personal rating: 4/5)

This was, in fact, the very first book I read this year, a straggler that I started on NYE but put aside so I could read it more at my leisure after my previous challenge was fulfilled, and I'm so glad I did! I SNAPPED this book up. I can't tell you a great deal of what it's about because I kind of liked going into it essentially blind, actually, but it is not a retelling (I somehow thought it was a Prince and the Pauper retelling which it clearly is not but I think that was purely based on the title and not, you know, facts) and it's at my perfect intersection of fantasy, which is the kind of low-stakes sword-and-sorcery tales that I generally tend to write myself.

I believe what I enjoyed and got out of this book most was that it forced me to confront my own relationship with suffering, much like Thorn did two years ago; tw for the main character going through some fairly intense emotional abuse, but for me as a reader, I found it more cathartic and able to make me understand myself more closely, and thus well worth the read for me in particular. I also LOVED the choice to have a second lead who is essentially antagonistic from the start, much in the vein of QoA which I am always weak for. I would say this is low on themes, but high on character work, so if you're looking for an introspective read this is a lovely choice!

The Stolen Heir - Holly Black (personal rating: 4.5/5)

Holly basically OWNS me at this point. There's a high likelihood just based on this book alone that this duology will capture me in its clutches even MORE than Folk of the Air could, simply based on the fact that I love the two leads (and Wren in particular) like there's no tomorrow. For one thing, I think it's such an interesting and quite frankly beautiful and touching change to have both the leads be so downright kind people to their core, as opposed to the chaos gremlins (affectionate) of the previous trilogy. But for another thing, the particular theme that my dash is sucking me into loving this year is that of shared history of love of all along between people, and I looove that is very present here! FotA was very much about learning to love but I'm pretty badly invested in how much this story leans on how to trust even when the love was already there.

The reality also of Wren being this bleeding heart being who will undo bonds and chains and ties simply because it's the right thing to do is something that makes me feel insane! Everything about Oak coming from a family he can never abandon or leave behind because he cherishes them so deeply makes me sob! The entire theme that lingers from it all being "I have never had the true luxury of being free in any way that matters to me so I have the compulsion to save every person I possibly can even if it is at great personal cost" is something that can be so personal and dear to me and I LOVE it so much.

(Also I had a great time wailing at Wren every time she talks about Jude to be like "JUDE WAS SORRY FOR YOU WREEEN SHE FREED YOU ON PURPOSE BECAUSE SHE DOESN'T LIKE PEOPLE BEING BOUND EITHER" and whilst I have no doubt there will be angry Jude in the next book I love that there's this tie of fae-nurtured human and raised-by-humans fae between the protagonist of both the series! There's so much richness of kindness in that dichotomy and I'm so intrigued about where she'll take it.)

Thirst - Mary Oliver (personal rating: 5/5)

I'm always on the hunt for more Mary books to read, and this one is a stirringly beautiful example of her work. Very few things have made me cry like the titular poem does.

Part of the reason why I glommed onto this book so much is because, at its heart, it is a book about grief; from what I can tell, this was Mary's first book she wrote after the death of her partner, and because of that it is so deeply infused through and through with love and light and sorrow and tenderness that it seems almost impossible that I, at least, could not love it. But perhaps more than anything, the reason why it struck me so much is because it filled me with that which I am most on the search for in my life right now, wonder.

Mary's work makes me see the stars, the sun and the moon and the sky, all whilst I'm tucked away in my house, in my reading chair at one in the morning without moving a muscle. It makes me glad to live, but more than that it gives me reason to live, that most tricky part of staying alive and being glad for it. She always finds a way to lead me back to the emotion I am best at and struggle most with, that of gratitude of being here and being well with what I am given, that even when the tossing and turning of life tears at my soul I can always say a prayer in thanks for it and find my way back to something simple and still and true, and that-- is always worth the effort for me.

And while that is me talking about her work at large, I will simply say, this book made me see the stars at night and the rosebuds in late spring and the shadows of the geese making their way across the fragile sky, and for that alone I love it dearly. Also The Messenger is only the poem I have in full pasted on my wall which to me is the biggest peer-review test of all.

Station Eleven - Emily St. John Mandel (personal rating: 4/5)

A read that I embarked on because a dearly loved friend (hi Lu!!) adores this book, so I wanted to take a peek because the themes appealed to me. I'm a big lover of post-apocalyptic media that focuses in on what relationships look like between people in the aftermath and how often it is love, in the end. While this is not my favorite example of that particular genre, it is an extremely competent entry, and a good introduction if you're never dipped into the genre before.

Beautiful, dark, and luminous, Station Eleven is what I would call a slow amble through the book's contents. It neither tumbles you along with the impetus of its own story and pace (as a YA book does), nor does it urge you forward with the hastening steps of its plot that grow louder and louder over time (as speculative fiction often wants to do) but it is quiet, self-contained and self-possessed. From what I can gather, this is the kind of book that either resonates with you deeply, or doesn't whatsoever, but for me in particular I found it scattered with such moments of gentle beauty that made me have to close my eyes and hold them close to myself that I found it worth the read, despite the fact that it is also littered with enough violence and sorrow that it's not truly as comforting as I had expected it to be.

In its heart, this book is very simply about a girl who is part of a wandering troupe of actors in the world after an apocalyptic event whose life is shown in tandem and parallel to an actor who she worked with as a child; but it is also deeply about kindness, friendship, love and loss and the search for beauty when the surface of the earth has been so ravaged that it seems almost impossible that it could still be there. More than anything, Station Eleven is a book about care-- it's about Kirsten's care for her work, for her friends and the rare moments of beauty she carries about, it's about what goodness we can save and spare when all else is lost, it's about me weeping over the joy of electricity casting its light on the sky when that seems impossible. The longer I sit with it, the more I can find to love in it, because what lingers from this story is the love that stays within it through and through.

[arolesbianism]

Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)

[albedobeheading]

last day in Rome probably ever

[coruscant-cosmonaut]

Possibly unpopular opinion (based off what I've seen): I don't think Stranger Things 5 should kill off any of the main characters.

I can't say what they will do, mind you, but I don't think they should or have to kill them.

Often the reasoning people give why they should kill a main character is "consequences" but haven't there been plenty of consequences? They've all gone through immense trauma. A large part of the town was flayed and even more probably died when the gate opened. El will probably always been hunted by the US government, and Joyce, Hopper, and Murray by the Russian one. Their home was ripped apart and we have no idea how that rift will heal. Max is in a coma and, logically, assuming they don't introduce some weird healing magic, will be left disabled and have a long road to healing.

I'm not a big fan of this growing trend that major character death is the only result audiences care about, acting like if one of them doesn't die then nothing in the show effected them.

And honestly? The biggest reason I'm against it is I can't think of a major character whose plot would actually be benefited by dying more than some ending with them alive. Like, yeah, it'd "make other character sad" and "make the audience sad," but I feel like the last 4 seasons have given far more motivation to want the Upside Down beat than "being sad" would.

I don't know. I'm sure people can give a hundred and one reasons that actually the story would awesome if they just killed everyone off, and like, I admit there are stories where that's an acceptable ending. I just don't Stranger Things is one of them.

Yeah they aren't scared of killing off character - even loved ones (Bob) or in mass (the flayed, the kids at the lab, Vecna's gate opening) or even children (flayed, lab kids, and Vecna's gate again) - for darkness. But not major characters, and I don't think they have to change that to have a good story. Especially just because they "have" to because that's how you make a "good" ending.

Of course, I can't say what they would do. After all, hasn't someone on the cast said there will be an "important character death?" I can't say for sure because that's just something I've seen around Tumblr and I can't find its source. But given current trends, I wouldn't be surprised and I'm sure the writings will do it well enough. I just disagree with the idea that the show is ruined if it happens.

[oveliagirlhaditright]

Markiplier's FNAF videos are so entertaining. I love his personality.

I already did from the St. Jude videos (where on YouTube Game Theory "canceled cancer" in charity videos to give to St. Jude, and he was a part of that), but I do so even more now.

[jessica-problems]

Seeing @thydungeongal constantly wrestling with people interpreting her posts about D&D in ways that seem completely alien to me has convinced me that there are actually multiple completely distinct activities both being referred to as "playing D&D" Before we begin, I want to stress that I'm not saying one of these groups is Playing The Game Wrong or anything, but there seems to be a lot of confusion and conflict caused by people not being aware of the distinction. In fact, either one works just fine if everyone's on the same page. So far, I think I've identified at least two main groups. And nobody seems to realize the distinction between these groups even exists. The first group of people think of "Playing D&D" as, well, more or less like any other board game. Players read the whole rulebook all the way through, all the players follow the instructions, and the gameplay experience is determined by what the rules tell each player to do. This group thinks of the mechanics as, not exactly the *whole* game, but certainly the fundamental skeleton that everything else is built on top of. People in the second group think of "Playing D&D" as referring to, hanging out with their friends, collaboratively telling a story inspired by some of the elements in the rulebooks, maybe rolling some dice to see what happens when they can't decide. This group thinks of the mechanics of the game as, like... a spice to sprinkle on top of the story to mix things up. (if you belong to this second group, and think I'm explaining it poorly, please let me know, because I'm kind of piecing things together from other people saying things I don't understand and trying to reverse engineer how they seem to be approaching things.) I think this confusion is exacerbated by the fact that Wizards of the Coast markets D&D as if these are the same thing. They emphatically are not. the specific rules laid out of the D&D rulebooks actually direct players to tell a very specific kind of story. You can tell other stories if you ignore those rules (which still counts as "playing D&D" under the second definition, but doesn't under the first)And I think people in both groups are getting mad because they assume that everyone is also using their definition. For example, there's a common argument that I've seen play out many times that goes something like this:

A: "How do I mod D&D to do [insert theme here]?" B: "D&D is really not built for that, you should play [other TTRPG] that's designed for it instead" A: "But I don't want to learn a whole new game system!" B: "It will be easier to just learn a whole new system than mod D&D to do that." A: "whatever, I'll just mod D&D on my own" And I think where this argument comes from is the two groups described above completely talking past each other. No one understands what the other person is trying to say. From A's perspective, as a person in the second group, it sounds like A: "Anyone have some fun inspirations for telling stories about [insert theme here]?" B: "You can't sit around a table with your friends and tell a story about that theme! That's illegal." A: "But we want to tell a story about this theme!" B: "It's literally impossible to do that and you're a dumb idiot baby for even thinking about it." A: "whatever, jerk, I'll figure it out on my own."

--- Whereas, from B's perspective, the conversation sounds like A: "How do I change the rules of poker to be chess, and not be poker?" B: "uhhh, just play chess?" A: "But I already know how to player poker! I want to play poker, but also have it be chess!" B: "what the hell are you talking about? What does that even mean. They're completely different games." A: "I'm going to frankenstein these rules together into some kind of unplayably complex monster and you can't stop me!" ---

So both people end up coming away from the conversation thinking the other person is an idiot. And really, depending on how you concieve of what it means to "play D&D" what is being asked changes considerably. If you're only planning to look through the books for cool story inspiration, maybe borrow a cool little self contained sub-system here or there, then yeah, it's very possible to steal inspiration for your collaborative story from basically anywhere. Maybe some genres are kind of an awkward fit together, but you can make anything work with a little creativity.

If, however, you are thinking of the question in terms of frankensteining two entire board games together, then it becomes a massively difficult or even outright nonsensical idea. For example, for skill checks, the game Shadowrun has players roll a pool of several d6 at once, then count up how many rolled above a target value to see how well a character succeeded at a task. The whole game is full of specific rules about adding or removing dice from the pool, effects happening if you roll doubles, rerolling only some of the dice, and all sorts of other things that simply do not translate to rolling a single d20 for skill checks. On a basic level, the rules of the games work very differently. Trying to make them compatible would be much harder than just learning a new game from scratch. Now, neither of these approaches is exactly *wrong*, I guess, but personally, I find the rules of TTRPGs to be fascinating and worth taking the time to engage with all the weird little nuances and seeing what shakes out. Also, the first group, "TTRPG as fancy board game" is definitely the older and more widespread one. I kind of get the impression that the second group largely got into D&D through actual play podcasts, but I don't have any actual data to back that up. So, if you're in the second group, who thinks of D&D as basically a context for collaborative storytelling first and a game second, please let me know if I'm wildly misunderstanding how you approach D&D. Because I'm pretty sure it would save us a whole lot of stupid misunderstandings.

[year2000electronics]

Bill & Ford & A Book, Oh My!

DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.

So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.

Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!

But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. We’re finally able to see Bill’s perspective as a “protagonist” of sorts in a medium where he’s not just something to defeat- and that’s something we’ve never gotten before, so it’s shedding light on an area we didn’t know about for sure! Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.

First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.

Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.

Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.

Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.

(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)

Anyways.

Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). This guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"

Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.

(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)

Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?

There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??

AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.

Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.

And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-

Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.

These rats.

The Love Cage.

The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.

Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. I just don't think that we need to explore the relationships between characters as simply "Well, this character hurt the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there".

Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.

(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)

Anyways, that's the end of the post. Thanks for reading this long!

[bamsara]

I'll ask, if it hasn't been already - regarding the tags on the fanfic poll:

What kinda things make you click out/give you the squick? I'm so curious 👀

rubs my hands together: could be a mix of things anywhere between character dynamics, personalities or even how the fic is formated

Btw for people who don't know what squicks are: 'Squicks' are just personal preferences that someone doesn't like. Nothing wrong with em it's just not your vibe. (Exp: Like how all my friends HATE tomatoes but I am tomato eater forever)

anyway long ramble list:

Can't read big blocks of text without breaks very well, and I dislike when characters (esp main characters that are talking in every chapter/scene) have bolded or italicized dialogue. I think it's fine for special reoccurring characters but it genuinely messes up with reading flow for me when it comes to taking in information if used too much

If I'm reading a fic specifically for a monogamous romantic paring, I don't care for the 'past lover interest reappears' trope or one of them currently has one, or the love triangle that results in one of them being like 'oh but i love them both i can't possibly choose!' *cough twilight cough* it just makes the relationship feel disgenuine and icky. zero stars. Any mention of a character's past relationship usually makes me just click out, just personally not here for that

-^^^ to go with this, big fan of the 'misunderstanding where someone thinks there's a love rivelry but the third person never had a chance.' Like to the main pairing there's only eyes for each other and that's all they care about, there's just some third person who's there and causing problems (either because someone in the pairing is jealous of the third person thinking they're gonna steal the other when it's not, or the third person thinks they're a love rival when in reality they're not even thought about) *cough Tyren cough*. I think there's a lotta comedy to have with this. Bonus points if it brings main pairing closer together

When characters have linear character development and recovery. I prefer my characters to realistically relapse and bit a little bit of a hypocrite as they develop from start of story to end. Failing and falling short and again makes the final result much more satisfying when they're healing

When characters use 'therapy speak' or otherwise react perfectly 'acceptable' to stressful situations. Again, I prefer realistic depictions of characters under stress, and work out becoming better under that stress rather than just One Big Thing Happen and suddenly they're never going to react negatively or lash out again because another character told them It Was Bad and To find Better Coping Mechanisms.

Unhappy endings. (Or open ended ones) Sorry for hurt/no comfort lovers but none of my fics will have unhappy endings. I like my stories to have people that go through absolute hell and still come out on the otherside

The ace in me doesn't care for fics where physical attraction is a large part of the ingredients that gets the pairing together. Not saying they can't admire each other when the sunlight hits them or wearing a nice outfit but just not a fan of reading about how 'sexy' a character is to another. Probably why I usually blast all my characters with the aspec beam

That's all I can think of off the top of my head but if someone had a more specific question I might be able to answer

[yuveenti-blog]

Astrology Observations 07/30/2024

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Sign Parings That Annoy, Irritate, or Eaisly Upset Each Other

Aries — Scorpio

Taurus—Pisces

Gemini— Capricorn

Cancer — Libra

Leo—Virgo

Virgo— Gemini

Libra— Taurus

Scorpio— Gemini

Sagittarius— Capricorn

Capricorn— Pisces

Aquarius—Pisces

Pisces — Capricorn

A Sentence To Describe Your Moon Sign

Aries: This too shall pass, but when it’s here I’m going to act-up.

Taurus: I don’t feel like doing that, sorry.

Gemini: Hey everyone, this is my newest fascination.

Cancer: I want to eat my favorite food and scroll through my phone.

Leo: I need as much validation as possible right now.

Virgo: Let me do it my way or I’ll have a breakdown. 

Libra: I just want to go out and have a good time, let’s vibe.

Scorpio: I’m going to sit in the dark and overthink my entire life until I feel terrible.

Sagittarius: Fuck this, I’m going to go somewhere else where I’m appreciated.

Capricorn: I don’t even feel that way. You are the problem.

Aquarius: If I was to breakdown what I feel it would be that I’m just way too smart and people can’t understand me.

Pisces: Wait, what’s going on?

Signs That Have An Instant Connection

Aries & Leo

Taurus & Sagittarius

Gemini & Sagittarius

Cancer & Pisces

Leo & Pisces

Virgo & Aquarius

Libra & Pisces

Scorpio & Leo

Sagittarius & Aquarius

Capricorn & Scorpio

Aquarius & Scorpio

Pisces & Libra

Ascendant ( Rising Sign) & How It Relates To Your Personality

Aries Ascendant: Dare-devils, risk-takers, blunt. These people are easily noticed because they always have a unique or distinctive feature to their look. Loners. In a rush type of energy. Changes hair and looks a lot.

Taurus Ascendant: Chill, nonchalant, nature-oriented, needs to be in places with nice vibes. Luxury people. Quality oriented. Into their looks and will keep up on them. Can have really soothing or nice voices to hear.

Gemini Ascendant: Talkative and chatty, great at talking to others, feels the vibe of the room before interacting. Funny and loves to laugh and make others laugh. Thoughtful in their perspectives and mindful of how they come across. Can talk with their hands a lot.

Cancer Ascendant: Reserved, polite, funny, and has a lot of stories to tell. They can take time to warm up to others but are actually very talkative. Great story tellers and generous. Sensitive, but can reserve their tenderness for people in their close circles. If they gain weight it can be in their upper body.

Leo Ascendant: Talkative, always need a friend beside them or a main person, charismatic, funny, always knows how to put that shit on ( dress well), draws attention easily ( positive or negative), think of themselves well and really enjoy compliments ( changes their whole day). People with big hearts.

Virgo Ascendant: Simple dressers, nit-picky with a lot of things ( food, hygiene, looks, items). They can look/smell something and know if they like it or not. They can be super sensitive physically and enjoy alone time. Loners as well. If they’re interested in something they really are into learning everything about it. Great talkers and can capture people’s attention when they do open their mouth and talk. They can have either defined eyes or unique ears. They also might get an upset stomach faster than others.

Libra Ascendant: Alluring, has a striking beauty about them ( usually stand out beautiful features), these are the people who will strike up a conversation with anyone, they love flirting and love getting attention. Social chameleons they can blend in many environments, a lot of people tend to like them. Sensitive and easily offended, will strive to always have good relationships with others. May be prone to getting stressed easily.

Scorpio Ascendant: Observant, fascinated, obsessive, sensitive, private, sexual, jealous. They prefer to get to know people and build unbreakable bonds. They can be very stubborn to what people say about them, refuse to give people power over their own minds and self. Chooses what to share and usually shares information when they decide. Anything can hurt their feelings but they won’t tell you that. Has a super kinky mind and can be possessive over those in their lives. Can masturbate or enjoy it a lot.

Sagittarius Ascendant: The person who always seems positive and upbeat, a pronounced smile, talkative, expressive, always down for an adventure, open-minded, loves learning and always learning something new, a huge flirt, sexual, and says things that others won’t dare to say. They can be unpredictable and tend to try new things. Strong legs or a nice ass. They can be strong physically.

Capricorn Ascendant: They can be the type of person who follows rules and behaves well publicly and get wild in their private space. Brags a lot and likes to talk about what they have or do. Always having to look out for someone else either a sibling, a friend, or family member. They can mature fast physically and look older than their age or mentally mature fast. Tend to respect their parents a lot or at least can hold their parents dear to their heart. May feel like things take more effort in their life to get or that they have to work hard for all they get. Can have very nice skin or skin issues. Serious look when not smiling.

Aquarius Ascendant: Loves to stand out, the friend who works at a non-profit, social justice warrior, or goes to protests. Scattered brain with so many ideas. They are into unconventional ways of living. Probably interested in human psychology. Probably goes through many phases with their aesthetic and interests, depending on who they’re around. Whatever race or background they’re from they may not follow their tradition/culture. They are the type to find interest in unique people and niche groups.

Pisces Ascendant: The artist, poet, spiritual person. Sensitive, understanding, optimistic, loves being around others but always needs time for themselves. Can feel as if life is too much and prefers to escape into their own reality ( hobbies, having fun and pleasure, being apart of communities away from society, drugs). Loves so deeply and willing to sacrifice, friends with all different types of people. Naive and can fall into their own demise if not grounded. Can be eternally sleepy and ready for bed.

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[runnning-outof-time]

Change His Ways | Tommy Shelby x Reader

Request: no

Pairing: Tommy Shelby x Reader

Summary: In which Tommy falls for a woman out of his reach and does whatever it takes to get closer to her.

Warnings: Tommy’s certainly not canon here, language, smoking, religious themes (Tommy goes to church)

Word Count: 4025

A/N: I dusted this WIP off because I was itching to keep writing after I finished my celebration blurbs. The idea has Tommy ooc, but it was one that I just had to write down while reading a book - I’ll share a bit more about it down below for those who are interested (it’s based on a true story). Enjoy! :)

I’D LOVE TO KNOW WHAT YOU THINK - YOUR COMMENTS & REBLOGS HELP ME WRITE!

Comment/Message me if you’d like to be tagged in stories similar to this one!

Tommy's world stopped the second he saw her. She was in Polly's main room, gathering her cleaning supplies as he stepped into the home. He watched from the doorway as she tried, but failed, to take them all into her arms, the bucket and broom falling to the ground. "I'm so sorry, Ms. Gray," she quickly apologized to the woman standing next to the fireplace for the commotion, crouching down to - try and - gather it once more. Polly didn't say anything, only watching on as the younger woman struggled.

"Let me help you, miss," Tommy spoke up, balancing the cigarette he was smoking between his lips before he stepped over to her, leaning down to grab the stick of the broom before she could.

"Oh, thank you, mister," she smiled over at him, her (y/e/c) eyes instantly mesmerizing Tommy. He almost forgot what he was doing.

"Where do these need to go?" he asked after clearing his throat and pulling himself from his thoughts.

"Just outside. My father's picking me up," she responded, smiling over at him gratefully. He felt like she had knocked the wind out of him.

"Alright then," he nodded, standing in time with her and taking a bucket from her full hands so that she'd have less to carry. He then let her lead him out to where an older looking farm-typed truck was waiting. The man sitting in the driver's seat just glared at Tommy, who ignored his presence altogether. "Should be it," he remarked as he sat the broom and bucket into the back of the truck.

"Thank you, really," the woman smiled at him.

"You're welcome," Tommy nodded politely before she got in the truck and he walked back up the path to his aunt's house. Polly was standing in the entryway with her arms crossed when Tommy re-entered the house. "What, Pol?" he questioned, brushing past her into the main room.

"She's a good woman, Thomas," she heeded a warning. A warning that Tommy disregarded completely.

Tommy showed up at Polly's every day for a week until he figured out what times the unnamed, beautiful woman was present at the house. And each time she was, he would help her with the things that she needed to carry out to her father's truck.

He didn't quite get to his destination today because the very person he was looking forward to seeing was walking along the sidewalk about three blocks from his aunt's house. He slowed down his car with his brow furrowed, and bent his head down to look at her. "All ok?" he asked after he watched her take a few more struggled steps. "Your father coming to pick you up?"

"Not today," she shook her head, the tone of her voice showing how much she was struggling to keep everything in her arms. "He's been held up at the farm."

Tommy was out of his car the second he heard her answer. He walked around the side of it with a quickened pace before he took the bigger cleaning supplies from her arms. "I can take you home," he offered, already opening the back door of his car before she gave him an answer to set the supplies he'd taken inside.

"Oh I can't bother you like that," she tried to decline his offer politely, but Tommy didn't want to hear it.

"I insist," he stressed, his eyebrows raised slightly to show his seriousness. He held his eyes on her and saw her weary expression form into a smile. She nodded her head in agreement before he opened the passenger's side door for her to get into the car. Once she was in, he shut the door and walked back around to the driver's side.

"Do you have a name, sir?" she asked him almost immediately after he'd sat in the front seat, "because I feel like I should know the name of the man that has so kindly offered me a ride."

"It's Thomas Shelby," he said, clearing his throat before adding: "you can call me Tommy though."

The woman smiled at him. “It’s nice to meet you, officially, Tommy. Thank you for driving me home," she spoke politely. “My name is (Y/N) (Y/L/N)," she added, her cheeks heating up slightly when she realized that she hadn't formally introduced herself to him.

"It's nice to officially meet you as well, (Y/N)," he couldn't help but smile as he tried her name out for himself, "and there's no need to thank me...the pleasure's all mine here," he concluded his sentence by turning his car back on and pulling away from the sidewalk so that he could take her home.

There was an older man leaning up against the side of a rusted farm truck as Tommy pulled into the driveway that (Y/N) said was hers. He looked rather intimidating standing there, and if Tommy wasn't in the line of work that he was, he definitely would have been put off by him.

"Hi, daddy," (Y/N) smiled as she got out of the car so that she could grab her supplies from the back. She was too slow, however, because Tommy already had it in his hands.

"Where do you want this?" he asked her.

"Just by the shed over there," she answered as she motioned to said shed, "I can place them where they need to go later." Tommy nodded and then walked the short distance so that he could rest the supplies against the wall of the shed. "Thank you, Tommy," she sent him a bright smile once he'd finished.

"You're welcome," he nodded, deciding that being paid in her smiles would be better than any lump sum of money he could ever receive.

"You Thomas Shelby?" (Y/N)'s father then came into the situation, his voice making Tommy's expression go serious as he turned to face the older man.

"I am," he nodded, extending his hand.

"What are your intentions with my daughter?" her father got right to the point, glancing at the hand but not shaking it.

Tommy found himself feeling like a young boy again, and it made him wonder just how interested he was in (Y/N) for him to be feeling like this. "I brought her home. She was struggling with carrying the supplies," he explained himself.

The older man looked Tommy up and down before nodding slightly. "Ok," was all he said before he turned and started to walk over to one of the barns on the property.

"Thank you, Tommy," (Y/N) sent him another smile, pulling him out of the confused stupor that was brought on by the previous conversation. "I hope you make it home safely."

"You're welcome, (Y/N)," he responded, loving how her name sounded coming from his mouth. He then returned her wave before he walked to his car and got into it, backing down the driveway and away from the beautiful woman who was standing and watching him leave.

"I think you're a bloody idiot for coming up with that idea," Polly spoke her mind after Tommy had finished explaining to her where he'd gone a few days ago.

"That's why I'm doing it properly," Tommy tried to work a different angle.

"Properly or not, the (Y/L/N)'s are a God-fearing family, and I can't remember the last time you stepped into a church with the intent of speaking to the Maker," she remarked, quirking an eyebrow in his direction. Tommy sighed in response, shaking his head as he brought the cigarette back up to his mouth. He and Polly then stared at each other for a few moments before the woman sighed and hung her head, "but you'll still give it a try anyway," she stated in defeat, knowing just by his glance alone that her nephew's mind was made up.

Tommy cleared his throat as he stood from the chair in Polly's living room. He grabbed his coat and pulled it over his shoulders so that he was ready to leave the house. Polly tried to call after him, but he wasn't listening to her words as he opened the door and exited the dwelling. After getting in the car and starting its engine, he began driving to (Y/N)'s house with the full intention of winning her father over.

"You cannot court my daughter," (Y/N)'s father spoke firmly from where he sat across from Tommy in the front room.

"She's a very lovely woman, and I will be a gentleman to her," he tried to sway the older man, laying on the Shelby charm in full force, "all I am asking is for a date with her." If only his family could hear him now.

"If you want to see my daughter, you'll see her at church," her father decided, nodding his head once to show his decision was final.

"Mr. (Y/L/N)..."

"Save it, Shelby," the older man cut Tommy off, standing to leave the conversation. Tommy watched him walk, knowing there was nothing more that could be done. He also stood, showing himself out. He looked to the farmhouse after opening the door to his car and saw (Y/N) standing in one of the second floor windows. A sigh escaped his lips. He knew what to do.

Tommy met the (Y/L/N)'s at their church that Sunday. No one bothered to question how he knew where they worshiped, and he was thankful that he didn't need to explain.

They all sat in the same pew, Tommy to the right of (Y/N), of course, while her father sat on her left. He didn't listen much to the sermons, or participate in singing along with the choir.

He did, however, try to get even closer to (Y/N). After a few glances down, he slowly inched his hand closer to her lap. At first he attempted to take hold of her hand. She moved it away the second she felt his fingers brush hers. But she didn't look his way though, still focused on what the preacher was saying. So he let his hand stay there. Instead of holding hers, he flipped his palm down and draped his fingers over the curve of her thigh.

His hand had just started to warm from her body heat when he felt a sharp, but silent, smack land on the back of it. It made him remove his hand and quickly look her way. She was still looking straight ahead. Tommy kept his eyes on her, his brows furrowed. He was sure that he hadn't imagined that; she'd just smacked him.

The feeling of his eyes on her made (Y/N) glance to her right. She knew he wouldn't look away until he addressed her. But her father would instantly know that her attention had been taken off of the message being told. Ever-so-slowly, she leaned closer to Tommy, getting close enough so that he could hear her whisper. "There should be no touching in the Lord's house. It's considered blasphemy."

Tommy couldn't respond because she sat straight again the second she finished speaking. He took one last look at her before looking straight again, his hand resting on his thigh once again.

Tommy continued going to church with (Y/N) and her family every Sunday, and eventually they got into a routine of him walking her back home.

Every Sunday, they'd stop at the beginning of her dirt driveway, and she'd thank him with a kiss on his cheek. They'd then say their goodbyes and she'd begin walking to her house. Tommy would stay and watch, waiting until she was on her porch before he left.

This Sunday was different. (Y/N) was unusually quiet on the way home. The walk that was normally filled with her sweet laughter and entertaining stories was now overruled by silence.

They stopped at the end of her driveway, and (Y/N) turned so that she could face him. Tommy's eyes were immediately on her, and he noticed that she was looking at the ground. "I won't be in church next Sunday," she finally spoke, playing with her fingers in hopes it'd give her something to focus on. She glanced up at him through her eyelashes then, seeing that he was looking out at the fields for a moment. Thinking now'd be the best time to say goodbye, she lifted her head and leaned in to press her lips to his cheek.

Tommy turned to talk to her at that same moment, and he was met with the most rewarding accident he'd ever been given in his life when his lips met hers. The kiss was soft, quick, and innocent. Too quick for his liking.

(Y/N) pulled back with a gasp the second she realized what was happening. She looked at him then, her eyes now opened wide; looking as if she'd just seen a ghost, or a horrible crime be committed. I've fucked this up, Tommy thought to himself, the breath caught in his throat. The worst part about it was that he didn't quite know what to say that could make the situation better.

So he just stared at (Y/N), watching as her eyes searched his for what seemed like eternity. Then, after what felt like forever, (Y/N) leaned in and pressed her lips to his again. She kissed him more soundly this time, and he took hold of her waist to make sure that she wouldn't leave him too soon. When she eventually moved to pull back, he let her, keeping his eyes closed when she stayed close and rested her forehead against his.

"Why?" he asked once their breathing had returned to normal.

"Huh?" she was clearly confused by his sudden question, and she finally pulled back to look at him once more, her eyebrows furrowed.

"Why won't you be there, love?" he asked with a soft laugh, squeezing her waist softly as he remembered that he was still holding onto her.

Realization struck her and her confusion melted into a sheepish smile, remembering what they were talking about before the kiss happened. "My family and I are traveling to see my grandparents. We'll go to the service at their church since we'll be staying through the weekend," she explained the reason behind her initial statement.

"Should I find you there?" he asked her then, wondering if he could still make things work. He'd been seeing her every Sunday for a month and a half now, and he'd be lying if he said that he didn't look forward to it every week.

"There's no need for that, Tommy," she giggled, her stomach filling with butterflies at the sweetness of his voice. "I'll be home before you know it."

"Then I'll be waiting," he nodded, showing his sincerity as he squeezed her waist once more, his actions making her smile. His eyes flitted down to her lips then, their closeness and inviting nature becoming paramount in his mind again. "Can I?" he asked permission before doing anything, something he never could have imagined himself doing weeks ago.

"Please do," she smiled at him, her hands finding his collar as he leaned in and pressed his lips to hers once more.

"Fuck," Tommy huffed, pressing his fingers to his eyes in frustration.

"So what do we do, Tom?" Arthur asked his brother, clasping his peaked cap in his hands. "He's there. He's for the taking. We could just..."

"No," Tommy cut him off abruptly, leaning forward so that he could rest his elbows on the desk and put his head in his hands, "no, there'll be problems if we do that."

"Then what?" John chimed in, a bit of an incredulous look present on his face. "We know he did it. He shouldn't get to even think he got away with it."

"We do it another way," Tommy insisted.

"What way?" Arthur asked.

"I don't know yet," Tommy huffed, finally looking at his brothers before he continued, "but you fuckers better not try anything." He accented his direction by pointing at each of the two men as he spoke, his eyes wide to convey his seriousness.

Silence fell in the room then. John and Arthur shared a look before focusing back on their brother. They were both thinking the same thing...but who was going to be the one to say it?

Arthur looked to John again. "Seems like our brother's gotten himself a new perspective," he commented aloud, seeing Tommy's eyes snap to him from the corner of his.

A grin formed on John's face as he heard his older brother speak. Arthur was the one to cast the first stone. Now the floor was wide open. "I think it's because he's been going to that bloody church each weekend," he shared his thoughts on the situation.

Arthur shook his head. "Nah. The only reason he's going there is so he can give that girl a quick shag. You think it'll be worth it, Tom?"

Tommy was now seeing red. "What the fuck are you two going on about? Eh?!"

"That girl from Pol's place. (Y/N), was it?" John answered, even though the previous question was meant to be rhetorical.

"Yeah, yeah. That's her name. She's real pretty," Arthur commented, a smug grin now present.

Tommy couldn't take the comments anymore. He slammed his hand down on the desk, commanding their attention immediately. "Enough!" he bellowed, his eyes wide with anger. "You're not going to talk about her like that. In fact, you're not going fucking to talk about her at all. Understood?" He let out a heavy breath then, looking between the two of them before he swiped at his hair, returning the strands that had fallen over his forehead back to their resting place.

Neither John nor Arthur responded verbally to their brother's statement. Arthur let out a grunt of agreement and John merely nodded, both surprised by the show of emotion they'd just witnessed.

Tommy nodded in response to the silence. "Good. Now go out and figure out how we can get this guy. We need to do it cleanly," he gave them an order, one that made the two of them nod before turning and heading to the door.

John exited without another word, but Arthur stopped with his hand on the door's handle. He looked back to his brother, who had both of his palms placed flat on the desk as he finished recollecting himself.

"She really means something to you, doesn't she?" he broke the silence hanging in the room. His question made Tommy look up. They held eye contact for a few moments. Not a word was said. Arthur got his answer though; he could see it in Tommy's eyes. So instead of prolonging the staring contest, he nodded and exited the office.

Tommy let out a huff as the door shut, closing his eyes and tipping his head back against the chair. (Y/N) came to mind then, and he relished in the thought of her as it made his stresses wash away.

Tommy just happened to be sitting out on the floor of the betting shop when the most out of place looking person entered the building. He clocked the man speaking to Scudboat and continued working on the papers in front of him as he tried to listen into the conversation.

"Is Mr. Shelby in?"

"He's busy. You'll need an appointment. That can be arranged with his..."

"I just need to speak to him for a moment."

"You'll need to arrange an..."

"He's fine to speak with me, Scudboat," Tommy cut into the conversation, coming over to where he and (Y/N)'s father were standing by the door.

"Yes, Mr. Shelby," Scudboat bowed his head as he left the conversation, knowing he was no longer needed.

"What can I do for you, Mr. (Y/L/N)?" Tommy asked (Y/N)'s father then, his eyes trained on the man who still looked so out of place.

"I'm not here to spend any money," the older man quickly replied, a rather sour look present on his face.

"I never thought you were," Tommy responded, hoping that his level voice would ease the other man's inhibitions. "Has something happened to (Y/N)?" he asked then, his brows furrowing as a feeling of worry washed over him.

Mr. (Y/L/N) looked around the room for a moment before his eyes found Tommy's again. "Can we speak somewhere more private?" he requested, the inflection of his voice not giving Tommy any concrete answer to his question. He hated that.

"We can," the gangster nodded, then moving towards one of the private offices - a little too quickly for his liking. "Has something happened to (Y/N)?" he asked again once the two men were behind the closed door.

(Y/N)'s father sucked in a breath and let it out slowly, shaking his head every so slightly before he began speaking, "I know what you do...and I know that it's not right, nor good..." he started, his eyes darting around the room so he wouldn't have to hold Tommy's stare. "But I've seen you with my daughter, how you've tried to open up and let God into your life..." he paused again, taking another deep breath. Tommy wished he'd say what he needed to already. "She sees something in you that I can not, Mr. Shelby, and I hope that you see something in her that goes beyond physical desire."

"Way beyond, Mr. (Y/L/N)," Tommy was quick to tell him, "she's...she's changed me in ways I'd not thought possible."

"Good," the older man nodded, looking pleased with the response he'd gotten. Silence hung in the air then, and both men stared at each other. It was almost like one was waiting for the other to crack; for the other shoe to fall. Mr. (Y/L/N) was the one to speak first. "You have my blessing. You can court my daughter."

Tommy exhaled the breath he didn't know he was holding upon hearing the other man's statement. He immediately extended his hand. "Thank you, Mr. (Y/L/N)."

"Treat her well, Thomas," her father sternly said, accepting the handshake Tommy had offered.

"I will."

Tommy and (Y/N) arrived at the road to (Y/N)'s home, and (Y/N) turned to face him like she always did. She smiled at him, sweetly thanking him for walking her home from church. Tommy smiled at her, tipping his hat and making her giggle - like he usually did. (Y/N) then leaned in and pressed her lips to his, giving him the quick kiss that she'd always leave him with. This time, however, Tommy's hands found her waist and he held her close to him when she pulled away.

"Be mine," he whispered against her lips, pulling back slightly so that his eyes could find hers.

"Tommy," (Y/N) breathed in response to his statement, "my father..."

"He gave me his blessing," he assured her, "will you be mine, (Y/N)?" he asked this time.

A smile spread across (Y/N)'s lips as butterflies erupted in her stomach. This is what she'd been waiting for. Everyone had told her that Tommy Shelby was a man who was to be feared, but that was not the Tommy Shelby that she had the pleasure to know; to get close to. And now he was asking her the question she'd hoped he'd ask ever since the first kiss they shared.

"Yes, Tommy," she answered with a slight nod, excitement bubbling up inside of her, "yes, I'll be yours."

Her words made a smile form on Tommy's face, and instead of saying anything in response, he leaned in and kissed her, showing her how happy he was to hear her answer through the passion he put into the kiss. She was the only person who'd get him to change his ways...and now she was his.

**a little bit about the background: this was based off of a vignette that I read in a book about America in WWI — a man, who was rather rowdy, into no good things, took interest in a woman, and the woman’s father told him that the only way he’d get to court her is if he came to church. The man essentially changed his lifestyle around for her because he was so interested in her and they eventually got married — so just like Tommy, he got the girl.

———

Tagged: @mystcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21 @mrsalwayswrite @julkaamazing @evita-shelby @lilyrachelcassidy @notyour-valentine @shelbydelrey @theshelbyslimited @peakyswritings @just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry @captivatedbycillianmurphy @yummycastiel @dark-academia-slut @tommystargirl @emotionalcadaver @stevie75 @lyarr24 @signorellisantichrist @zablife @anotherblinder @cillmequick @dandelionprints @letal-y-poetica @garrison-girl-08 @insanitybyanothername @depxiety @raincoffeeandfandoms @dragons-are-my-favorite @forgottenpeakywriter @cljordan-imperium @brummiereader @red-riding-wood @everythingelseisextra @little-diable @thomashelbyswife @shaddixlife

MASTERLIST

[miabebe]

Reverse Trope Series - Accidently Kidnpping A Mafia Boss (Teaser)

Kidnapping the Yoon Jeonghan was not on your 2024 bingo but sometimes, shit happens right?

Pairing - Yoon Jeonghan x afab!reader

Word Count - Teaser is 1.3K, I'm not gonna promise a number for the full fic just yet

Genre - Strangers to something more than that I guess? Crack because there’s ‘dumb’, ‘dumber’, ‘dumbest’, and ‘dumbest of them all’ so you can imagine and also angst, just a small splash and smut. Loads of it (not here but in the full fic)

Warnings - none for the teaser, mentions of kidnapping and mafia. (But just to be clear, this is not like your usual mafia fics - it’s not dark, there’s no violence and things of that sort)

Estimated posting date - I have a shit ton on my plate right now so I don’t want to stress myself out with a deadline! If you want to be in the loop, please follow me or join the taglist by commenting, sending a message or an ask, thank you!

Thank you @taechwita613 for bearing my annoying self yet again 💕

"You're being a real pain in my ass right now." 

"I don't see how it’s an issue since that’s not much of an ass." 

Seokmin glared at Seungkwan.

"Just because some stupid college club awarded you a silly superlative-"

"-best bakery in town is not a ‘silly’ superlative-"

"-like once-"

"-twice. In a row-" 

"-doesn't mean-" 

"-absolutely does-" 

"Will you two shut up?" You hissed under your breath looking around. "Are you trying to get us all caught?" 

Seungkwan clicked his tongue annoyed. "You're acting like we're in the middle of a crime." 

Your eyes flickered from Seokmin to Seungkwan before landing on the third guy between them, the one who was unconscious and being held up with his arms thrown over the shoulders of your friends. 

"Last I checked, kidnapping is a crime." You pointed out.

Seokmin rolled his eyes. "Pranking your friend isn't."

"That is if Soonyoung decides he wants to save your sorry ass."

"Again, not much of an ass-" 

"I swear to god Kwan-" 

Groaning you covered your ears to shut out all the bickering. 

That night when drunk Soonyoung had pushed your buttons, consequently leading to the events of tonight, you did not think it would be this hard. 

The plan was simple - on Mondays Soonyoung was in charge of closing the BBQ shop where all 3 of your closest friends worked part time. His routine was fairly straightforward - first he clears and cleans all the tables, then he closes the kitchen, then changes out of his uniform and finally wraps it up by locking the main door. 

That's where you would get him, right as he closed the doors. You were to take him by surprise from the back, cover his face with a black cloth bag then bring him to your apartment and tie him up leaving him immobile, blinded and helpless. 

One might wonder why such cruelty when you called him a friend but you would argue that Soonyoung deserved it. After all that night, he hadn't stopped mentioning how you were boring and your life was so uninteresting and you didn't have a single exciting adventure while he had a shit ton of them. Well, today you were about to give yourself, and him, a story to tell.

Now things did go according to plan, for the most part. Seokmin and Seungkwan were first reluctant to be a part of this madness but that was until you brought up the prospect of Soonyoung being scared enough to hopefully piss in his pants. Intrigued by the idea, they joined and all three of you waited in the bushes, watching your friend's silhouette moving around the shop, putting things away, cleaning up. Just as he reappeared after changing, hurriedly trying to leave the shop, the three of you got to action, approaching him silently from the back, swiftly holding him by the hands and putting the bag over his face. 

What you didn't take into account in this plan was just how much resistance Soonyoung would show, God knows why you didn't consider his adrenaline driven reaction, but man did he put up a fight. It was only natural you retaliate and so instinctively, you landed a smack on his head with the torch in your hand knocking him out, making him buckle into the pavement as the two other boys caught him, looking at you bewildered.

That was perhaps just the beginning of your problems because now you had to very unsuspiciously drag a very unconscious man to your apartment in the dead of the night. It would have helped if this neighbourhood was even a little sketchy but being a quiet, painfully uneventful suburb meant even the smallest of things was seen with high scrutiny. 

So far, the three of you had somehow managed to make it from the restaurant to your building undetected but it was getting from the first floor to your house that was the real task since the building's resident old woman decided she wanted to feed the stray cats at 2 am. 

"How much longer are we gonna have to do this?" Seungkwan groaned. "He's surprisingly not that heavy but my arm is starting to sleep."

"Yeah, this joke isn't as funny anymore-" 

"Will you two just keep quiet?" You turned to them annoyed. "She'll be gone in a few minutes and then we can move. Didn't you guys say you wanted Soonyoung to shut up for a few days?” 

Seokmin mumbled a yes under his breath while Seungkwan nodded hesitating. Hoping for some silence after this, you turned to watch the old woman stroking the cat softly as it slowly nibbled its food. Although your patience was really being tested, something told you if you didn't go through this plan, in another 40 years, you'd be exactly like that old lady - lonely, boring and feeding stray cats. Terrified by that thought, you held it together even though it took a whole 15 minutes for the scene to clear. As the three, no four of you, proceeded towards your apartment, the stray cat watched, licking its paw. 

Seungkwan and Seokmin groaned in relief as they half threw Soonyoung onto the chair you pulled to the middle, rubbing their aching shoulders. Scouring the drawers, you pulled out a rope with a soft “aha” making them turn towards your unnaturally happy self. Soonyoung stirred in his chair.

“You're a little too excited about this-” 

“Shhh!” You covered Seokmin's mouth with your hand, whispering. “If you talk, he'll know it's us, then it's not scary anymore.”

“Frankly, I think the kidnapping and knocking him out cold must have been scary enough already.”

“Not enough” You glared as Soonyoung let out a soft groan, letting you know he was coming around. “Quick, take my phone and open that AI app. We'll type what we want to say and use the bot voice - that way he'll have no idea.” 

All three of you huddled, glancing at the phone as Seungkwan typed something quickly, pressing play to let the low toned automated voice echo through the room. 

“I cannot wait to see Soonyoung shit his pants.”

Seokmin giggled as your lips curled into a pleased smile. Oh, he was surely going to shit his pants. 

“And why would I do that?” Soonyoung's voice sounded confused.

“Because we-” 

Seokmin looked up, freezing mid-sentence, noticing the voice did not come from the person before him. 

All three of you exchanged looks realising the same before slowly turning around. Soonyoung  was standing at the entrance like he just walked in, looking bewildered. 

Before any of you could process the situation, he pointed over your shoulders, frowning.

“And who's that?”

Oh. 

“And why is he wearing my clothes?” 

Oh no.

You turned back to see the man in question, slowly pull the black bag from over his head, shaking his golden tresses away from his face. Oh lord was he gorgeous. 

As he blinked his eyes open, wondering where the hell he was, you were busy running your eyes all over his pretty features and suddenly, in that short span of 20 seconds, you had memorised where every single mole on his face was. 

Seokmin and Seungkwan held your arms on either side half hiding behind you which was stupid considering you were the biggest coward in the room. 

But somehow, as the man before you looked at all of you with narrowed, accusing eyes and tried to stand up, you swung your arm and smacked him right on the head with the torch again. All three boys gawked at you as the man fell back into the chair again, head rolling to the side, unconscious. 

“What the hell mate-”

“I'm sorry I panicked!”

“Will someone tell me what's happening? Why is he wearing my clothes-”

“Shut up Soonyoung.” Seungkwan turned to you looking terrified. “Do you have any idea what you've done?” 

“Hey, this can't be just on me, we all thought it was Soonyoung-” 

“Me???” 

“-how is this my only fault-” 

“Because!” Seungkwan raised his voice pointing a shaking finger. “The man you just knocked out again, that's…that's….”

“That's…” Seokmin's eyes widened in realisation. “That's the city’s most wanted criminal, Yoon Jeonghan.” 

A/n -I have tagged all those on the current taglist in the comments, if you wanna be added to the taglist for the fic or for the series, please let me know by leaving a comment/sending an ask or a message!