#i think shes a good writer

[eternalera]

the sad thing about hazbin is that its such a good concept but the more and more you think about it the more it falls apart just entirely. cause ive been thinking about the angels and heaven and hell and it just... doesnt make sense. if the angels are 'bad grrrr evil' why do you want to send your people there? who's to say that they won't be treated badly there? what about the people that they'e harmed there? how would they feel about seeing their potential killers/bullies in heaven? isnt the point of heaven knowing that theres no one bad there? the world isnt black and white, they had chances while they were alive to do good right? why should they get a third one after they realize the consequences? isn't that unfair? is there a point where they can't be redeemed any longer? is there a limit to redemption? what about hilter? could he hypothetically be redeemed by the hotel? they cant turn sinners away so theyd have to accept him right? what about valentino? how would angel feel about that? why are we so focused on sera approving the extermination when she was doing it to protect heaven but not lucifer who didnt give a shit about hell until his daughter talked him into it? why does he get a pass? is it because of that one framing with fire in sera's eyes? what if you put that in lucifers eyes? would people try to justify him?

it just... crumbles and i know they didnt have a lot of time but like... come on. i dont hate vivzipop at all in fact i really do like hazbin but i can only like it to a surface level is the problem. if i dig deeper than it crumbles and thats... not fun. i like helluva boss and personally... i think its better than hazbin it has such better writing despite being in the same universe but those concerns dont really apply because guess what? theyre never brought up.

anyways yeah... i hate that i cant truly appreciate hazbin without running into complications

[words-writ-in-starlight]

listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN

I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.

I hope they make twelve of these motherfuckers.

[batcavescolony]

Ok let's go back to this line from Agatha All Along

"it's underwater! There's a boy. It's a prank. They tricked him. He's gonna drown. it's a bad place. And the people, the family, there's no one to love him! He's got no one!"

Guys we're getting some Tommy lore and it's heart breaking💔 (we knew it would be).

[bumblingbabooshka]

Section 31 is so lame. Like, I can just tell with every word they say that they think they're SO cool and the writers think they're so cool but they're so smug and laaaame I am rolling my eeeyeees

[angelbunny-shenanigans]

I'm ovulating so hard rn I need creampies. Creampies and don't stop after one. Overstimulate me into another universe but don't stop. creampie after creampie. just another one. just one more.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[henke-penke]

Fuck it,

World Tour but with Eva instead of Duncan !!!

Some plot points I conjured up while procrastinating my illustration

Eva ends up on Team Chris Is Really Really Really Really Hot.

She's almost immediately wary of Alejandro, but will write it off since she's not good with people, so it's likely just her reading into things wrong.

However, this changes in Germany, when Noah makes note of his own suspicions.

Owen is the one medically evacuated in Jamaica.

Team E-scope wins the challenge in London, and because there is no Duncan to capture, Team Amazon loses. And realistically, Heather would be voted out, sad but true

This means that Alejandro is in a bit of a situation, because Noah and Eva are both onto him and they along with Izzy have the majority vote on their team. (Which, they've technically had since day one, but Alejandro wasn't aware of their suspicions of him prior, he didn't see it as a threat)

His best strategy is then to take away that advantage. Because of his interaction with Izzy in the Paris episode, I'm going to say that Alejandro manages to convince her to vote herself, and Izzy leaves in Area 51.

Because of this Team Chris now has to stay on a winning streak where Eva and Noah will try their damn hardest to get Tyler to vote with them. Which will be a fucking task because he and Alejandro are friends.

And quickly for the Amazons. Because there's no Duncan, Courtney and Gwen can properly establish a friendship. Absolutely not without a handful of hiccups along the ride, but it'll be much more stable without him being there and they can actually talk out any issues they may have.

If we're rolling with the canon of Team Victory being eliminated in the first half of the season, then the players making the merge will be; Alejandro, Eva, Noah, Tyler, Courtney, Gwen, and Sierra (Cody is eliminated in Australia I have my reasons trust). Which means that with the addition of Blaineley, we get an f/f couple in the wedding challenge hell yeah !!

Oh and Eva makes final four because she's awesome like that

[moeblob]

Yeah! I haven't read any fics focusing on them but I have seen that they exist! And also there's like a five sentence interaction in a fic I read ages ago that lives rent free in my brain. I think about it all the time when I draw Sixty.

[skarkkk]

It was fucking rape. That's my fucking point of view.

What do you mean he liked it? What do you mean it was cheating? What do you mean I like her?

It was rape, there is no other interpretation other than rape.

Robby lived with two addicts and yet he was abandoned in a bar with free access to alcohol, and that's where it started.

He got drunk for the first time, he drank for the first time and he has no resistance to alcohol because he stays away as best he can for the simple fact that his parents were addicts who never cared about him. So he wanted to forget what was happening, to repress all of this and he turned to alcohol because where else would he go when everyone didn't give a damn about him, or his situation with Tory or his emotions? Where else was he supposed to go when his example of dealing with emotions is aggression and addiction? So he drank. He drank to a level where he couldn't formulate a response, a sentence, when Kwon came to talk to him and provoke him, and we know that if he was sober he would have done something. It was obvious on his own face listening to Kwon that he was spaced out, drunk, and then Zara approached him. And took him to her room, from where he came out the next morning. No memory of the night before, a headache, and still looking out of it, as we can see when she kissed him and he didn't even react to it. The level of alcohol this requires is the level of alcohol that prevents someone from giving consent.

— I barely remember last night

— Good thing I do

Can we see the exact connotation that something happened? That she actually took advantage of the boy who couldn't speak to give consent, who couldn't think to say no, who was too drunk for this to be acceptable? The fact that she shows no remorse whatsoever for this happening and yet kisses him again.

Besides the fact that the writers themselves are treating it like it's some kind of cheating with Tory, the characters themselves acting like he's not a vulnerable person being raped by someone who knows better?

I hate her and I hate the writers for making this like it's nothing. I don't want to be that girl, but being that girl, if the roles were reversed, would this be in the show? Would this be treated that way? Or would they actually treat it like the SA situation that it is?

From the beginning, you can see her interest in Robby - starting with that scene in the captains' photo shoot where she talks to Tory. She knows he's in a relationship. All those teasing scenes with Tory. Her taking advantage of Robby. Then the fight scene.

— You chose her over me?

Like, girl, what the fuck did you expect? He doesn't know you, he doesn't like you, you raped him and you're going after his girlfriend - the person he loves? How high is your ego to even consider that he would choose you? Axel's obsession with Sam I can understand more, although I still have my doubts. She was the first person to understand and see his situation with his sensei, she was friendly and he developed a protectiveness towards her. Although his attitude towards Miguel was wrong, he didn't rape Sam or act like a bitch towards her.

Iron Dragons and their obsession with the Miyagi-Do captains.

Zara Malik and the fact that she raped Robby Keene.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[sovamurka]

let's be honest, for very ironic reasons, official writers were not really responsible for timebomb being so good, fortiche carried most of the timebomb writing

yes, even in s1 since this is really where writers (*VERY LOUD COUGH* amanda) picked up on very delicate and deliberate details that fortiche put in s1e7, details which could be potentially explored later (as a side plot, of course *sarcasm*, we don't want to overshadow other dynamics of the show, do we?)

but especially in s2 since it's basically confirmed by pascal charrue, fortiche's co-founder, that the episode fortiche studio were most emotionally and creatively involved with in matters of writing is episode 7

which is even further confirmed by linke in the artbook where he states that episode 7 is basically a literal love letter to french culture and that he hopes fortiche is really proud of it

like... wow, the "nobody loves timebomb more than french people do" joke is actually not a joke at all

[some-pers0n]

I might be poking at a bear here but I kinda really dislike the "all or nothing" attitude the WoF fandom has. This character is evil the worst piece of garbage imaginable or is secretly a great character and you're just a fool for thinking otherwise. It's ridiculous at times

Like I recall the stuff with Secretkeeper a while back. Now, call me crazy, but I don't think she's some horrifically abusive and neglectful parent. She did the best that she could. Was it great? No, but she was trying to keep her daughter safe in a hostile world that she was terrified would reject or, worse, hunt her. Her leaving Moon alone for days was bad, yes, but she wanted to keep Moon free from the horrors of the volcano. She loved Moon and clearly took care of her a lot. You can't just look at a character and paint them as being a "horrible abusive POS" for something that, let's be real here, is much more forgivable and understandable than anything Coral, Scarlet, Diamond, Cobra, Jerboa, or Kestrel did

[dreamerdrop]

An AU to consider: Nurse Ogawa transferring to Deep Space Nine alongside Miles and Keiko.

Ogawa has a really magnetic charm to her, it’s impossible not to like her. She is also very intelligent, a studious professional, and deeply dedicated to her work.

She also has several years experience in the field over her Chief Medical Officer, who is fresh out of the academy and a little too enthusiastic about everything.

She thinks Bashir is adorable. He reminds her a bit of Wesley, so she ends up mothering him without meaning too. Julian would stop her, but it makes him feel kinda fuzzy and warm when she’s like that. (He mistakes this for romantic interest in her, but she actually bursts out laughing when he tries to ask her out, and then spends a week apologising for it. Julian decides it’s probably not worth a second attempt, and they settle into a nice doting friendship instead.)

She, Keiko, and Garak have a wine & whine club on weekends.

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[prideprejudce]

while it's obvious that rhaenyra is the best suited for the role as the ruler of westeros and the rightful heir, i really hope the writers don't forget the fact that rhaenyra is not this all-knowing and all-wise ruler that they like to show her as up until now

people seem to forget that the entire point of the ice and fire series from the dance all the way up to the game of thrones timeline is to show that the monarchy as a system is absolutely fucked and having one person be in charge of everything is dysfunctional and flawed no matter who it is

while rhaenyra has been shown to be a level-headed character, she can also be just as rash and irresponsible as the next person and has flaws that make her just as problematic as any other person clawing for the throne. this isn't a good vs bad or a greens vs blacks story, it's about how the pursuit of power completely tears a family and an entire realm apart, and everyone is complicit in it, including our faves like rhaenyra