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alvivaarts · 5 months

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Writing Tips For You (as if I don’t currently have insane writer’s block)

-Can’t start a scene? Write the setting instead. What is the lighting like? Is this place comfortable? Is it familiar or not? What should you point out now so it doesn’t suddenly appear when it becomes important for the characters? SET! YOUR! STAGE!

-Everyone says “show, don’t tell”. I like to think of that as “what are your character’s physical reactions? What are they feeling?” You can say “Character looked dismayed”, or you can say “Character grimaced with dismay.” See the difference?

-Struggling with dialogue? Talk to yourself while you’re writing. You might be blocking yourself if you subconsciously think some dialogue feels unnatural.

-Context, context, context! This applies to everything from the small interactions to the big plots. Every force has an equal and opposite reaction, allow interactions and events to grow as such.

-Context, context, context pt 2! But worldbuilding! If your character is performing an act, how does that fit into the physical reality they already exist in? How is it possible? Can you imply (imply, not explain) that these things are commonplace or why they wouldn’t be?

-Build the action. (Stealing this from theater class like twelve years ago.) You can’t just put a character into the scene and say ‘they made a sandwhich’. What has to happen for the sandwhich to be made? Your character has to walk into the kitchen, open the cupboard, get out a plate, get out the jam and peanut butter, get out the knives, open the fridge, get out the bread, close the fridge, open the bread bag, lay down two slices of bread on the plate, close the bag, open the first jar, pick up the first knife, scoop up the jam, slather it on the bread, put the knife down, close the first jar- and so on and so forth. Every small step is necessary for you to understand, and to engage your readers. You don’t have to go into ridiculous detail like I just did, but even understanding that for yourself helps remember the ‘state’ of your scene at any given moment.

-See above, but it’s not a scene and a sandwhich. The scene is your whole story and the sandwhich is your plot. What small steps MUST happen to reach the climax? Does changing one of those small steps change the result? How?

-Emotions are best portrayed when you have experienced them or can get insight from those who have experienced them. Let yourself get emotional in a scene. Allow yourself to be empathetic and vicariously experience what your characters are.

-Reread your own work! Your writing style and characterizations can change over time, but if you feel like you’re losing them, don’t be afraid to look at where you started to ground yourself!

-Proofread your own work 2-12 hours after you finish a section! Not while you’re writing! Don’t let yourself get carried away with writing things ‘right’, just get the ideas out.

-Have a friend or volunteer proofread for you too! This can help pick out things you repeatedly say, words you might misuse, grammar and punctuation that might need correction, and phrases that are hard to digest or don’t make sense.

-Make sure you’re making an effort to use regionally/era specific words and slang both in dialogue and in your writing. There are plenty of websites and videos online that list and discuss regional and era slang worldwide. Not to mention, we can connect with people all over the world using the web just to ask! Using incorrect phrases can really break immersion and make characters feel- well, out of character! I.E. an 80s jock saying ‘dope bruh’, American characters (generally) saying ‘lift’ instead of ‘elevator’, so on and so forth.

-Research research research! Research bloodloss limits, research how laws and jobs operate in different regions and countries, research weirdly specific myths and biblical themes, research as much as you can! You can only build a richer environment to write in!

-If you actively want to implement themes, allow them to reflect the experiences of your character. Example character is an Italian American who was orphaned at 13 after his orthodox Catholic parents died, he has been in and out of foster care his whole life, and the moment he got out his military job became strict and he allowed himself to be blackmailed to protect a child in a similar position. This has plenty of fun themes and symbolisms, like sacrifice, fate, lack of control, love, losing autonomy, etc, all of which can be framed under the impactful history of his Catholic childhood. This evokes the imagery of farm animals, servitude, animal tags/dog tags, holy spaces being used for other purposes. Play with it!

-Build three base playlists! One for your overarching story, one for songs that remind you of the main character and their story arc, and one for how you feel when you’re writing/songs that weirdly remind you of your story. You can cycle through these to help get into your mood.

-Consume other media! If all you do is focus on writing, you WILL lose steam and inspiration. Don’t be afraid to watch new shows, read new books, look at more artwork, read more poems, listen to more music. You might get a flicker of inspiration for themes, motives and ideas, and you’ll continue to fill yourself instead of dumping your focus out on your writing.

-Understand how each major character thinks and instinctively reacts to things. Some characters can stay calm, but others might instinctively react to things ‘angrily’, others might try to run away. This is an easy way to figure out character flaws and impliment easy conflicts.

And last but not least:

-Take breaks! Don’t worry about forcing yourself to keep a posting schedule (unless you’re being paid. I’m not. I’m doing this shit for free and for funsies) if all you do is spend all your time worrying about your writing, you won’t be able to relax your brain. Spend time with friends, play games, go outside!

I hope this helps!

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justkending · 4 months

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Mr. & Mrs. Hunt (Chapter 4/7)

Mini-Series Summary: Two of the most stubborn people in the group partnered together for an undercover mission are also the two people with the most hatred for each other, so what could go wrong? Or is it, what COULDN’T go wrong?…

Pairing: Bucky Barnes x Avenger Reader

Word Count: 3900+

A/N Note: Only a few more chapters to go (I think, but we're both lost on how long this series will be.) Thank you guys for reading and as always, thank you for the love and support!

____________

Chapter 4:

Y/N's POV

It wasn’t him. It was 100% me. I did this to myself. I built a wall so quickly around him because I didn’t want to like the man behind my misery.

My teammates knew enough about my backstory to think they had an idea of my reason for joining SHIELD: helping the little guy because, at one point, you were the little guy—the manipulated guy—the one who no one saved, so you had to save yourself—and now anyone else who can’t do it for themselves.

Yet, there were so many other things I kept for myself, and things files couldn’t tell you. No files existed of them, and I’m glad because I didn’t want the pity.

James Buchanan Barnes was the reason behind my abuse. Not personally, but my abuser was obsessed with his accomplishments under the German and Russian terrorist organizations and wanted to make a female, more skilled, discrete, and sleeker version of the Winter Soldier.

Who fucking didn’t, right? God, every goddamn evil bastard on this godforsaken shit show of a planet wants to remake something that was a once in a lifetime kind of thing and crack more than a few eggs to get to that point. Selfish asshole…

Being constantly compared to him and then beaten for not hitting the unreachable mark of the man I was ‘of no comparison to’ after years of trying to hit that standard, and then being asked to be on a team with him? A lot of emotions hit me like a train when I got that news.

Will I amount to being the trained spy and agent I am for Shield with him by my side? Will he make me look like a completely pointless addition to the team? After five years of already working with the Avengers and then learning who the Winter Solider was? Steve’s best friend and probably the only person he could relate to in their journey? All the way to having to work with him… The change-up was instantaneous, where I would have begged for baby steps.

Then again, when has the world made it easy for me?

So yes. I was an ass and kept him further than arm's length away to stay safe from learning that he was a good guy when I wasn’t ready to like him yet. I had a lot of trauma I never thought I’d have to work through with the infamous man himself, and that irritation and annoyance just continued when he finally matched my energy, and we never strayed from that relationship until… now.

And here he was, genuinely asking what HE did wrong when I was the reason for our enemies’ plot line.

“Bucky, I don’t think I can talk about this right now,” I breathed out slowly, feeling the tears prick in my eyes.

It had been a minute since I cried and felt this vulnerable, and I couldn’t seem to stop it. I think subconsciously, I didn’t want to stop it, but my mind was begging my body to hold out until he was out of the room.

“Y/N, if I did something to you, I didn’t realize-”

“You wouldn’t have known,” I whisper, not trusting my voice to stay steady, but also not wanting to put anymore of the blame on him from here on out.

He wasn’t a bad guy.

He had proved himself time and time again to be a really good guy. Even when he broke and decided he hated me back, he still had his moments when he put it aside and showed chivalry. I admired him for it even when I ignored the admiration.

Makes it hard to fully hate a guy who made sure ladies weren’t opening any doors for themselves. Or a man who remembered Morgan’s birthday and bought her an ice cream cake before stealing Steve’s shield to sled down a hill her dad told her not to. Or a man you treat like absolute shit 99% of the time, and he still checks on you when you have nightmares, and he grabs water and an ice pack and helps you even out your breathing before waiting for you to go back to sleep.

I didn’t ask him for the help, and he never mentioned the handful of times he fell into the routine of soothing me back to sleep. Never brought it up, never made me feel like I owed him, and never hinted at remembering such kindness.

But now?

“You wouldn’t have known why it started this way to begin with. And you likely won’t,” I sigh, breathing in through my nose and out through my mouth before turning around; a lot more put together, even if it was just a mask I had learned to put on most of my life.

“I don’t understand,” Bucky furrowed his eyebrows at my disposition.

“I don’t expect you to, but maybe we should go to sleep and talk about it later. It’s getting late, and you have to go to your ‘job’ tomorrow,” I say with hand quotes. “We have to keep the ruse going.”

“A few hours of sleep doesn’t affect me,” Bucky shook his head, and I could see him itching to put his hands back on me, but he held back. “Please. I need to know what the hell I did.”

“Again, Bucky,” I say sternly this time, all emotion I’m struggling to keep at bay shoved down. “You are not at fault, and tomorrow I’ll talk to you, but for now, I need to sleep on it.”

He read my face for lies, and I kept it neutral. I wasn’t going to break here. Now was not the time. I needed space to think about how I was going to approach this after so long of avoiding it and being put on the spot wasn’t going to work for me.

“Ok,” he said, softer than I think I ever heard him talk. His eyes were soft and sensitive, and I didn’t know how I felt about it…

He turned and walked out of my room, gently shutting the door behind him and turning off the overhead light he had originally flashed on.

I didn’t instantly head straight to bed. I stared at the doorway in the dark, seeing the faint silhouette of the barrier between us. He was still on the other side, and I could hear his heart rate higher than normal.

This was affecting him more than I thought it would. Why was he so worried about what I thought of him? He didn’t seem bothered by my disinterest in the past. Or at least I didn’t figure he did.

____________________

When I woke up, Bucky was already gone. His truck, normally in the driveway, was missing, and I knew he had taken off for our mission report.

Thankful, I took the time to make my coffee, sit on the front porch, and watch the neighborhood take on its morning routine.

People were on runs with their family dogs, moms were doing their morning walks with strollers, some neighbors were out already tending to their gardens, and everything suburban seemed to be on track.

Towards the end of my cup, I notice Ms. Bauer coming back from her jog she must have taken earlier than the others.

“Oh, hello, neighbor!” she shouted when she spotted me, uniformly checking our house like her head was on a swivel if she heard a pen drop in it.

Still in her jog, she sashayed over to my lawn, and I mumbled, “Here we go,” smiling at her as she followed the sidewalk to our steps.

“How are you doing today, Bethanne?” I grin standing from my patio chair and going down the steps to meet her at the bottom of the flight. “Is there a run club I didn’t know about? You’re the 10th person I’ve seen getting a head start on their steps for the day.”

She laughed and waved a hand at me before taking an earbud out, pausing her music on her watch, and placing her hands on her hips as she looked up at me.

“There is actually a mommy and me walking club on Monday, Wednesday, and Friday. Depending on the weather, of course, but who knows,” she grinned up at me. “Maybe you can be joining it sooner than you thought.”

“Maybe not as soon as you think,” I laughed, holding my mug tighter with both hands so I wouldn’t strangle her instead and leaning on the banister. “We wanted at least a year in the house by ourselves before we add another set of feet to the chaos,” I scrunch my nose and add, “but I’m excited for the day Beau and I have a mini-version of us running around here.”

“Speaking of Beau,” she grins, looking to the driveway. “Where is he today? He’s usually home with you most of the time, right?”

“Oh, it was time for him to get back to work. He took off for a few weeks to get moved in and spend time with me before we had to get back to the real world,” I answer as planned.

“That’s right. I think I remember you guys talking about that at the first block party,” she nodded, watching me carefully for slip-ups. “Can you believe it’s only been two weeks of you guys here? I feel like you two have been a part of the community for at least a year.”

“You’re sweet,” I gush convincingly and look out to the neighborhood for effect. “You guys have really taken us in as your family, and you don’t know how much I appreciate it. We appreciate it,” I correct and look off in the distance like I’m thinking of my sweet, doting husband when, in reality, I was thinking of the day this mission was over and I could carry on with my normal life. “I don’t think I’ve mentioned this. Beau isn’t one to really talk about it, but his family life wasn’t the best. They’ve practically been strangers since he turned 18.”

“Oh, is that so?” she inched up, feeding on the new (fake) information.

I nod. “When we started dating, my family took him in as his own- well, I only had my dad around for most of my life, but they got along really well. He passed three years ago,” I give a tight-lipped look as I look down at my feet in sadness. “They developed a bond, which wasn’t hard considering who my dad was. He was the best, though we might be biased in thinking that. Taught Beau how to do a lot of things dads are supposed to teach their sons. Well,” I sniffle for added effect. “Anyway, we’re kinda on our own now. No extended family we’re close with, and with my dad’s passing, it’s really just us. So when I say we’re grateful for y’all’s hospitality, I mean it.”

She seemed to buy it, as much as an undercover convict could, and smiled kindly up at me before placing a hand on my arm.

“Of course, sweetheart. We’re just lucky you two are some of the good ones. You’d be surprised who’s come in and hasn’t made the cut. Lawns in disarray, unfriendly attitudes, and you know the list,” she winks and rolls her shoulders back before stretching in her spot. “Speaking of being lovely neighbors, how would you and Beau feel about a dinner at our house? Reggie and I have been talking about having you over for quite some time now, and I think we can finally host.” Before I could ask, she stopped me and explained. “Kitchen renovation. It was and still is a pain in my ass, but it should be doable for a small dinner.”

“That sounds lovely,” I beam as much as I could act. It was the perfect next step, and the bait had been taken, but a part of me wanted to settle things with Bucky in our personal dispute before we put on our masks for the two main perpetrators. “Let me check with him and see what his schedule will look like now. He’s getting some new orders today, and some things are changing in the company. We’ll know more tonight. But we will for sure make it work.”

___________

After Bethanne told me some useless neighborhood gossip, she excused herself, and I went back inside to get ready for the day and consider how I would approach Bucky on our issue.

I knew it was time to be truthful, even if I dreaded it. Bucky had proven time and time again that he wasn’t the enemy, and I needed to deal with my issues. I was tired of wasting energy on hatred and anger, and these last two weeks proved that Bucky wasn’t the one who should have been receiving the blunt force end of my trauma.

I had until four in the evening to come up with an idea of how I wanted to go about it, but I had stress cleaned instead and couldn’t come up with a non-terrifying way to approach this life-changing conversation.

Finally, I found it best we get dinner in the town over (as not to have any peaking eyes or eavesdropping ears as we dive into my life story I hadn’t indulged to near anyone before), and I would talk to Bucky there. However, plans changed when Bucky came home.

From my spot in the kitchen, I heard him shout in his domesticated voice across the street, “No, that sounds perfect! We’d love to!” The door opened just as he finished his sentence, and his voice became clearer.

I moved around the island and slowly walked toward the door to get a view of who he was talking to, and I noticed Bethanne at her mailbox waving to Bucky.

I furrowed my eyebrows at the obvious commitment he put us in, and after he waved back, he shut the door behind him, looking at me, and dropped the act quickly.

“What did you just agree to?” I asked, nodding my head behind him.

He looked me up and down, and I almost forgot I had picked a new, semi-fancier sundress for our “surprise anniversary dinner” (at least the front I was trying to put on for getting out of town without too much suspicion).

(Make whatever color you please or change it in your mind if you want! I'm choosing to pick it as a darker red.)

“You look nice,” he says as his eyes trail back up to my own, and I swear I see him take a gulp.

“What did you agree to?” I asked again, focused more on what he had decided for us regarding Bethanne.

His previous shocked face faded away, and he rolled his eyes slightly before throwing his work bag to the side.

“Bethanne invited us to dinner. I said yes because we need to build a relationship with them,” he replied stoically, as if my question was dumb and pointless.

I just stared at him and let my “personal vendetta” look rest on my face. He studied me and had the decency to shrink ever so slightly.

“What?”

“What happened to discussing things first?” I said in an eerily calm voice.

“I didn’t think accepting dinner at a home we’ve been trying to get inside of for the last two weeks is something we’d have to discuss.” And now he straightens up, throwing his empty arms to the side.

A few seconds later, I yelled, “You dipshit!” in a muffled grunt, keeping my voice down as much as I could handle and balling my fists in anger.

His eyebrows shoot up and he huffs with his chest puffed out as he marches to me. I see the intent in his eyes, and I start walking away towards the opposite room closest, needing a minute not to lose my shit, and if I have to look into his stupid azure eyes like he wants to read everything passing through my mind, I’ll break.

“Don’t walk away from me,” he growls, and I shoot him a look over my shoulder as I shift my pace and head down the hallway to the bedrooms. “Y/N, stop being a stubborn ass and-”

“Unless you want a heel thrown at your head, and you’re welcome for being civil about this, I suggest you leave me alone,” I shout behind me, turn sharply to the left, and go to my room.

“I don’t even know what THIS is! You looked at me like you wanted to kill me when I walked in, and I haven’t even talked to you today besides updates about work,” he said just as I slammed the door in his face. “Oh, real mature. Shut the door like an adolescent. Wait, I forgot. You are one…” He mumbles the last part and I hear him lean on the door.

Instantly, I whip the door open, and he doesn’t have time to predict his next move. He falls flat on his back on the wood floors of my room, only padded by a thin oriental rug I made Tony buy me.

He’s winded from the fall and clutches his chest as I bend down next to him and say, “I said. Leave. Me. The. Fuck. Alone.” I stare at him for a second, solidifying my threat. I stand to walk out and only give him a glance as I pass the doorway.

_____________

Bucky’s POV:

I left her the fuck alone.

I may have been royally pissed (that is a blatant ass understatement), but something about the look in Y/N’s eyes told me not to push unless I wanted to wake up with my head no longer attached to my body.

I was too scared to leave her room in fear I’d run into her when she wasn’t ready and risk taking the chances of the guillotine earlier, so I sat on her bed and tried to rack my brain to where I slipped up to cause whatever the hell I walked in to…

I knew almost instantly and realized what a stupid, simple mistake it was. Bethanne asking me to dinner set her off, I knew. But her comment about talking with each other before making decisions told me my mistake.

Something happened I didn’t know of, and I may have just fucked whatever it was up. As for what it is? No goddamn clue. But using context clues and just basic reading of the body language, Y/N had already made a plan, and I threw it out the window, likely.

I heard footsteps before I could think further, and Y/N appeared in the doorway, taking a deep breath. She would have convinced me she was going to be civil if it wasn’t for her history, but I was excited to see which lane she chose.

“One thing before I bite my tongue,” she says in almost a whisper, like she’s trying to keep her frustrations at bay. “You make me want to shave my head like Britney Spears in 2007 75% of the time. This moment was almost a tipping point for that kind of outcome..” She lets out a long breath like she passed the test of keeping it together.

Surprisingly a lot more tame than I was expecting.

“Glad you got that out of your system. Now, please tell me what the hell happened?” I asked, keeping my guard up in case she resorted to her typical insults and fury.

“Oh, now you want to communicate,” she mocks and walks to the bed, harshly sitting next to me but leaving a copious amount of space between us.

I let it slide because I know she’s fighting bigger demons, like the urge to insult me, until I personally dig my own grave and say goodbye to my cruel reality.

“Bethanne was goading us,” she answers, thankfully getting right to the point. “Something about her proposition seemed off, and I wanted to clear some things up with you before we jumped on the offer.”

I nodded my head, seeing that my instantaneous reply wasn’t thought out. That was on me, yes, but she also reacted extremely dramatically, expressing an odd feeling about the interaction instead of hard proof.

“What did she ask, and what was off about it?” I question, trying to stay mission based because something seemed off still.

“It wasn’t what it was but how she was asking. Something in her tone and the way she was looking at our house and me. Like she was trying to take in detail after detail up close. Checking for cracks in the foundation,” she answers and turns to me just slightly. “She also said her kitchen was under renovation, and something felt off about it.”

“The vibes about our neighbor getting a kitchen renovation made you knock the wind out of me when you opened your door?” I said before I could think, but I didn’t budge, my furrowed eyebrows aimed at her.

She matches my glare and turns her body fully to me.

“It seemed like an excuse,” she answers slowly.

“To what? Host a dinner? That’s kind of the opposite effect. Who would want to host a dinner when you have kitchen renovations? It means they trust us if they’re willing to let us see a house that’s not perfect like the front they put on.”

‘That’s what you get from it, but I think they just planted a little seed of their own.”

“What do you even mean?”

“Kitchen Reno? That’s an excuse to say, ‘Oh, Charlotte, I can’t cook the chicken pot pie I was going to make for you two because our new oven hasn’t been delivered and installed yet. You know? Because we have the kitchen under renovation? I completely forgot,’” She acted in a convincing Bethanne impersonation and then quickly turned back to serious.

“You got that from a kitchen reno comment?” I deadpanned after a minute.

“I got that from understanding women masterminds who know how to manipulate a situation. I am that woman, so I think I can read them pretty well,” she says confidently back.

Touché.

“And what if you’re wrong?” Her bitchface grew at my question.

“First off, I’m not. Second off, even if I was wrong, we are supposed to consult each other about accepting invitations into the house of our suspect enemies,” she ran a hand through her hair, which I notice now looks styled differently. Did she curl it or have it blown out? And yes, I know what a blowout is. I have women friends and coworkers.

Yeah… I was in the wrong here, and that’s on me. I wasn’t thinking. I also had a long day snooping around for more information about this whole operation, but it isn’t necessarily an excuse… It’s not like I haven’t worked on a case like this in the past. I mean, minus being fictitiously married to a coworker.

“I’m sorry,” I say, and she gives me a weird look. “What?”

“I wasn’t expecting an apology,” she says, standing slowly and straightening her dress.

“I know when to accept I made a mistake,” I shrug and stand as well.

She studies my face like there's a retort that’s going to follow, but I just stare at her silently, communicating that I’m set on my apology.

“Ok…” she drags out, watching me as she steps toward the door. “Well, I guess we need to get ready for tonight. Considering we have dinner. With our neighbors. And we need to set up bugs if possible.”

“Guess so,” I nod, crossing my arms.

She stops suddenly and looks at me with a look of realization. “You’re in my room.” She steps to the side, leaving room for me to leave, and avoids eye contact.

She’s still acting weird, but I need to change and get my head in the game for tonight, so I walk out with a subtle head nod as I leave.

Marvel Tags:

@thejourneyneverendsx @death-unbecomes-you @mythos-writes @srrymydood @xa-dia @redhairedfeistynerd @morganclaire4 @connie326 @captain-asguard @mollygetssherlockcoffee @teenagedreams-bucky @shower-me-with-roses @livstilinski @basicallylool @starryeyeseunbyul

My Lovelies Forever:

@natura1phenomenon @lauravicente @kakakatey @traceyaudette @notyourtypicalrose @awesome-badass-cafeteria-sauce @sandlee44 @thorne93 @thefaithfulwriter1 @essie1876 @greyeyedsmile14 @capsiclehan @xostephanie @averyrogers83 @awesomenursingstudent @gh0stgurl @cs-please @jjlevin @rainbowkisses31 @deannotmoose @their-bibliophile @kitkatd7 @willowbleedsonpaper @mariaenchanted @snffbeebee @couldabeenamermaid @rebekahdawkins @alyispunk @billyseye @hallecarey1

Bucky Barnes Tags:

@chloe-skywalker @charmedbysarge @jbarness @bellamy-barnes @katiaw2 @aikeia @stopjustlovethemcu @enchantedbarnes

Mr. & Mrs. Hunt Series:

@jackiehollanderr @mrs-bucky-barnes-73 @theroyalmanatee @wintrsoldrluvr @alexakeyloveloki @learisa @bxckybxrnes24 @lillianacristina @selella @heletsmelovehim

#bucky barnes x avenger reader insert #bucky barnes x reader insert #bucky barnes mini series #bucky barnes x reader #bucky barnes x avenger reader #justkending #marvel #marvel mini series #bucky barnes #Bucky Barnes

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comicaurora · 1 year

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Have you seen the new Superman show on adult swim? Himbo Clark Kent rights

It's off to an extremely encouraging start! Thoughts under the cut!

I like how they portray Clark's super-strength and how comfortable he is flying and using super-speed. They really feel like innate characteristics of his body rather than powers he switches on and off - things he keeps toned down when people are watching, but things that are always present regardless. The number of times I've pulled a push door or shoved something that was stuck and thought "if I had super-strength I wouldn't get a Take Two on this because my hand would've gone straight through that" is clearly something the showrunners have also thought about. This Clark lives in a world of cardboard and physically cannot stop himself from putting his hand through it at least once a day.

There's a physicality to the way Clark takes hits that really communicates how little he feels them most of the time. Eyes open, mouth closed, immediately getting back into the fight after getting punched into a crater. This is stuff I also think about when I draw supernaturally tough characters in combat situations, and it's cool to see someone else doing it - especially since one of my very few complaints about the older DCAU is that Superman always took every hit like it was a fully incapacitating blow, which Worf'd him pretty constantly.

I also like that we have so far never seen Clark angry. We've seen him scared, flustered, disappointed - but not angry. Even in fights where he's taking serious hits, he's only motivated by wanting to protect and save people, even his opponents - he so far has never been motivated by a desire to destroy. That feels like very good writing for Superman.

It's currently a little unclear how exactly his powerset is scaling - it looks like the blue-eye-glow-and-suit-emblem thing is a legitimate powerup that lets him hit harder and recover faster than his normal baseline, but how exactly that works isn't clear yet - although that is very obviously going to be a plot point later, since they keep giving him little flashes of the story of Krypton's destruction and what shenanigans they were getting up to when it exploded.

On that note, Kryptonian tech has never looked or felt so otherworldly. I love the distorted electronic backward-voice choir they use exclusively for when Clark is on the ship. I love that hologram Jor-El can't speak English, but can clearly understand Clark - also this is the coolest Jor-El has ever looked. Some comics wax poetic about how Clark is an alien space god who only pretends to be human, but I like how this show is firmly putting Clark on the side of the audience with regards to how unsettling the "alien space god" vibes truly are. He can't understand the nature of the ship or the words of its holographic inhabitant, he's not really interested in what it means or where it came from - he just wants to know who he is, or rather who Superman should be. And I like that he concludes that Superman should be him - the heroics he was already doing, except this time on purpose. Superman should not be this spooky glowing alien god thing, even if that's the vibe we get from Krypton itself.

I like that the ship gave Superman his modern no-underpants-on-the-outside suit and Ma Kent was like "we can do better than that" and added the underpants back on.

I also like how much setup there is for future plot stuff that a DC-familiar audience can see coming. Clark hasn't used any of his vision-based powers yet, and it's possible he doesn't know they exist. No sign of Lex Luthor or Kryptonite yet, two problems we know will become more severe with time. We've already got Amanda Waller being stoically nefarious in the background. Young Hot Deathstroke is a hell of a design choice and I am Here For It.

I also appreciate how many little referential jokes are packed into the dialogue, ranging from the obvious "it's a bird it's a plane" to some hella deep pulls like Jimmy Olson's youtube channel.

And fundamentally I love how this show starts from the jump with the thesis that friendly, humble, Normal Man Clark is the real person, and Superman is the job that Clark Kent does. The title of the show is "My Adventures With Superman." The POV character is Clark. He is the "my" in that title. This is Clark's story about Superman.

I really, really hope Batman eventually shows up, because this Superman would make that hilarious.

#asks #not aurora #media recs

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physalian · 6 months

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8 Signs your Sequel Needs Work

Sequels, and followup seasons to TV shows, can be very tricky to get right. Most of the time, especially with the onslaught of sequels, remakes, and remake-quels over the past… 15 years? There’s a few stand-outs for sure. I hear Dune Part 2 stuck the landing. Everyone who likes John Wick also likes those sequels. Spiderverse 2 also stuck the landing.

These are less tips and more fundamental pieces of your story that may or may not factor in because every work is different, and this is coming from an audience’s perspective. Maybe some of these will be the flaws you just couldn’t put your finger on before. And, of course, these are all my opinions, for sequels and later seasons that just didn’t work for me.

1. Your vague lore becomes a gimmick

The Force, this mysterious entity that needs no further explanation… is now quantifiable with midichlorians.

In The 100, the little chip that contains the “reincarnation” of the Commanders is now the central plot to their season 6 “invasion of the bodysnatchers” villains.

In The Vampire Diaries, the existence of the “emotion switch” is explicitly disputed as even existing in the earlier seasons, then becomes a very real and physical plot point one can toggle on and off.

I love hard magic systems. I love soft magic systems, too. These two are not evolutions of each other and doing so will ruin your magic system. People fell in love with the hard magic because they liked the rules, the rules made sense, and everything you wrote fit within those rules. Don’t get wacky and suddenly start inventing new rules that break your old ones.

People fell in love with the soft magic because it needed no rules, the magic made sense without overtaking the story or creating plot holes for why it didn’t just save the day. Don’t give your audience everything they never needed to know and impose limitations that didn’t need to be there.

Solving the mystery will never be as satisfying as whatever the reader came up with in their mind. Satisfaction is the death of desire.

2. The established theme becomes un-established

I talked about this point already in this post about theme so the abridged version here: If your story has major themes you’ve set out to explore, like “the dichotomy of good and evil” and you abandon that theme either for a contradictory one, or no theme at all, your sequel will feel less polished and meaningful than its predecessor, because the new story doesn’t have as much (if anything) to say, while the original did.

Jurassic Park is a fantastic, stellar example. First movie is about the folly of human arrogance and the inherent disaster and hubris in thinking one can control forces of nature for superficial gains. The sequels, and then sequel series, never returns to this theme (and also stops remembering that dinosaurs are animals, not generic movie monsters). JP wasn’t just scary because ahhh big scary reptiles. JP was scary because the story is an easily preventable tragedy, and yes the dinosaurs are eating people, but the people only have other people to blame. Dinosaurs are just hungry, frightened animals.

Or, the most obvious example in Pixar’s history: Cars to Cars 2.

3. You focus on the wrong elements based on ‘fan feedback’

We love fans. Fans make us money. Fans do not know what they want out of a sequel. Fans will never know what they want out of a sequel, nor will studios know how to interpret those wants. Ask Star Wars. Heck, ask the last 8 books out of the Percy Jackson universe.

Going back to Cars 2 (and why I loathe the concept of comedic relief characters, truly), Disney saw dollar signs with how popular Mater was, so, logically, they gave fans more Mater. They gave us more car gimmicks, they expanded the lore that no one asked for. They did try to give us new pretty racing venues and new cool characters. The writers really did try, but some random Suit decided a car spy thriller was better and this is what we got.

The elements your sequel focuses on could be points 1 or 2, based on reception. If your audience universally hates a character for legitimate reasons, maybe listen, but if your audience is at war with itself over superficial BS like whether or not she’s a female character, or POC, ignore them and write the character you set out to write. Maybe their arc wasn’t finished yet, and they had a really cool story that never got told.

This could be side-characters, or a specific location/pocket of worldbuilding that really resonated, a romantic subplot, whatever. Point is, careening off your plan without considering the consequences doesn’t usually end well.

4. You don’t focus on the ‘right’ elements

I don’t think anyone out there will happily sit down and enjoy the entirety of Thor: The Dark World. The only reasons I would watch that movie now are because a couple of the jokes are funny, and the whole bit in the middle with Thor and Loki. Why wasn’t this the whole movie? No one cares about the lore, but people really loved Loki, especially when there wasn’t much about him in the MCU at the time, and taking a villain fresh off his big hit with the first Avengers and throwing him in a reluctant “enemy of my enemy” plot for this entire movie would have been amazing.

Loki also refuses to stay dead because he’s too popular, thus we get a cyclical and frustrating arc where he only has development when the producers demand so they can make maximum profit off his character, but back then, in phase 2 world, the mystery around Loki was what made him so compelling and the drama around those two on screen was really good! They bounced so well off each other, they both had very different strengths and perspectives, both had real grievances to air, and in that movie, they *both* lost their mother. It’s not even that it’s a bad sequel, it’s just a plain bad movie.

The movie exists to keep establishing the Infinity Stones with the red one and I can’t remember what the red one does at this point, but it could have so easily done both. The powers that be should have known their strongest elements were Thor and Loki and their relationship, and run with it.

This isn’t “give into the demands of fans who want more Loki” it’s being smart enough to look at your own work and suss out what you think the most intriguing elements are and which have the most room and potential to grow (and also test audiences and beta readers to tell you the ugly truth). Sequels should feel more like natural continuations of the original story, not shameless cash grabs.

5. You walk back character development for ~drama~

As in, characters who got together at the end of book 1 suddenly start fighting because the “will they/won’t they” was the juiciest dynamic of their relationship and you don’t know how to write a compelling, happy couple. Or a character who overcame their snobbery, cowardice, grizzled nature, or phobia suddenly has it again because, again, that was the most compelling part of their character and you don’t know who they are without it.

To be honest, yeah, the buildup of a relationship does tend to be more entertaining in media, but that’s also because solid, respectful, healthy relationships in media are a rarity. Season 1 of Outlander remains the best, in part because of the rapid growth of the main love interest’s relationship. Every season after, they’re already married, already together, and occasionally dealing with baby shenanigans, and it’s them against the world and, yeah, I got bored.

There’s just so much you can do with a freshly established relationship: Those two are a *team* now. The drama and intrigue no longer comes from them against each other, it’s them together against a new antagonist and their different approaches to solving a problem. They can and should still have distinct personalities and perspectives on whatever story you throw them into.

6. It’s the same exact story, just Bigger

I have been sitting on a “how to scale power” post for months now because I’m still not sure on reception but here’s a little bit on what I mean.

Original: Oh no, the big bad guy wants to destroy New York

Sequel: Oh no, the big bad guy wants to destroy the planet

Threequel: Oh no, the big bad guy wants to destroy the galaxy

You knew it wasn’t going to happen the first time, you absolutely know it won’t happen on a bigger scale. Usually, when this happens, plot holes abound. You end up deleting or forgetting about characters’ convenient powers and abilities, deleting or forgetting about established relationships and new ground gained with side characters and entities, and deleting or forgetting about stakes, themes, and actually growing your characters like this isn’t the exact same story, just Bigger.

How many Bond movies are there? Thirty-something? I know some are very, very good and some are not at all good. They’re all Bond movies. People keep watching them because they’re formulaic, but there’s also been seven Bond actors and the movies aren’t one long, continuous, self-referential story about this poor, poor man who has the worst luck in the universe. These sequels aren’t “this but bigger” it’s usually “this, but different”, which is almost always better.

“This, but different now” will demand a different skillset from your hero, different rules to play by, different expectations, and different stakes. It does not just demand your hero learn to punch harder.

Example: Lord Shen from Kung Fu Panda 2 does have more influence than Tai Lung, yes. He’s got a whole city and his backstory is further-reaching, but he’s objectively worse in close combat—so he doesn’t fistfight Po. He has cannons, very dangerous cannons, cannons designed to be so strong that kung fu doesn’t matter. Thus, he’s not necessarily “bigger” he’s just “different” and his whole story demands new perspective.

The differences between Empire Strikes Back and Return of the Jedi are numerous, but the latter relies on “but bigger” and the former went in a whole new direction, while still staying faithful to the themes of the original.

7. It undermines the original by awakening a new problem too soon

I’ve already complained about the mere existence of Heroes of Olympus elsewhere because everything Luke fought and died for only bought that world about a month of peace before the gods came and ripped it all away for More Story.

I’ve also complained that the Star Wars Sequels were always going to spit in the face of a character’s six-movie legacy to bring balance to the Force by just going… nah. Ancient prophecy? Only bought us about 30 years of peace.

Whether it’s too soon, or it’s too closely related to the original, your audience is going to feel a little put-off when they realize how inconsequential this sequel makes the original, particularly in TV shows that run too many seasons and can’t keep upping the ante, like Supernatural.

Kung Fu Panda once again because these two movies are amazing. Shen is completely unrelated to Tai Lung. He’s not threatening the Valley of Peace or Shifu or Oogway or anything the heroes fought for in the original. He’s brand new.

My yearning to see these two on screen together to just watch them verbally spat over both being bratty children disappointed by their parents is unquantifiable. This movie is a damn near perfect sequel. Somebody write me fanfic with these two throwing hands over their drastically different perspectives on kung fu.

8. It’s so divorced from the original that it can barely even be called a sequel

Otherwise known as seasons 5 and 6 of Lost. Otherwise known as: This show was on a sci-fi trajectory and something catastrophic happened to cause a dramatic hairpin turn off that path and into pseudo-biblical territory. Why did it all end in a church? I’m not joking, they did actually abandon The Plan while in a mach 1 nosedive.

I also have a post I’ve been sitting on about how to handle faith in fiction, so I’ll say this: The premise of Lost was the trials and escapades of a group of 48 strangers trying to survive and find rescue off a mysterious island with some creepy, sciency shenanigans going on once they discover that the island isn’t actually uninhabited.

Season 6 is about finding “candidates” to replace the island’s Discount Jesus who serves as the ambassador-protector of the island, who is also immortal until he’s not, and the island becomes a kind of purgatory where they all actually did die in the crash and were just waiting to… die again and go to heaven. Spoiler Alert.

This is also otherwise known as: Oh sh*t, Warner Bros wants more Supernatural? But we wrapped it up so nicely with Sam and Adam in the box with Lucifer. I tried to watch one of those YouTube compilations of Cas’ funny moments because I haven’t seen every episode, and the misery on these actors’ faces as the compilation advanced through the seasons, all the joy and wit sucked from their performances, was just tragic.

I get it. Writers can’t control when the Powers That Be demand More Story so they can run their workhorse into the ground until it stops bleeding money, but if you aren’t controlled by said powers, either take it all back to basics, like Cars 3, or just stop.

—

Sometimes taking your established characters and throwing them into a completely unrecognizable story works, but those unrecongizable stories work that much harder to at least keep the characters' development and progression satisfying and familiar. See this post about timeskips that take generational gaps between the original and the sequel, and still deliver on a satisfying continuation.

TLDR: Sequels are hard and it’s never just one detail that makes them difficult to pull off. They will always be compared to their predecessors, always with the expectations to be as good as or surpass the original, when the original had no such competition. There’s also audience expectations for how they think the story, lore, and relationships should progress. Most faults of sequels, in my opinion, lie in straying too far from the fundamentals of the original without understanding why those fundamentals were so important to the original’s success.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #sequels #kung fu panda

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sciderman · 1 year

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hi sci!! i love your art!! i was wondering how you come up with and work out your plot for ask spiderpool and like where you want it to go? I like writing and drawing but i'm really bad at coming up with and sticking to a plot yk?

hi anon!! thank you!!!

nothing starts off fully formed, anon! plot is difficult - even with my fics, there's often very little in the way of plot - there's just a starting point, and then you write, and you write, and you keep writing, and you gain momentum and it eventually goes somewhere. it's constantly shifting and evolving, and it very rarely sticks to a plan.

when i started i didn't have very much of a plan other than "they're roommates. but it would be cool if they kissed at some point." and everything else kind of just followed after. their personalities and flaws and quirks just started accumulating with every ask i answered - and with every ask i answered, it started becoming clearer and clearer that they probably weren't going to kiss any time soon.

i think when i write, absolutely everything is dictated by character - and sometimes that's the enemy of plot. you might have it in your head "these characters need to go here." but wait a second. one of the characters really doesn't want to go here, and that's where you have to put in the work. plot alone is so dull without characters actively resisting - characters having faults they need to overcome to GET from a to b.

for me, the plot should exist to force the character to overcome their flaws. if the plot exists and isn't in any way tied to the character and their flaws then... god. this is why so many marvel movies and current comics really fall flat for me. i really don't care about how elaborate your plot is, and all the twists and whatever - if it isn't personal, and doesn't serve your character at all, there's - there's... what's the point?

when i started the blog, it kind of became really clear the things wade and peter needed to overcome before they can love each other - so. one. peter needs to overcome his biases and holier-than-thou attitude over wade. and wade? wade's practically a doormat, and needs to realise peter isn't some unshakeable beacon of perfection. not only that, but wade's possessive. he's greedy, and wants ownership over peter.

so what to do. what to do to fix all of that.

peter needs to screw up, betray wade's trust.

wade needs to see peter get ugly.

wade needs a moment to be truly unselfish.

to prove himself a hero.

i think maybe the best way to build out a plot is bare-bones. step one. where do you want the characters to get to. what's the end game? for that first era of ask-spiderpool, i wanted wade and peter to get together. as a couple. okay. claps hands together. what is stopping that from happening right now. and what can i throw at them to get them to overcome that.

right now on ask-spiderpool, now that they're together - the end game is adopting ellie. what's stopping them? trauma. so much trauma. i have so many scripts about ellie ready, but when i came back i was hit with the brick wall of "oh. oh god. wade needs so much therapy first. so much therapy."

so basically, all the plot is to the ends of getting wade and peter to figure their shit out before they can have the thing they want. and ouugh, they act against me all the time. sometimes to the point where i get writers block - and then i go for a run, or a swim, and my mind is hacking away at how to solve those issues.

i guess my advice is... first! what's your end goal. where do you want these characters to be? why aren't they there already? how can you forcibly push them there, kicking and screaming? there you go.

#sci speaks #ask-spiderpool #advice

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carionto · 4 months

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Pressure and Release

Human: *hmm-ing at a set of dials and gauges*

Alien: What seems to be *translation unit catches up with the information they're displaying* OH MY GOD IT'S GOING TO EXPLODE!!! GET TO THE ESCAPE PODS NOW!!!!

H: Shh, it's fine, I'm just experimenting.

A: OH MY GOD WE'RE ALL GOING TO DIE HORRIBLY!

H: Hey! Rude. *turns a dial causing a loud hissing noise* It's just air compressors and hydraulics.

A: *due to not dying, is beginning to relax* Why do you need up to 200 atmospheres running through these systems. We have invented alloy-specific magnetization mechanisms. Please, why do you keep insisting on these volatile and explosive means?

H: *turns the dial up* Because... *releases the pressure again, loud sudden hissing sound again* That's a cool sound.

A: Just because you think something is 'cool' doesn't make it-

H: *interrupts with another air build up and release sound without breaking eye contact*

A: *leaves*

H: *continues to play around*

_________________________________________

Okay, so I wanna get this off my chest. I find myself now for the fourth time starting a fun little activity, doing it for months on end, having a blast, and then almost suddenly dropping it entirely. First time I wrote some short stories or something every day for about six months and put it on deviantart. Then some longer form stuff started cropping in, sort of continuous narratives or whatever, and I stopped. Second was running a open D&D campaign with a persistent world but ever changing party, each session a sort of one-shot with a decision that would impact the whole world and what future sessions would exist. Not even 10 sessions in I felt under pressure to continue and build upon what I had already and just couldn't and stopped. Third was another kind of TTRPG, this time running my own server for Lancer. Again, open one shots, but less connected and I would hopefully get some of the players to want to run their own games within this freeform framework that I directly lifted from a D&D server I was in, even had some of the same people join as players. Few months later, I felt this massive pressure from myself to run games and come up with new scenarios that I just froze up. I cancelled game after game and just eventually abandoned the server and the resources I had made. Fourth time was here on tumblr itself. Back to writing some short form stuff on a fairly regular basis, almost daily for some time even. Had a blast, and then longer form content started creeping in. I thought I wanted to write some stories with an overarching plot and recurring characters and connected storylines, build up and pay off, that sort of thing. Again, I created this massive pressure by myself for myself of myself to do something I apparently can't. I created this sense of expectation of myself "Well, I started this, I should finish it, but where do I go, what do I do, how can I connect this?" And then this self-inflicted pressure got to me, again. And I stopped.

What I have known for a while, but couldn't put into words is that I don't want to tell a big long epic story or anything like that. I don't have one of those in me and forcing something like that only makes me shrivel up and run away. I have a world, several in fact, in my mind. Entire continents of a low fantasy character driven political intrigue and drama based world with tons of rules and restrictions, thousands of years of history, strong personalities for the main actors and so many individual scenes with them and the supporting cast, and a timeframe for when the overarching story happens and how it ends. But no story itself. Just scenes. I have a high fiction sci-fi world, again, with very distinct factions and races, most of the details I have written out back when I was a teen in a physical notebook with pen and pencil. Lots of historical points and events, how the races work, their domains if you will, near magical powers I try to explain with plausible science. Tons of specific details. Even drew each of their common symbols, how one of the languages is structured, schematics of how their cities are planned, and details on other planets in the system and how those might be important later. But, not a single individual character or story. Just dry facts. And then we have the loose sci-fi world I've created here. Bunch of different angles and perspectives, some comedic, some more serious, even put Cthulu in there. Many short and mostly self-contained stories and episodes of various humans doing things an exaggerated version of humanity would do. There is potential for a number of expanded and longer form stories here, some I attempted, and as mentioned, what ultimately made me stop. I don't have a book in me, and I don't want to write one. I just like to write little snippets and I want to get myself to accept this idea that, no, it does not need to become more than that. Because every time I start going down a path where it feels like it should be more than a one page thing, I seize up, start thinking that I need to do this, panic when I can't come up with anything, go silent, and give up. It just does not work for my brain. And that's fine.

#humans are space orcs #humans are space australians #humans are space oddities #humans are deathworlders #humanity fuck yeah #carionto #introspection

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celestie0 · 8 months

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notes on kickoff ch.7

hellooo if you're here thank you for taking the interest! i just had some creative notes i wanted to get off my chest with the release of ch.7 lol i felt compelled to do so with this one i'm basically journaling here. you can read this after reading ch7 here!

I. on gojo's feelings

as for why didn't gojo just tell reader how he felt at the end of the chapter, and instead only says what he does. i think i rewrote this ending like five different times, he was never supposed to tell her at this point based on my story planning, but i did explore the idea of a dramatic confession here regardless, and it didn't fit for lots of different reasons for one, i think he's finally able to put himself in reader's shoes. it's true he's pretty dense and obviously has commitment issues/valid fears that keep him from opening up, but that still doesn't mean he hasn't hurt reader in a lot of different ways already. he realizes, whether intentionally or not, he's led her on and to do a complete turnaround within a few hours while she's already trying to process rejection as she is clearly withdrawn from him i believed would've been selfish on his part, and could possibly cause even more hurt over the fact that he could come off ingenuine. gojo is finally emotionally aware of her enough to recognize it, but he's not a perfect person so it still slips through that he's distraught at the thought of never seeing her again. in general i'm of the opinion that if someone asks for space, you respect that unless they say otherwise of note, just because he realizes that he has these feelings, doesn't necessary change his fears, as no single moment can undo years of trauma, so i think that's why he bites his tongue too. i'm not keen on making this a "woman fixes man" story but i moreso want to embrace the sentiment that you don't need to resolve every single bad thing that's ever happened to you in order to embrace love or happiness.

II. on gojo's commitment issues

i know it was brought up in the first gojo pov that he has issues committing to just one woman, but i wanted this chapter to reveal that it's really just his fear of opening up to people due to the still raw loss he feels of losing someone he loved. i aim with his pov to be more of a stream of his own consciousness rather than from an omniscient observer, which may explain the ambiguity. he's not sure if he's able to open up to a person in a way he knows is normal and healthy, so he settles on shallow connections instead. just wanted to clear this up, and say that it won't be any sort of plot point in which he struggles to be sincere or faithful when he seriously wants to commit to someone as he has no issues with that if he truly wants to be with them (unlike the whore he's been so far in the series lmao)

III. on strawberry vanilla soda

btw i've never had this flavor of soda i'm not even sure where i came up w it loool or if it even exists. i was kind of toying with the idea of gojo seeing reader's message on the can during the match, and that would maybe help him get more focused on the field (sooo sports romance cliche but i still love it haha) but i settled on him seeing it afterwards to kinda parallel the clumsiness he's had with reader so far. for some reason, the universe just doesn't want him to get his timing right with her lol

IV. on angst/conflict

i know ch7 was a bit differentttt less gojo x reader and more just gojo lmfao, it was also a bit angsty. it definitely won't stay angsty throughout the remaining chapters. this was just gojo's lore drop chapter LOL. there will still obviously be angst here and there, but i've got a lot of fun, cute, tense, silly, passionate, messy scenes still planned similar to ch5&6 because i prefer writing those kinds of scenes haha. ultimately this story was always meant to be a full-circle romance, so ch7 was to lay some of the emotional groundwork that gets brought up as the story builds to its climax

that's all i have to saayyy if you actually read this whole thing i love you?? lol. ch7 really emotionally resonated with me as i wrote it, both as someone who understands how gojo feels but also as someone who understands how reader feels, and if it resonated with you too then that makes me very happy and that's ultimately every writer's dream haha. was very cathartic to share these thoughts. i hope to see you in the next oneeee <3 have a wonderful rest of your day!

#kickoff #gojo satoru #fanfiction

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maxwell-grant · 4 months

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Me, yesterday: Yeah you know, I like M.Bison but I'm really not a fan of him coming back, he's had his time already, he undermines a lot of current characters and storylines by coming back, we really don't need him again, it was always inevitable but I don't know man maybe oh my GOD is that the RAUL JULIA HORSE? 10/10 100/10 bring him back forever

Okay but more seriously: As one of the dead last characters I wanted to come back, the trailer had me totally flip on that stance. I mean yes it helps I'm a mark for the guy, it helps SF6 is infuriatingly good at character presentation even for characters I don't care for, but I actually think they found a very neat way to reintroduce Bison to the series this time around basically by doing to him what they did with Seth: Destroying and rebuilding him as a shell of his former self, with a whole new design, and thus a new personality and angle to approach him from, and in no position to be the Final Boss from the get-go (since it's not like they have much of a story to insert him in). But where as with Seth they leaned into the tragedy of it, Bison is now a ticking time bomb, a looming disaster waiting to happen, which fits him looking like a Horseman of Death.

It was pretty blatant even back in V that Bison was always going to come back, with Phantom Bison existing and Rose's prophecy and characters hallucinating him left and right and all the Shadaloo plot points in 6 spelling it outright. His iconic status aside, his return was telegraphed since forever, so I'm glad that they did it in a way that doesn't actually bring him back all the way to his usual self. Even putting him at the start of a new DLC Year, rather than building a big endgame show out of him like they did with Akuma, also goes a long way towards undercutting the idea that he's coming back to be the Final Boss again.

I'm really impressed with his new design because it is the perfected version of an idea they've been kicking around ever since the drafts for SFIV, that was Bison coming back all battered and torn and fucked-up. Much like older/bearded Ryu, it's an idea they saved into alternate costumes but now are finally willing to go through with as the direction for the character moving onwards. "From riches to rags" is the idea described, and they achieved it by flipping around the kind of old-school overlord he represents. Instead of General Washizaki/Yasunori Kato, he is now Raoh/Violence Jack, the ruler of the wastelands, galloping mightily onwards. (And given Ryu is based on Kenshiro, the biggest villain of this world being Raoh feels like a decision that was waiting to happen)

They've made it so they get to have it both ways: You can have M.Bison in the game looking like his old self with the classic costume, and he's here playable doing all the good Bison stuff and a bunch of new sick shit for you to love, but in the story/lore, he couldn't be further away from being like his old self, and now there is a big mystery box on what is gonna be his deal moving forward. Bison is so well-established to the playerbase that every little thing they do differently can mean something, not just in the design but also in smaller details like his light-blue flames that potentially indicate Soul Power (and that he uses to tame himself in his victory animation), or even the fact that he has visible pupils now.

I think a large part of the pushback against Bison has to do with him being so big in V's storyline and A Shadow Falls dissappointing, and the fear that they'll do it again now that he's back, but there isn't really a storyline for him. The World Tour story is set, the DLC characters add extra stuff to it but are mostly self-contained, I don't think Bison is set to bring another boring world domination plot with him this time around. It's unclear if he even wants it. I could be very wrong here, because I don't want another Bison Doomsday Plot either, I don't want another A Shadow Falls, but my interest is piqued because of how far he seems to be from doing that.

He doesn't know who or what he is, he is a homeless wanderer in Metro City, he is having a hard time keeping his power under control, and Shadaloo is currently warring between factions that want to bring him back and factions trying to ensure he stays dead, nevermind the fact that most if not all of the characters have moved past him (and Ryu still has the power to destroy him, and if Ryu isn't that much fessed up anymore about Akuma, he's definitely not gonna be that concerned about Bison), and the first thing he did when he came back was revive a horse from the dead.

I'm not gonna say this Bison is poised to turn a new leaf, but they did say he is "searching for an identity to make him smile".

Maybe the real world domination was the horses we befriended along the way.

#street fighter #fighting games #capcom #sf6 #street fighter 6 #m bison

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spamsmcgee · 1 year

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DRUNK-DAZED

Return of kpop y/n. Part one listen to Drunk-Dazed by Enhypen

Faceclaim: IU

Yuki features on yet another one of Y/N’s songs, this time he gets to be more involved in the processes. And goodbyes are weird when you have fans as passionate as you do.

I lowkey want to flesh this out for an actual miniseries. Like with plot and everything. Lmk what y’all think

yourinstagram

yourinstagram Drunk-Dazed, Featuring yukitsunoda0511, prod. agustd

yukitsunoda0511 I think this one was my favorite..

formulawhat Yuki entering his kpop idol era 😩

-Liked by yukitsunoda0511

ynlefteye Honestly if driving doesn’t work out for him 👀👀

danielricciardo Yuki is my bias

yourinstagram Mine too ☺️☺️

yukinooo 🤨🧐 I mean same but…

agustd

agustd Thank you alphataurif1

Yoongi had left already. He took his things and some extra thumb drives back to his own studio for some finishing touches as you and Yuki were left alone in your apartment.

With Yuki having to travel between races, home, and every once in a while out to Korea to also try and meet with you and Yoongi. He was nodding off in the seat across from you.

Even with all of that, and in spite of his personal training getting on him for being up a lot, he still performed well in the sport. His most recent race being a masterclass filled with overtakes and him personally dragging his car into points.

You let him sleep. You cleaned around him.

Taking dishes from the dinner that Yuki offered to cook for the three of you. The best dried tomato spaghetti you’d ever had, with some garlic bread from a small Italian place you didn’t know existed. The two of you had found it while out on a walk in one of the recent meetings.

Yuki stirred awake as you finished up. He stared, his eyes adjusting, “I would’ve helped” he said. His voice cracked from the short but still deep sleep.

“Get your sleep,” you shook your head, “we’re getting the music video done this month so you need the rest.”

The time you got to spend with Yuki almost became too much. Not in that you would start arguing or anything. More so that you became close. Close enough that you couldn’t stand together for long without laughing.

At one point in teaching the two of you the song’s choreography, your loving and always gentle choreographer Seo Chanyeol had to separate you. Yuki became a test to that man’s patience like none other.

Never raising his voice, Chanyeol looked towards Yuki as his child. A quick glare to shut him up momentarily. Not letting the eye contact linger before turning away to still his own laughter.

After promo, after practices, after it all. When everything is said and done, your Tik Toks and YouTube videos are filmed, Yuki still has to go back to work. After a month that should have given him rest and relaxation, he’s off and putting himself all into his career. The thing he wants more than anything.

The two of you stand, that airport in Seoul loud around you. Your managers and bodyguards surrounding the two of you. You’re dressed like one of them. Escorting Yuki to the airport with fans crowding him as if he were one of you.

You squeeze his hand in a moment. You don’t leave a lingering touch, for fear that some eagle eyed and trigger happy fan with a camera might spot it. No doubt that small interaction could lead to more.

He separates from the group of you, and into his own group comprised of his own managers, social media personnel, and his personal trainer.

The distance that grows between you isn’t a problem. With the amount of money and resources between the two of you, a ticket from Seoul to Bahrain, or Italy, or wherever the sport takes Yuki means nothing.

It’s the reputation that comes with it. You’ve already had your fair share of dating scandals. And while you’re not banned from dating, what’s the point?

The two of you leave in your separate directions. Not a true goodbye between you. It’ll never be goodbye. But without the promise of privacy, it feels eerily final. Just as it did the last time.

You hope he feels the same. He’d said he did, one night after filming that first video. And he’s come back, with a promise of visiting again. An invite to any race weekend you’d like.

Say the words and he’ll send whoever he has to.

It’s not safe. A relationship for you will never be as safe or secure as if you’d like.

yukitsunoda0511

yukitsunoda0511 So happy to share with you all my second project with yourinstagram, and first time working with agustd. This time I got to be a lot more involved with the creation of this song and it was great.

pierregasly When are you doing your own song?

yukitsunoda0511 👀👀 gnabnahc

formulawhat the question is, who is he eating with?

miniyoong at this point it could be either Yoongi or y/n and it would still make sense.

yukinooo Yungi or Yoonki is the question now.

yourinstagram I can’t wait for next time!

yukitsunoda0511 I’m already thinking about it 😂

#yuki tsunoda #yt22 #f1 x reader #yuki tsunoda x reader #yuki tsunoda x you #f1 fanfic #f1 x you #min Yoongi is there #kind of #kpop idol reader

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fantasygerard2000 · 3 months

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Have Fandoms Become Ungrateful?

It's not exactly a surprise that not every fandom is healthy, especially the ones towards popular media. However, even small fandoms can just be if not more unhealthy, mainly because the media they're a fan of is just a version that exist in their heads.

There's this issue within fandoms where they want more of the things they want over appreciating the things that were already made. Unless you're in the Miraculous fandom. However, instead of dropping media they don't like and watch something else different that suits their tastes, they want to change the already existing one to cater to said tastes.

And what better fandom to use as an example than the Wish fandom, or rather the fans of a version of Wish that doesn't exist, where they didn't like the movie for scrapping unused and cut concepts like a villain couple and Star having a human form to which they misunderstood as being Asha's love interest. These fans make numerous fan material based on these unused drafts and that's what most of the Wish fandom is while the fans of the film that appreciated it as it is are rare.

Honestly, I am not against making fan content based on unused ideas. I do encourage making content based on early ideas. I just don't like encouraging this behavior of treating a content that has a thing you're like is better than the one that doesn't.

I do in fact agree the an unused draft of Ruby Gillman is kept where Chelsea is indeed Nerissa's daughter and not a fake identity is better than in the completed film. Some fans say so because they like Ruby and Chelsea's friendship or because they shipped them, but for me and several people is because of the film's plot point about prejudices between the Krakens and the Mermaids. So having the "good mermaid" actually being evil all this time sets of a bad example for a plot point about prejudices.

Another example for unused concepts is Emperor's New Groove. During development, it was originally intended to be an adaptation of the Prince and the Pauper called Kingdom of the Sun with love interests for the two main leads and songs. However, production issues cause the film to change into the one we all got and love. And as much as I wanted KotS to the one that was completed and released , I am fine with ENG being the one released because I don't really need to see KotS. In fact the reason why I liked the KotS draft because it was more in line with classical Disney. And that's sort of why I have a soft spot for Wish, because of the classical tropes.

I'm not bothered with the vocal minority of people who don't like the film, it is Disney in 2023 after but the ones that do over the dumbest reasons like the aforementioned unused concepts do. Like, you can just watch a completely different film that has a romance with a human and a star or one that has a villain couple.

Controversial examples are the Steven Universe and The Owl House fandom. And I wrote controversial because I'm aware that the fandoms of these shows disagree and would witch hunt me but here me out first.

Despite already ending and getting a movie AND a sequel miniseries, SU fans still wanted more of this show. Now, I don't like Steven Universe, as in I am neutral towards it, but I do genuinely hate the writing and the implications about its themes. So seeing how fans wanted more of it is like "what else is there for you to WANT more"?

Same thing can be said with TOH fandom, which also ended but fans want more. Which is partially justified since the series was planned to have three seasons but was cut into two with the last three specials being made to serve as a finale. However, as much as I understand that this show deserved its story told through three seasons, I genuinely think that it should have cut several things out.

Now, I like The Owl House, but I would be lying if I say it doesn't have any issues. Said issues being that it has the need to spread its lore like puzzle pieces around for fans to put together when all that lore is just a backstory for the villain and it serves very little purpose to the story currently, that is Luz's journey to stop Belos.

TOH and similar shows like Star Vs and Amphibia all share this problem where they want to do what Gravity Falls did, leaving in clues and lore tidbits for the fans to piece together but all that secret lore stuff feels like an imitation just to get fans invested when they should be invested are the characters, not some information about the villains' backstory.

This extends to shows after the Owl House where fans of it skipped Hailey's On It because "it wasn't becoming the next Owl House". That's it. That's the reason why they didn't wanna watch this show, and that's what this whole thing is. They just want Owl House again.

In Ghost and Molly McGee, fans wanted Andrea to be the next Amity Blight and I find that baffling because we already have Amity Blight, why do you want her to be like her?

Same thing with Zuko from Avatar and how every show after it, there will always be that one character who is like Zuko, but without the charm that made us all love Zuko in the first place. His "clones" are just there for the trope of "recurring villain turning to the good guy's side" and the satisfaction it gives the audience who are into that over the genuine redemption they deservedly earn.

This is the real issue with fandoms. Their media diet are so rigid that they want the same show, just with a different skin. They say they want a sequel series or a prequel series, but they actually don't like the ideas of prequel and sequels in general but still want to, because it's more of the media they like.

Fans want more of Steven Universe and Owl House because they think they were unfairly canceled despite they were finished over the actual shows that were indeed canceled.

Being mad at a movie because it didn't have a trope you like isn't the fault the creators, that's just you being upset about your specific tastes not being fulfilled. You want an original 2D animated film, yet you are too lazy to find one to watch.

Instead of watching and praising existing 2D animated films, you complain more about Hollywood's over reliance on sequels and reboots.

If Potterheads need to read a different book, then fans of any show need to watch a different show.

#fandoms #disney wish #wish 2023 #wish movie #wish #wish fandom #fandom discourse #steven universe #the owl house #ruby gillman

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prettyinpwn · 25 days

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Please Reblog to Solve a Fandom Mystery

So... long story short, I'm an ancient, crusty old part of the Gravity Falls fandom, best known forgotten for having made the original Stan twin theory post that got it going on Tumblr back in the day when the show was airing. AKA the person that predicted Ford conclusively first before Not What He Seems even aired. Here's the original post in question from eons ago:

Or... at least I thought I was.

I have a bit of a conundrum I'm wondering if anyone can answer, or if anyone from the fandom from that time - like I am - might remember. See... for a very long time, I always thought the 'someone on Tumblr cracked the case, so we made the McGucket hoax' quote from the GF commentaries meant my blog and post was the one that scared Hirsch into making the hoax, but then I realized:

My theory had the McGucket hoax in it (I believed it hook, line, and sinker, too - thanks Alex, you plaid rascal). So... the McGucket hoax wasn't made in reaction to MY Stan twin theory post on Tumblr, which means... someone else's was.

But here's the thing: I was OBSESSED with GF at that point (who am I kidding, still am, the brainrot in me is strong), constantly refreshing and checking the tags and the people I followed every day for hours on end, deep in the theorist side of the fandom, and I do not remember anyone having fully made a post like mine that "cracked the case"... until mine. The idea or suggestion that Stan might also have a twin existed, sure, but as far as I know, no one fully proved it until me, with the above post rounding up all the evidence.

So... then who DID? Does anyone remember or has found anything from those days that conclusively proves what post was the one that sent Hirsch into a frenzy to make the hoax? Because I'm pretty sure now it wasn't mine.

The absolute earliest mention I personally remember was on the Mystery Shack forums, I think they were called, but once again... not sure by who, and it was without evidence and was just a 'wouldn't it be cool for Stan to have a twin, too?' type deal, iirc. And my theory post itself from back then says it was already a circulating idea, so it must have existed elsewhere, first, but I for the life of me CANNOT remember any posts before mine that fully solved the plot twist.

My one thought is that - and this is how I remember it - me saying "the famous amongst Fallers Stan twin theory" in my original twin theory post was me mis-stating theory when really it was only a 'what if?' idea at that point, but... then again, the McGucket hoax was made before my twin theory post, so there must have been an earlier Tumblr post than mine, right?

Anyways, sorry for the long explanation, but I wanted to explain my thought process and what I remember. Please reblog to help me solve the mystery! The more this gets reblogged, the more people who might remember from back then might see this and know the answer. Or maybe a newer fan that's delved into super old posts in the fandom might have seen one earlier than ~July-Aug 2013 (roughly right after Dreamscaperers was released) that cracked the case before my post did at that time.

#gravity falls #stan twin theory #prettyinpwn

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bloodsbane · 1 year

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Adventure Time Watch List

With Fionna and Cake currently airing, a lot of people have gotten interested in possibly watching Adventure Time lately - either for the very first time or returning to the show after having dropped it at some point. I've already started helping a friend watch through the show with me and have talked to other friends who expressed interest in doing the same.

For the above reasons I thought it would be fun and helpful to create a watch list, and then I thought it might be of use to others! It's a list I'd describe as lightly curated, but keeping things extremely easy for anyone to choose how they, personally, would prefer watching the show by leaving all info/options available.

Personally, I think Adventure Time is a show worth watching in its totality! At least once, anyway. But I acknowledge it's intimidating to get into a show with 10 seasons and over 200 episodes, plus some people are mostly interested in specific characters or plots, or have watched through most of the show before and want a faster way to catch up on 'key info' without running through the first five seasons with a fine-tooth comb.

So, the document! It includes:

A key for how I marked every single episode (based on their necessity for understanding the overall plot, which eps introduce and expand on recurring concepts/characters, which are arguably "totally skippable", etc.)

Highlights marking all F&C episodes and each of the mini-series arcs.

Colored hearts which mark major character appearances (Ice King, Princess Bubblegum, Marceline) and significant episodes that center on/continue the arcs of Finn and Jake respectively.

>>> You can view it here! <<<

(if any of my choices on this doc are ones you disagree with, that's fine! but please don't try to argue with me or complain to me about anything if you think something is marked wrong or missing. this was mainly done for personal/friends use. feel free to take this list and use it as a base to make one of your own!)

The idea is that you can use the list to curate your own experience in watching through the show. If you want to watch everything, you can! But maybe you only want to refresh yourself on the main plot, or maybe you only want to watch all of Marceline's episodes, etc etc.

I would like to emphasize one more time this was very casually made. Hopefully, if nothing else, it works for anyone who's interested in AT but doesn't know where to start beyond just watching the show from the beginning.

I also wanted to put out a list like this because I've heard of the existence of watch lists that will recommend skipping a majority of episodes outright, including entire seasons, which ??? sounds absolutely insane to me! Even the earliest seasons of AT contain episodes absolutely crucial to the overall plot!!

(This probably comes from the idea that the earliest seasons of AT are "worth skipping" because they're "not as good" as later seasons, or that early AT is only okay but "gets better" around the middle. I heartily disagree with this; some of my favorite episodes are within the first three seasons. I will of course acknowledge that some of the earliest episodes probably won't suit some folks' tastes even if what comes a little later on definitely will; hence, this list.)

Anyway, I hope this helps anyone interested in watching! If you do give Adventure Time a try, I hope you have a great time with it! It's a fun show and I think watching the whole thing is definitely worth it~

#banebabbles #at watch list #do i want to put this in the tag. probably not lol #i can and WILL lock reblogs on this post if folks start acting like clowns

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eddiediazismyhusband · 4 months

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One Fan’s Thoughts on 9-1-1 Season 7

(fair warning this is about to be a long ass rant post so buckle up; if you, like me, get anxiety over speculation and discussion of the show, this may not be the post for you to read… but i need to get my thoughts out there because i have kept them bottled up for so long that it is taking a mental toll on me.)

there’s something so gutwrenching about laying awake in bed thinking about how you have been the closest you’ve ever been to actually seeing a queer ship you’ve stuck with for six years actually going canon just to be hit with an immensely overwhelming sense of doubt because every time the story presents a natural path to develop in that direction, the writers completely veer off in an insanely different direction despite constantly trying to push this narrative of “if it goes there naturally” while ignoring the plethora of times it already has gone there naturally but has been passed over for some insanely far-fetched plotline that contradicts points that have been set up in the past…

i’m not trying to put a dampner on things or worry anyone, and like i mentioned in my previous post i am NOT closing on buddie, but i still can’t help but feel cinical and pessimistic about it when it feels like Tim is just blatantly baiting us at this point. Like at times it doesn’t even feel like he’s actually open to exploring buddie when he is constantly retconning his own storylines from previous seasons, and making excuses every time he deliberately chooses to ignore the countless number of chances that crop up in the story, instead deciding that because he wants to redo hitchcock he’s going to rewrite the history he created in order to fit a convoluted plotline that borders on farse just to a) not give fans what they have been begging for for years, b) shoehorn in his vertigo fanfiction, c) stir up drama rather than actually giving us something pointing in a positive direction to combat the 5000 other depressing plotlines he’s trying to cram into a 10 episode season.

i really thought tim was going to bring back the old vibe we had before KR took over and messed things up, but so far this season has felt like a jam-packed rushed mess that resembles a middle schooler’s first forray into a wattpad angst fic, and it’s disheartening to have sat with the show since the first season just to see it fall off so hard w s6 b, only to rebuild hope that things might go back to normal w s7, just for it to spiral even further into jump-the-shark territory.

And this is not just about buddie. There have been numerous times this season that have just been recycled plot points from previous seasons rather than something new and fresh, simply for the sake of melodrama. Old plotlines that had been seemingly finished are being rehashed and recontextualized out of nowhere, characters are getting entire traits and development completely rewritten and replaced with something almost unrecognizable to newer fans, there has been very little positivity within the narrative to allow us to breathe between traumatic moments, and the few positive moments we have received have been lukewarm at best, and have done nothing but cause derision and hate to be spread throughout the fandom.

PR for this season has been a mess. At times it feels like Oliver Stark is the only actor who exists on the show, and that Buck is somehow the titular character— not that Buck’s coming out storyline is not important, it absolutely is, but the entire season should not be focused solely on him just because of a two episode arc that honestly didn’t tell us anything new about him besides canonically confirming what we’ve known to be true since the second season.

We have cast members stirring up drama by indulging fans through paid video responses, and cast members on live getting asked to weigh in on fandom drama that they honestly have no reason to be involved in. We have news outlets constantly being approved by the PR team to ask questions about a popular ship to bait viewers into watching the show when there has not been any concrete evidence either way of whether or not they actually plan to go there, dragging things out for another season when they have no confirmation yet in whether or not they will get a 9th season (and if they do, probably coming up with some other bullshit reason to drag things out), confirming that certain plot points were planned to happen in the past but for some reason now they are like “but that’s not what we’re doing anymore so you have to live with present and be happy with what you get.”

There is no reason why 6 years can’t be a long enough time for a slow burn. There is no reason for characters to be given increasingly convoluted arcs that callback to plotlines that have been otherwise nonexistent for years at this point. There is no reason to drag fans of a ship along just because you’re too scared to lose they’re viewership rather than just flat out saying “no we aren’t ever going to do it” or actually committing to it one of the hundreds of times the story opens a path to it.

No, the choices made this season were not “the only way” we could have been given the same dramatic beats. The choices made have not been some sort of end all be all to the story with no other possible outcome. Tim did not need to send the show off the rails the way he has just because he wants drama. Yes it’s a drama show, but there also need to be moments to breathe. Yes it’s a drama show, but that doesn’t mean you can’t let characters be happy. Yes it’s a drama show, but that doesnt mean you have to fuck up the narrative every time it starts going in the direction of something the fans have begged for for years just because you don’t want to give it to them.

It’s disappointing to see how careless they are being with things this season when previous seasons the actors and writers have been so cautious about what was said about buddie. now we have every interview mentioning buddie in some way, yet we only get told “idk 🤷” and see nothing concrete in the story to firmly hint one way or the other. It’s disappointing when you start feeling like you are being dragged along because a corporation knows that ship baiting won’t ever actually backfire/have a negative affect on them, so it ends up being a lose-lose situation for the fandom.

Maybe it’s because I have been burned too msny times by TV shows in the past, but nothing about this season or the PR surrounding it has given me faith that Tim or the writers actually care about anything other than viewership. Otherwise we would be seeing clear signs of the growing seeds of buddie, but so far all we’ve seen is the same framing choices that we’ve seen in every other season that are being made to deliberately keep buddie fans drawn in and theorizing when the writers have most likely already thrown out any plans that there might have ever been for buddie to go canon.

Mostly, I am disappointed in the fact that Oliver has been so heavily involved in pushing buddie speculation after being so careful to not lead people on in the past- i know that some believe that this was a sign that buddie is coming and he knows it is, but as the season draws to a close it feels more like he is just showing where his loyalty lies even though he knows the show isn’t going to take it there. I am not blaming oliver for buddie not going canon or trying to insinuate that he is queerbaiting in any way, but i can’t help but feel like i wouldn’t be so dejected about the way this season is going if he hadn’t started interacting with and sharing buddie content before any sort of confirmation was given.

now do not get me wrong i absolutely ADORE oliver and i am not in any way trying to attack him or speak against him in any way, I am simply saying that his sudden vocal support and campaigning for buddie is only going to add on to my disappointment in heaps if they don’t make buddie canon, especially after JLH said Tim made Madney happen bc she asked for it, but he still hasn’t made any sort of definitive move towards buddie after the same amount of time.

and lastly my disappointment also lies with the fact that ryan’s acting ability has been wasted on this crackfic plot… ryan is one of the most underutilized dramatic actors on the show, and the fact that the only serious arc he has gottne this season isn’t even that serious because of how out of character and preposterous it is is really disappointing. ryan deserves better, and eddie deserves better, and it is disappointing seeing him acting his entire heart and sole out in a plotline that makes his character out to be the bad guy in the situation when this is something eddie would never do under normal circumstances. Ryan’s talent has once again only been used to show trauma and this time it wasn’t even trauma that feels natural within the story, and especially after his recent interview it disappoints me that we are once again reiterating that eddie is somehow mentally unstable enough to have an emotional affair with a woman he knows nothing about just because she looks like shannon. Eddie has simultaneously had so much yet so little development, and seeing some of the theories of where his character is going in the context of ryan saying s8 will be a “reset” for eddie doesn’t fill me with excitement over where his story is going and actually makes me worried that we are going to see regression rather than progress for the sake of drama… i just don’t want to see eddie’s character revamped to a point where he has lost all of his development from the past 6 seasons just because Tim wanted to turn eddie’s plotline into a melodramatic telenovela.

Anyway, sorry for the rant— maybe it’s the stuff that’s going on in my personal life combined with the fear of getting played by yet another network tv show ship baiting that’s making me feel this way, but this season has left me feeling so pessimistic and cynical about the show as a whole, but mostly about buddie and it hurts. I love both of these characters dearly, and i want them to finally understand that everything they’ve ever needed in life they have in each other, but it feels like ever time we are on the verge, another wild card is played and it’s getting old atp.

i don’t say any of this to cause an argument. i don’t say any of this to poke and prod at people. i say this as someone who has loved this show and given it 7 years of my life who feels like my experience as a fan is being shat on in favor of melodrama rather than thoughtful storytelling… not to say there haven’t been really good moments this season, but overall, it has really soured things for me the way Tim has handled/taken the narrative in many ways, and I don’t know if I will be able to watch season 8 until i see concrete evidence that things will be better. i am not kidding when i say this takes the spot as my least favorite season after season 6, regardless of if we get any hope or not next ep… and that is what upsets me.

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