#i think it's more interesting to read outside of that lol

[ausradfem]

Hot take but I wish there was a bit more discourse on here about the complex feelings one has intersecting their radical feminism with their attraction/subsequent interest in dating men. I think there's a lot of radfems on here who live lives that are completely absent of having to interact with men and be around men (and some who just don't seem to go outside much at all, lol) who will point the hard finger at anyone who dares to talk about their nigel, and claim that separatism is the ONLY way forward. Time and time again, we know this isn't true. I fully support movements like 4b! I think its valuable and imperative that women decenter men, have their own spaces, put women first, etc.

But we also ~live in a society~ and complete separatism is not only incredibly unrealistic to strive for, but it relies so heavily on moral purantism that many just find off putting as its unobtainable for them. What moral puranitsm doesn't factor in is that people fall in love! We have feelings! We're human! And if you're OSA that means you have the possibility of finding you feel a way about a man that's out of your control.

As someone pointed out in the comments, several radical feminists that we often all quote on here had husbands, boyfriends, life partners that were men. Were those men magically better than men non-feminists date? Probably not. They might possess a certain level of respect for women that a lot of men don't, because (let's be real) most men will simply not put up with a woman who has, and practices, radical feminist beliefs. I also believe there's a lot of young women on here who don't exactly practice what they preach, and on one hand may espouse many radical feminist views while never calling out their boyfriend when he uses slurs or says things that are misogynistic. But this isn't every radfem, and it's silly to lump every radfem on here into that category.

Maybe I should be more open about my OSA, and give some more nuanced views on it (especially as I come from a background of DV), but thats for another post in the near future.

Long story short I think we gotta be a bit more..... complex? When talking about radfems who continue to date and love men. It's a much more weighty, multi-facted topic than things like beauty standards, which were created as a direct tool of oppression, and serve no value to women's lives. Males often don't, but you'd be insane to say that no women get enjoyment and fulfilment out of loving men. Lastly, I think opening up discourse about staying strong in your radical feminism encourages standards!! I know I started putting up with a lot less crap from men the more I read into radical feminism. Simply saying "don't date men" doesn't teach other women how to appropriately navigate:

- standing up for one's self in a relationship

- accurately communicating your needs, and to hold men accountable when they aren't men

- being selective with who you date, what to look for and avoid

- how to recognise signs of abuse

- how to garner healthy sexuality and pleasure for yourself

- how to centre your pleasure and fulfilment sexually, emotionally and mentally.

I could go on, but it's late here and I think I've articulated my point alright enough (:

i’ve noticed that radfems with boyfriends have this unspoken belief that they just know how to pick men and therefore they feel better than women who end up with shitty men or that they could never be a woman on the news that just got murdered by her boyfriend/husband… girl just because you haven’t caught ur man watching porn doesn’t mean he’s a good guy. It’s another level of pathetic to be in a space where the actions of men and how they treat women is a very popular topic and then believe ur man is somehow different because you don’t want to be alone……i’m so sorry to the separatists that sit and watch this shit….

[superm4ks]

https://www.tumblr.com/maxarchive/767895471901507584?source=share

We've been knew but also I neeeed ur honest reaction lmao

Full post by the goat @rb19 @maxarchive here

BBC always insufferable but this just ridiculous. Asking an F1 driver if he wud naturally give somebody room in a corner exit might be most depressing shit I have ever had to read wid my own 2 eyes. Nvm that he's asking Max Verstappen of all people ... ‘racing another driver' by letting them complete an overtake just because they feel entitled to get to the front is literally antithetical to the whole concept of motor racing 😐 Its antithetical to 'competition' period .. Competition isnt fair, isnt deserved, isnt victimless. If it were, it wud not be ‘competition’, it wud be a game for children. Max was never treated like a child competing against adults and now 9 years later he’s getting grilled on what makes him such an aggressive competitor. I wrote a lil bit on dirty vs clean driving that I think sums up p well why Max will always get these kind of questions and others don’t.

The wdc exists to ensure that the human element remains the center piece of a motorized competition. Without the drivers championship, we wud grade these bitches on one lap pace and long run simulations and call it a day because a machine is easy to evaluate, a drivers handling of said machine over the course of 24 races is a much more interesting and compelling story. 'why wud u as an driver choose to utilize the full width of the track and not just roll out the red carpet for the pookie behind u 🥺' shud honestly get u sh0t as a journalist and I mean it.

If u give the full thing a read ((for @rb19)) Max is quick to mention how he cud tell even back in diapers karts which drivers were like him, and which drivers were more .. passive around the outside. He calls it a 'driver-related' thing. Some allow it, some dont. The ones who dont, who wud push him off track or pressure him into locking up, Max describes as having a lil more of a 'racing instinct'. What he leaves unsaid is that what separates these ‘passive drivers’ from the 1s ‘wid instinct’ is that this instinct is exactly what makes it impossible for him to just allow a driver to overtake him around the outside without putting up a fight to defend his position. It’s built into him. It’s how he races. And believe it or not.. and I’ll hold T Kravitz’ sweaty fucking hand when I say this, that’s completely fine. It’s fine to go racing wid a negative delta and not just roll over and let sweet Lando complete a single overtake. It’s fine to use the car and flirt wid guidelines if it keeps the point deficit as small as possible. It’s fine to fight for position in the. cars fight for position sport. It’s ok. I promise.

And lemme add 1 last thing. What people berate and insult and reprimand Max for now is the same shit they were checking off a list titled ‘future F1 champion’ when he was 13 years old. They knew, like Lauda knew, that to be as fast, as strong, as talented, quick in slow and fast corners, assertive, fearless, you need to be deliberate wid ur car as few in the history of the sport have been. U need to be so deliberate and confident in ur wheel that when someone asks u if u wud consider letting someone overtake u around the outside because 🥺 that’s so UNFAIR that u wud not let a car overtake u in the car racing competition 🥺 u can very calmly say ‘no lol’ instead of snapping ur fingers and unleashing Helmut Mario from a hidden hatch on the ceiling

[fyeahnix]

Hiiiiii I love your blog and your writing so much.

I know you have a hc that Sevika is bilingual, can you elaborate on that? Who taught her Spanish? Did she grow up speaking it? Does she do that thing where she forgets the English word for something and has to make up something to describe it? Does she say things in Spanish when people ask her to tell them something knowing they don’t speak Spanish so she can go “what, I told you already?”

Also I would die if she referred to me as “mi mujer” 😭😭😭

Thank you, have a great day!

Hello, anon! Thank you for the kind words 😄

So, yeah I think I mentioned this in a random throwaway Sevika headcanon post and haven't ever elaborated on this. But yes...

One of my headcanons for Sevika is that she is trilingual, and that stems from her family. First and foremost, I don't play League and I don't know shit about League lore outside of the bits of research I did to write for some Sevika stuff. I do see that League lore is incredibly detailed and expansive (which is fascinating to me) but there's still a lot that hasn't been explained from what I can tell? It looks like there are multiple languages that exist in Runeterra, which makes sense considering how many sentient races and ethnic groups there are. So let's talk about that for a second so you can understand my thought process on this. Walk with me here.

First off, this is, of course, a fantasy universe so the concept of languages and the countries they come from don't exist in that universe in the same way they do here. For example, there is no country called Spain, and therefore, there is no language called Spanish. So how does that work in my head? Easy. Use an existing language as a proxy for a fantasy one ¯\_(ツ)_/¯ I mean...are the characters speaking English in Arcane? Clearly no, because Germanic languages and the countries they derive from don't exist. They're speaking whatever local language exists in that universe. I figured why not add some other IRL languages for flavor? So with that being said, this is where we get to another headcanon.

If we're going by ethnic background, I like to imagine Sevika as Afro-Latino from her father's side and South Asian through her mother. Why? Her VA, Amirah Vann, is Afro-Latina (African American father and Puerto Rican mother) and speaks fluent Spanish. Sevika's name appears to be Indian in origin and I mean...like look at her lol. She is clearly meant to be, in our world, South Asian, most likely Indian. I obviously do not know what region of Runeterra this ethnic background would translate to. Maybe Shurima???

Given that background (and the bit of trivia about her VA), that's how I came up with her being trilingual. Learned all three languages growing up in the home. "Spanish" from her father, and a third language I haven't decided yet (Hindi? Urdu? Sanskrit? Punjabi? Don't know yet, need to research) from her mother.

Why? Well...why not lol. Truthfully, I thought it'd be interesting to make up some additional reasons why she's so fit to be Silco's right hand. Piltover and Zaun are port cities, and being port cities, you're going to come across a lot of people from a lot of different cultures who speak a lot of different languages. Basically the idea here is that Silco chose her as his second because of a variety of factors:

Multilingual, helps with gaining trust and securing deals

Trusted patron at The Last Drop

Same end goal of liberating Zaun

Loyalty

Can hold her own if shit goes south

Intimidating (she's fucking huge and can beat your ass)

Good at reading people

Surprisingly good at negotiation when she does bother speaking

And now that we know that Sevika herself was the one handling the majority of the deals (she said so herself in Season 2), I like this headcanon even more lmfao. Like here's an excerpt from an unreleased piece of writing I did that mentioned it:

The downside here ofc is that I, personally, only speak one language lol. I took Japanese in high school for 4 years and can't remember much except how to read hiragana and katakana (should have studied more!). I am absolutely going to have a lot of blindspots when it comes to things that only bilingual folks or folks who speak more than one language experience, and that is something that would be worth doing a bit more research on. Quirks like the ones you mentioned are things I forget that people experience 😅

That is a bit long so sorry for that, but I hope this answers your questions well.

Keep in mind: these are just headcanons. That's it. This is for fun. If you think something different, then do you!

taglist: @gaudesstuff @archangeldyke-all @abitohoney @sexysapphicshopowner @iamaboringrattat

@ash-fall7 @the-anonmaton @peanutbutterprincess @thesevi0lentdelights @kylorey25

[the--highlanders]

genuinely think the way jamie initially talks to victoria is my favourite little detail from evil of the daleks. he never really talks in this tone to anyone else - he adopts a similar sort of formality with ruth earlier in the serial, but not with mollie, so some of it is probably an instinctive class/social dynamics thing. on the flip side, he never gives any of the male characters in the serial the same courtesy, at least partially because he never actually respects any of them - or in kemel's case, because he's trying to befriend him, not defer to him.

but the way he initially talks to victoria takes it to a whole other level - it's this gentlemanly formality and put-upon chivalry he never tries for anyone else. he also /stops/ talking like this to victoria pretty quickly - it's not how he /wants/ to act with her, once they're on friendly terms! but he thinks this is what will make her feel calm and secure, when he's a stranger breaking into her room after months of isolation. his instinct is that she wants a knight in shining armour who talks properly and is the image of politeness even when he's in the middle of barricading a door.

and it /works/, in this instance - he does put her at ease, he does get answers out of her, and they build a rapport very quickly. but on the other hand it betrays so much of the misunderstanding at the core of their dynamic. because even though he stops talking to her like this, he goes on positioning himself as her protector, and he doesn't know how to handle it when the facade breaks and he can't stop her from being frightened.

[batshaped]

i paused reading chapter 76 to make this LOL

[grandadtwelve]

thinking abt how the masters life revolves around the doctor and how the doctors life revolves around their companions and how the root of these obsessions (other than like love and affection and whatever) is probably just bc it must be so boring to be a time lord

like ok. as a time lord (and specifically as the doctor or the master) you’re generally the smartest person in every room, however, you know the flow of time very intimately so you can’t meaningfully invent anything, you can’t participate in the contribution to society because you can’t advance them past how they’re supposed to be advanced, and you rarely have peers who can challenge you and who you can challenge in return without becoming some kind of all-knowing mentor figure.

like, yeah, if the master created a deep and enriching life for themselves outside of their relationship with the doctor they would probably grow into a much happier and well-balanced individual, but like. How are they supposed to do that? they can’t go back to gallifrey (bc at any given point in time its either destroyed or they just don’t “fit in” there) to be around other time lords. they don’t care or empathize with people the way the doctor does so the challenge of “saving people” doesn’t interest them. and we’ve established that they can’t just join up with a group of scientists and inventors somewhere for the sake of timelines or whatever. so what does that leave? ummm attempts at world/galactic/universal domination i guess. obsession over the singular other being that is just as intelligent and disconnected as you are i guess. bc everything else is too easy or too boring and that’s without even considering any of the masters predisposition for violence/chaos/supremacy/etc.

[kalofi]

zl fic idea

hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.

4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut

ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.

so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated. 

finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 

theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 

he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 

zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 

hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 

he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 

his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 

zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 

he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 

so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.

—

thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 

zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 

zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 

that makes law pause. “what?” his voice comes out stronger than he feels. 

“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 

“what?” 

“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 

he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 

“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 

hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 

youre gonna owe me big time strawhat-ya. if i even remember this, that is. 

he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 

zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 

he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 

he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.

room.

shambles

—

zoro’s world shatters, differently than before, and then theres nothing.

—

he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.

he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 

work?

what the fuck is happening. 

its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 

he doesn’t understand what the fuck is happening. 

without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 

hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 

he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).

his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 

uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 

nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 

so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 

is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…

a lightbulb goes off. 

fucking shit he thinks. of course. of fucking course it would come down to the cook. 

he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 

(if it takes him nearly an hour to get there thats nobodys business but his own)

he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 

the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 

he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 

zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 

“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 

hes never been one for tact, forever blunt unlike his swords. 

sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 

he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 

zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 

its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 

“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 

he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 

the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 

“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.

“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 

“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 

the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 

he blinks. 

then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 

“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 

“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 

“holy shit. holy shit.” 

zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 

“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 

“you remember now though, dont you?” he has to be sure. 

“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 

“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 

“fuck you.” 

he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 

“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 

zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 

“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 

zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 

he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.

he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.

and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.

sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail

by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.

—

(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)

uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

[orcelito]

Went skimming thru late trimax For Reasons, got caught up reading the Legato fight, realized things about the fight that I never had before & went WOW, I kind of want to write an analysis post right now!

Felt the same kind of insanity grip me, however momentarily, that fueled all my analysis posts however many months ago. Too tired to actually word things coherently right now, but...

I May or may not have a full(ish?) analysis of the Legato & Vash fight a la style of This post analyzing the Trigun: Multiple Bullets fight that got unexpectedly kind of popular. People seemed to really appreciate that one, & I even had some ppl saying it could be cool if I did that for others?

So. Legato fight. Maybe. Feel free to remind me later if u see no mention of it again for over a week lol

[mysteriouslybluepirate]

Why Izzy fandom and Izzy 'eh' people write this fucker so differently. A slight rant written at 1am by a person in the middle of writing her 10th Izzy fic 😆

OFMD is about looking at a person, then diving in, and understanding and sympathizing with why they are like that. To some extent, most romantic comedies are. So let's look at who my brain has latches onto:

Stede Bonnet: introduced as a pompous outsider whose wealth blinds him from seeing how hard piracy is. Throughout season 1 we see him grow and gain confidence in his abilities. He finds self confidence, acceptance and even a found family because he is, to his center, himself. He is flawed but we see him trying to follow his own code for what makes a good captain.

Edward Teach: distant experienced pirate who has totally checked out from what it means to be a pirate. He doesn't care about casualities and keeps secrets about life-saving plans from the people xlose to him. But he's not a prick. He wants something in life he doesn't think he can achieve: a peaceful life. He thinks it's a rich persons game he can never afford to win. He's not the kind of person who hets a happy ending. He learns over the series to let himself want that for better and for worse. He can be cruel and seemingly selfish, but he learns to love life again after meeting stede.

Izzy Hands: a character built in Ed's shadow, representing the bits of Ed's life he hates in s1. Most of his screen time is spent either agreeing with or denying Ed's plans. I've noticed in the AU I write, I still tend to write him as a bitchy ex, because what do we know about him outside of how he interacts with Ed? A man who he sees as his 'boss'?

On screen, he is seen with or acting on the behalf of: ED. In s2, it's a bit better. Sure. But he's projecting his issues with Ed onto the crew ('he's still got legs'/'next time he'll do his fucking job' of s2ep4). So even the scenes hes not physicially in frame with the man, Ed is still haunting him. Or Izzy's alone and sad. A character sitting alone CAN progress their character. But what do we learn? That Izzy sees himself as Izzys shadow, too.

The two scenes I can say give direct characterization for him are the Ricky speech of s2-Ep 8, and the drag discussion between him and Wee John. Izzy cares about his crew and is a person wishes he let himself open up in life.

[but even then. We as the audience know this more from a con interview than the actual show. I had a friend say Izzy finally turned gay at that moment, so interpertations of that scene vary]

So. Yes. Izzy cares about rules and trying not to die. Yes. He loves Ed. But who is he? If we took Izzy Hands and dropped him in a new world with new characters and a new plot. Who would he be?

The bitchy 'micromanaging' ex. The mother friend. The nag.

I fucking love Izzy, but I can admit that like most characterization of a side character, I am projecting and stretching apart the crumbs we are given, to have a TON of fun while making him suffer.

I write Izzy the way I do because in my head my favorite character is a mix of 10 hours of tv and the past 2 years of reading stories about a man who is *trying* to live.

I know many fans outside of this sphere struggle to get our facination with the guy, but in the end, Izzy Hands really is ours. And that's kind of beautiful.

[whentherewerebicycles]

also i have probably said this before but i think faculty need to stop telling students that they shouldn’t go to graduate school. yes students should have the information they need to make the decision (including info about the low stipends, the not-so-great culture of many graduate programs, the vanishingly small number of stable academic jobs, etc). but i’ve always felt like some students are going to hear that and think “well, it won’t be me, i’ll work hard and beat the odds!” (typically your well-off students who have a lot of social & navigational capital and an assured sense of belonging in higher ed spaces), while other students are going to hear it and think “i wonder if they’re just saying that because they think i’m not cut out for graduate study.”

[vrisik]

popular youtubers who don’t understand the backrooms stop making videos about the backrooms i’m begging you

[discordarchitect]

honestly, i would love to read that?

[wild-at-mind]

I just read an article (/book extract) where the byline made it sound like it would explain how to find out about sex parties in your area if you're New. 'People always ask me this first' yadda yadda. So I clicked in, all intrigued, but the answer was literally 'It's easy, just...go to one! ^^' (Great thnx.)

[andypantsx3]

And that's where both readers and authors should be looking: towards mending those community ties, however we can. Maybe that means giving up useless number-chasing if communities can't survive past a certain scale. We could choose to focus on the slow work of developing relationships and trust, creating smaller but more sustainable groups of people who can support one another. Even now, within the hostile infrastructure of the modern internet, I think these things are still just barely possible.

Alright, so: I want to explain a little more about this connection between the Twilight fandom, Fifty Shades of Grey, and seemingly, the self-publishing industry as a whole. It's a lot, so I'm going to have to chip away at it a bit at a time, and I think the best place to start is by describing the scene in late 2000s Twilight fandom.

In 2009, Twilight was one of the biggest fandoms in the world, although it was nearly invisible to outsiders because it

Was about a straight couple, while most other fandoms were predominantly gay, and

Was conducted almost entirely on fanfiction.net among a group of people who had little other background in fandom. (x)

That meant for many Twilight fans, Twilight was fandom. It was all they knew, and many had no path out. That also made it a corked champagne bottle with the pressure building.

Because of these community dynamics and the declining quality of the Twilight books themselves, Twilight fanfiction evolved to be mostly AUs so alternate they were more-or-less original romance novels that used Bella and Edward as broad character templates. (x)

Seriously, Twilight fandom got really crazy big for a few years there. It was not totally uncommon to get multi-million clicks on a semi-popular story. It's weird looking back on it and calling it "Twilight fandom" because it was really more like "Romance Novel fandom". For real, for a period there, calling a Twilight fanfic author a 'Twilight fan' would be the ultimate insult. But they never stopped writing about Edward and Bella! It's so weird. (x)

If you were in 2000s era fandom, you're probably aware of the phenomenon of Big Name Fans and the various social-climbing dynamics that happened around them. The Twilight fandom took this social power game another level:

This wasn't even just an author thing. There were Big Name Authors (BNAs) but there were also Big Name Readers. These were basically like... full-time rabid fans of a BNA. They devoted so much of their time to helping out the BNAs, reviewing their chapters, making them fanart, promoting their fics, kissing their asses with cringe-worthy intensity, you name it. Which is why you saw what looked like BNAs having 'employees', such as Moi, tby789's Director of Marketing. (x)

It became apparent that these power games weren't just for fandom clout. The fandom was proving that that social power could be translated into real-world dollars. You see, the Twilight fandom used to organize charity auctions where big name authors would auction off custom fanfiction, and the money generated was substantial:

Mostly authors would auction off stories. So if you donated in my name, I'd write you 10,000 words of porn in my Tattward universe, or something new, etc. That's how it worked. The 2009 auction raised $80,000. The 2010 auction raised $140,000. The 2011 auction raised $20,00. [NOTE: this is likely a typo] (x)

A lot of these dynamics were not unique to the Twilight fandom, but it was the combination that created a perfect storm of opportunism. This would end up changing not just fandom dynamics but the publishing industry as a whole.