#i think it's more interesting to read outside of that lol

[slurmpinheimer]

from @cyber-harpie !! spit that shit homie!! I thought this deserved to be seen because it brings up a lot interesting points—and I do agree with this, though it got me thinking again. I would like to add a few things to my initial statement because analysis and talking about Kim is fun;

(WARNING: MAJOR KIM-RELATED YAPPAGE BELOW)

I’ve watched several play throughs where (especially at the beginning of the game/if they have low psyche) people aren’t sure of Kim, or even go so far as to call him annoying, a buzzkill, or an asshole. At first I found myself getting really defensive about this. Obviously not to the point that I made any hate comments or anything, that would be silly— But just in my head, automatically dismissing it because I love him and didn’t want to hear it. I couldn’t imagine anyone disliking him, instead of thinking deeper and considering *why* people might come to these conclusions.

I believe the bits we get from Esprit and Empathy support my initial point that Harry is the perfect narrative device to meet Kim through. If I remember correctly, Kim was written specifically to find Harry funny, and Harry’s skills let us see that. and that’s IF you succeed the checks, or if you’re dedicated enough to save scum to see other possibilities/go through Fayde to see what other options might have held.

Like, before I learned about the end of the Homosexual Underground thought line, I certainly had my suspicions. I definitely thought Kim was at least queer-coded and headcanoned him as gay, but that thought trail is behind a legendary Composure check that I spent like 10 full minutes save-scumming. I had low motorics on my first run, and I only tried so hard because I had been spoiled and knew that it gave a thought called “Homosexual Underground” and needed to see where that led with my own eyes.

That’s just one example too—There’s several times that Kim Lore is behind hard checks (Ace’s High/Low, that tidbit about him smoking weed lol) or things he just refuses to elaborate on without specific circumstances. Plus there’s all the stuff that you can learn when you play a different quest line. I’ve had several people tell me that going through a fascist ends up with Kim actually being pretty open about things you don’t learn about in other questlines. I don’t even know all the details of that yet because I’ve been so busy doing the other quests and achievements that I haven’t finished a fascist run yet.

My thought process with all this is that without seeing Kim through the lens Harry, who works with him almost constantly for a week straight in a situation where deep and meaningful conversation is not just encouraged but *needed* to build a repertoire and ultimately solve the case—Not to mention the patience and care Kim treats Harry’s situation with—I can see how someone would look at Kim from the outside and find him to be… (anguish at typing out this word) …mid.

So yeah. On the surface level; Kim is a cop. He can be condescending and uptight, sometimes leading into lecturing people (something he himself admits). He plays his cards close to his chest, with both his moralist beliefs and even more so his sympathies for the rebellion—Which can make him look a bit like a fence sitter. He can be emotionally unavailable towards himself and others, making him hard to read and sometimes appear cold.

But past that, he is a beautifully crafted, deep character, and the perfect foil to the chaos that is Harry. He is the man that reaches out to shake your hand even though you ghosted him two days prior. He will pat you and give you a handkerchief when you throw up. He can be the man that sticks up for you time and time again, not just because he needs to in order to solve the case, but because if you really try, he believes you’re a good detective at heart. Past suicidal rants and nervous breakdowns, he encourages you to keep going.

He has been beaten down, ground and polished to a smooth finish by mutiple facets of oppression—from his glasses, to his race, his sexuality, all fundamental parts of himself that he cannot change. From years of working in a high-pressure, volatile work environment with low pay and little benefits other than the small satisfaction of completing a case, only to dive headfirst into the next one.

He pushed aside his lofty dreams of the skies to be down with the rest of us in the dirt and mud, trudging, struggling through life until we all inevitably burn away the fuel reserves and are nothing but smoke, a memory in the mind of fire.

Beyond that carefully constructed exterior, past his wall of professionalism (and habit of using his notebook as a shield) hides a goofy nerd, a lover of crosswords and cars, of silly radio stations, and a deep appreciation for beautifully bearded muscular men. He is an expert user of sarcasm and master of cryptic jokes, some even philosophical or political in nature. At his core, he wants to make things better for the people around him. He wants to believe he can make a difference, no matter how long it takes or how small the change is. Even if working for the RCM destroys him before he can see it come to fruition.

He is wonderful. He is amazing. He’s probably my favorite character all of fiction, and I don’t think there will ever be a day in my life that I stop loving him. That’s pookie you’re talking about. I’ll always have space in my heart for him.

He will live on as long as we do, as real as The Man From Hjemdall is to Roy because Disco Elysium *made* him real, handcrafting him, giving him life between margins and pixels. And that is worth everything.

Kim Kitsuragi is a fascinating character because there's not that much fun or interesting or compelling about him. And yet somehow over the course of playing Disco Elysium the game rewires your fucking brain around him. He's the middest man you've ever seen in both appearance and personality but at some point he says something kind to you or something critical of you and you feel like you just got hit by a truck and you need his approval like you need oxygen and like how tf did this happen. what are you

[hannahssimblr]

Hours gone and hours to go, staring out the window at vague green mountains, rainforest, a bleeding scene behind wet glass as the rains go on, drenching the southern arm of Thailand. The train rumbles and the beds in our sleeper cabin squeak. I’ve slept already, for an hour, maybe two with a t-shirt over my face to block the light, while Jonas, pale and silent across from me stares blankly out the window picking at his fingernails, blood vessels burst in his eyes from being sick. Forty minutes in the train bathroom while a queue formed outside, and he’s too hungover to be embarrassed. 

The train to Surat Thani was his idea, and seemed like a great one back in Berlin, looking at pictures of the scenery, the idyllic image of an orange train snaking through jungle. Nine hours seemed reasonable until this morning, when I awoke to him packing his bags, the smell of alcohol seeping from his pores. Trembling and ill. 

“How was last night?” I said. “Must’ve gone well if you slept over.”

“I hate myself,” he replied, and that’s all. Within thirty minutes, we had checked out and boarded the train. 

He hasn’t spoken in about six hours, but in fairness, four he spent sleeping, snoring peacefully in his bunk while I’ve read my book, snacked, perused my phone.

I look again at the message from Astrid I woke up to. 

Here you go.

She’s said, followed by pictures of her in that green dress, front and back in her apartment mirror. She looks stunning like that, her hair a little messy, makeup smudged from an evening in the city, wine drunk too, probably. I can tell by that glazed look on her face. 

The second picture, then, captioned:

Or do you prefer me without?

And she’s naked, laying back, the high points of her sensual body rising out of fizzy pink water. Some kind of bath bomb situation, evidently. This is what I wanted, and it’s extraordinarily erotic, but looking at it in the cold light of day in a train cabin that smells of two unwashed men and the dinner plates the buffet service hasn’t collected yet, the effect is not quite as intended. 

Tbh only thing missing is me in there with my–

I pause and check the world clock app. 9:15AM in Berlin. I go back and delete what I wrote. Bit weird now, considering it’s her morning, and she’s definitely not in the bath still. 

I look at the picture some more anyway, zooming in on different parts, like her collarbone, poking out like that with the angle she holds her neck, the same with her hip, a white peak jutting out of the water. My rapt interest in anatomy, driven by the pressure I feel to enjoy her a suitable amount. 

Men like my grandfather would have gone their whole lives without seeing a woman like this. Maybe once, if they were lucky, and they’d keep a picture of her in their breast pocket or paint her on the side of a bomber jet and go to war. And in the 15th century, you’d carve exquisite statues of bodies like this. Paint masterpieces, and you’d turn her into some ethereal goddess with angels flying all around her, spend years working on a portrait in an attempt to communicate your feelings with a brush and oils, marble and chisels. Driven half mad by her. Compelled to preserve her beauty for eternity. 

Here I am, looking at Astrid on my phone. A body worthy of museums, her frame, not gilded, but a clear silicone phone cover that has been yellowing progressively with use. I’m aware I don’t deserve to be looking at this. The best I can do is turn my screen away from the window so Jonas cannot see her too.

Sorry, was asleep lol. Looking hot af tho! 🥵

At the end of my message I add the red faced, profusely sweating emoji with its tongue out to really drive the point home, and send it, half hoping it won’t deliver. It does. 

Back out to the conversations page to the chat with Evie. Something to stare at and feel bad about. Thinking about you. Why did I write that? Divine intervention that it didn’t send. A reason to believe God is watching over me. 

It’s becoming increasingly obvious I’m demented. What else could explain it? To be the kind of man who has a girlfriend that others would die for, letting me do whatever to her, a folder on my phone now of pictures that the weirdos in her Instagram comments would pay real money to look at. Each night, saying she loves me down the phone, and I text a girl I knew for two months last summer? What way would my brain show up in an MRI scan? Very abnormal, the doctor would mutter, and I’d be like, yeah, I had an inkling. 

Maybe I’m just curious, seeking closure. I’d like to know how she’s doing. What colleges she applied for. What she thought of the leaving cert, if she found it hard. She would have finished this week, maybe last. What was it like for her? Desks lined up in some PE hall, no doubt. Old convent windows, summer sunshine catching dust. Her hands smoothing the docket, nails painted. Colourful nails always, and hair done up in some elaborate double plait French thing. She hated how flat she thought her hair was. Then going out to the pub afterwards, a bottle of Corona with a wedge of lime in the neck, going down easy. Eighteen now. Wow. I never wished her a happy birthday. Would have felt weird doing it.

I go through my pictures. There aren’t many, only the ones Jen took on her camera and sent to me. I know where to find them, at the beginning of the roll underneath all those nightclub shots and pictures of Astrid in Italy. Dalia and Elias at the lake. Me and Jonas in the park last September. It’s been a long time since I was here, staring at that one photo I once obsessed over. It’s the only good one I have of her. At the festival, taken in the crowd, and I'm looking at her, she doesn't see me doing it, and her face luminous, dusted with glitter. She was amazing. If only I–

New message from Astrid. 

Thank you for your enthusiasm. Anything for my fans. 

I exhale a laugh. That’s funny. Amusement is followed by the dreadful sense I’ve been caught doing something illegal. Wondering why I’m reliving all this old stuff. What am I trying to feel? I tap the corner of the picture, delete it, and Evie vanishes. I relax my shoulders, relieved, absolved of sin.

 “Something good on your phone?” Jonas says. 

“Nah, I was trying to text Astrid, but I have a poor signal.”

“Ah. Yes. We are in the middle of nowhere.”

“Yeah?” I peer out at oceans of dense vegetation, mist layered between the trees. “Long journey, isn’t it?”

He looks at his phone. “Three hours to go, then another four on the bus.”

“Music to my ears.”

He attempts a laugh. 

“Do you want to talk or something?”

“About what?”

“I don’t know. We can also not talk, if that’s what you prefer.”

“Talking would be nice if my head was clear, and I didn’t feel so unwell. Sorry. I know I’m not bringing a lot of fun on this journey for you. I thought it would be better, but…” he trails off miserably, and I nod. “It’s fine. Been there. We can also just sit.”

“Is it okay for me to say I don’t want to do this kind of thing anymore? I mean, going out and drinking so much and having so many drugs.”

I chuckle. “That’s the classic thing, isn’t it? We always say that, and then a few days later we’re out doing it all again. The circle of life. You mean that now, but I know you.”

“I think I mean it. I’ve had enough. I am tired of being sick and worrying so much about the things I may have said or done. My life has been this way for so many years.”

“Mine too.”

“It ruins everything.”

“Like with that girl last night?”

He chews his lip. “Nothing happened. I was too drunk. She left me to sleep on the couch and I ran away in the morning before she woke up.”

“Oh.”

“And I don’t want things to be like that anymore. I don’t want to feel so stupid. She was a nice person, and I humiliated myself.”

My phone sits hot in my palm, a token of my guilt and stupidity. “Maybe you’re right, then. Maybe we should stop.”

“You think you will?” 

I almost tell him about last night, and the text, and Evie and the reasons I felt driven to, as I so often do when high and lonely, when that innate melancholy I carry creeps in, but I stop myself. I don’t talk about the past with people from my present. There is no point. It’s over, and I have already walked away from it. 

“Yeah, I think I’ll probably have to. I recognise it isn’t doing me any favours.”

A half-smile, then. “What will Elias and Dalia think?”

“Of us going all straight-edge? I dunno. We’ll find out in Berlin.” I stretch my arms and neck, stiff from sitting so long. “I think I’ll walk the corridors for a bit, if you don’t mind.”

“Okay.”

And as I do that, stroll up and down the hallways, peeking into other cabin, using the bathroom, admiring nature from a window at the rear of the train, I consider the good intentions and promises I have made in my life. The girlfriends I promised I’d always care about, the grades I said I’d uphold, the fitness I said I’d reach, the bedroom I said I’d eventually clean, friends I swore I’d stay in touch with… Saying I’ll stop doing drugs is kind of like that, just something said for the sake of saying it, to create a pretence that I’m a person who makes wise or healthy choices without ever intending to follow through. I can’t stand the pressure. I’ll act this way in Thailand for Jonas’ benefit, and feel better for it, knowing in a month I’ll be in the Berghain toilets again, accepting mystery pills from people in latex vests. 

Back in the cabin, he reclines, leafing through his travel guide. “All good?” he says, and I nod. “I think I’ll try to sleep for a bit.”

“Okay then. If you sleep too long, I’ll wake you up when we get there.”

I lay down, my face in the pillow and listen to sounds of pattering rain, squeaky bunks and the pages of the book, and I sleep, deep, sound, all the way to the end of the line.

Beginning // Prev // Next

[justalazytrashpanda]

Hi I was originally gonna make a post analyzing all the blackmail available in PJED but I got sidetracked and just analyzed Desmond's

Theories below the readmore! Warning for spoilers

Desmond: with weapons at his disposal, he guards the only person he trusts

So Eva told Damon that it meant he had weapons at his disposal, which he does, but I find it interesting that we never see the picture that goes along with it. We see Cassidy’s image (despite her secret being an undertale reference) so this feels intentional

Which leads me to believe that the photo attached to that secret will be revealed eventually (if it wasn’t burnt to ash when Eva died), and that it might reveal who exactly the person he trusts is. Which leaves one question: who is it?

Before I get into theorizing I'd like to preface this saying that it's very possible that the blackmail is just trying to say that Desmond only trusts himself and is able and willing to defend himself, which is how Damon and Eva interpreted the secret. 

However, they're interpretation may not be the correct interpretation. He’s notorious so far for assuming the worst of and underestimating people in this game, and Eva could've been hiding information, so it's not a stretch to say that this is another instance of that.

But anyway, I think the person Desmond trusts is Eloise, and here’s my evidence for that, loosely ordered from least to most convincing.

They’re often seen together in promotional art

At the beginning of the game they’re both in the courtyard, and they continuing to hang out throughout the game (granted this could be interpreted as Desmond trying to get closer with her, since in the FTE'S he expressed a desire to get close with everyone and Eloise expressed the exact opposite)

When Desmond is trying to explain his roommates idea Eloise helps him out, she’s also the first person to question separating the roommates by gender

When Grace is giving Eloise shit about the blackmail Desmond comes to her defense, and it's only after this that Eloise hands the blackmail over

He's also seen comforting her after Grace tackles her during the investigation, and is the first to insist challenging Grace to get into Wolfgang's room.

During the class trial Desmond backs up Eloise’s criticism of Grace, and when people start suspecting Desmond, Eloise is quick to come to his defense

And by quick I mean she reacts to it before Desmond does, and you have to agree with Eloise to progress the game

Judging by how the group tends to read people AND what's revealed about the both of them in their freetime events, I could see a situation form where people are more scared of Desmond (with the marksmen talent, involvement in case 1 via the taser, and the blackmail) even though Eloise is a much bigger threat (with her threatening Damon in her first FTE and being very wary of the cast in general)

Which could be an interesting parallel with their respective animals with sharks being over hated while swans are way more violent than people give them credit for 

Speaking of animal symbolism, it's also worth noting how several species of sharks have been seen forming friend groups, and how swans most often display violent behavior when their chicks or mates are threatened.

Now why he trusts her is still up for debate, but judging by the evidence my best bet would be that they were friends outside of the deathgame. Ingrid did mention being named an Ultimate a year before attending the academy, so it's possible they met through that.

I saw some people theorizing that he may be a bodyguard and this might be like a Peko situation, but I personally doubt that in connection with this theory. Mostly because in Eloise's freetime events it seems like she isn't in the best financial situation, meanwhile in Desmond's its confirmed his family is rather well off.

How likely do I think that this is actually the case? Idk like… 60%. I could’ve completely misread things, this was mostly just me rambling lol

[casualdadcore]

omggg thank u for tagging me:

Last song: Give it All from the FFXIV soundtrack (i don't even play ffxiv lmao)

Favorite color: Green! Thats been my answer for a while but i also really like purples and especially pink! Flowery colors are nice and nature stuffs. I just like colors. Maybe red and yellow interest me the least as theres like less variations in them or something. Green can do so muchhhhhhh, no one does it like her.

Last book: if manga counts then "My Lesbian Experience with Loneliness" For text only books then the first book in the Horus Heresy series, "Horus Rising" and its actually soooooo sooo good just as a book outside of the whole 40k thing. Also lesbian experience is a MUST read.

Last Movie: The Utena movie im pretty sure

Last Show: Revolutionary Girl Utena!!! Its soososossoso good! Think im gonna watch Haibane Renmei next! Thats for shows ive watched all the way thru, i don't know anything about marvel stuff but i watched like 4 episodes of what if and an episode of moon knight and was lost the entire time at fighting game locals last weekend tho lol. was fun but i don't see the appeal

Sweet is what im weak too, i love savory, and i fuck with spicy.

Relationship status: Single and ready to mingle!~ ^_^ Srsly haii my dms are open smile

Last thing i googled: slayer dustloop

Current Obsession: Warframe! its been a while since i played and im really enjoying coming back. easily the best loooter shooter rpg sorta game out there. Really cool universe. Also been grinding out guilty gear strive

Looking forward to: Meeting new people and getting to know people more! Being more of myself and less of a facade! Also Doom The Dark Ages

tagging: @edgelordtif @knifepuppyirl @dot-nik0 @animeextremist @peppermintrer @badcyka @nmri @snakespeare @bleachpuppy @autogynocrat

Ten people I'd like to get to know better

Tagged by @marshmallow--shark Thanks for the tag!

Last song: Intro/Chamber The Cartridge by Rise Against

Favourite colour: Orange!

Last book: A Brief History of Intelligence by Max Bennett

Last movie: That Christmas (it was kinda weird and we didn't finish it)

Last show: Jentry Chau vs. the Underworld

Sweet/spicy/savoury: I don't have much of a sweet tooth anymore, but I used to. Savoury!

Relationship status: Happily single

Last thing I googled: "quality" synonym

Current obsession: Star Trek: Enterprise. This is my fallback obsession. Close behind is Jentry Chau as a very recent one.

Looking forward to: Seeing a concert and a musical next year!

Tagging: @ionamalachite @peculiarreality @thetachapel02 @deadheaddaisy @papercranesong @talshiargirlfriend @glitter-and-metal @dragons-in-spaceee @pearlypairings @strze-lec

[blixabargelds]

saw your post about feeling overwhelmed in fandoms when you're not contributing with something and I just wanted to say that I'd definitely notice if you deleted your blog or your ao3 <3 and that post is too relatable!

also saw that you have a psych ward au with swifty fox! is there anything you can share about it

thank you wahh 🥺🥺 it’s nice to be seen… it’s hard to feel seen when your brain won’t let you concentrate on putting out the thing that brings you joy 🤧 but it’s so nice to be reassured that people wait 🤧❤️

helppp so it. literally spawned from me saying how much i fucking hate ‘psych ward aus’ lmfaoo. we keep calling it that bc it just happened that way kfjfkf but very little of it actually takes place in hospital they meet there and then individually go in and out of crisis sometimes but. mostly gale lol. we’ve got way more of it that is them living together outside of care i think both because it’s far more interesting to us and also because every single fucking fic i’ve ever read that was branded a psych ward au is. so inaccurate, sensational, CW / like arkham asylum type shit lolll no disrespect but. it also ended up lowkey turning into a crime drama with gales um. parents JFHFJFJF but i don’t wanna go into that too much rn 😭 but yeah it’s an angsty au obviously also benny and brady star in it in fact brady and gale ended up with a friendship we didn’t know we needed to see i love them wah

i did post a lil prompt of them a long time ago when we were just starting to cook them :3 which you can read here.

[the--highlanders]

genuinely think the way jamie initially talks to victoria is my favourite little detail from evil of the daleks. he never really talks in this tone to anyone else - he adopts a similar sort of formality with ruth earlier in the serial, but not with mollie, so some of it is probably an instinctive class/social dynamics thing. on the flip side, he never gives any of the male characters in the serial the same courtesy, at least partially because he never actually respects any of them - or in kemel's case, because he's trying to befriend him, not defer to him.

but the way he initially talks to victoria takes it to a whole other level - it's this gentlemanly formality and put-upon chivalry he never tries for anyone else. he also /stops/ talking like this to victoria pretty quickly - it's not how he /wants/ to act with her, once they're on friendly terms! but he thinks this is what will make her feel calm and secure, when he's a stranger breaking into her room after months of isolation. his instinct is that she wants a knight in shining armour who talks properly and is the image of politeness even when he's in the middle of barricading a door.

and it /works/, in this instance - he does put her at ease, he does get answers out of her, and they build a rapport very quickly. but on the other hand it betrays so much of the misunderstanding at the core of their dynamic. because even though he stops talking to her like this, he goes on positioning himself as her protector, and he doesn't know how to handle it when the facade breaks and he can't stop her from being frightened.

[batshaped]

i paused reading chapter 76 to make this LOL

[scruncheduppaper]

seeing ppl on twitter’s takes about snowgrave kriselle makes me want to kill myself oh my godddd “its toxic” “regular kriselle better bc its healthier” DO YOU THINK I WANT TO SEE THEM MUSHY KISS AND BE LOVEY DOVEY AND HUG EACH OTHER??? NO!!! the APPEAL is that adding romantic connotations to their snowgrave relationship (which mind you very much already exists in canon) allow their relationship to become so much more interesting. do i think they’ll become truly endgame canon? do i think they’re in love with each other??? ABSOLUTELY NOT!!! AND I DONT WANT THEM TO!!! the POINT is that it’s supposed to be dark and interesting and exploratory of their characters in relation to the deconstruction of autonomy in video games through gender roles and principles of knighthood and the idea of the “damsel in distress”. not to mention that “shipping” regular kriselle and snowgrave kriselle isnt mutually exclusive either. in fact i think understanding both allows you to analyse their relationship much more fully and deeply than without considering the other side. and besides, isnt the fucking point of shipping to explore character relationships??? why would you want to Ignore nuance and depth rather than focus on it???? are you unable to handle anything deeper or darker than like fucking cocomelon??? if you hate character analysis and dark themes in relationships you can head on back there or smth idfk oh my lord i cant fucking TAKE IT ANYMORE

[sysig]

If it’s not you, what’s the point! (Patreon)

[kalofi]

zl fic idea

hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.

4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut

ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.

so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated. 

finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 

theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 

he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 

zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 

hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 

he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 

his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 

zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 

he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 

so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.

—

thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 

zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 

zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 

that makes law pause. “what?” his voice comes out stronger than he feels. 

“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 

“what?” 

“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 

he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 

“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 

hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 

youre gonna owe me big time strawhat-ya. if i even remember this, that is. 

he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 

zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 

he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 

he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.

room.

shambles

—

zoro’s world shatters, differently than before, and then theres nothing.

—

he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.

he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 

work?

what the fuck is happening. 

its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 

he doesn’t understand what the fuck is happening. 

without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 

hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 

he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).

his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 

uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 

nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 

so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 

is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…

a lightbulb goes off. 

fucking shit he thinks. of course. of fucking course it would come down to the cook. 

he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 

(if it takes him nearly an hour to get there thats nobodys business but his own)

he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 

the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 

he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 

zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 

“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 

hes never been one for tact, forever blunt unlike his swords. 

sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 

he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 

zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 

its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 

“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 

he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 

the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 

“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.

“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 

“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 

the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 

he blinks. 

then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 

“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 

“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 

“holy shit. holy shit.” 

zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 

“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 

“you remember now though, dont you?” he has to be sure. 

“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 

“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 

“fuck you.” 

he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 

“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 

zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 

“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 

zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 

he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.

he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.

and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.

sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail

by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.

—

(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)

uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

[fogsnatched]

hehehe....... adding zarina and nea to the muselist. >:)

[orcelito]

Went skimming thru late trimax For Reasons, got caught up reading the Legato fight, realized things about the fight that I never had before & went WOW, I kind of want to write an analysis post right now!

Felt the same kind of insanity grip me, however momentarily, that fueled all my analysis posts however many months ago. Too tired to actually word things coherently right now, but...

I May or may not have a full(ish?) analysis of the Legato & Vash fight a la style of This post analyzing the Trigun: Multiple Bullets fight that got unexpectedly kind of popular. People seemed to really appreciate that one, & I even had some ppl saying it could be cool if I did that for others?

So. Legato fight. Maybe. Feel free to remind me later if u see no mention of it again for over a week lol

[unholyxvoid]

good morning i had a fucking sleep token dream , that hasnt happened in a while

was at a small gig (and i really mean small there were maybe 50 people in the crowd at some very small venue inside ?) and my friend was there with me

as sleep token finished preforming they left the stage and after a few minutes ves and iii came back to say something and they were being silly but it took me a minute to realize . they werent wearing their masks ?? and they were both bald ? iii had a tattoo on the back of his head lmao ?

anyway after a few minutes me and my friend were somehow sitting at the back of the stage still just watching them as if we were in the crowd and they continued to be silly and just talk and mess around on stage ? ii and iv showed up , both also maskless , i think ii was bald too , i dont remember about iv though

after a few more minutes they were done or something , we were still on stage and i was straight up sobbing , crying my fucking eyes out . i think iv or ves saw me but they didnt do anything . they left and then we also went outside

they were supposed to have another one of these shows at the same place in a few hours so i wanted to wait to see them again lmao but i was impatient so we walked back in and there was some small box of their things on the floor on the stage so we started looking through that . no idea how no security stopped us before but someone did show up after a while and asked how we got in and what were doing and stuff

and then i woke up um . wtf ? just to clarify i have never seen them maskless my brain just made shit up , i dont even remember how they looked in my dream . i vaguely remember iii's and ves' faces but not cleary (and i hope i forget) , dont remember ii's or iv's faces at all .

[mysteriouslybluepirate]

Why Izzy fandom and Izzy 'eh' people write this fucker so differently. A slight rant written at 1am by a person in the middle of writing her 10th Izzy fic 😆

OFMD is about looking at a person, then diving in, and understanding and sympathizing with why they are like that. To some extent, most romantic comedies are. So let's look at who my brain has latches onto:

Stede Bonnet: introduced as a pompous outsider whose wealth blinds him from seeing how hard piracy is. Throughout season 1 we see him grow and gain confidence in his abilities. He finds self confidence, acceptance and even a found family because he is, to his center, himself. He is flawed but we see him trying to follow his own code for what makes a good captain.

Edward Teach: distant experienced pirate who has totally checked out from what it means to be a pirate. He doesn't care about casualities and keeps secrets about life-saving plans from the people xlose to him. But he's not a prick. He wants something in life he doesn't think he can achieve: a peaceful life. He thinks it's a rich persons game he can never afford to win. He's not the kind of person who hets a happy ending. He learns over the series to let himself want that for better and for worse. He can be cruel and seemingly selfish, but he learns to love life again after meeting stede.

Izzy Hands: a character built in Ed's shadow, representing the bits of Ed's life he hates in s1. Most of his screen time is spent either agreeing with or denying Ed's plans. I've noticed in the AU I write, I still tend to write him as a bitchy ex, because what do we know about him outside of how he interacts with Ed? A man who he sees as his 'boss'?

On screen, he is seen with or acting on the behalf of: ED. In s2, it's a bit better. Sure. But he's projecting his issues with Ed onto the crew ('he's still got legs'/'next time he'll do his fucking job' of s2ep4). So even the scenes hes not physicially in frame with the man, Ed is still haunting him. Or Izzy's alone and sad. A character sitting alone CAN progress their character. But what do we learn? That Izzy sees himself as Izzys shadow, too.

The two scenes I can say give direct characterization for him are the Ricky speech of s2-Ep 8, and the drag discussion between him and Wee John. Izzy cares about his crew and is a person wishes he let himself open up in life.

[but even then. We as the audience know this more from a con interview than the actual show. I had a friend say Izzy finally turned gay at that moment, so interpertations of that scene vary]

So. Yes. Izzy cares about rules and trying not to die. Yes. He loves Ed. But who is he? If we took Izzy Hands and dropped him in a new world with new characters and a new plot. Who would he be?

The bitchy 'micromanaging' ex. The mother friend. The nag.

I fucking love Izzy, but I can admit that like most characterization of a side character, I am projecting and stretching apart the crumbs we are given, to have a TON of fun while making him suffer.

I write Izzy the way I do because in my head my favorite character is a mix of 10 hours of tv and the past 2 years of reading stories about a man who is *trying* to live.

I know many fans outside of this sphere struggle to get our facination with the guy, but in the end, Izzy Hands really is ours. And that's kind of beautiful.