#i think it’s really my only option

[pktrancy]

I’m going to be 26 next year and I live in America. This means that not only will I be paying more for everything in the coming months and years but i will also be losing my access to healthcare. My low-paying unstable job does not provide me an insurance plan that would cover my needed medication.

I have two options. I can move to another country and establish a new life somewhere. All alone. Or I can kill myself.

The first option is difficult. I may end up alone in a country I’ve never really been to before. Which is incredibly dangerous. However considering the next option, maybe it’s not too bad.

The other option is killing myself. Which i think will happen anyway because i will be forcibly taken off my depression medication…

Can someone tell me about being a digital nomad? Maybe that might be a good place to start…

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[genericpuff]

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[harrowedsoup]

A reminder that Harrow didn’t HAVE to take Gideon with her in GtN. She very much could have taken Ortus but choose to let him escape to keep Gideon with her. She might have said that she had to take Gideon but she put herself in that position because she can’t let Gideon go.

Gideon was her pretty boy toy !! She got taken because Harrow likes her muscles and probably dreamed of kissing her under the moonlight when Gideon said the lights were busted because she didn’t know how the sun works

[teyrnacousland]

I've seen the headcanon that Lucanis' mother, Caterina's perfect heir, was actually similar to Illario in some ways. That she was calculating, ruthless, ambitious, obedient... all the things Caterina overlooks in Illario because Caterina sees her favourite daughter's deep brown eyes and quiet, controlled demeanor and careful planning in Lucanis.

But I am also attached to the idea that the opposite is true too. That Illario's mother shared similarities with Lucanis; that she was empathetic and stubborn, with a slight rebellious streak. But she was always outgoing and charming, was more impulsive with her emotions, and was always sharper with her tongue than with a sword, so Caterina only sees her in Illario.

I just love the idea that Caterina can't look beyond the surface and see who her grandsons really are because on some level she can't see past the ghosts reflected in their eyes. She can't see that the quiet brown eyed boy is is more of the gentle hearted rebel, and the one with blue eyes and a shining, fake smile is the ruthless leader who would do anything she asked.

[chaotic-carnifex]

No hold on I'm gonna make an extra post about this:

I wouldn't choose to be alloromantic

If I were given the choice to either remain aro or become alloro again, I would choose aromanticism.

And I think a lot of people need to hear that.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[joshuamj]

EoW Zelda and Link designs

[venomgaia]

Hey do u think any of the district 23 chefs have ever gotten 'ingredients' from R corp. All that meat has to go somewhere, unless R corp is pulling a soylent green

I'm sure there are plenty of places that could actually manage to use 'ingredients' from R corp seeing as there's absolutely a surplus! Although, anyone who's procuring fresh 'ingredients' for the sake of the culinary arts...may end up with more of a mess than they bargained for...

[kataraavatara]

i wish that nyx was a girl not just because i’m pedantic about nyx being a female goddess but also that having a son puts feysand in an incredibly sticky political situation. in eight years they’ll be expected to drop him off at an illyrian war camp, where kids are whipped and have their bones broken for infractions. if they don’t make him, the illyrians will never respect him or see him as one of their own, and will grow resentful of Rhysand. If they start trying to reform the child soldier training system now, it’s going to be blatantly obvious that they’re only doing it to spare their son, which will cause more resentment. So their options are let Nyx be abused, which Rhysand thinks is normal and Feyre is horrified by, so massive rift in the marriage and a traumatized kid. OR variations of losing any vestiges of respect the illyrians. now this is an sjm problem and fits better as a doylist critique but i will add this to my list of evidence that rhysand is fucking stupid anyways. not only did he not think through the potential physical dangers of having a child with feyre but never connected the dots to see just how badly it’s gonna blow up in his face in t-minus eight years. oh tumblr user kataraavatara, you say, you’re so cruel, why are you criticizing him for wanting to start a family. well when you’re the head of a hereditary monarchy your children and how you raise them are in fact political choices as well as personal ones. tough luck bat boy.

[fumifooms]

Canines

The hand that feeds

Mickbell Tomas & Kuro Dungeon Meshi

^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man

v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth

[dykedvonte]

do you think curly and anya got into arguments? what do you think is the silliest thing they ever argued over?

I think they all got into arguments. Stuck in a small space with only so much to occupy you with the same like 4 people. You learn patterns, you learn habits and odd little behaviors' they have. You learn to love or loathe them but I personally think these two would keep those type of gripes to themselves.

Personally I think they would argue over game nights because Curly is very much a “I don't really care about the game or if i win or lose ill have fun either way” person and Anya is so prideful and insistent that Curly would be so bitter if he kept losing, like her. It becomes a repeated back and forth because Curly is adamant he just would not care cause it’s a game, even mentions he lets himself lose with Jimmy a lot and they have a better time for it, and Anya just grabs him like the Cosmo and Timmy meme and rants about the thrill of running someone's pockets dry when they land on your properties in monopoly. He is taking the piss out of her. Like I feel like their arguments are just a bit absurd most of the time and like two casual friends teasing each other's quirks.

Though I feel if they had a real argument it would feel less like an argument and more like the most tense discussion of "I feel" statements and dead end routes. I can only really see them "arguing" about Curly's own health. Not pertaining to the games events (I tend to answer these type of asks as if it is prior or didn't happen), Curly does just seem to neglect himself in favor of is duties routinely, subsequentially impacting those duties. It's a lot of "I feel like you should rest more." or "I feel like this is not healthy for you." from Anya that inevitably turn into "Captain, this is not a good habit to have". Curly is a lot of "I feel fine"s that turn into "Please do not worry about me, Nurse Anya." and a sort of petty professionalism they put on when the other is being stubborn about the issue. I feel like he's also just a bit of a nag since he tries really hard to not be stern so its a sort of pestering but that's not Anya's specific.

They just don't seem like the types to bicker with each other because I don't think they want to be heated with each other, like arguing or you'd have to push them to that point unless it's something silly, in which the arguments sound like "I know you are but what am I >:)".

[spookberry]

I put them next to each other casually without much thought, but I've had to redraw them in this set up so many different times in the development of this project that I kinda ship them now??? like why are they always lookin at each other like that

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[waitineedaname]

I realized I made some notes on how different characters fight in mob psycho, and I never posted them. here you guys go, for any reference needs

Mob: mostly simple attacks, not very showy, just waves his hand and uses telekinesis/exorcizes something, doesn’t move around much. As ???%, much more destructive, psychic force seems to just emanate off of him and destroy everything

Teru: VERY mobile, throws himself around with telekinesis, puts his whole body into the attacks and tends to use moves from normal fights (punches, slaps, kicks, etc). Utilizes a variety of psychic techniques with flexibility, very creative. Piss stance, necktie sword. Much more flashy than Mob

Ritsu: uses powers to throw people/things around. While Mob and Teru attack with just psychic blasts, Ritsu tends to use his powers to grab other things as an attack (grabbing the delinquents and throwing them against each other, throwing the Claw guards against the wall, picking up cars to sandwich Shimazaki between them). Uses his environment creatively (fire extinguisher smoke screen against Shimazaki). More flashy than Mob, but not as mobile as Teru. Hand gestures for Drama

Shou: sneaky + speed + bomb!! Tries to be as evasive as possible using invisibility/speed (probably telekinetically enhanced?) to hit from behind, using either telekinetic force (his stomp in his introduction, the shockwave hit on ???%) or his charge bomb attack. Potentially uses speed/evasive moves as defense instead of the barriers we see most everyone else use

Serizawa: likes to channel his powers into an object (umbrella, business cards). Uses that object as a shield, sword, or something to blast psychic powers out of. Not very mobile in season two, moves around much more in the yokai fight. Not particularly flashy, but looks cool regardless

Reigen: deception/surprise!!! Either tricks people into thinking he’s going to do something else and then attacking, or just outright taking them by surprise and attacking before they know what’s going on. Usually doesn’t have a follow-up move, just does the one attack and hopes for the best. Prefers to bluff his way through a situation