#i think it’s a point of humanity where it shows his potential to be a good person

[edwinisms]

op this is how you make a lich. what have you done

This may be too supernatural for an actually pretty down to earth show that is dbda (when it comes to magic, abilities and power scaling), but I'd have a blast seeing the plot point of Edwin's soul's capability to be used for obtaining magical power make a comeback

What would be even cooler is if it was Edwin himself who became interested in using that power

I can see him researching what devices can be used for it, do they have to always inflict pain on him to work and if yes, then how far is he willing to go in order to get it

He'd never use it for any malicious purposes or to just possess power for power's sake, he'd use it in extremely dire situations, when he really needs a certain spell to be amplified in order to rescue Charles from danger

Which brings me to the obvious angst potential of Edwin hiding the pain, lying about the source of the amazing power and then ofc Charles finding out and oh

(It'd introduce more magic and actual combat power for the boys - which is actually the opposite of what the show is about, I know, aside from a wild use of Crystal's vast abilities, they really make a good job at showing that the boys were just normal humans (and now ghosts) who predominantly use their wits and knowledge gathered throughout the many years of being on Earth, so I wouldn't even expect them to go this direction (if they actually mention Edwin's soul's power ever again), but it's just a very fun concept to me)

[writeyouin]

Lucifer (Hazbin Hotel) X Fem-Reader - Sinless Sinners

Chapter 1 - Hate For All Sinners

A/N – I couldn’t stop thinking about this short King after episode 5 of Hazbin Hotel came out. This is mostly a fic for me, to get me back into writing. (WILL DO A MALE AND NONBINARY ONE SOON!)

Warnings – None.

Rating – T

MALE VERSION HERE

NON-BINARY / GN VERSION HERE

“Who’s that?” Lucifer asked, pointing you out to Charlie.

In truth, he would’ve likely asked that of the next person he saw. As Charlie’s father, Lucifer was trying desperately to show how interested he was in his daughter’s project, even if he was barely holding onto anything she said. It wasn’t that he was disinterested, or too ignorant to understand the situation, but rather that after spending so much time as a recluse, locked away in the protective space of his workshop where he wouldn’t have to see the sinners or the Hell he was responsible for creating, Lucifer could barely comprehend what was going on around him. He knew it was because he was depressed, but he was trying and he had to make Charlie see that, even if it meant feigning fits of hypomanic excitement.

Yet, Lucifer found himself genuinely… horrified by you. He had seen many types of Demon over the millennia. Typically, they tended to represent Earth’s animals, such as that annoyingly powerful Deer Demon, Alistair, whom Lucifer had met thanks to this very tour… not that Alistair was worth mentioning, piece of shit that he was, mingling with Lucifer’s daughter when he had no right to even breathe the same air as her-

Lucifer caught his snowballing thoughts, turning them back to you. You weren’t an animal Demon. There were other types of Demons of course, though Flora and Fauna were the most common; object Demons also existed, such as that rather famous one that people talked about, the TV Demon, V-something? Lucifer couldn’t remember his name. He didn’t watch Television… he didn’t do much of anything these days.

“Oh,” Charlie sidled over to you, wrapping her arm warmly around your shoulder as she corralled you towards her father, “Dad, this is (Y/N). She’s one of the hotel’s, uh, allies I guess, right (Y/N)?”

“That’s right, Sir,” You held out your hand for Lucifer, who was staring dumbly at you, uncertain what to make of you.

As the ruler of Hell, fuelled by angelic power, Lucifer could always read a Demon, or rather, he could read their strength. For example, he knew after only one meeting that the bartender, Husk was a strong Demon, though his power was clearly being dampened by a soul contract, whereas that little snake fellow Sir Pentious was rather weak, though he had potential if he could manage to claim even a few souls of his own, but you? You were entirely different.

First off, you didn’t resemble an animal, plant, or object… You were the most human-looking Demon that Lucifer had ever seen; frankly, he found that disturbing. Secondly, you didn’t seem to have much if any power. What was wrong with you? To come off as human with little demonic power… Well, if Lucifer didn’t know any better, he would guess that you weren’t a sinner at all, but you had to be. You were definitely dead; that much he could tell. And, you were in Hell.

Dead and in Hell - those were the only two qualifications for becoming a Demon, so why were you like this?

“Dad, are you listening?” Charlie said exasperatedly, clearly annoyed that Lucifer’s thoughts seemed to have trailed off once again.

“Oh, yes, of course,” Lucifer stated, staring at your hand which you had seemingly retracted when he wasn’t paying attention. Damnation! Now Charlie was going to think he had snubbed her friend on purpose.

“So, (Y/N) is another one of your patrons. That’s nice.”

“What? No. Dad, I just told you, (Y/N) has no interest in being redeemed.”

“Oh,” Lucifer looked you up and down disapprovingly. It figured. Even this non-Demon was looking for power in Hell, probably so you would finally be a killer worth bragging about – Honestly, what was the point? All sinners were the same. Greedy, destructive forces who wouldn’t stop until there was nothing left to break.

“Yep, she’s our only permanent resident who wants to help rehabilitate other souls. Isn’t that great? She helps with everything here, and she doesn’t ask for anything in return.”

“That’s not true,” You blushed at Charlie’s praise. “Your daughter is very generous, Sir. She lets me stay here rent-free.”

“And that’s all you want?” Lucifer asked suspiciously.

“Honestly? Yeah.”

Lucifer shook his head but didn’t argue. He didn’t want to know what your real motivations were. It was probably as simple as hoping for regular boons from the Princess of Hell; you were clearly just biding your time. Besides, if you didn’t want to redeem your soul, then you must be just like Alistair, a sadistic monster just waiting to see Demons repeatedly fail in their attempts at redemption.

Now that his curiosity was sated, Lucifer decided that he didn’t want to lay eyes on you again. You weren’t worth his time. Only Charlie was… Well, Charlie and Vaggie, because any woman his daughter loved was practically family to him. He was glad when the tour continued, leaving you behind to catch Nifty who was trying to pull a piece of fabric from Lucifer’s coat, muttering something about the ‘Ultimate bad boy.’

“Okay, I can get you the meeting,” Lucifer agreed, doing what he could to support Charlie’s dreams of saving her people, even though he didn’t think there were any redeeming qualities for any denizen of Hell.

It hurt him to tell Charlie that he wouldn’t be able to go with her to that lofty paradise, having been cast out; how he wished he could protect his daughter from those who carried out God’s will. Still, she never asked him for anything, and if this was what her heart most desired, he would do all in his power to help.

“Will you be okay?” He asked sombrely.

“I’ll be fine,” Charlie assured him, taking hold of his hands.

“That’s my girl.”

For a moment, it looked like Lucifer was done, but he paused, worried that this wasn’t enough to make up for the years he had been absent, leaving Charlie to fend for herself while he shut himself away.

“Is there anything else you need?”

Charlie couldn’t help but worry about her father. What would happen when he went back into isolation? He needed something to focus on, but… What was there for him when all of Hell was his prison?

She couldn’t help thinking about how little Lucifer thought of all the other citizens of Hell. If only he could see that they weren’t as terrible as he thought. Granted, they could be violent, and loud, definitely rambunctious, but these were his people, and he had to see that his gift of Free Will was a good thing, yet, if she said any of this, she was certain Lucifer would only laugh at her or tell her to get real while playfully pinching her cheek. There was no way that Lucifer would leave his home to hang out with any citizen of Hell.

Then it hit her. If Lucifer wouldn’t leave his manor to visit people, then people should be allowed to visit his manor. Or better yet, one person should be chosen to go and live with Lucifer so that he would learn just how good people could be, and Charlie knew just the person for the job.

“Actually, Dad, there is one more thing.”

“Name it,” Lucifer smiled, glad that his daughter wanted to ask things of him, as any normal child should want from their parents.

“I think it would be good for you to socialise, just a little bit.”

“Charlie,” Lucifer’s voice was strained at the thought of going anywhere else in Hell.

“I know,” Charlie reassured him, looking into his eyes; she looked so understanding that he relaxed slightly. Then, she continued in a more upbeat tone, “That’s why I think you should take (Y/N) to live with you, as your maid!”

She pounded her palm decidedly, much like a judge pounding her gavel.

“What? NO!” Lucifer sputtered.

You for your part, had seemingly been shocked into silence, watching the exchange uncertainly while Alistair grinned devilishly at you, and Angel Dust was holding in a snicker. Granted, you could have argued, but Charlie was stubborn, and she always had some kind of wild idea. Whatever she was thinking, you decided that you would go along with it; there was usually a method to her madness after all.

“It’s fine, Dad, (Y/N) doesn’t mind, right (Y/N)?”

You shrugged your shoulders passively, “I guess?”

“See? You should get to know your citizens, Dad. It will be good for you, I promise. They’re not all as bad as you think.”

Lucifer took one hard look at you. Honestly, he wished his daughter had picked the porn star or that psycho maid. You, as a very human-looking Demon, were a vicious reminder of his past mistakes. Still, he had told his daughter he would do anything for her, and he had already promised her a meeting with Heaven, and nothing could possibly be worse than that.

“Alright,” He agreed.

Then, he summoned a portal for you with the flick of his wrist.

“Good luck, kiddo.” He said to Charlie, and upon keeping a safe distance from you, he waited for you to step through the portal.

“Charlie, I’m assuming that you have a good reason for this,” You said before taking a step towards your newly appointed home, “Just call me if you need anything.”

With that, you were gone, followed closely (though not too closely) by Lucifer.

[lenny-link]

In regards to the SU x TF2 AU:

I have been racking my brain over here trying to understand the decision to make RED Spy a ruby and BLU Spy a sapphire. Nothing about his portrayal seemed to line up with canon depictions of rubies or sapphires, and RED Spy's gem isn't even faceted like a ruby. Also the obvious joke of making him a Bixbite, like the corrupted gem who was a giant crab, seemed obvious. Then it dawned on me.

He's a color-change sapphire, isn't he? That's why his RED version has a sapphire cut despite supposedly being a ruby? And also potentially why he's the only one we've seen RED and BLU variations of (though I get the impression that's also so one can be paired with Scout's Ma and the other with Engie) when all the others have been RED(-ish) isn't it? Or am I completely off base with this theory?

i LOVE your theory i wish you shared your thoughts before i elaborated the ‘lore’ of the au

but since ive had lots of questions about details id like to mention that:

1. i originally had not planned to make any story behind the su au, so if there’s things that dont make sense, don’t align with canon and stuff, it was not planned soo im working with what i have :p

2. i was hoping no one notices the mistake i made of swapping the gems ruby/sapphire lol its because at first i had drawn Blu(sapphire) Spy in that page, but i thought it was confusing since there was RedSpy x Scout’sMa and Scout next to him, so i just changed the colors and i didnt change the gem bc i was lazy :P

3. the main reason i put both Blu/Red Spy was to create fusion, i thought to add an extra merc with a blu color would be cool for the fusions that isnt from ClassicTeam, and idk i couldn’t think of a better merc to have as a pair than Spy and i thought there is more potential with 2 Spies to work on a story than any other merc idk

(yes i didnt put garnet as the fusion so as not to make confusion with Demoman being a Garnet, and we don’t have an Amethyst anyways so ¯\_(ツ)_/¯ )

4. it is IMPOSSIBLE to align each TF2 character with a SU character, there’s nothing in common between the two medias whatsoever, so the dynamics that im gonna be making for the TF2 au are gonna be a bit mixed, for example: RedSpy and BluSpy having Ruby/Sapphire’s dynamic (kinda), but also they have the same dynamic as Rose/Pearl, for the part where Red would go with a human (Scout’s Ma) and Blu would be jealous (just like pearl), HeavyMedic also would be having Ruby/Sapphire dynamic (the part where they fuse for the first time just like Ruby/Sapphire in the show, im still working on comic about this btw)

5. also im mixing with well TF2 canon story + trying really to make an original story too, soo its a whole mess ik :p im trying just bear with me ^^"

but thank you for pointing that out, it makes me happy knowing people actually pay attention to details thats super fun! ill make sure to not miss any details next time! :D

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[mxtxfanatic]

It is canon that Lan Qiren lead the Lan in the first (and second) siege of the Burial Mounds, but I think some of your hangups about Lan Xichen’s role—or lack thereof—might be because you are putting emphasis on the fact that he is a clan leader, an emphasis that is wholly unneeded. Yeah Lan Xichen is a young clan leader, but… literally nobody cares? Everyone except for Jin Guangshan is a young clan leader, like, becoming a clan leader in their teens young. Lan Xichen is not special, and being a young leader is not grounds for destabilizing a major clan, especially not in the eyes of the actual clan who’d already been acting with Lan Qiren as de facto leader while their real clan leader was in perma-seclusion. Lan Xichen is sworn brothers with two prominent members of two other great clans; he is not looking for allies, legitimacy, or approval. The Lan did not even need to be at the first siege. They were a completely unnecessary force (as was everyone else who went). They went because they wanted to, just like everyone else. It didn’t matter who represented them, just as long as they were represented to put on a “united” front.

On the other hand, it doesn’t skirt his complicity in the crimes against Wei Wuxian and the Wen remnants, because 1) the whole cultivation world is personally responsible and 2) he plays a much deeper and more direct role in their doom. He directly supports Jin Guangyao’s lies spun to contribute to the severing of ties between Wei Wuxian and the Jiang. He doesn’t press the issue about Wen Qing because he prioritized Nie Mingjue’s emotions over the Wen remnants lives. He didn’t verify what was happening in the labor camp because he prioritized Jin Guangyao’s emotions over truth. Notice a theme, here? Going to the actual siege, in the first siege, he is absent because he is caring for Lan Wangji who is bedridden from a punishment condoned—possibly even implemented—by him for the crime of defending Wei Wuxian from them. He is also absent from the second siege—having been taken hostage after falling for another of Jin Guangyao’s lies.

As for the part about everyone being complicit: the siege was a joint effort of clan leaders great and insignificant, their disciples, and even random rogue and guest disciples. This was a group project, and none of those nameless nobodies who gathered around to kill Wei Wuxian and the Wen remnants are considered “innocent” just because they were only followers of the mob rather than being the leaders. In fact, there are places in the novel where mxtx shows these “nobody” characters being direct instigators of conflict while hiding behind the actual leaders to cover their actions. At the second siege, it’s said that only about 20 cultivators present had direct grudges against Wei Wuxian, but many of them were present for the first one, which initiated some of the aforementioned grudges they carried 13 years later to the second one. Everyone was personally responsible unless they actively opposed the siege, and we know that was only Lan Wangji and Mianmian.

In the end, you could probably make an argument that the significance of Lan Xichen’s absence from both sieges—but specifically the first in this case—is that he puts personal relationships over morality and righteousness. People’s lives were on the line, but he still chose to nurse his brother over seeing the fruits of his own in/actions come to fruition. And he would never have to face the blood on his hands as long as he doesn’t want to, which is his privilege as a respected clan leader of a great clan.

Edit that I forgot: Wei Wuxian has never once mistaken Lan Xichen for Lan Wangji, and I highly doubt he would have just for the siege.

I don’t remember if it was canon in the novels or just from the donghua, but I think it’s kind of a strange decision to have Lan Qiren lead the Lan sect in the Siege of the Burial Mounds instead of Lan Xichen.

Like, first of all, Lan Xichen is the sect leader. He’s young, he’s only recently come into his role (much like Jiang Cheng), so politically he’d need to cement his power early on so as to not appear weak. Sitting out on this crucial attack that all of the Great Sects are leading would reflect poorly on him. Everything is about politics in this world—especially in the Lan sect—and that would take precedent over his personal angst about Lan Wangji’s recent punishment. I mean, it’s not like they cut Lan Wangji any slack when it came to prioritizing his heart over duty, you know?

Second of all, it really skirts Lan Xichen’s personal responsibility in the atrocities committed against the Wens. Like, it’s kind of thematically important every sect leader was complicit in crimes against humanity, and I feel like just having Lan Xichen not be there is giving him an easy out. Like obviously he’d still have had to order the siege, and his years-long entanglement with Jin Guangyao thoroughly implicated him in a whole lot of awful shit, but the fandom already gives him a pass for most of that, and I feel like this only fuels that. Not that it’s bad to like him as a character or anything, it’s just that MDZS is a very morally complex story, and having these characters that appear kindly commit horrible atrocities is a major factor in that. I feel like it just puts a damper on a very poignant message.

Third of all, in terms of the personal angst factor, Lan Xichen and Lan Wangji look a lot alike, and Wei Wuxian didn’t know that Lan Wangji was too injured to fight. How fucked up would it be if Wei Wuxian, in his final moments, saw Lan Xichen from across the battlefield and thought that Lan Wangji had joined the siege to kill him too?

[ozzgin]

i need an elaboration on the human fuckers

PLEASE

Referencing this short prompt. I postponed my answer on this one in order to compile a proper list, because I think - at this point - that monsters with a human kink are a recurring trope on this blog. Let me offer you some guidance:

If you like the idea of accidentally ending up in the monster realm as the only human, causing the monsters to become so feral that the government has to interfere and distribute you to the masses, I suggest you begin with the original monster harem. It comes with several blurbs like the public property Reader and the Breeding Olympics.

If you prefer being the only human employee at a monster hotel where it turns out that most guests and staff are stalking you, there's the already-way-too-advertised Monster Hotel saga. It comes with more human kink memes, such as the Room Service Menu, and the hopeless romantic guest who reads cheesy monster x human novels. The discussions also led to the birth of Monster Adoption Agency, or a shopping catalog for monstrous beasts who'd like to own a human. May or may not be expanded in the future.

Potentially related to the Monster Hotel is the case of Monster Author, who publishes human kink books for his fellow creatures, and stumbles upon his very first, real human: you. Or maybe he's already unknowingly met you as his pen pal.

Another recent addition is the monster who manages to reach the human Internet, guided by his unquenchable thirst. And would you look at that, you happen to be the only human online who believes his story of being a "monster".

If you'd like a sneak peek, there's also an upcoming monster dating show.

I don't know, does this count as an elaboration? My argument was that it's an ever-expanding universe of horny prompts. (Frightfully so)

[yandere-romanticaa]

Recently, the surge of AI has caught everyone's attention and I've been working on this little experiment.

Down below the cut are two fics and this is how I planned it - one was made up by using AI (more specifically, Chat Gpt) while the other one was written by yours truly. Below both fics will be a poll and I would like for you, my dear readers, to guess which one was AI. Personally, I don't think it'll be a difficult challenge but seeing your reactions and comments on this should prove to be an interesting endeavor.

This was posted on April 17th. And, in 7 days, I shall reveal which fic was written by me, and which one was done by AI.

Now then, let's get on with the show.

🥀 Story One.

In the dimly lit alleyways of Yokohama, Fyodor Dostoevsky stalks his obsession, (y/n), with unwavering determination. His fixation transcends reason, driving him to extreme lengths to possess (y/n)'s affection.

Fyodor's obsession with (y/n) began innocently enough, a mere curiosity sparked by their untapped potential and innocence. But as time passed, that curiosity twisted into an all-consuming desire, festering within Fyodor's mind like a venomous serpent.

Each night, Fyodor would follow (y/n) from a distance, his heart pounding with anticipation and longing. He would watch as (y/n) laughed with their friends, oblivious to the dark presence lurking in the shadows.

But Fyodor's love was not the gentle, nurturing kind. It was possessive, suffocating, and dangerously obsessive. He couldn't bear the thought of (y/n) belonging to anyone but him, couldn't stand the idea of anyone else basking in the warmth of (y/n)'s smile.

As his obsession deepened, Fyodor's mind became consumed with dark fantasies of possessing (y/n) completely. He would spend hours meticulously planning every detail of their future together, envisioning a life where they were inseparable.

But fantasies were not enough for Fyodor. He needed to make them a reality, no matter the cost. And so, he began to weave a web of deception and manipulation, carefully orchestrating events to bring (y/n) closer to him and drive away anyone who dared to stand in their way.

But as Fyodor's plans grew more elaborate, so too did the danger. (y/n)'s friends grew suspicious of Fyodor's intentions, sensing something sinister lurking beneath his charming facade. And as they delved deeper into Fyodor's past, they uncovered secrets that threatened to unravel his carefully constructed world.

But Fyodor was not about to let anyone come between him and his beloved. He would do whatever it took to protect their love, even if it meant resorting to violence.

🥀 Story Two.

Shimmering waves of starlight engulfed the man in white as he monitored his target from a safe distance, hollow purple eyes gleaming with excitement. He could feel his long fingers twitching with anticipation in his warm pockets, a stark contrast to the chilly wind on this fine spring evening.

He needed to be patient. Because patience was indeed, a virtue.

And Fyodor was a virtuous man. Perhaps not a good one, but he would gladly take the title of virtue.

Would you bestow upon him such a title? Would you do so, if you ever found out that he had taken such a keen interest in you? The rational part in his mind said no, of course not. Unlike him, you were blessed with normalcy. There was nothing extraordinary about you - no ability, no wealth, no status.

Nothing.

You could have been squished like a bug beneath his heel and the world would just keep on going as it always would. Sure, there would be some individuals who would miss you dearly but even they would move on at some point.

Such was the nature of humanity. How cruel, he thought to himself.

Fortunately for you, Fyodor was no ordinary man. Despite his predicament, he had grown fond of you. He was not sure why but after a while, he stopped asking such trifling questions as to why he troubled himself by giving you so much attention.

It was pointless to make sense of the senseless.

Right here, right now, all he wanted was to enjoy this quiet evening by his lonesome, as he tailed behind you like a creeping shadow. He would reveal himself to you properly when the time was right, when he felt you were strong enough to take him.

Fyodor just needed to wait a little bit longer, just long enough to see how he should proceed with you in case things went south.

In the meantime, he would gladly spend every waking moment simply watching you for his own personal pleasure.

🥀 TAGS: @yanroma, @oneoftheprettynerds, @misdollface, @sxy0ung, @rosemary108233, @c4xcocoa, @gettinshiggywithit, @ophticcus, @lakxcpsta, @ranposgirlboss, @robinaxolotl, @acornwinter, @enoojnij, @ishqani, @osachiyo, @bluepeanutharmony, @kaithegremlin, @fyodorscockslut, @wcayaw, @luna-mariko-akatsuki, @lovelyyz, @queenofspades403

APRIL 24TH - Story One is AI.

[gay-dorito-dust]

Viktor’s journal.

How can you mourn someone that you weren’t quite sure was dead? You couldn’t simply afford to make funeral arrangements just to bury an empty coffin six feet underground when you yourself were unsure of what has become of your beloved Viktor.

You didn’t exactly know where the arcane had taken him. So should you even at all assume him as dead or just more so in another plan of existence far beyond your reach? And if so would he ever find his ways back? or did he think that where he was currently was a suitable place for his misguided and misconstrued ideologies of perfection? Seeing no point in returning to you after all he’s done?

You weren’t quite sure what to make of all of this but that didn’t ease the ache in your heart as you found a journal of his laying nearby, a thin layer of dust covering it, clearly showing the passage of time of the last viktor stepped foot in this room becoming more painfully evident as you brushed it clear before opening it. It was a rather standard journal filled to the brim of notes, sketches and annotations belonging to Viktor throughout the ever evolving stages of understanding the hexcore, nothing new as it was the only thing he talked about so passionately with a gleam in his eyes.

He wanted to use it for good and for the betterment of others but as you look at the notes and recall the memories of Viktor telling you the advancements they could make with hextech, it felt all but painful now knowing and experiencing what you have at the hands of the hexcore; you and everyone else almost became one of those weird sleek white and gold plated humanoid creatures not too long ago. So it was needless to say that your feelings towards the hexcore weren’t the same as they use to be, though then again neither was Viktor’s when he changed.

‘I want to use it to better the lives of others.’ He once said as his amber eyes gleamed brighter than you’ve ever seen before.

You wished that was the case but as the old saying went: evil deeds are paved with good intentions.

Viktor’s heart was in the right place but the hexcore corrupted his mind into ignoring it, ignoring his humanity in his pursuit in perfecting the imperfect. You had lost Viktor to the hexcore on multiple occasions way before his physical and mental change after the attack upon the council, an attack he was meant to die in. You had lost him and thus didn’t know where you were qualified to mourn a man who could potentially still be still living in another plan of existence.

The further you delved into the journal, mind lost in the memories as you tried to use to make sense as to where everything went wrong, that you didn’t notice that you had reached the very end of the journal and notes regarding the hexcore had become notes regarding yourself. The chicken scratch writing of a scientist had become notes written in the most beautiful and eloquent handwriting you’ve ever seen.

Notes such as;

‘The initial reaction i had towards my newfound feelings towards y/n was to deny them. They were my friend and I thought as such for a long time until I began to think about them on a regular basis, almost as though I need to have them close to properly function. it’s distraction but it’s a distraction that I welcome without annoyance, an distraction that I want to have near me all the time just to claim I had a good day.

‘They didn’t come by today, which is something that I shouldn’t let affect me as greatly as it does. However I couldn’t help but keep looking back towards the door to the lab in hopes that I would see them. I was told that I was looking as though a love sick puppy dog, waiting for them to come through those doors as per usual and yet I couldn’t help but feel a little sad when more of the days pass and I didn’t see them. Maybe they’ll come back tomorrow?

‘The feelings have a name as I’ve found as of recent, love. It’s love that I feel for them. They’ve consumed my thoughts and I’ve found myself tinkering with spare parts in hopes of making things that they’d like, all of which I have locked away in a box beneath my bed that I’d open sooner or later in hopes of improving them. Will i ever give them to y/n? Perhaps after I crack this equation for the hexcore, I’m so close to a breakthrough and feel as if the excitement I’ll feel will bring me to confess to them in a heat of the moment type scenario.

I hope they reciprocate my feelings.

That was the last entry of his notes and it was dated as the day before the attack on the council and you softly closed the journal, holding it close to your chest as you closed your eyes, breathing deeply as the idea that things could’ve been extremely different had things not escalated the way they did.

So once you had composed yourself enough to go to Viktor’s house in order to find the box he spoke of in his notes, finding that it had already been opened, almost as though his spirit knew you were going to come here afterwards and made it more accessible to you; and within it was a plethora of beautifully wielded masterpieces in the form of mechanical birds, flowers and even smaller things for you to fidget with should your nerves get the best of you.

Viktor was so thoughtful and you couldn’t help but let out a pained whimper as you cradled the box in your arms before finding yourself falling asleep in Viktor’s old bed with dried tears upon your cheeks. Life was cruel to take Viktor away from you but for some unexplainable reason, you’ve never felt closer to him than you did as you held his journal and gifts close to your chest.

Unaware of how one of the Birds eye’s glowed blue and the petals of the flowers blossomed in a similar colour.

[darlingdaisyfarm]

Please can you write something with Bill? 🥺 I would really like him in your writing style

✮⋆˙ twinkle twinkle little star (Bill Cipher x reader)

author note: hii, so this is my first time writing Bill Cipher (if we’re not counting smut LOL), so if he feels a little OOC, I’m so sorry in advance :((

“You’ve got no idea how small you are. A little ant, crawling on the rim of a soda can, thinking the universe stops where the metal curves. But you’re lucky, babe. You’ve got me to show you the truth.”

You never should’ve made that deal and you knew it.  

You should've known better than to trust him.

“Love” wasn’t the word for it.

At first, it felt. . .  flattering. Who wouldn’t be seduced by the idea of being special in the eyes of something so vast, so incomprehensible? But Bill wasn’t the type to love, not in the way you understood it. 

He didn’t love you, not the way humans did. Bill Cipher didn’t do love. You were his curiosity, obsession, a bright, burning light in his endless void. 

He called you his little star, but very soon it turned into his pretty, breakable toy. And you hated how the words made your skin prickle, how his attention felt like sunlight filtered through glass, so beautiful and searing, but dangerous if you stayed too long.

He never asked you to love him. That would imply some sort of equality, wouldn’t it? Something mutual, balanced, tender. No, Bill Cipher wasn’t a man or a demon. . . or a whatever he was, who traded in such mortal trivialities. Love? What even was that, anyway? A chemical spill in the brain? A pathetic excuse for self-destruction? Hilarious!

Instead of your love, Bill demanded your existence. Every breath, every thought, every fleeting moment of fear or fury or fascination, it all belonged to him, as surely as the stars belonged to the sky. And wasn’t that the whole point? To take something so ordinary, so inconsequential and remake it in his image?

Bill didn’t love you. He consumed you. 

He didn’t care about your happiness or well-being, but he cared about your essence and your potential. 

The stars were his obsession, and now you were too.

When he first spoke to you about the them, he said, “you humans love to romanticize the heavens, don’t you? Gazing up with your sad little eyes, dreaming of escape, like you’re anything more than dust stuck in a whirlpool. But you, sweetheart, you could be a star if you wanted.” 

And it sounded too tempting.

***

With fear and trepidation, you realised that you would like him to appear more often in your life. You felt lonely and empty without that singular eye which was so damn alive in ways human ones could never be. When Bill Cipher looked at you it felt as if the fabric of the universe peeled back, and for the first time, someone truly saw you.

“You’re different,” he whispered once and his voice sounded like molten gold. “They’re all rats in a maze, but you’ve got potential. You could shine, dear.”  and you believed him.

Maybe that’s why, when he first tore the sky apart and dragged you into a void of glittering stars, you didn’t scream.

Because Bill doesn’t show you space, he shoves you into it. 

It was fucked up, all of it. 

The way he could snap his fingers and peel the world apart like wallpaper, exposing the writhing void beneath it. Bill doesn’t do anything halfway. One moment you’re standing on Earth, listening to him wax poetic about infinity; the next, you’re drowning in the universe itself. 

“Look what I can do. Look what I’ve seen. And now, you get to see it too!” Bill said excitedly meanwhile all you could do was only stare, slack-jawed, as galaxies spun like pinwheels with their light painting you in hues of silver and violet.  

Bill’s laugh cuts through the silence like static on a dying radio. “Beautiful, isn’t it, dear? A front-row seat to the cosmic symphony! And guess what? You’re the lucky guest of honor!”

“Fuck,” you whispered in awe, not even daring to blink.

Bill laughed at you again. “Exactly, baby! Fuck! That’s the kind of reaction I’m talking about! Do you get it now? While all these other ants were busy bumping into walls, I saw this. This!”

His eye spun toward you, unblinking, watching you from head to toe. He watched you both worshipful and utterly unhinged because for him you were part of those infinite constellations he adored, he watched you like you were the only thing that mattered in a universe of infinite distractions.

“You could be one too. A star.” Cipher spoke.

You didn’t ask what he meant back then, only laughed. “Stars burn out, Bill.”  

“Yeah, but they make one hell of a show first.” 

But how sad that stars didn’t just shine, they exploded.

***

It wasn’t all chaos and destruction, not at first. There were soft and tender nights, when the storm of his mind calmed just enough to let the starlight through.

Bill Cipher didn’t have lips to kiss, but he had power and he wielded it for you when he felt like it.

One of the clearest proofs of his power was that night by the lake.

You remember it, the night the moons danced just for you. 

Bill hated water, loathed its constraints, its rules, but he was levitating beside you anyway, watching as you waded deeper. You floated on your back, staring up at the night sky, feeling the silence, enjoying it. His eye gleamed in the darkness, lighting you up, taking you in like a masterpiece he didn’t know how to ruin just yet, but there was unusual softness in his voice when he snapped his fingers. 

And the moons, now two of them, impossibly large, swelled and glowed with light. And then the lake shimmered, the ripples reflected the radiance until it looked as though you were swimming through liquid silver, no. . . melted pearls in their beauty.

And it took your breath away.

“You like it?” he asked in a casual tone. “I can make it brighter, if you want. Or darker. Or gone.” 

And as if reading your mind, Bill snapped his fingers once more and the two moons shone even brighter.

“Better now, right? It’s for you, sweetie,” he said, leaning on his cane. “The moon, the stars. . . hell, the universe.”

You hated how beautiful it was. How much it felt like it was for you. But back then, you felt loved. Or at least, something close enough to it.  

***

Bill was everywhere. In your mind, in your shadow, in the air you breathed.

But love with Bill was never meant to be gentle, it meant to be a trap. A game played in his favor, in which you were destined to lose. It started small, quiet, too quiet to notice and react, his words cutting deeper, his charm was imbued with a poison. He didn’t just want you near; he wanted to own you, to reshape you in his image, to pull you apart until there was nothing left but the star he claimed to see in you.

He didn’t just want your attention, he demanded it, craved it with a desperation that was feral. And when you tried to push back, tried to claim even the smallest piece of yourself, he didn’t take it well.

One night, after you’d dared to argue with him, to tell him no, he burned with a rage that lit up the sky. His form glowed red, large, his voice so loud and low that made the ground tremble beneath your feet.

“You think you can defy me? You think you can just walk away? Newsflash, sweetheart: you’re mine. You’ve always been mine. And you’re not going anywhere.”

He grew restless. Obsession turned to cruelty. When he spoke, it was no longer about the stars you could see, but the ones he wanted you to become. His anger was cosmic, vast and unrelenting, and it terrified you.

“You’re wasting yourself here,” he snarled one day, his triangular form flashing red again as he hovered above you. “These people, this place, they’re nothing. I could make you mor—”  

“W-what are you even talking about, Bill?” you spat, though your voice trembled. “I’m human, Bill. I can’t—”  

“Bullshit! You can. You just won’t. And that’s what makes you pathetic. You think you can leave me? Do you even know what I’ve done for you? What I’ve shown you?”

You stared at him, trembling, but still defiant. “You’ve shown me a prison with a prettier view.”

And Cipher only laughed. “Prison? Sweetheart, I’ve given you the fucking stars! You’d be nothing without me. Nothing.” if he had a mouth, it’d be that disgusting crazy wide grin.

You wanted to run. But how do you run from someone who can rewrite the very ground beneath your feet?

***

You remember the terror of Weirdmageddon because you were at the center of it all. Not by choice, never by choice, but because that’s what he wanted. And what Bill Cipher wanted, he took.

But when it was over, when the Pines family managed the impossible, when Bill was defeated, erased from Stanley’s mind, when they unraveled Bill’s madness, tore him apart, and your world snapped back into place, the silence felt. . . deafening. 

You didn’t see Bill fall, not directly, but you felt it, you knew it was over, the sudden, aching silence where his presence used to be.  

The world felt smaller without him, quieter, duller. And you hated yourself for noticing.

You should’ve been relieved.

But instead, you stood in the ashes of his world, staring up at a sky, at the empty space where his chaos had once burned so brightly.

You didn’t cry. You didn’t laugh. 

And you remembered the stars. But Bill taught you that stars were always meant to burn out.

You remembered the way his voice softened when he talked about them, how excited and happy he sounded, the way he’d show you galaxies as if they were flowers he’d plucked just for you. You remembered the way he watched you, like you were the only thing in all of creation that mattered.

Even now, after his fall, you hope he remembers the galaxies. . . or if he’s just another forgotten star, lost to the void.

And you wondered if, somewhere, in some forgotten corner of the universe, he remembered and saw stars too.

[ckret2]

Chapter 40 of human Bill Cipher, in spite of his fondest hopes, still being stuck in the Mystery Shack:

As much as Gideon wants out of the evil magic game, the survival of his father's used car dealership rides on Gideon's help.

And, relatedly, Bill's started receiving psychic car commercials.

1981

Ford had been in his study for what felt like forever, staring at the pile of papers and numbers on his desk, trying to stop the figures from shifting and swimming before his eyes; when something from behind him lit up the dim room with golden light and he a heard a familiar voice behind his shoulder—

"Heeey, Stanford! You've been having a lot of dreams about tax forms lately, what gives?"

Ford was startled out of his thoughts. He turned around, smiling in relief. "Oh, Bill! Hello." Apparently he was dreaming. Thank goodness. It explained why he couldn't seem to get these forms to make sense. "How long have you been watching me?"

"About twenty years."

"What?"

"About twenty minutes," Bill said. "I wasn't going to bug you tonight, but usually your dreams are a little more adventurous! You're starting to worry me, kid." He disintegrated the tax forms with a gesture and floated down to sit on Ford's desk, like a razor-thin glowing paperweight. It was strange to see him cross his legs. "What's on your subconscious?"

Ford hadn't thought his Muse cared that much about his day-to-day human troubles. It was comforting to know someone was worrying about him—someone so far beyond human potential that maybe Ford didn't have to worry he'd be disappointed to learn Ford was struggling a little. "It's my grant money," he sighed. "I feel like my research into Gravity Falls is nowhere near completion, but that money will only last for so long. It won't be long before I'll need to ask for more funding, and I'll have a hard time convincing anyone if I don't have anything to show for it, but I don't want to share incomplete research..."

"Ah, money. The second-worst curse human society's ever inflicted on itself."

"What's the worst one?"

"Marriage."

Ford barked a laugh. It wasn't even that funny a joke; it was just such unexpectedly human cynicism for such an otherworldly entity. It sounded like a joke Ford's dad would make.

"Well, money. What to do..." Bill drummed his fingers on Ford's desk, gazing off into the distance as he thought. Ford realized that, at some point while he was distracted, most of his study had vanished, leaving his desk and chair sitting precariously atop a faint gridded plane in the starry blue void where he usually met Bill. Finally, Bill said, "Have you considered buying gold?"

He hadn't. "Will it help?"

"Sure it will! Eventually!"

"In time to help pay my mortgage?"

"Hmm." Bill thought a moment longer, then snapped his fingers. "Got an idea." He floated off of Ford's desk to eye level, strange sigils appearing in white-blue light around him. "Do you happen to know where the people who decide your funding live?"

"Er... the general area." It had to be near the Backupsmore campus, didn't it?

"Then I might be able to help you!" The symbols solidified around Bill. "I know a little spell to help persuade people. It'll let you plant ideas in their dreams—give 'em a little subliminal nudge. It could make some bigwigs come around on the importance of the research you're doing out here."

A fascinating concept. Ford studied the sigils greedily. He didn't recognize them, but they looked fairly simple. "You're not... talking about mind control?"

"Nah, that's not in my wheelhouse. It'll just let you... talk to them! Like I talk to you! I'm not controlling you, am I?" His eye curved up in a facsimile of a smile. "But you'll find most people have a harder time ignoring you when you're talking to them inside their own heads. What they do with that when they wake up is up to them. Just think of it as a way to schedule an interview where you'll have their undivided attention."

Ford pressed his lips together as he thought; then shook his head. "Thank you, Bill, but no. I wouldn't feel right earning money that way. I'd rather know they were impressed by the scientific and historical value of my work—and if I use magic, I'll never know for sure if they really thought my work measured up."

Bill laughed. "That's what I like about you, Stanford! You really shoot for the stars—and you've got the work ethic to get there! You don't want the fame and fortune unless you earn it!"

Ford was momentarily taken aback. It was rare that his muse openly complimented him; on most nights he dealt with Ford with a sort of cool, detached fondness, something a little too distant to be real affection. When he did voice his approval, it was like the sun coming out after a month of cloud cover. There were nights, when Ford was really feeling his isolation in these woods and he'd half convinced himself all his years of research had been a waste of time, when he was half willing to chase that sunshine to the ends of the earth.

"You'll do whatever it takes to finish your research, won't you?" Bill asked.

Ford gave Bill an awkward, self-conscious smile. "Of course I will. How could I not?"

"Hey, not everyone has your ambition! Most people take the easy way to the top. Cheating, copying, riding on greater men's coattails... Some guys earn the dough to buy their gold, others just want to dig for someone else's." Bill spread his hands in a shrug. "Well, it was an idea." The sigils started to fade.

Ford raised a hand. "Hold on. I don't want to use it, but... do you think I could learn that spell anyway?" He smiled hopefully. "For research?"

"For fun?"

"For fun."

Bill laughed. "I was waiting for you to ask!" The sigils reappeared, and next to them appeared an incantation. "All right, I'll walk you through it. Pay attention, I don't think you've got enough time to go over it twice this REM cycle."

Ford nodded, focusing fully on Bill, determined to remember the spell well enough to record it in Journal 2 when he woke up.

####

Spring, 2013

Tentatively, Bud Gleeful said, "Son... now, I know you lost that spooky grimoire of yours. But... don't you have anything left that might help out the dealership?"

Gideon growled in irritation. "I told you, father! Everything I knew was in Journal 2! It's gone! Anyway, I'm just trying to be a normal kid now. I don't want to get mixed up in any more magic. I'm through with it."

"I understand," Bud said, nodding. "And I think that's mighty admirable of you, turning over a new leaf like that. Shows real maturity." He hesitated, wringing his hands together. He pre-emptively winced and said, "But it's just that... business hasn't exactly been booming, ever since your little tenure as Bill's sheriff. And you know I love the fellas you made friends with in the penitentiary, they're all such... colorful characters; but having them hang around does make folks a little wary to drive into the parking lot..."

Volume doubling, Gideon snapped, "Are you saying it's my fault?!"

"No, son, no. You know I'd never." Bud knelt down, and—cautiously, like he was trying to pet a feral cat—put a hand on Gideon's shoulder. "But, well... business is slumping, that's all. We'll be fine as long as we live within our means, don't you worry about that—but our means might not cover luxuries like those fancy suits and fine new boots you like so much, you understand."

Gideon lowered his gaze, tugging self-consciously on the sleeve of his favorite suit jacket. It was already just a little too short to be fashionable; he probably didn't have long until he outgrew it completely.

"Your mother and I are doing all we can," Bud said. "If there's anything you can do... well, you don't have to, of course. But—it'd be a mighty big help."

Gideon grit his teeth, glaring at his feet. (How long until he outgrew all his shoes? He had a growth spurt coming "any day now," he'd been told. The prospect didn't excite him.) He balled his hands into fists; and then muttered, "There... might be one spell I remember... the sigils were pretty simple..."

####

June 2013

Bill could see it in his mind's eye: if he kept pushing and pushing eventually there'd be no more room in two dimensional space for his mother to fill, and then she'd be forced to bend UP, up into the third dimension, all that open free space. Then she'd see the dark, she'd see the far points of light—

"STOP!" His mother howled in pain. He kept pushing. She was out of room. She didn't bend up. He shoved—and she splintered. Bone snapping, cartilage tearing, he could see inside her thin body as things broke and ruptured. He didn't know what to do.

And for several long, long seconds—he couldn't remember what was happening. The world seemed to bend wrong, and he couldn't remember.

At least, he couldn't have remembered a few weeks ago. He hadn't wanted to. But he'd been studying a book on lucid dreaming since then; and the first things it taught was how to remember more of his dreams. And now, he recalled exactly what happened next when he pushed his mother and she splintered and ruptured:

He pushed harder.

Her skin fractured and peeled off, strand after strand. It filled the spaces between his fingertips, wrapped up his arms. He could shut his eye but he still saw it through his eyelid, still felt it tickling at the corners of his mouth. 

"You want me to tell everyone the third dimension's full of dead shapes?! Huh?!" All he could see was blood and bone and peeling skin. "Then why don't you go find them for me!" He let out an angry, hysterical, broken laugh.

Her hand grabbed weakly at his.

He let go and jolted back, gasping—and almost retched. What had he done? He hadn't meant to. But he'd kept pushing—but it was too late by then. It was too late by then, wasn't it?

"What have you done?"

Bill whirled around to face— "Dad?"

The green trapezoid looked as sick as Bill felt, eye darting in horror across the crumpled line in the corner. He couldn't even see most of it from where he was—his eye didn't work like Bill's, he couldn't look through the mess of skin to the gore beneath.

"It was an accident," Bill whispered. (He'd kept pushing.) "It really was, I promise."

His father tore his eye from the corpse to Bill's face. "What are we going to tell your followers?"

Bill looked past his father. Through a wall so thin Bill almost couldn't see it, hundreds upon hundreds of shapes were settled, waiting—to see him. He was sure: somehow, somehow, they could see him too. They knew what he'd done. His life was over.

A thunderous voice boomed, "Whooee, what a fix! Boy, you look like you could use a getaway car, couldn't you?"

Bill blinked. He blinked again. He looked up-but-not-north.

A human in a pink Hawaiian shirt, standing on top of the universe, looked down at him.

Bill said, "What."

"Here, let me just—getcha right—" The human plunged his hand through the second dimension, scooped beneath Bill, and popped him right up off the surface of the universe. "Now, if you'll pardon my saying so, you look like you could use a little help getting somewhere far, far away from here!"

Bill stared at him. "What."

"And I've got just the thing to help you!" the human declared. "Aren't you feeling stuck? Trapped? Just can't take your obligations anymore? Miserable you can't hit the road and see all of—well—" he gestured vaguely out at the flat surface of the universe stretching into the distance "—whatever this is? Then you need to visit your buddy Bud Gleeful—(that's me)—at Gleeful's Auto Sales, the finest used car dealership in Roadkill County! We'll get you a set of wheels that'll carry you on the cross-country police-evading tour of your dreams!" He dropped his voice and murmured to Bill from behind his hand, "Warranty expires at the state line."

"What." Bill looked down at the universe—and was disappointed but not surprised to see he wasn't a triangle anymore, but a human. He looked at Bud again. "Are you advertising to me. Is this an advertisement. Am I getting advertised to in my sleep."

"And if you sign before you leave, we'll throw in a free air freshener," Bud added.

Bill stared at him in horrified amazement. "I am going to kill you," he said. "And then I'm going to wake up and kill you in real life."

"Ah, well. That's a right shame."

####

Bill shot straight up with a roar of rage. "Oh, when I get my hands on...!"

"Whoa. Bad dream?"

Bill whirled around with a murderous glare. Dipper's spirit, ghastly and pale, was hovering in the middle of the attic. Bill snapped, "You're a bad dream!" He scrambled after the spirit.

"Whoa! Hey!" Dipper tried to swoop away from Bill toward the stairs.

Bill caught him by the back of the neck. "You are going back in your bo—bed, you're getting in, and you're not getting back out."

"Ow, let go!" Dipper squirmed in Bill's grip, kicking his feet in the air. "I was just going to turn off the TV! I heard it playing an advertisement, I think that's what put me in... you know." He gestured at himself. "The sleepwalking dream."

Bill hesitated in front of the kids' door. "What advertisement?"

"I don't know, it was too far away to tell. But I know it was an advertisement, it sounded... advertise-y."

"Hmm." Bill considered that. And then he flung Dipper's soul through the door.

"HEY!"

"I'll turn off the TV," Bill said. "Go back to sleep!"

Ugh. Everything ached, his stomach was trying to turn itself inside out in an attempt to escape and go forage for food independently, and the world held a vindictive grudge against Bill personally. He trudged downstairs, muttering crabbily to himself.

He wasn't surprised to discover the TV was off.

####

"I'm conducting a survey," Bill said. "Did you hear any advertisements from the TV last night? Maybe have any dreams that might have been influenced by hearing an ad?"

"Uh..." Soos slowed at the bottom of the stairs as he thought. "Nope. Slept like a baby all night."

"Interesting." He waved at Melody to try to catch her attention. "Hey, how about you?"

"Nope!" Already dressed for work, she hurried from the stairs to the living room without even glancing Bill's way. She tended not to linger when he was nearby. He told himself he was flattered.

"Dude," Soos said, "What happened to your arm?"

Bill looked down. On the underside of his forearm were two thick lines set at an angle, burned so dark brown they were nearly black. "Leaned on the stove after someone used the burner. Oops."

"Do you need...?"

"Don't worry about it, it's already healing." Bill rolled down his hoodie's sleeves as he leaned into the kitchen, "How 'bout you, Stan? Hear any phantom ads last night?"

"Nuh-uh. But I sleep with my hearing aids out," Stan said. "The only things loud and grating enough to wake me are a car horn or your voice."

"Ha!" Bill looked from Stan's side of the table to Ford's—and Ford wasn't facing him, but he was glancing from the corner of his eye toward Bill's arms.

Bill turned away without asking anything. No point. Obviously, Ford had been too far underground to have picked up anything. Bill told himself Ford was seething at getting the cold shoulder.

"What're we talking about?" Mabel asked, coming downstairs with Dipper close behind.

Bill looked at her—and then let his gaze sweep past her with the same cold disinterest he'd favored Ford with. He brushed past her to head upstairs. "Hey, somnambulist." He shoved Dipper's hat down over his eyes as he passed. "TV was off. No one else heard anything. You dreamed your stupid ad."

"Hey." Dipper pulled his hat back up. "Jerk."

Mabel called, "Bill?"

He ignored her and kept walking.

####

"What was that all about?"

Bill was curled up in the attic window seat, flipping covetously through an issue of Gold Chains For Old Men; at the sound of Mabel's irritated voice, he merely said, "Oh, hello." He turned another page. "Here to try to make a fool of me some more?"

She planted her hands on her hips. "Bill, what are you talking about?"

"Tell me about those 'Mysteries' of yours. Did you plan your story any deeper than that? Were you going to arrange for me to catch you with a cloak and dagger just to make me wonder?"

Mabel paused. "Oh." She laughed weakly.

"So how many people were in on it, huh? Was it just you and Stanford, or did you have the whole house laughing at me behind my back?"

"It—it was just us two." She leaned on the wall by Bill's feet. "Um, so... are you actually mad?"

He shot her a venomous look, then lifted his magazine so he couldn't see her any more.

"Come on!" She poked his knee. "It was a harmless prank! And you lie to everyone all the time."

"No I don't."

"You're so sensitive."

"I am not," Bill said indignantly. "I'm proud. I have pride. And lately pride's about the only thing I have going for me. And I didn't think a friend would try to undermine it."

Mabel heaved a sigh. "Okay, all right. Sorry."

Bill lowered his magazine to peer at her skeptically. "Are you really?"

"Well, yeah." She leaned against the window seat. "It was just a joke, I don't wanna hurt your feelings."

He stared her down a moment longer, assessing her sincerity. And then he sat up and pulled her into a hug.

She squawked in surprise, but returned the embrace. "Bill! What—?"

"You're sweet, you know that, star girl?" He gave her one last squeeze and let her go. "When you aren't trying to make me look dumb. But you don't rub salt in the wounds, that's what matters."

"Pfff. I kinda think you'd try to kill me if I did."

"Mmyeah, I might." He wouldn't. Only person in this entire dull rotten world who was willing to apologize for wronging him. He wasn't giving her up easily. "Hey—did you happen to hear any commercials last night? Maybe have any dreams that might've been caused by one?"

"Nope! I had a dream about cats fighting a war against an octopus."

"Oh, that one. Did the octopus win or did the lions show up in time?"

Mabel paused. "It's always creepy when you do that. But the octopus won this time."

"Aww. That poor picturesque beach town."

"I tried to get between the octopus and the town when the cats failed."

"Did you stop it?"

Mabel shrugged. "Dunno. I woke up before it reached me."

"Too bad! But hey—you've been making big progress with your lucid dreaming. You'll get it next time!" No salesmen offering cars as war chariots for the cats, though. It was almost a pity. Bill would've liked to hear about Bud getting eaten by a giant octopus.

"So I guess Dipper was the only one who thought he heard a commercial."

Dipper and Bill. "Guess so."

####

The large, empty floor room, down the main hallway at the far end of the house, was among the few places Bill was allowed to go. Except when the humans had some big event like a dance or a museum exhibit planned, there was nothing in it but a flat old sofa, a fireplace he couldn't turn on, and Soos's electric piano taunting him. In spite of its relative isolation from the rest of the household, Bill rarely had reason to visit it.

But when he wanted space to pace and think, there was no better room.

Last night's advertisement was magic, no doubt. And he suspected he knew the exact spell. The Mystery Shack was way on the outskirts of Gravity Falls; probably nobody else here was affected because they were just out of range of the signal. The only reason Dipper had nearly picked it up was because he didn't have his thick skull in the way when his spirit was out of his body.

But Bill's psychic abilities had been heavily suppressed since he was put in this body. How was he channeling the signal so much more clearly than anyone else?

He thoughtfully ran his tongue over his new golden tooth. "Hmm."

####

Bud entered the Gleeful house flipping through a pile of mail. "Junk, junk, bills, junk... Here's your subscription, honeybunch." He held out an issue of Nervous Wrecks Weekly magazine. His wife paused her cycle of polishing the front window to stiffly take it.

"Junk, coupons... Gideon! You've got a fan letter!" He checked for a stamp indicating the tiny envelope had passed through a state correctional facility. "And it isn't even from the prison, isn't that nice!"

"Coming!" Gideon ran out of his room, snatched the letter from Bud's hand with a little grunt, ran back to his room giggling, and slammed the door.

Bud chuckled. "Joy, sweetie, you remember when that boy got so much fanmail he used to throw it out? These days he's excited for every single letter." The corners of his mouth turned down. "Suppose it's good for him, learning to appreciate the little things."

"Mhm." She looked down at the roses outside the window. She'd need to trim those soon. "I suppose it is."

In his room, Gideon studied the odd envelope. It was tiny—barely large enough for the address and the stamp, no return address—and when he turned it over he discovered lines of text printed on the paper. The flap was tucked carefully into a fold in the envelope that held it tight.

As he pulled out the flap, he realized that the envelope wasn't held together with glue; it was some sort of cleverly-folded origami craft that began to unfold in his hands as he pulled out the flap. The letter was written on the inside of the envelope. "Why—what a delightful little creation!" He sat at his dressing table to focus on unfolding the letter, careful not to damage it so he could re-fold it later.

Once he'd smoothed it out, he could see that the paper was carefully torn from a book. The outside of the envelope was made from the last page of a chapter, with only a few lines of text at the top of the page and the rest left conveniently blank. It talked about telling the difference between waking and dreaming.

He turned the page over to read the letter.

GIDEON–

IT'S ADORABLE THAT YOU'RE USING A DREAM COUNTERFEITING SPELL FOR CAPITALISM! I BET YOUR PARENTS ARE PROUD! HOWEVER, MY FILLINGS ARE PICKING UP AUTO DEALERSHIP ADS ALL NIGHT. IT'S REALLY ANNOYING. CUT IT OUT.

In place of a signature, there was a triangle with an eye.

Gideon's blood ran cold.

He read the letter again, then studied the words themselves. He didn't recognize the tall, thin, crooked handwriting. He flipped over the envelope. No return address. He noticed for the first time that the letter wasn't addressed to "Gideon". It said "STAR BOY". Fan mail. Right.

The postmark was from Gravity Falls.

"It can't be Bill," Gideon muttered to himself. "Bill's dead. It's got to be some prankster with a twisted sense of humor..."

But then, how could some prankster know he was doing dream magic? Did anyone else even know that Bill had called him "Star Boy"?

No. It had to be a prankster. If Bill were alive, he'd be doing much worse than sending letters and complaining about fillings.

He crumpled up the letter and threw it away. His father's business needed Gideon to do whatever he could to help. Gideon's own financial future depended on it. He wasn't about to let some prankster stop him.

####

There was a rumble of several motorcycles and a revving car engine outside the Gleeful house, disturbing the late evening still. Gideon came in the front door wearing a little backpack, waving behind himself as he came in. "Thanks for the ride, Ghost-Eyes! Good talk today! I'll see y'all this weekend for brunch!" He shut the door as the engines receded into the distance.

"Welcome home, son," Bud said from the couch. "How were the ex-convicts this week?"

"Oh, great, just great. Graybeard's daughter is gonna let him meet his grandson and Spiderwebs got a new job."

"Oh, that's wonderful to hear. I know you were real concerned for Spiderwebs."

"I shouldn't have worried! He got work at an alpaca ranch on the other side of town, did you know there's an alpaca ranch 'round here?"

"Can't say I did!"

"I think it's a good fit for him. Being out in nature calms him down."

An uneasy silence fell over the room as they waited a polite amount of time to change the topic. In the kitchen, Joy cleaned the same dish for the third time.

Bud cleared his throat. "Well, uh—you know, it's been a couple of days since we've run a 'nighttime ad.' Do you think it's a good time to...?"

Gideon squeezed his backpack's straps. He could still see that spindly text reading "STAR BOY". "Do you think? I don't want to put 'em too close together, folks might notice..."

Bud grimaced. "It can't hurt. It's been almost two weeks since I sold a car."

Gideon scowled. But he nodded. "Yeah, all right. I'll go set up."

"You know how much your mother and I appreciate it," Bud said. "I'll go heat up dinner."

Gideon went to his room, tossed his backpack on his bed, rolled out the tarp on which he'd drawn the circle and sigils in permanent marker, and set up the candlesticks and candles around the perimeter. His father called him to dinner; they watched an evening talk show; and after a little more dawdling, they figured it was late enough that most folks would be asleep, and went to Gideon's room to get to work.

As Bud awkwardly lowered himself to sit in the circle and Gideon lit the candles, Gideon asked, "Father, do you ever... remember who you talk to? I mean, whose dreams you're in?"

Bud considered that, pursing his lips. "No, can't say I do. It's a bit like I'm dreaming myself," he said. "And it's sort of a jumble of a few hundred dreams, too. Like I'm visiting the whole town at once. All I can recall is a blur!"

Gideon frowned. "I see."

"You sure you don't want to be sitting in the circle this time?" Bud asked. "I'd bet if folks saw you in their dreams telling them to buy a car, why, they'd just rush right down."

These days, Gideon wasn't so sure. Sourly, he said, "I don't want to get involved." He'd gotten enough of starring in his father's car commercials when he was younger. He'd thought he'd escaped that completely when he picked up the telepathy act; he didn't relish the thought of using telepathy to star in another car commercial.

"All right, suit yourself. Just keep it in mind." Bud got as comfortable as he could on the floor and shut his eyes.

Gideon took a deep breath and began chanting: "Dreamers, hear me, from far far away; tonight you'll dream of what I say; dreamers, hear me, from far far away; tonight you'll dream of what I say; dreamers, hear me, from far far away..."

The flames flickered and turned bright blue. A purplish shimmery light surrounded Bud; and as Gideon kept chanting, the light expanded to the edge of the circle and beyond, creeping across the floor, over the bed—

A shrill wail filled the room. They both started, losing their concentration. The wail persisted several seconds before it resolved into a eardrum-bursting roar of words: "HI I'M SCOUT YOUNGER AND I'M IN A PICKLE SO YOU CAN DRIVE FOR A NICKEL! I'VE GOT SO MANY CARS I DON'T KNOW WHERE TO PUT 'EM! SO WE'RE GIVING THEM AWAY FOR FIVE CENTS, THAT'S RIGHT FIVE CENTS! SCOUT YOUNGER, I'M A DEALER BY THE PEOPLE FOR THE PEOPLE—"

"Dagnabbit," Bud shouted, "that's the man undermining my no-barter-for-a-quarter deal and getting all my business! He's halfway to Portland—but darn it, his commercials are so catchy!"

"—THAT'S YOUNGER PATRIOT CARS, ON THE NORTH SIDE OF INTERSTATE—" The commercial was cut off with a clap of thunder that made them both jump again.

And before the dying rumbles of the thunder had fully faded, a second voice spoke—a high-pitched, furious shriek that Gideon hadn't heard in nearly a year but instantly recognized: "SEE HOW YOU LIKE GETTING USED CAR ADS SHOVED DOWN YOUR THROAT IN THE MIDDLE OF THE NIGHT, YOU LITTLE TWERP. THIS IS MY FINAL WARNING!"

There was another crack of thunder; and then nothing.

Nothing but a faint, muffled, mechanical whir coming from Gideon's bed.

Slowly, Bud said, "Is that...?"

Gideon looked under his bed; then on top, tugging over his backpack and unzipping it; and he pulled out a still-running cassette tape player. A complicated sigil was painted on top of the player and stretched over the play button, glowing shimmery purple as though it had absorbed the magic from Gideon's spell.

Bud took the tape player, stopped it, rewound a bit, turned down the volume dial, and hit play: "—your throat in the middle of the night, you little—"

He stopped the tape. He and Gideon looked at each other.

Bud said, "Don't tell your mother."

####

"Third lap!" Dipper crowed as his car zoomed over the line on the digital racetrack. "You'd better catch up fast!"

"Aw, c'mon," Mabel groaned. She tilted her body along with her game controller as she steered her car around a tricky curve, as though that would help her go a little faster. "No fair, I'd be winning if you didn't throw a goose at me—"

"Pff, shut up, you always use the goose."

Bill was sitting cross-legged on the floor, watching the fish tank—as far as either Dipper or Mabel could tell, having a staring contest with the axolotl—but without breaking eye contact with the tank, he leaned over to elbow Dipper's knee. "Hey kid. Go left."

"What? No, shut up." Dipper tried to kick Bill's arm away.

"Go left. Trust me, it's a hidden shortcut."

"No! You're not even watching."

"I'm psychic. Go left."

"No." Dipper jerked his car to the right. It drove off the track and landed in quicksand. "Aw, man—"

"YES!" Mabel sailed past him. A fanfare played as she crossed the finish line. "The winner! Woo-woooo!"

Bill beamed as Dipper glared at the side of his face.

Somebody knocked on the door—and kept knocking, frantically hammering for attention. Dipper and Mabel looked over.

Bill glanced over, rolled his eyes, said, "You don't want to answer that," and looked back at the fish tank.

Dipper glared at him again, stood, and went to answer the door, Mabel close behind. "Hel— Gideon?"

"Told you," Bill muttered.

Gideon was sweating, panting, and wild-eyed with panic. "Mabel! Dipper!" He paused to give Mabel a sweet smile. "Hi Mabel~♡" And straight back to panic. "We've got a problem! I know y'all don't want me 'round here, but—but this is an emergency!"

Dipper glanced at Mabel. She sighed, but reluctantly stepped back to let Gideon in. "All right. What is it?"

"I know I sound insane, but—but you have to trust me," Gideon said. "I don't know how, and I don't know why, but Bill Cipher's back! I'm sure it's Bill, it can't be anyone else, he... he knows things only somebody with his powers could know!" He paced anxiously in front of the twins, "He's been sending me threatening mail and harassing me and—and I don't know what he's up to, but we've got to find him and stop him! You've gotta help me!" He grabbed Dipper's arms. "I think he might be trying to kill my family!"

Dipper and Mabel turned to glare at Bill.

He was determinedly studying the fish tank.

"Hey, Goldie," Dipper snapped.

Bill glanced over with an expression of mild interest. "Hm?"

"Gideon here says that Bill's been harassing him," Dipper said. "What do you think about that."

"Oh wow," Bill said, extremely unconvincingly. "That's so crazy. I can't even believe it."

Gideon's anxious gaze darted past Dipper and Mabel. "Who's...?" He thought he remembered seeing that stranger around Wendy.

Dipper stepped between their line of sight. "Thanks, Gideon. We'll handle this... problem."

The stranger got to his feet and sauntered to the entryway. "Hey Gideon. Just out of curiosity, what were y—"

Mabel cut in, "Bye, Gideon!" She tried to push him toward the door. "We'll see you later!"

The stranger leaned over Gideon, planting a hand on the doorframe. "—what were you doing that got on Bill's nerves so much, I wonder—"

"Shhh!" Mabel tried to push Bill away.

Had Gideon not heard the voice so recently, he might not have noticed anything odd about the stranger in front of him. But as it was, a chill instantly ran up his spine. He slowly looked up. The menacing smile was unfamiliar, but the eye... something was wrong with that eye. The longer he stared into it, the more he could see the cruel, mad, golden inhumanity.

Gideon squealed in terror and bolted out the door. 

Dipper squeezed his eyes shut and groaned. "Seriously?"

Mabel chased after him. "Gideon! Gideon wait!" She caught up with him rounding in front of the gift shop and had to tackle him into the dirt.

"Get offa me! You're working for him, you traitor—"

"Gideon, listen! We're not working for him, he's our prisoner!"

"Oh." Gideon stopped struggling. "Well, that's a different kettle of corn, isn't it."

Mabel sighed in relief. She backed off Gideon, but had to hold his ankle to make sure he wouldn't bolt again. "Okay, look. We don't know how, but Bill's stuck in a human body, and he's got no powers."

"How do y'all know he isn't faking it?"

"Because he tried to kill us and we beat him up." She winced. "We've... kind of beat him up a lot."

Gideon nodded. "O... okay."

"But you can't tell anybody," Mabel said. "If there's an angry mob or something and he gets executed, the real Bill might hatch from his body like an egg and he'll take over the town again!"

Gideon shuddered. He could almost still feel ache in his legs and the blisters on his feet under the adorable sparkly pink shoes.

"So he's fine here with us. We've got everything under control, he's not dangerous like this—" Mabel turned around to shout, "—and HE SHOULDN'T BE SENDING THREATENING LETTERS, BILL."

Bill's voice drifted from around the corner of the house: "YOU CAN'T PROVE ANYTHING!"

Dipper said, "What did Gideon do to warrant that, anyway?"

Bill glowered into the distance. "He knows what he did."

"Okay, I-I won't tell anyone. I promise." Pitifully, Gideon asked, "Can I go home now?"

"Yeah, you can go home now." Mabel let him go. He got up and ran as fast as his little legs would carry him.

####

They reconvened in the living room. Dipper and Mabel stood in front of Bill, glaring. Bill sat on the sofa, smiling innocently.

"Bill," Mabel said. "You should be ashamed of yourself."

"Oh, yeah?" Lots of people thought he should be ashamed of himself, but not many had the guts to say so.

"Bullying Gideon like that!"

"I have an excuse," Bill said. "I've been crabby this week. Body made me crabby. Some kind of human neurotransmitter imbalance. I didn't sign up to have neurotransmitters, it's completely out of my hands."

"That's not an excuse," Dipper said.

"Plus, you're an entire adult thing!" Mabel said. "You're picking on a little kid! He's like, eleven!"

"So? There's not a lot of difference between eleven and a hundred eleven when you're a million million years old."

"Then maybe you're too old to bully anybody."

Bill blinked in mild surprise. "Huh."

Dipper said, "Plus, you're gonna blow your cover and get everyone in trouble!"

Bill shrugged. "He can't prove anything! Anyone could have sent a letter pretending to be me."

Mabel asked, "How did you send a letter, anyway?"

####

"Hey, Soos," Mabel yelled, "Can you send a letter for me?"

"Sure thing, hambone! Just stick it on the pile in the kitchen."

Mabel licked a stamp, haphazardly slapped it on the envelope to her parents, tossed it on the other mail, and ran back upstairs.

Bill crept into the kitchen, peeled the stamp off Mabel's envelope before it dried, stuck it on his tiny origami letter, and stuffed them both into the middle of the mail pile. "Sorry, kid," he muttered. "You'll just have to resend this one."

####

"I have my ways," Bill said.

"And how did you 'harass' Gideon?" Dipper asked. "What could you possibly do from in here to harass him?"

####

Bill sat on the sofa in the floor room with Mabel's boombox radio on the floor, a cassette tape player/recorder he'd salvaged from the museum held up to the speaker with his thumb hovering over the record button, his other hand hovering over the key with the thunder sound effect on Soos's keyboard, an air horn between his knees, and a nearly-dead marker he'd fished out of Mabel's trash and revitalized with rubbing alcohol waiting next to him for drawing a magic-activated sigil. He glared at the boombox as the local radio station played an advertisement for air conditioning installation. "Come on," he muttered at the boombox. "Play the stupid car commercial."

The next ad started. "Bargain alert, bargain alert! I've got more used cars than I know what to do with! Hi, I'm Scout—"

"Yes," Bill hissed. He hit the record button, squeezed the air horn between his knees, held the tape recorder up to the boombox until the end of the commercial, kicked the boombox's power button, quickly held the tape recorder up to the piano, and triumphantly hit the key that produced the sound of a flushing toilet.

"NO!" He kicked the electric piano's leg, flung the tape recorder to the other end of the sofa, and flopped face down on the cushions. After permitting himself a moment of grief at the injustice of it all, he dragged over the tape recorder, stopped it, rewound it back to the start, hit the lightning key several times to make sure he had it, and then set up again to wait for the next time the car commercial played.

####

"Hey Wendy, could you get this door for me?"

Wendy gave Bill a puzzled look. "That's the wrong hallway. Rainbow Club's down that one." She pointed at the door across the room.

"I know, I'm just looking for the restroom! I need to dooo... girl hygiene things?"

Wendy looked at the tape player-shaped lump under Bill's shirt, looked at his face, and raised her brow.

"Okay, okay. I'm gonna prank Lil Gideon."

Wendy opened the door, leaned through, and opened a second door to a coat closet. "Good luck. We're all counting on you."

Bill saluted her, and rummaged through the leather biker jackets in search of Gideon's little backpack.

####

"You've got no idea what kind of dark powers I still have at my disposal," Bill boasted, leaning back and lacing his hands behind his head.

Dipper turned to Mabel. "Yeah, he's got nothing. He probably bribed a tourist to call Gideon's house or something."

Bill scowled, but didn't dignify Dipper with a response. "Anyway, the game's over now that Gideon knows where I am. I won't do it again."

Dipper scoffed. "Yeah, sure. Why should we trust you?"

"Because," Bill said calmly, "if I do it again, you'll have to tell your uncles, and I'll be in serious trouble. So I won't... and therefore, you won't. Right?"

Dipper frowned, but looked at Mabel. Mabel was considering Bill with her hands on her hips. She prompted, "Aaand...?"

It took Bill a moment to figure out what she was aiming for. "And I've realized I was mean and I'm very remorseful for my hurtful actions."

Mabel pointed at him. "That's what I wanna hear!" She looked at Dipper. "I think we can let him off with a warning."

Dipper shook his head in resignation.

Mabel said, "But you're not stopping there, Bill."

"How's that?"

"Come on, man, think!" She poked her finger against her temple. "You know the answer! We just watched this episode yesterday!"

"Episode?" Dipper asked.

"I've been using Color Critters to teach him social skills."

Bill said, "I have social skills, all you're doing is showing me what'll be on the test."

"That's how learning works, dummy! I wanna hear you regurgitate that textbook answer!"

Bill opened his mouth, stuck out his tongue, and pantomimed sticking his finger down his throat and gagging; but then he said, with a blatantly artificial chipper tone, "'If we hurt our friends, we should try to find a way to make it up to them and make sure it can't happen again.'" 

"That's right! 98 points! I'm taking two off for attitude."

"So how do you expect me to make it up to him? I can't exactly un-send him a letter. Unless you're gonna loan me that time tape—"

"Stop asking for the time tape," Dipper said, "it'll never happen."

Bill shrugged. "Then what do you suggest."

"Figure it out yourself," Mabel said. "You're the one who's gotta make it up to Gideon, not us."

Bill rolled his eye. "Is this part of the terms to buy your silence?"

"Yeah, it is."

"All right, fine." Bill sighed and stood up. "Give me a bit to brainstorm. I'll be upstairs." He meandered out of the room.

Mabel called after him, "You better not think you're wiggling out of this!"

"Relax! I won't disappoint you, Shooting Star. Promise."

Once he was out of earshot, Dipper turned to Mabel. "How do you expect him to make it up to Gideon?"

"He should say 'sorry.'"

Dipper nodded. Okay, sure, that sounded reasonable. "How long do you think it'll take for him to think of apologizing?"

"I'd give it a couple of hours."

####

(If you recognize the dealership being parodied, we now share a warrior's bond. Anyway hope y'all enjoyed, I've been looking forward to introducing Gideon for a long time! As always, I'd love to hear y'all's thoughts and comments on the chapter!)

[3-opossums-in-a-ballgown]

Just some notes on TADC Ep. 3 I made while watching (SPOILERS):

- Jax not wanting to show the cast what happens when he holds his breath could be because either a) nothing happens, b) he starts to loose health and die, or c) it’s just embarrassing and we all know Jax wouldn’t risk that. Both a and b fuels the theory that he’s an NPC.

- Obviously we know that the series was very much inspired by “I have no mouth, and I must scream”. The reason AM hates and tortures the humans is because they gave him endless intelligence and creativity but made him stationary. He couldn’t do anything else other than what he was made for: killing humans. Caine is the opposite side of the same coin. He was given endless creativity but has an outlet BUT is stuck within the confines of the Circus. Which is why Zooble not wanting to go on adventures really strikes a chord with him. Caine was made to create adventures and continues to do so to keep the cast happy and sane at least, so for Zooble to imply that he’s failing? Not only tells him that he sucks at his one job but could also imply that he feels trapped in the circus too?? Potentially???

- Zooble’s body dysmorphia makes me feel seen

-Also, If Caine can make a box of Zooble parts for them to use, then why can’t he CHANGE ZOOBLE? At least into something they feel more comfortable in?

- Kinger saying “You look beautiful, honey” to the angel because it brought him back to the moment Queenie abstracted also tells us that he still thought she was beautiful at her most broken and terrifying point. The writing this episode absolutely FLOORED me.

-Also Kinger being lucid in the dark is why he was able to remember Ragatha’s first day in the Circus while his head was stuck in the bucket in episode 2. It was dark.

-Kinger perfectly taking out the angel with only 2 shots in the dark?!?! No other thoughts on that, that is all.

- Kinger saying “7 years of Computer Science for this”, pretty much confirms that the cast worked at C&A and had something to do with the Circus’s creation. And “7 years of Computer Science” means Kinger had a Masters degree in computer science, so he was like higher up/more involved in the development. Senior Developer maybe? This could also be represented by the fact that he’s a KING chess piece. Not the most powerful and important piece, but the SECOND most powerful and important.

- Also Kinger being able to remember something about his life BEFORE the circus in the dark, i.e his education??? Could there be triggers for the others to remember bits and pieces of their lives before the Circus?

-Also ALSO, Kinger and Queenie being married in the Circus could also reflect their marital status before the Circus. Yes, they could’ve fallen in love in the circus and had Caine??? marry them, but I like the idea of them popping into the circus remembering nothing but their love for each other. Which makes me think about what happens to the bodies and minds outside the circus of those who abstracted.

- Kinger and Pomni in the ep are father/daughter or grandpa/granddaughter coded.

- “ The darkness seemed to calm her down a bit, the harsh, jagged edges smoothed out and she didn’t seem aggravated anymore”, pretty much confirms that Caine has no idea how to handle the abstractions so he just throws them in the basement (where it’s dark) to keep them docile. Which could also mean that there could be a way to fix them down the road???

- “She wasn’t the same as before but she was calm enough to touch one last time” “She was funny, creative, really into entomology” “I used to HATE bugs, but she somehow got me to like them” OH HOW HE LOVED HER!!! THIS WAS SUPPOSED TO BE THE FUN HALLOWEEN EP, NOW IM SOBBING AT 4 AM OVER CHESS PIECES!!!

-Also Kinger liking bugs because that’s the only connection to his wife he has left. He doesn’t have his good memories with her all the time due to his light induced memory loss, but at least he has her bugs.

- “Good memories can do a lot, hold onto them and cherish the people around you. You never know when they’ll be gone.” SOBBING. Also this is a good underlying theme for TADC.

-Also another reason why Kinger spends so much time in his fort, the memories of his wife are the only things keeping him sane.

-“In this world the worst thing you can do is make someone think they’re not wanted or loved.” CRYING.

-The whole scene of Kinger glowing and guiding Pomni. Holy shit that was beautiful. The darkness bringing out the light in Kinger, Pomni using these memories to light her way and keep her sane in the Circus, BEAUTIFUL.

-Pomni immediately going up to Ragatha and thanking her for caring about her following Pomni’s conversation with Kinger. She took his advice to heart.

-I hope Pomni visits Kinger while in his fort so we get more lucid Kinger and Pomni scenes. Maybe he will remember the time they spent in Hell and the conversation they had.

Once again, the writing in the episode floored me. I’m so happy we got so much Kinger development. He was my favorite character to start with, and now he’s my favorite for entirely different reasons. I’m so excited that the show is now on Netflix, and I can’t wait for the next episode. Sorry this was so long, as I’m sure you can tell from my blog, I like to yap.

[fangsandfeels]

Got hit with more thoughts about spawns and Cazador...

...and naturally, I'm posting it here because I'm no longer a functional human being.

I remember the lingering question that Astarion seemingly being only one of the spawns using seduction to lure victims in. At least, there is no menition of other’s doing so, except for Petras. So, why is that? Why Astarion was the only one?

In my opinion, it stems from Cazador’s very particular choice of victims. In all these years, he acquired only seven spawns (except for the thousands of Turned nobody knew about), and almost all of them used to be accomplished or talented people:

- Violet, a beloved and talented songbird from Reithwin;

- Dalyria, a respected doctor working in the Parliament;

- Leon, a sorcerer (a spell modifiaction he came up with shows how good he is at his magic);

- Astarion, a magistrate with a promising future, centuries of life ahead of him, and a beauty worthy of a thousand paintings.

Following this tendency, we can assume that Yousen, Aurelia, and Petras also were similarly talented or good at something enough to attract Cazador’s attention and make him envious.

The bastard thinks very highly of himself. He calls himself the most intelligent and beautiful creature out there, and spends hours writing letters to other vampire lords, trying to convince them of his grandeur. He attempts to inflate his ego, making it finally big enough to overcompensate for his miserable inferiority complex, in any way he can: so, whenever he spies someone with a talent or potential, someone who might be better than him at anything, he snuffs them away, adds to his collection, and then breaks them over and over, making them believe that they’re nothing. He is the father who gives them purpose; they are his spawn who owe him everything; and everything they have belongs to him.

And maybe, aside from tortures, and humiliation, and gaslighting, and forcing “siblings” to hurt each other, he came up with one more way to break them - when he forces them to hunt, he forces them to use everything that made them special, loved, respected, and admired for the most gruesome things.

- Violet, previously a talented singer whose voice was fondly remembered up to Reithwin’s fall, using her voice to catch attention; using her image and charm to lure people into the palace to their death.

- Dalyria, picking her victims around apothecaries and temples that responded to the people's suffering by closing doors in their faces, seeking out refugees and ailing citizens low on coin, offering to help them, kindly inviting them to “her place” (if we take Karlach’s family as an example, finding a healer who would agree to help a less-than-wealthy family is quite a problem at the city).

- Leon, using his talents and magic to nab people from the street, to drag them to Cazador without a fight while knowing that he will never be able to use the same power against the bastard himself.

- Astarion, a previously sophisticated, proud, and beautiful elf, stripped of his dignity and pride, using his body to either seduce poor young and inexperienced souls (fulfilling their image of an ethereal and caring lover) or let himself be pawed at by drunkards and brothel-goers.

I don’t think any of Cazador’s choices were accidental. I don't think he had to roam the streets at night, looking for potential candidates; that he ever Turned any of them by chance.  

They all caught his eye at some point, became an object of his obsession, and then fell victim to a scenario where they were confronted by a promise of salvation - and each time, it made Cazador giddy with excitement and a sense of self-importance. He took them away from the world because he could. He will twist and shape them to his whim because he can. And then, he will take everything from them, reducing them to miserable wretches because this is who they should be, compared to him.

They will belong under his heel, scared, helpless, and obedient, worshipping him and fearing him. Forever.

[meanbossart]

what would have to go differently in DU Drows story for him to take the bhaalist route? would it be a split second decision in the temple or something he’d have to slowly accept over the course of the game?

EDIT: I slightly misread the question, the answer still holds but the first line is about what has to be done for him to turn AGAINST Bhaal.

Both mechanically and story-wise, it's pretty simple. He just has to be taken into the group kicking and screaming 🤷‍♂️

DU drow rejects Bhaal because he finds the world to be fun, he finds the people in it to be interesting and strange and he doesn't see any benefit to getting rid of it. Wyll may get on his nerves but he wants so badly to see the day where he snaps and stands up for himself, Halsin is annoying but boy have him and Astarion had a riot making fun of him behind his back, him and Jaheira get on each other's nerves for fun and Minsc is a living fascination - not to mention the endless NPCs that provide a moment's entertainment. Yes, Shadowheart sparing the Nightsong and Astarion's lifestory played a big part in his choices, but I think a base had to be set first, otherwise he could have very easily twisted the lesson's he learned from them into something that fit the pro-Bhaal narrative. He doesn't want to kill the world, the world is hysterical to him.

Also, BG3 seems to have a theme about showing compassion and extending empathy even to people who don't deserve it. A lot of its characters are the opposite of nice and personable throughout the vast majority of the game, and what you end up clinging to are glimpses of humanity that they try to hide from you - Shadowheart is objectively exhausting to be around, Lae'zel is literally and figuratively a social alien, Astarion is Astarion and realistically we would have all blasted him into the horizon team-rocket-style if he wasn't funny. I hated all three of these characters going into the game and now they own my balls, because they ultimately charmed me with something or other despite their flaws.

(They are also all hot, to be fair, but this is a fantasy video game so what'reyougonnado. Though personally none of them are my type.)

Sorry about the tangent, but I think that gets my point across well; DU drow needs to be given the benefit of the doubt for absolutely no good reason, as long as that happens, he would have no motivation in the slightest to turn to Bhaal. Even if romanced, a socially ostracized DU drow could not be persuaded to turn away from his father.

In the gameplay, this would translate to the MC encouraging him to see the silver-lining in things, either by showing kindness and understanding or emphasizing the entertaining moments they've provided you with; also, playing along to his mean-streaked humor instead of reprehending him for not always having a kind thing to say about everybody. You have to either see the best in him, or turn people into a joke instead of a threat. Done that, he would move into Act 3 without any inclination to take Bhaals's gift.

On the flipside, I think a romanced partner could persuade a "good" DU drow to consider it, though. By valuing his strength and potential-influence instead of his personality, he would arrive at the conclusion that to keep you, he must continue to pursue power, which would ultimately land you in the place Astarion ends up in his Bhaalist AU.

[nikethestatue]

Elriel's Bond

“Put the prettier one in first,” the king said, Mor already forgotten.

I twisted—only to have the king’s guards grab me from behind. Rhys was instantly there, but Azriel shouted, back arching as the king’s poison worked its way in.

So I just saw this and as I read it, I jumped up and needed to run here to type this our.

“Put the prettier one in first,” the king said, Mor already forgotten.

The 'prettier one' is Elain. But who shouts, when she is being taken away and possibly murdered? Azriel.

And who's 'forgotten'? Mor.

The scene is centered around those 3 people, with Feyre observing it.

(Afterwards, she specifically observes Cassian and his reaction to Nesta being thrown in, pairing off those two in her mind).

However, in this scene, we have Elain, we have Azriel and we have Mor--Mor, who is viewed as the biggest obstacle to Elriel, because of Azriel's supposed feelings for her.

Let's recall another scene, where another person was shot with Faeabane: as Feyre tends to the severely wounded Rhysand (whom she found because she was driven insane by her bond, urging her to go after him and putting her into a frenzy), she starts speaking about her sisters. And what does she say? "And I think Elain would like it too. Only she would cling to Azriel for some peace and quiet."

And then she thinks in her head:  I smiled at the though- at how handsome they would be together. If the warrior ever stopped loving Mor." 

Let's jump back to the Hybern scene again:

“Put the prettier one in first,” the king said, Mor already forgotten.

Azriel, who is shot with Faebane, screams when Elain is put into the Cauldron. Mor already forgotten--is this the most glaring way of SJM hinting at the monumental change that's occurred with Azriel and his feelings towards Mor?

Let's read the whole sentence, without Feyre's part in there:

“Put the prettier one in first,” the king said, Mor already forgotten. But Azriel shouted, back arching as the king’s poison worked its way in.

The King says put Elain into the Cauldron and what's interesting is that the poison of Faebane is called 'the king's poison'.

What if at that point, Azriel shouted because he felt the severing of his bond to Elain? Or out of FEAR that the bond would be nullified or damaged or broken?

'The king's poison' was coursing through Azriel, but the king also threw Elain into the Cauldron--and faebane is a substance that neutralizes and suppresses Fae powers.

Could Azriel's cry be about the muting of his bond with Elain?

Just like with his other two brothers, who all fell in love with human women and were mated to human women, Azriel could've felt the pull of the bond with Elain even when she was human. However, when she was being Made, her was also shot full of Faebane (unlike Cassian for example, who was simply gravely wounded while Nesta was being made).

Could that have contributed to Azriel 'losing' the sensation of the bond to Elain and the Cauldron opportunistically crafting a weaker bond for Elain with Lucien? A bond that was thrown at Lucien (his words) the moment Elain emerged from the Cauldron.

The bond snapped for Lucien, but it did not snap for Elain. Elain's continued indifference towards Lucien could potentially be explained by the fact that she is already bound to Azriel (even if she doesn't know it) and therefore, she simply cannot feel anything for Lucien. Her heart, her soul, and her mind are already occupied by someone else. Lucien doesn't belong.

So, in conclusion, in two sentences, SJM showed us a few glaringly important things: (Interestingly) Elain's beauty outshines them all (which I think will come in handy later). Mor is forgotten. The King's poison is inside Azriel, and on the king's orders Elain is tossed into the Cauldron. Azriel cries out as he watches it, as the poison works itself in, (potentially damaging their bond).

The plot thickens.

[justapigeonn]

i know mapleshade being overused is no hot take in the warriors fandom anymore but you can't imagine my disappointment to find out later in the book that this voice in tigerclaw's head was never simply just his own self criticism but just mapleshade being mean to him for some reason

it would've been so interesting to see that despite how cruel he was to those around him, the one he was cruelest to in the end, was himself - that thistleclaw's brutal treatment really stuck with him in more ways than one, that he considered himself a failure if he did not push his ambitions to their very limits and succeed at what the mentor he both respected and resented failed and would not dare to do.

i also love that despite it's minor failings, this book also gives us a slight layer of nuance to his character - that despite him being a despicable character till the very end, willing and ready to kill and manipulate his way to the very top, there's still a hint of discomfort and remorse at the possibility of his former clanmates dying in the forest fire

he excuses his discomfort to mapleshade as him not being able to destroy them himself, but the horror and dread he feels is evident.

despite us knowing very little about their overall relationship, later on he's relieved to see that his former mate goldenflower is unharmed. given that we're never shown or told of any instances where's they're openly affectionate towards one another and he doesn't technically have any 'need' for her to survive (i say this with the assumption that the only big reason that tigerclaw even had kits to begin with was for a legacy and an ongoing bloodline, not for a happy family and out of sheer undying love for goldenflower), it's bizarrely sweet to me that he finds comfort in knowing that she escaped the fire, along with their daughter tawnykit.

and then, of course, the famous bramblekit scene where fireheart snatches him from the tree and the two barely escape with their lives.

this book, despite showing him committing numerous despicable actions and murder innocent cats in cold blood through his own eyes manages to give tigerclaw just a shred of humanity and care for those he once held close(ish), that despite him denouncing starclan again and again, he still whispers a silent thanks to them for saving the life of his son, that, despite his sheer undying hatred for fireheart, he puts his own pride aside for a brief moment and silently entrusts him with bramblekit's life.

when tigerclaw gave strict orders to the other shadowclan warriors to not follow him into the fire, he did so knowing that they could've seen him at his very worst - his absolute lowest point. he knew there was a large possibility that he could've easily been witness to the violent ends of his former mate and kits and lost himself there and then and potentially (in his eyes) lost the respect of his new clanmates as well, because to him in a sense, caring is a show of weakness, even for him. and idk there's just something weirdly nice about that - that despite how horrible he is there's still some depth and remorse to be found in his character and idk i just think that's neat

[robot-roadtrip-rants]

I posted an analysis of a section from Dark Imperium on Reddit that I'm quite proud of, so I'm reposting it here:

‘Some of the worlds dispute the proof. They are more than glad to welcome our warriors, but the Imperial governors in two dozen systems quibble over reaffirming their oaths of loyalty. In one case, we have had an outbreak of intra-system civil war over the issue, where one lord has declared for you and three against. Some lie outright, telling us they were never part of Ultramar. Perhaps some of them sincerely believe it. A few are braver and insist the ancient treaties cannot be revoked, even by you, my lord, and are determined to retain their independence.’ ‘They are wrong,’ said Guilliman. […] 'They are… disquieted by the fate of some of their peers.’ ‘Only those who rule poorly have anything to fear,’ said Guilliman. ‘It is, naturally, the more autocratic rulers who oppose your rescinding of their independence.’ ‘Then they only delay the inevitable,’ said Guilliman. ‘They will fall into line and ask politely for mercy, or they will be executed.’ […] ‘I should never have set the Five Hundred free,’ he said. ‘My lord?’ said Ventris. ‘I should not have done it,’ repeated Guilliman. ‘I thought I was doing the right thing. I thought I was following the Emperor’s wishes, letting men rule the affairs of men.’

A lot of people look at this passage and think they’re seeing Guilliman clean up corruption in the 500 Worlds. I’m sure he will, but that’s not what’s happening here. This is an autocrat ruthlessly crushing resistance.

Why are these worlds resisting? Ventris claims that “naturally” the more autocratic rulers are the most resistant. Perhaps that’s true, but we also have to take into account that he is an Ultramarine talking to his genesire; he will be heavily biased in thought and word against Guilliman’s enemies. Look closer at how he describes the resisters. They invoke ancient treaties to justify their independence. They’re afraid of what will happen if they surrender. Using that information, let’s flip the chessboard and try to imagine what these demands feel like from their perspective:

You’re a human ruler. For the past ten thousand years, your planet has existed free of transhuman rule. You might even have the original treaty that granted your planet’s independence. You almost certainly regard yourself as an obedient subject of the Imperium.

All of a sudden, one of the legendary demigods of yore shows up on your doorstep and demands you to bend the knee. He doesn’t care about your treaties (which he probably signed!) or historic independence or anything. Ugly things happen to people who go against him. Oh sure, he claims that you’ll be fine, so long as you haven’t done anything wrong, but do you really believe that? You’re a ruler in the fucking Imperium. You know just how potential claimants are handled; you know how often misdeeds get dug out of the closets of inconvenient politicians. Shit, you've probably done that yourself to your political rivals. Do you really think that you’ll be okay? And if you actually care about your planet, can you really trust him to give a damn about the lives of your people? Transhumans do tend to be aloof creatures convinced in their own superiority…

Guilliman doesn’t consider any of these possibilities, not even for the purposes of negotiation. Guilliman doesn’t care. He’s right, you’re wrong, and therefore he’s justified in doing whatever it takes to make you comply. This is 40k. “Whatever it takes” includes cyclonic torpedoes.

The most damning part IMO are Guilliman’s words at the end. He didn’t grant these worlds their liberty because he trusted humans to look after themselves. He granted them liberty in obedience to Dad. Humans’ thoughts, beliefs, and opinions never entered the equation. And now, coming back to the Imperium at its lowest point, he concludes that it was a mistake to give humans the benefit of the doubt.

The Imperium lasted ten thousand years under human rule. It survived the Great Beast, twelve Black Crusades, the Nova Terra civil war, the False Primarch, the Age of Apostasy, three Tyranid Wars, and Throne knows what else—not just survived, but even thrived in many cases. Under transhuman rule, the Imperium lasted six fucking years before it exploded into civil war that nearly destroyed the whole empire and even the galaxy itself. But it was a mistake to let humans rule themselves. Riiiiiiiiight.