#i think it would be an interesting shape

[its-no-biggie]

me finishing a good story: wow i need more of this immediately *opens ao3*

me finishing a GREAT story: wow. *doesnt even think about consuming anything else for the next 3 days*

[voidzpng]

I started watching the Lego show

[honehonn3honey]

A protection that becomes more creepy

Azul in my heart. You can see the original art here and read the monster list here @lustlovehart

[Alt under the cut]

My first concept, since my style could not simulate the texture of slime in its purest state

It is quite thick so water can not enter or wet. Only small puddles where you can accumulate

It is a monster and that, magic, but I can imagine that it can only reach a height by the pressure, it can come out expelled sometimes

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[bleue-flora]

What's often interesting to me, is Dream spells it out in the finale and people often still don't get it, so I thought it'd be interesting to see what he was actually referencing here. To see where it all started.

[24:27] Tommy: “That first war, me and Tubbo versus you–how it should have ended–why’d you take it?” Dream: “Tommy, you ambushed me and killed me. You stole all my shit! You tried ambushing me in a little cave–you don’t remember that? I feel like you just–your memory is just–gone.”

So here is the ambush Dream is talking about, where Sapnap and Tommy basically decide to just kill Dream and then kept all of his shit. [Death 1]

He gets killed again when he tries to take back his stuff. [Death 2]

Tommy kills him for fun right after he respawns with nothing. [Death 3]

Then after Dream gets his stuff back (via our boy Punz) and he takes the discs to get Tommy to stop, he gives Tommy back his items. But unsatisfied, Tommy goes after Dream, gets one of his discs back and hides it in the little cave. Dream tries to find it, while Sapnap and Tommy try to stop him. They are unsuccessful until, Tubbo brings them axes and they sneak up and corner Dream in the little cave, ambushing and killing him. Once again, taking all of his shit, (including, yes, the other disc.) [Death 4]

[27:58] Tommy: “Think about that, we could’ve been friends but no because you have to figure out the reason you have to get–”  Dream: “Yeah we could’ve but you–you ruined the chance of that long ago. It was you.” Tommy: “I ruined it?” Dream: “You ruined it!”

And I don’t think it’s unfair for Dream to say that in the finale, because for Dream it’s this stream early on, these moments that started it all. It’s these instances of Dream getting murdered and robbed and made fun of over and over. Him, trying to not just make peace for everyone, but also reclaim respect and peace for himself. It’s Tommy chasing after Dream when he has nothing to kill him and rub it in his face. It’s Dream, even after all of that, giving back their items. It’s these instances of violence taken too far to the point they clearly pissed Dream off and didn’t care or follow his very simple request of just giving an apology and his belongings back that shape my distaste for Tommy and sympathy for Dream. It’s these moments that I feel like are gone from Tommy’s and our memory that highlight a different story.

[28:34] Dream: “Yeah, we could have been friends if you weren’t a little shit.”

[otaku553]

Haha

[puppyeared]

my brothers been playing elden ring recently and he let me draw his character ^_^

[teeth-draws]

Chase suffers in love but the other Norms still let him come to their little photoshoot

[beatcroc]

pest control TWO!!!!! heres the first one

adn heres the obligatory bonus bc i can't help myself :')

[stagefoureddiediaz]

You know what. I’ve realised a massive part of why I dislike tommy so much!

He’s a shape shifter.

Think about it for a moment. We know next to nothing about this dude because he just shifts into whatever role he needs to play for whomever he’s with. We know he was military but have zero context beyond that but it’s implied he was the ‘perfect’ soldier.

Under Gerrard he’s a bigoted misogynistic racist homophobe.

Gerrard leaves and he magically becomes someone who can fit in with the 118 under Bobby.

Leaves the 118 and we don’t know what he’s up to.

Reappears on the scene when the firefam show up at the hangar and becomes what they need him to be in that moment.

Is essentially actively pursuing Eddie but is quick to switch to buck when it’s clear he’s an easier target. Drops buck when bucks not ready with zero explanation but is happy to go along with what buck wants when he calls him.

Man doesn’t have a personality of his own because he just shifts into whatever he needs to be for whoever he needs to be it for.

[waxdream]

In flatland, are the irregular shapes a metaphor for disability or being lgbtqia+? Or intersex? Or all of them?

I only ask because the narrative seems to draw inspiration from both. Gender in Flatland is determined by whether or not you're a shape or a line segment. The lower classes of triangles are irregular, and they are dehumanised (deconfigured?) To the point that they are considered to have smaller brains by the narrative based on angle size. I personally think that due to flatland's satire, and hints throughout the text, A square is an unreliable and biased narrator who is indoctrinated fully in the society of flatland. So what he says about the angle of triangles, and the smartness of women, shouldn't necessarily be taken for granted. I would be interested to know if the part about the triangles is a reference to phrenology and how stupid it is, but I digress.

Irregular flatlanders are reconfigured at birth. This suggests it's considered a disability, however, the irregularity doesn't seem to be disabling. In fact, the only effect it has on the person is that it makes their class impossible to determine - something which would have social effects. We also only see evidence of male children being born irregular, which is a common stereotype of autism, and the coupling with 'social detriments' being the result of irregularity, it could lead to this conclusion. However, I doubt that Abbot was commenting on this in 1884, though that doesn't prevent modern readers from taking it in this direction. I just think that he wouldn't have written 'reconfiguration' into the story, a deadly process of creating "regular" children if it was a metaphore for disability - it was often a lot more common after all to hide disabled folk away. Although, if any historians out there know about parallels in victorian society, I'd be really interested.

I'm most convinced by my reading that Abbott was talking about intersex children when writing about reconfiguration. Most of Flatland is a social commentary after all - following the wrongs of victorian society on how classes are treated, with a larger focus on women. Now, with sight recognition in flatland, women are mistaken for squares from certain angles, and sometimes for circles. Imagine if you will, an irregular semicircle - a male who would often be mistaken for a woman. Considering the sexism Abbott talks about in this world, I think that irregularity being a metaphor for being intersex is plausible. Especially since the children are reconfigured at a very young age.

When I first read the book, I read irregularity as a disability and nothing more. But now I'm thinking about it more, I really would love to know other's opinions. The book is old, and I'm not sure if my thoughts are plausible - but then again, it seems implausible that the book is mocking the sexism in victorian society. Yet it does - lots of evidence points to Abbott being a protofeminist writer. It's not a stretch to me that he might hold a stance against the mutilation of intersex children. Or perhaps a stance against conversion therapy. Let me know I guess :)

[sleepyseals]

[Image Description: A digital painting of a Lego Bionicle Rahkshi facing left and stooped over as if tracking its prey along the ground. The background is black with a bright green vertical shape to contrast the character in front. The Rahkshi is holding its spear in its right limb, propping its body up with it as it holds its face close to the ground. It is rendered as a black metallic material with red eyes. Its hunched shape and angular spines stand out harshly against the green background. End Image Description.]

I got a rahkshi recently and wanted to draw it so here's this - kind of an experiment with studying a real life object and how to pose it into a interesting composition and then replicating the lighting I got tired of rendering this partway through however :P

[millionsknives]

'before you embark on a journey of revenge, dig two graves' what a stupid quote. im killing way more than two people idiot

[pocketgalaxies]

Since you’ve now watched the wedding do you have any thoughts on Derrig especially with how important he is to Orym? I remember the first time I watched it I found him boring compared to Lieve’tel who came before him and he didn’t do much, like you said nobody really did for a while there, cause it was mostly role play since it was a wedding and he was just out of place in that aspect too as Keyleth’s bodyguard who they were just meeting for the first time; and even after all this time and knowing he is incredibly important to a main character in C3, I still can’t shake this initial impression.

hello sorry for answering this late i wanted to catch up on c3

it got kinda long. didn't realize i could have so many thoughts about this dude!

i actually really enjoyed derrig! i think liam established him very quickly as someone who is fatherly, practical, and friendly. no-nonsense when shit hit the fan but also i just Know that he loves dad jokes and he makes his kids cringe so bad with how much he brags about them. he went home after the wedding and played scanlan shorthalt records nonstop until everyone in the house went crazy. he has also lost hours and hours and hours of sleep over what might happen to his family if he ever dies in the line of duty, and he knows that he might, and he knows that he Would if keyleth needed him to.

i think in general he's just such a Dad and that makes him very endearing to me. he is significantly older than all of vm and was very patient fielding all of their super nosy unprofessional questions about what he "intends to do" with keyleth. he watched her grow up and he knew vax (probably a bit better than he let on) and i think he has seen how that loss affected her, and i think he understands that the worry he's felt for her over the last several months could only be a fraction of how vm feels. so he entertains their questions, and he stays by her side when she's panicking about her speech, and he tells vex he's sorry, and he's just there, in case he's needed. not just by keyleth but by any of vm. which speaks volumes imo!

SORRY you asked about orym not keyleth. i think it's all about how derrig's interactions with vm reflect what his family must be like. derrig is a bit of a jokester and he's a bit of a boomer (affectionate) but he is diligent and dedicated and very skilled. in my mind orym was always this constantly Serious person while will had more of that silliness in him and pulled orym out of his shell a bit. i think will took after derrig as a jokester but orym took after him as a Soldier. and it's very easy to imagine how orym fit in to this family – an only child, quiet and severe, who loves his single mother deeply, being welcomed into this bustling loud family with the pranksters and the annual vacations and the spontaneous competitions with dad that are judged by mom. they love him like one of their own. they love him because he is one of their own

and i think losing derrig and will was zephrah losing two brilliant sparks of life, and what was left was a family mourning joy and memories and unconditional love. and i think that explains quite a lot about orym, actually.

[sammygender]

trans headcanons of the winchesters are always extremely fun to play around with and i can see most of them. but one that always rings slightly false to me, despite a love for it due to self-identification and the fact it’s definitely interesting, is transmasculine dean. simply because if you’re going according to canon this would require him to have transitioned at some point prior to johns death, probably much prior, probably as a youngish kid. and i genuinely do not think that ever could’ve happened. he values johns approval too much and is too scared of demanding too much of him.

like even aside from whether john is Actually transphobic (i doubt he’s like Cartoonishly transphobic he probably would be annoyed by it slash not care much, interpret ‘not caring’ however you want) just the whole Thing of coming out where you’re like. “Hey dad im actually a human person who has an internal sense of self and such that doesn’t happen to be You 2.0 and am not the gender you thought i was and i feel emotions to such an extent that i actually like need to transition”…….

no fucking way dean would ever be able to do that to john while he’s still alive. please. teenage transmasculine dean would be like Well yeah sure i want to be a guy but that’s not an option for me whatsofuckingever. and crucially he’d be like that even if he knew entirely about trans people. now this is why transfemme dean works so well. because you just know it would take her at least thirty years to even consider it for a singular second.

on the other hand transmasc sam works so well because you can picture teenage transmasculine sam realising he’s a boy and promptly making it part of the whole entirely justified and very cool and fun teen angst rebellion FUCK YOU DAD thing. he could let spite carry him to the point of coming out. dean? he is burying that shit deep.

[aquamarinebling]

having thoughts about Isabeau’s fashion career, and how his artistic style would evolve over time. that it may be almost surface level at the start, as he’s still clinging to his gullible persona and perhaps not letting himself fully indulge in what interests him as a person for the sake of his appearance. the clothes he makes are only ever lightly experimental: with anything too “abstract” or overly personal being restricted to forbidden concepts in his sketchbook. he sticks to the book, stays true to teachings and the clothes he’s used to learning “sell the best”. and it does sell, both due to his reputation as “a savior of vauguarde”, but also because the clothes he first designs are safe and predictable. they’re something you can wear and say “I feel warm in this”, that “I could wear this every day”. Something that you can fall back on.

and then, as both his skills & his confidence in himself as an individual evolves, the clothing changes as well. he deviates from his usual reputation of softer and sturdier materials, and begins experimenting with strange patterns and very unconventional pieces. the safe clothes still exist of course, but even those take a life of their own, morphing into garments that aren’t so hardy or overly reliable. by this point, the things he makes are made because he wanted to get the idea out of his mind, and not worry about if it’s palatable for buyers. his ideas and feelings and genuine mindset shown unapologetically, slowly but surely making designs that please himself, rather than exist to sooth others.