omfg in the end of Saiki K Live Action its pretty much implied he was going to let her have the date she worked so hard for because she had solved everything else, then the rival school delinquents attack, etc etc and when he rewinds the time to do it perfectly this time, he catches Teruhashi's coy glance his way and he exasperatedly smiles with affection. thats the only way i can describe that expression literally he looks like hes trying to hold his face in place but the smile is bursting out by force causing the awkwardness. THEY HAD THEIR DATE IN THE LIVE ACTION UNIVERSE
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unable to let go
something something both of these fuckers have spent so long depending on each other that they cant function w/o the other guy despite Tashi's continously worsening mental state and unhealthy clinginess and Soup's desire to explore the world and meet new people...
like the thing about soup is that she had never really been a person who does well stuck in one place for too long, but also tashi is her brother. theyve been through hell and back together and she feels immense guilt for even considering having a life outside of their little family, and also she has NOT worked through her gladiator trauma AT ALL and has been just holding everything in and trying to be a perfect caring figure despite all the anger and frustration she experiences on a daily basis...
(tashi is dealing with that too, but hes never been as good as her at hiding it, and also he has the tendency to make this stuff everyones problem - thus sidelining soups problems by accident. i think soup is kind of what tashi desperately WANTS to be, in a way. on the outside shes the 'stoic selfless caregiver' and i think tashi is jealous of that, so much so that he sometimes forgets that soup is just as much a person with her own problems and desires and flaws as everyone else)
soup is frustrated by how shes been having to take more and more responsibilities as time goes on (bc of tashis Whole Thing and buddys fear of assuming any kind of leadership position) and a part of her loathes this life and she wants to leave. i think her and zoras relationship plays a big role in her feeling on the matter bc shes NOT part of the family, shes someone new and diffrent and thats enticing... also over the years soup had built up this calm easygoing persona that zora can see through, zora is very aware of soups violent past and she is not sfraid of it, giving soup a safe space to express those more negative feelings freely for the first time in YEARS
Its very hand in unlovable hand coded but they very much love each other still and thats kinda the problem
Also putting some notes on their younger selves here bc this feels relevant to how these two ended up
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I have another gig in a week and I'm so nervous 😭 I get paid hundreds of dollars for only five hours of work, but it is so nerve-racking and the work environment is so stressful, like literally every time I'm there I'm on the verge of tears or I have to take a 2 minute break before the show starts just to run to the restrooms and cry bc I get so stressed out. And then when I clock out I just cry my eyes out in my car while driving home. But hey!!! Hundreds of dollars!!! For five or six hours of my time!!! Only a few days a month!!! Hundreds!!! Of dollars!!! So it would be totally stupid to quit.
I wouldn't have been able to afford pampering myself on my last two F/O anniversaries (and currently placing an order for a rose bouquet for Six's anniversary for the 18th) if I didn't have this second job... but if it didn't pay me such a large amount of money each time, I probably would have quit by now bc it makes me so damn anxious. The show isn't even for one week and I'm sitting here stressing about it! I have one thousand other things to stress about and this job shouldn't be one of 'em 😤
I just keep trying to think about Ken hugging me while saying "Aw, sweet girl, don't be nervous! You JUST started this job, you've only worked three shows -- you think you're gonna be perfect your first try?? You're gonna be so good once you get the hang of it. Just look at me! I've been doing Beach for 62 years now, and I still don't know what my job is supposed to be... but I know I look So Cool™ 😎"
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hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.
as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".
with that in mind, there are two types of songs we in western, english speaking, society call "love songs":
1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and
2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.
(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)
now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).
to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.
(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)
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