#i think im fine? maybe? you tell me.

[lucky-clover-gazette]

tbh i think volo would have been significantly more normal and fine if he hadn’t been hiding so much of his true feelings and personality. like when you deny yourself genuine human connection to that degree you’re probably going to come off as a machiavellian monster who wants to make the world and the lives of others worse, but looking at his actual stated motivations and intentions it’s clear to me at least that the guy is deeply empathetic and idealistic and more than anything disappointed that the world can’t be better

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[ef-1]

🍷<3

[quicktimeeventfull]

also writing au version of characters is so fun but also so difficult because you are constantly balancing "he would not fucking say that" with "but he WOULD say that if he worked in a coffee shop and drank three free lattes per shift." u know. like if you write them in a way that exactly matches canon they quickly become nonsensical but if you go too far it becomes a different guy altogether. the good news is i have found most readers are way more flexible about interpretations than it often feels like as an author but it is still a nice & occasionally stressful project to try to get it right

[tiredtriedfailures]

omfg in the end of Saiki K Live Action its pretty much implied he was going to let her have the date she worked so hard for because she had solved everything else, then the rival school delinquents attack, etc etc and when he rewinds the time to do it perfectly this time, he catches Teruhashi's coy glance his way and he exasperatedly smiles with affection. thats the only way i can describe that expression literally he looks like hes trying to hold his face in place but the smile is bursting out by force causing the awkwardness. THEY HAD THEIR DATE IN THE LIVE ACTION UNIVERSE

[moeblob]

AU where Brent is a drone to help out at crime scenes and offer input after Right finds the drone. And basically he befriends the really weird guy possibly controlling the drone but has his doubts as to how human the drone's source can be. So Right and Brent just go around trying to solve crimes while Right just calls the drone "Fuckwad (affectionate)".

[lucaanis]

it makes me sad when i think about lleyth's life pre-veilguard.... like they had a whole social life and job and routine and people around town that knew them by name or businesses they were a regular at. and now nothing will ever be the same

[steeltwigz]

Saw a post abt the Sonic movies that was like "plz filter negativity posts better" which is GOOD AND TRUE you should be doing that. Ok. But then they kept going to imply that the criticisms of the Sonic movies are all entirely Personal and Ignorable and not like. Usually abt the horrific copaganda, misogynistic writing, and Paramount's disgusting zionism.... Guys a lot of ppls problem w the Knuckles show wasn't JUST a bastardization of Knuckles' character or thinking Wade was annoying or whatever, but like was focused on the grotesque Zionist message from that one episode 😭😭😭 you can enjoy something and still recognize that it has intrinsic and huge glaring flaws and talk abt them. I think actually you Should be speaking up abt the misogyny, zionism and propaganda the SCU supports and discusses, ESPECIALLY if you like the movies! Its important to be able to recognize these things in media and admit that even media you personally enjoy can be deeply problematic, instead of hiding it away and pretending those HUGE FLAWS aren't issues actually....

[accidental-spice]

In the words of Jessica Day, "Work sucked today, my friends"

[pielove123clan]

Me: Hey, Im going to work in the field of Sociology!

Someone: You should go into human resources. You'll make lots of money.

Me:

[corvidcall]

i very rarely get a sense of satisfaction from completing tasks. ive heard people say this is an ADHD thing, but idk. personally i think i might just be bad at being alive

[some-greatreward]

maybe i need meds???

[eikichi-supremacy]

rip batarou shippers you would've loved kuwameshi...

[macchiatosdumptruck]

And another thing-

I'm not a super big fan of the way that CK subtly reframes (through the perspective of other characters criticizing Daniel in story) Miyagi very obviously sharing his culture with Daniel out of mutual respect and affection as, instead cultural appropriation.

Why? For what purpose?

[im-smart-i-swear]

unable to let go

something something both of these fuckers have spent so long depending on each other that they cant function w/o the other guy despite Tashi's continously worsening mental state and unhealthy clinginess and Soup's desire to explore the world and meet new people...

like the thing about soup is that she had never really been a person who does well stuck in one place for too long, but also tashi is her brother. theyve been through hell and back together and she feels immense guilt for even considering having a life outside of their little family, and also she has NOT worked through her gladiator trauma AT ALL and has been just holding everything in and trying to be a perfect caring figure despite all the anger and frustration she experiences on a daily basis...

(tashi is dealing with that too, but hes never been as good as her at hiding it, and also he has the tendency to make this stuff everyones problem - thus sidelining soups problems by accident. i think soup is kind of what tashi desperately WANTS to be, in a way. on the outside shes the 'stoic selfless caregiver' and i think tashi is jealous of that, so much so that he sometimes forgets that soup is just as much a person with her own problems and desires and flaws as everyone else)

soup is frustrated by how shes been having to take more and more responsibilities as time goes on (bc of tashis Whole Thing and buddys fear of assuming any kind of leadership position) and a part of her loathes this life and she wants to leave. i think her and zoras relationship plays a big role in her feeling on the matter bc shes NOT part of the family, shes someone new and diffrent and thats enticing... also over the years soup had built up this calm easygoing persona that zora can see through, zora is very aware of soups violent past and she is not sfraid of it, giving soup a safe space to express those more negative feelings freely for the first time in YEARS

Its very hand in unlovable hand coded but they very much love each other still and thats kinda the problem

Also putting some notes on their younger selves here bc this feels relevant to how these two ended up

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)