#i think i lost the point a few times

[jamiesfootball]

Anyways. Back before season three aired, my working theory for What Ted's Deal was - with his advice to Jamie, with the panic attacks that were layered Jamie and his son - that it would turn out that his late father had also been abusive, but that with his father's death Ted had never processed it.

Obviously the show didn't go that route, but in general these were the points that I was daisy-chaining together to build something of a narrative flow:

Ted preaches kindness and positivity but also struggles with his own repressed anger and inability to be direct in what he wants. He continually, pathologically, puts people before himself, to the point that it's becoming a breaking point in his marriage.

Ted repeatedly praises 'women' for being the more emotionally intelligent of the genders. He looks at toxic masculinity as not just a thing to be examined and overcome, but the root of why men struggle.

He himself is a product of the same toxic male behavior, and while he tries to lead by example as an individual, there's a part of that culture that he almost sees as... natural? Like a foregone conclusion. A lot of his methods for dealing with the team in season one happen within the same social boundaries he decries. If he can get Roy to step up, if he can get Roy and Jamie to stop fighting and call a truce, then everything else will fall in place, because men follow a hierarchical structure. This is How Locker Rooms Work, and-

I always go back to Jamie's first, open receptiveness to Ted's 'one in eleven' speech as the first sign that Ted doesn't know how to deal with things directly. This scene reads as Ted being very taken aback by Jamie's willingness to listen. It has shades of their later scene at the Crown & Anchor in it, with Ted being the one who pulls away from a conversation that has the ability of getting emotionally direct and real.

Ted's repressed anger. His shouting at Jamie in 1x06 over practice, but also his shouting at Nate when Nate tries to stuff the letter under his hotel room door.

Ted emotionally reaches for the bottle like. A noticeable amount of times. But especially when he's getting divorced.

Every Sunday afternoon Ted's father used to take him to a sports bar. From age of 10 til 16.

Ted's mom is completely incapable of being direct

Ted and his mom never processed or talked about his dad's death

Ted looks devastated when he sees Jamie with his father in the boot room, but ultimately walks away

Ted sends Jamie a token to show he's not alone (Ted soldier)

Next time Jamie tries to talk to Ted at the bar, Jamie opens with addressing the subject directly (the Ted soldier) and Ted deflects. Asks about City. Won't look him in the eye. Doesn't say anything to Jamie admitting he left City to piss off his dad. He just says that line about how sometimes having a tough dad is what makes you better.

He thought he knew what he was doing [about Jamie] but Sam 'went and unsettled it.' Some people aren't lucky enough to have good dads.

Ted welcomes Jamie back but keeps his distance (much more than in season 1).

Ted begins having panic attacks that feature Jamie and his son.

Ted admits panic attacks linked directly to his father's death.

So this takes us through season two, and at this point my working theory was what if it turned out that Ted most of Ted's Ted-ness had been an active effort on his own part to become something less like his own father? It would explain his disdain for male-coded behaviors while also explaining why he seems unable to truly break away from them. it would explain his people-pleasing habits (and meeting his mom and knowing she is also allergic to asking for things, I think this could still fit as a trauma response). It would explain his putting women on a pedestal, if he had a bad male role model to begin with. It would explain how his demeanor around Jamie changes so much when they have the 'tough dads' talk turning into something closed off when his body language with Jamie has always been open before (and there's a lovely parallel with how they're both sat at the bar in that shot too). Hell it would add additional weight to that talk if it turned out he was also speaking of himself. His panic attacks would make sense, seeing himself in Jamie but also his son and his own role as a dad.

That, plus Ted being a character we regularly see drinking something harder than wine or beer, usually when he's emotionally stressed. Plus Ted's dad bringing him to a sports bar every Sunday for years, and at a young age too. Plus Jamie's dad being an alcoholic. That's where I thought this was going- I thought it would turn out that the late Lasso had also been an alcoholic and a tough dad. It just seemed the obvious conclustion at the time, to make the Ted & Jamie parallel into a full parallel.

Then you add in the fact that Ted married his college sweetheart and then waited until they were in their thirties before having a kid (In the midwest. Where he definitely would've been pressured about it) and all of this to me added up to a troubled man who struggled with the idea of becoming a father long before he had a son. Someone who spent years creating a facade, pretending (like his mom) that things were okay. Someone who maybe never felt right blaming his dad for any of it, not when it became so clear at the end how much his dad was struggling.

Only to have that facade crumble the second someone else from similar circumstances showed up to challenge it.

His dad was a product of his time, the same way that Ted is a product of his dad, the same way men are just a product of toxic masculinity, and Ted doesn't know how to 'deal' with any of it but he'd thought he'd gotten to the point in life where he had some solutions. Only to find that those solutions didn't work when held up to a mirror.

So yeah. That was my theory. Then season three happened, and I realized that unfortunately my theory had a flaw. See, I was so busy looking for a Watsonian diagnosis that would make Ted's idiosyncrasies make sense, that I completely missed the fact that the problem was Doylist to begin with. The show writers never meant for us to read into all of that, because the show writers themselves didn't see anything contrary, worrisome, or tone-deaf about Ted's behavior. Not from a toxic masculinity standpoint, and certainly not from the standpoint of discussing abuse of a male character.

It's not Ted who dismisses Jamie's dad's abuse. It's the writers. Which unfortunately means, since Ted by extension is the show, that it is Ted. Which is why all of us are left watching scenes like the 'tough dads' scene or the Mom City scene and going-

What the hell, Ted?

[poorly-drawn-mdzs]

Knowledge Revenge.

[travelling-hydaelyn]

Lahabrea possessed Thancred before this questline even started which means these are back to back Laha interactions. Here is how he greets the WoL in the Waking Sands immediately after his Disney villain introduction.

Meanwhile in Minfilia's solar:

presumably he took a brief break from running Alphinaud's errands to go dramatically laugh at the WoL

[hotvintagepoll]

Oh no I missed coffee night!!!!

I wanted to ask you about Hitchcock 😔 If you're willing to answer, which movies of his do you think are overrated and which do you think are actually good? He's my most watched director (because film school) but I only genuinely like a few of his films and always disagreed with my classmates about which ones were the best

I feel like I'm holding up a Daffy Duck style sign that says "shoot me" because Hitchcock is so well thought of by cinephiles versus me, the basic horny mod who watches movies with hot people in them. With that said, I remember Rope, Dial M for Murder, North by Northwest, and To Catch a Thief all left me a bit flat, because I felt like he was prioritizing pushing technical limits or creating extravagant images over deeper characters and relationships. I love a good technical limit-pushing, but it needs to serve the story! And sometimes I feel like he has an idea he wants to try or an image he wants to show and puts so much focus on developing it that characters' reality and interest kind of falls by the wayside—they become pawns navigating his situations, instead of interesting characters in their own right.

To be fair, this is more a characteristic of his later work than his early work—The Lady Vanishes is one of my favorite movies, and I remember Notorious and Spellbound both being enjoyable when I watched them a few years ago. Again, basic film watcher here. Don't show this post to the Criterion collection.

[itsnobodysproblem]

Most Sherlock Holmes adaptations I've seen tend to place their Final Problem towards the mid point of the series (or even a bit earlier) - it's also in my opinion the best way of going about it, so you have time enough for the characters to adjust after the reunion but they know each other well enough for the events of Fina to be devastating.

Sherlock & Co is done with 20 of the adventures. How many are there? Fifty-something? Almost sixty? Let's say we'll be entering mid-point territory after the 25th story.

So let's pretend for a moment that we have 5 more stories until The Final Problem. Ok.

Estimating an adventure at 3 episodes each, that would mean little over 3 months - maybe 3 and a half? Starting, of course, from the end of Sign of Four, which will be somewhere in December.

So let's say 3, maybe 4 months into 2025. That would be, what? Late march, early april?

Early april?

John having to tell the listeners that Sherlock is dead, in early april?

Quick calendar search reveals what I was praying it would - the 1st of april will be on a Tuesday next year.

So what I'm saying

What I'm saying is Sherlock &Co has the opportunity to do the funniest fucking thing

[just-an-enby-lemon]

I think we need more stories about how even if you are genuinally a bad person or did something truly atrocious that does not justify the suffering of the mordern Prison Industrial Complex and how prison more than punishment should be about making sure if not all at least most people can go back to society and never do crimes again.

I mean it. Most stories about how bad prison is either follows a thief that did it out of necessity or an innocent man wrongfully arrested and we should think of those people ofc. But we should also think about how prison is not supposed to be karma is supposed to help society (plus we need more assistencial programs to suport victims of violence as well asap).

[fatehbaz]

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[neon--nightmare]

forest fire by ajj is SUCH a loveball fresh song to me bro

[androdragynous]

applying for disability services sucks ass you'll call three different numbers (each located on different pages of the same program of the same site) and sit on hold for hours and then the person who picks up doesn't know what you're talking about. And then you call back a different day to the same number and that person completes the process in ten minutes, cheerfully assures you you'll get a call back soon, and then you Never Fucking Hear From Them Again

[artheresy]

Yingxing Appreciation 🎉🎉

hi, hello, it's Yingxing appreciation time and I'm dragging you into it bc he is my baby and I need more ppl to talk about him

Y'know I see a lot of people like in awe and hyping up DF and just giving him tons of appreciation while analyzing him specifically as an individual which is all so so valid, DF is amazing and very intriguing as a character and I love him sm, but I sadly don't see the same for Yingxing despite him I think also being so interesting. I also see him more so dismissed in the "literally God and some guy" kind of fashion sometimes

So I'm here to rant just a little bit about Yingxing, why I love him, why he's epic and why he ruins my day every single time I think about him! This is for any of my fellow Yingxing lovers who are also starved of any content of him

Firstly, this man is a genuine genius, like lest we forget this is from Baiheng's travelogue in which she met a young Yingxing who was still a child by this point.

He was a young boy but had already become a craftsman, a sign of his ability to learn exceedingly quick under Huaiyans tutelage. And his ability to work and progress incredible fast continues into his time as a young man on the Luofu.

We know he arrived probably somewhere around 18-21 (in my personal estimate) and by the time he saw Jingliu again (which itself was likely early into his stay on the Luofu given HCQ ages and timing), he had already impressed the Master Craftsmen of the Luofu's Artisanship Commission and earned himself a title.

There are also multiple things in game that emphasize his achievements and creations he crafted, some offhandedly mentioned in a readable or item while others are emphasized with importance.

Casually mentioned in the Discarded Ingenium Parts is his feat in the Great Trial of the Furnace (perhaps that trial is for gaining the furnace master title? Once again signifying an earlier achievement in his legacy) where it took him only a day and night to create a whole mechanical lion that moved and looked just like a real live lion from a bunch of defective parts and waste.

More recently in 1.5, they released a readable, the Ten-Lords Criminal Directory, which mentions an imprisonment method designed by Yingxing that keeps “Mirage” in a perpetual state trapped within a hallucination of their own making. Utilizing it’s own powers in order to keep it imprisoned. Something that with proper maintenance seems to have lasted for around 700 years so far.

And of course, how can we forget his most famous creations

The beautifully crafted weapons of the High Cloud Quintet, from Jingliu’s incredibly heavy sword remarked as being as heavy as three thousand catties, to Dan Feng’s Cloud Piercer with the ability to even cut through dragon scales, and the Devastator Glaive as well as Baiheng’s recurve bow. Each impressive in their own ways and seemingly crafted pretty early as well into his time on the Luofu with the HCQ given the distinction of Jing Yuan who (even if he likely was more a teen than a boy) still wasn’t an exact adult yet. So once again, let me emphasize this man’s skill here. With how many things he managed to do so so early into his time on the Luofu. A genius craftsman who deserved all of the praise he had garnered with his works.

Additionally, I know they keep harping about “ugh arrogant craftsman, ugh he’s so full of himself” but every single time we’ve seen his personality, he just seems like a genuine joy to be around. Bright, charismatic, sure he’s cocky but he also gives the impression of being incredibly fun and a bit silly if you ask me.

His behavior as mirrored by the mirage echo in Scalegorge Waterscape is distinctly playful even in what might be a more tense situation, lightly bantering with Dan Feng and even chuckling in certain languages.

In Jingliu’s character stories, it even furthers this bright, playful attitude he gives off with his distinct cheekiness shining through especially with that “toothy grin” of his. And if you listen to Jingliu’s (at least her English) voice lines during Clouds Leave No Trace when she speaks about Yingxing before getting into his transformation, there is a distinct fondness or amusement in her voice as she speaks of him especially that cocky nature of his despite her distaste for it at first.

While Baiheng is hailed as this kind figure in the High Cloud Quintet, perhaps their sun even casting light upon them, it doesn’t seem too far off to say Yingxing was a shining star among them in his own right. His easy going nature with them bringing about a bubbly playfulness similar to Baiheng given their closeness from when he was young. I could go into way more especially in regards to the casualness at which Yingxing seems to speak and treat others allowing for a more equal formation of relationships especially with Dan Feng but I’m saving that for another rant.

And all of this about him especially how expressive he seems at certain points he’s been mentioned, really just makes me so incredibly sad when thinking about Blade now. How severely separated he is from this identity. A division that exists from not only his death but from the way his mental state has been severely warped from his time with Jingliu and being affected afterwards by the mara.

The sheer dehumanization and lack of a personal identity in place of seeing himself as a solely a weapon when put next to Yingxing, with such a clear bold individual identity, really makes the transformation of one into the other all the more jarring and tragic. Especially with the emphasis on how Yingxing hated the abominations of Abundance only to become one himself, something that is still implied to have not been by his own hand. Blade is an immensely tragic character, but that tragedy only holds weight because of the life and identity Yingxing had. It is only with Yingxing’s light which shined despite the circumstances of his life that his descent into darkness hits harder, and it makes me so sad that I haven’t found many others talking or expanding upon this despite my searches because he really is such a well written character with so many details in his story that are both interesting and utterly heartbreaking.

And additionally, I want to say that I think there is a lost potential in examining the Xianzhou through Yingxing. Specifically in the way he is treated as a short life species. We know how the relationship between the Vidyadhara and the Natives, especially as it’s changed after Dan Feng, but there is a very interesting relationship to be explored between the Xianzhou and the Short Life Species the end up there, especially through Yingxing’s relationship to the different Artisans guilds whether on the Luofu or the Zhuming.

In the end, it becomes another sad element to Yingxing’s story. Yingxing managed to change his attitude regarding how the Zhuming masters treated him and even grew more of a confidence, but even in the Luofu's Artisanship Commission, he can never truly get as far as he deserves. Just as Jingliu says

Even with his work impressing the master craftsmen of the Luofu, even after more than showing his skill and earning the title of Furnace Master for that skill, he still would be denied higher positions and could only prove his true worth by the High Cloud Quintet.

And just let me say it again, him being a short life species allows for such an interesting examination of the world and people around him based upon that. While we don't know exactly how they met, we do know that Yingxing was Huaiyan's personal disciple and the only one he mentions of the celestial masters to treat him with respect and believe in his capabilities despite knowing he's a short life species. Through his treatment of Yingxing, we learn quite a bit about him. Through Baiheng's treatment of him as well, we learn a lot about her, more than anywhere else.

He's just UGH I need more exploration from Yingxing's perspective, the lack of it feels as if I'm being starved. He's so interesting, he's so fun, he's incredibly tragic, and he makes me cry every single time he crosses my mind. Please do yourselves a favor and think more about his character so you'll end up as sad about him as me. Or don't maybe. I dunno. All I know for sure is that you absolutely need to read Views of the Universe From a Starskiff: The Zhuming if you haven't. Anyways bye, thanks for listening to this rant, I gotta go cry over him.

Peep the tags also for a rant about my own characterization of YX if you wish to witness my insanity

[quietwingsinthesky]

the apartmentverse urge to make the assassins weird immortals due to interacting with the apple who all survive to the modern day and have to Deal with mundane things like public transport…

[chaos-of-the-abyss]

ok thingol headcanon time. my hc is that he and his brothers are the grandchildren of enel and enelyë. and that sometime before the war of the powers enel and enelyë both vanished, presumed to have been taken by morgoth. thingol was close with his grandparents -- but he never saw them again after they disappeared, and even until the end of his own life he still had no idea exactly what had become of them. he could only hope for their sakes that they were dead already, but during some particularly bad days, the thought that they might somehow still be out there somewhere, suffering, tore at him

[radio-4-is-static]

「LOST CORNER」 クロスフェード | Kenshi Yonezu listen to the new album here!!

[kjzx]

I've been playing slitherio these past few days, and after some time messing around with nicknames and my own experience with the stuff, I've realized anger is something very easy to weaponize. On my second attempt of having "trans rights" as a nickname I killed a huge ~5k point worm as a teenie tiny 200 point worm simply because it was so desperate to kill me specifically. Anger makes your life harder, but it also makes people really unwise. I fucking bet this is in "the art of war", even though I haven't read it.

[thevioletcaptain]

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[quietstime]

🪽