#i think i like the overall aesthetic of the first one better

[ehvanescent]

Just finally finished dr2 🎉🎉🎉

[puppppppppy]

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

[cheeseceli]

you have curly hair

Pairing: Ot8 Skz × Gn!reader (individually)

Genre: fluff, reaction

Request: an s/o who has curly/wavy hair and feels insecure about it? Maybe skz got used to seeing them with straight hair and one day they catch them with their natural hair?

Warnings: not proofread

A/n: curly hair girls for the win | fundraiser

Bang Chan

‌oh my God, twins?!

‌honestly he loves that you guys have this in common

‌he'll start wearing his curly hair more often

‌you'd both learn how to take care of it together

‌😔 that's so couple goals of you two

‌he'll even try to make some hair styles on you

‌at first he would fail so badly but it would be funny at least 😭

‌but in the end he'd get pretty decent in some of them honestly

‌so that's a slay

‌understands when you're not confident about your looks because same

‌but he's so ready to try and reassure you of your beauty

Lee Know

‌i think he'd have seen some pictures of you before you straightened your hair

‌and he was like "oh it looked pretty as well"

‌but then he sees it in real life

‌and he's like

‌"I underestimated it. I underestimated it so badly"

‌he just can't get over the fact that you look GORGEOUS

‌he finds it so fluffy😭

‌and i think he'd love it when you just woke up or something and the hair is a bit messy

‌because it's so?? pretty??

‌no matter if you say you hate it, he finds it to be your best look just yet

Changbin

‌you guys are also matching!!

‌he won't ever shut up about this btw

‌starts to wear his wavy hair more often too

‌stay are forever grateful to you for that

‌absolutely loves when you make new hairstyles

‌even if you end up failing on styling it, he still hypes you up

‌is already on his way to contact the best hairdressers in town just for you

‌and to buy whatever you may need to take care of it all

‌if you let him play with your hair as well, he could die a happy man

Hyunjin

‌has the most lovestruck gaze ever

‌right when he swore you could not get any prettier...

‌of course you had to go and prove him wrong

‌finds your natural hair to be the creation of some goddess or something like that, no way that is a human trait

‌ overall he's just falling in love even more after seeing the way your curls frame your face

‌compliments just flow so naturally out of his lips and he's like damn

‌needless to say he'll be painting this for weeks to go

Han

‌immediately betrayed because why didn't you tell him you had curly hair any sooner??

‌he could've been getting blessed by such a vision for ages

‌and you just didn't let him??

‌jokes asides, he can't put his mind on the fact that you look even better (how is that possible fr)

‌immediately on his knees begging you to keep your hair this way more times

‌he'll even learn how to take care of it if you don't want to do it yourself!!

‌actually I think he'd find the whole process kinda therapeutic

‌so that's a win win right

Felix

‌😮

‌ that's him right now

‌in the most adorable way ever

‌he just finds you so cute with it

‌it makes you look like an angel

‌really wants to touch your curls but he's so afraid he'd mess them up lmao

‌but he truly loves it

‌won't shut up about this for a hot minute

‌will also take thousands of pictures

‌with you posing or just candids, whatever

‌he just needs to eternalise this moment

Seungmin

‌finds it fluffy PT.2

‌idk you just look so... dreamy?

‌renaissance aesthetic you know

‌he loves it

‌next thing you know is that he bought you tones of things to take care of your hair

‌shampoo, conditioner, mascara... you tell it

‌he did his research okay

‌lowkey doesn't understand how you can be insecure about it because??

‌he loves how you look with the curls

‌he loves your appearance no matter what tbh but your natural hair is just something else

‌it really emphasizes the you in you if that makes sense

‌words of affirmation isn't his strongest love language but boy, isn't he ready to compliment you as much as he can

I.N

‌he has a somewhat cocky smile on his face

‌like, you're just so attractive like that

‌you already were, but now you're just ten times more

‌and it also fits you so well

‌it gives you more aura if you know what I mean

‌and if you do those really cute and creative hairstyles he's so !!

‌he finds it amazing

‌has a whole Pinterest board on inspiration for hairstyles because damn, he didn't know he needed you in those before he saw it for the first time

‌a lot of accessories as well

‌he'll find a way to match your hair accessories to some of his own acessories

Masterlist | you'll probably like: you have a lot of tattoos

Thank you for reading <3

Taglist (open!): @yuyubeans @dandelions-143 @sleepyleeji

Credits for images 1 2 and 3

Dividers by @isisjupiter

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

[captinamericashusband]

Juno | Steve Rogers/Captain America x Male!Reader (SMUT😉)

A/N: Wow another Steve Rogers fic. Anyways this one is smut. Also this is my first ever attempt at writing smut so it's going to be really bad. So enjoy!

Title and plot (loosely) based off of Sabrina Carpenter's new song (stream the album btw or else):

Juno

Word count: 2.8k

Summary: I might let you make me Juno 😉

Warnings: Unprotected sex, oral sex

------------------------------------------------------------------------------

“And then he said to me, ‘How about you change your dentures!’” A chorus of laughter erupted from around the table. Among the voices and chuckles was Y/N, sporting a fake laugh to hide the pain he was currently feeling on the inside. He so badly wanted to leave, thinking that laughing at whatever he was presented with would help pass the night. 

Y/N was an Avenger. He loved his job – no doubt. He loved being able to help people on a worldwide scale, and the overall idea of doing something that mattered. However, what Y/N didn’t realize was that the fine print of the Avenger’s contract included him forcefully being present at the annual U.S. Defence Symposium Convention, where diplomats and political leaders from around the globe gathered to discuss foreign affairs. While he never had to speak during these conventions, Y/N’s presence was required for Avengers PR reasons. Why it couldn’t be anyone else was a question he’d never find the answer to. Luckily for him, he wasn’t alone this year. Even better for him, he was with his lovely boyfriend.

Y/N glanced towards Steve at the other side of the circular table. Steve was already looking at him, wearing a similar bored expression. The two shared tired smiles. A positive that came with being Captain America’s boyfriend was intimate looks like these, shared across dinner tables, conference meetings, and other situations where they couldn’t be close. Looks and glances that made Y/N feel warm inside. No one else knew, even the team, of their clandestine relationship, afraid of the uproar that would come if it were to become public. The controversy that came with two of the United States’ defensive powerhouses dating – especially considering both were men – was something Y/N chose to think about rarely.

The senator continued his comedically-not-funny joke, and Y/N felt grey hairs growing. He knew he had to leave or he would’ve broken down in tears. As a guest speaker was about to be introduced, Y/N politely excused himself from the table and glanced towards Steve, his eyes already on him. He gave him a wink – a not-so-discrete signal they both came up with before arriving, loosely meaning, ‘I can’t handle this anymore and I need to get the fuck out of here – meet me in the bathroom.’ 

As he walked through the halls of the large venue, he marvelled at the grandness of the building where the convention was held. While he despised being there, he had to admit the building was architecturally and aesthetically pleasing, being more on the higher end of NYC establishments with its Art Deco-inspired assets. When Y/N made it to the bathroom, he checked beneath the stalls to see if anyone was present before letting out a loud groan. He knew he had to talk to Nick Fury later to discuss his supposedly mandatory attendance at the energy-draining convention. He couldn’t stand another second here. Leaning against the sink, he waited for Steve to arrive.

After about two minutes, the door to the washroom opened, and Y/N was met with Steve's presence. Steve raised his eyebrows, silently asking if anyone else was there, to which Y/N responded by shaking his head. “What did it, huh?” Steve asked, closing the door behind him.

“That geriatric senator, obviously – Senator Shortdick,” Y/N groaned. The senator’s name was actually in fact Dick – something Y/N’s immaturity found astoundingly hilarious. “His very long extended joke about…I don’t even know actually.” 

“He was talking about his son, Y/N,” Steve said, walking closer to the other man. “It was a nice story – very wholesome.” When Steve reached Y/N, he wrapped his arms around his waist before giving him a small peck. 

Y/N’s eyes met Steve’s, and they both gave each other reassuring smiles. They both desperately wanted to leave, but were aware they legally couldn’t.

“I don’t think I can handle this anymore, Steve,” Y/N’s voice whined, laying his head on Steve’s muscular chest, and caressing his sides. “I need something exciting.” Suddenly, as if he had an epiphany, Y/N conjured a devious idea to pass the time. Looking up at Steve, he gave him a half-lidded look, an action he did in jest whenever he wanted something from him. “We should fuck right now.” 

Steve only responded with a bewildered look, slowly shaking his head and reprimanding Y/N’s unsavoury suggestion. “We can’t, Y/N,” he said. “It’s too risky. Not to mention, distasteful – we’re in public.” Steve was the more rational person in their relationship, often taking Y/N’s outrageous ideas to heed.

“Why not, Stevie?” Y/N’s voice feigned softness and seductivity. “Isn’t it exciting,” he started, arms sliding up Steve’s clothed bicep. “The idea of getting caught here.” 

“Not really-.” Before Steve could continue, Y/N connected their lips. It started soft – short and sweet – before gradually getting more intense and feverish. Steve pushed the small of Y/N’s back closer, deepening the touch of their lips. Steve wanted Y/N badly, and Y/N was aware of that. He always knew that he had some type of figurative spell over Steve, causing him to be more acquiescent towards him than any other member of the team – even before they started dating. Steve was entirely bewitched by Y/N.

------------------------------------

The two eventually locked themselves in one of the bathroom stalls, lips already connected and moving together hungrily. Both prayed no toilet would come beckoning some diplomat’s bladder amidst their carnal moment together. As they continued face-fucking each other, Y/N trailed his hands down towards Steve’s pantsuit. He palmed Steve’s already present bulge, rubbing it with the soles of his hand and causing a quiet whimper to leave Steve’s mouth. At hearing Steve’s sultry noise, Y/N felt his cock growing harder and heavier.

Y/N broke their lips’ ravenous movement and began unbuttoning Steve’s tux. “I saw you practically ogling me in there.” He bit one of Steve’s sensitive spots on his neck, eliciting a low groan from his throat. “It’s like you were begging to fuck me with your fuck-me eyes.” 

“I don’t know what you’re talking about.” Steve panted in response. 

“Stay oblivious then, Stevie.” Y/N slipped Steve’s suit off, revealing his muscled buff chest. Not even a second later, Y/N’s mouth began trailing down Steve’s torso. He peppered kisses all over Steve’s chest, going further and further down until he was on his knees. Y/N came face-to-face with Steve’s growing bulge. He salivated, thinking about taking Steve’s entire cock in one go – the idea of hearing Steve’s whimpers made his dick even firmer.

Steve’s gaze was locked on Y/N. His eyes were half-closed, face flushed with both lust and pleasure. Y/N then unbuttoned Steve’s pants before taking them off which revealed Steve’s undergarments. Without sparing another moment, Y/N yanked Steve’s boxers off. Steve’s cock, upon being unclothed, sprung upwards and ached in the cold bathroom air. It begged for attention that Y/N’s mouth was more than willing to give. A slight droplet of precum was already at the slit which made Y/N even more aroused. Not wanting Steve to finish quickly (as if that is even a problem with his serum-induced stamina), Y/N started slow. He gave Steve’s shaft one long lick at the base, relishing the semi-salty taste. Y/N continued licking, throwing occasional glances towards Steve and how he was reacting. The quiet whimpering coming out of Steve’s mouth was evident he wanted – needed more. “Just please take it all, Y/N,” he quietly whined.

Y/N chuckled. He decided Steve had been good tonight and, sparing him from further punishment, took his entire cock in his mouth. A loud moan erupted from Steve to which he quickly clamped his hand over his mouth to silence. Y/N had to adjust to Steve’s size for a moment before doing anything further. Despite having done this several times, Y/N always thought Steve’s dick was maybe too big for him. This wasn’t that much of a problem for him as while he did struggle in throating it, it did make his ass feel good. And very sore afterwards. After a brief moment, Y/N began to slowly move his head up and down Steve’s cock. Steve struggled to quiet down his noises of pleasure as much as Y/N struggled trying not to choke. With each movement of Y/N’s head, Steve was hitting the back of his throat which sent a wave of pleasure down his spine. Steve, however, wanted much more.

To Y/N’s shock, Steve bundled his hands in his H/C locks and shoved him further down his throat. Y/N’s eyes went wide, gagging noises coming from his clogged mouth. Before Y/N could steady himself, Steve began ramming his throat at a rapid speed, his attempt to quiet himself vanishing as he prioritized quickly getting off with Y/N’s mouth. As Steve continued at his pace, he let out breathy moans that were amplified and reverbed by the bathroom’s walls. While Steve was in pure bliss at his cock being serviced, Y/N was not able to cope with the sudden change. His hands were placed on both of Steve’s thighs, trying to steady himself. Tears pricked near the corner of his eyes as his entire buccal cavity and throat continued being ransacked by Steve’s length. Each time Steve’s cock hit the rear of his throat, Steve shuddered and Y/N gagged loudly. As Steve began nearing his climax, he began to go even quicker than his initial speed, causing Y/N’s tears to freefall down his cheeks. With one loud grunt and a sloppy thrust, Steve came down Y/N’s throat. As Y/N felt the warm and salty fluid trail down his throat, Steve’s breaths became more shallow.

Steve leaned against the stall’s door, and a slick ‘pop’ sounded as he took his cock out of Y/N’s mouth. He was still recovering from his orgasm as Y/N quickly got up from his knees and roughly pushed his chest. “Dude!’ Y/N half-yelled. “What the fuck was that? You nearly killed me!”

Steve staggered slightly at Y/N’s hit. He looked at Y/N with a confused expression that quickly vanished upon seeing his tear-stained cheeks. An apologetic look promptly dawned. “Shit, Y/N, I’m so sorry. Are you alright?”

“I’m fine it’s just,” Y/N said while wiping his face, “you have to warn me first before you do that.” 

“I’m really sorry, Y/N.” Steve did look remorseful. His face looked as if he had accidentally kicked a dog. “We should probably stop now.”

Y/N gave looked at him incredulously. “Are you kidding me?” He pointed sternly towards Steve, his voice coming out furious with a tinge of playfulness. “The only apology I’ll accept now is if you fuck me right here.”

“But, Y/N, I don’t have the…” Steve’s voice trailed off.

“The what, Steve?”

“You know,” Steve said, face slightly pink. “The wet thing and the rubber thing?”

An actual genuine look of bewilderment made its way onto Y/N’s face. “You mean condoms and lube?” Steve nodded shyly and Y/N began to laugh. “Steve, you just pounded my face in. Don’t give me any shit about you being too coy to say the words ‘condom’ and ‘lube’.” He then glanced down towards Steve’s penis which was already erect again. “Plus, your thing,” he continued, mocking Steve’s mannerisms, “still looks pretty wet from my spit. And as far as I remember, none of us have any diseases.” Y/N quickly looked towards Steve. “Right?” Steve nodded his head quickly, still too embarrassed to respond. Before Steve could do anything further, Y/N took his pants off alongside his underwear. “You’re already hard again, Steve. What are you gonna do 'bout it?”

Y/N’s teasing tone evoked Steve’s earlier confidence, leading to him hoisting Y/N around his waist, a quick yelp coming out of Y/N at the sudden movement. Before Y/N could say anything, Steve hastily prevented him by connecting their lips. Their tongues quickly tangled together, saliva combining and becoming indistinguishable from one another. “Steve, just put it in already, God.” Y/N’s voice came out breathy and unstable. Steve obeyed quicker than usual, seemingly eager to come a second time that night. Grabbing his cock with one hand and supporting Y/N with the other, he angled it towards Y/N's gaping hole. Without wasting any more time, Steve promptly thrust the entirety of his length inside of Y/N. A filthy ludicrous whine came from Y/N’s throat. His prostate was already being reached by Steve’s tip, causing his eyes to roll to the back of his head. He was euphoric and as Steve started moving, his speed matching that of earlier, Y/N felt like he ascended. 

Steve was usually gentle whenever they had sex, but he decided to spare no mercy tonight. His thrusts were aggressive, leaving Y/N unable to handle the surplus of pleasure he was feeling. With each graze felt by his prostate, he was sent further into the heavenly bliss he felt. “H-have you seen that one movie,” Y/N said in between heavy pants. “Juno?” He knew it was a stupid question, both in the situation he asked it in, and how he knew Steve had barely seen anything made in the 21st century.

Steve continued thrusting into Y/N, the sound of their skin slapping reverberating around the room. “No – fuck,” Steve’s voice came out breathless. “What is that?” His face was contorting into different variations of lewd expressions, making Y/N’s hard-on even stiffer. It was rare to see the Captain America in such a vulnerable state, and Y/N savoured the fact he was the only person who was able to see him like this. 

The pleasure Y/N felt inside of him was indescribable. Their fucking had never reached this level of catharsis. “Nothing – it doesn’t matter. Just keep going, Steve…please…” Y/N saw the little dribble of precum dripping from his cock. He was close. And Y/N knew Steve was too from how his pounds started becoming sloppier, and how his hands gripped his ass tighter. Their lips found each other again, and their tongues connected. Steve swallowed all of Y/N’s whimpers, biting his lower lip to prevent any would-be passersby from hearing his erotic gasps for air. 

“I’m gonna come, Y/N,” Steve breathlessly spoke. His pacing started to decline, and his entire body trembled. 

As Steve was about to endure another orgasm, Y/N saw him about to pull out. Suddenly, he protested with a hoarse sigh, “No, Steve, just finish inside me – it’s fine.” Steve nodded his head silently, not needing to be told twice. Their pants continued syncing together as Steve rode out his climax. Another load of his hot white cream exited him and filled Y/N to the brim. Shortly after Steve finished, Y/N felt his climax coming in. Steve continued floppily thrusting to aid in his release, soon releasing in thick ribbons that covered his and Steve’s chests. 

------------------------------------

Steve gently collapsed both of their bodies on the ground. The pair were in a state of exhausted pleasure, their breaths still deep and frequent. It stayed this way for a few minutes – Steve and Y/N basking in the decline of their orgasms in a comfortable silence. Y/N glanced down towards his ass, a tad icked out by Steve’s jizz pouring out of him. “It’s kind of gross isn’t it,” he said to Steve. 

Steve was broken out of his euphoric trance upon hearing Y/N’s voice. “What is?” He said, still catching his breath.

“Look,” Y/N signalled to his downward area. “It looks really strange.” The pair’s eyes met and they both erupted in boisterous laughter. 

As they started quieting down from what they considered the funniest thing of that night, Steve suddenly remembered what Y/N asked earlier. “Hey, what was it with that movie you asked me about earlier.”

“Juno?” Y/N responded.

“Yeah, that one.”

“Oh, it was nothing,” Y/N said, getting uncharacteristically shy. “I just thought…it’d be nice if we have kids one day.” Y/N then realized what he said and began doubling down. “I mean, that is if you want any with me at all – children I mean. A family.”

Steve didn’t say anything. Instead, he smiled at Y/N, grabbing his hand and holding it tightly. Y/N responded by giving him a meek smile. They both were met with another silence, their love-laced gazes filling each other with a comforting warmth. 

“How are we gonna get out of here, Steve?” Y/N’s voice came out softly, too absorbed in the moment to genuinely care about where they were.

“Now that is the predicament, isn’t it?” Steve said, reciprocating Y/N’s blissful voice.

Fortunately, it was evident that luck was on their side that night as no one had entered the bathroom at any point in their love-making.

FIN

A/N: My Google searches are legit “Synonyms for ‘cock’ in fanfiction”, “Synonyms for ‘moaning’ in fanfiction”, “Synonyms of ‘cum’ in fanfiction”, and “How to write smut properly.” Anyways, hope you enjoyed whatever that mess was!

[qqueenofhades]

I am FULLY ONBOARD the Harris/Waltz train, tho before this i was leaning towards Mark Kelly (AZ is a swing state! He's an ASTRONAUT!) If you want or have time, no pressure, but any thoughts on what makes Waltz a better pick?

I like Mark Kelly too, and since he's married to Gabby Giffords (having run for public office after she got shot and could no longer do so) he would have been an amazing pick in terms of supporting the first female POTUS. But he is a less charismatic public speaker than Walz (for whatever that's worth, but politics is a mess of Aesthetics and Vibes that matter as much and/or more than actual facts) and more moderate/conservative. He's been a great senator and picking him would defuse some of the BORDER IMMIGRATION BLAH BLAH!!! scaremongering that Republicans love to run on, but it would also leave open the possibility of losing a special election and other dangers with the Democratic senate that we really need to minimize. So Walz is a better choice for that alone, but also:

He really has serious progressive credentials as governor, even if he was a fairly mainstream Democrat (who flipped a rural red House district in Minnesota that Democrats have not been able to win again after he left) during his 12 years in the House. This is an INCOMPLETE LIST of what he was able to do in two years with a one-seat Democratic majority in Minnesota:

A Climate Action Plan that included:

Investing in energy infrastructure

100% carbon-free electricity by 2040 goal

Transition off of fossil fuels and onto clean energy resources

Building more electric vehicle charging stations

Providing funding to help workers acquire new skills through apprenticeship programs in clean energy fields

Direct state funding for transit

Money for rail

Tax credit for e-bikes

Permitting form to fast-track clean energy projects

And that was in addition to:

Codified abortion access in Minnesota

Guaranteed paid sick time and paid family and medical leave

Funded replacing ALL LEAD PIPES IN THE STATE

Free school breakfasts and lunches for all

Made public college free

Stronger labor protections

Drivers’ Licenses for All

Voting Rights Act to reverse recent court rulings that make voting harder, including restored voting rights to convicted felons

Banning medical debt from credit bureaus

The "Taylor Swift Bill" requiring all ticket "junk fees" be shown up front

Banning most "junk fees"

No book bans

Protection for tipped workers

Banned non-competes

Legalized recreational cannabis

Gun control, including increased penalties for straw purchases of firearms, expanded background checks and enacted red-flag laws, passing gun safety measures that the GOP has thwarted for years

Made MN a Trans Refuge State, and required health plans to cover “medically necessary gender-affirming care.”

Pay increase for Uber and Lyft drivers

Elimination of the so-called “gay panic defense”

A ban on “doxxing” election workers

A prohibition on “swatting” elected officials

In March, during the height of the Gaza/uncommitted primary protests against Biden, Walz said that young people should be listened to and they had a right to be speaking up and the situation in Gaza was horrible and intolerable, without directly slamming Biden or getting involved in the issue in a way to draw negative headlines. Regardless of what you think about any of it, that is a very deft way to handle it and pairs well with Kamala's better responsiveness on the Gaza issue overall. That was a big part of the reason why Gen Z/younger voters were very excited about Walz despite him being an "old" (actually the same age as Kamala but he has joked that teaching high school for 20 years will do that to a guy) white guy. If half the battle in politics is making the right pick to excite your core voters and reach out to new ones, then Harris nailed it. As I have said in earlier posts, there was just too much energy with young voters FINALLY checking in when Harris became the candidate, to risk introducing a big ideological split with Shapiro.

Aside from that: the most insufferable Smart White-Bro Political Pundits (TM) are big mad about Walz, many Never Trumper Republicans thought they were entitled to a "moderate" in exchange for oh-so-generously lending us their vote against Trump and not run the risk that we might end up with someone *gasp* progressive, and the regular MAGA Republicans are hysterical, which means they're terrified. It's also incredibly hard to paint Literal Midwestern Stereotype Dad (football coach, social studies high school teacher, military veteran, etc) as THE EVIL END OF AMERICA in the way they desperately want to do, though the fact that they're trying shows that they've got literally nothing. The fact that Kamala picked Walz against the PREVAILING WISDOM!!! that she had to take Shapiro (for whatever reason that might have been) is also a good sign, because by far the most genuine and extensive enthusiasm that I have seen from Democratic voters, especially those feeling burned out or disillusioned or angry with specific policy choices of the current administration, was for Walz. Having everyone excited for the pick beforehand, effectively using the "weird" line, and rallying behind the guy, only for her to actually go for him, is inspiring. It makes people feel like they're being heard and the Democrats have decided to win by being progressive, and not just endlessly Catering To The (Imaginary) Middle as they have always been told to do (and often done). That alone is MASSIVE.

Walz is tremendously funny, personable, has Democrats from AOC to Joe Manchin praising it (again, shocking), was right out the gate supporting Kamala, has already been majorly successful on TV, was by far the most progressive-on-policy picks of the VP finalists, is incredibly, hilariously wholesome and small-town Midwestern (he's the JD Vance that they wish JD Vance was), and is already sending ActBlue gangbusters with donations again. And when you're getting this kind of response on the Cursed Bird Hellsite, just:

Just. I don't know what's happening either. But let's enjoy it, and then work hard, because we gotta fucking do this and for possibly the first time this entire year, I really think we might. Heck yeah.

[misty-thecat]

Is it just me or the songs on The Tortured Poets Department sound the same? It's like they all blend together at some point....at first listen there is not one song stuck in my head. And this is coming from someone who genuinely enjoys her music ...Red is one of my faves. You could swap the songs from Midnights and TTPD and I wouldn't be able to tell. I think she should start working with a new producer. Although I stopped being a fan since the breakup, I was still looking forward to new music .... I was excited for what new sound she would explore but it was disappointing to hear the same old repetitive Jack Antonoff synth pop genre.

She probably needs a break .... all this hyper production in the past few years with so many albums and their multiple versions must have had an impact on her creativity and quality...also a lot of lyrics are just......eh I don't know the right words, but she can do better for an artist of her magnitude and caliber.

Also, I feel like the aesthetic for the album does not match the music...like the dark academia/old books thing doesn't really go with the songs for me. Again, they sound a lot like something from Midnights due to the production so probably that's why I feel like that.

Another thing, the album seems to be mostly about the 1975 dude, but the marketing pointed to Joe Alwyn which led to him being harassed by her fans and she did nothing. That was horrible of her. It's these kinds of things that led me to leave that fandom. Even Ariana put out a statement when she released her new album.

Overall, I expected a better album from her. She really needs to take a break. The overexposure and overproduction are not looking good.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[chaos0pikachu]

4 Minutes and the Cinematography of Nipples

I said before that I thought 4 Minutes was pretty instantaneously the best looking BL on the market for 2024 after one episode. Which, not gonna lie, is a pretty big fucking claim. There’s been a lot of BL that’s come out that’s looked good, and I do think there’s been a steady improvement overall in the market in the last few years. Personally I think Japanese and Korean BL have a stronger production quality over a majority of Thai BL but like, if that’s a hot take I guess I prefer my food spicy. 

The point being~ if I’m gonna make such a hyperbolic statement, well I better back it up right? 

So I’m gonna break down a few scenes from the first episode, what I liked about them, why they worked for me, and why on a technical level I think 4 Minutes has just got it going on.

For better readability you can also check out this essay here.

Sidenote: my google docs kept trying to autocorrect “Bible” to “the Bible” and idk how to teach google I mean the hot Thai actor and not the book of Jesus. 

To start, I’m going to break down this scene featuring Great and his nepo baby cat: 

I thought starting with this scene would be good because it’s such a low-key scene and honestly making these simplistic scenes visually interesting is very difficult! But if you have the basics down, the foundations of cinematography and film making, these simpler scenes can be really memorable. 

Like yeah we’re all gonna remember this scene because shirtless Bible and oh my god Akira!? - I have only recently learned who Akira is; why is this cat getting a bigger bag than me? - but beyond that, what makes it cool to watch? What makes it interesting? What information does it showcase to the audience? 

One thing I added to the video was a grid for the rule of thirds. 

Rule of thirds is a shot composition technique applied to both film and photography. It’s the grid you see if you film a homevideo and helps a Director and Cinematographer figure out where to place the subject or subjects of the shot. The idea is the gridlines show you where you “should” place the subject(s) of said shot. 

Like everything, the rule of thirds is a guideline in filmmaking, not a hard and fast unbreakable rule. Filmmakers like Wes Anderson like to play more with central composition shots, rather than ROT. 

Anyway on to the opening shot, right after our credits and we’re moving into the shot. 

To start, the first thing I notice is the scene’s color grading. Color grading in film is the manipulation of raw film footage to create specific color tones throughout a project. Sometimes this grading is more pointed and obvious, think The Matrix, while in other films it’s not as obvious but still very prominent, think Killers of the Flower Moon. 

It’s not that the before credits scene looks entirely, jarringly different from the opening scene, but the hospital scene is surrounded by whites and blue tones, it’s darker, and only a single source of light exists. It gives the entire scene a much more frantic, uneasy aesthetic but it’s not so far off from the darker muted tones of the next scene that it feels jarring or out of place. 

The second big thing I noticed in the episode is the use of aspect ratio. I’m not 100% sure what aspect ratio the production used exactly, but the use of widescreen as opposed to full screen in my opinion, gives the episode a more cinematic feel to it in comparison to other Thai BLs. 

Example, if you look at Century of Love (2024) it appears to be filmed in the standard full screen - which I believe is 16:9? - while 4 Minutes is widescreen (thus the black bars at the top and bottom). Widescreen can give a show a more “movie like” quality to it which is part of the vibes I get from 4 Minutes. 

(source)

Onto Great’s actual introduction scene.

We’re not starting the shot with static movement, but with a camera panning right. I’ve talked about camera panning and such in BL before and it’s something I’ve found doesn’t happen as often as it should. Which is a shame! It’s such a simple technique but it adds so much. 

Imagine if we entered the frame with a static center shot, and then a cut to Great sleeping and turning off his alarm clock, and then another cut to above the bed. Think about how much more boring that could be visually. 

Instead, we enter the scene with movement, panning over and creating some interesting visual framing. 

So here’s our opening shot, do you notice anything interesting? To start, what I like about this shot other than the panning movement in, is that we don’t see Great’s face yet. In fact we don’t see his face in full until about 30 seconds into the scene. This builds anticipation, yeah we all know what Bible looks like, but for the audience who doesn’t this helps build anticipation. 

Who is this character? What does he look like? What’s his deal? 

It also engages the audience more, if you notice part of the composition of the shot has Great in the mid-ground slightly blurred out, while the foreground emphasizes the things on his desk. He’s distant from us, the audience, sleeping off his hangover not yet ready to “join” the world yet. 

Here’s another two more things I like about this shot:

Lines. 

Using lines and shapes can make a scene more visually interesting and invoke different feelings to the viewer. In this shot, I get a sense of symmetry, the camera panning right, lightly drags across the screen alongside the lines below and above Great, almost creating a frame within a frame effect. As if Great is boxed into a clock in and of itself. 

You can also see the use of balance in the scene as well, connecting back to that visual theme of symmetry as well as blocking our view of Great’s face. The lava lamb and champagne bottle are almost the same height, which helps create balance in the shot. The champagne bottle informs us Great has been drinking or does drink since it’s positioned so close to his bed, whilst also continuing to hide his face away from the viewer. 

I also like that the lava lamp is a bright spot of color. The tone of the scene is mostly muted greens, and gray, but the bright orange lava lamp and even the pink champagne bottle draw our attention but don’t overwhelm us either. It provides the scene with some warmth but doesn’t offset the overall tone of the color grading. 

And then, the last bit of this shot:

We have Great knocking over the champagne bottom, and turning off his alarm clock. Notice that the alarm clock and the champagne bottle hit those ROT dots almost exactly. There’s also the use of lines by the length of Great’s arm - I just forgot to add a line I’m a failure, a fake, fml - we see him knock over the bottle, and then we follow the line of his arm directly to the alarm clock which is also a shape, a circle. 

I like that they used a clock with a specific notable shape, since by the end of this scene the clock is relevant to the story as a whole. Using a shape makes the clock more visually noticeable and memorable to the audience. 

So in the next cut we’re above Great - just like Great’s gonna be above Tyme, fuckin hell I’m corny - in a medium-full shot and there’s a couple things I really like here. 

I really like the use of lines here with the bed going in one direction but Great’s body going another. It’s disconcerting, and off kilter a bit. 

The use of patterns plus the opposing symmetry, whereas in the previous shot the lava lamp and champagne bottle were providing balance, here one side of the bed is patterned, while the other isn’t. This creates a sense of imbalance and makes the shot more visually interesting.

This medium-full shot at a high angle makes Great smaller, and continues to showcase his dishevelment, keeping him distant from the world itself. Also notice the lack of color here as well. 

What could this say about Great as a character? Or his story? 

So this next cut is the one that actually inspired me to write this essay to begin with and know what I’ma eat some crow here. I originally said it was a great ROT shot but I was wrooooooong. It’s definitely a center composition shot. 

Notice as well, the bed itself is its own shape - rectangle - center in the frame, and yet the shot almost looks unbalanced again because of that singular patterned rug. It’s the only pattern in the entire shot, not even Great’s pillows have noticeable patterns on them. 

The above view camera angle in a full shot creates almost an omnipresent feel, as if the audience - or something else? - were looking down upon Great. Whose face we still haven’t seen! It makes him smaller, less powerful, and almost vulnerable. Shots like this are often used in horror films like James Wan’s Malignant (2021) where the horror spector will be looking down above the would-be victim. 

Another thing I like about this scene though is we have Great moving. It would be simpler and easier to have his phone just by his alarm clock, or under his pillow, but think about how much more visually interesting it is that he has to move down the bed and reach for his phone. It creates action in an actionless low stakes scene. 

And now, 30 whole seconds in and we’ve finally seen Great’s face! 

Fun fact, with the ROT grid the gridlines fall right across Bible’s nipples. That’s not a film analysis, just something I noticed entirely intentionally. Thanks Madam Director Ning Bhanbhassa Dhubthien.

The actual shot is in center composition again, as Great rolls over and reveals his face the camera begins to zoom in. 

This creates movement in the scene instead of leaving the camera to statically observe it’s now, finally, inviting the audience to meet Great. Pulling us in towards him whereas before we were kept at a distance. Great’s awake and, well as ready to meet the world as somebody with a raging hangover can be. 

I also like how Bible is moving constantly in this scene; he rubs his eyes and nose, he twitches his fingers, titles his head back and forth, etc it’s nothing revolutionary but it’s appreciated. 

When the scene cuts, we get this shot: 

I didn’t put the red dot on his nipple, it just landed there. This is all Madam Director Ning chepie. 

But you can see how Great’s body is landing on all those gridlines pretty solidly. Also in the background we see his alarm clock again, a bright blurred circle in the distance. I also like the angle of this shot, as it creates depth in the frame, with Great’s head being in the foreground his lower body in the mid-ground and the background blurred out. 

What follows is Akira appearing in frame. Which was really difficult to capture so I don’t have a screenshot. But what I really like is Akira entering the frame out of focus. They could have just cut to Akira, but instead they opted for Akira to enter the frame which is more interesting. 

When we do cut, Akira is firmly on one of those dots so we don’t miss them in the frame. I think it’s also interesting that we’ve pulled out again, into a mid-full shot, hanging above Great, and we see that clear symmetry line again between the patterned rug and the regular carpet. 

I also really love that when we got to Great sweet-talking Akira and feeding them we’re not just doing a cut, we’re panning downwards which continues to add movement to the scene. And we get that moneyed sponsor shot! 

Durex can’t pay for everything okay?

So in the final bit of this scene we get focus on Great, who’s in focus, before he gets up and leaves the frame where the camera then focuses on the clock behind him. 

See how in the first frame the background is all blurred out, but once Great walks out of the frame - again, great that he walks out, movement!! Y’all don’t understand how boring 1000 Stars was for me to watch because of the lack of this stuff okay? - and then the focus shifts to the clock. Which is round. 

God I know that sounds so dumb, but imagine the clock without that ring light bit on it, it’s just a tiny little rectangle. Not as fun or interesting to look at right? Or as noticeable especially from a distance? 

This shift in focus also tells us “this is important” whatever “this” is. The subject of the shot goes from Great to the alarm clock but they are positioned as equally important. We’re meant to pay attention to this seemingly innocuous item, which we learn later in the episode is time. We’re meant to remember and note that time will be important to the story - I know with a title like 4 Minutes you’d fucking hope time would be important but have y’all ever read Youtube comments? It’s rough out there for visual comprehension okay? 

So all in all this scene is only 1 minute and 40 seconds give or take. It’s very short, but I don’t think it was boring at all. I think it’s a really solid introduction to a main character. Think, Korn didn’t get this much time to showcase his introduction, his scene is shorter - though also well done - which showcases which character is more of a story priority. 

This scene eases the audience into the story, inviting us to wake up into the world like Great is. It uses techniques like lines, shapes, symmetry, color and focus to make what could be a very boring scene into an interesting one. 

There’s so so much I probably and certainly missed, I’m far from an expert, but I hope I was able to articulate what I liked about this scene, and why I think it looks��good. 

Stay tuned for more if I can manage to focus long enough to breakdown more scenes lol

Also red dots on Bible’s nipples are just funny to me it be what it be. 

Further Reading: 

Composition in Cinematography / THE LAST OF US

Center-Framing vs Chaos-Cinema: Mad Max vs Transformers

Camera Framing: Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2]

The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Film)

Color Grading 101 - Everything You Need to Know

Mixing Film And Digital Footage: Killers Of The Flower Moon

In Praise of Subtle Cinematography

[thewickedjazzy]

𝑺𝒑𝒊𝒕𝒇𝒊𝒓𝒆 : A vignette fic

Pairings: Chuuya x fem!reader x Dazai

Tags: crack, mention of word 'crotch' , mention of words' S&M' 'ropes & belt' but overall nothing nsfw, swearing & curses. please let me know if I forgot any Xx.

Author's note: omg, omg!! So this is my first vignette, i love the idea of it sm (⸝⸝ᵕᴗᵕ⸝⸝), so a vignette fic is basically a collection of multiple shot scenes. And the fact that it's crack? Tops it *mwah mwah* hope you guys actually enjoy it? Please let me know if you want me to do more of this.

P.S. I'm not sure who created Chuuya and Dazai's bantering scene in the photo, but I edited it a little, and UwU, it's cute.

Word count: 2.2k

You and Chuuya Nakahara stand side by side, squinting down a narrow alley that reeks of old ramen and questionable life choices. The tension in the air is thicker than a badly cooked stew, but it’s not because of the mission. No, it’s because you’re stuck with Chuuya—the guy who seems to have skipped the tutorial on how to chill out.

“I still don’t get how we became friends so quickly,” you mutter, glancing at Chuuya from the corner of your eye.

Chuuya huffs, adjusting his fedora like it’s the crown jewel of his entire aesthetic. “You think I get it? The last thing I expected was to actually like one of Dazai’s friends.”

“Wait, are we actually getting along now? I should definitely blog about this—‘Unexpected Friendships: How I Learned to Tolerate My Frenemy.’” You said with an exaggerated british accent, your head tilted slightly to the side, giving a flirty pout and holding up a peace sign with a wink.

“Don’t push it,” he warns, though there’s no real heat behind his words.

The truth is, working with Chuuya is surprisingly easy—once you get past the short temper, the constant complaints about Dazai, and the occasional death threat. You had always thought you’d be in over your head dealing with someone from the Port Mafia, but instead, you found yourself enjoying his company. His straightforwardness was a breath of fresh air compared to Dazai’s endless scheming.

As you two began your search for the culprit who had pilfered sensitive information from both the Agency and the Port Mafia, you couldn’t help but throw a bit of sarcasm into the mix.

"Okay, but imagine stealing information only to figure out that the most feared Port Mafia member has a whole wardrobe collection of fedoras. heeehh," You sighed, rolling your eyes playfully.

Chuuya shot you a sidelong glance. “If you keep making jokes, I’m going to start thinking you’re the one who stole the files.”

“Please, I wouldn’t risk getting on your bad side,” you replied. “You’ve got a way of making even paperwork seem like a death sentence.”

“I’ll torture you one day,” Chuuya said with a sigh, more exasperated than serious.

“Oh, absolutely!” you said with mock enthusiasm. “I've always wanted to experience the classic ‘tortured by Chuuya’ scenario. Make sure to use ropes and belts, though—nothing says 'fun' like an impromptu S&M session.”

Chuuya’s eyes widened, and he froze in place, his face flushing bright red. “What?!” he stammered.

“Bestie, I’m kidding,” you said, stepping closer and whispering in his ear with a mischievous grin, “Even though I’m not entirely joking... I’d love to see you try it someday.”

Chuuya’s blush deepened, and he turned away, clearly flustered.

You chuckled and patted him on the back. “Come on, lighten up. Let’s get back to finding that bastard before you actually get the chance to use those ropes and belts.”

You and Dazai were hanging out at Chuuya's house, enjoying some wine and the rare moment of peace that didn’t involve life-or-death situations. However, you should’ve known better than to leave these two motherfuckers alone together, even for a second. As you walked back into the living room, you were greeted by the sight of Chuuya looking absolutely furious while Dazai was laughing like he had just heard the best joke of the century.

As they both turn to look at you, their expressions shift from whatever chaos they were engaged in to sheer confusion. Why? Because you’re now wearing sunglasses—at 10 p.m.

Chuuya, barely containing his anger, is the first to speak. “Why the hell are you wearing sunglasses indoors? At night?”

You strik a dramatic pose, placing two fingers under your chin and lips bitten like you’re about to slide into someone’s DMs with a “Hey, baby girl, you up?”. With all the confidence in the world, you sit down across from Chuuya, leaning back nonchalantly.

“I’m wearing sunglasses,” you say, your tone oozing fake coolness, “so no one knows what I’m looking at.”

Then, you slowly shift your gaze to Chuuya’s crotch, your eyes completely hidden behind the tinted lenses. The room goes silent for a moment. They're both utterly confused, obviously—Chuuya’s face turns from angry to completely flustered, his eyes widening as he realises where your focus is.

“W-What the hell are you doing?!” Chuuya splutters, clearly thrown off by your audacity.

Dazai, who had been watching the whole thing, finally loses it, bursting into uncontrollable laughter. He nearly spills his wine as he clutches his stomach, tears forming at the corners of his eyes.

“Oh my god! y/n you did notttt!!” Dazai gasps between laughs.

Chuuya shot Dazai a glare, his face still bright red. “Shut up, Dazai! This isn’t funny!”

You stand in the middle of a crime scene in Yokohama, your head pounding like a drum solo gone wrong. Sleep? Who needs it when you’ve got coffee—enough to make your system hate you for life. You’ve been running on caffeine and sheer willpower, and it’s a miracle you haven’t started seeing pink sheep dancing on the rooftops.

Dazai is strolling around like he’s on a casual walk in the park, while Kunikida is already knee-deep in his notebook, scribbling down everything with the precision of a man who’s too serious for his own good. Meanwhile, you’re squinting at the crime scene, trying to piece together the puzzle through a caffeine-induced haze.

After what feels like a marathon of connecting the dots, you sigh heavily, shaking your head as the realization dawns on you. “Oh, for fuck’s sake,” you mutter. “It’s the dead guy’s girlfriend. Classic case of ‘hell hath no fury.’”

Dazai glances at you, an amused smile tugging at his lips. “Figured it out, have you? And here I thought you were too sleep-deprived to function.”

“I’m running on three cups of coffee zero hours of sleep I'm ready to fight god or become him, but I still have more brain cells firing than you, Dazai,” you shoot back, earning a chuckle from him.

The investigation leads you to the suspect’s location. Turns out, she’s an ability user, so the police are out of their depth. It’s the Agency’s mess now, and you’re not sure if that’s a good thing or if you’re just about to add another layer of mess to your already weird day.

The three of you burst into the room where the suspect is holed up, only to find her cozied up with another woman, their fingers interlocked like they’re the leads in a sappy romance drama. It takes you all of two seconds to figure out what went down: she killed her boyfriend because he cheated, and now she’s got with the girl he cheated on her with.

Before you can say anything, Kunikida charges in with the no-nonsense attitude of a man who’s had enough of everyone’s crap today. He knocks her out cold and cuffs her with swift efficiency. Meanwhile, Dazai’s just standing there, hands in his pockets, watching the whole thing like it’s the best entertainment he’s had in weeks.

As the suspect curses under her breath, you can’t hold back the joke that’s been bubbling up inside you. It’s too good to waste, and your brain is running on autopilot now.

“Well, well, well,” you say, grinning like a maniac. “It’s obvious she did it for the plot. You go, queen! Honestly, you better spill the tea when we get to the investigation room.”

Dazai loses it completely. He doubles over, laughter echoing through the room.

Kunikida narrows his eyes as he tries to process what just came out of your mouth. “This is serious! How can you joke about this?!”

“Come on, Kunikida-san,” you say, patting him on the back. “She’s in cuffs, the case is solved, and we’ve got a hell of a story to tell back at the office. Chill a bit, yeah?”

Kunikida just shakes his head, muttering something about needing a vacation. But despite his irritation, there’s a tiny, begrudging smile tugging at his lips.

After what felt like an eternity drowning in paperwork at the Agency, you finally hit send on the last report and tossed your pen aside like it had personally wronged you. The boredom was suffocating, and you needed a break—preferably one that involved good company and even better wine.

You grabbed your phone and shot a quick text to Chuuya: “Yo, I’m crashing at your place before you head out. Got wine. Don’t argue.”

With the wine bottle in hand, you made your way to Chuuya’s place, already picturing the relaxation ahead. When you knocked on his door, it only took a few seconds before it swung open, revealing Chuuya in nothing but his black pants, the belt hanging loose, and his chest on full display.

You blinked. Then blinked again. It wasn’t every day you got to see Chuuya Nakahara shirtless—okay, maybe this was the first time, but still.

“Hey,” he greeted casually, as if this was the most normal way to answer the door.

“Sheeeshh, lord have mercy!” you giggled, not dropping your gaze off of him just yet.

He rolled his eyes, a faint blush creeping onto his cheeks as he stepped aside to let you in. “Shut up. I was just about to get dressed.”

You sauntered past him into the living room as if you hadn’t just been blessed with the view of the century. You tossed your jacket and vest onto the nearest chair and unbuttoned the top few buttons of your shirt, trying to fight off the sudden wave of heat.

“How hot is it in here? Ugh, must be the humidity,” you muttered, though you knew damn well the real reason your face felt like it was on fire.

Chuuya, seemingly oblivious to your internal chaos, started yapping about something—what, you couldn’t quite tell. Your brain was too fried from the paperwork and the unexpected view to keep up. He eventually headed towards his bedroom to get dressed, leaving you to pour two glasses of wine. You took a deep breath and followed him, wine glasses in hand.

When you entered the bedroom, Chuuya was already half-dressed in his usual getup, adjusting his choker in the mirror. You couldn’t help but stare at his waist, so slim it could rival that of a top model. The words slipped out of your mouth before you could stop them.

“How many bicycle crunches do you do? Ain’t no way your waist is that slim.” You pouted, genuinely baffled at the injustice of it all. Like, seriously, what the hell?

Chuuya shot you a look that could only be described as utterly confused. “Say what now?”

Ignoring him, you walked over, setting the wine glasses aside before placing both hands on his waist, feeling the firm yet unfairly slim muscles beneath your fingers. “Ain’t no way you’re not wearing a corset underneath. Be honest.”

Chuuya froze, his face turning a shade redder than his hair. “Are you serious right now?” he sputtered, his voice rising slightly as he smacked your hands away. “Get a grip!”

You pouted dramatically. “I’m just saying, Chuuya. It’s not fair. I can barely do a sit-up without collapsing, and here you are, looking like you walked straight out of a fashion magazine.”

Chuuya headed over to his glass, holding it to his lips before drowning his wine in one go, probably regretting ever opening the door. “I seriously hate your guts.”

"Nahh, you love me," you say, raising your glass in a mock toast.

“Only because you bring wine,” he quips back, finally allowing a small smile to break through.

You clink glasses with him, both of you taking a sip. For a moment, you just stand there, enjoying the quiet. The mission can wait; right now, it’s all about enjoying the moment—and maybe, just maybe, teasing Chuuya a little bit more.

You: [sends a photo of yourself in the arcade, holding an AK and posing beside the score] “Honestly? SLAYED 💅🏻"

Bandages Whore: Ah~,😫 my bella, it would be an honour to meet my end by your hand—your tight black dress has me mesmerised.

Tainted Wine: I will kill you, Dazai! And y/n delete that photo right now!!!

You: Too late, it’s already immortalised in the group chat, babe.😚

Bandages Whore: got my first death threat online ngl the world is healing.

Tainted Wine: Piss off shitty Dazai! But seriously, y/n you look absolutely gorgeous and with that gun? A real spitfire. (ꈍᴗꈍ)

Bandages Whore: Spitfire??? Chuuya, what century are you from? 😭😭😭

You: Spitfire? 😭😭 Where’d you dig that one up? I CAN'T- KSJEJWIW

Tainted Wine: Hey!!! I was trying to be nice! At least I don’t go around asking to be killed in every conversation, you damn weirdo!😠

Bandages Whore: Maybe, but at least I know how to give a modern compliment. You gotta keep up with the times, Chuuya!😭

You: It’s okay, Chuuya. I appreciate the effort. But next time, maybe skip the spitfire line and try something that doesn’t make me feel like I’m in a black-and-white movie. 😭😭😭😭

Tainted Wine: I HATE YOU GUYS! 😤

Bandages Whore: [sends a photo of Chuuya doing yoga, looking very zen]

Look at Chuuya here, so zen and peaceful.

You: Aww look at him, very demure, very considerate, very mindful. ๑(◕‿◕)๑

Bandages Whore: Very demure? I'm dying 😭😭😭

Tainted Wine: Stop with that trend and those slangs. You’re older than that! Seriously!!🤦🏼

➵Want more of Chuuya & Dazai ?

[thecrowsart]

people: omg we finally get to see hyper! me: omg we finally get to see more angles of kusuriuri's clothes! observations and (A LOT OF) ranting under the cut:

1.)

The inside sleeve design has been revealed! It's pretty similar to the outside design but instead of that four-petal design, it's a gold circle. Also, it looks like the large eye is shared by both sides, but based on how the sleeve looks in other images, it must be really really big..... I guess they can get away with it lol. Like, if you laid out the sleeve fabric, I think it would look like this:

2.)

THE BACK OF HIS OBI. What the hell kinda knot is this actually... like, does anyone here know about obimusubi because I'm not very good at knots but if it comes down to it I will learn how this works. I already thought this based on the promo art but it seems like his obi fabric is double-sided, with purple on one side and the check pattern on the other, with a red trim. That lighter salmon color in the knot seems to be a different fabric, maybe an obiage? It's not tucked into the front so I'm not sure if that's the right term, but in any case it's some kind of extra fabric. If the purple and check are really one piece of fabric, then the knot is like... a hitch? It's some kind of one-loop bow, and it's quite bulky so he might have an obimakura in there. Whatever it is, it's considerably more elaborate than OG Kusuriuri's obi, which was that red brocade just tied into a large crooked bow. Who is helping movie Kusuriuri get dressed in the morning? (I'm sure he can do it himself and I commend him for the dedication to the aesthetic lol).

3.)

His mirror is now kept looped around this thick cord that kind of comes out of nowhere and disappears into his obi. First of all, how is the mirror staying up like that since the string is only looped once. Second, the thick white cord looks the same as the one that comes out of the left side of his obi and loops around his back, but I'm not sure how they would connect. Logically, they probably are the same cord and it goes through his obimusubi somehow. 4.)

This one was actually noticeable in the very first trailer as you can tell, since the second screenshot is from that trailer, but I somehow never noticed it until now. Kusuriuri has neck markings now! In a different frame I caught a glimpse of the part that goes into his collar, it looks like a circle, though it's not visible in either of these screenshots. But from the first screenshot and some other frames I saw, it looks somewhat off-center. I wasn't sure if it was just a weird frame at first, but it looks consistent the few other times (time?) that part of his neck is visible. It looks like the strip of red that leads down to the circle curves off to the left rather than going straight down the center. I didn't realize this before but his neck is actually concealed in most of the promo images.

5.)

A better look at the back of his socks, plus two things that were visible this whole time but I didn't notice: first, his black leggings have this folded layer you can probably see on top. I'm not sure how to describe it and I don't know exactly how it works. It seems weird to me that he would have three sock layers (outer black, inner black, white), so I think the two black layers are probably still part of the same sock. I'm just not sure exactly what's up with it. Secondly, his geta have metal corners on the teeth! I don't think I've seen that on real geta, so maybe it's just a random detail, but if it's a thing on some real geta, I wonder if it's to keep the wood from wearing away there. Also another think I'm just noticing, there's a reinforcing wedge of wood under the front part of his geta that overhand the front tooth. You can see it a little in the second image.

Overall, that's all the new design stuff I noticed. Since I just drew him twice and spent like all day thinking about this, I've realized his design is way more elaborate than the original one. He has a bunch of little doodads, like the ties around his ankle or that decorative tie that comes out of his ohashori:

which still bothers me because I've never seen the back of it. Where are those strings going. And how is it secured in the first place? is it tied or pinned underneath his ohashori, like on the tie under the obi (not sure if there's a name for it)? What is it? Why does he have this here?

These details as well as things like the corners and wedge on his geta, the red trim on the obi and the check pattern, and his elaborate eye make up are all design elements that could never really have worked for a tv show. It's impressive to me even that OG Kusuriuri had that hand drawn brocade texture and the designs on his kimono that he did. It's the type of thing animators usually avoid, lol.

I like the movie design visually, but my god is it a pain in the ass to draw. Due to the aforementioned details of course and the wider variety of colors. Oh yeah, my last (for real) observation is that this Kusuriuri looks a lot less human than our OG friend. His skin is entirely whitish-grey, and he has that white/purple and red hair, and now he has markings on his neck instead of just on his face. (Unrelated but I feel like they made his lip tattoo less prominent and it makes me sad because it's one of my favorite things about Kusuriuri's design). But Hyper, from that very small glimpse we caught of him, looks more mundane than the original. I think it's the combination of his black hair and his markings being red instead of gold. I wonder what the rest of him will look like.... It was interesting to me that his face is drawn differently from Kusuriuri. In the TV anime, they have the same face shape and features, but their hair and coloring is different. And OG Hyper had a slightly different version of Kusuriuri's clothes. We can't see this new Hyper's clothes, but his face is more square looking. He looks like a different person... interesting lore implications.

Okay, I really must stop there.

[m4g0hun]

in stars and time x dungeon meshi

(extra thoughts and ideas below!)

closeups!!

so this is more of a isat in dungeon meshi kinda au than the opposite, the idea is that the King is the dungeon lord/mad mage, his desire being to be able to freeze the dungeon and the country in time

The change belief still exists, and Mirabelle is still a housemaiden destined to save the counrty, so she goes to seek out companions who can help her on her journey

Everyone's reasoning to join is still the same as it was in the game

Also this isn't a redesign of them, more like a dungeon meshified version of their clothes + colors so they could fit in better (imo!!)

ok now onto some design notes!

Siffrin

originally he was just gonna be a half-foot, but i realized his wish to be able to stay with everyone would hit harder if he would outlive them, so i made them a half elf- halffoot

i removed his hat purely for aesthetic reasons lol, i think he would stand out too much in the dungeon meshi universe with it, but i suppose its true for ingame too so maybe ill give ut back to him if he behaves well

i also wanted to remove his hat so i could see the top if his beatifiul head

his poncho is a bit different, just a few small details so it would better in universe i think

he lost his eye in one of the previous dungeons they were going through

Mirabelle

she's still part of the change religion

i felt like her being an elf is pretty much perfect, no notes on that

i did have marcille in my mind while designing her outfit, and also theyre kinda similar overall i think?? idk but i love both of them

i gave her braids because its canon in the dungeon meshi universe that taking good care if your hair+unique hairstyles strengthen your magic and also i think its cute

Bonnie - the senshi of the group!!!

i wasn't sure what race i should make them at first because they're a kid so theres no point in chosing a shorter race to show their size i thought, but then i remember how cute gnomes are in the verse with their big ol ears so thats what they are haha

their design is probably my favorite out if anyone as well

i imagined they would join pretty much the same way senshi did

Odile

her race was also pretty much immediately decided

her clothes were the biggest struggle for me, not only figuring out how to make them look a bit more medieval-like but also the colors

i decided a while ago in my head that odiles color palette would be blue but it was still a struggle making her coat not look like a lab coat lol

maybe that was the intention but i really just wanted her to appear like a normal adventurer

Isabeau

as you can see on the page i have the least amount of ideas for him lol

i pretty much just had laios in my head while i was designing him

i do feel a bit bad for taking away his stripes and silly looking belt thingy but i felt its a bit too much for the dunmeshi verse

thats pretty much it i think!! not sure if i will draw more of this au, i just mainly wanted to get it out ot my head cus its been rotating in it since i played the game

[cosmerelists]

Nomad Rates Cosmere Planets

As requested by @endervexer :)

Nomad is always on the move--but if he had time to stop and rate Cosmere planets as if they were hotels (you know, rating how clean they are, what the accommodations are like, etc), what would those ratings look like?

1. Canticle (The Sunlit Man)

Place was pretty clean, as the ever-present burning of the sun constantly purified the land.

Food was mediocre. Needed spice.

Accommodations were pretty old and worn down, but clean.

People were polite but not overly friendly, which I count as a positive. Some of them tried to kill me, which I count as a negative.

Entertainment consisted of gladiatorial fights and/or public executions. You can also hear stories. The stories are about ghosts.

BTW, place is haunted.

Overall, 2/5.

2. First of the Sun (Sixth of the Dusk)

Note: I only had time to visit part of this planet. Specifically, the island jungle part.

I would not call it "clean." It is a jungle. It is full of death.

If you like your food fresh-caught and cooked over a fire, you will like the food here. I did not try much of the food, because I was mostly fleeing death.

Accommodations were sparse, unpleasant, and--you guessed it!--not very safe from death.

The people tended to be distrustful and prickly. I did not hold this against them. I was only there briefly, and I was prickly too.

Entertainment was mostly hunting and camping. Although I would not class it as "entertainment" as much as "necessary survival."

NOT an island vacation. 1/5 stars (one star because the chickens there were pretty)

3. Lumar (Tress of the Emerald Sea)

For a place in which water brings death, it was actually pretty clean. Not sparking, but clean enough.

I did not like the food much. Bland. Their sea chickens do not taste as good as land chickens, IMO.

Since most of planet seems to be oceans (NOT water-based), you will find yourself staying on ships if you stay on this planet. What do you want me to say? It's a ship. Even if you have a private cabin, it will be small. It was fine.

People were on the whole friendly but seemed unused to visitors. I don't think this spot is very popular.

Interesting place to sightsee. The oceans are all different colors. The lunagrees (moon aether waterfalls) are worth seeing.

Overall, 3/5

4. Nalthis (Warbreaker)

Planet was generally well kept up--dirty in the way that populated cities or vast snowy landscapes full of woods can be dirty, but nothing major.

Great if you like seafood. Worth seeking out ethnic neighborhoods within the big cities for better food.

Some parts of the planet have better accommodations than others. If you want to stay in a cabin and feel cold and depressed all the time, try Idris. If you want to be a warmer place and like seafood and way too much color, try Hallandren.

If you want culture & stuff to do, try Hallandren. We're talking sports, art, music, creepy statues, pretty much anything you can think of. I cannot emphasize enough that it too colorful though.

This place will take your breath away (just a little Nalthian humor).

4/5 I had to soak my eyes after.

5. Scadrial (Mistborn)

Saw lots of reviewers saying that planet is the dirtiest place they've ever been, what with the constant rain of deadly ash.

Not my experience. Place was admittedly dusty in a "we love our cowboy aesthetic" kind of way, but they've clearly cleaned up since some of those earlier reviews.

Food was okay, but this seems to be more a place you go to drink. If you like whiskey, you will like Scadrial. Yeah I saw the review saying people drink perfume. Can't verify. Didn't see that.

Lots of places to stay, many of which are pleasant enough. If you happen to be speeding through the planet in fear of your life and the life of everyone you've ever cared about, then you'll be happy to hear that your options are many: horses, cars, trains, magic.

(I will ding them for their idiotic train system. Sometimes people don't WANT to go through the center on every trip.)

Entertainment options I saw: ride trains, see giraffes, drink, visit fast-food places, drink, visit the Field of Rebirth, shoot guns, drink.

4/5 I'm just not that into cowboys

6. Sel (Elantris)

Cleanliness varied from "sparkling silver city of the gods" to "battlefield awash in the blood of innocents." Definitely not the dirtiest place I've ever stayed.

Food was a highlight. You can get good spice here. Sweet things are also available for women/ardents.

On the whole, accommodations are solid. Good infrastructure, no weather actively trying to kill you, some places on planet not currently at war.

People can be aggressively religious, but if you avoid people in red armor, it's fine.

For entertainment, I can recommend sightseeing--go see the city of Elantris. It's worth it. Note: reviews complaining about zombies and sludge are old. Always check the date on reviews.

Overall 4/5

7. Taldain (White Sand)

The place has too much sand to be clean. I'm sorry but it has to be said.

The place has too much sand to have good food. I feel like it was always slightly...crunchy.

The accommodations are fine if you like sand.

The people always seem to be subtly wanting to prove that they're better than you. Sometimes it is not subtle. I guess this is what happens when Autonomy is in charge.

If you want entertainment, try the Darkside.

Overall, 2/5 just not my favorite place.

8. Threnody (Shadows for Silence)

Place is quite clean.

Food is bland again. You cannot trust Threnodites to have good food.

Oh, also the place is full of ghosts who will murder you.

0/5

9. Komashi (Yumi and the Nightmare Painter)

Can verify that place is no longer infested by deadly nightmares seeking your death. Travelers no longer need to seek out the few pockets of warmth and light in the sea of encroaching darkness. It's a pretty normal planet now.

Food is pretty good. Ramen place in Kilahito (Noodle Princess) is a highlight.

Good accommodations, tech-wise. Heating, lighting, hion-viewers. If you need that stuff to feel comfortable, not a bad place to visit.

If you're not actively on the run, there is plenty to do, from watching your shows to attending local festivals or art installations, to star gazing.

Pleasant place, these days. 5/5

10. Roshar

Note: I'm from here so my review may be biased.

Can't say planet is very clean. It's always at war, and the rain is full of crem.

Food varies. Soulcast food is not very good. Non-soulcast homemade food is great! (Most food is soulcast.)

Accommodations matter--try to stay in a building that is sturdy on both the east & the west side because the storms here do want to kill you. That is not entirely a metaphor. Are the accommodations nice? I mean, they're fine.

There is a lot to do here if you like war. There is a lot of war.

5/5 This place sucks and I miss it a lot.

[itsallmouthwashing]

Tulpar- Band AU, Character descriptions

I cannot draw- so have some written descriptions and tidbits about the members of Tulpar! I'm planning more bullet points tomorrow but contemplating how much I want to give away ;)

It's very late, I want to add more but I also want to get these OUT! I have much much more planned so don't worry all the details will come out

Bullet Points here

ANYA

Our goth bhaddie

Mid-short black hair, undyed (a NATURAL goth queen)

Usually with purple eyeshadow and black lipstick. Her makeup isnt too intricate, but sometimes she likes to do a classic goth look (white foundation, black EVERYWHERE, the works) when she’s feeling fancy. Later when their band goes much more hardcore, she rocks the look more often. It makes her feel powerful and confident on stage!

YES she has Doc Martens. NO she doesn't wear them. They make her FEET HURT!!!

Still likes jogging! Is that jog to the nearest Burger King? Sometimes! 

Her first tattoo is the one she gets with the crew when Tulpar gets signed :)

Has her ears and her bottom lip pierced. She plays with her lip piercing when she’s studying

She picked up bass at 12 

Does Daisuke’s and Curly’s makeup sometimes :)

Perfer’s purple nail polish :)

DAISUKE

I put in my Ghost Adventure’s AU that Dai would have dyed his hair pink or purple, so this barbie has pink hair :) He’s got a purple fringe :) Probably short-- think about base game Sims 4 short emo hair-- that one!

Loves to paint his and the crews nails, especially for concerts! It happens so often that it becomes ritual and start times will go over if they aren't finished in time. Daisuke WILL get this hand right and the fans WILL understand (they always do!)

Loves to pair undershirts with his collection of Hawaiian shirts. Of course, his pink hibiscus is a staple, but so is the mesh/fishnet unders he puts on when he starts to transition to an alternative style. 

picked up drums around 15, but got really focused on it and mastered them fairly quickly before they went pro

Prefers his nail polish to match with his shirt that day!

JIMMY

Does not have dyed hair either, but he likes to keep it long-ish. It hides his face better but also gets in the way when he doesn't want it to. 

Had a battle jacket, but the sleeves got damaged when he hosted a bonfire and he did not pay attention to the fucking bonfire. That's alright though, he turned into a battle vest!

Overall more of a grunge aesthetic/style

YES his crust pants are REAL stop ASKING HIM !! 

Songwriting has been a part of him since he was little. it was his way to vent, a way to cope, a way to be in control of the narrative

Didn't know when he was younger, but Jimmy has perfect pitch. When he figures this out, he boasts about it in his guitar classes

Buuuuuut it just means the other kids asked him to turn their guitars. That stopped very quickly after he smashed someone's guitar.

Picked up guitar when he was 8. His dad was going to throw it out, but little Jimmy insisted he keep it and that he would find someone who would buy it off of him. Maybe a teacher at school or something.

But instead go buying it from him, a teacher sits him down and teaches him how to play. He gets so lost in it, he begs the teacher to keep it here and teach him more after school. That teacher also teaches him how to write music!

Learns how to do makeup because he’s jealous of Anya- always touching his face so gently to fix his makeup. Quickly learns that all he can really do is his own eyeliner, and even then it’s mid

He’s trying though! (when Jimmy clams the fuck down he eventually goes to Anya and asks her to teach him. They have a nice bonding moment. (the worms demand more, so more there will be- here when I post)

Prefers black nail polish, demands he does it himself (Curly convinces him to let Dai do with Jimmy can't get his hands to stop shaking before a concert. Dai continues to do them after)

Bracelets and chains out the waazoo. When he warms up enough, he lets the band borrow some for shows. (Dai does attempt to actually steal one at some point. Jimmy breaks his nose over it (The worms have plans, you’ll find out why!)

Will! It! Boof! Welcome to Jimmy’s favorite game show! Can it be smoked? He’s fucking got it baybeeee!!

That is to say, he smokes cigarettes, vapes, weed, carts, dabs- yeah man. At least the things that wont get him in serious trouble with the law (at least… not for a little bit…) 

CURLY

The oldest of the group, beside Swansea when he makes his appearance. 

Mid-short blond hair, also undyed. He does get a perm sometimes. When Jimmy does missing, he has a full breakdown and dyes his hair black, but that's later that's later thatslaterthatdlater

Has snakebites and an eyebrow piercing 

Nipple piercings WHO SAID THAT 

When the band goes pro, Pony Express records demands the front man have a certain image because thats what’s hot with audiences and they need to bring in as much revenue as possible with their first album or they get dropped 

Picked up guitar freshman year of high school when he was accidentally enrolled in a guitar class. Some kid said he had perfect pitch, and Curly thought he would be the perfect person to ask about turning his guitar

Only he misunderstood. Though he asked him to tune it for him- Maybe he heard someone ask him about that earlier? He took the guitar with a smile, then smashed It to the ground like he was killing a bug.

The end of freshman year, just before the final for the class, some kid came up to him to tell him his instrument was out of tune. and that he could show him if he'd like. So he doesn't get bumped a letter grade, ya know?

The kid tunes it- just in time, because Grant's name was just called from the now empty class room.

Sophomore year, Curly is enrolled in a choir class, where he discovers his love and talent for singing. Sometimes when he does solos in the classroom, he feels someone watching him from the window in the door.

Prefers yellow nail polish! He loves the contrast of his nails against his outfit since he’s usually in all back 

Wears mostly suits. It's what his parents put him in growing up, so he has a ton and they just feel natural. Does it hurt when Jimmy convinces him to rip them up for a concert? Only a little ;-; Does it make the audience go wild? Only a lot :) 

Wears Jimmy’s chains way before the rest of Tulpar have access to them 

SWANSEA

Tulapr’s manager before and after they get signed with Pony Express Records. 

Usually wears a track suit or something, very casual around the crew. After they get signed though, hes always dressing in P.E records merch, ad later Tulpar merch when PER authorizes it!

Keeping his backstory mostly the same, his struggle with addiction does come into play with the story I have in mind 

Used to be really into the punk scene. If you loook really close, you can see the holes from his snakebites and brow bars. No one can see it, but he also used to have a septum piercing. 

He has a stash of his old clothes on the bus when Tulpar is tour-ready! He also becomes the resident seamstress if a costume rips or malfunctions :)

[lorynna]

Nothing about this is "bold" (the original word used to describe this path before translation in the description was "brave")

If this surgery was done due to health reasons it would be something completely different but aesthetic surgeries to better fit into society's beauty standards is rather the opposite of brave.

Because I understand the pressure of a woman's performance and the expectations that rest upon her shoulders I want to clarify that I don't support insults towards them or any harassment of that sort. I merely criticize the advertising of surgeries in this way and labeling them as brave.

Brave would be to go the longer path and learn to accept your body. To take a neutral stance on it. But the unrealistic expectations many people have towards aesthetic surgeries are unrealistic and often don't solve their problems at all, they actually create new ones and once you've crossed that line you won't be so hesitant to do it again.

Your beauty surgeon does not care about you personally. They make good money with those procedures. They might tell you what else could be done, after getting that surgery you always hoped would "magically make your problems go away" don't actually resolve your issues with self acceptance and body insecurities and you might watch yourself in the mirror again, thinking that "but what if I got another surgery like this... then I would be much happier" or "if I got another surgery like that my overall body would look much more aligned with it's features".

For example: I understand getting a breast reduction due to back problems, getting a labia reduction due to your inner vulva lips being too large and hurting when walking, things like this, health reasons.

But this woman is getting a labia reduction due to seeing it in porn or being exposed to a partner criticizing them for it because they consume porn content that is not realistic and does often show surgically altered labias and vulvas. This woman is getting a lipo suction and a breast lifting with silicone enlargement due to wanting to fit the beauty standards.

Do you know those beautiful greek shaped noses? Every time I see someone getting those beautiful, unique noses reshaped my heart hurts.

Imagine someday having a daughter that comes up to, her nose looking like yours once looked like, you asking: Mommy, why I have such a differently shaped nose than you? " and you have to try explaining to her how and why you found your nose so ugly when you were 19, that the first thing you did when you had earned enough money from your part time jobs was getting your nose done into what was" trendy" at the time. Imagine her looking up to you asking if you think that her nose looks ugly and you have to explain that to her.

[soundlesswind]

Mononoke: Karakasa Review

Mononoke - Phantom in the Rain

Now that it's officially out globally, I can finally offer some thoughts and reflections on the long-awaited continuation of the cult-beloved Ayakashi/Mononoke series. My main tagline for this review can be summarized thusly:

I liked it...but it could have been better.

(~ not spoiler free, read at your own discretion ~)

Karakasa: Visually, it's a bang---structurally, it's a bomb. That about sums up how I feel about the movie overall. It's vibrant, beautiful, and full of intricate patterning and details, and is in a way: both a step up and a step down from the original.

...But what do I mean by that really? Well, I think we need to first highlight what makes Karakasa and Mononoke rather different.

Ayakashi/Mononoke has a much slower pacing, with slightly more muted, and washed-aesthetic tone despite its colourful designs. It shifts from being more colourful or more sombre depending on the type of scene it wants to depict. But even at its most saturated, it never gets quite as vibrant in contrast compared to Karakasa. ...However, you could say that may be in part due to the sheer difference in animation techniques developed over the course of nearly a decade between the two (2006/2007 vs 2024).

That isn't to say Karakasa doesn't have moments of dark imagery, but that even at its darkest, it remains distinctly vibrant and high-in-contrast. You could argue for it as a conscientious choice...but personally, at its root: Mononoke is a horror-ghost story; and the gritter, muddled palettes rather add to that charm.

(2007 Mononoke - Noppera-bou, and Nue)

(2024 Karakasa)

To match its mood, Mononoke also has a much slower cadence and story tempo, despite any singular arc being overall shorter than Karakasa. That cadence adds to another difference: which is spookiness. I find Mononoke to be far spookier and more effortlessly imposing than Karakasa. There's a bit of tension and suspense in the way it's presented: both visually and vocally* (a point I'll bring up later). Mononoke is sometimes boldly laid out in seemingly disjointed flashes, but still somehow ends up cohesive and immersive with its themes and motifs; feeding you just enough information to wet your appetite as to where and just how far it wants to take you. And this is of course, done in parts over the span of 2-3 episodes.

Karakasa on the other hand, has a pacing that feels like a marathon. It seems almost lightning fast, despite the first half of the movie being entirely sociopolitical intrigue without much in the way of anything overtly youkai-esque. In fact, our Medicine Seller doesn't even step foot into the Ooku (women's court) until around 40 minutes in...which is nearly half the movie! ...But naturally, since it's a movie, it will be movie-formatted. Everything is going to run as if it were one singular episode long. --- Still, what does that mean for the pacing?

If you don't know what "tea house tales" "is.....it's basically a format of short stories told over several sessions. It's one of the ways people in the historic East used to tell stories. They'd gather around somewhere, drink tea, eat snacks and share a bit of light entertainment. In the same way the episodic nature of Mononoke is somewhat reminiscent of that. Each part feeds you a bit of information, a bit of mystery, a bit of suspense, and a bit of action. It keeps you sufficiently entertained one way or another without stringing you on far too long before any sort of climactic reveal. In this way, Mononoke feels more balanced and evened out than Karakasa. But even the format aside, I found Karakasa a lot less clear and concise with what it's trying to portray. There were parts of the movie I had to re-watch a few times or sit down and think about afterwards just to fully understand what I think it was alluding to, which wasn't an issue with Mononoke whatsoever. The plot, both visually and thematically was always clear as day for the original series, where as Karakasa sort of muddles on and off between mystery and court drama over the course of an hour and a half.

Personally...I think one of the detriments to Karakasa is the sheer size of its cast. There were simply way too many characters (27+), and some of them even have overlapping roles. There were also quite a few without clear rhyme or reason. For example, we get introduced to Tenshi, Mizoragi and the moon twins, and an assortment of other characters who don't really have much of a presence in the movie (other than to to be positional seat warmers) and are shown for a collective total of a few minutes. Karakasa IS a trilogy however, so it's possible that their roles may be elaborated in future movies, but in regards to the current film, they feel like a distraction. I guess they're going grand and all out, but the benefits of a smaller cast is that you get more intimate with each character and their already very limited screentime. It just wasn't possible for me to feel any intimacy or investment into the large cast of Karakasa---Asa and Kame included.

Comparatively; I always felt truly, fully immersed in all the story arcs of the original Ayakashi/Mononoke. I cared about the characters, or was so invested in their sorrowful tale. But I didn't particularly feel that way about Karakasa because whatever message it was trying to convey kind of got lost in-between all the court drama...which, I'm not sure some viewers may even understand or empathize with unless they already have some knowledge of what women in the imperial harem go through or how it functions. (Speaking of which, Asa practically speed ran the exposition towards the end regarding Kitagawa and her own motives.) Just to name a few: there's the rank struggles of Asa and Kame versus the leaders of the Ooku; the political positions of Fuki, Botan and the other consorts, the political household ties of Saburomaru, the grip of Mizoragi's strange cult, and the (lack of) political power that Tenshi (the emperor) holds versus the Shogunate in the Capital (---I'm not entirely sure what timeline we're in right now, but the fact that there IS a Shogunate implies a lot.)

...Anyway, you can see why there are too many distractions in this movie for me to fully feel immersed in whatever it's trying to tell. It's supposed to be a movie of women's suffering (under the weight of men and the social sphere I suppose), but most of the time it felt more like I was just simply suffering watching women cat fight each other until they quickly got picked off by the Karakasa mononoke.

Speaking of the titular "Karakasa", though... it certainly was an interesting choice of youkai. I wonder if it was because traditionally, karakasa aren't violent youkai, they're merely scary tricksters; and it wasn't as if Kitagawa was really out for revenge (though she did pick off a few people).....actually, now that I've written it out that way, Kitagawa's motives are a little unclear. Or maybe it didn't matter anymore as karakasa grew to the point it became uncontrollable. Either way, I think if they had refocused the movie on Kitagawa and actually visually show the parallels between her, her "friend" and Asa/Kame...instead of giving us a verbal speedrun exposition dump towards the end...I might have felt a little more sympathy (...or just simply anything worth feeling towards the story). But alas.

It certainly didn't help that I was a little unsatisfied with some of the voice cast. For the most part, I was okay with the side cast (particularly the males, since the females hardly had lines); but felt it was a waste that Tsuda Kenjiro (Mizoragi) also hardly had any lines (...though I have a feeling he'll play a bigger role in the next movie). He was actually even one of my 3 ideal choices for Kusuriuri's recast (next to Ishida Akira and Toriumi Kousuke). I've said it before and I'll say it again, I love Kamiya Hiroshi, he is one of my favourites...but I think his role as Kusuriuri was a bit lackluster since his vocal range is medium-high and therefore does not go deep or husky enough to carry the same spook factor that Sakurai Takahiro's voice has. Karakasa also lacks the unique staccato often used in the original Mononoke which gave it an overall interesting sound and pace. I loved the odd vocal nuances and pauses in the previous work and was very sad that it's more or less nonexistent in Karakasa.

My second complaint would be with Asa and Kame's cast, which I felt might've benefited more from actresses with more interesting inflections. Kurosawa Tomoyo is an okay actress. She gets the job done but generally does better on long-running series since she takes a long time to fully have a grip on her role. Honestly, she was on auto-pilot and was quite boring throughout Karakasa. Aoi Yuuki on the other hand has a lot of vocal range, but generally suffers from inconsistency and just sounding like nails on a chalkboard. (I won't even mince it; my housemate walked in on me watching Karakasa on the telly and literally flinched at her voice because it severely hurt her eardrums---my condolences).

Generally speaking, I do prefer older seiyuus, they just have qualities I enjoy more, but I do also think the movie would've benefitted more from either a liveaction casting or a Showa casting. Most of the characters (in both Mononoke and Karakasa) kind of...oddly use modern speech instead of feudal Japanese (minus Utayama), and given that the Ooku IS a court drama, doesn't use court language or any regional dialects whatsoever (granted I'm not even sure if this is Kyoto, Edo, or wherever). Awashima and Mugitani do use formal language, but only Utayama uses slightly older diction. With the exception of a few notable names, most of the cast for Karakasa are from a generation of newer/younger voice actors, whereas Mononoke consists of an older one. You probably won't care unless you're a seiyuu buff, but there is actually a clear vocal distinction between those of different acting generations. For example: Sakurai, Kamiya, Ishida, Tsuda, Ogata, Hayashibara, etc...all have particular qualities to their voice that give it a layer of interest (ie. whispiness, huskiness, nasalness, etc). I don't know if it's caused by the difference in learned language or some other factor, but newer generations of voice actors tend to have more clear-toned voices with more modern inflections. Kurosawa and Aoi both have notably modern inflections when they act. You could say it's a battle of old versus new if we're going by story theme...but in which case, the rest of the cast could've been of an older generation to portray that. (But well, I'm glad they chose an older actress for Utayama, at least). The few exceptions to this are a small handful of modern actresses that are so astoundingly skilled they break that barrier. I kind of wished they had casted Hanazawa for Kame instead but she's already Kitagawa...but in which case, toss Sawashiro Miyuki in that role, I think she would've been a bit spookier. Hanazawa as Kame might've made her more endearing to me, but maybe they were going for the double-double: irritable voice and character combo, since Kame wasn't particularly written to be likeable. --- Kame does somewhat feel like a second generation Kayo (MAO), but I think MAO was still more serviceable to my ears. Anyway. I don't think I should hold up this review post any longer with my derailed rant on voice acting. It is what it is, and at the very least: we found out some lore bombshell that there are possibly at most 64 medicine sellers, and that Sakurai (Ri) Kusuriuri and Kamiya (Kon) Kusuriuri are different characters altogether (---a lot of fans rejoiced about that), making the possibility of two or more existing at one time. Wouldn't that be exciting to see?

Moving on to the music. In contrast to the trailers, the soundtrack in the movie sometimes feel like background white noise. It almost seems like a trend with newer anime, but nowadays, I hardly hear the tracks compared to older shows. Well, in Karakasa in particular, the movie is moving at such a jilted pace: most of the sounds you will hear is either dialogue or the occasional clinks and clangs. They don't really blast OSTs like they used to (...unlike Hollywood movies where I hear too much BGM). --- But following the odd quirks of Ayakashi: some of the vocal themes for Karakasa still are that weird mash of modern and traditional sounds with the occasional rapping. Particularly during the fight scene, there were some hardcore bass rap on cue. I'm not sure if I like or dislike it, but it is different. My favourite track is the Okami-esque flute theme used during the Birth Celebration Ceremony towards the end. But whether it's Mononoke or Karakasa, what stands out in both is not the score, but the sound effects which have always been the distinctive noise of the series.

The teased title for the next installment is "Ashes of Rage". I wonder what that could mean? We're left on a bunch of cliffhangers, such as why did Kusuriuri smile while looking at the clouds, what's the deal with the seal in the well, and what was Mizoragi doing in the cellar pouring water over what looked like an enclosed basin? Moreover, why on earth did they lore drop so much on the background of the medicine sellers...not in the movie but during the side interviews! The fact that they have a home base, or that the Shingi (alters) are different people... So do you mean to tell me, I still can dream of an Ishida Akira Kusuriuri!? There are at most 8 trigram Taima swords, and 2 of which are Sakurai and Kamiya's. Does that mean there's still room for another 6 Kusuriuris? That's so fruity!

If you made it this far, thank you for reading. I also I hope you watched the movie before perusing this given that it's so spoiler heavy. While it does seem like I had a lot of complaints, make no mistake: the movie was gorgeous. It was made with painstaking visual efforts and intricate architecture. Every stroke and splash is a work of art, making it one of the most visually interesting movie in a long time.

While it doesn't replace the old Mononoke in my heart, the Karakasa trilogy is a nice addition; something different and its own thing. A lot more action and a lot more abstract if you dig that sort of presentation.

Given that the trilogy isn't over, I have no doubt the rest of it will continue on with Kamiya's (Kon) Kusuriuri...but I do hope the series continues to keep receiving love so I can eventually have a whole Sentai Kamen rider group of Kusuriuris.

Until next time...~!