#i think i know more about some dc characters than some of dc current writers lol

[vikingpoteto]

So you do agree that Oliver Queen is bad representation and that by idolizing him you're part of the problem, right? Because he says defund the police and then uses excessive violence and says that he's doing the police's job? Do you realize how fucked up that is?

Do I agree that Oliver Queen is bad representation of WHAT? I'm not the arbiter of representation, man, what do you want me to do about it? I'm not idolizing anyone or anything, I'm a regular person reading comics written by different regular people. I don't know if you're the same anon from before but you kinda sound like you want everyone to preface every post with a bullet point of the issues in it and put a coin in the problematic jar for every single one which... sounds unreasonable to me.

[zahri-melitor]

Batman v Ra's Al Ghul, by Neal Adams: A Bronze Age fever dream of a comic, written in 2019-2021.

Neal Adams caps off his over 50 year career with DC comics by...them letting him write a book for the first time in a decade.

Now, Adams is famous for his Bronze Age artwork, not his writing, and it's deservedly so: this is not the comic you would pick up if you were interested in award winning writing. But I have to say, it's actually something far more fun than 'good writing'.

I think the easiest way to describe the incredibly wild vibes of this title are 'Adams writes a multiverse Bronze Age time travel AU fic', where the cast technically consists of a modern set of characters (Dick is Nightwing and both Tim and Damian are Robin), but all of the characters are drawn, talking and acting like they just walked off a page in 1974 or so.

For assistance, that's: Dick in the yellow with the very 70s black vest; Tim in the blue t-shirt; Damian in the red t-shirt; and Bruce in the suit. You end up keeping track of them in this title by their haircuts.

Bruce and Damian here cannot remember anything about being Batman and Robin; Dick and Tim appear to have shown up with a fantastical story that cannot be proven (as I said, this has INCREDIBLE reality hopping AU vibes).

Some of the characters have been mindwiped. Some of the characters are robot duplicates. A whole list of characters Adams helped create show up largely because he created them (seriously Kirk and Francine Langstrom show up for a couple of pages mostly to give Dick and Tim an airlift into a difficult to reach entrance to the Cave). Nobody sounds particularly in character at any point, but that's not really a problem in this comic, because what it really is is a giant jolt of Bronze Age style writing nostalgia direct to the brainstem.

They don't make comics like this anymore and reading one written in the 2020s like this reinforces why.

Deadman's brother Aaron and sister Zeea show up; his brother is busy pretending to be an alternate Australian version of Batman called Marvin O'Hearn, and his sister is a psychic running around in the most 70s outfit imaginable controlling things and mindwiping Bruce on Ra's orders.

(And yes, if you too just asked 'Boston Brand has siblings???' the answer is 'kinda sorta but definitely not these two', however given Adams was writing Boston in 1968 at one point he's got as much right as anyone else to claim there are additional siblings)

There's a group who PRETEND to be the Court of Owls but secretly are a group of industrialists called The Money who want to control the world via paying for legislators, judges and industry (and yes I realise that sounds exactly like the Court's thing, but Adams was almost 80 when he wrote this, he can have an expy Court if he wants one).

Bruce pretends to be Matches for a good chunk of the back end of this comic and it actually acknowledges that Matches Malone was a real gangster before he died and Bruce stole his identity (something other writers and the fandom often forget), because Adams wants one more spin with the character he designed.

There's also a moment in the sixth issue where one of Ra's pet scientists tries to sell a panel of Gotham execs on a perpetual motion machine based on electrolysis as his replacement for the current Gotham power generators and at this point I lost it giggling at the portrayal of Ra's as a cheap charlatan.

(There is also a sneaky joke that only works if you know what British salad cream is; there's this sequence of the kids talking about Alfred making sandwiches with 'crappy salad dressing' instead of mayonnaise, only this tray has been made with mayo...and it's a hint that Alfred has been replaced by a robot. I laughed; I suspect it might be non-obvious to American audiences)

This is not a comic to read if you are interested in 'main continuity' or 'coherence' or even 'good writing'. However if you want some wild antics that feel like someone's 3am fanfic AU written in pure Bronze Age vibes and to see the last work of one of Ra's Al Ghul's creators? Give it a chance. You'll never be able to predict what's on the next page.

[glitter-stained]

Some of the posts I see here y'all gotta stop seeing fanfics as "bad dc takes". Like, it's perfectly fine to not like a trope that's popular in fanfic, but you gotta stop seeing it as character meta is what I'm saying. Fanfic writers are not canon writers, they do not owe you canon compliant, and you don't get to assume that what they're writing comes from a place of ignorance when there are so many reasons to include/not include something in your fic.

Like, allow me to use my own fics as example since they're the only one I have background info on the knowledge and motivations of the author:

-I wrote a fic with Lazarus Rage in it once. Do I know it's not canon? Absolutely. Do I think it's necessary for the understanding of Jason's character? Not at all, I think canon Jason is more interesting without the pit rage. I just wanted to write it once because it looked cathartic and you know what? It was. It was super cathartic. I wanted to write a story about the progression of a depressive episodes and using pit rage to talk about the feeling of loss of control with intense anger issues and sensation of loss and deep self-hatred afterwards, and i thought writing this is gonna feel good and it felt good, for me and for the readers.

-I'm also currently finishing another fic, in which I've simplified Tim's relationship with Jason's a lot (basically Tim is still haunted by Jason's ghost and Dick is still his favourite Robin but the victim blaming is much less intense and there's an intense, genuine admiration for Jason and happiness to get him back). Is it because I hate canon and its complexity? No, I love it, I love when character relationships are fucked up and they make a mess. I'd love to explore that in a different fic, even have the prompt already. But I'm writing a really intense fic about trauma, taboo and lack of communication around sexual abuse, and there are so many characters pov and things happening and I have to do this right because we're talking about things that happen to real people and not being accidentally insensitive or sending a shit message is more important to me than perfect canon compliance, and it's just not the place for it. This story isn't about tim, and it's not about victim-blaming. It's a fascinating can of worms to open, but I'm not gonna open it if I don't have the space to deal with it because I'm not gonna let worms roam freely all over my fanfic when I can choose not to include the worms in my story, because it might rely on base material but it's still a finite story that exists within its own scope because I'm not a comics writer, I'm a fanfic writer and my story doesn't exist as a pure extension of the comics and I don't owe you canon compliance. And how boring would that be if we could only write canon compliant stuff! No more coffee shop aus, no powers aus, fantasy aus, no more non canon ships between characters that hated eachother until the day they died (but had so much sexual tension)... Fanfic is not one single entity that takes place in a simplified version of the canon universe complete with consistent lukewarm tropes and watered down understanding of characters. Fanfics are rich and diverse and yeah canon compliant is great and i want more of it but the universe is so much wider and that's what makes it rich! Do some people write fanfic and also don't interact with or know canon? Sure, plenty of them. Does that fanfic reflect their opinion of canon? Sometimes yes, sometimes no. You don't know that. In the meantime, people are still creating extra content and enriching the fandom experience and if you don't like it, genuinely, the filter tags button is right there. That's not to say there are no racist or classist or sexist tropes in fanfics, but again that exists within the scope of that story. Bad writing exists in canon, and it exists in fanfics, and sometimes a story is canon compliant with a terrible message and sometimes a story is canon divergent with a terrible message and pushing away everyone who writes things that aren't canon compliant is not going to fix these issues in the dc fandom. Telling people to "not write the character at all if you're going to write them ooc" assumes your understanding of what is essential to the character is perfect and The Right Way to interact with a fandom and it's patronising and not only do you take the risk of looking like a moron the second you make a mistake, it is actual gatekeeping and the reason many people find getting into comics/fandom intimidating in the first place. (And it also shits on the potential of AUs like dark reflections, mafia etc. Of course Mafia Bruce who kills people is deeply ooc. These stories are still fun and it's not wrong to write them!)

"This story really should have addressed that thing that happens in canon" did it happen in the setting of the fic? No? Then shut up and let the fic tell its own story, it doesn't have to "address" anything it doesn't have space for. Again, don't like don't read is a thing. Fanfic enriches the fandom, it doesn't take away from it, but you know what can? Canon writing. I'm way more concerned with what dc is having batman represent nowadays than with fanfic I haven't read because I knew I wouldn't like it.

TLDR: It's understandable to be upset when people who don't interact with canon material at all try to assert their opinion on canon as the truth, especially if they call any attempt at disagreeing with the mischaracterization gatekeeping, but that doesn't make you immune to being a gatekeeper. Assuming you know a writer's knowledge and opinions on a character because of that one fic of them is naive and a misunderstanding of what fanfic is. Fanfic writers are still real people who give you cool stuff for free and you don't have to like it but you still have to be respectful about it, and all that negative energy you spend on rants about "bad character and" you've read in fanfics would be so much better spent on bad canon writing because these people do have the power to fuck your favourite character over and they do owe you canon compliance, and with the amount of effort some fanfic writers put into their fics compared to some of the writers who get payed to write canon, you guys could stand to be more respectful about fanfics.

[pluckyredhead]

☕️batfam (not each character, but your opinion of them as a family both in canon vs. canon)

I think the version of them that you see in things like WFA and a lot of fandom stuff is delightful and entertaining. Don't get me wrong - a lot of the fandom stuff is also wildly wrong and infuriating. But there are writers who do a great job with a more fannish take on the Batfamily and I enjoy their work. (It is usually...painfully obvious who has actually read the comics and who only knows the Batfam via tumblr posts.)

The Batfamily in mainstream continuity is...not that. The characters are significantly more traumatized and rarely joke around with each other. They're also not a unit in the same way. They almost never do anything together out of costume. They don't have a joint baseline relationship of "family" - each pair of characters has a unique relationship. Like, Dick and Damian are close, Tim and Damian have a very rocky history, and Jason and Damian have honestly just not interacted that much? (Hilariously, Jason literally shot Damian early on and Damian doesn't appear to hold a grudge, while you know Tim is still mad about the dinosaur thing.) Damian has a specific relationship with Steph. Tim has a specific (and close!) relationship with Babs. (He used to just...hang out in the Watchtower! Being nerds together!) Duke and Cass are close, which of course is largely ignored by fandom. Etc.

I think the fact that the canon relationships are fraught and in some cases either really volatile or nonexistent is potentially really interesting. Like, I would love to see a story that puts Jason and Tim on a mission together and really digs into that dynamic, or Tim and Damian. (Or my dream story, one where Tim feels Some Kind Of Way about how he used to be Dick's favorite but now Damian very clearly is. (This is not how Dick sees it at all, for the record. Tim is his little brother! But Damian is his baby. It's different.))

Or look at the Robins' current relationships with Bruce: Dick is the closest with him but also accepts and absorbs much of Bruce's bad behavior without question. Bruce and Jason cannot be around each other for more than 30 minutes without dragging up every wound they've inflicted on each other over the years. Tim is desperate to fix Bruce to a degree that's actively unhealthy for Tim. Bruce functionally ignores Steph's entire existence and she seems to have wisely made her peace with that. And Damian is desperate for the unconditional love Bruce seems incapable of giving and mad at himself for it.

I don't actually want to change that. I find it fascinating. I'm not opposed to stories about the kids healing some of that damage, but I don't particularly want it to be via their relationships with Bruce. I'd like to see it happen via their relationships with each other. (That one story where Dick was like "Tim you will never fix Bruce, PLEASE stop trying" and Bruce was like "Lol he's right" was SO good. And then the writing on Tim went catastrophically off the rails but we're not talking about that right now.)

Anyway I think I've gotten a little far afield of your original question, but basically: I like (the good takes on) the fanon Batfam, but I also think the canon Batfam is really interesting. I don't think the two should be conflated (which is what DC does when they try to give us fluffy interactions that haven't been earned, Tom Taylor). And I don't think anyone is wrong for preferring either a more lighthearted take or a more fraught, canon-compliant take. The asshole behavior comes in when you refuse to accept other people's preferences.

(But also, if you are looking for an actually loving and healthy canon family that has playful interactions, you want the Flashes or the Arrows.)

[northoftheroad]

I know I just gave you an ask and you must be super busy, but what do you think abt Dickory vs Dickbabs?? Personally, I think Dickory is way better but in Tom Taylor’s run and the current runs, Dickbabs is the main ship. Anyways, I just wanted your opinion on it :D

Also thoughts on Tom Taylor’s run? I thought about it and I kinda have mixed feelings. On one hand, it’s great for fanservice and has some super cute and funny moments. On the other hand, the characters and their relationships are kinda one dimensional. Thoughts?? Take your time and thanks if you answer! <3

Hi, As I've said before (and I'm going to quote myself from older posts here quite a lot, if you happen to come across them 😉 ), I'm fine with both pairings as long as it's well written. I guess a lot of fans lean towards preferring what they grew up with and such like. I'm old enough to have started reading Batman when the idea of another Robin than Dick Grayson was ludicrous, and read the NTT in my slightly older teens. So I definitely have a nostalgic feeling for Dick/Kory.

I think they worked well because they were so different; they each learned from the other and grew as people. Being with Kory helped Dick become more emotionally open after some ten years of growing up with Bruce and Alfred. In NTT # 26, he talks about how he is too introspective and that Batman taught him to be guided by his head, not his heart. And in turn, I'd say Kory learned not always to be ruled by her emotions, and Dick helped to ground her on Earth. They had their fair share of problems, one obstacle was their different approach to relationships and sex. While Starfire is fine with being married to another guy, for reasons of state, but live with Dick, it takes Dick quite some time to come to terms with that he loves Kory enough to get over that. Dick and Kory were one of the most stable and loving couples in DC for over ten years. Now, in superhero comics, writers and/or editoral make the rules. There were plans to let them get married, but as far as I remember a change of editorial led to that being scrapped. We got Dick being raped by Mirage instead, and eventually, the couple split up. Disregarding that, I think you could very well see them growing apart. They were young when they started dating. I guess they were a couple for two-three years? At that age, it's not unreasonable to think they developed in ways that made them decide to go their separate ways.

If Dick and Kory were good because they were poles apart, I'd say Dick and Barbara are more alike. They have both worked with Batman; they are originally street-level detectives and athletes; they are used to work in similar ways. I could see them as a slightly more mature couple than Dick and Kory, being more in sync and relaxed with each other because they have similar backgrounds and shared experiences. (Which, of course, could make them a more boring couple in fiction…) I'm not a fan of the retcon that they've been friends since school, but they did work occasionally together as youngsters, so it can still make sense to write them as really good friends, imo. I honestly think Dick and Kory have been written as a good couple more than Dick and Barbara. Maybe things had been different if Devin Grayson had got the chance to tie up her long arc with Dick in Nightwing vol 2. Not that I think her run was without its problems, but it would presumably have been better if she had got the opportunity to finish what she started. The ending (or rather the absence of a decent ending) of her run, and the fact that the first Nightwing stories after Infinite Crisis were downright cringeworthy, has soured my impression of her writing of Dick/Babs. So I guess editorial decisions have ruined both Dick's most important relationships…?

I don't know if you're new to the debate about Dick/Kory vs. Dick/Barbara? Because it's sometimes a heated discussion, with people claiming he doesn't deserve either of them, he mistreated one or the other etc.

(Here's what Barbara herself had to say about Dick, by the way. In Birds of Prey # 71. By Gail Simone, art Ron Adrian and Rob Lea.)

I can definitely work myself up too much about fictional characters myself, but there are a few things I try to keep in mind… Fictional characters have no agency. Creators and editoral use them to tell stories (and sell stuff…). Don't get angry at fictional characters or, even worse, real people who love them. Also, reading comics is a lot about filling in the blanks between panels, and different readers can put a book down with very different pictures of what has happened. You can absolutely find examples where Dick has been written as behaving badly against both of them. Sometimes, it's a reasonable part of the writer's long game, sometimes it actually is bad and out-of-character writing. (And if you look, you can find examples where the women have been written as behaving badly against Dick too.)

Honestly, the most important thing for me when it comes to Dick and relationships is that he takes them very seriously indeed. Dick has not had a lot of one-night stands and is on record as saying he's not comfortable with casual sex. When he had one with Helena/Huntress, he wanted to talk about starting a relationship just because of that. When he (fake) married a girl to try to expose her as a murderer, he still avoided to sleep with her, and then he offered to stay with her when the case was closed, because he felt bad for deceiving her. Outside the blasted annual, I don't know of any time he was written as (knowingly) having sex with someone while he's in a relationship with another. Girls tend to break up with him, not the other way around. I'm sure other people have different ideas, and it can vary between writers and eras, but I think you can read Dick as someone who likes to be in a relationship, to be intimate with someone – but who's not into casual sex.

When it comes to Tom Taylor's run, I pretty much agree with you. I don't hate it, as some people seem to do, but I think the art has been the best part. It's mostly been pretty meh, TT has at several times spoken about how Nightwing is an A-lister among DC superheroes, but I don't think he shows it. And here and there he produces some really nice panels/pages (sometimes it's up to debate whether the characters are out of character or not). We're heading towards the end of his and Bruno Redondon's run and they've hinted he's going to stop being Nightwing. As if we need a third period of Dick not being Nightwing in ten years… 🙄 The best writer of Nightwing vol 4 was Sam Humphries, in my opinion. Unfortunately, it was very short.

Ok, this post has definitely gone on long enough... but if you want to go deeper into the rabbit hole, here are some earlier posts.

[brw]

How would you describe xfans' politics?

I mean, you ultimately can't make any actual generalisations of someone's politics based on what they read and watch. Media can and often does inform people's thoughts and influences them, but you cannot come to any legitimate conclusion of someone's politics based exclusively on what they read. When I criticise "X-Men fans", it is usually done with the understanding that I'm looking at a particularly small, vocal minority; by definition, I am an X-Men fan, because I read a lot of X-Men books.

Reading X-Men comics is not (no matter how much some people imply otherwise) political action. It is not an indicator of politics. Too often, I see people say "Conservative X-Men fans are crazy, they have no reading comprehension! The X-Men have always been left!!" and to be honest, that's giving a lot of X-Men writers way too much credit.

Claremont, as I've talked about before, is a Zionist who based his Magneto characterisation of a Zionist terrorist. His Charles, too, and had both of them meet for the first time in Occupied Palestine. I believe he has also gone on the record as saying that many of his female X-Men characters were based on female IDF soldiers. He also very much so made Storm a cop.

Grant Morrison, beloved X-Men writer, was horrifically racist to Asian people in their comic, most particularly with the portrayal of Dust, and having Magneto be in yellowface for that whole comic. There are other issues with Talia Al Ghul of DC, but that's out of my remit. There's a lot of criticism to be had about the portrayal of black people in their series, too.

John Byrne's many, many issues are more readily discussed, but he's still a massive part of the X-Men lore and history, and describes himself as a "progressive conservative".

And while I don't believe we know very much about their politics, I also don't think that Hickman or Duggan should be paraded around as bastions of leftist fiction, when they really aren't. I'm not saying these writers haven't written leftist things before, but it it is a mistake to say that the X-Men are inherently leftist and inherently progressive, when a lot of X-Men writers are not those things.

I think some people, by virtue of the X-Men being a series about the minority experience, project their own feelings and politics onto the X-Men, and sometimes forget that isn't reality. That's how we get "Magneto was right" as a fandom rally cry, but if you imply that maybe the character based off a Zionist, who canonically lived in Israel, and has created 3 different mutant ethnostates are two facts that inform each other, then you're crazy and ruining everyone's fun.

Anyway. Point being, I don't think you can meaningfully say "ALL X-Men fans are like this", when comics are ultimately nothing that can be used to make conclusions of people's politics. The only thing unique to the X-Men is that the minority metaphor and experience is the core premise of their stories, unlike the Avengers and FF who, while having characters like Ben Grimm and The Vision who undergo similar treatment, are not about that at their core in the same way the X-Men are. The centralisation of minorities makes it easy for the X-Men to feel radical and cutting edge, but they aren't that much, to be honest. Like, they are ultimately a capitalist venture created by a group of predominantly white Americans (although the current X office is more diverse than it has been since, well, ever, and that shouldn't be ignored), and are never going to be as radical as you want because of that. Cyclops is never going to be right the way you want him to be right, because Brian Michael Bendis is not going to be giving the people radical leftist praxis.

[clay-cuttlefish]

Updating the sheet has me thinking about the cameo limbo Vic's currently in, and what DC should do with him.

Vic is in this weird position where I don't really think he should be alive. He's had one appearance that was at all meaningful to his arc and one goofy oneshot since his resurrection, and it doesn't seem like anyone wants to do anything with him other than put him in bullshit spy stuff, so it kinda just feels pointless. Unlike some other ex-dead-mentors, though, it's not like him being around is a *problem* for Renee's development. Killing him off again would just be cheap, and there's no reason not to use him now that he's around. So what do you do with that?

Well. Vic died with his heroic arc complete, having passed on his legacy and made peace with his unfinished business, and now he has to figure out what to do in a world where he doesn't have a history to ground him. As a reflection of both his time seeking a purpose after Hub City and his earliest relationship with Shiva, the answer could easily be "hang out and get into trouble".

See, my annoyance with his current position is because I feel like it's kind of a waste to leave him in a dropped (I think? I might've missed something, but I'm pretty sure the Lois Lane Checkmate stuff has been ditched) team/plotline that kinda sucked, not that I'm upset he's sidelined. As much as I want to see my beloved guy, I don't actually have a problem with him showing up once a year. My ideal status quo for him, short of manifesting my stupid knockoff Birds of Prey pitch into reality, would be something like the handful of appearances in the late 90s/early 2000s where he was wandering around playing poker. No team affiliation, no grand motive, just showing up in backups and cooldown issues between major arcs.

Vic has thrived as a side character in other people's books, and it would open up a lot of possibilities if he was set up in a place where writers can pull him for an issue or two without having to figure out whether any of the Checkmate stuff is still relevant or come up with a great idea for where to take him next. It's not that he couldn't develop further, but I'd much prefer him to stay static as a roaming weirdo than to rehash old arcs or go in a direction that cheapens his existing development. It's fine for him to be a supporting character in the communal toybox now that his story has ended, and he's a lot more likely to stay in people's minds and eventually be a part of something neat if he's hanging around.

That said, there are a few things about where he is as a person that I think would be worth expanding on if he's being set loose into canon to cause problems.

The first is that I want to know how he feels about being resurrected. I'm sure his reappearance would've felt weighty to someone who was a Vic fan when it happened, and focusing on Renee's reaction to him being back in Lois Lane was definitely the right choice, but looking at his appearances as a whole it ends up feeling... almost underwhelming? That might just be because making the spreadsheet broke my brain, but it's something any substantial appearance probably has to touch on. I don't even think it's weird that he's seemingly unfazed by waking up in an alternate universe, unlike some other characters who should probably have more feelings about being resurrected by continuity jank, but I do feel like there's a lot of room to look at *why* he's so chill. Even just as a contrast to a deeper exploration of someone else having a bad time about it, there are a lot of motifs to build from, and there's a lot you could do with how his self-perception has changed after yet another metamorphosis. (Based on the scraps of pagetime he's had, I'd point it somewhere in the direction of "he's been freed from old obligations, blurring the boundary between his Vic and Charlie personas.")

i also think there's a lot you could do with his old struggles with whether he was doing the right thing or just doing violence because he enjoyed it, and how he views himself now that he's stepped into a more Shiva-like role. This isn't a new development for him, but his initial shift into a wandering mentor wasn't something he planned - he initially left Hub City out of necessity, failed to start fresh, then latched onto Helena while seeking purpose. There's some interesting weight to him getting a chance to either have a fresh start somewhere else or return to Hub City without the weight of his history, and instead choosing to fuck around and intentionally get into trouble that has nothing to do with him, without even the excuse of mentorship.

There's also the problem of continuity housekeeping. It's not really necessary for tracking who remembers him since other heroes generally have their post-crisis continuity back, but the vibe of him roaming rather than returning home change a LOT depending on which version of Hub City exists (it tends to depend on Blue Beetle continuity, which is currently fucked), if Tot and/or Myra exist, and how long Vic was dead from their perspectives. Honestly there are a lot of good options here. I love Tot and want him to be a part of Renee's supporting cast, but the idea that Vic's civilian past literally does not exist is incredibly juicy.

Other than that... idk man. Just because I think he's underused doesn't mean I think he has to be important. Use him as a plot device for anyone who needs an annoying guy to make them introspect. Do more goofy oneoff mysteries. Let me write a teamup that sucks. Put That Guy In A Situation.

[fancyfade]

Hi so I’m a Damian fan, who is still trying to get into comics and DC in general and stuff. I do know some tidbits from fandom and different blogs that I follow that do analysis.

However after a discussion with my brother (who’s been in special-ed), came this question? I don’t really know how to ask this but I’ll try to phrase it the best I can??

When it comes to schooling realistically would he be put into Special ED (Special-Education?)

While Damian doesn’t have a disability, I think because of his upbringing. Okay let me explain a little. Since Damian has college levels of education, being put into regular classes wouldn’t be considered challenging enough and if he were to be tested, the teacher probably would have to meet with his parents on whether or not to have him move up several grades?

And if the whole reason for Damian to being put into school is to help socially, then maybe special-Ed would help him? Because, the teachers are more hands on and (according to my brother) more focused on social development. And Special ED usually more works on basic life skills which probably is more of Damian needs.

But anyways, I know probably comic writers are not going to do that. But I thought it was an interesting thing to bring up for discussion?

I don't have personal experience with special education, so I can't comment on that. Teaching experience wise I can say there are two different ways people adapt content for students with disabilities:

Accommodations are ways you help students learn the same content as their peers. This can be making sure the content is conveyed via multiple means (ex: always having something visual to help explain while you are talking), breaking stuff into smaller chunks for students with ADHD, and like... a gazillion other things.

Modifications actually change what is demanded of the student, so you are asked to learn different content than your peers. I am under the impression that some special ED programs might allow for a modified curriculum, as im doing some research.

WRT hands on teacher stuff, I know that some students genuinely have a hard time managing their behavior in a regular classroom and can benefit from more individualized attention. We do know Damian isn't one of those students, though.

Continuing to connect this to DC comics characters, with my general lack of experience in special education in specific? If his parents were putting him in a non-mainstream-school thing I'm not sure why they would choose special ed instead of a gifted program, when both would presumably involve smaller classes with a more hands on teacher, but the special ED teacher would probably have a wide range of abilities to teach to. I think Damian also has had lots of experience working with teachers in small classroom environments (getting tutored 1-on-1 for most of his childhood :P) so I assume if he wants to learn more about peer social interaction he'd benefit more from something he's not used to, like a bigger classroom size? IDK. He's had small class sizes a lot of his life.

I do want to point out that Social Emotional Development is a current buzzword in teaching (and some people think it's getting too much attention and teachers are being asked to do things that reasonably should be parents responsibility but... :P not gonna get into teaching discourse since I do not have a lot of strong opinions on it) and lots of people want to try to work on kids development socially even in mainstream classes. However obviously that's hard with big class sizes.

Anyway TL;DR: I'm not really seeing how it would come up realistically, but take that with a grain of salt due to my lack of experience.

EDIT: Ok after reviewing my notes and a teensy bit more research, I don't think it's realistic I can't believe I fucking forgot the least restrictive environment thing XD and while obviously the least restrictive environment for any given student is not always a mainstream classroom, in many cases kids who receive special education services do spend time in mainstream classrooms, and at least in the US (which he is going to school in US so I think I can use this generalization :P) the goal admin would have is that the kids in Special ED do spend time in mainstream classrooms as they can, you don't spend like the whole day in a separate room. A lot of the general thought atm is that kids are not separate from their peers without justification.

[nkatr84]

My Adventures with Superman : Season 1 thoughts

So if you’ve been following me, you’ve might have noticed that I have chimed in now and again with a few jokey observations about the show My Adventures with Superman. But now that the show has wrapped season 1, I wanted to give my overall thoughts on the show.

Now I haven’t watched any DCAU movies or shows since the 90s Batman the Animated Series and Superman the Animated Series. From what I’ve gathered it’s mainly been offshoots of those original shows anyway. This show however has its own take on Superman’s origins. And what I’m about to state may be a controversial stance in the DC fandom.

I think this is probably the best adaptation of Superman since Christopher Reeves and Richard Donner brought the character to life. And the way they have written this Superman is possibly better than the Reeves/Donner version.

Let me explain. The way they wrote and the way Reeves played Superman is almost flawless. But this show has made me realize that most adaptations of Superman fall into the trap of treating Superman and Clark Kent as two different characters. Usually where Superman is his real personality but Clark is an act. Like Reeves plays Clark so goofy and comical (he was best friends with Robin Williams, no surprise) so that Superman seems like a different person to make it make sense why no one especially Lois would figure out the truth.

What makes this show stand out is that Superman is the hero he is because he’s Clark Kent. This show analyzes Clark as a person who just has to help. He has to be kind. He feels guilty if he doesn’t because he’s been given these powers and clearly the Kents have raised him to be kind and helpful to others because that’s what farming communities do when times are tough. They help each other.

He even exhausts himself when he develops super hearing because he can’t ignore a plea for help. (I had to save the cat!) He’s so honest that he’s actually bad at keeping secrets. Jimmy figured it out when they met but because he got to know who Clark was as a good person he waited until Clark was ready to tell him. (Jimmy rocks BTW. He deserves that $5 million and I hope he invests wisely.) This Lois figured out his secret faster than any of the League of Lois did. But the truth only frees Clark to be even more himself and allow Lois and Jimmy to get close after a childhood where he was afraid of getting close to anyone for fear of hurting them.

Speaking of the way his powers developed over time and how the writers have kept his origin a mystery to Clark himself is perfection. Jor-El’s consciousness in the hologram not speaking the same language only adds to the mystery. Like a DC fan is screaming at Clark in the finale going, “no! He’s your Dad! He sent you to Earth to save you!” (Me. I’m that fan.) But the language barrier has made Clark think he was born to be a weapon. A thought that terrifies him. But like the Kryptonite, Clark is going to take what should weaken him and turn it into a strength by resolving to use his powers to protect the Earth. He’s choosing to be Earth’s champion not because the ghost of his birth Father is telling him he should, but because it’s who he is.

My only criticism of the show is the pace. Like everything is fast forward in the show because I’m sure the creators were like, “okay we know we might get two seasons but we’re only getting ten episodes a season. So if we want to tell the story we need to tell, we have to skip the usual story beats.” Because current studio executives (especially Warner Brothers) hate animated shows for some reason.

But the fact that this show not only understands Superman perfectly but the main trio is adorable and the show is funny and charming and beautifully animated. To a point where my main criticism boils down to I want more means that they are doing something right.

[fire-fira]

20 Questions for Writers

I was tagged by @linzerj for this, so without further ado:

1. How many works do you have on AO3?

On Ao3 I currently have 70 (though that number is going to increase soon), and on ffn (all my oldest stuff) I have 34. (Dear lord I need to eventually move my older stuff to Ao3. Maybe under a secondary pseud at some point... ¯\_(��)_/¯)

2. What’s your total AO3 word count?

201,448

3. What fandoms do you write for?

Looooots of DC stuff, some TMNT, and with my older stuff I also wrote for Sonic, DBZ, Legend of Zelda, FMA, Gargoyles, Peter Pan, and Megaman. (I also have some early-stages fic and plans for Planet of the Apes fics, but I haven't posted any of that yet.)

4. What are your top five fics by kudos?

Head Trauma - One of my earliest Bluepulse OT3 fics. YJA-based; Jaime gets knocked out on a mission and the team gets their first exposure to Khaji Da directly.

Loving an Alien Shouldn't be this Complex - Another Bluepulse OT3. YJA-based; Bart's part in what's intended to be a trilogy of fics about the same circumstances/events. Crushing on Jaime is one thing, but realizing he's crushing on Khaji Da is a whole different ballpark.

If You Think My Truth Is A Lie, You Can Get Bent - Bluepulse OT3 yet again, though background in this case rather than front and center. Mostly YJA-based; Bart is trans, in college, and entirely fed up with an obnoxious classmate who was perfectly fine with him and the fact that he's a guy up until she found out he's trans.

The Weirdness That You Know - Pre-Bluepulse OT3, pre-finding-out-Khaji-Da's-name. YJA-based; During some downtime on base after the events of season 2, Jaime winds up finding out that Bart and Khaji Da are very similar in terms of their sense of humor. The two of them getting along should probably be concerning.

Familia: Not Simple, but Needed - Bluepulse OT3. Mostly YJA-based; What happens when you have a sleep-deprived scarab who stubbornly has stayed awake for about three weeks? Nothing good and nothing the three of them would have ever expected if Khaji Da was coherent enough to think through the consequences of their actions before doing something.

5. Do you respond to comments? Why or why not?

I try to. Sometimes I wind up replying waaaaaayyyyyy later (when my emotional energy tanks it takes a lot for me to drag myself into talking to people in general, but I try to reply when I'm in a better spot), but if I have my way then I'll eventually reply to everything (unless there's literally nothing else to say).

6. What’s the fic you wrote with the angstiest ending?

That would honestly have to be either my Bluepulse OT3 poem I Am Your Loss or my La'gaan-centric fic I Tried To Warn You. I Am Your Loss is focused on Khaji Da outliving Jaime and Bart and all the feelings involved with that, and I Tried To Warn You is an examination of La'gaan's emotionally abusive relationship with M'gann and him coming to terms with the fact that he was manipulated and abused. So yeah. Heavy.

7. What’s the fic you wrote with the happiest ending?

That's a tough one. The Name That Calls You Home is one contender, along with Fatherhood Isn't Easy, and Trusting Again Can Be The Hardest Thing. Two of those are focused on family and finding home (TNTCYH and FIE), and two are La'gaan-centric (FIE and TACBTHT). So yay for one of my TMNT AUs and two of my La'gaan fics meeting the mark? (Though all three have some painful circumstances that make the good that much more pronounced. Yeah, that was unintentional.)

8. Do you get hate on your fic?

The only time I've ever gotten any 'hate' was someone trying to be pissy about an old poem series I wrote back in highschool because they didn't feel it was a 'serious poetic work' and was 'amateurish'.

That. On character-based poetry. For freaking Sonic characters. Seriously just-

9. Do you write smut?

Almost never. (I can't say never because I did publish one fic on Ao3, but by a lot of people's standards it's really tame.)

10. Do you write crossovers?

I'm not opposed to crossovers, but I very rarely do. Usually I find my mind playing with multiverse iterations of characters meeting each other, but it's very rare my mind goes to wildly different stories getting a crossover-- in no small part because it usually tends to devolve into a case of 'Wouldn't it be cool if these characters met? Look how cool this character is!' in my head with no real decent plot. (That said, thanks to some old RPs with a friend of mine I am fond of Mass Effect's femshep and Voltron's Allura as a ship. It was a chaotic RP. lol)

11. Have you ever had a fic stolen?

As far as I know, NOPE. If I'm fortunate it'll never happen.

12. Have you ever had a fic translated?

Yes actually! Both I Tried To Warn You and Unstoppable Until I Break that I know of. (Unfortunately I can't read Chinese, so finding them on the site they're hosted on is difficult for me, but I do know they're there somewhere.) La'gaan keeps winning. lol

13. Have you ever co-written a fic?

Only one, and it's Devilfish. Beneath the Surface was a fun collaboration between me and onyxdragonx back before tumblr's purge in 2018. I have no idea if he left tumblr entirely, but I'm glad we wrote it.

14. What‘s your all-time favourite ship?

Ngl, it varies by series/franchise and how I'm feeling. I used to be pretty solid in single ships for characters for a long time, but as time has gone by I've drifted more into multi-shipper territory. At the moment though, the one that's eating at my brain the most is Devilfish-- La'gaan/Eddie-- because hell yes for my crack ship.

15. What’s the WIP you want to finish but doubt you ever will?

Maybe it's over-optimistic of me, but I don't look at any of my WIPs as 'abandoned' or as something I'll 'never' complete. Back when I was posting my writing only to ffn I used to joke about my trademarked 'delays of doom'. It's always a case of I will get to said stories eventually and I do work on old things from time to time, but due to shifting interests/life junk/life-junk-that-causes-a-low-creative-battery/etc. it can take me a long time to get back to something.

If I was going to narrow it down to the one that I'm not sure when precisely I'll get back to and is the most likely to take me a while to get back to (more than anything else), then it'd probably have to be an Elfquest fic with Leeta/Cutter/Rayek as endgame. Either that or the Planet of the Apes series kicking around in my head that I haven't quite figured out how to frame yet.

16. What’s your writing strengths?

FEELINGS. Emotions, getting into characters' heads and hitting that emotional gut-punch that makes people feel things.

17. What’s your writing weaknesses?

Aside from my delays-of-doom™️, I can get SO damned wordy. And cerebral. Which isn't always a bad thing if I want my readers to know what's going on in a character's head, but it's a royal pain in the ass if I want to give a decent description of the space characters are in or have actual conversation and events happening while a character is getting lost in their head.

18. Thoughts on writing dialogue in another language for a fic?

YES. I WANT. GIVE.

lol Seriously though, while it might be rare for me to write full-blown conversations in a different language, if a character is multilingual then I personally prefer including indications of that with their word choices. Usually that results in an offhand word or several here or there in places where it flows naturally, but unless I'm confident in how things flow with that other language (whatever it is) then I'm unlikely to go for a full on conversation. If I am confident in the translation of what I'm writing and the switch into that other language makes sense for the characters in context then it's highly likely I'll go for it-- albeit with including the hover-over translation thing that Ao3 offers so readers don't have to bounce back-and-forth between where they're at in the story and the translation at the end of the chapter/fic. (Though I don't mind when other authors take that tactic.)

19. First fandom you wrote for?

Sonic, and though I didn't put any online until 2003, I wrote a whole convoluted series back in middle school and on up into early high school I think (I suspect most of it's lost because it was all on an OLD computer), and even before that I remember a script-styled Sonic fic that I never finished that I was writing back when I was like... 5? ...7? Somewhere in there. Point is my first fandom is from a LONG time ago.

20. Favourite fic you’ve ever written?

Yeeeeeet another hard one. If I don't cop out with Unstoppable Until I Break and I pull in my older stuff, then I guess it'd have to be Two Sides. It's a Legend of Zelda fic playing with the concept of Zelda and Sheik as simultaneously being and not being the same person, and while I'd probably write it differently now (dear gods I published it back in 2008) I still love the concept and think it's intriguing as hell. Just the very idea of Zelda and Sheik having once been the same person and remembering it in subsequent lives is just... There is a TON of potential there.

Will I ever revisit the idea? Maybe one day. For now, it is what it is.

As for who I'm tagging: @sounddrive, @brightlotusmoon, @radioactive-earthshine, and whoever else would like to do this. n.n

[wolfjackle-creates]

Heya, Wolfjackle!!!

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love 💗

Ooh!!! Such a fun question. So, first off, I love pretty much everything I've written and I'm not afraid to say it. I will say I did a better job executing some than others though.

First, I have to open with my Good Omens fic The Demon Piper. This is the fic that got me back into writing. It is the first story I wrote to completion and was happy enough with to share. I was inspired to write it by someone I was crushing on at the time who helped motivate me and let me brainstorm at them. It's a story that features Crowley as the Pied Piper of Hamlin. I still kinda wished I'd called it the Pied Demon, but, well, the adjective pied is archaic and most people don't know it anymore. So, demon Piper it was. (Also, it's based on a really fun song called The Pied Piper by Heather Dale.)

Next, I'm gonna mention Bring Me Home which is still only on Tumblr. I love this one so much. It keeps expanding on me, but it was my first dpxdc fic. In the process of writing it, I learned so much about DC, so much about Tim and Kon and Bart and Cassie. I made new friends and found a home in a new fandom and found the attraction of crossovers for the first time.

I also have to mention my other long dpxdc fic, Ghost!Robin (which still needs an actual name). I love this one because it was my first time writing such a large cast. I got to learn how to juggle characters and tag dialogue when every line needs some indication of who's speaking. I love how the story expanded so far beyond what I originally planned and I'm excited to get back to it because y'all, my plans for Jason and Robin? I think they're gonna be epic.

Fourth is gonna have to be another Good Omens fic, An Evening In. It was my first attempt at writing smut. The working title of the doc on my laptop is "attempt at E" because I didn't expect to do more than write something for myself. But then I kinda liked it? And showed it to a friend who had written smut before (and she read it over in her cult-church service which thrills me). And she gave me so much advice. The end result was honestly really good and practically every comment has some form of "this is your first smut???"

Fifth... this one will change based on when you ask me. Right now I'm gonna say my newest fic Remember, Remember. It was my first time writing a fic with minimal dialogue that's mostly introspection and covers multiple years of time in 1.3k words. I'm generally a writer who takes her time with a story. Ghost!Robin is currently 16k and covers a single meal, for example. An Evening In is a pwp and 18k and covers a single evening. But this one? Years of time in 1.3k. And it worked. And that's pretty cool.

The theme for what I like the most that I've done? When I try something new and it works. I get really proud when I try something I've never done before and I manage to pull it off. It often takes a few drafts, but I have seen my own improvement and it's amazing.

And again, just because it's not on this list doesn't mean I don't like it. Once I get a bit further into it, I think Carry Your Heart will dethrone one of these and so might Answer My Call.

Edit: half the links I made got removed before posting. I'll fix them on desktop in an hour or so.

Edit 2: Fixed the links!

[zahri-melitor]

A Quick, Somewhat Joking Discussion of 'the Best Ways To Get Into Comics' (TM)

Be 10-14 years old, pick up a random comic at the library/bookshop/someone's collection and become obsessed. This is proven the best method and the level of confusion engendered by it is actually more useful long term than any other method. (At that age you are going to fall deeply in love with random texts that are never going to quite have the depth your brain imparts on them)

Mention to a friend who does like comics that you want to 'get into comics' and said friend, knowing your preferred types of tv shows and books, your favourite characters and having asked what you're hoping to read, carefully picks out something that is objectively a good starter comic that fits your tastes and makes your brain go brrrr. (god tier level, that friend is a keeper, also congratulations on the fact you are never going to replicate the feel of reading that first comic again)

Lurk or hang out in some fandom space where you are regularly exposed to discussions of comics that includes actual panels and storylines of recent comics, and work out from that what seems to have a vibe you like, so you go and pick up that run (solid option, being able to taste various writers and styles of run before diving in gives you a better chance of choosing a run that hooks you, I was introduced to so many runs via scans_daily in this way back in the day).

Wander into a library or comic shop or bookshop that has a decent number of comics with the idea that you want to look into reading these, and then flip through a bunch of trades in what you think you want to read before something catches your eye and you pick that up (less likely to be a definite hook, but has the benefit of being far more likely than any option listed further below to involve newbie-friendly art. And newbie-friendly art is something that isn't discussed enough in terms of recommendations but is one of the biggest reasons people just getting into comics bounce off the format).

Only here will I mention recommended character reading guides. In my experience they're useful in certain contexts, particularly for characters who have hard-to-trace chronologies, for finding out what runs that person considers essential to the character, for untangling the order of comics in particularly confusing large events, and for narrowing down and directing people where there's a big chunk of material to read about a character. My objection is they tend to be treated like gospel by newbies, they frequently don't consider whether the artwork is going to make their eyes burn, quite often they are more focused on the 'best' stories for a character rather than the 'most accessible stories' for that character (these are two separate concepts!) and they tend to sell a narrative of 'don't read X' where X is quite often a comic which people don't enjoy but where an important event happens or is simply an older comic that's particularly affected by community expectations and standards having changed since it was written.

You know that '75 Years of Comics' series of prestige hardbacks that DC did? They're great to hand to a newbie looking to get into a specific character or mantle, because it's got stand alone stories that are highly regarded or solidly introductory about that character from each era, they can page through it and work out what version makes their brain happy, and then follow up on those leads into more reading. (Expensive but perfect for libraries)

The first trade of a recent run for the character in question by the current or second most recent writer. Most runs when they change lead writers are going to have some level of onboarding simply because a lot of people DO switch what they're reading depending on what team is on the book, and by going with a current run you manage to sidestep a lot of the 'this feels weird and old' problems.

[pseudo-hero]

Superman #7 Discussion and Predictions for Superman #8

*Spoilers Ahead*

Sooo if you haven't been keeping up with the current run of Superman titled comics (Dawn of DC Superman)—you should. It's so good. Too many reasons why to list.

Now with that being said: My mushified-by-Clex brain saw a preview of issue #8, thought about what's been implied by previous issues and then started thinking some more about that one old but gold Kon-El character trait/plotline and how it may effect the future. The one that DC hasn't wanted to talk about in-comic, for a while.

I...I think this next issue may be leading up to Konner finally being re-solidified as the confirmed offspring of Clark and Lex—and possibly even more. So much of Superman comic media recently, this run included (even despite Lex's usual fuckery present from the beginning) has come across, to me, like they really are going to give Lex a real, no taksies-backsies redemption. One that—even if it's not permanent—will be as unforgettable as his "rebirth" was.

(Above Images from Superman #7 [2023])

This on its own would be phenomenal, but could also (if true) help pave the way for DC/writers to acknowledge Kon's direct origins in a comic, in the present day. I also feel that they would most likely redo the reason for why Kon was created by Lex in the first place, by giving us a different, (hopefully) less toxic explanation. (But Lex's past with Superman staying messy in that regard would be nice, too, I guess.)

The explicit confirmation of Conner Kent's biological parentage is very important to me because the problem I have at this point, isn't just that a lot of people are denying what it is that makes Konner their son; it's also that I can't even tell anymore if that's how he was created, due to confusion caused by all the post-flashpoint/Perpetua/Dr. Manhattan/Rebirth/multiverse-resetting-madness. (But if anyone knows a recent comic/panel where it's straight up said how this version of Kon-El was created, please @ me.)

It should also be noted that Superboy (It feels so weird to still be calling him that, now. Damn it writer(s)...) said that he felt a "connection" to The Chained. One they both felt and which is apparently related to their powers.

(Above Images from Superman #7 [2023])

So this leads me (and by the looks of it, at least a few others) to believe that The Chained (real name "Sam/Sammy") may turn out to be a third father to Konner! Or, perhaps the template they based Kon's powers on, which would easily explain why they have the same abilities. I'm kinda hoping the connection is no more than the latter. Otherwise it comes across as more predatory than if it had just been Lex and Clark's DNA, because it appears in the issue #8 preview that Lex was already a full-grown (balding) adult when Sammy was a little boy.

(Important Side Note: Does this version of Conner even know who his progenitors are?? Does Clark even know??)

(Above Images from Superman #8 [2023] Preview)

I have some questions and theories about how that's possible as well (the Lex-clone-plotline from the 90's is still "canon", I guess?) but I'll just stop here on that.

Moving on: Most/all of the remainder of Lex's family has now shown up in his hospital room. That is, his somehow-still-alive mother and his daughter! (No sister present though, unfortunately. I hope she's doing well now and not in a coma or itching to harm her brother.) Why would that be the case if they weren't planning a big plot that centers on family, possibly regarding who is and isn't a part of the Super Family (Clark's family)? Action Comics to me, also has similar themes in it that have family at their core. (And both comic runs are technically connected.) Looks like a pattern to me and I don't think that's an accident.

(Above Image from Superman #7 [2023])

Side Note: Lois is there for the ride, too, and her reaction is my reaction to this! Seriously, what is happening right now?? And although Teen!Lena has only just arrived to the scene, I think she's already a fave of mine. Love her enthusiasm (probably snark-flavored) and that choice of lipstick and eye shadow.

(Above Image from Superman #7 [2023])

(Those Brainiac-originated dents on her head are definitely related to the role she's going to play in the next arc. I just know it.)

So Lex, having survived his attempted murder (Or whatever that scene was back in issue #5... they didn't even bother to make sure he was dead!) is the spur for all this drama (along with Brainiac, too, it seems and I guess others) and in the preview for next issue, is seen being contacted by watch. Guess who the caller is and what it'll most likely be about?

(Above Image from Superman #8 [2023] Preview)

Praise be to this long-running, amazing Superman story!! Hope it stays entertaining and well written!!

Side Note: Seriously?! Why the choice to change Lex's gorgeous watch and its fantastic color scheme from issue #3 (where Superman gifted it to him)?! Assuming it's the same watch, at least keep it matching Superman's costume/uniform like before!! (I like the gold on it here, though.)

Bonus!:

Do these two happen to remind you of anyone or anything, reader?

(Above Image from Superman #7 [2023])

No? How about now?

A-ha! No way that's not an intentional reference!!

Thanks for reading!! 😁

[anonymousdisco]

Rules for Request:

In case anyone decides to request things either for the series I’m writing currently or for a new one here are my ground rules of what I will and will not do. These rules are not flexible btw.

What I will NOT write no matter what:

-Incest

-child x adult

-Sexual assault

-Dubcon

-Noncon

-Full smut (It’s outside of my comfort zone to write this. I’m more of a hint at what happened than a write all the details type of writer.)

What I WILL write:

-Fluff

-Comfort

-PLATONIC child x PLATONIC adult type of comfort as well

-Yandere themes

-Romance

-Reader inserts

-OC inserts of given enough info about OC to write about the OC

-Anything LGBTQ+ because I support people’s right to choose whom they love :)

-Female reader

-Male reader

-Gender neutral reader

Fandoms I currently can write for:

-Obey Me

-Batfam

-Maybe the justice league but it might be OOC a bit but nothing research can’t fix

-Marvel

-DC

-Ever After High

-Love and Deepspace (a fic of which that is already in the thinking stages but I want to get a couple more chapters out of my current obey me fic out first)

-OUAT (yet again another fic I want to write up soon once the others are a bit more settled)

-OHSHC

Anything else would need research because while I might be aware of them, I might not know it well enough to write it with confidence yet in the characters.

Also anyone who is a minor please be aware that some of the stuff I write will have dark and violent themes and do not interact. If anyone knows how to make a blog unable to be used by minor please let me know in the comments. It would be a big help to me.

[thenixkat]

so teh entirety of shit going to shit in teh past 10 yrs is entirely b/c of villains pulling strings. And none of the heroes who know about these mastermind type villains would think that there's any change they've got a hand in shit going to shit and instead blame the very visible amoral vigilantes running around

why the fuck is Captain Marvel working for Lex Luthor and why does teh writer for this hate every single hero acquired from other companies (excluding Blue Beetle b/c he can be an asset to Batman) so much?

ah yes the concentration of characters that include the most visible characters of color and some anti-villain types get called untamed beasts

oh and SUperman's forcing people to join the league and follow his rules b/c someone has totalitarian tendencies

also there's some members of the crowd that I do recognize that are literally villains like Captain Boomerang and some of the folks in teh military uniforms but also that spikey yellow chick? That's Lightning, Black Lightning's youngest daughter. Who is a whole-ass hero in main continuity. You can imagine that I'm not happy that Black characters I know and know are good people in their main timeline being used as part of the crowd of amoral youths being called untamed wild beasts

someone needed to needed to smack Mark Waid and Alex Ross (the writers for this comic) about the being racist as shit thing

the response to people hearing Superman go 'you will join us or be dealt with' shouldnt be acting fanish and like he's literally Jesus

like? I can see the Question in that crowd. The fucking Question. its not like the Question is a contemporary or ally of the Blue Beetle and hasn't been a Justice League member also spot someone who looks like Mr. Miricle and Big Barda's kid yeah totally another child of heroes would have no morals

oh of course heroes from all over the world have to obey the USAmerican SUperman lest there be global anarchy

how much of comics like these are are the writers going 'the rest of the world needs to bow down to the USA b/c we're right and our superheroes are the best the strongest and the pinnacle of humanity' without a shred of irony or shame?

more captives than converts… just going in on the missionary shit

ah the light of worshiping Superman, which every superhero in teh world should be expected to b/c Superman is best unless they're followers of teh only other correct path which is worshiping Batman imagine not being ashamed of writing and publishing something like this?

Wonder Woman straight up asks Aquaman to let them build a penal colony for metas that refuse to see the light of worshiping SUperman in his kingdom. On teh first meeting they've had in over a decade

also this art implies that Superman can breathe underwater when I know his ass cant. and good on Aquaman for refusing that shitty ass request

Wonder Woman i dont blame yer sisters for stripping you of your titles, you are a failure. Instead of leading fuckers or sleuthing shit you spent yrs trying to get Superman to come out of exile and are now helping start up a totalitarian regime. Good on yer sisters for kicking yer ass out and not helping you with any of this shit

of course its not Superman himself pushing for a totalitarian regime its Wonder Woman of course, we can't tarnish Superman's name that much, let's blame the blood thirsty woman in the trinity who could never be as good as either of the men

Magog, who the Justice League confront clearly trying to help rebuild shit in the now desolated Kansas, tell Superman the reason teh current generation is like it is cause folks like SUperman never fixed shit like the Joker and that's why the younger heroes are more violent

which is not unreasonable, someone shoulda been murdered the Joker decades ago. Its been demonstrated the the only guaranteed way to stop him from getting out to kill and torture more people is to kill him. Of course DC writers can't fucking handle nuance and go 'superheroes willing to kill when proven necessary are just gonna be violent for violence's sake and not care about bystandards'

oh teh Joker killed Lois

Magog killed the Joker, was tried for it and let go cause its the fucking Joker, everyone wants the Joker dead no one gives a shit if someone kills the Joker. And due to Magog not facing criminal charges for killing the Joker in addition to Lios's dead is what caused Superman to abandon humanity

b/c clearly humanity isnt that worth it if they're fine with someone killing a mass murder that the criminal justice system has continuously failed to contain

of course Magog has to feel awful about shit and repent b/c the public made the wrong choice of hero to want. B/c that's the type of story this is

its not like the Joker killing Lois didnt put Superman on a murderous totalitarian path in other elseworlds or anything

[arabian-batboy]

Currently finished issue 8 of Doctor Fate (2015) and while so far its mostly an enjoyable book, especially the last 2 issues, I’m really not feeling what they’re doing with Khalid’s heritage considering that he’s DC’s first Muslim character to headline a solo series.

As far as I know the writer is White, so I don’t know why is he even trying to talk about an identity he doesn’t belong to and its clearly evident that he didn’t do any research at all, because on top of having Khalid dad be a cab driver who apparently had to flee Egypt (hopefully for no stereotypical reason), he kept having Khalid repeat how he is an American and not Egyptian (even though he’s literally both) while telling his professors at university to call him Kent instead of Nassour and they even had a scene where a hijab-wearing Muslim woman (who also wears the hijab when she’s alone in her bedroom??) asked him when will he be with a “proper woman” which I’m assuming is because he’s current girlfriend is not Muslim?

They also think that just because his mother is Christian while his father is Muslim then its okay to “mix” the two religions and have Khalid prays for both “Allah and Jesus,” even though you’re literally not allowed to pray for more than one God in Islam and considering Jesus to be God instead of simply a prophet is straight-up blasphemy that automatically makes you a non-Muslim. 

Like this White man is doing too much, I started reading this comic for some nice wholesome Arab Muslim representation and I will not necessarily call the comic offensive by any means, but this repetitive “East vs West” storyline is very much still cringey and annoying especially when its done with so much ignorance and all of that could have been easily avoided if they actually bothered to have an Arab or Muslim writer handle this book instead.

It’s the same issue with Simon Baz if you think about it, like why do DC’s only 2 Muslim superheroes have to be non-religious and struggle with their identity? Is it to make non-Muslim readers comfortable? Because why can’t we just have a practicing Muslim hero who is proud of being Muslim and is just chilling? (and I’m mean actually Muslim, not this whole “I’m Muslim but for some reason I pray to Jesus and go to church and celebrate Christmas” bullshit)