Hello, I wanted to ask what's Machete, Vasco's or even your other favourite OCs's MBTI type. I like them a lot, thanks for sharing them with us!
I went and did MBTI tests with them in mind (and just to be sure looked up two more respectable looking tests and did those too).
Machete got INTJ all three times, but I sort of suspected that might be the case.
Vasco got ESFP twice and ENFP once, and I think they both reflect his friendliness and charisma well.
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So a bit upsetting news, we lost our oldest family pet today.
Cosmo was my dad’s tortoise since he was five. My dad is seventy now, which I think means she was also at least seventy. So dad is taking the loss of his childhood pet quite hard. Like the way she went was not a natural death and is pretty upsetting.
For my part it’s sort of like losing a tiny grandma who really liked cucumbers and watermelons. She’s been there literally my whole life.
I’m not really sure how to end this and I know it’s silly to be sad over an old tortoise, but it’s going to be very strange not to hear her walking around in the morning.
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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.
having said which
as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"
which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.
like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.
like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer
and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.
but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.
personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.
idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.
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Becca the way I ran over here is insane I have to share this with you. Dbf ceo Bucky tying his tie around your throat pulling it back as he rails into from behind on his desk while he calls you his favorite cock warmer.
Wtf that’s so hot 🙃 like a really frantic, filthy, desperate quickie over his desk because you just couldn’t help yourselves and he needs a little relief
Maybe he’s had a long day and it's really taken it out of him. Some days just don't go smoothly for him and you know to expect that but the second you see his face, you know it's been a rough one.
He looks tired. His frown lines seem a little deeper set than usual and his jaw is clenched but apart from that, it'd be hard to tell he's had a long day because he hides it well.
"Everything okay?" You keep your voice soft, encouraging him to relax and you notice his shoulders drop ever so slightly.
"Bad day." He confirms but it's impossible to miss how he seems to focus on the hem of your dress. Your dress stops just above your knees, leaving your legs exposed for him to appreciate and he doesn't say much more before doing exactly that.
As soon as you're settled on his desk, his hands are drifting up that bare skin, starting at your ankles, roaming confidently up the back of your bare legs. You know he needs this. He needs an outlet for all that frustration and a warmth settles in your stomach because even when he wants to be rough with you, he's still awfully considerate.
He kisses the insides of your knees, trailing the tip of his tongue gently up the inside of one of your thighs until he's able to place a chaste kiss to your clothed sex. He gasps softly, marvelling at how slick the thin lace is under his lips, knowing he's hardly even touched you and you're already desperate for him.
"Bend over the desk." He orders and while you follow his instructions, he unbuckles his belt and unzips his trousers before freeing his cock. "You're so fuckin' wet." He grunts, rubbing his stiffening length against the drenched fabric of your panties, giving himself a moment to admire your ass.
"You." He begins, loosening his tie before tugging it off, keeping the knot intact. "Are just a hole for me to fuck for the next hour. You got that?"
"Y-yes." You whimper, pressing yourself back on his cock, shame burning in your cheeks when he laughs at how pathetic you are.
"You're a fucking cocksleeve." Oh God, he needs this. Everything in him is screaming at him to bury his dick inside you and he can't ignore his need any longer. "I don't care if you get off on this. I don't give a shit if you cum." You know that's not true but believing this is just a rough, frantic fuck for his pleasure makes it even hotter somehow.
"Use me." You whine, gripping the edge of the desk. He pulls your soaked panties to the side, slipping the loop of the tie over your head, keeping a nice tension in the length of it as he slides slowly into you.
"Christ, you're tight." He grunts, tugging on the tie so the pressure on your neck makes you yelp. The first glide of his length into your body is always pure bliss for you but it's that little bit better when you pretend that he doesn't care.
"Stupid. Little. Cockslut." He offers sharp, shallow thrusts with each word and there's no stopping the way your eyes roll back. His tip nudges the soft, velvety spot inside you with each thrust and you know if he keeps that up, you're going to cum, whether he cares or not.
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some of y’all are so weak when it comes to being horny. excuse me if you think that nobody can be into a milf young man pretending to be an old man with the prudiness of a fine young mistress, excuse me if you think the only way men can be attractive is if they’re peak gender role—muscled and abbed for days. what, you think I’m pretending to want to IMPREGNATE Shizun???? you think only a man designed to be a male power fantasy harem protagonist can be fuckable? stop projecting
don’t get me started on those who make Shen yuans prior self unimaginably pretty. fashionable clothing with tasteful glasses and a beautiful two block haircut and an ulzzang face.
don’t talk to me until you’ve thirsted imagining a horribly ugly incel Shen Yuan with a NON trendy short buzz cut that makes his fucking hair spiky thanks to how asian hair texture works, a weak chin, those terrible thin rectangle glasses that most real life nerds seem to land on, and an anime shirt ugly jacket combo that I saw everywhere growing up in a Asian American high school.
the algorithm brainrot has gotten to you if you can’t imagine old Shen Yuan that way, tbh. Mans was a lying flat syndrome hikkikimori neet aka an incel aka likely not the most interested in the extremely niche beauty standards that the algorithm pushes onto you, and trust me I’ve seen my share of Asian dudes that look like how I’ve described. God, I go on here and I feel like I’m TOO weird and freaky for thinking that Asian guys don’t gotta look like Pinterest boys to be beautiful.
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And Another Thing it's not like i Don't like roygarth or that i'm particularly Against the ship cause no. but i think their canon relationship is so much more interesting than this weird fanon version of them where they were always Best Buds.
like canon roygarth starts with them being angsty teens dealing with their own shit and fully refusing to understand each other. garth latches on to everyone who's even a Little nice to him and roy is stuck in his I Don't Need Friends They Disappoint Me stage. roy also has very high standards for himself and gets pissy with garth cause he feels like garth shouldn't be a hero. which obviously sets garth off because he Also feels like he shouldn't be a hero but the other titans were usually supportive and understanding whereas roy would actually say it and insult him directly.
And Then garth fucks off and only talks to the titans when they talk to him first, then he's Fine Again but goes through Rough Shit. meanwhile roy's life is Also falling apart. but they get older and they get more mature and they get to this point in their life where they don't Want to fight each other anymore. the titans are their home and they're constantly losing people and they don't Want to lose what little they have left. but they also won't apologize or talk about what happened because they're both emotionally repressed so they just never clear shit up.
it's obvious that later on roy Does respect garth and Does see him as a hero, but he never apologizes for what he said in the past so garth still has doubts. and garth starts to gradually leave the titans out of stuff and only update them once a fucking year so roy is like ?? What Are We??? and as adults you can see that playful banter and that familiarity they have with each other and yeah it IS genuine but it's also burying all the blood bad they never actually sorted.
they're just in this really weird zone where they're Family but they're not Friends. they would give their life for the other but they never talk. they pretend to understand the other but they don't know anything going on in their life. they're best friends and they're just some guys. like imo their canon relationship is so interesting and has So Many Layers that really highlight their individual problems but the fanon version is always like "yeah sometimes they sass each other :)". like.
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