#i simply do not want to see it.

[vtriol]

this is a vague about stuff outside my little tumblr circle here, but i wanna be really, painfully clear: i do not want people who actively enjoy or engage with jk rowling's ips around, and i also do not want people who support others engaging with those ips around either. i highly encourage you block me and move on if you fall under either category, and i mean that.

[platoapproved]

louis + cruelty

[mamawasatesttube]

BTW... PSA.... even if we arent mutuals if youre in my notes regularly theres a Very high chance i am still fond of you. yes im vaguing someones tags on the compliment the person u rbed this from post. but like. positive vaguing? THE POINT IS im weird abt following ppl but IM STILL SENDING U FOND VIBES...

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[tallykale]

a bit of my postcanon vision

i heart people arguing

[todayisafridaynight]

x

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[a-most-beloved-fool]

Kira has a nightmare, one night when she's staying at the O'Brien's. Miles and Keiko, sleeping in the other room, don't hear her get up - but Molly does.

And Molly, being clever and kind, knows exactly what to do when someone has a nightmare. (Or, at least, she knows what her parents always do for her.) So she sits Kira down and brings her a glass of warm milk, and sits by her side as she drinks it.

Then, she takes Kira by the hand and leads her - to her parents bedroom. "I always sleep with mommy and daddy after a nightmare," she explains, when Kira stops outside the door. "It helps! Mommy chases the scary things away. And Daddy is warm."

"Molly," Kira says quietly, a little embarrassed, "I don't think your parents want me in their bed. Even if I did have a nightmare."

"No, they won't mind!" Molly assures.

Then, of course, Miles wakes up.

"Molly?" he asks, voice rough with sleep. "Did you have a nightmare?"

"No, but Miss Kira did!"

And now Keiko's awake, too, sitting up and saying, "Nerys? Are you alright?"

Mortified, Kira says, "Yes, I'm fine, I was just - on my way back to bed. Molly brought me here. I'm - sorry for waking you. I'll just be-"

"You can stay, if you want," Miles offers.

Kira doesn't quite think she heard him right. "What?"

"You can sleep here, if you think it might help," Keiko says.

"Or even if you don't!" Miles adds.

Kira opens her mouth, then closes it again. "I, uh-"

Keiko gets up, and takes Kira, gently, by the hand. Her palm is soft, Kira can't help but notice.

"Brr, it's freezing out here!" Keiko says, tugging Kira along. "You'd better get in before you catch your death of cold. Miles is practically a furnace, so you'll be nice and warm with us."

"And, Molly, you'd best go back to bed, too. You've got school in the morning," Miles says, as Keiko bundles Kira into the bed between them.

As Molly makes her way out, Keiko swings a lazy arm over Kira's back. "Sleep," she hums. "We'll be here in the morning."

Kira, feeling warm and cared for and more than a little overwhelmed, does.

[bacchuschucklefuck]

gukgak specifically from my typing (man w/ three jobs & a creeping sense of dread)

[starry-bi-sky]

MMMM twins au with danny and dan except its og TUE timeline danny and dan

ok okay i neeeeed o write this down and share it before i explode buT. as the title says. twins danny and dan (who im going to be calling James/Jamie bc i cannot express how much i despise the name dan) where, instead of disappearing into the ghost zone after he's separated from danny's body, Dan rips out Vlad's ghost half, tears THAT in half, and fuses one half with himself and the other with Danny.

Shit happens, and BOOM. Two morally ambiguous and perhaps slightly murderous demonic twins from hell. Daniel James Fenton and his Twin WHose Always Been Here What Are You Talking About :) James Daniel Fenton. They are both depressed, lonely, and one bad day from becoming a mass extinction event :)

this is because i got grabbed by the hair today and dragged into the SVSS fandom screaming and the fanart of Shen Jiu/Shen Yuan/Shen Quingqiu (????) with his fan entranced me. Ice Prince Core is my favorite thing so naturally i have to implant that onto my favorite blorbos ever :)

After the Incident, both their appearances changed and they're practically identical to each other. Sorta. They both have heterochromia and salt-and-pepper hair. But Danny has one green eye and one blue eye and white hair with black streaks, while Jamie has one blue eye and one green eye and black hair with white streaks. I'm iving them both long hair, for funsies <3

nobody can tell them apart, they keep getting confused on whose who and frankly the mix-match hair and eyes make it worse not better asjd. they're horrifically codependent. please do not separate :)

and because i must. im pulling a blood blossom/tales of the passerine and giving them to pre-robin batman. batman and his terrifying demon(??) twins. nobody is quite sure if they're human or not, and the scourge of gotham are a little too terrified to ask.

(they dont HAVE to go to batman while he's pre-robin. however. i think its much funnier that way bc gotham isn't use to A) Batman having kids, and B) Batman having TERRIFYING kids yet. think of all the new fun rumors)

they both use war fans while they're out, and neither of them use their ghost forms because they at least have the remaining empathy to know that they're more likely to murder someone accidentally as a ghost :). Ghost form is for fellow mythicals and Functionally Immortals Only! Not for Squishy Humans.

Jamie: murder. bloodshed. revengggee Bruce: no. no. Justice. peace!! hope! Danny: bittinngggg. blooood. ^-^

They're honestly not bad kids they're just horrifically traumatized two halves of a whole that can never be reunited ever again :).

idk what their vigilante names are but i do know that the underground refer to them in horrified whispers as 'the twins'. this all stemmed from the desperate and sudden urge to see Danny and Jamie, as their vigilante selves, hiding the lower half of their faces with fans and looking terrifyingly judgmental while they do it <333

[leenfiend]

what's ur type first < prev next > full comic

[turtleblogatlast]

Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.

[xxplastic-cubexx]

chat if i may speak

[strangegutz]

Hello new followers! I hope you enjoy incredibly disparate vibes, because I love to bring them to you!

etsy / fourthwall / ko-fi / wishlist / patreon

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.