#i should write something for him

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[yeetmyboi]

Picture this: 🌾☀️

Retired!Simon who takes up to running a ranch in order to keep himself busy as retirement isn’t all cracked up as it should be. Especially with someone who always needs to have a goal at the end of the day.

You move into the dilapidated cabin that skirts the edge of his property. But as you’re moving in late at night, you accidentally hit a post to his fence. You figure you’ll tell the neighbor in the morning rather than the middle of the night and head to bed.

Little do you know, your ‘accident’ causes some of his animals to escape and he’s up before dawn trying to round them up. By the time he’s done, the sun is up and he’s fuming.

Simon storms ups to your door, pounding at it till you answer. His intent to scold you is stalled by the sight when you do, rendering him speechless for a moment. You open the door, dressed in a skimpy silk robe with damp hair and glistening skin, looking every bit like a city slicker who moved to the countryside on a whim.

Simon struggles to keep his eyes up and not on the bit of skin showing underneath your robe. He can feel himself getting hard at just the thought. God, it’s been years since he’s seen a gorgeous soft bird like you…

Meanwhile, you hold an annoyed pout that pushes out your plump lips as you look up at him. As he stays silent, your arms cross over your chest and you arch an eyebrow. “Well?”

You were all for owning up to your fault but when Simon storms over like that, you’re not too keen on fessing up just yet. So you claim to know nothing about it. Shrugging it off and threatening to call the cops if he doesn’t leave.

Simon just laughs at your fiery demeanor and even admires your quick wit. He agrees to leave, for now. Just so he can snag the footage of you hitting said fence post and watch you flounder.

Oh, don’t worry love, he’ll forgive you. Long as you help him fix the fence and any other ‘problems’ you’ve caused.

banner by the lovely @/cafekitsune ᡣ𐭩

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[blue-jos10]

‘wow dr minyard how are you so calm and patient even with the insane ones?’

‘i’ve had practice.’

[ckret2]

I have a public service announcement! No one's done this lately so it's not aimed at anyone specific—but that's why I'm posting now, so it doesn't single anyone out.

It's true that, in-universe, Bill's said he's apathetic about what gender humans see him as. But you and I aren't in his fictional universe; we're in the real universe.

And out here in our real universe, when someone discovers that a guy they've ONLY ever referred to with he/him pronouns actually has breasts under his shirt? If that person is a conservative, they might start calling this man "she." If that person is more progressive, sometimes they start calling him "they." Like they'll respect that he's trans but refuse to respect that he's transmasc.

And because we live out here in the real world where I'm sick and tired of watching this happen, I'm also sick and tired of watching it happen to characters I write with he/him pronouns. Because multiple times I have had readers—nominally pro-LGBT readers!—start calling a he/him character I write "they/them" the second I headcanon him as transmasc or give him physical traits associated with AFAB bodies, in spite of the pronouns they see me use for him.

You've never seen canon call Bill anything but he/him. You've never seen the guy who invented Bill call him anything but he/him. Except when I write from the perspective of a character who literally DOESN'T KNOW they're looking at Bill, you've never seen ME refer to my specific interpretation of Bill with anything but he/him pronouns.

(And not to get too serious over cartoons, but—if you can't get a character's pronouns right after seeing me use THOUSANDS of he/him pronouns for him—a character whom you were INTRODUCED TO with the correct pronouns and whom you likely ONLY called by the correct pronouns for years, right up until the moment you saw him drawn with tits & hips—if the mere knowledge of his anatomy is enough to completely overwrite every single time you've seen & heard his pronouns used—then I worry about how y'all would talk about an IRL transmasc guy if you could see immediately that he's AFAB and only hear his pronouns once.)

Knowingly using the wrong pronouns doesn't magically become woke when it's gender neutral wrong pronouns. Stop ignoring the only pronouns you've ever seen me or the show call Bill. Do not misgender the silly cartoon triangle in my inbox & comments.

Thank you.

I'm GRUDGINGLY more flexible on calling Bill the wrong name, since I know sometimes y'all need to differentiate whether you're talking to me about the vague concept of canon Bill or, specifically, the copy of Bill undergoing the events in my fic, and using his in-fic "this is the name used by PEOPLE WHO DON'T KNOW WHO HE IS" nickname is convenient for that.

So, yeah, if you HAVE to, you can call Bill another name. But please know: 1) I dislike that; 2) I'd rather you only do it in contexts where it's necessary for clarity; and 3) even if you're calling him the wrong name out of grammatical necessity, it's still the wrong name.

[spaceistheplaceart]

found an old ekurei comic rotting in my files, decided to finish it. upon my rewatch of mp100 i kept noticing how many times dimple was referred to as a pet- but he's not ! ! ! he's a friend :)

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[hypertechnica]

star trek as a concept is completely sexless. it is utterly devoid of sex. not one drop of convincing sexual tension has ever graced the screen on any star trek show. the weird unintentionally homoerotic psychosexual mind game shit on the other hand,

[aurieeeeeenyx]

oh yeah also jayvik are extremely orpheus and eurydice coded i don't make the rules

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[pippuns]

pre-transmigration cumplanes because they are the most divorced guys who never met

[please-read-the-manga]

Was thinking about an 'alternate universe' where a young Sasuke, in the absence of guidance on how to carry out his clan traditions, tries to connect to his fractured identity by spending time in the Naka Shrine and accidentally summons the ghost/spirit of Izuna who hears his cries of injustice and grief from the other side.

Truthfully, I don't know why it would be Izuna in particular, but I'm kind of playing around with the idea that his death was viewed as so unjustifiable and horrific by Madara that Madara's devastation over it prevented Izuna's spirit from properly/completely passing over into the Pure Lands. So, Izuna's spirit remains in this unaware-but-restless state and one day it materializes to answer the call of another Uchiha (who also just so happens to be an Indra transmigrant, like Madara, if we want to go there... maybe their emotions carry extra weight and power within the spiritual world) now trying to process his own unimaginable grief, this time over the death of his entire family, bloodline, and culture. Thus they become bound to one another (for better or worse) and Izuna is, from then on, always there, carried by (and only visible to) Sasuke on his journey...

Maybe they both come to believe that if they get justice for the clan (which they initially believe is by killing Itachi, 'the kinslayer') then Izuna will finally be freed and Sasuke will have done right by his family and avenged them. But really, I think what would actually be keeping Izuna 'stuck' is the plan that evolved (at least partially) from Madara's grief over his death, Project Tsukuyomi... thus their quest expands and the two then need to figure out how to alleviate Madara's guilt/sense of loss over Izuna's death and rekindle his feelings of hope in the world once more (ie. stopping the plan). Somehow, lol.

And I think Izuna would be a fun character to do with this with because there's so little we truly know about him, but so much we can infer due to his impact on other characters' actions/story events.

Idk, in my opinion there's just a lot of opportunity here for a good mix of heart and comedy, especially with Izuna as a more defined character that has a little more freedom than other characters to be molded. I also think having someone Sasuke can connect to, that's from his clan (but is also still deceased and a reminder of how alone he is, ie. end of the day Izuna is still a ghost, an ancestral relic of the now-dying clan) would have a profound effect on him.

It'd almost be like his own inner Kurama voice except Izuna provides no chakra or power amps, only scathing commentary on how much he hates the injustices of the village (and its Senju leadership) lol. Also, I like to think his reactions to all the in-universe stories about 'Madara's deeds' (which is really Obito) would be entertaining.

A sketchy comic since I like the idea so much haha:

[dukeofthomas]

I hate the insistence in pushing Jason into the batfamily.

If he doesn't wanna go to dinner, he doesn't have to. If he doesn't wanna hang out with them, he doesn't have to. If he doesn't want to see them, he doesn't have to. If he doesn't even want to contact them, he doesn't have to.

It's so annoying to read fic and always see it presented as his Family Knows Better. Jason is just being silly by not realizing how much they love him and he just needs to let them break into his home and comms and life because they want him there.

[peachy-keenss]

this two foot tall demonic doll will make you his bitch!

[imagine-to-be-a-pike]

I will never forgive fandom how unfair it is about Arthur

Dark Merlin It's usually good angst. You know, Merlin had had enough. Dark Arthur? Arthur is a fucking rapist, a monster.

Merlin guilty? Merlin feeling guilty and comforted by the entire cast. Arthur guilty? Arthur doing the worst things possible and someone razing him to the ground

Merlin always gets these nice things. always flowers, courtship, everything. Found family? Everyone comforts Merlin because big bad Arthur. (literally almost every Merlin "found family" is everyone loves Merlin and treats Arthur like shit)

Merlin gets an apology. Arthur? My parents will love me faster than someone will apologize to Arthur in fanfiction.

"suicidal, self-harming Merlin" but Arthur has no right to have mental problems (a whole lot of people have wanted him dead since he was born)

Protectivr knights? Always about Merlin.

Even the fucking omegaverse. Alpha Merlin is a nice calm creature who pretends to be a beta. Alpha Arthur... wild animal, keep Merlin in a cage.

No. Just no.

(forever grateful to those stupid British people that arthur never told merlin he was fat. because the fandom understands that something is a comedy if merlin says it. if arthur it would be ,,abuse")