#i should be working on other stuff instead i did this

[webbluvrsugar]

omg hii! can i be 🕯️ anon?

okay but.. ethan having digital camera just to record him and reading fucking.. but he accidentally misplaced the flash drive and chad finds it so yk..

a/n: omg! Yes of course you can (this is so exciting, it’s like my fanbase is growing), hope you like it!

proofread but I’m not that sure

﹒ ☆ 𓂂 ˚ ☆. ꙳ * ࣭ ࣭ Chad find your little tape…

Ethan was not the type of guy to do something like this but getting with you changed him. He can’t touch any other girl, he can’t look at any other girl so when he’s in… need of something, he’ll ask it from you, the problem is when you’re not there.

That’s how the proposition of filming you two came up and with a bit of reluctance… you accepted.

There were certain videos he liked the most, specially the one’s where you were visually struggling, wether you were tied up with your hands behind your back or you were just too tired of riding him — he’d be lying if he said he didn’t use those instead of his actual memory when he was alone, so he kept them hidden well, somewhere no one would find the camera.

Problem was that… this time Ethan was too busy cleaning off the blood of a victim to hide that camera before Chad came over — and at the time, he thought it was fine, Chad wouldn’t touch his personal stuff, right?

Wrong, because it’s been five minutes of Chad stepping inside Ethan’s room and he’s already peeping into Ethan’s stuff, opening a drawer next to his bed and pulling a small camera from it. Chad has a little fun with it, takes some stupid pictures before investigating what content it could have, he thought maybe some stupid plants or views that Ethan liked — and they were views alright, just not the type Chad expected.

There’s at least fifteen videos of you, and Chad doesn’t watch them, he’s not that much of a creep but he’ll for sure tease Ethan about it.

Ethan walks in the room, Chad bluntly flashes the camera at him, immediately, the curly haired boy is blushing.

“Dudee, didn’t know you had a camera, this could be useful for Tara’s project, you know, she’s been needing one.” Chad smirks, some bullshit lie to see his reaction.

“Well, uhm… she should probably find another one, that one’s really sensitive and… it’s family heirloom.” Another bullshit lie, this one not that well conceived.

Chad moves closer to him, inspecting the thing in his hands. “Really? Couldn’t tell, looks brand new.”

“Yeah.. I… take really good care of it.” Ethan mutters, takes another step closer and reaches for it. “Could you just… give it back?”

“Oh yeah, for sure, for sure…” Chad hands it to Ethan, or at least, he fakes it before taking it back. “But I don’t know what makes it so special, got something hidden in here, you’re sure Tara can’t use it?”

“Just give it back man, Tara can use one from someone else or something.” This time, when Ethan reaches for it, he grabs it tight, almost looks offended. “And uh.. I know we said we should do the project today but I think you should leave.”

“What?”

“I’m serious, just leave, we’ll do it sometime else.” Ethan swallows.

“Listen — just because I found your little camera and you have some videos of your girl there doesn’t mean we can’t work on it tod—“

“You watched them?!” It’s a yell, Ethan’s pissed, he’s protective. “You fucking watched them, how much of a creep can you be?”

“No I didn’t watch them but I mean I could tell what they were and—“

“Just get out.” Ethan points to the door. “Get out.”

Chad sighs, he shouldn’t have mentioned the content in the camera because now he’s pretty sure he did not only loose his project partner but also his best friend.

So reluctantly, he decides do what’s best — leave without saying any other word.

[not-quite-ran]

Let's get married

(a dreamnoblade one-shot)

"Let's get married" Dream almost laugh, no, he did laugh, because he thought he was joking, because who would propose in the middle of the artic, just outside a secret base of an anti government organization that had just finished a meeting, besides it didn't even sound as a proposal, so he just laugh.

But Techno didn't laugh with him. In fact, when Dream turn to look his way, Techno was holding a circular object that was also very shiny that happened to look exactly like an engagement ring.

"Oh"

-----

Life after prision break wasn't easy, but Techno was there. 

Techno was there when Dream was physically able to hold a sword again.

Techno was there when he succeeded in hold a pen properly, and do readable orations instead of his usual cat scratches.

Techno hold him when the night terrors were unbearable and he live sleepless for a couple of weeks.

Techno was there when he had to empty his guts in the bathroom when he had a little too much food when his stomach wasn't able to handle it yet.

Techno was there, and even better, Techno was there for him.

So when Techno offered him a place at the syndicate table, Dream was euphoric.

Not everybody was exited to meet him at the syndicate table, but a couple of years had passed and he was unbothered, besides, the syndicate wasn't really busy, so it really was just an excuse to reunite in a calm place to chat and have some of the pastry Nikki always bake for them

It was nice.

Dream could get use to this.

And he did.

--

Dream wasn't a man of formalities in his personal life, and honestly after all the "no attachments" thing in his past he was kind of lost in the topic now. So when he and Techno past from foreign touches, to cuddles, to kisses, to straight up make out sessions and ,,, other stuff, they really didn't say much, it felt natural, maybe not really talk about it wasn't ideal, but it work for them and no one really never cuestion it, so, no need.

Dream had already sense the subtle change in their routine, they were entering a very domestic routine (more domestic that it already was), Dream could feel it, and it was nice, it was peaceful, and warm, and Dream was tired. Recovery was a very tiring process, and Dream wasn't complete heal.

He didn't think he would never be.

But it was fine.

He had Techno.

And it was very obvious right now.

Techno wasn't in his knees, Dream didn't think he could stand it if Techno kneel, but he didn't need to, because Dream was already in his horse and even if Techno was a fucking giant, Dream have to look slightly downwards to look at him from his place at the top of his horse.

Techno also wasn't offering the ring per se, he was handing it over, like it was anything but a fucking engagement ring-

"Okay, rude, you could had just say no instead of laughing at my face, but okay" Techno was teasing, Dream could hear it in his voice, but he also could hear the slight wavering, like he was insecure.

Techno was never insecure.

"N-No, wait ,,, what?" Dream tried, he did, but his brain refuse to catch up with all that was happening.

"I said, we should ,,," Techno bring the ring closer to Dream's face, again, like he was presenting anything but a ring. "We should get married"

Dream blinked,

Once,,

Twice-

"That it's the most horrible proposal I ever heard, and I have heard a few." Dream couldn't help but laugh, again, and Techno was about to retreat his hand when he lean in and put his hand over Techno's. Techno smiled.

"Okey, nerd, leave me alone, this is a full player thing I have zero knowledge about this kinda stuff in players culture." Dream couldn't help but smile

"Then you should try and do it in a way you understand it." Despite everything, Dream took the ring from Techno's hand and put it in his finger, and took his time to admire it, it was truly beautiful, Techno has put a lot of thought in it. He smile, "It's really beautiful Tech." 

"I'm glad you like it" Techno took Dream's hand, and he also admire the ring in his finger, he look proud. "And now that you accept my courting, it's the first of various ornaments that I should give to you, mate." It wasn't a question,  but it also wasn't a affirmation.

"Well, I think I would like to get married to you, mate."

Dream swore he had never seen Techno smile wider.

Yeah, he will be fine.

Because he had Techno.

And Techno had him.

[thewanderersminuet]

I like the GX manga

[void-occupation]

This is a platonic SFW tickle fic, and if that isn't your cup of tea, kindly keep scrolling.

TW: it does get kind of intense but that's because Alastor is an idiot (lovingly) who doesn't know how to shut tf up, and Lucifer is a petty bastard who has been banned from completely disintegrating this deer twink.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[helioptilie]

wait Furiosa was really good actually, why did it flop?

[vaunteir]

i could azujamify these songs watch

[corellianhounds]

Amidala the Resilient

Media: Revenge of the Sith

Rating: T

Word Count: 3,942

Warnings: Canon-typical violence, pregnancy, Force-choking, blood and injuries, traumatic labor and delivery, death in childbirth, no happy ending.

Art Credit: Iain McCaig, The Art of Star Wars, Episode III: Revenge of the Sith

Summary: In a universe where Anakin gradually descended into the Dark side of his own volition from the beginning— where his ambition and love were genuine and admirable, but the temptation of power too much— his turn is something much more destructive and purposeful. Amidala’s plan for retaliation is just as much so.

Padmé Amidala can feel tension twinging in her back and thighs. The pit in her stomach has coalesced into a tight knot as she steels herself for what she must do, bringing a mattock and salt to the ground where pruning shears should have been used long ago.

Anakin had been too far gone for a long time, and the fault lay in her and everyone in his life willingly turning a blind eye too often to his myriad of faults. In the past two hours she has seen actions the result of which came from an upbringing where his temper, jealousy, and ambition were allowed to slide because those who thought him destined for some great cosmic good were willing to overlook occasional— and often objectively justified— acts of wrath and ruthlessness. He had always been so good at justifying his reasons and putting his actions in a more favorable light, showing enough willingness for correction over the years people thought he was receptive to guidance and change.

What she’d come to realize with dawning horror was that the seeds of destruction had been sown long ago, and though the vines had borne occasional good fruit, they had always grown with selfish intent, inevitably choking out everything around them in an effort to keep his own desires hidden behind the barrier of thorns.

In the next hour, she will come face to face with the monster of a man he’s become.

The Jedi master doesn’t know. Kenobi knows she has some plan but wrongfully assumes it is to appeal to whatever mistaken shred of humanity might remain in Anakin. Obi-Wan— even now, even after what they saw— cares for him as a brother and would sooner cut off his own hand than see Anakin completely lost to the Dark. Padmé however has finally seen clarity of purpose.

For Anakin to be stopped, he must be killed.

The ship arrives on Mustafar. Padmé wrenches herself away from the viewport as Obi-Wan lands and she gingerly lowers herself to the cargo hold, donning a cloak. Obi-Wan hurriedly finishes the landing cycle, calling her name as she gathers her strength, but she’s hardly listening to him at this point and she knows she must conceal herself from him so he has no chance of stopping her.

A hand on her shoulder makes her flinch, and the Jedi lets go almost in surprise. “Padmé, you don’t have to do this. I will talk to him.”

“No,” she says, keeping her left hand secured across her waist beneath the voluminous sleeve as she cleared a path to the lowering gangway. “He’s made it very clear he’s past the point of reasoning with the Jedi. I will speak with him, and if I cannot convince him to come with us calmly, or I cannot ascertain his next move, I expect you to do what’s necessary to end this treasonous rebellion. That is an order.”

It was all false diplomacy, of course, for his sake. Padmé had no intention of believing Anakin was anywhere close to the realm of negotiation. They were far past that.

But she needed assurance that she could get close enough to Anakin to act decisively. She couldn’t have Kenobi interfering, not at this juncture.

Oppressive heat surrounded her as she swept down the ramp to the barren ground. Magma roiled and churned, flames flickering at the edge of the peninsula as Padmé approached the figure so cloaked in darkness an aura of blackened energy almost seemed to emanate from his form. The grip of the hidden dagger dug into her hand, grounding her as she approached.

Padmé’s eyes burned with a ferocity to match her husband’s. It was time for this to end.

When Obi-Wan had seen her determination in the hold of the ship he had never for a moment anticipated what it would lead to.

Padmé steadily approached Anakin, cloak and hood protecting her from the blaze. He could see her speaking forcefully with him, her face hidden from view but Anakin’s darkening by the moment in response. His right hand, devoid of glove, clenched the hilt of an already ignited saber, the bloodshine blade standing in stark contrast to his own cloak. Its presence alone was alarming, but Obi-Wan had been subject to so many tragedies that night already, he merely assumed Anakin had readied it in the expectation of facing his master.

What Obi-Wan hadn’t known was what Padmé concealed until she tried to close the distance between them, her own blade in hand. What followed happened in the span of a heartbeat.

Anakin’s saber blocked it on instinct, easily halting the approach of Padmé’s dagger, his eyes widening in surprise. In the following moment his left hand raised and with it, so did Padmé.

Obi-Wan’s astonishment lasted only a fraction of a second as he yelled “NO!” Padmé’s feet left the ground as an invisible force clutched her neck in a crushing, intangible grip, and in the breadth of time Padmé scrabbled at her throat, Obi-Wan acted.

Anakin stumbled back from the force of the bolt hitting his shoulder, releasing his hold on Padmé. Padmé crumpled to the ground in a heap, and Anakin’s sights zeroed in on Kenobi, standing at the mouth of the ship with both blaster and lightsaber in hand. Snarling, Anakin stalked towards his old master and brought his lightsaber down, red clashing against blue.

Padmé Amidala, heartbroken and dying, drags herself bleeding to the communication console.

Kenobi can hear her movement in the bay and yells her name, telling her not to move, that he’ll come to help her as soon as the ship breaches the atmosphere, and she stalwartly ignores him, cradling the underside of her belly with one hand and using the other to support herself on the railing around the sparse artillery deck. Her broken ankle protests at every movement, sending lightning arcing up the leg where she puts her unsteady weight. The cramps in her abdomen spread like bone-coral, sharp and hot and agonizing in her pelvis, sides, back— Every tendon and muscle in her body screams at its owner to relent, to succumb to the creeping darkness pressing around her vision, but she cannot allow herself peace until she finishes what she started.

Padmé staggers at the ship’s turbulent acceleration, her forearm slamming out against the bulkhead as the lights flicker, and she curses the unsteady pilot she thought was her friend. Perhaps if she’d been accompanied by someone more decisive, someone whose fatal flaw wasn’t a love too great for a brother that no longer existed, Anakin would have been dealt with and she’d have the wherewithal to fight against the added pain of a labor she was sure would tear her in two.

Sweat pours from her brow and forces her already shaking, slippery hands to scrabble for purchase on the blasted polished finery of a spoiled noble’s ship. Her muscles spasm and she gasps in abject terror as she feels something inside her snap; the membrane within her had ruptured.

Gravity pulls on her bones as her muscles betray her, and she collapses against the bench. Fingernails scrape vinyl and she chokes out a guttural, rending cry of pain in the effort it takes to haul herself upward into the seat.

Obi-Wan is yelling again. Traitorous coward.

Padmé punches in the covert frequency on the transmitter. Her other hand rests on her stomach, her infants moving restlessly under her touch. She forces the hot flashes of pain back, shoving down every instinctive response to curl in on herself.

“Sabé—,” she says into the comm, gritting her teeth and tasting blood once more; the contractions were stronger and with a strangled grunt she yanks the comm closer, ignoring the frantic waves of worry rolling off of the useless Jedi in the pilot’s seat.

“Sabé, if you find the man who was my husband,” she chokes, the creeping black at the edges of her vision beginning to overtake her.

“Kill him.”

Obi-Wan sat listlessly on a bench in the hold, what bloodied clothing he still wore sticking to him like a second skin. His hand rested on the makeshift bassinet, a gun locker repurposed into a cradle.

He could only imagine what directive she’d felt necessary enough to strain herself to get across the sublight waves; he could only imagine because the message was encrypted and the recipient unknown, and her mind had been shielded from his probing. He didn’t know whether to blame his failed use of the Force on the heartbroken, distracted nature of his psyche being pulled in a thousand directions as he’d manually flown from Mustafar’s orbital pull in order to make the jump to lightspeed, or to blame some unknown energy stalwartly blocking him from Padmé’s mind. Reaching out to her had felt like hitting a steel wall.

The tumult of their departure had preoccupied him until he was sure he’d escaped whatever enemy fighters Anakin’s new master had sent after them, the maneuvering less of a dogfight and more of a half-cocked evasive prayer for the hull to remain intact long enough for them to break atmo. Klaxons blared and the astronav’s interface barked orders, warning him of too many systems he already knew were damaged enough that if they took even one more hit to the hull they would be obliterated; shields were failing, exterior panelling being shorn off, the pursuing fighters gaining on them— Until by some stroke of luck he’d found a slip in space to pull through and immediately jump to lightspeed.

Lightspeed jumps themselves were already hazardous to expecting parents’ health. He was terrified of the condition she had been in when he’d finally gotten her onboard, and the fact he could sense her moving with purpose somewhere below decks while he tried to shake the fighters had sent his heart rate skyrocketing.

Piloting had never been his forte. As soon as they’d hit hyperspace he’d slammed a hand against the autopilot controls and bolted from the dash, scrambling down to the hold below.

He swore under his breath, calling her name and skidding to a halt beside her. Her face twisted in agony, her hands clutching the underside of her abdomen. Obi-Wan knelt beside her, hesitant to move her and instead ran a quick check over her vitals, astonished at what he found.

Broken bones in her leg, fractured ribs, internal bleeding, damaged trachea— how had she even moved?! By all rights she should be dead and yet something had propped her up long enough for her to drag herself to the terminal and send a message.

And now she was in labor.

“Kenobi—” she spat derisively, grabbing his tunic. “Get— up—”

“Padmé, hold still, let me—”

He was cut off as a violent shudder wracked her body, her limbs curling in on herself with a gurgling cry. Panicked desperation lanced through him as he reached out and grasped tendrils of the Force, gingerly cradling her neck and attempting to delicately, swiftly mend ligaments he couldn’t see. If he was even a millimeter incorrect, she would die.

A misaligned vertebrae shifted back into place, and Padmé screamed.

Obi-Wan bit back a sob, carefully tracing his fingers on either side of the back of her neck with as much force as he dared in an attempt to still her and provide what pain relief he could as his own energy was leached from him. Padmé gasped, her eyes flying open, her expression stricken as she looked up at the ceiling. Her iron grip loosened as the tension dissipated, if only in one area. She gulped air as if coming up from the bottom of a lake, and Obi-Wan settled as he felt his strength wane. A concrete task was better than guesswork at unknown variables.

The reprieve didn’t last long; Padmé grunted in pain, convulsing as a contraction rippled through her torso again. Further assessment revealed her leggings and the floor beneath her to be drenched, and Obi-Wan’s panic flared again.

“I have to get you up—”

“If you move me I will kill you,” she spat harshly. She trembled despite the ferocity of her glare, her hand still twisted in his robe. “There is no time— Here and now, Kenobi. Make do.”

“Padmé—”

“Look around you,” she seethed. “There’s no level surface in this blasted ship big enough to work. There are no other choices. There is no one else to help. Sleeves up. Now.”

Kenobi’s brow remained twisted as he stripped off his outer tunic, knowing it was laden with silicate and volcanic dust. Padmé propped herself up on her elbows as he raced to scour his hands and forearms, coming back to remove her boots so he could work her outer garments free. Whether the blood seeping between her teeth was due to the injuries she’d sustained or because she was gritting them hard enough one had cracked, he didn’t know.

Padmé gasped again as the fracture in her shin shifted— He wanted to settle her, to fix this, but the contractions were coming more quickly and closer together. They were running out of time.

He finally seated himself before her, kneeling and shaking in just his undershirt and trousers, feeling acutely unprepared for what was to come. Battlefield triage and casualty care were the extent of his healing knowledge, and though he was adept at relieving or numbing acute nociceptive responses, it was usually with soldiers whose minds were open for him to assess areas of injury. A commander with a blaster burn would be focused on the point where his plastoid hadn’t covered. A civilian’s attention after suffering a fall would be turned to the joints and bones that took the brunt of the effects of gravity.

Labor and delivery were far too different from his experience in the medical field.

And Padmé was still blocking him out.

Her knuckles gripped bone-white to a ridge of floor plating, one knee bent and her foot planted flat. The other lay weakly to the side, and Obi-Wan grit his teeth as he raised it up to rest over his thigh despite the lancing pain he felt radiating from her, tucking a blanket beneath her and readying his hands for whatever instruction he prayed she could give. With him gathering his wits and her gathering her strength, they set to work.

The whole ordeal couldn’t have lasted longer than ten minutes, and it was the longest and most arduous process of their lives. Between her strangled cries, his intuition, and the muscle spasms that told him everything about this was wrong, Kenobi’s concern grew with the pool of blood beneath her, and she forced him to focus on the children, refusing to allow him any modicum of time spent healing her injuries between her screams. Untended bone cracked further as she thrashed, her screams echoing back in the cargo hold.

By the time Kenobi had swaddled the two squalling— living!— infants in what sterile dressing he could find from the field kit, Padmé had gone a sickly pale. Her skin was waxy under the recessed halogen lighting, her hair sticking to her forehead. Dark circles rimmed her eyes and different muscle groups continued twitching of their own accord as if sparked by electricity. Obi-Wan was torn between ensuring the infants had been properly cared for, and wanting to drag Padmé to the captain’s berth to fully assess her wounds and heal her: Padmé kept stubbornly shoving him away, tears tracking unnoticed down her face as she continued to choke out instructions for the care and keeping of her children.

He’d finally been forced to stop when that iron grip returned in full force— Padmé grabbed his arm and yanked him down to where she had propped herself up against the wall. Kenobi lurched forward, her ashen face now level with his. She forced her voice to obey despite the strain in her throat, rasping the words she needed to say.

“Keep them away from him.” The venom in her tone was undeniable. “You keep them safe, Kenobi, get— get them as far away as you can—”

Kenobi grunted, refusing to let her continue her orders. He pressed a palm to her chest, willing those wisps of energy to sustain her just a few moments longer as he tried to haul her up into his lap, coax her arm around him so he could lift her— If he could just get her somewhere comfortable, somewhere clean, if he could focus—

Padmé shrieked in pain, clawing at his chest and arms, and the sum of their separate fights came crashing down on him as the Force dissipated from his mind’s grasp. His knees gave out, his strength sapped from the energy he had poured into her, and they lay heavily back against the terminal yet again. The children cried distantly behind them.

“Padmé, please…” Obi-Wan pleaded, tears streaking down his face, but she shook her head yet again.

“Keep them safe,” she coughed, begging for the first time. “Get them away f-from—”

“He’s gone, Padmé, Anakin is gone—”

She shook her head fiercely, squeezing her eyes shut. “No. He’s there. I can feel him.”

“Listen to me— Anakin is dead, I saw him—”

“You’re wrong,” Padmé said. Her breath rattled. Tears dripped from her chin. “If— If you won’t k-kill him then t-take care o-of them. Wh-Whatever it takes.”

Her chest hitched as she gasped around the liquid filling her lungs. Her bloody hand trembled against his neck. She hiccuped, her eyes went glassy, and her hand fell away.

And in the stillness of hyperspace, Padmé Amidala Naberrie passed from one life to the next.

It had been an hour since then. Only an hour since Obi-Wan had had to keep himself from buckling under the weight of his grief, an hour since he’d sobbed on the floor of a ship as one of his oldest and dearest friends died in his arms. The former queen of Naboo, dying in the bloody cargo hold of a stolen ship, her own life stolen from her by the one person the two of them had trusted beyond measure while her infant children cried out for comfort he felt wholly incapable of providing. Obi-Wan wept alongside them, digging his fingers into the cold, unfeeling floor, wanting to scream as the agony of heartbreak threatened to overwhelm him.

So many dead, or lost. There was no solace even in the Force.

But as Obi-Wan Kenobi found himself doing so often in his life, he shoved his feelings down into the furthest recesses of his broken heart, let go of another loved one returned to the Force, and turned himself back to the task at hand.

The infants were asleep now. He’d shakily scrubbed at his face and arms with cold water and spared only enough time under the sanisteam to ensure he was clean enough to handle them before finding a spare undershirt for himself. He fed them, cleaned them up, and held both of them together against his chest as they squirmed, dissatisfied at their situation before accepting their present accommodations and falling asleep. By the ship’s chrono he had roughly two standard hours before the ship was due to drop out of hyperspace.

He sat unseeing in the captain’s berth with the ad hoc bassinet nearby. Padmé was still in the hold; he couldn’t be two places at once, and he couldn’t stay down there with the children.

Something bothered him about the infants in his arms, though. Once the girl had passed from Padmé’s body, it almost seemed like the barrier keeping him from sensing Padmé’s thoughts had broken. He was too drained and scattered to dwell on it as his last moments with her had been focused on her well-being, but despite his utter exhaustion he had a suspicion that had already begun to crystallize under the sheer openness of the twins’ young presences within hyperspace.

It troubled him.

Whatever message she’d sent was evidently received by the people she’d needed it to. Bail Organa met him at the hastily assembled but covert rendezvous, his ensuing shock and horror upon entering the ship’s docking ramp turning to commanding resolve as he followed the trail of destruction to Kenobi’s station. Organa had to shake him from his stupor before Obi-Wan could tell him of Mustafar, of the newly appointed Sith and Padmé’s scheme, and of Padmé’s last words. The senator’s brow furrowed. He knelt next to the Jedi, looking over the sleeping children.

“What of Anakin?”

Obi-Wan shook his head tiredly. “I cannot sense him. I don’t believe Anakin is alive.”

“… Who else did she contact?” Bail asked.

Tears dripped onto Obi-Wan’s shirt. “I don’t know.”

Bail sighed, bringing one hand up to rest on his shoulder. “I am truly sorry, Obi-Wan. For everything.”

Obi-Wan couldn’t respond.

Bail’s team, handpicked and vetted by the senator himself, worked below decks as the men weighed their options. The aftermath of the despotic coup was rippling out and changing by the minute; the Jedi had been slaughtered and scattered, the clones had broken all communication, and the Senate had reached a fever pitch of chaos. Anything that needed to be done had to be done now.

The feeling of loss that bordered on consuming him was one he’d rarely felt in his lifetime as acutely as he did now. The comfort he found in the Force was absent. He’d felt like a ship unmoored when his master was killed. Now it was as though he’d been dropped into the middle of a hurricane.

Bail’s hands were clasped loosely together against his forehead, elbows resting on his knees as he bowed his head in thought. Kenobi could have been a corpse for how still and gaunt he was.

“Obi-Wan…” Bail began. “Are you certain Skywalker is dead?”

“Yes,” Obi-Wan said. “I cannot sense him at all.”

Bail was quiet for a moment before he spoke again. “… But you, of all people, couldn’t sense what must have been growing within him. Is it at all possible the body of Anakin remains, but the reason you cannot find him is because the man we knew is entirely lost to the Dark?”

A chilling fissure of clarity cut through Obi-Wan’s senses. His reaction told Bail everything he needed to know.

Even if it was only a suspicion, they could not afford to waste time figuring out the emperor’s next move. Anything that could be used to motivate Vader had to be hidden from public knowledge. They couldn’t leave a trace of his past behind.

Bail mulled over his thoughts, then stood, gesturing for Kenobi as his resolve hardened to steel. “Come. We have work to do. We will mourn when we are done.”

Sabé trembled with the effort it took to control her breathing. She stowed her bag behind the seat of the starship and brought the engine to life, moving with purpose as tears streamed unbidden down her face.

The ship rose, coordinates locked in place to meet the others of her gathering retinue. These weren’t the orders of former nobility, of a governing senator— This was the last request of a dying friend, someone whose very existence was woven into her bones. Padmé Amidala’s death would not be in vain.

Sabé looked out beyond the stars, her breathing finding stasis despite the ocean of grief beneath it.

“My hands are yours, Padmé,” she said to herself. “For as long duty compels them.”

She wasn’t going to kill Anakin. Not until he felt every bit of the pain and suffering he deserved.

Notes:

The line “clarity of purpose” comes from Saw Gerrera in the Andor TV show

I wrote Sabé’s line before seeing that one similar was used in one of the books. Good to know I was on the right track with a character I know very little about lol

[abluethingphantom]

Here's something dumb I made as a joke. With the thought process of how does no one else in DoL notice the tentacles hanging out the sewer opening. Then I thought of this

[audiovisualrecall]

This is a start, anyway. Lots of research and work ahead.

[yesyourstalker]

Makeup artist:.......... Are you nervous?

Baja: a little bit.... This isn't like in front of a studio audience right

Makeup artist: No sweetie, it's just a one-on-one interview.

Baja: that's good. Who are we interviewing?

Makeup artist: You're going to have to ask the show-runner, Mickey.

Mickey: let's go. Let's go. Let's go what takes so long putting powder on a face. He has perfect skin anyway. We had to get him to the dressing room. We start filming in a couple minutes

Makeup artist: I'm finished. Just need to map down some scales and he's...... All done. You're free to go sweetie

Baja: thank you

Mickey: So you must be then host of the show. Sorry I wasn't able to meet you sooner. I was on vacation. Oshi told me you're a really good candidate for this show. You seem to be competent you know your way around music....*sip* ..... Coffee?

Baja: I don't really drink that much coffee. I like tea though

Mickey: Green tea! *Snap*. .*snap*

Assistant: your green tea

Baja: thank you

Mickey: Well I know one thing for sure. She was right about the pretty face. Now as you get dressed head to the studio so we start filming promotional material Ramon should be there with you. After your interview which will count as the pilot

Tammy: Mickey listen I really think you should reconsider about not casting me for the show

Mickey: No....*sip*

Tammy: but I really think you should I mean I can at least be co-host. I'm great to be around! Tell him, baba

Baja: it's Baja

Mickey: No, we need to bring up the sea slug viewership

Tammy: I can be the second co-host

Mickey:....*sigh*...... Tammy listen to me. You didn't get the job all right. You just don't fit the criteria we need for this show and this channel. But hey you have other opportunities for other networks alright. You're pretty, you're bubbly and you have a nice rack. You can get a job anywhere with those qualities around here.... You're just not going to find it at this station

Tammy: but-

Mickey: goooooood byyyyyyyyyyyyyeeee Tammy!!

Security guard: Right this way ma'am

Tammy: Mickey!!! I'll have your fucking job!!

Mickey: we'll see you next week Tammy we're filming the season finale

Baja: she seemed pretty upset

Mickey: eh she'll get over it ... She's been in a couple of shows here and there on the network. She plays Kate the baby sitter on 'dock and dingy' ......*sip* ..... She'll be fine. Here Is your dressing room your clothes should be folded

Baja: alright... and I just head to set after

Mickey: yep your's and Ramon's chairs will be the brown arm chairs. The musician or celebrity will be sitting on the loveseat and will perform on the stage behind you

Baja: they're going to perform?

Mickey: yeah.. yeah they're starting their Solo career

_______________________________________________

Ramon: hey... You look good. They spruced up your wardrobe too

Baja: yeah. I wonder if we're able to take this home with us

Ramon: probably. I think it'd be easier just to keep in our dressing rooms for now. Keep our work clothes separate from our regular clothes. Feels like bad energy to mix them together.

Baja: how so?

Ramon: I mean this nice brand name stuff fancy designs, colors and a hefty price on it. It's nice but it isn't really me. It's what the studio and the producers want me to be and I rather keep that at work when. I go home I wear my regular off-brand jeans, my 8-year-old sweater and a pair of kicks with a hole in it. That's me. That's who I am. A regular person, I'm not above anyone and I don't want to feel like I am. Get what I'm saying

Baja: yeah... I get it. You don't want the job to change you

Ramon: exactly

Mickey: All right! Hitch you got the shot?

Hitch: Yeah I got it. We can use this for commercials

Baja: you were filming?

Mickey: Yeah yeah no worries. We just wanted to film you guys interacting. We didn't tell you cuz we wanted to look natural.

Hitch: we didn't have any mics on so we couldn't hear what you were saying so don't worry about it. I'm the director by the way names Hitch. Nice to meet you..

Baja: hello

Ramon: hey

Mickey: alright so we're going to start filming the show in 30 minutes. Kikura is their dressing room.

Ramon: Kikura from C-side?

Mickey: yeah

Kikura: sorry I'm late.. I tend to procrastinate when I'm getting ready for these types of things...... Not a good excuse but... yeah

Mick: Well that's perfectly fine. We'll be filming in a couple minutes this is Ramon and this is Baja. They're going to be the ones interviewing you

Kikura: hey

Hitch: while we wait for that, let's do some more advertisements

______________________________________________

Assistant: alright..... Advertisement 2 take one...[clap]

Baja: Hi my name is baja and I'm the new host of the inklab's new show 'music at midnight'.... Me and my new co-host Ramon

Ramon: sup

Baja: we're going to be interviewing musicians from all walks of life

Ramon: and different genres.

Baja: We're going to have nice conversations getting to know them, telling us some really cool stories.

Ramon: a show airs Thursdays at 11:30 p.m. can't wait to see you there!

Hitch: CUT!.... Great! We're going to do some more editing and maybe some reshoots on that but here is your intro You're going to do this during every episode you introduce yourself. You tell them what show they're watching and then you tell the current news what's going on in the music world..... You're also going to have to do that when you start writing articles for the blog, but we'll get to that later. ... Here's the monologue script. If you want to go off script feel free... Go over it, memorize We'll film in 15...... Oshi! Good to see you..*mwah mwah* how are you baby

Oshi: Hitch! Hope everything is going well I just wanted to check in on everyone

Hitch: yes... You're going to start filming soon so have a seat....(Pat...Pat)

Oshi: alright..... I'm getting a call.....*ugh*..............[inhale].....[exhale]...... Hi Shimi! How are you doing dear?... Are you having fun on the farm? I saw some pictures warabie posted on squidder. You look cute riding the tracker hehhe....... Well you only have one week left honey..... yes I've enjoyed my break..... The church? If that works for you honey I guess it gives you a purpose.........*sigh*...(Eye roll)....acting is also your purpose I know...how's warabie is he having fun?......well tell him to try to enjoy himself..............yes ...... alright good bye hun.............

_______________________________________________

Shimi: hm.....

Merv: Shimi it's your turn to take the manatees out to graze, take your son with you. Noiji start up the tractor I need you to harvest the octoberries, ikkan pack up squidmelons and head into town. Koi would you help me harvest some of the squid lemons

Koi-koi: I'd love to

Merv: Cirrina sweetheart you said you're going into the city for a school project?

Cirrina: Yeah just for 2 hours. When I get back I'll feed the krill and clean out their coop

Merv: All right, be safe

Shimi: warabie help me load up the manatees

Warabie: yeah..... What were you calling Mom about?

Shimi: It's none of your concern she didn't let me talk anyway............

Warabie:... All right, the manatees are in (bump...bump).....

Shimi: alright...................

Warabie:............so what's mom up to at home?

Shimi: she's working on project O.E.T network

Warabie: that's nice she's been working on that for years

Shimi: *humpf*.... We've been working on for years.... Typical of her to go behind my back and do things without my permission or opinion

Warabie:...... Oooookkkaaay...........hm.................hey mahi

_______________________________________________

Mahi: hey dude

Warabie: what's going on at home?

Mahi: nothing much. Baja got a new job...... stop!........ Yeah, he's going to be on TV now. That's pretty neat

Warabie: tv?!

Mahi: some talk show.... Midnight music...... Music at midnight something.....neta stop spawn camping!

Neta: I'm not spawn camping

Warabie: he got the job!? How did he get the job?!

Mahi: I don't know, I really haven't had time to talk to him. He's been in and out of the apartment for like days now..... cod damn it!.... Let me leave the base at least...... fuck!

Neta:hehehehehehehe... I'm sorry .hehehe

Mahi: sorry... Neta's being an asshole...uhhhhh...Baja honestly hasn't been here and when he is here he's just there to get dressed and then leave.

Warabie:*sigh*....... good for him... Guess he's going to be the new breadwinner

Mahi: hey so when are you coming home?

Warabie: end of the week I should be home

Mahi: great apartments too quiet and-Neta!

Neta: what?! What am I doing wrong? I'm just playing the game. It's not my fault you always end up in my range of sight. Get good at the game

Mahi:*huff*... Can you come home faster? I miss you

Warabie: aww I miss you too mahi.. I honestly want to go home too. This place sucks ......I'm tired of scooping Manatee shit and hauling crates of squidmatoes

Neta: ask him the question

Mahi: *ugh*........are you able to bring home fresh produce and milk

Warabie: I....... I'm going to have to ask ikkan's dad that

Shimi: we're here unload the manatees

Warabie: I got to go.... text you later..........

Mahi: bye..... I'm not playing with you anymore! I'm done with this game....

Neta: One more round. I want to get a gold badge on this weapon I'm two games away. You can be on my team this time

_______________________________________________

Cirrina: .......this must be the address..........(Knock knock)

Bayou: Cirrina! You showed up!

Cirrina: yeah....hehehe sorry if I'm a little early ...

Bayou: no worries. Come in, come in you can use your shoes on the shelf right here. So what do you want to know about krillarney?

Cirrina: I'm just you know the origins and the history of krillarney...... You lived on the surface for most of your life, right? Is that true for most octolings here?

Bayou: yeah... Most of us here spent their whole lives on the surface though there are some who moved here who previously lived underground

Cirrina: Interesting......so... And did your family move here?

Bayou:...... I think you might get more information from my nan.... Nana!!....... You remember my Nana. from church?

Nana: yes!? Bayou? What is it love?.....oh... Dear the little girl from church. Nice to see you again sweetie

Cirrina: hello..

Bayou: Nan do you mind if she asks you a few questions?

Nana: I have no problems sweetie

Cirrina: It's just a couple questions .. . I'm doing a five-page essay on octarian history in other countries

Nana: wasn't that nice? Well what do you want to know dear?

Cirrina: uhhhh .... When did you move here

Nana: oh I have no idea sweetie It's been years...... The war started when I was around......10 of 11 years old. I lived with my two sisters in a small village My mother was a School teacher and my father passed away years ago.

Cirrina: *writing*

Nana at the time my village was not affected by the high tides but it was targeted with conflict over land and resources. Next thing you know, I was being drafted for the war along with my two sisters. They just turned 13. They never held a weapon before. My mother couldn't even imagine them going to war, it was only after the first bomb we decided to leave. We had to leave quickly so we weren't able to bring a lot. All we had to pack was whatever we could fit in our backpacks. I packed two dresses, pair of pants, three shirts and one skirt. I also packed my Adva doll she's the only toy I played with for years.

Cirrina: *writing*

Nana: My mother was good friends with a man who moved to our village before the war happened. He was a nice inkling man Mr. Doal he offered to help us leave. His son got drafted and passed away early in the midst of combat. He told us about a developing sovereign country called krillarney that was currently taking in anyone and everyone across the world who wanted to get away from the war

Cirrina: *write*..... So how did you get to krillarney

Nana: we were informed that there were fairies and ships offering to help people leave. We set our trip in the middle of the night and met up with Mr. Dole and other people who wanted to leave as well. The walk was 3 hours straight. No brakes, no rest until we made it to the coast and we got onto a ship. It was a squid beak ship if I remember, The S. S. Escargot. We sailed for a week to krillarney making several stops picking others in similar situations.

Cirrina: was it just inkfish who were escaping?

Nana: oh no there were so many people from so many walks of life on the ship. Urchins, fish, cephalopods, Crustaceans. So many were affected by this war. I remember seeing some still wearing their military uniforms. It was their only chance to leave and they took it

Cirrina: when you got to krillarney what was it like? Was different from how it is today.

Nana: Well I can tell you one thing we didn't have these malls, outlets or a nice studio apartment like I have now hehehe. .... When I first got here My mother could only afford a nice small house with two bedrooms. Our neighbor was young octoling and his wife was a bass. They were enlisted in the military for years. When the war started they were completely against it. They were planning on having kids at the time they couldn't do that if they were at war. Unfortunately they weren't able to have kids but they watched me and my sister so many times that they kind of saw us as their kids hehehe

Cirrina: *writing*...... Do you ever think about your old village? What happened to it?

Nana:............. Well....um..... Like I said at the time the high tides didn't affect my home but.............. Soon enough it was............. Everything was wiped out and everyone......... From what I know now....... The water levels have subsided and it is inhabitable but............ I just never went back. Everything I know about that place is gone. My home my toys.....some of my old friends

Cirrina:.... I'm sorry.......

Nana: it's alright love

Cirrina: ....... I think I asked enough questions

Nana: are you sure? I could tell you more

Cirrina: oh that's ok really.... I have enough to write my paper. I have to get home to do my chores

Bayou: alright..... Do you want me to walk you to the fairy dock?

Cirrina: (blush).... well........ok...

Bayou: great..... I'll be right back Nana

Nana: Come back safe

Cirrina:..........................

Bayou:...........................

Cirrina:..................

Bayou:..............you know we have tons of historical sites here if you ever want to check them out..... Add some photos for extra credit

Cirrina: that would be nice but I really need to get home

Bayou: we don't have to do it today.

Cirrina: I leave at the end of the week

Bayou: Well you can plan something for this week maybe Tomorrow maybe?....

Cirrina: I can see.... Yeah I think tomorrow would be good yeah..

Bayou: All right so why don't we meet up here again at 2:00 and I can take you to the lighthouse, The bridge of new beginnings and I can even take you to the museum

Cirrina: Great! It's a date! I mean....uh... No! It's not a date..... it's a day out....an outing yeah it's it's it's an outing we're going out......for the day! We're going out for the day

Bayou:..heheheheheh... Here's my number....... I'll text you tomorrow. See ya Cirrina!

Cirrina: bye..hehehehehe........*sigh*..........

_______________________________________________

Assistant director: 'music at midnight'.... Introduction take three!.....(CLAP)

Hitch:go!

Baja: welcome, welcome! Welcome my name is Baja! And this is my co-host Ramon

Ramon: hey!

Baja: I'm very excited to say that this is the first episode of our very new show called 'music at midnight'. What is music at midnight? Well as the names in the title says we're going to be talking about music and it's going to be airing during midnight.

Roman: yep so while we sit here and talk and do interviews. You're going to be sitting on your couch or in your bed and your nice warm jammies.....

Baja: I wish we could wear pajamas

Ramon: Right? We should ask the exacts for a pajama day

Baja: hahahaha...(CLAP)..... All right, let's get started.... Today's music news....... But before we do that, who's who's with us today

Ramon: today we have Kikura sitting in our guest seat

Kikura: hey everyone

Baja: so we Kikura here today and there the guitarist for the band c-side and she's a part of another group riot act.....now Kikura is it true that riot act actually came before the band C-side?

Kikura: uh....oh my cod.......uh wow..... Yeah actually that is true. It did come before C-side... Technically yes but at the time it was not called riot act.... It was actually called 'no boys allowed' uhhehe.... We were in high school that was our original band.... We were in an all-girls school. We were just a couple of weird kids just screwing around... We were all in theater together and we used to hang out under the bleachers and I don't remember who mentioned it but one of us said "wouldn't be funny if we started a band and we had no idea how to play the instruments"....and heh That's how it really started

Baja: it started out as a bit?

Kikura: Yeah it started out as a bit. We started to borrow instruments from The music room and we started to play, used to write music together like we had our own group chat and everything ... It started to get serious during second year of school. It started out as a joke and then just kind of started to really get into it and we really just stopped seeing it as a joke and started seeing it as more of a hobby and soon after we started to book gigs, shows and sets in people's basements. It just kind of took off after that.

Ramon: so what made you join C-side?

Kikura: so C-side started after I met Beika it was a small underground club. He recognized me from my band and he was really excited to see me! He told me that he was a bass player and his old roommate was a drummer and they needed a guitar player. He had a couple songs that he's written and he wanted my opinion on it. He wanted to see if I was able to do a demo track for him.

Baja: *nods*

Kikura: a couple weeks of talking I went to the studio and I met Uotora... He's such a sweetheart oh my cod.... We did rewrites and we wrote some more music. We did some test tracks and 5 hours later I was officially a part of the band...

Baja: what was your first concert like.... You played in sesame hall as the opener for wet floor

Kikura: I was surprisingly calm during the whole show. Really thought I was going to panic and freeze up because this is the first actual concert like a concert concert like it wasn't just a group of people hehehe in a backyard. I remember the crowd wasn't that enthusiastic when we came up but after playing 'click bate' people really just started to really get into it and we just formed a fan base after that.

Ramon: are you still a part of that band? After you released your new album with riot act

Kikura: oh yeah definitely. I'm still a part of the band I'm not going anywhere. This ain't that kind of band. Do we treat each other with respect...hehehe...hm... But no this is just a side project. We all just started talking again and it's just a passion project we're just doing really

Baja: and speaking of passion projects, let's get to the news....Nami one of the members of beloved yet controversial bands front roe has enough that branching off and starting a solo career. Today on Inkstagram she announced that she's working on a new album and writing her own songs she even took a selfie of herself in the studio showing in the recording booth.

Ramon: I think nami's very underrated in the band. It's good to see she's getting out there

Kikura: I'm so happy that she is. I only met her two times. It was during the black square music festival and the seashore awards she is so nice, she's so kind and so pretty. We were talking and I brought up keeping my music in a notebook and she did the same thing too. She has several notebooks of music that she really wants to make but it doesn't really fit the sound of 'squid squad'..... Well I guess it's front roe now but she's kept those book for years... I truly hope she's putting those to good use

Baja: You know this actually isn't her first solo work. She worked on a soundtrack for 'high-rise falling 4'. It was a video game for the gamer boy x system.

Kikura: really?

Raman: Yeah I know that she composed background music for the menu and she also made The third boss Battle song. Man If they ever make the movie of high-rise falling

Baja: they are never going to make that movie.... It's always in production hell for years now

Kikura: I've only played the second and third game in that series, but I heard the movie is going to be starting off with The fifth installment and going backwards which doesn't make any sense

Hitch: what is high-rise falling? I don't know what that is. What are they talking about?

Oshi: It's just a game that these kids play. The audience will know what they're talking about

Ramon: they should bring her back for the movie. It would be really cool if she remixed her original tracks. I love that for him. I'm happy that she's making music. I'm really excited..... What else we have for the news

Baja: SashiMori are no longer doing fall tours or winter tours like they used to

Raman: oh?

Baja: So one of the members, Paul. He's no longer able to travel because he has school so they're going to have to do summer tours

Ramon: that makes sense.... I remember their last tour was during fall during spook fest. Everyone dressed up in costumes and during their last set, people were giving out candy.... Folks was handed a bucket before they got into the arena. it was good candy too like people were getting full size candy bars..... What type of candy do you like? I like gum.... You could never go wrong with gum..... Good flavor, good texture... And you can blow bubbles with it. What about you?

Baja: I enjoy chocolate... I love a good piece of chocolate..... Especially if it has a filling in it like marshmallow or something.....Kikura?

Kikura: I would say I'm a hard candy type of person.... I enjoy jawbreakers

Baja: really

Kikura: Yes, it lasts longer than most candies and..... Besides lollipops It is the only candy that is socially acceptable to take out of your mouth

Hitch: do we have any chocolate sponsors?

Oshi: no but I can get with the marketing team and see what we can do

[one hour of banter later]

Baja: Well folks that's our show! Thank you for being here for our first ever episode. The riot act album will be released on the 22 so make sure you check your local stores for it....now enjoy one of their debut songs 'No planned survivors'

[riot act performing in the back ground]

Mickey: what are the viewerships right now?

Assistant: Right now the viewerships are sitting at 89.4 million...and online..... only 20k views... But that number might rise in the next week

Mickey: [inhale].....[exhale]...... What do you estimate the viewership for ink lab plus?

Assistant: Well..... Judging from the viewership on TV and the viewership on the app we might be able to gain..................... 100 million first episode maybe even more...

Executive: I don't understand it! they talked about video games and then candy, went on a tangent about handbags and backpacks. How is this popular?! This is supposed to be about music and celebrities.

Oshi: Kids today aren't really all that interested in celebrities showing off their fancy cars, expensive clothes and lifestyle. They're bored at that and so are the newer artists. They just want to know who they are as a person....if knowing about their favorite candy and opinions on games keeps them engaged and interested in their music and our show I see no problem with it

Mickey: hmmmm.....

Hitch: I think we might need a meeting for this. I have an idea

Oshi: what's the idea

Hitch: we haven't had that much traction on the app for a while. instead of making a recorded video the next time we film we do a live stream and have the audience involved with the conversation

Mickey: I like that. Keeps the audience engaged and keeps the viewerships high. it saves money on editing

Hitch:......... These kids are going to make us a lot of money

_______________________________________________

Neta had 12 kills in one match and 6 of them were mahi

lmao fish was fighting for their life @fish-at-fish-fish-resort

[roobylavender]

(Really long ask ahead i’m sorry!) I think your thoughts on dick and his similarities vs differences to bruce are so interesting! Personally i’m wondering how much of NTT played an influence on this kind of characterization bc i’ve never fully finished ntt but i read like nearly all the pre-80s batman 1940 issues lol and dick very much was portrayed as more idealistic than bruce in some ways while more no-nonsense (? For lack of better word) in other ways, like when it comes to batman easing up a little on selina for romance reasons LOL. Though ofc dick totally turns into - well, a dick - in team books, as i grow older i find myself far more compelled by a potential story of an 18 yr old who seemed to have the whole weight of the world on his shoulders (by his own perception) and breaking under his own impractically strong sense of duty and sky-high expectations for others, then realizing as he grows older that it doesn’t have to be that way esp after seeing the perspectives of characters like kory, wally, joey, roy, etc. Like personally as someone who never really had a huge interest in NTT anyway, i’m surprised at how desperately people want to hold on to the characterization of dick when he was 18-19 and never letting him grow past that, like it’s so difficult for me to believe that at age 25 he would be the same uptight controlling kid that he was at 19. Maybe i’m biased though bc i was like one of those insufferable INTJ internet stereotypes as a teenager, and while that worldview did bring me achievements i’m proud of like the fact that i’m in med school rn studying what i love, i still know that at age 22 i have changed SO much from when i was 18 and i can’t imagine any reasonably mature or normally-functioning person (let alone someone high-functioning like dick) not doing the same lol. Especially since dick is the kind of person who would literally die if he’s not constantly growing and evolving past his faults bc of his insufferable perfectionism, idk how he’d be willfully blind to the negative effects of his worldview in early NTT and refuse to grow from there. He even has a quote that’s like “i’ve spent years as a student of my own behavior” which i always found highly encouraging bc i know he really does want to improve himself even at his worst. It reminds me of that Marcus Aurelius quote: “if someone can prove me wrong and show me my mistake in any thought or action, i shall gladly change. I seek the truth, which never harmed anyone; the harm is to persist in one’s own self-deception and ignorance.” But what are your thoughts? (Thank you for reading all this 🥹)

oh i absolutely agree! i cannot tell you how many times i think about the person i was a couple years ago and who i am now like i cringe so much omg.. maturity is an ever persistent process even if we don't recognize its effects immediately and it absolutely is crazy to think that anyone would remain in such a static state of mind for several years on end. esp when like you said dick is someone who wants to be better! so despite his several hypocrisies it is nonetheless in his best interests to look internally and analyze and evolve. and i feel like that very much could have happened had there been any actual segue between dick's breakup with kory and his re-entry into the batfam. i don't think there was much of a connection between these two sets of writers at all and so what you got is what felt like two very distinct parts of dick's life that didn't necessarily reveal a bridge point. so it's not entirely unrealistic that dick may grow to be the person (at least to some extent) that bat canon portrayed him to be in the years that followed but i certainly think as it stands it felt unearned and like all of his issues explored in ntt were conveniently swept to the side without any semblance of closure (albeit i do think some of these issues are addressed in outsiders '03 but in that dickheaded way that winick explores things generally. so i'm not sure it's the kind of closure people actually want). it's very sad and ig that's what people cling to more than anything. it's not that they're opposed to him growing to be a better person but that they're opposed to a version of dick who feels like he sprung out of nothing

[the-abyssal-system]

Singlets stop talking about systems as if you’re an expert because you follow some on tumblr challenge (also warning the tags here are a huge rant so feel free to ignore that)

[quietwingsinthesky]

hi not to complain about a poorly written game from a decade ago, but can we please talk about how egregious it is setting the dinner chapter directly after separation in beyond: two souls? i have gripes about how poorly this game utilizes it’s non-linear narrative in a lot of places, but this stands out as the worst offender to me while replaying it. directly after we reveal Ryan (already the face of the CIA that we know will later go on to hunt Jodie down and who “used her”) as also the man who tears Jodie away from the only home/family she’s really had, we jump directly into. them in a romantic relationship.

Ryan is not just some guy Jodie could have as a love interest. He represents a very negative, very exploitative force in her life. Hell, going linearly, you have Jodie yelling at him not to touch her in The Embassy straight into the hijinks of The Dinner. It’s jarring and not in a meaningful way. Not purposefully, at least. Like, Aiden getting Ryan to leave the apartment during The dinner is one of the requirements for the “be evil whenever you can” achievement, right next to literally trying to kill children. There’s so much dissonance between what we’re told (Jodie and Ryan’s relationship is Normal And Fun And Sexy, Actually) and what we’re shown (Ryan is the face of the agency that takes and uses and hounds Jodie all game, and no relationship they could possibly have would ever be on equal footing.)

I really think, and bear with me because I know this chapter has Issues™️ too, that The Dinner would have benefitted greatly from being directly after Like Other Girls and taking place before we learn just how the CIA got ahold of Jodie in Separation. The two chapters obviously tie-in together with the consequences of the events of Like Other Girls falling directly on Jodie’s relationship with Ryan in The Dinner, while also having a thematic tie in Jodie desperately wanting to pretend, if only for a night, that she can be a normal person with normal relationships. It would also have led to a stomach-sinking moment in Separation where Jodie meets Ryan for the first time chronologically and you realize just how connected that relationship is to Jodie’s exploitation by the CIA. If you got Aiden to ruin their chances, then you might feel a little better about that. If you let them get together, you’re going to feel uncomfortable, and you should! (And if Like Other Girls prevented that outcome, again, poorly handled in-game, but at least it would come full circle just how violating this has been for Jodie. I cannot emphasize enough how much Jodie is seventeen in Separation, and the first line Ryan says to her (not about her. to her.) is for her to quit her adolescent whining and pack up to get drafted.)

(I also think that if the game was half as good as its potential, we wouldn’t have gotten some random SWAT guy hunting Jodie down. We would have gotten Ryan doing it. I think that would have provided a much needed layer to their relationship that’s hinted at at the end of Separation and The Mission. Ryan has manipulated her, but at the end of the day, Jodie & Aiden can fuck him and anyone else up that tries to harm her.)

[medicinemane]

And maybe you'll be like "but if you don't trust businesses, how can you trust welfare?"

I fucking don't. My mom trying to get on food stamps fucked me up because a lady I never met without my permission got my SSN from my mom and started editing my files. My heart still races to this very second whenever I think about it, it kinda messed me up bad and I'll never ever ever see any kind of recourse

And I'm terrified that I'm gonna lose my medicaid just cause I inherited some money from my grandpa

And I've never even applied for disability cause it kinda doesn't matter finding out if I'd qualify or not cause of my depression, when the rules are so restrictive I don't know if I've even be allowed to keep my house

I do not fucking trust these things on a personal level. I feel like out of a lot of people I have the most to fear from them cause I'm on the edge of having things work, and that gets you punished

...but I need medicaid in order to have insurance (and when you strip out the finance side of medicaid, I love medicaid... they're honestly incredible insurance... I just... I just... dental is like 90% of why medicaid is so important to me, ever since I found out this state pays for it I've actually been able to do cleanings which is important to me cause I can't always get myself to brush)

And I think things like disability and food stamps are pretty damn important on a personal level, and honestly are also good for the economy cause they get people spending... it's practically a free cash infusion into the economy, cause these are people who need to buy stuff

There's just so much important stuff welfare does that it's worth dealing with government

No, what I want is more accountability so if someone gets my SSN from a 3rd party like my mom they're held to HIPPA styles standards where that's not ok to access my files without my permission (She changed my fucking address and tried to get medicaid to investigate me for fraud! Never even met me)

Like have some accountability there and in every situation

Secondly I want less punitive focused rules. I'd frankly prefer bezos get on disability than smack down some poor sod cause they got $2000 in the bank or cause their friend lets them live with them for free

If there's gonna be a cut off on these programs, it needs to be a solid step above the poverty line, cause... by definition I assume poverty line denotes kinda the minimum expected income people can reasonably live off of, and if you take away benefits people are gonna lose a chunk of money to covering that stuff themself, so you need a buffer before you kick people off

I don't fucking trust the government for a second, I've actively been fucked by them and on a personal level I avoid everything but medicaid and only that cause everything but the money is pleasant to deal with and I kinda need it (honestly if I was rich I'm not even kidding that I'd rather give medicaid like $400 a month than some insurance company, I sincerely like them as insurance)

But I'd trust them a lot more if they were less punitive, less out to hunt me down and gut me cause someone handed me a fiver or cause I started to get on my feet, and if government employees had concrete rules they had to follow that were actually transparent and enforced

Like 90% of my problems with welfare go away if they're held accountable and there's less "catch the welfare cheats" mentality going around

I don't trust the government in the slightest, but sadly there some jobs it kinda has to do, so I'd just rather force it to be an open book where the public can keep an eye on it and if they step out of line there's consequences (sort of like I don't trust most mega corps but happen to sometimes need stuff from them... did you know literally every cell service provider has been illegally selling shit like your location data to random people like bounty hunters, and the FCC just slapped them with a fine that's 0.02% of their yearly incomes and debated even doing that? I even can offer a source on that)

...I don't trust much of any authority cause they constantly fail me and kinda screw me. Don't trust doctors either, but I still gotta go to them, you know? ...they're just... they're real bad at listening... so many systems need systemic change

(You know who I really don't trust is the cops. I could point to so many examples. My uncle doesn't trust cops either, and he's an ex Fire and SWAT paramedic, he worked with them and we still got into a long conversation where he basically tore into them far better than I can)

(I don't trust authority that's not accountable)

[thedevotionaltour]

matt would be a meds skipper i just know it. 90% intentional bc he feels like they don't work and 10% pure forgetfulness.