#i see the light series

[palarien]

sketched this out at jury duty actually

[demigods-posts]

luke fumbling in recruiting percy has to be one of his greatest failures. a beautiful thing the show does regarding luke and percy's relationship is building rapport between them through shared moments like settling into camp, eating meals together, but especially through swordfighting lessons. the swordfighting scene at the beginning of episode 8 not only reveals that percy and luke already share similar beliefs about the fear-based system the gods have cultivated, but it's clear the conversation stays with percy when he fights ares and later calls out zeus on his waning skills as a father and a king. however, luke's plan fell through the moment percy learned that the winged-shoes were meant to drag him to tartarus. not only that, but the shoes nearly killed grover, a friend percy cared for deeply. if nourishing loyalty and trust was the key to ensuring a partnership with percy, then it was luke's faulty planning, arrogance, and impatience that cost him the greatest ally he could ask for.

[fearmeeeee]

Zealot

[achillean-knight]

[ventresses]

Star Wars + Text Posts & Headlines

Obi-Wan Kenobi (2022), pt. 2

[divineandmajesticinone]

CENTURY OF LOVE (2024) I 1.04 "Vee is the fox that conceils himself in Ms. Wad's fate. Like the nine-tailed fox that possessed the consort Daji."

[khaopybara]

❝Penguin. I saw a documentary on them. They are adorable, but can be pretty vicious. Sounds like you.❞

FIRST KANAPHAN as KANT PATTANAWATand KHAOTUNG THANAWAT as BISON episode 3 of THE HEART KILLERS

[pharawee]

Seiji✨Pan✨Ken

—DEEP NIGHT THE SERIES · Special Episode

[fadelsburger]

THE HEART KILLERS (2024-2025) เขาจ้างให้ผมจีบนักฆ่า dir. Jojo Tichakorn Phukhaotong

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[solarockk]

Sometimes I can't help myself at all

rip doggy allience you will be missed

Kind of a sequel to this

[evolutiononthebrain]

there’s another life waiting, right around the corner. you won’t get to keep it. but you can have it, for now.

Quiz by @vulpinesaint (i can remove the @ if u want me to!) / OG Post Inspo by @.transfemmbeatrice / SS’s and pics by me

[zhouxiangs]

MY STAND-IN (2024) | Episode 1

[jojo-schmo]

[The Forgotten Land Roleswap: Chapter 2 63-64]

The first panel on page 63 references the delicious Candyland AU by @das-a-kirby-blog🍬 

<- Previous

Next ->

[benevolenterrancy]

Hi I have caught up to you on having feelings about Zhuzhi-Lang. He's a good boy! 🥺 Good snake boy! 🥺 I had the thought, after Zhuzhi let SQQ leave after SQQ yelled at him... what if they Stole Him. What if.

(Also have you read/been recommended anything by corduroyserpent yet? Big writer of Zhuzhi-Lang fics, including a very cute de-aged Zhuzhi-Lang and some zhushen)

Justifications of bride-stealing!

(AND HE'S THE BEST BOY 😭 I LOVE HIM SO MUCH, SO MUCH!! have some further au thoughts because this has contaminated my brain...)

What I think would actually happen if they stole SQQ? Absolutely nothing good for anyone, LBH would Lose His Fucking Mind xD as a more interesting answer though, I like the idea that Shen "Pedantic Nitpicky Asshole" Qingqiu's primary point of argument is that he is not a bride so he cannot be "bridenapped" regardless of demonic tradition or intention!

This eventually leads to them all completely avoiding the Maigu Ridge incident because TLJ realizes that, somehow, SQQ doesn't realize the depths of his son's feelings for him and decides to put all his efforts into being a wingman for his nephew instead because he finds the entire thing absolutely hilarious and rather satisfying after his own sad romance. Obviously someone like SQQ would do much better with his good, loyal nephew than the disappointing offspring of that disastrous relationship!

As for ZZL he just has to assume that LBH must not be treating SQQ anywhere near the way he should be (and like... he isn't wrong at this point, there is a non-zero amount of torture and terror going on here) if SQQ doesn't see himself as being tied to LBH in any way. And if he's not attached to LBH then there's absolutely no reason he shouldn't make his own efforts to seduce SQQ! After all, if LBH isn't valuing SQQ properly then obviously ZZL has to step up because someone as kind as SQQ deserves the best!!!

[cesiscribbles]

OK SO

I had an idea snippet for the ending of the Ineffable Family series but it made me sad and I dunno if I will ever draw it so Im just gonna share my idea with you in written form:

(btw It's not fanfic quality, it's more messy bulletpoints written out within 5min or so)

---

Astra is growing up, getting older and lives a happy life amongst human society with her parents on earth. One day she falls in love with a human and they share the kind of deep bond like Azi and Crowley do. At some point Astra even announces that they gonna get married and her parents are super excited and want to make her the bestest wedding gift ever.

They wrack their brains over what this gift could be for a quite a while but nothing seemed right.

A book? To generic and boring. A kitchen aid? Nah, probably an other persons idea already. Money? Missing the deep meaning behind it.

It's one day before the wedding and Astra asks Crowley and Azira to meet at their special spot at a wonderful lonely flower field somewhere in the nowhere. They loved to visit this special place and spend hours being together, having picknicks or gaze at the stars (Yes, in this version Crowley can see stars). C+A arrive at the spot where Astra is already waiting for them and they are quite curious why she wanted to meet up here.

Astra turns around and looks at them with a smile, but it's a mix of a happy and sad one.

She knows what she would like the gift to be and she describes how she feels different from all the angels and demons and that she never experienced an existence before the beginning or witnessed when everything started. She loved growing up between humans and experience change herself. But she knows her true love, her human, will wither away in what feels just like an eye blink in the life of an immortal being.

Astra comes closer to her parents and holds their hands, telling them how much she loves them and apologizes that what she will say next, won't be easy.

The best gift, she could ever ask for is Azira and Crowley combining their powers and making her mortal.

Ofc both seem bewildered at such request and try to talk sense to their daughter but in the end they recognized that they would have done the same for their partner because a life without them would hurt too much.

With a heavy heart A+C respect Astra's wish and grand it to her.

She lives a happy life with her human, both equally growing older and A+C watching over them like guardian angels to make sure no sickness or harm comes into their house... till the day they have to say goodbye.

Astra and her love are not going to Heaven or Hell. They return back to the stars where they can be together and where A+C can see them from earth.

And then the end says

"Ad Astra"

(lat.= to the stars)