#i saw the fnaf movie

[abbyandercel]

ok but i don't think we've really dissected just how messy the salt lake crew, minus nora, is.

ok so boom, abby and mel are, like besties/homegirls, right? and what is an unspoken rule within girl friendships? girl fuckin code. GIRL CODE! DON'T DATE YOUR BEST FRIEND'S EX! that should just be friend code imo but whatever. anyways, abby and owen break up or whatever and mel goes right behind and GETS WITH OWEN. not only has a romantic relationship BUT GETS PREGNANT BY HIM. THATS SO FUCKIN MESSY!

now, we don't know how abby felt about that forreal forreal but I doubt she was 100% ok with it. like, i used to have a best friend who went for my ex-boyfriend months after we ended things, but at the time we were talking and were this close to getting back together. i was gonna full-on clobber her. shes lucky covid saved her ass. like it was hot gossip at our school and his school for two good years. but i digress.

AND THEN ABBY SPINS THE BLOCK AND HOOKS BACK UP WITH OWEN KNOWIN FULL WELL HE GOT A BABY ON THE WAY AND IS STILL WITH MEL I think! if I was mel.. well, I wouldn't have fought abby cuz one punch from her would have me seeing god... but shes not bullet proof. but whatever. but mel kinda did her big one telling abby she was a p.o.s, so imma give her her flowers for that. but I don't even think mel laid into Owen. like bro, I'm carrying your whole ass kid AND IM ABOUT TO POP AT ANY MOMENT AND THIS IS THE THANKS I GET? buutttt mel in the wrong too! why are you boomp-a-doomp-a-doompin' with your best friend's ex???

whatever. correct me if im wrong, but yall really let a man come between the sisterhood? tragic.

edit: i just revisited the boat scene. abby really let the girls out and he didn't so much as suck on them... there was no foreplay, mans just slipped it in and gave 5 pumps in 30 seconds. like... and that was worth ending an entire friendship?

[dumbass-bird]

fnaf movie

[chloesimaginationthings]

Springtrap making friends in Dead by Daylight,,

[captainsaltypear]

this. this is what happened in that scene right

[frostedpuffs]

HAHAAAAAAAAAAAAAAAAAAAAA

[ascensabyss]

[taikk0]

i cant think of a caption i have an exam tomorrow 💀(it is currently 12 am <3)

[r0semultiverse]

The code at the end of the credits in the FNAF movie spells "COME FIND ME" btw for those without captions.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[purpleghoul87]

happy birthday to peak cinema

[ace-lost-in-motherfucking-space]

just saw the fnaf movie my skin is clear my spring is trapped and my freddy is golden.

[hotshotriot]

[mintleflower]

I wish fnaf was real

[chloesimaginationthings]

FNAF Springtrap's first night in Dead by daylight..

[ekrixart]

fucked up and weird duck

[ogradyfilm]

Reblogging this review for no particular reason.

Recently Viewed: Willy’s Wonderland

In Willy’s Wonderland, Nicolas Cage plays a badass, taciturn janitor forced to spend the night cleaning a Chuck E. Cheese style family restaurant while battling possessed animatronic mascots—and really, that should tell you everything you need to know about the film’s artistic ambitions and overall quality. Cage has become a genre in and of himself at this point in his career, and he’s embraced his status as a living meme wholeheartedly. Here, he manages to ham it up without uttering a single line of dialogue—an Oscar-worthy achievement in overacting. His unironic commitment to the otherwise underdeveloped role elevates the thinly-written material, more than compensating for the clunky screenplay, cheap visual effects, and lackluster fight choreography. Honestly, his performance probably singlehandedly redeems the entire movie; the character wouldn’t have been nearly as entertaining had he been played by, for example, Sharknado’s Ian Ziering or some other SyFy Channel veteran. Cage simply delivers the perfect blend of zany camp and genuine gravitas; he is the sovereign of schlock, the king of critical flops, the Olivier of box office bombs—a true treasure of trash cinema.