#i remember reading fics way back when

[wolf-saint]

I need someone to do intense research on how Kevin went from his exy obsessed, uptight fan caricature to all these down-bad, slutty iconic fanart, fics and memes.

[vicsbasement]

Is the scene in the new snippet taken from the Maria/grief fic? :P

You absolutely caught me. It is! I don't know, there's something about that moment in time for me that compels me to write it over and over again. I keep going back to it because I remember that first time we saw the picture of Charles and Carlos driving out of Maranello and to see Charles there-- they already knew, you know? And they couldn't say because there wasn't anything official. But there's this whole headcanon in my head that Charles didn't, couldn't, let Carlos go through this alone because the announcement wasn't supposed to come this early, right. So when Carlos called he picked up. When Carlos needed him, he went. I don't know. Anyway! I did say you'd win another snippet so this is another one for clingy!charles. Enjoy! Carlos was sure that nothing was amiss. He was sure that Roberto just got in his head, but—as he stumbled out of his car in FP2, Charles was the one to grab his arm to stop him from falling. Why was Charles there?

“Hello, mate!” Charles says; a light tone to his voice, cheerful and sweet. Almost too light, like it was forced gentleness. Carlos would be suspicious if he didn’t feel like he was about to hurl.

“Care to hand me over to Gigi? I’m not feeling too well.” Carlos declares, a bit of his polite front waning when another roll of nausea hits him as Charles removes his hands from his back. Carlos starts to take off his helmet and balaclava, hating the sensation of the fabric dragging against his sensitive skin.

“Fred told me this.” Charles sounded… admonishing, like he wanted to make Carlos feel bad for not telling him he’d been having a hard time keeping his food down since yesterday. “You guys heard him, where’s Gigi?” Charles gets something in his eyes when he turns serious. Carlos has seen it a couple of times before, even directed at himself, but his garage—well. It’d come alive with his instructions, with Charles’ tone.

Two mechanics scrambled out of his seat to look for Pierluigi as Charles grabbed Carlos’ arm again and made him sit in a corner. When Carlos felt he wasn’t about to keel over, he let his body fold into himself and his back curved. Carlos just wanted to sleep. The pounding in his head was worsening, the nausea came back with a vengeance, and Charles was looking for—his isotonic drink, of course. That would help a little with the nausea.

“It’s behind you.” Carlos said, and Charles turns sharply and grabs the drink, offering him the straw between pinched-tight fingers. Carlos doesn’t hesitate, but Charles seems to notice the gesture—his fingers a little too close to Carlos’ lips and mouth, so he recoils, albeit gently.

“Thanks.” Carlos murmurs, and Charles nods. He looks fidgety, like he wants to help more but he doesn’t know how. Pierluigi must be looking for medicine to stop the nausea, that’s probably why he wasn’t close, maybe he went to the Ferrari hospitality for his medikit. Charles seems to get an idea and looks for a wet towel, and hands it to Carlos. The heat is stifling and it’s making everything worse, his mouth fills with liquid and Carlos feels like he’s about to throw up in front of the whole garage, when he feels Charles’ gentle hands press the ice-cold towel to his forehead.

“They told me you had a fever?” Charles asks, sheepish. He removes the towel for a second and replaces it with his hand, looking for the pulse point right behind his eyebrows and using his wrists to gauge the temperature. “I shouldn’t have put the towel before, I don’t know if you’re still—”

“I think I am, yeah.” Carlos says. Charles is using both his wrists to gauge his temperature, now, he’s basically cradling Carlos’ head between them. And Carlos gets a good look at Charles; the frown, the pursed lips, the demeanor, and Teto’s voice echoes through his head.

“He’s clingy.” He remembers. But this is not clingy, this is just worried. Right? Just worried.

Pierluigi arrives at that moment and sees Charles cradling Carlos’ head. He raises an eyebrow, a silent question, and Carlos just shrugs as Charles makes space for Pierluigi to lean down and ask him about his symptoms.

As Carlos is trying to recall what’s causing him discomfort he feels how his mouth fills with liquid again, he starts slurring his words, the world turns on its axis and he feels as he’s fading slowly away, the last thing in his vision Charles’ expression of  utter worry.

[tojiscrack]

how i feel knowing that when your ‘liar, liar’ fic gets big (and it WILL), i’ll get to say that i was one of your og readers, laughing as the new readers (peasants) wish they were here during the chaos - when people were shipping malakai with EVERY CHARACTER EVER or when people were making predictions about future chapters or everyone collectively losing their minds over the angst tag etc etc:

we’re going to look back at this time and feel nostalgic when the fic’s over. i need megumi and y/n together RIGHT NOW but i know that when that happens, their story will be over ☹️

liar, liar masterlist here:

AHHH NOT THE TIKTOK PROUD EMOJI LMAOOO 😭 fun fact: it’s my fav emoji in the world and if apple doesn’t find a way to let me use it outside of tiktok, i’m gonna combust on the spot 😀

‘and it WILL’ — your confidence is what i’m gonna hide behind, ty 🌝

DON’T CALL THEM PEASANTS OMG??? 😭 THEY’RE NOT EVEN HERE YET 🫨 i’m trying so hard not to laugh rn 😟

it’s already been, what, a couple of months since the first ever malakai x y/n ship started by that anon who, like, never returned after causing all that chaos? 🫢 so it’s already becoming an old thing the ogs would know about, and don’t even get me started on the panic the angst tag has everyone in LMFAOO, my fault, honestly, but idc i like it 😋

and girl, we have a LONGGG way to go before mercupine’s story is at a close. we’ll worry about that when we get there, i’m just glad the small family we’ve got are still here after nearly an entire year with such slow updates (i’m sorry 😭) <3

and ofc, i’m well aware that you are one of the og’s, sending a cute (albeit weirdly confident/funny) message about it was not necessary ‘cause ANY time i see ur user in my notifs, i remember that you were the first ever reader of SOANO (which i’ve yet to update but i’m working on it if you’re still interested 😔). your support has meant, and still means, the world to me. idk how to speak in such a sappy way, i’ll pocket that for when i’m done writing liar liar 😤💘

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[ghostly-cabbage]

I have officially edited and updated my DP fic recommendation document

I've so far only used it for friends but now I'm wondering if any of you guys would be interested...

[mylittleredgirl]

i'm still going around in my head with that question about writing strengths/weaknesses and considering if mine may be both.

i can't know for sure, but i think a lot of the specific things people tell me they like about my fic (characterization, emotional tension, "it feels real") are there for the same reason. i usually feel like i'm writing from a place of restraint. even in fluffy fics, i hold a tight leash against "giving in" to fanon caricatures or sweeping romantic tropes. a bunch of my fics do hinge on a moment of catharsis, but i try to be soooo so careful about not letting things get emotionally out of scale—and the scale is pretty weighted toward stoic professionalism for characters from dramatic canon sources who have held it together through hell already, you know?

and i like the results! other people seem to, too! but i wonder lately if i'm tying up my hands??? like maybe i just gotta get silly.

[fallloverfic]

I am legitimately confused by repeated comments that ORV's opening is slow or boring or uninteresting, especially people who say you need to read [insert some very large number of pages/chapters] to get to the "good" parts. I've seen this on multiple socials at this point and I originally wrote this post months ago, but recent potential news has brought back people saying this again, particularly in recommending it to other people/trying to get other people into it.

I would personally argue that ORV has a good opening. A very good opening. And the early part of it is very good, too.

ORV opens with a literal train of angst, attempted friendship, workplace harassment (Sangah getting harassed by her boss), some neat Korean folklore (dokkaebis hello), graphic violence (remember when Bihyeong just kills the president on TV?), a group of people in a subway attempting to beat an old woman to death, Dokja winning a pissing contest with a teenage edgelord, a bunch of people getting murdered, bonding in times in despair over a really unique form of problem solving, a man breaking open subway doors with his bare arms, young love, and magic, fleeing onto a bridge that gets exploded to bits by an evil gremlin, a horde of zombies appearing, the protagonist getting new magic powers, and then his getting held by the neck over said broken bridge in a complex back and forth with the "true" story protagonist before getting dropped into the mouth of a giant sea monster.

It covers topics like the limits of human compassion in times of strife, the complicated presence of the military (Dokja hated his time being drafted v Hyeonseong's military leadership doesn't save anyone), international relations (Sangah is learning Spanish), trope subversion (I mean it is and isn't the entire book and Dokja's character, but he's constantly trying to be 5-10 steps ahead of what's going on, including literally fleeing Junghyeok until Junghyeok grabs him by the collar), workplace harassment, bullying, and it's all taking place during multiple apocalypse scenarios.

This is the like first 11 chapters of the book. And it never stops. There are "slower" moments, moments where characters take a breather (like it takes a while for Dokja to negotiate his contract with Bihyeong, which is slow if you ignore the fact Dokja is arguing with an interdimensional being/alien for the limits of his own life and autonomy in the most dangerous streaming event imaginable, knowing he may still die if he gambles wrong on his personal wikipedia brain), but it's still frequently confrontational, whether that confrontation is about what characters mean to each other, what lives are at stake, finding your purpose in life, adaptability to complex circumstances, overcoming trauma and self-doubt...

And it's more intense in a way in the manhwa adaptation because you can clearly see most of it visualized (e.g., how visually wrecked the characters get, how young the kids are, how terrifying the monsters are, how scary the odds are, and how dangerous Dokja's gambles can really get with a fickle streaming audience), and Sleepy-C's art is gorgeous.

I just have to wonder (though this is more of a rhetorical question), what on earth do people consider fast? Because I am quite honestly terrified of what the answer is.

Like I get that ORV is long. It can be hard to recommend very long books to folks (and as the manhwa keeps going, long comics). To each their own, everyone is different, what appeals to me won't appeal to others. But there's a difference between "it's hard to recommend a very long work to someone" and "it's hard to recommend something that's long and takes a while to get into", and maybe folks are just writing the former a bit weirdly. I completely understand having trouble recommending long series to people. Also ORV has a very complex plot and I don't blame folks having trouble recommending that. I'm writing fic for later parts of orv and other manhwa and I dread explaining all the context for all that to someone who hasn't read them.

That being said, ORV has a very good introduction. Both chapter 1 of the novel and episode 1 of the manhwa are very good. They're not perfect, I can't say I was hooked from the immediate moment I started reading the page, but both of them have good introductions and it doesn't stop, and there's stuff to love in just about every chapter/episode, and I was definitely hooked enough by the time I finished to keep going to chapter/episode 2. Chapter 1 of the novel has great angst and character building, and it's funny and sweet and tragic. When I first read Dokja trying, earnestly, to recommend TWSA and getting harassed about it and worrying it will hurt this art and artist he cares about, but not being able to do much else to give thanks for this experience because of his circumstances, I cried. The first page/episode of the manhwa has them delicious boys love vibes and gorgeous art (and cute baby Dokja, I die for him), and the promise of a fascinating story ahead, and then the following page/episode has more gorgeous art and angst and great characters (combining them cause the first page feels sort of more like a teaser than a first page, though Episode 0 ends with a spread of Kimcom that makes me tear up). We'll unfortunately never know if I'd have loved ORV as much if I'd read the novel first, but I like to think I would cause ORV's opening is just that good.

I just truly, truly do not understand the sentiment that idk the opening and the first [insert large number of pages/chapters] aren't good or interesting or engaging enough. Maybe I'm out of touch. To each their own on what appeals, maybe I'm built different (doubt it though) but it just feels kind of dismissive of ORV's opening, in both the novel and the manhwa, which are both really good. Will it win over everyone? No. It's fine if you weren't grabbed by the opening or the first [insert however many pages/chapters/arcs]. It's fine if you took a while, even a long while to get into it, or never really did, and maybe don't like the manhwa, which is a great gateway into the story, or don't like the novel for whatever reason and prefer the manhwa. And at the end of the day it's just random opinions online, we all have different ones. Make the posts that appeal to you on your blog, complain on your socmed, whatever. But the opening is good, it keeps you very engaged with a lot of difficult scenarios, the characters are great and fun and funny, in those parts especially, and idk why I'm supposed to pretend that's not the case.

Anyway I don't like writing complaint posts. The opening and general start are excellent and Imma go back and cry over Dokja again ty singNsong for my tears.

[james-p-sullivan]

alright so its been nearly a year since my TBI and im absolutely dying to try and get back to normalcy

i really want to try my hand at writing again! while there were some… interesting people who came out of the wood work to say some really not nice things, the majority of sharing my works online was a good experience. would anyone be interested in WIPs? id also love to go through my old works and see if I can do some edits or rework some flow

[birdmenmanga]

I think I still like cats more than dogs but boy. do I enjoy a good dog-coded character. even better if they have a master they serve

[rainingincale]

.

[fluffywhump]

i'm also not a fan of how even when going the trad pub route, authors are expected to use social media to market their books. and many times it feels like being expected to sell a personality to get people interested enough to look at your work

[colgatebluemintygel]

oh i’ve just realized that w remus’ pov it’s possible that we get descriptions of sirius’ tattoos?? :o

YES !!!!!!!!! remus is soooo horny for sirius's tats, there will be gratuitous detail xoxooxoooxoxo

[joelletwo]

'wonder if i bookmarked any of the more interesting yhk fics' -> no i literally only saved hankim and the han sooyoung rarepairs. sorry

[twig-gy]

the cccc fandom tag having 200 more fics than the tme - chonny jash fandom tag on ao3 feels like an actual mindfuck like NO IT ISN’T SUPPOSED TO BE LIKE THIS. AAAAAAAAA

[heart-bones]

spent the night out w a friend !!! and it was so nice 🥹 got drinks and sat outside and talked a lot about work and stuff

[zincbotted]

one of many problems i encounter trying to find undertale fanfiction is that, in my mind, talkingsoup's 'the scientist' series is 100% canon, so anything that contradicts that just don't feel right