#and I get so emotional

[vicsbasement]

Is the scene in the new snippet taken from the Maria/grief fic? :P

You absolutely caught me. It is! I don't know, there's something about that moment in time for me that compels me to write it over and over again. I keep going back to it because I remember that first time we saw the picture of Charles and Carlos driving out of Maranello and to see Charles there-- they already knew, you know? And they couldn't say because there wasn't anything official. But there's this whole headcanon in my head that Charles didn't, couldn't, let Carlos go through this alone because the announcement wasn't supposed to come this early, right. So when Carlos called he picked up. When Carlos needed him, he went. I don't know. Anyway! I did say you'd win another snippet so this is another one for clingy!charles. Enjoy! Carlos was sure that nothing was amiss. He was sure that Roberto just got in his head, but—as he stumbled out of his car in FP2, Charles was the one to grab his arm to stop him from falling. Why was Charles there?

“Hello, mate!” Charles says; a light tone to his voice, cheerful and sweet. Almost too light, like it was forced gentleness. Carlos would be suspicious if he didn’t feel like he was about to hurl.

“Care to hand me over to Gigi? I’m not feeling too well.” Carlos declares, a bit of his polite front waning when another roll of nausea hits him as Charles removes his hands from his back. Carlos starts to take off his helmet and balaclava, hating the sensation of the fabric dragging against his sensitive skin.

“Fred told me this.” Charles sounded… admonishing, like he wanted to make Carlos feel bad for not telling him he’d been having a hard time keeping his food down since yesterday. “You guys heard him, where’s Gigi?” Charles gets something in his eyes when he turns serious. Carlos has seen it a couple of times before, even directed at himself, but his garage—well. It’d come alive with his instructions, with Charles’ tone.

Two mechanics scrambled out of his seat to look for Pierluigi as Charles grabbed Carlos’ arm again and made him sit in a corner. When Carlos felt he wasn’t about to keel over, he let his body fold into himself and his back curved. Carlos just wanted to sleep. The pounding in his head was worsening, the nausea came back with a vengeance, and Charles was looking for—his isotonic drink, of course. That would help a little with the nausea.

“It’s behind you.” Carlos said, and Charles turns sharply and grabs the drink, offering him the straw between pinched-tight fingers. Carlos doesn’t hesitate, but Charles seems to notice the gesture—his fingers a little too close to Carlos’ lips and mouth, so he recoils, albeit gently.

“Thanks.” Carlos murmurs, and Charles nods. He looks fidgety, like he wants to help more but he doesn’t know how. Pierluigi must be looking for medicine to stop the nausea, that’s probably why he wasn’t close, maybe he went to the Ferrari hospitality for his medikit. Charles seems to get an idea and looks for a wet towel, and hands it to Carlos. The heat is stifling and it’s making everything worse, his mouth fills with liquid and Carlos feels like he’s about to throw up in front of the whole garage, when he feels Charles’ gentle hands press the ice-cold towel to his forehead.

“They told me you had a fever?” Charles asks, sheepish. He removes the towel for a second and replaces it with his hand, looking for the pulse point right behind his eyebrows and using his wrists to gauge the temperature. “I shouldn’t have put the towel before, I don’t know if you’re still—”

“I think I am, yeah.” Carlos says. Charles is using both his wrists to gauge his temperature, now, he’s basically cradling Carlos’ head between them. And Carlos gets a good look at Charles; the frown, the pursed lips, the demeanor, and Teto’s voice echoes through his head.

“He’s clingy.” He remembers. But this is not clingy, this is just worried. Right? Just worried.

Pierluigi arrives at that moment and sees Charles cradling Carlos’ head. He raises an eyebrow, a silent question, and Carlos just shrugs as Charles makes space for Pierluigi to lean down and ask him about his symptoms.

As Carlos is trying to recall what’s causing him discomfort he feels how his mouth fills with liquid again, he starts slurring his words, the world turns on its axis and he feels as he’s fading slowly away, the last thing in his vision Charles’ expression of  utter worry.

[emmamushi]

SHUUUUU OH MY GOD 💕💖🥺💖🥺💖💕

[egophiliac]

missed the mark by (looks at calendar) uhhh. hm. but I really wanted to do something for the 5th anniversary! happy five years to these idiots 🎉

[wineanddineloseyourmind]

the transgender urge to curl up like a small fluffy animal against someone you love’s warm body and make little mewling and sighing and whining sounds as they pet you and praise you for having tried so hard to be human until you fall asleep

[qvert]

Refuge at the Firelight Hideout

[chloesimaginationthings]

Poppy playtime should have more Harley Sawyer ngl

[kodasea]

Son of Gondor

[hinamie]

mentor

[stargirl230]

thanks for the light

I was just trying to figure out how procreate works but then the op brainworms got to me and 35 hours later here we are! can you tell I miss home-cooked meals :')

(no reposts; reblogs appreciated)

[where-does-the-heart-lie]

This came to me.. in a dream……

[artsymeeshee]

Wanted to make some supportive Ford

[evyltalks]

andrew ‘idgaf while being the most igaf-er’ minyard, serving looks and silence as always

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[royaltea000]

“A thousand generations serve to praise…”

[sevikasupremacy]

STOP COS LOOK AT HER SAD PUPPY EYES

[the-mang0tree]

check out ilm's case study !!!!! check it out right now !!!!