#and I get so emotional

[vicsbasement]

Is the scene in the new snippet taken from the Maria/grief fic? :P

You absolutely caught me. It is! I don't know, there's something about that moment in time for me that compels me to write it over and over again. I keep going back to it because I remember that first time we saw the picture of Charles and Carlos driving out of Maranello and to see Charles there-- they already knew, you know? And they couldn't say because there wasn't anything official. But there's this whole headcanon in my head that Charles didn't, couldn't, let Carlos go through this alone because the announcement wasn't supposed to come this early, right. So when Carlos called he picked up. When Carlos needed him, he went. I don't know. Anyway! I did say you'd win another snippet so this is another one for clingy!charles. Enjoy! Carlos was sure that nothing was amiss. He was sure that Roberto just got in his head, but—as he stumbled out of his car in FP2, Charles was the one to grab his arm to stop him from falling. Why was Charles there?

“Hello, mate!” Charles says; a light tone to his voice, cheerful and sweet. Almost too light, like it was forced gentleness. Carlos would be suspicious if he didn’t feel like he was about to hurl.

“Care to hand me over to Gigi? I’m not feeling too well.” Carlos declares, a bit of his polite front waning when another roll of nausea hits him as Charles removes his hands from his back. Carlos starts to take off his helmet and balaclava, hating the sensation of the fabric dragging against his sensitive skin.

“Fred told me this.” Charles sounded… admonishing, like he wanted to make Carlos feel bad for not telling him he’d been having a hard time keeping his food down since yesterday. “You guys heard him, where’s Gigi?” Charles gets something in his eyes when he turns serious. Carlos has seen it a couple of times before, even directed at himself, but his garage—well. It’d come alive with his instructions, with Charles’ tone.

Two mechanics scrambled out of his seat to look for Pierluigi as Charles grabbed Carlos’ arm again and made him sit in a corner. When Carlos felt he wasn’t about to keel over, he let his body fold into himself and his back curved. Carlos just wanted to sleep. The pounding in his head was worsening, the nausea came back with a vengeance, and Charles was looking for—his isotonic drink, of course. That would help a little with the nausea.

“It’s behind you.” Carlos said, and Charles turns sharply and grabs the drink, offering him the straw between pinched-tight fingers. Carlos doesn’t hesitate, but Charles seems to notice the gesture—his fingers a little too close to Carlos’ lips and mouth, so he recoils, albeit gently.

“Thanks.” Carlos murmurs, and Charles nods. He looks fidgety, like he wants to help more but he doesn’t know how. Pierluigi must be looking for medicine to stop the nausea, that’s probably why he wasn’t close, maybe he went to the Ferrari hospitality for his medikit. Charles seems to get an idea and looks for a wet towel, and hands it to Carlos. The heat is stifling and it’s making everything worse, his mouth fills with liquid and Carlos feels like he’s about to throw up in front of the whole garage, when he feels Charles’ gentle hands press the ice-cold towel to his forehead.

“They told me you had a fever?” Charles asks, sheepish. He removes the towel for a second and replaces it with his hand, looking for the pulse point right behind his eyebrows and using his wrists to gauge the temperature. “I shouldn’t have put the towel before, I don’t know if you’re still—”

“I think I am, yeah.” Carlos says. Charles is using both his wrists to gauge his temperature, now, he’s basically cradling Carlos’ head between them. And Carlos gets a good look at Charles; the frown, the pursed lips, the demeanor, and Teto’s voice echoes through his head.

“He’s clingy.” He remembers. But this is not clingy, this is just worried. Right? Just worried.

Pierluigi arrives at that moment and sees Charles cradling Carlos’ head. He raises an eyebrow, a silent question, and Carlos just shrugs as Charles makes space for Pierluigi to lean down and ask him about his symptoms.

As Carlos is trying to recall what’s causing him discomfort he feels how his mouth fills with liquid again, he starts slurring his words, the world turns on its axis and he feels as he’s fading slowly away, the last thing in his vision Charles’ expression of  utter worry.

[emmamushi]

SHUUUUU OH MY GOD 💕💖🥺💖🥺💖💕

[hinamie]

mentor

[stargirl230]

thanks for the light

I was just trying to figure out how procreate works but then the op brainworms got to me and 35 hours later here we are! can you tell I miss home-cooked meals :')

(no reposts; reblogs appreciated)

[artsymeeshee]

Wanted to make some supportive Ford

[kodasea]

Son of Gondor

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[royaltea000]

“A thousand generations serve to praise…”

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[th3e-m4ng0]

check out ilm's case study !!!!! check it out right now !!!!

[sevikasupremacy]

STOP COS LOOK AT HER SAD PUPPY EYES

[poorly-drawn-mdzs]

News spreads fast.

[First] Prev <–-> Next

[jjkyaoi]

the headcanon of regulus just being able to cry on command is horrifying but also the funniest thing i’ve ever fucking heard. like i imagine regulus is hanging out with the marauders, post black brothers reconciliation, and him and sirius are bickering and sirius JOKINGLY goes “well it’s not MY fault it’s impossible for you to show any emotion” and regulus blinks. and then just fully starts sobbing.

and james and remus and peter are all like ?!?!?! what the FUCK . RIGHTFULLY SO. and james’ heart is hurting so bad because he’s never seen regulus cry before and he’s trying to comfort him and hold him and regulus, (who is gay and a little shit) is just letting himself be hugged and letting james pet his hair or whatever and remus is like. sirius what the fuck apologize to your brother??????? because sirius has been sitting there the entire time unmoving and he just raises his eyebrows, completely unimpressed and deadpan when he goes, “you guys do know he’s faking right”. and then when remus and james both are like HUH??? torn between bewildered and angry with this reaction, regulus just extracts himself from james, face completely neutral but with tears drying on his cheeks, no sign of the heaving, hyperventilating sobs he’d fallen into literally a second ago and says “i win”. it terrifies peter so bad that he can’t look him in the eyes for a week

[courageisneverforgotten]

alex and ariel hirsch via alex’s instagram stories 🥹

somebody PLEASE draw this with dipper and mabel

[sovamurka]

thanks to her mom powder recognized this gesture as a sign of love and affection... goodness, the fact that she used it while playing with ekko when they were kids warms and breaks my heart 😭💔

[artsymeeshee]

Random idea I got this morning thinking about how small little things (mostly about missing important moments of the past) make the boys emotional and sorrowful.