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sneezypeasy · 2 years ago

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Original Script Analysis, Part 2: The Southern Raiders, The Finale, and What I Think About it All

Link to Part 1

So folks, when it comes to literary analysis, there are two categories that textual interpretations typically fall under: the Doylist explanation, and the Watsonian explanation.

Watsonian explanations will contextualise an issue solely within the bounds of the story it is told in, so the answer to any question will be, essentially, “in-universe”. Imagine interviewing a character in the story, and asking them, “why did x happen” or, “why did y character decide to do z”. The answer you get will be a Watsonian answer.

Doylist explanations, on the other hand, are explanations that take into account things the characters themselves wouldn’t “have access to”, so to speak. These explanations often touch on writing concepts like theme, character arcs, tropes, setup and payoff etc, sometimes even referring to “real-world” motivations, intentions, or constraints that the creators were working with (or against). If an explanation or an answer to a question doesn’t sound like anything the characters themselves could have come up with, it’s probably a Doylist explanation.

I’m going to give an example from Titanic that I hope isn’t a spoiler to anybody at this point given how much this film has been memed to shit:

Jack dies at the end of Titanic. Now, why did he die?

The Watsonian says: He died because there was no room on the door.

The more intelligent Watsonian says: No there WAS room on the bloody door you smooth-brained koala did you even watch the fucking movie? They tried to get them both on there, the door just couldn’t hold the two of them because of something called BUOYANCY you fucking idiot-

The Doylist says: Jack died because it was the culmination of his character arc, and because he and Rose symbolise the class disparity of the victims of that tragedy; Jack is the poorer third class, and Rose is the rich upper class. Upper class women were the likeliest demographic to survive the sinking of the Titanic, and lower class men were the likeliest demographic to die. Jack had to die and Rose had to live; it’s symbolic.

Here’s another example: on the r/DeathNote subreddit, someone asked why L fell off his chair in such an exaggerated and dramatic fashion upon hearing that shinigami could be real. The top comment provides a detailed Watsonian answer, followed by a Doylist one:

Basically, Watsonian commentary is consistent with how the characters, in-universe, might explain/contextualise something. Doylism explains how a plot point or character decision serves a purpose beyond what the characters themselves would be able to conceptualise, whether that’s narrative payoff, authorial intent, or even marketing/executive decisions/budget constraints.

Why am I explaining all of this? Because I want to play a game with you guys.

You ready?

The name of this game is: Why, in the original script of The Southern Raiders, is Katara somehow asleep while LITERAL BOMBS ARE GOING OFF AROUND HER(!!!)

Is it:

A) Katara trained herself to sleep through Fire Nation raids and bombs from a young age

B) Katara is just generally that deep of a sleeper

C) Elizabeth Ehasz wanted an excuse (any excuse, really) to force Zuko and Katara to interact (because this is their episode, after all-)

Yeah, maybe I’m just unimaginative but I’m pretty sure it’s C. I’d love to hear your best Watsonian take for this one though (please, go nuts, lmao)

Like all the other changes we’ve seen, nothing has been done to the dialogue, which plays out how it does in the show:

I’m sorry I just can’t get over this 🤣🤣 “Character A and Character B hate each other/are not talking to each other/are currently in the process of biting each other’s heads off, now let’s come up with some ridiculous excuse to make Character A and Character B play nice and help and warm up to each other” is a pretty solid fanfic trope but I think this is the first time I’ve seen “MAKE CHARACTER A SLEEP THROUGH A FUCKING MISSILE ATTACK” utilised for this specific purpose.

Logically I understand why this was changed for the show, but I’m ngl, I’m slightly sad we didn’t get to see this version. 🤣🤣🤣

Interestingly, Katara doesn’t catch Zuko after he gets blasted off the war blimp - the script doesn’t specify anyone catching Zuko, it just says that he “lands safely on the bison” (sorry, I thought I wrote this one down in full but I only wrote down that quote, my bad 💀).

(It does make me wonder though, whether the storyboarders/animators looked at the “Katara sleeps through bombs” bit and were like.... “ok how about no, but we’ll give you ‘Katara catches a skydiving Zuko’ instead, fair trade?” 😂😂)

Continuing on from that, I have to say that even with the voice lines unchanged, Elizabeth Ehasz’s vision for Zuko and Katara’s deepening connection and understanding continues to trickle through this episode at various moments:

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Katara sobbing as she recounts her trauma? Zuko getting teary himself hearing about Katara’s grief and love for her mother? Katara visibly relaxing as a result of unburdening some of her feelings onto him? Zuko pulling Katara back and making sure she’s okay before she ploughs on ahead?

😭😭🥰🥰

And then of course, there are times when Elizabeth’s subtlety is not so subtle at all (here you go, you guys have well and truly earned this one):

Welp. I can tell you I wasn’t expecting to see that - at all. I came to the WGF hoping, maybe, to find some small crumbs - tiny clues that might give a slight nudge to the rumours that Elizabeth Ehasz was a ZK shipper, and that shippy subtext viewers may have picked up in TSR maybe wasn’t entirely lacking in substance.

I wasn’t expecting to find a page where good ol’ Elizabeth had a zutara fangasm all over her own writing 🤣🤣🤣

On the hug itself, Elizabeth’s notes were very brief:

I was a touch disappointed not to see any more fangirling, though after that serotonin boost up above I really couldn’t be too greedy. 🤣

Zuko and Katara’s scenes together in Sozin’s Comet and the Agni Kai are generally the same as what we see in the show, though I thought you guys might like to read the lightning scene anyway:

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This might be a good time to mention that I had the pleasure of working alongside @korranguyen on one of the two days that I visited the WGF. If you found the descriptions of Azula’s downward spiral in the Agni Kai uncomfortable to read, you might appreciate her essays here and here.

Unfortunately folks, we are indeed near the end now. And we know how the story ends:

Wins, eh? Interesting choice of words there. Almost makes it seem like there was a competition? Like there were, oh I don’t know, other contenders?

Now there’s something else which I think some of you may find very interesting about the script of Sozin’s Comet Part 4, and I will get to that in due course, but for now I want to discuss the way the ships were treated by the show writers and creators. As I summarised earlier and as you probably noticed yourself from reading these scripts:

From season 1 up until Day of Black Sun, the writing was heading towards a Kataang conclusion. And development-wise, it wasn’t too shabby! There was a clear and steady progression. Maybe a little subtle, from Katara’s side, but nowhere near as ambiguous as in the show. And again maybe this is just me, but I wouldn’t have been frustrated with it either, if it was shown like that.

After Day of Black Sun, the writing takes a weird turn. Kataang takes a nosedive while Zutara gets a ton of positive development (reconciliation, forgiveness, synchronicity and cooperation* anyone? lmao), which is canon in the show too but it’s… even more pronounced in the script? Aang is more aggro, Zuko and Katara are more tender/vulnerable with one another, they don’t scoot away at the suggestion that they like, like each other – and these are the final drafts? What the heck were y’all writing in the first drafts?? (No that’s not a joke actually, I wanna know 😭)

Kataang “wins”. Wins?!? I thought y’all said there was never even a contest!!**

Okay, time for some speculation/theorising on my part. To me, it seems like, at some point after writing the “Kataang” episodes but before actually animating and producing them, and before writing the later episodes in season 3, and perhaps even right up until the writing of Sozin’s Comet Part 4, there was a collective (if not unanimous) decision to “keep things open”. The question is: why?

Did the writers disagree, or was it just shipbaiting? Or was it some combination of both?

If no-one else, Elizabeth Ehasz is quite clearly a Zutara fangirl; I don’t think anyone can deny that after reading the way she writes these kids 🤣 That paragraph does not read to me like a writer casually (or grudgingly) obeying directions to shiptease because it’s what the producers wanted, it reads like a writer unable to stay professional about how much she loves this one fucking ship. (We feel you Lizzie. We feel you.)

So was there actually some discord in the writer’s room about which direction to take the romance arcs? @zutarawasrobbed pointed out that given the narrative decision to hinge Aang’s internal struggle and character arc around the need to “let go” of an “attachment” to Katara, (some?) writers may have seen a potential in deconstructing Kataang to fulfil this arc. This is especially possible if, after writing Crossroads of Destiny and/or seeing audience feedback to that episode, Zutara was increasingly beginning to appear as a viable alternative.

I mean, even by Sozin’s Comet, it doesn’t seem like they’d figured out how to resolve Aang’s whole “blocked chakra” situation –

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Aang “somehow” just happens to untangle what had previously been set up as an internal struggle, with the conveniently timed activation of some “chi bending nonsense” (and reverse-glowing arrows and “such things”).

Uh huh.

(To be fair, you have to have a very high IQ to understand Rick and Morty -)

Of course, the other possibility is that most of the way through writing the script, and maybe about halfway through animating it, the creators simply recognized a clear potential for shipbaiting, and this is at least somewhat to blame for the hot mess that is the romance arcs of ATLA.

My personal theory is that writer disagreement did happen, and is at least partially why we ended up getting what we got. The fact that both ships are specifically referenced and granted “approval” so to speak, by different writers, and one of them ends up explicitly “winning”, sort of cinches it for me. Either way, the show was clearly pulling in different directions at different parts and under different creators, and in my opinion the scripts support these rumours.

One thing is for certain: whether this was just shipteasing, or actual production hell in the writer’s room, it is my opinion that Zutara AND Kataang were both robbed.

Kataang had a decent romance arc written out for it, and even if there may have been issues reconciling it with Aang’s internal conflict set up in the Guru and/or with the over-arching themes of the show, it would have been all right in the end if they had just kept it the way they originally wrote it. I can’t really see any but the most die-hard anti-Kataangers being mad about it, and Kataangers themselves would have loved it. They had a fine romance written out and they ruined it. If they did so because Zutara was being seriously considered as a possible outcome, then it’s just all the more frustrating that Zutara never ended up happening in the end. They put a lot of effort into sinking a perfectly serviceable ship and ultimately it was all for nothing. (Or worse, purely for shipbaiting). Just sad.

So, that’s my thoughts on that. And that concludes this essay- oh wait.

Right... there was that thing I kept mentioning about Sozin’s Comet Part 4. 😈

*Ahem.*

So you know how I said all these scripts were final drafts?

That’s because they are - except for two episodes: Sozin’s Comet Part 4, and Jet.

Unlike the other scripts, which have all been labelled “As Broadcast Drafts”, these two scripts are ADR drafts.

What is ADR, you ask?

According to @lady-of-bath, who works in the screenwriting industry, ADR stands for “Automated Dialogue Replacement” and is used when a script has gone through a process of re-recording or re-dubbing, because for whatever reason, the originally scripted and recorded lines are/were unsatisfactory.

(This is also something you can verify yourself actually, even if you don’t live in the LA area: when you search up ATLA in the WGF database***, even though you can’t access the scripts you can access basic details such as, the date the draft was finalised, the name of the writer, and - whether it was submitted as an “ADR” draft or an “As Broadcast Draft”.)

I even emailed the library to ask about this distinction as well:

So if I understand this correctly, all the ATLA scripts you can find in the guild were first submitted, and then lines were recorded, and then changes were made to the script that didn’t involve dialogue replacement, and then it went through animation and post-production and ended up being what you now see on screen. This is supported by the fact that A) I definitely found some changes, but B) the changes I did find were all in the action lines/shot descriptions etc.

All the scripts submitted to the guild went through this process - all of them, except these two scripts.

These two scripts were not final drafts; I guess they might be more accurately termed “final final drafts™”, because they were submitted after some(!) lines were re-recorded, (changed? added onto? cut?!?) and the script was then updated to reflect these changes that had been made in post-production.

Which just begs the question: what lines had to be re-recorded??

What did the final draft look like before this???

(Might it possibly contextualise why Dante Basco and Mae Whitman apparently both thought Zutara was going to be canon?)

This is conspiracy fodder galore, lmfao. Pardon the dramatics here for a moment, but with enough tinfoil-hatting this could easily turn into the Zutara fandom equivalent of 18½ missing minutes of Nixon tapes. 🤣

Anyway, that about sums up my detective effort on this whole thing. I did find some more tidbits which I’ll likely post in a Part 3/Epilogue type thing - mostly small changes (most of them not really zutara-related) that I found interesting or funny enough to jot down; I’ll be making a compilation of these for your reading pleasure as soon as I can. ^^

One last bonus for you guys: the “I’ll save you from the Pirates” scene:

I must confess, I never really read this scene as romantically framed or “shippy” when I first watched it. But the way it’s written here looks like it’s taken straight out of a fanfic. “Right into the arms of Zuko”? Oh no. (Oh yes.) Oh me oh my. 🤣

*Also, someone needs to write a Mr and Mrs Smith Zutara AU titled “Synchronicity and Cooperation”, I’m saying it now, this is my official decree. Write it, folks. We need it.

**Screenshot taken from: https://avatar.fandom.com/wiki/Avatar_Extras_(Book_One:_Water) (Under “Goofs”)

***I hope that link works, if it doesn’t, just navigate to their Library Catalogue and search up ATLA yourself.

Edit: There was a minor typo in one of the passages - it originally read “Katara has a lot of energy and momentum, and Zuko pulls her back and STOPS her before they read the door” instead of what it was supposed to say (“before they reach the door”, lol). The typo should be fixed now 😊

#zutara #atla #atla original scripts #writer's guild foundation #the southern raiders original script #sozin's comet original script #kinda???#tin foil hat bonanza #buy one sherlock hat get one free tin foil hat #lmao #long post #text post #meta #bryke critical #kataang critical #this was fun guys #now go forth and write more metas #and more fics #enjoy!!

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sketching-shark · 3 years ago

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I think we should start a protection squad (although they don’t need it because they can protect themselves) for Sun Wukong and Guanyin

“Begone monkie kid fandom trying to down grade these really interesting characters with interesting personality’s and backstory ( the both of them like seriously Guanyin backstory is so cool) to a villain wile trying to justify your angsty backstory (that are no where near as cool as monkey who fights gods and Person who has 1000 arms and heads to help people in need) for the actual villain”

So who wants to join

Me:*raises my hand*

Ps: sorry if I got Guanyin backstory wrong am not an expert on it.

Haha okay so some critiques on the jttw & associated media western fandom & fandom in general coming up, so please skip this upcoming text wall if you don't want to encounter my undoubtedly ~devastating~ words (i.e. don't like don't read as people love to say, & if I have to be inundated with images of my notp every time I go into the sun wukong tag then I imagine people can be chill with me expressing my opinions & giving people fair warning that I WILL be critiquing common fandom trends, but no need for you to see that if you don’t want to. Cool? Cool.)

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PFFFFFTTT oh man there are many times when I feel like signing up for such a protection squad...when it comes to the current western jttw & Sun Wukong fandom I do feel like I'm often swinging at a rapid pace between "well it's fandom & people are allowed to make the stories they want" & "I am once again begging my fellow monkie kid enthusiasts (& sometimes creators) to do more research into the og classic/show it more respect so you can avoid any potentially offensive/off-the-mark misunderstandings of the status & cultural context of the characters in their country of origin (I promise it's super interesting & I can provide you with links to free pdf copies of the entire Yu translation, i.e. the best one ever created, so feel free to ask!) & maybe also stop constantly stripping away all the nuance of Sun Wukong's character for the sake of either making him an entire asshole so your little meow meow can look completely innocent in comparison and/or making the monkey king's entire life & character revolve around said meow meow."

Like I get that fandom's supposed to be a kind of anything-goes environment, but one thing that honestly seems to be true of a lot of fandoms--and the western one for Sun Wukong & co. is certainly not immune from this--is that there often seems to be a kind of monoculturalization at work in what stories are created & what character interpretations are made popular. Across a multitude of fandoms, you frequently see basically nothing but the exact same tropes being made popular & even being insisted on for the canonical work (especially hasty redemption arcs & enemies to lovers these days), the exact same one-dimensional character types that characters from an original work keep getting shoved into, the exact same story beats, etc. And I get it to an extent, as fandom is generally a space where people just make art and fic for fun & without thinking too hard about it & without any pressure.

This seems to, however, often unfortunately lead to the mentality that it’s your god-given right to do literally whatever you want with literally any cultural figure without even the slightest bit of thought put into their cultural, historical, and even religious context, even (and sometimes especially) when it comes to figures that are really important in a culture outside your own. For such figures--even if you first encounter them in a children’s cartoon--you should be a little more careful with what you do with them than you would with your usual Saturday morning line-up. It of course has to be acknowledged that there exists a whole pile of absolutely ridiculous & cursed pieces of media that are based on Journey to the West & that were produced in mainland China, but for your own education if nothing else I consider it good practice for those of us (myself certainly included) who aren’t part of the culture that produced JTTW to put more thought into how we might want to portray these characters so that at the very least (to pull some things I’ve seen from the jttw western fandom) we’re not turning a goddess of mercy into an evil figure for the sake of Angst(TM), or relegating other important literary figures into the positions of offensive stereotypes, or making broad claims about the source text & original characterizations of various figures that are blatantly untrue, or mocking heavenly deities because of what’s actually your misunderstanding of how immortality works according to Daoist beliefs. Yet while a lot of this is often due to people not even trying to understand the context these figures are coming from, I do want to acknowledge that the journey (lol reference) to understand even a fraction of the original cultural context can be a daunting one, especially since, as I’ve mentioned before, it can be really hard & even next to impossible to find good, accessible, & legitimate explanations in English of how, for example, the relationship between Sun Wukong and the Six-Eared Macaque is commonly interpreted in China & according to the Buddhist beliefs that define the original work.

That is to say, I do think it’s an unfortunate, if unavoidable, part of any introduction of an original text into a culture foreign to its own for there to be sometimes a significant amount of misinterpretation, mistranslations, and false assumptions. There is, however, a big difference between learning from your honest mistakes, & doubling down on them while dismissing all criticism of your misinterpretation into that abstract category of “fandom drama.” The latter attitude is kind of shitty at best and horrifically entitled at worst.

Plus, as I’ve discovered, there is a great deal of interest and joy to be drawn from keeping yourself open to learning aspects of these texts & figures that you weren’t aware of! I can say from my own experience that I’ve always really enjoyed & appreciated it when individuals on this site who come from a Chinese background--and who know much more about the cultural context of JTTW than me--have taken the time to explain its various aspects. It often leaves me feeling like woooooaaaahhhhhHHH!!!! as to how amazingly full of nuanced meaning JTTW is like dang no wonder it’s one of China’s Four Great Classical Novels.

And I guess that right there is the heart of a lot of my own personal frustration and disappointment with the ways that fandoms often approach a literary work or other piece of media...like don’t get me wrong, a lot of the original works a fandom may grow around are just straight-up goofy & everyone’s aware of it & has fun with it, yet the trend of approaching what are often nuanced and multi-layered works in terms of how well they fit and/or can be shoved into pretty cliche ideas of Redemption Arc or Enemies to Lovers or Hero Actually Bad, Villain Actually Good etc...well, it just seems to cheapen and even erase even the possibility of understanding the wonderful complexity or even endearing simplicity that made these works so beloved in the first place. Again, I feel like I need to make it clear that I’m not saying fandom should be a space where people are constantly trying to one-up each other with their hot takes in literary analysis, but it would be nice and even beneficial to allow room for commentary that strives to approach these works in a multi-faceted way, analysis & interpretations that go against the popular fandom beliefs, & criticism of the work or even of fandom trends (yes it is in fact possible to legitimately love something but still be critical of its aspects) instead of immediately attacking people who try to engage in such as just being haters who don’t want anyone to have fun ever (X_X).

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Anyway, I know I didn’t cover even half of the stuff you brought up in the first place anon, but I don’t want any interested parties to this post to suffer too long through my text wall lol. I was asked to try my hand at illustrating Guanyin, but as with you I’m nowhere near as informed as I should be about her, so I want to do more research on her history and religious importance before I attempt a portrait. I’ll try my best, and do plan to pair that illustration with my own outsider’s attempt to summarize her character. From what little I do know I am in full agreement that her backstory is so incredibly amazing...just the fact that she literally eschewed the bliss of Nirvana to help all beings reach it, and even split herself into pieces in the attempt to do so (with Buddha granting her eleven heads and a thousand arms as a result)...man, I can see why she’s such a beloved & respected deity.

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As for what western fandom commonly does with everyone’s favorite god-fighting primate...I can talk about this at length if there’s interest, but for this post I’ll just say that I guess one lesson from all of this is that for all the centuries that have passed since Journey to the West was first completed, literally no one drawing inspiration from the original tale in the west (lol) has come even slightly close to being able to equal or even capture half the extent of the nuance, complexity, religious, historical, and cultural aspects, and humor that define Wu Cheng'en's story of an overpowered monkey who defied even Buddha.

So thank the heavens we'll always have the original.

#journey to the west #jttw #guanyin #sun wukong #monkey king #monkie kid #fandom #fandom critical

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moonchildridden · 4 years ago

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PuthKaeng, the green&red couple: Daddy&Papi, mysterious man and lots of dots, everywhere

Hello, beautiful people! It’s moonchild here and I hope none of you are tire of having to read the things I write because here I am, again, to talk about the only thing that gives me strength and energy to leave my bed in the morning, and the only couple that matters: PuthKaeng.

Being honest, I had hopes that those two long ass analysis would be the last thing I would do related to them and would final begin to think about writing a fanfiction about them (yes, your resident analyst is a writer) but then, because they can’t seem to leave me alone and let me breath for five minutes, a special episode came out and my brain went back to work in overdrive and started analyzing everything. I hate my brain sometimes.

Anyways. I would like to say that this won’t (hopefully) be a long analysis just like the others, only a commentary of the episode in general, me connecting the revelations we had about the “mysterious man” and what were presented to us in the main arc of their story and me rambling in between, just because I can. Granted, the main focus of this post is to talk about the main focus of the special, which was to know who the mysterious man was, but that doesn’t stop us from talking about other things in the episode as well.

When it was announced that we would have something about PuthKaeng again, it was in the guise of being an extra scene and I rushed to finish my main analysis because I was afraid that whatever was in said extra scene would throw a lot of monkey wrenches on my theories that I was writing but unfortunately that didn’t happened, because the universe hates me sometimes. However, the universe also loves me because what we all thought would be a simple extra scene became a fucking 10 MINUTE SPECIAL EPISODE! Not only that, it gave me everything I wanted to see with them, and an opportunity to see them again in new things (P’Chewin, I know you have a series of them ready, give it to me).

The special episode was just beautiful and amazing, cute, pillow-biting, intense, sensual and perfect, all in once. Their chemistry was point, their acting skills were on point, the deliverance of feelings and usage of body language was on point, a solid 10/10 in my book. I would give those 10 minutes an award if I could, but because I can’t, I’m gonna talk about it the best I can.

A small disclaimer before I start: because the episode didn’t came with official subtitles (Ais Play/Copy A hates us, for sure), I had to search on YouTube for translations and found two, one of the entire episode and other of the first two and a half minutes. I’ll go back and forth between those two translations, especially when talking about the first minutes, because the translations are a bit different and convey different things, even if the context is the same. Just so you guys don’t find it weird having screenshots with different fonts.

1. I’m addicted, I’m addicted only…

The episode opens with PuthKaeng in the same room, Kaeng busy doing something on his working table (probably something school related) and Puth playing videogames.

The fact that they seem so comfortable being in the same space, each one doing something on their own, shows that they’ve established some sort of routine and just by being in the same geographic space is enough for them. Puth then receives a phone call and Kaeng at first didn’t seem to pay attention but turned around as soon as he heard the person on the other side of the call ask Puth “where he was?”, to what Puth answered that he was in “his boyfriend’s room” while looking at Kaeng. The caller asks Puth to “hang out/meet up”, making Kaeng arch an eyebrow, and Puth, while still looking at Kaeng, says that “he’s not going, because he wants to be with his boyfriend” and after that ends the call.

The fact that he didn’t said Kaeng’s name and simply said “my boyfriend’s room” and “stay with my boyfriend” and the other person didn’t asked who said boyfriend was or made a big thing out of that, considering Puth’s past reputation, means that the person that called him knows exactly who that boyfriend was and that PuthKaeng’s relationship is not a secret to anyone. Also, the way the word “boyfriend” rolled out of Puth’s tongue, so easily, it shows that he’s proud to have someone to call boyfriend and have the opportunity to spend time with his boyfriend. Just…the happiness energy he pours in those 30 seconds-ish of call is overwhelming.

After Puth puts down his phone and looks back at Kaeng, who is looking at Puth with a weird expression on his face, he get up his chair and goes to him, asking “what’s wrong, papi?” (I shit you not, when I heard that on the episode I blushed and almost screamed because it was so cute it gave diabetes) and Kaeng asked “why you (daddy) didn’t go?” (Puth calling Kaeng “papi” was one thing I was not ready to go through but Kaeng calling Puth “daddy” and find out those are the pet names they use with each other was the death of me. God, please receive my soul in heaven), receiving a “how can I go, I wanna stay here with you” as answer from Puth.

Kaeng says to Puth that his explanation is a “lie” and that “Puth wants to go, he can see it/he knows Puth very well” and Puth admits that, with a “sometimes, because he used to hang out a lot” but Kaeng says a soft, and jokingly, “I’m sulking now”, and after Puth asks Kaeng if he “isn’t bored of staying in the room?” because he “used to hang out a lot too”, Kaeng makes the CUTEST FACE EVER (pause to see how Kaeng’s eyes GLOW when he’s looking at Puth. Seriously, how much love can that guy keep in his eyes, for them to shine like that?) and says that “he’s not used like Puth but he’s never bored of Puth” and then they kiss.

This exchange makes me think that they are in the first weeks of dating and still trying to get used to the idea of being a couple (not that the way they were acting with each other before had any difference except the fact that they were not official but whatever), finding a common ground and a safe/comfort zone where they could stand and feel stable. New relationships are always that, new, and it takes time to get fully accustomed with them, let alone feel stable; it helps the fact that they are friends and knew basic things about each other, so now what they need to do is try to know about each other not as friends but as significant others. That’s why they like to spend time with each other and enjoy all the time they have together, to get to know what the other is like, as a boyfriend.

(Before I continue, please appreciate Kaeng being totally baby. Thank you)

After the kiss, Puth ask Kaeng if they “should find something to do?”, Kaeng, having understood something else with his question (I don’t blame him, the way Puth was touching his arm, I would’ve thought the same too) asks “here?” and after Puth said “yes”, Kaeng hits him lightly on the chest and complains that “he’s still sore” (not that I needed it that but PuthKaeng versatile confirmed in only one sentence). Puth then says that Kaeng “is thinking too much” and that he meant “go and find something fun to do”. Kaeng seems uncertain about that but, as we see next, he obliged.

And the date…guys, the date! Do you guys remember that Puth that didn’t wanted to anyone to know that he and Kaeng were sleeping together? That Puth that denied vehemently that he was dating Kaeng (at the time, he was right), made shitty excuses to Mon so he couldn’t pry for more details about what Kaeng had done to him in the night he went to their room? That Puth that didn’t even wanted to be see publically with Kaeng? Well, that Puth is now walking on the streets, holding his boyfriend’s hands and oozing happiness. Seriously, the way he smiles every time he looks at Kaeng, his body language showing that he’s totally relaxed with Kaeng on his side, the way they are having fun together, even with a simple thing as an ice cream cone that they can’t hold, is so fullfiling to watch because it shows that they are happy together. And Kaeng’s eye smile…he looks so cute and happy at the same time, it hurts seeing him so happy. They are soft with each other, feel happy with each other, feel good having each other as someone to spend time with, it just screams domesticity. They are that couple, people.

And look how Puth just throw his head back while laughing. I remember seeing somewhere, years ago, that when someone laughs that way while they are with you, it means they are really having fun. And remembering that made this scene 100x better.

2. My entire heart, all of it that I have inside is for you

Fast forward, we have PuthKaeng in a hotel room and the first thing I noticed is that they were holding hands (remember what I said about them always holding in intimate moments, back when they were only friends and how I always liked to think that it was something theirs, that they only did that with each other and how it sounded too…hum…how do I put this…not something that people that were not dating, especially players, would do? Yeah) and looking at each other (always the eye contact, people. This bitches been acting like a couple since the beginning), acting like the world were theirs and theirs alone.

Kaeng looked at Puth from head to toe while Puth takes off the robe Kaeng was wearing and then Kaeng took off Puth’s robe but did that while he was doing that he started to kneel down and was ready to give Puth a blowjob but Puth stopped him before Kaeng could even do something about it. The way Kaeng didn’t disconnected his hands from Puth’s body shows that he enjoys feeling physically connected with the other man, in every opportunity he could get (I think that his behavior on episode 9 made that pretty clear but is never wrong to bring that fact back); Puth then asked why Kaeng was rushing things and Kaeng said that he was just warming up, before sharing a nose kiss and Kaeng kiss Puth’s nose (bringing back all the kisses from the main arc back and my thoughts about them being confirmed. Coming full circle here, people. Coming full circle!).

Kaeng’s statement about “being happy today” was something that even if he hadn’t told Puth, I’m pretty sure Puth could see that written all over his face, because the man was glowing with happiness like a Christmas tree in the middle of a shopping mall. After the Puth’s teasing about Kaeng being happy because he could “eat”, Kaeng asking if he could “eat tonight”, Puth saying that “tonight, he could only taste a little” and Kaeng pretending to “bite” Puth (they are talking about sex, people, nothing extraordinary here), Puth says that he would be back in a minute and then leaves the small bathroom (?) they were and this is where things start to get interesting.

[A bit of a backstory about this: when the announcement of the “extra scene” came and people were excited to know who the “mysterious man” was, I became confused because I had no idea of what people were talking about. Even after someone commented about the mysterious man being about the man who sent that message to Kaeng on episode 9, I was still confused because for me a friend of his had sent the message but brushed aside, for the perspective of having an extra scene of PuthKaeng was above any confusion.]

Puth grabs his phone, goes to site on the border of the bathtub and is then revealed that he is the mysterious man! Mind you, we all had that revelation in an episode without subtitles, but the fact that he was sending messages to a guy that was in the same room as he was and there was no names displayed on top of the messages to identify the people in the conversation was enough for us to understand what was happening. Remember when I said that they were still getting used to the idea of being a couple and that new relationships take time to become stable? Well, Puth may be super-duper happy and see that Kaeng is happy with him but is normal to have doubts if the person next to you is actually happy or pretending just to make you happy, so Puth had to have that extra confirmation, so he used something that seemingly would make Kaeng be 100% honest (notice that Puth only does that after Kaeng said that he was happy).

It had been a total twist receiving that information but then we had to have a double twist when after Kaeng said “I think we should stop talking” and the “mysterious man” asked “why?”, Kaeng comes out of the bathroom, walks rather sensually towards Puth and after sitting next to him answers the question with a “because I have a boyfriend now” and then shows his tongue to Puth. Puth, understandable surprised with that turn of events, asks Kaeng if he had “always know that it was him?”, receives a nod from Kaeng, so asks “how Kaeng found out? Had he peeked on his phone?” and then Kaeng delivers a triple twist by saying that “there’s only one person he knows who likes to text dot at the end of sentences in Thai”.

At that moment I was like “there’s no way that’s how Kaeng found out about Puth being the mysterious man”, so I went back to episodes 9 and 10, look for any moments where Puth sent any messages to confirm that he had that habit and there they were, clear as water, in EVERY SINGLE MESSAGE. I’m not saying that lightly, since the FIRST message that Puth sent in episode 9, which a reply to Nong Jumbo’s message about missing him, until the LAST message he sent, which was to Kaeng to tell him that he wanted to talk to him later, ALL had dots in the end.

That made my jaw drop because it is such a small detail, something we had in front of us the entire time, but never actually stopped to pay attention and it was that fucking small detail that made Kaeng caught him as soon as he sent a message, pretending to be someone else.

And the fact that Kaeng knew since the beginning that it was Puth brings forward two situations:

It is established that we started their main arc with Kaeng already liking Puth. And I said in the final part of my theory, in the timeline of events, that both of them had cut off contact with any potential sexual partners, so Kaeng only continued talking to the mysterious man because he knew it was Puth. If it weren’t for the inability of Puth for using fakes (seriously, that’s hilarious to be honest, being discovered because you like to use dots in the end of sentences. It’s like people knowing it’s me just because I never use abbreviations when I write messages. True story), Kaeng would’ve blocked him as soon the first message got in his Line account. Knowing that, no wonder he smiled after reading the message;

Puth sent the message, put down his phone and got back to the room whistling “Dear Friend”, a song that talks about someone having feelings for their friend, a situation they didn’t intended to happen. So, now we have a guy that receives a message from the other guy he likes, using a fake account, seeing said guy he likes, whom he just had two rounds, or possible more, of sex, getting back to the room whistling a song about a friend liking another friend. And considering that, in that scene, it was the first time we were introduced to that song in their story, it gives another meaning to everything, doesn’t?

Now, we need to understand why Puth resorted to such “extreme” measures to talk to Kaeng, if they were already talking normally and it’s not like any other person had access to his phone. If I hadn’t un-hold it the theory of Puth also liking Kaeng from the beginning, that specific scene of the revelation of him being the mysterious man would’ve make me do that on the spot. Taking in consideration that at the time of the unfolding of the events from episode 9 Puth thought that Kaeng was still sleeping around (even if he was suspecting of Kaeng having feelings for him), his own feelings had to be well hidden. However, feelings are sneaky little bitches that the longer you try to suppress them, stronger and hard to hide they become and Puth is an affectionate person with those he likes, so he needed to find a way of getting close to Kaeng without actually getting close to him and what better way of doing that than with a fake profile? That way Puth could’ve be a friend to Kaeng, probably even drop some hints about liking him and see how Kaeng would react to them, establish a connection with him and at the same time avoiding the possibility of getting his feelings rejected in real life, after all if Kaeng was still talking to other potential partners it wasn’t a good omen to him; like I said before, feelings made Puth really dirty.

So, the cat is out of the bag. Puth knows that Kaeng knows that he’s the mysterious man sending him messages and don’t know how to feel about that, so he says that “now Kaeng knows it all, how much he loves him” (adding credibility to my idea of Puth having using the fake account to show that he liked Kaeng) and Kaeng tells Puth that he “doesn’t need to be embarrassed, because it’s cute”, that “he likes it” and then to Puth to “try to speak like in the text” aka being romantic. After this, we had the single most emotionally devastating moment of the entire episode and the perfect way of ending a special episode: Puth looked at Kaeng like the man in front of him was the most precious treasure he had encounter in his life and it is possible to see how he also has Kaeng in his eyes, just like Kaeng have him in his eyes. He takes a deep breath, open and closes his mouth once before saying “Kaeng, I love you”, his eyes shining with love just like Kaeng’s eyes were shining with love in the beginning of the episode, and Kaeng reply with a “I love you too” before they kiss and the episode ends.

I highlighted Kaeng’s name in the love declaration because in this episode, this name had a special weight. Throughout the entirety of the episode, PuthKaeng always used “daddy” and “papi” to refer to themselves, a fact that made me feel more single than I already feel in a daily basis, but when the subject was to tell Kaeng how he feel about him, Puth preferred to use his name, in an almost reverent tone, and tell Kaeng that he loved him. And the way Kaeng’s eyes also shined after listening those words and the soft tone he used to answer Puth…honestly, I can’t deal with them anymore, I’m done.

PuthKaeng has a story more complex than we could’ve ever predict. They are men with complex personalities, insecurities even with their appearances of people secure of what they want, don’t know how to express their feelings but when they do, you know is not something superficial, is the reality. It took them a long time to be together, they almost lost the opportunity to experience the love they have for each other, cried, made mistakes and misunderstood a lot of things. But now that they are together, I am sure that they will make everything in their power to make it work, will solve their problems the best way they can, will continue to support each other, be their best partners, their safe zones and each other’s hearts. After all, the love the have is forever; and even beyond that.

#puth x kaeng #kaeng x puth #y destiny #theory #megapost

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goldenxstylinson · 5 years ago

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Larry Song Parallels + analysis

(this is a post that’s going to be included in the masterpost. please do note that this is only a small part of the main post, so if you want a more in-depth explanation on these lyrics you’ll be able to check the post here once it’s published)

i tried to put these in a sort of chronological order because the more i listened to them, the more they all seemed part of the same story.

also, i’ve left out iicf and home because i’m solely focusing on parallels in lyrics and those songs are basically a response one to another. (i’ve only included a lyric from iicf that goes with another song)

wrote this at 5am and had to repost it because tumblr decided to remove it from the tags, fun. i’ll proofread it later so if there are any typos i apologize.

ESNY/ DLIBYH

Harry: I’ve been praying ever since New York

Louis: And I know you’ve left a part of you in New York under your bed in a box

MMITH/ KMM

Harry: Just take the pain away

Louis: I can ease the pain

SHE/ HABIT

Harry: And she sleeps in his bed/ While he plays pretend

Louis: I took some time 'cause I've ran out of energy/ Of playing someone I heard I'm supposed to be

TBSL/ DEFENCELESS

Harry: And I'm just an arrogant son of a bitch/ Who can't admit when he's sorry

Louis: And I can't get inside when you're lost in your pride/ But you don't have a thing to prove

TWO GHOSTS/ TOO YOUNG

Harry: We're not who we used to be

Louis: But everything's feeling different now

FTDT/ JUST LIKE YOU

Harry: Woke up the girl who looked just like you

Louis: I wanna lay where she lays

(while some of you might consider this a stretch, I actually think these pair up quite nice and you’ll see why)

FTDT, FALLING/ WALLS

Harry: Woke up alone in this hotel room; played with myself, where were you?/ I'm in my bed and you're not here

Louis: Nothing wakes you up like waking up alone

MMITH/ HABIT

Harry: Just let me know, I’ll be at the door, at the door

Louis: That mentally, you were already out the door

FTDT/ TOO YOUNG

Harry: Maybe one day you'll call me and tell me that you're sorry too

Louis: I’m sorry that I hurt you, darling

FINE LINE/ TOO YOUNG

Harry: You’ve got my devotion but man I can hate you sometimes

Louis: It’s hard to think you could ever hate me

TPWK/ HABIT

Harry: Givin' second chances

Louis: I know you said that you'd give me another chance

MMITH/ WE MADE IT

Harry: Maybe we’ll work it out

Louis: We were only kids, just tryna work it out

TWO GHOSTS/ TOO YOUNG

Harry: Fridge light washes this room white

Louis: Face to face at the kitchen table

FALLING/ TOO YOUNG, DEFENCELESS

Harry: And it kills me 'cause I know we've run out of things we can say

Louis: I'm tryna find some better words to say/ Tryna find what to say to you/ Not sure how to say this right

IICF/DEFENCELESS

Harry: Right now I'm completely defenceless

Louis: Never been so defenceless

FALLING/HABIT

Harry: You said you cared/ And you missed me, too

Louis: I was better with you, and I miss you now

FALLING/ HABIT

Harry: And I get the feelin' that you'll never need me again

Louis: I’ll always need you in front of me

GOLDEN/ DEFENCELESS

Harry: And I know that you're scared/ Because hearts get broken

Louis: Got so much to lose

SWEET CREATURE/ HABIT

Harry: We started two hearts in one home

Louis: Come so far from Princess Park

GOLDEN/ TOO YOUNG

Harry: Of who I am and all I've ever known

Louis: Me and you is all i’ve ever known

SUNFLOWER VOL. 6 / KMM

Harry: Kiss in the kitchen like it’s a dance floor/Kids in the kitchen listen to dance hall

Louis: You’re a nightmare on the dance floor

FINE LINE/ WE MADE IT

Harry: We’re gonna be alright

Louis: Yeah, it's gonna be alright

Okay, now time for the explanation (from my point of view):

(update: i just realized that Two Ghosts was written during 1D days. My theory still stands as it did before, but it’s possible that smaller fights and arguments between H&L happened a few years prior, as well, although only one led to the breakup)

I believe that everything changed when Harry lost his stepfather, Robin. He begged Louis to “take the pain away” and, of course, Louis helped him through this hard period (after all, H was there for him, too)

Harry let himself be surrounded by sadness once Robin passed away, while Louis had to make sure that Larry is still secret, thus having to “play pretend” and have “her sleep in his bed” (Eleanor). That made Harry even sadder, as not only he lost his stepfather, he also felt his relationship fading away, changing.

Louis became too tired of always having to show up with Eleanor, so he “took some time” away. He was tired and angry, which ultimately led to arguing with Harry. Now I believe that there has been a huge argument between them, when both of them probably said things they didn’t really mean, hurting each other.

The next few songs show how they tried to replace one another, Harry waking up to a “girl who looked just like” Louis and Louis partying the pain away (he said so in Miss You), but they realized that what they had couldn’t be replaced.

Louis took the first step and called Harry or sent him a text or something and, after a long time of thinking, Harry realized that even if he “could hate him sometimes”, Louis still has his devotion. So they met up, sat face to face (at the kitchen table) and it was probably awkward at first, after not seeing each other for about 2 (??) years.

Harry was probably close to losing his hope with that relationship, thinking that they had nothing to say to each other anymore. But they both let their guard down, got out of their pride (Harry did that before as well, back in 2015 when he wrote IICF) and told each other the truth: L told H that he missed him and H told L that he thought he wasn’t needed anymore; Louis’ response was that he’ll “always need Harry in front of him.”

Now comes the reconciliation — while Louis is still scared that he’ll lose everything if Larry accidentally comes out and that he still needs to remain closeted, Harry tells him he has nothing to worry about. He’ll be open someday (Harry hopes).

They agree that their relationship was all they’ve ever known, ever since they were 16 and 18. They’ve started this journey together. They know that they’re soulmates.

Fast forward a few months after their discussion, they dance and kiss in the kitchen and Louis points out, while smiling, of course, that Harry’s still “a nightmare on the dance floor.” as he hears Harry’s laughter filling the room.

And yeah, they’re not perfect. They’re still a bit ripped around the edges and a bit broken, but they’re strong. They’re gonna be alright.

#larry stylinson #larry #harry styles #louis tomlinson #fine line #walls

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dreamingsnowflake2013 · 4 years ago

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Chapter 47 is extremely important since it lays ground for major developments&storylines in Season 2, therefore I've decided to write a very detailed analysis, dissecting every gesture, every look and every hidden meaning.

Painter of the Night is a work of visual art which tells a story via imagery, thus the visual component constitues the most important part of it. It stems from the fact that there is limited space for dialogues. Not only does it allow Byeonduck to make most of it with her extraordinary artistic talent, it also makes each sentence that much more poignant and important. Nothing is redudant, every word counts and is loaded with ambiguity, every sigh and pause hold a meaning, and even the silence resonates and speaks volumes. All this is even more crucial when the story takes place in an era where each piece of clothing, a person’s hairstyle or the place where they stood or sat in a room also revealed their place in society; and even more so, when both its protagonists are people who have difficulties expressing their true feelings and intention by words. The time Seungho and Nakyum spend in the master’s chamber in the morning almost seems mundane, but as always, first impressions are deceiving. They don’t talk much, yet their whole communication is loaded with meaning. And remember, communication is much more than mere words or their literal meaning. It doesn’t lead to anything sexual, still the air trembles with the attraction between them.

The crux of the issue is the social divide which separates Seungho and Nakyum I mentioned previously. During the whole scene the dynamic between the two men keeps constantly changing together with their literal positions in the room which symbolize their actual positions in the Joseon society and how those positions start to shift due to the feelings they have for each other. Seungho is almost unconsciously trying to bridge that divide by treating Nakyum more and more as his equal. It isn’t a deliberate behaviour on his part but instinctive. He sees the painter as his lover, therefore he treats him as his lover because, gradually, Nakyum’s social standing has ceased to matter to him. In the beginning, he had called him a lowborn very often, demeaning him, but he used it less and less until he almost stopped completely. The last time being when he got frustrated after Nakyum basically asked him to have rebound sex with him because Inhun had called him a prostitute. Thus, the ever-changing dynamic in this scene is the result of the nobleman trying to overcome the chasm which separates them and keeps him from being close to his young lover.

To start with, there is the mere fact that Nakyum is present during Seungho’s daily dressing ritual which is a deeply private and intimate affair usually only wives had the privilege and right to attend. However, a wife would never kneel in a position of subjugation on the hard floor at the far side of the room with her eyes lowered to the ground. And Seungho won’t have it because he is always observing Nakyum and never takes his eyes off him, noticing everything about him, including the painter’s blushing cheeks and the quiver of his lashes. So he starts to woo Nakyum even though it’s still only morning.

First, he lowkey informs him that he doesn’t fuck anyone else, basically telling him “I have only you. You are the only one for me.” in his own way, and then he proceeds to actually ADMIT that HE LOVES NAKYUM’S BLUSHES, he loves when Nakyum blushes because of him. He genuinely tries to put into words his appreciation and affection and show them to Nakyum, albeit clumsily. At first glance, it might seem as his typical, teasing remark but it’s not. In fact, it sounds like a shy but intimate and sincere confession.

We don’t see Seungho’s face when he admits he likes seeing Nakyum blush, only his robe, and together with the split second when he ponders Nakyum’s question about his kindness, IT IS THE ONLY TIME SEUNGHO LOOKS AWAY FROM NAKYUM, other than that Seungho never takes his eyes off him. During these two fleeting moments he reveals his vulnerablity while, at the same time, trying to hide it by turning his back to Nakyum so the painter wouldn’t notice it. I love how Byeonduck doesn’t show his expressions to the readers during these moments, but still gives them visual clues to uncover the truth if they read between the lines and notice Seungho’s body language. It’s not about discovering the visible but about seeing the invisible, what is hidden in plain sight. The same narrative means is used to show Nakyum’s reaction to Seungho’s explanation why he’s been so kind to him: we only see his chin, never his eyes or facial expression in that moment.

Of course Seungho immediately guesses that Nakyum hasn’t eaten yet, because at this point he knows him that much, and moves fast to remedy the mistake, because he already cares about him that much.

Talking about bridging the divide, when Seungho orders Nakyum’s meal to be brought along with his, he’s doing exactly that. Commoners don’t eat while sitting next to noblemen. It’s simply not done but that’s exactly what’s Nakyum doing now. At Seungho’s bidding, he moves from his kneeling position on the other side of the room to the nobleman’s side, making the distance between them smaller both literally and figeratively. He is sitting next to Seungho as his equal on a place which is reserved for honored guests, wives or family members.

What follows might be one of the most interesting pieces of dialogue in the entire chapter 47. Once again, we don’t see Seungho’s face, only the table with food which makes it appear as a mere small talk or an off-handed comment, but it isn’t. Being a manhwa, Painter of the Night lacks the acoustic mode therefore the reader has no way of finding out the tone, intonation or timbre of the character’s voice unless they see his facial expression. However, Byeonduck deliberately doesn’t show it to us at very particular moments. Those moments are rare but by hiding the facial expression, she paradoxically brings readers closer to the characters because suddenly, for a brief moment, they feel exactly like her characters: in those moments, the readers have no idea what is going thorough Seungho’s mind and what he really feels, in those moments they are at a loss, or misunderstanding or left guessing just like Nakyum is during the whole scene. In those moments, the readers are not all-knowing and can relate to Nakyum because they feel the same.

So when Seungho mentions the erotic painting, and you don’t take the red herring and dismiss it as his usual teasing, you suddenly realize there is a double meaning to his sentence. First, the noble never really ordered Nakyum to come to him with his paintings in the morning. Is it possible that the blushing Nakyum actually used that painting as an excuse to see Seungho? Especially after being so needy the previous night? He himself admits that he can’t go anywhere without him and it’s not like he has any friends in the Yoon household he could talk to. His answer clearly pleases the noble, thus his satisfied smirk. However, more imporantly, it shows that SEUNGHO WANTS FROM NAKYUM MORE THAN HIS BODY and is making a genuine, if inept effort, to tell him. He is basically saying:”I know you think of me as some sex-crazed maniac/deviant and I don’t deny I’m horny and crazy about your ass, but I am not a beast who wants to fuck you all the time. Even I crave closeness and affection and I want more from you than your painting and your body. So much more.”

When his food turns inedible and Nakyum turns to leave to take his meal in the kitchen, he isn’t trying to use it as an excuse to leave but does it out of consideration so he wouldn’t disturb the nobleman farther during his breakfast. However, judging from his slightly pained expression and instant reaction, it seems Seungho misunderstands Nakyum’s consideration for an unwillingness to spend time with him. The person he considers his lover is trying to leave him and it seems he would rather share his meal with servants in a dirty kitchen than spend time with him. That’s how he probably perceives it. There is also Nakyum’s reaction which is really telling. Previously, he would be scared and skittish if Seungho asked him a question like that, plus, he used to be noticebly uncomfortable in his presence. However, now, he is blushing and bashful but he doesn’t look frightened or uncomfortable. If anything, it’s as if he’s gained a shy confidence and learned to speak his mind with Seungho.

And then comes another shift as Seungho takes more steps to bridge the divide between him and Nakyum. Not only does he openly agree with Nakyum that he has never been a servant, he even admits that he himself DOES NOT CONSIDER HIM A SERVANT = “You’re not a servant. The servants are unworthy of you. You don’t belong in my kitchen. Your place is by my side.”

Following this interaction, Seungho suddenly says:”...come HERE.” What does the word “here” mean here? – “Come CLOSER. Come TO ME.” So once again, the distance that sepates them grows smaller, or rather, Seungho makes it smaller, reduces it until he can touch Nakyum and there is finallly no distance between them at all.

Some pictures are worth more than a thousand words. Seungho has used to claim that all he wanted from Nakyum were his paintings and sex, but now the gorgeous explicit painting of them copulating is left forgotten on the floor. Seungho doesn’t even spare it a glance, all his attention and thoughts belong to the real man in front of him. There is no ulterior sexual motive in the way he touches him or worries about his well-being. Thus, Seungho’s explanation that he keeps Nakyum to have sex with him and then portray it on canvas is the lamest excuse ever. And these open exhibits of physical affection and closeness that doesn’t lead to anything sexual have been appearing more and more.

This one image both showing them making love and their real selves completely lost in a world of their own perfectly illustrates all the dichotomy, nuance, emotions and complex issues that lie just below the surface. If the audience read Painter of the Night superficially, they will only see the “filthy” erotic painting, that is, only one dimension of the story and then they will disregard it as a whole, just like the servant who only sees the surface of the painting but not its beauty and feelings behind it, much less the growing love between its author and his master.

I already wrote I long piece about the way Seungho pampers Nakyum and goes out of his way to make sure that he isn’t injured, so I’m skipping this part. However, what no one talked about is how Seungho gives his place at the table to Nakyum because the significance of the gesture is huge, even more so in Joseon society where every piece of furniture and clothing denoted a person’s status and worth. That seat was reserved only for the master of the house and not even wives got to sit there. So once again Seungho makes the distance between him and Nakyum smaller as he gives Nakyum a privileged position, literally making him his equal by seating him on his place.

And it really is the sight of Nakyum being treated as Seungho’s equal rather than the erotic painting itself which causes the servant to dislike Nakyum so much. The painting is only a trigger. Because in the servant’s POV, here is a lowborn boy who is considered by the society even more lowly than himself but is treated better than noble wives. Nakyum has been elevated to a high position but he is left kneeling by his feet, collecting trash from the floor.

When Seungho tells Nakyum to leave it to the servant and eat, he basically publicly claims Nakyum as his equal and makes a distinction between him and the servant. It almost feels as if he were doing it on purpose, to show the servants what Nakyum’s position is, the same way he did when he ordered the kitchen maid that Nakyum was not to eat in the kitchen.

People often describe the servant as homophobic but that’s 99,9% of Joseon society. What is much more imporant here is that he is envious and bigoted. Because the main issue isn’t so much about the fact that Nakyum has been having gay sex with Seungho, but that he is a lowborn AND he actually does have any sex with SH since in that era having extramarrital sex was considered amoral. The truth is that had NK been a woman, the servant would have reacted the same. Also, if NK were a nobleman, the servant would never dare to even look him in the eyes, much less insult him in such a manner. So this really shows that one of the main obstacles which separates Seungho and Nakyum is the social divide between them.

And from them two, it’s Seungho who has the necessary means and power to bridge that gap and offer his hand to Nakyum, whereas Nakyum needs to have the courage and confidence to take that hand, hold it tight and never let go.

#byeonduck #painter of the night #yahwacheop #potn #analysis

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everydayeveryday · 4 years ago

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What I Talk About When I Talk About Running by: Haruki Murakami

"No matter how mundane some action might appear, keep at it long enough and it becomes a contemplative, even meditative act.”

“If you don’t keep repeating a mantra of some sort to yourself, you’ll never survive.”

“Pain is inevitable. Suffering is optional.”

“The hurt part is an unavoidable reality, but whether or not you can stand any more is up to the runner himself.”

“To keep on going, you have to keep up the rhythm. This is the important thing for long-term projects. Once you set the pace, the rest will follow.”

“Failure to reach that bar is not something you can easily explain away. When it comes to other people, you can always come up with a reasonable explanation, but you can’t fool yourself.”

“so I learned the importance of being with others and the obvious point that we can’t survive on our own.”

“but the world is made up of all kinds of people. Other people have their own values to live by, and the same holds true with me. These differences give rise to disagreements, and the combination of these disagreements can give rise to even greater misunderstandings. As a result, sometimes people are unfairly criticized. This goes without saying. It’s not much fun to be misunderstood or criticized, but rather a painful experience that hurts people deeply.”

“As I’ve gotten older, though, I’ve gradually come to the realization that this kind of pain and hurt is a necessary part of life. If you think about it, it’s precisely because people are different from others that they’re able to create their own independent selves.”

“Emotional hurt is the price a person has to pay in order to be independent.”

“I think in my own way I’m aware of this danger—probably through experience—and that’s why I’ve had to constantly keep my body in motion, in some cases pushing myself to the limit, in order to heal the loneliness I feel inside and to put it in perspective. Not so much as an intentional act, but as an instinctive reaction.”

“I’m the kind of person who has to experience something physically, actually touch something, before I have a clear sense of it. No matter what it is, unless I see it with my own eyes I’m not convinced. I’m a physical, not intellectual, type of person.”

“Sometimes it takes too long, and by the time I’m convinced, it’s already too late. But what’re you going to do? That’s the kind of person I am.”

“Up till then, it had been a question of sheer survival, of keeping my head above water, and I didn’t have room to think of anything else. I felt like I’d reached the top of some steep staircase and come out to a fairly open place and was confident that because I’d reached it safely, I could handle any future problems that might crop up and I’d survive.”

“I’m the kind of person who has to totally commit to whatever I do. I had to give it everything I had. If I failed, I could accept that. But I knew that if I did things halfheartedly and they didn’t work out, I’d always have regrets.”

“Whenever I was able to do something I liked to do, though, when I wanted to do it, and the way I wanted to do it, I’d give it everything I had.”

“I’m struck by how, except when you’re young, you really need to prioritize in life, figuring out in what order you should divide up your time and energy. If you don’t get that sort of system set by a certain age, you’ll lack focus and your life will be out of balance.”

“Life just isn’t fair, is how it used to strike me. Some people can work their butts off and never get what they’re aiming for, while others can get it without any effort at all.”

“In other words, let’s face it: Life is basically unfair. But even in a situation that’s unfair, I think it’s possible to seek out a kind of fairness. Of course, that might take time and effort. And maybe it won’t seem to be worth all that. It’s up to each individual to decide whether or not it is.”

“Human beings naturally continue doing things they like, and they don’t continue what they don’t like. Admittedly, something close to will does play a small part in that. But no matter how strong a will a person has, no matter how much he may hate to lose, if it’s an activity he doesn’t really care for, he won’t keep it up for long. Even if he did, it wouldn’t be good for him.”

“The most important thing we ever learn at school is the fact that the most important things can’t be learned at school.”

“I don’t think we should judge the value of our lives by how efficient they are.”

“I figured, it’s sometimes hard to avoid losing. Nobody’s going to win all the time. On the highway of life you can’t always be in the fast lane. Still, I certainly don’t want to keep making the same mistakes over and over. Best to learn from my mistakes and put that lesson into practice the next time around. While I still have the ability to do that.”

“Being young means your whole body is filled with a natural vitality. Focus and endurance appear as needed, and you never need to seek them on your own. If you’re young and talented, it’s like you have wings.

In most cases, though, as youth fades, that sort of freeform vigor loses its natural vitality and brilliance. After you pass a certain age, things you were able to do easily aren’t so easy anymore”

“As I’ve grown older, I’ve naturally come to terms with this. You open the fridge and can make a nice—actually even a pretty smart—meal with the leftovers. All that’s left is an apple, an onion, cheese, and eggs, but you don’t complain. You make do with what you have. As you age you learn even to be happy with what you have. That’s one of the few good points of growing older.”

“If something’s worth doing, it’s worth giving it your best—or in some cases beyond your best.”

“Which is exactly why even though people say, “He’s no artist,” I keep on running.”

“You have to wait until tomorrow to find out what tomorrow will bring.”

“Maybe the only thing I can definitely say about it is this: That’s life. Maybe the only thing we can do is accept it, without really knowing what’s going on.”

“Like most of the troubles in life it came on all of a sudden, without any warning.”

“Experience has taught me this: You’ve done everything you needed to do, and there’s no sense in rehashing it. All you can do now is wait for the race. And what instinct has taught me is one thing only: Use your imagination.”

“In most cases learning something essential in life requires physical pain.”

“But in real life things don’t go so smoothly. At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. It isn’t always the case, but from experience I’d say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn’t the messenger’s fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality.”

“As you get older, though, through trial and error you learn to get what you need, and throw out what should be discarded. And you start to recognize (or be resigned to the fact) that since your faults and deficiencies are well nigh infinite, you’d best figure out your good points and learn to get by with what you have.”

“In order to get there you have to stubbornly, rigorously, and very patiently tighten all the screws of each individual part. This takes time, of course, but sometimes taking time is actually a shortcut.”

“It’s precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive—or at least a partial sense of it.”

“Whether it’s good for anything or not, cool or totally uncool, in the final analysis what’s most important is what you can’t see but can feel in your heart. To be able to grasp something of value, sometimes you have to perform seemingly inefficient acts. But even activities that appear fruitless don’t necessarily end up so”

“From out of the failures and joys I always try to come away having grasped a concrete lesson.”

#books #ebooks #book #bookish #bookislife #bookaholic #booklovers #bookwork #book quotes #bookquote

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heloflor · 4 years ago

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Rogue arc : An analysis of “Abducting Murphy’s law” ’s B plot

So, as I mentioned in one of my fics, I wanted to write a long ass thing about Cavendish’s arc in season 2. Well, here’s part one!

While I said that I wanted to talk about the arc, to be honest I mostly had this episode in mind. “Abducting Murphy’s Law” is not my favorite episode but it does have my favorite B plot (by B plot I mean Cavendish and Dakota). The reason why I love this plot so much is because there’s tons of stuff to talk about, hence this post. So yeah, when I said I wanted to talk about Cavendish’s arc, what I mostly meant was that I wanted to infodump about this episode. Although, I did make a second post about how the reconciliation didn’t feel earned, along with some comments about the arc in general, including how Dakota definitely has some dependance issues but, instead of addressing it, the show tends to validate his fears. I’ll make sure to post both parts around the same time so that, if anybody wants to add or talk about it, they already have all my arguments.

This first half will be in four parts : a short explanation of which scenes I will talk about, one small side note about Bob Block being the least trustable character in this show, one pretty long part about how Dakota is throughout the episode and finally another long part about Cavendish and his evolution during the episode. And yeah, I know I could’ve made the Bob Block part into its own post but for some reason my brain really wants to put it in this post so…

And because I don’t want people to scroll through such a long text to read a tl;dr , here it is now :

tl;dr : - Bob Block is an untrustworthy condescending creep.

- Dakota plays moral support and does seem to believe Cavendish but is mostly worried about what Cavendish is trying to do and is gently trying to get him to give up while trying to stay on his side, as if something like that happened before.

- Cavendish is desperate to prove himself and the world that he’s someone, so when nobody takes him seriously or believe him, he’s willing to take matter into his own hands to prove them wrong.

As for the full post (warning : it’s VERY long) :

So first off, I will talk about four scenes here : the scene on the parking lot, the three scenes at P.I.G. (warning Block, the computer room and the argument in the armory) and the scene with Cavendish leaving. So basically, every scene with the duo except for the dialogue between Dakota and Heinz, mostly because there isn’t really anything interesting to say about this scene, except maybe the fact that Dakota drowns his sorrows in food but that was pretty much expected given his personality and the fact that he literally says in “Missing Milo” that he eats when he’s stressed. Also, leave it to Doofenshmirtz to be vague about why Milo was missing, making it impossible for Dakota to know that there truly was an abduction; just like how in “The Last Day of Summer” in PnF, when he asks Candace if she saw his nemesis, he conveniently doesn’t describe Perry to her.

As for the small part about Bob Block : I don’t trust that guy in the slightest. Firstly, like basically everyone who watched the show already said, this guy gives off a very creepy vibe that makes him scream “villain”. And his design with his teeth + the voice actor’s former roles doesn’t help. Also, I recently re-watched the B plot of “Milo’s Shadow” and Cavendish calls P.I.G. a “clandestine government agency”, and I’m a bit curious about the “clandestine” part.

Secondly, I’ve seen a few people say that Block was hiding something darker because he was “too nice to be a good person” but like…he isn’t nice ??? Not in the slightest ??? Haven’t you heard him talk to Cavendish and Dakota in episodes like “Disco Do-Over”, “Lady Krillers” or “Field of Screams” ? He’s extremely condescending to them. Seriously, he talks to them like they were toddlers. Like, you know that “baby voice” you take to make kids feel excited about something ? He uses the exact same kind of voice with Cav and Vinnie. And the fact that he speaks slowly or him killing aliens while telling Cav that he’s doing the important job doesn’t help with the condescending aspect.

Another thing that I noticed about him is that he tends to be in control of every discussion he’s a part of. In particular, he has a tendency to cut off Dakota when the two are talking. I don’t know why Dakota specifically but in my rewatchs I didn’t notice him do the same with Cavendish. And since we’re on the topic of him being condescending and cutting off : first, in “Walker, Runner, Screamer”, he hangs up on Cavendish without listening to him and secondly and most importantly, in “Parks and Wreck”, not only does he cut Dakota again but he also goes from “I’m 100% listening to what you want to tell me” to “Sorry I’m too busy” in like 5 seconds. Bob Block doesn’t care about them. He isn’t being nice. He’s a condescending ass who borderline gaslight them by pretending to be nice.

Another thing that I’d like to discuss about him is the fact that I’m seriously doubting that he’s related to Mr. Block, which is not reassuring because it would mean that he somehow learned about time travel and time agents etc. But yeah, about the relation with Block : Thing is, Mr. Block is at the head of B.O.T.T. and one of the judges of whatever their court system is. So in other words, he knows about the rules better than anyone. And while he does seem a bit immature at times and in canon went back in time to watch a movie he missed, I don’t feel like going back to meet his ancestors is something he’ll do ? I mean, we know that “don’t cross your own timeline” is a pretty big rule for time agents, and in “A Christmas Peril”, Block seems genuinely surprised to see his future self, which makes me think that he doesn’t do this kind of time-travel much. Also, if he’s willing to go back in time to meet his ancestors, why doesn’t he go back to buy pistachios ? So yeah, I know this is all speculation and for all I know he could have gone back in the past but there’s just something about his character and the situation that makes me go “would he tho ?”.

Also, while I completely agree that it can be possible, I’m a bit surprised about the fact that the family managed to keep the same last name for over 120 years. Like, did every generation had sons ? I know it’s entirely possible but would it happen here ? Or were there daughters who kept their last name after getting married ? Did Block really go back in time to meet his ancestors, leading to them wishing to keep the last name ? As for the physical appearance, aside from the hair, they don’t really have anything in common but it’s expected given the number of years between the two.

One last thing about Bob Block : In “Abducting Murphy’s Law” (you know, the episode that’s supposed to be the main focus of this post), there’s that moment with the character “Toodles” and I genuinely wished I had something to say about this moment, especially with the “I need to look like I’m going somewhere” line but I have no idea how to interpret it (and it’s frustrating honestly). So yeah, this line is here and it’s weird but I don’t know what to do about it.

Now, onto the actual episode (this will be cut in different parts to make it easier on the read, especially for those who wish to read it but can’t take it all at once. So yes, this post is literally an actual essay) :

I. Dakota’s side

1. Emotional support

So in the first two scenes, Dakota does what he always does. I’ve mentioned it in this long-ass post but when Cavendish gets frustrated or angry, Dakota has a tendency to act more laid-back and chill as a counterpoint. I think a good example of that is at the end of “Walker, Runner, Screamer”.

During the entire episode, Dakota looks annoyed or unhappy and yet, in that scene, he’s suddenly smiling. And it’s something that he does throughout the entire show, as if it was his way of “soothing” Cav. And in “Abducting Murphy’s Law”, that’s what he does at first. If you notice, when Cavendish gets angry after Block’s call and throw that metallic pick-up thing on the ground, Dakota closes his eyes for a good second. And when he reopens them, he starts talking about his lunch, going back into his laid-back role as if to try calming Cav down. This is also what he does after his rant a few seconds later, when he immediately offers food to Cavendish after said rant.

And speaking of that rant, I have a few things to say about it. First off, I do believe that Cavendish needed to hear that. Yes, it hurt his feelings, but given what happens during the rest of the episode, it does feel like Cavendish needs a reality check. Also reminder that this is the man who spent years dying ever so often; and on the island, some Dakotas look older than the one we follow in the show. So you’d think that after knowing about all these deaths, he’ll try to be at least a bit more careful. So yeah, while Dakota could’ve phrased things differently, I feel like this is something Cavendish needed to hear at some point.

Secondly, I can understand why Dakota would rant like that. Ever since the beginning of season 2, Cavendish has been complaining about his new job, ever more than the pistachios mission (for which Dakota also didn’t seem really satisfied, given how he easily follows through with Cavendish in “Time Out” and how he complains at the beginning of “Perchance to Sleepwalk”.). And when Cavendish complains, there are a few times like in “Disco Do-Over” or “Walker, Runner, Screamer” in which Dakota doesn’t seem to be very happy having to deal with Cavendish’s mood. Also, keep in mind that we see the duo like every three episodes and that just because they aren’t on screen doesn’t mean that they aren’t working. So for at least a month, given how each “show season” takes place during an “earth season” (if that makes sense), Dakota had to deal with working a shit job with someone who’s constantly complaining about it.

I’d also like to point out that, in “Backwards to School Night”, the line about Dakota not wearing much on Sundays and Cavendish not knowing about it hints that they don’t live together in the future. So that “constant roommates” situation could be new to them; and given how little they probably earn, it’s understandable that they’d rather keep this small “apartment” and share rent rather than splitting to go live in a different place each. In other words, Dakota doesn’t really have much choice but to live with Cavendish and hear him talk about saving the world everyday. Given all that, I’m honestly not that surprised that Dakota ended up snapping and giving Cav a piece of his mind. His patience was bound to run out at one point.

Side note : I’m not saying that Dakota is an easy person to live with compared to Cavendish. Honestly, they probably argued about money at some point due to Dakota’s eating habits and the fact that neither of them seems to know how to cook, so they have to eat out every day. I’m just saying that Cavendish is seen always complaining about his job and Dakota most likely hears him complain much more than we do. And no matter how much you like someone, hearing them say the same things over and over again get tiring. And besides, the argument could work in the opposite direction too. Maybe Cav is tired of Dakota never taking everything seriously; but much like Dakota, he can’t just buy his own place and live alone easily.

Thirdly, I’d like to comment on this face :

Two things to say about this face. First, the most obvious, he’s sad for Cavendish. If the whole “being chill when Cav is angry” is any indicator, Dakota doesn’t like seeing Cavendish be sad or miserable. Besides, this guy didn’t spend years saving Cavendish and trying to always be by his side just to destroy his self-esteem later on.

Secondly, I can’t help but feel like Dakota is also thinking of his own emotions here. As said before, Dakota isn’t very happy with his new job either, as we clearly see in “Walker, Runner, Screamer” (I swear mentioning this episode is turning into a drinking game). While he’s still cheerful from time to time, he went from having a lazy smile as a resting face in season 1 to having a more neutral or tired expression.

But at the same time, Dakota doesn’t really express his frustrations, most likely because Cavendish is much more vocal than him and he’d rather help Cavendish with his emotions than work on his own, like a “you have enough frustration for the both of us” kind of way. After all, we see in season 1 that he tends to shut down and keep to himself, which led to all his frustration in the argument of “A Christmas Peril”, since he wasn’t able to tell Cav why his lack of consideration was making him so angry, especially when Cavendish calls him selfish.

So here, it feels like Dakota isn’t just feeling shitty because Cavendish feels shitty but he’s also dropping his mask and showing more of his emotions, here the fact that he isn’t happy about his current life either. But unlike Cavendish, he’s able to go with the flow and find some contentment in the smaller things.

Now, about the scene at P.I.G.’s office : For the “support” part, there isn’t that much to say. When Block turns Cavendish down and the guy starts feeling bad, Dakota goes back to his supporting role. In a way, he’s acting like in season 1. Except that this isn’t season 1 and he can’t time-travel anymore. So when Cav starts talking about breaking the rules and risking their jobs, Dakota immediately considers his words a mistake and try to stop Cavendish from thinking too much about it.

2. Opposition

So I’m going to cover a part of the last two scenes at P.I.G. . First off, the scene in the computer room. At the beginning, Dakota seems still pretty encouraging with how he reminds Cavendish of what he said about what the ship looks like. But quickly, he starts to make Cavendish doubt himself.

What’s really interesting though is Dakota’s phrasing. When he starts talking to Cav, he says “Maaayybe I suppose but are you really sure you saw what you saw ? I mean…” and then goes on with the reasons why Cavendish might have imagined it. But about that quote, what I find interesting is the amount of incertitude he puts there with the “maybe”, “I suppose”, “are you sure”. It really feels like Dakota is trying to discourage Cavendish from looking for the ship while at the same time trying to stay on his good side by doubting him but not too much. This actually makes me wonder if such a situation happened before, hence why Dakota tries to stay on Cav’s good side.

Side note : “This isn’t my running tracksuit, this is my eating tracksuit!”, he says as if his tracksuits weren’t all eating tracksuits.

Then there’s the scene in the armory. First off, this face :

He keeps that same expression throughout the entire moment, both when watching Cavendish and the guard, and I don’t know how to interpret it, which is frustrating. My best guess is that Cavendish seems in better spirits, which reassures him or something like that. Or maybe the fact that Cavendish still wants to hang out with him to try finding the ship makes him think that Cavendish won’t ghost him. Really, I don’t see why he would smile like that only to start being frustrated again ten seconds later.

As for the argument in the armory; here I’m not going to talk about the main parts of the argument but a few things that Dakota says. Firstly, he again seems to try being on Cavendish’s good side with him saying “I believe that you believe”, though this isn’t enough to convince Cavendish. He also says “maybe we shouldn’t touch those” (not a direct quote) instead of just saying “we can’t touch those” or something like that. So again, he’s more into the “maybe you’re right maybe you’re wrong” area of the argument.

Secondly, I find the line “We’re stuck here. We live here now” really interesting. Like for at the beginning of the episode, this seems like Dakota showing more of his feelings. The way he says “we’re stuck here” first before catching himself and saying “we live here” shows again that he’s not happy with his current situation. Heck, it also means that he’s not just unhappy about the job but also being forced to live in a different time period than his, given that he says “stuck”. So yeah, he’s not happy about the situation and tries to hide it to make Balth his priority.

Thirdly, there’s this expression when he leaves the room and tries to follow Cavendish :

(He looks like a kicked puppy I’m-)

So, when Cavendish leaves the room, he leaves behind an angry Dakota. And yet, barely a few seconds later, we see Dakota trying to follow Cav and his expression is filled with worry. This again makes me think that such a situation happened before, which would be why Dakota is so worried about not being at Cavendish’s side. Like, maybe at some point they had a mission that resulted in a terrible argument and Cavendish ended up trying to solve things alone, only to get injured or even die or something like that. And if something like that happened, that could explain why Dakota is now trying to convince Cavendish to stop looking for the ship without putting Cavendish against him and why he would look so worried when he realizes that he’s losing the battle; especially given how he can’t time-travel now. But again, this is all a complete speculation here. We have no concrete proof that such a thing happened before.

And since we’re on the topic of Dakota trying to be gentle in his approach : I’d argue that Dakota actually believes Cavendish when he says that he saw a ship. This is due to four reasons :

- They’ve been time-travelers for a while and probably saw a lot (just the “milk to death line”. Whatever this is, Dakota saw some shit.); the same way they met aliens a few episodes before this one. So seeing a spaceship wouldn’t be the most surprising thing in the world (Heck, P.I.G. literally has a computer showing all kind of ships they discovered; also the duo once went on the moon given the montage in “Island of the Lost Dakotas”).

- When they’re talking to Bob Block, the boss asks Dakota if he saw the abduction, and while Dakota says no, he starts saying “But if he says he saw it” before getting interrupted by Block.

- In the armory, when Dakota says “I didn’t saw what you saw but I believe that you believe and that’s” before getting interrupted. This line kind of gives off the impression that he does believe in Cavendish and so believe that Cav saw a ship. Though the “I believe that you believe” can definitely be seen as him not really believing him, just like with Cavendish saying “it’s like saying ‘I believe you’re hallucinating’ “

- In the scene when Cavendish leaves, Dakota says “I’m sorry I didn’t believe you in the way that you wanted me to.”. The fact that he adds the “in the way that you wanted me to” again gives the impression that he does think that Cavendish saw a spaceship. It’s just that Cav expects more than just a “I believe that you saw it”.

So overall, there’s the possibility that Dakota does believe in Cavendish. Honestly, the only thing that seems odd is the fact that Dakota doesn’t want to go and try to save the abductee. Though, given the fact that they’re risking their jobs and given the possibility of such a situation happening before, paired with Dakota’s fears for Cavendish’s life and the fact that he can’t time travel anymore, meaning that all of his actions have consequences; I guess it does make sense to some extent that Dakota doesn’t want to save the abductee. He worries more about Cavendish being alive and safe, especially now that he can’t go back. However, I’ll admit that the way Dakota just brushes off the possibility of someone being abducted and in danger does feel out of character. Although, watching “The Substitute” again, the two did leave the classroom without trying to do anything to help the kids against the blob; so honestly I don’t know.

This all leads us to the last part for Dakota :

3. The evolution throughout the scenes

So as I said, Dakota starts off trying to be supportive of Cavendish by being reassuring, but as Cav starts to be more and more absorbed by the idea of proving the ship exists, Dakota starts to distance himself from him by trying to convince him to stop looking. And then comes the last scene, in which all Dakota can do is try to convince Cavendish to stay with him.

Honestly, thinking about this scene, it feels like Dakota already knows that he lost the fight. When he asks “you say that sarcastically ?”, he just sounds tired. Also, there’s how his way of talking changes in the episode. At first, in the computer room, he tries to use facts to convince Cav to stop looking for the ship, talking about how there was some sunlight or how Cavendish got worked up. Then, during the argument on the armory, it’s kind of the same, although the facts that he gives are much more personal this time around with how he mentions that it’s a question of how their actions now have consequences and he can’t just fool around anymore.

Then, during the last scene at the “apartment”, he doesn’t even try to argue about the ship aside from his apology. Instead, he mentions his partnership with Cav and how they’re always able to talk things through, which actually reminds me of how in the scenes when they’re in private they act differently than in public, making it seem like they do communicate quite a lot by dropping their defenses around each other and vent to each other. Heck, the way Dakota says in this episode “We talk it out, we’re a team” really gives off the impression that yes, Cavendish and Dakota do talk things out when they have a big argument. And that’s what Dakota wants to do in this scene. He just wants the two of them to sit down and talk it out; no more running away, no more argument.

But yeah, in this scene, it’s not about the ship. It’s about Cavendish staying with him. And honestly, it feels like something that can be applied to how Dakota is throughout the entire episode. All he seems to care about is if Cavendish is going to stay with him or ghost him. Again, it kinds of falls into the idea that a similar situation happened before.

One last thing that I’ve written down is the fact that Dakota sutters while trying to convince Cav to stay in that last scene. But after watching a few of the previous episodes, Dakota actually has a tendency to sutter when he gets anxious or nervous. As a few examples : the ending of “A World Without Milo” at the beginning of his talk with Elliot, the crossover episode when Cav learns about the island, several scenes in “Escape” (Dakota’s such a mess in this episode).

So that’s all for my breakthrough of Dakota’s part in this episode. Overall, he seems like he just wants to be with Cavendish, and for some reason seems to believe him while at the same time not trying anything to help the abductee. He’s protective, most likely due to the trauma of seeing Cavendish die over and over again for years. In short, that man has some issues that the show should really consider mentioning if season 3 comes around. But I will discuss more about these issues in my second post on the topic.

Now, onto Cavendish :

II. Cavendish’s side

1. Insecurities and evolution before this episode

So let me get this out of the way first : Cavendish is a very insecure guy, and what happened in “Abducting Murphy’s Law” was bound to happen at some point. We see glimpses of it in “Time Out” and “Abducting Murphy’s Law” seems to revolve around it : Cavendish is a guy who seems to have a pretty low self-esteem and who tries to hide it in his way to act all professional and “know-it-all/all-mighty”. We see it in how easily he gets sad in “Time Out” when realizing that his job barely matters, and we also see it when he’s in private with how soft he becomes. Just look at how, at the beginning of the Halloween special, he very easily agrees to follow Dakota’s plan and only calls Dakota a “meanie” for steaking stuff, which contrasts with his “Doughty snackhound” from “We’re Going to the Zoo”. He also shows his anxiety in “Snow Way Out” and is very soft and calming in “Perchance to Sleepwalk”.

So yeah, his attitude outside is more of an act than anything, though I’m not denying that he also gets grumpy because that’s a side of his personality (I wish I had any artistic talent so I could draw Cavendish with John Mulaney’s “When I walk down the street, I need everybody, all day long, to like me so much. It’s exhausting !”, including John talking about his wife after this line).

So all this to say that Cavendish is insecure. And because of those insecurities, he feels the need to prove himself. He wants to be a hero, he wants to feel like a hero, but he also wants others to see him as a hero. Again, “Time Out” shows it well with how quickly he gets obsessed at the possibility of a counter-agent working against him, nevermind the fact that it’s a literal child.

And we see it even more in season 2. Every episode, he complains about how shitty his life became and how unfair it is. In particular, there’s the episode “Free Fall”, his last appearance before “Abducting Murphy’s Law”. In “Free Fall”, he seems even more fed up than usual about his job, and when a drone attacks him, he’s immediately happy that someone, anyone, noticed him. The ending of this episode actually makes me feel sad for him. He’s just so desperate for something good to finally happen to him; and he does deserve better than that. It’s just sad.

It also feels like he’s starting to distance himself from Dakota during the first half of season 2. By that, I mean that they don’t have as much interactions as they did in season 1, which was full of their banter (which is what made them so entertaining to watch). Heck, in “Milo’s Shadow”, Cavendish is shown alone, without Dakota. And in this episode, Cav tries to tell others about the aliens and get some people concerned about it.

Also, he clearly tries to impress the others when telling his story, even if he doesn’t consider them much. As for the other episodes, Cavendish and Dakota are mostly concerned over their mission and as such aren’t seen interact much, aside from like the beginning of “Lady Krillers”; which is a bit of a shame considering how their interactions are the best thing about their plot (but I already have another post ready that talks about season 2 and its issues so I won’t rant about it here).

So in short, Cavendish is desperate for good things to happen to him. He’s desperate to prove himself, he’s desperate to have other people take him seriously for once, he’s desperate to have a better life than that. During the first half of the season, it feels like this is what they were trying to show. And it all culminates in “Abducting Murphy’s Law”.

2. His evolution throughout the episode

So I’m going to do one big part here, going scene by scene.

Parking-lot scene :

So, in the first scene, Cavendish is the same as in previous episodes. He’s not satisfied with his job and wishes for more, in particular recognition for his previous actions in season 1. He’s (rightfully honestly) having a hard time accepting that this is all he gets, and when Dakota gives him a reality check, it only makes him feel worse.

Then there’s the encounter with Scott. This one’s pretty interesting. Alright so first off, it seems that Cavendish considered what both Dakota and Scott told him and decided to try and stop sulking, trying to see a more positive side of his situation. Though, it’s very interesting how he says “but how ?” right before seeing the UFO. In a way, it also really shows the difference of mentality between him and Dakota. Dakota has accepted that this is all he’ll get, and while he’s not happy about it, he decides to try seeing the good in smaller things. Cavendish on the other hand doesn’t seem to be able to do the same. Heck, when Dakota does it at the beginning of the episode, Cavendish sees it as Dakota lacking ambition; which in itself isn’t actually wrong since Dakota really doesn’t seem to want much from life aside from having fun and being with Cav.

Then, there’s also the line “Loss can lead to new adventures”. What I love about this is how, when we start the episode, the “loss” is more about how Cav is feeling. I mean, even Cavendish says that he needs to stop sulking after hearing this sentence. But then we watch the end of the episode and suddenly “Loss can lead to new adventures” has a brand-new meaning. And ouch. Don’t get me wrong, I absolutely love it, but still, ouch. Though, to be honest, I do wonder if at some point during the episode, Cavendish realized that “loss” could also mean leaving Dakota behind. Honestly tho if Cavendish repeated the sentence during the separation it would have been some amazing angst. But I’m getting off-topic.

Afterwards, there’s the abduction. When Cav sees it, he reacts exactly like he did at the end of “Time Out” and “Free Fall” : he gets excited and touchy, ignoring what Dakota says as he’s too taken from seeing this as a new opportunity to prove himself worthy of a better life. Thinking about it, it’s actually both funny and sad how he seems to care more about people seeing the ship and promoting him than the fact that someone was straight-up kidnapped by aliens (what’s up with Cavendish and Dakota not caring about people’s lives in this episode ? Though, given how they were in early season 1, I guess they just don’t care for the people they don’t know, do they ?).

Though, Cavendish mostly thinking about a promotion does fit his character. Again, he’s now desperate for recognition. In the spun of the moment, it isn’t about someone getting abducted, it’s about him being a hero again.

One last thing that I want to mention, mostly because I don’t really know where to put it otherwise : some scenery regarding Cavendish and Dakota at the end of the scenes. Every single scene with the two of them in this episode ends with Cavendish leaving the frame without Dakota, with Dakota trying to follow him in the first and second scene. Then, starting with the computer room scene, Dakota is left behind, the first time by his own volition as he’s starting to be less and less able to follow with Cavendish’s mindset and get angry about it, then left behind because Cavendish is too far gone into his ideas and prevents Dakota to stay with him, no matter how much Dakota tries to follow him, desperate to set things right. That’s all I have to say about how the characters move into the frames, but I found that to be a very interesting detail.

The P.I.G. desks + the computer room scenes :

Like for Dakota, I don’t have much to say about the second scene. Bob Block doesn’t believe Cavendish in the slightest (and is being a condescending smartass about it; god I hate this guy. He’s great as a character but my god I hate him as a person) and it leaves Cavendish sad and disappointed. But then, Dakota tries to cheer him up, which only prompts Cavendish to try acting against his boss’ wishes. It’s like I said earlier : they have the same mentality as in season 1 in which ignoring the rules had little to no consequences aside from a slap on the wrist, leading them to do what they wanted.

But here, this isn’t season 1 and their actions have consequences. Dakota had realized that and tries to call Cavendish off his goal, but Cavendish is too excited to listen to him. This is the same structure as “School Dance” or “The Little Engine that Couldn’t” in which Cavendish gets his mind set on something. And in these two episodes, Dakota simply follows him without complaining. Heck, in “School Dance”, when the kids confront them about the whole “vampire” business and say “We know what you’re up to”, Dakota replies “Really ? Cause I barely know” which shows that, in this episode, he basically blindly follows Cavendish around, not caring enough about his job to object when Cav wants to do something that goes against what their boss want.

So, because of how they were in season 1, Cavendish is used to act when his mind is set on something. And he’s also used to have Dakota follow him, which might explain why he sounds like he’s taking Dakota’s objections in this scene like a joke. After all, Dakota always let him have his way, even when he disagreed with it. So why should it be different this time around ?

In a way, Cavendish has a certain disconnect, not really realizing the consequences of his actions. I guess that may be due to his previous job or the fact that, with Dakota secretly protecting him all the time, it never occurred to him how badly things can turn out.

One last thing for this scene, about the dialogue with Block and Cav mentioning the need to save the abductee : it’s again a bit unclear whether Cavendish wants to save them because they’re a person in danger or if he’s only thinking about people discovering that he was right and making him a hero. Though, looking back at his facial expression, he does seem genuinely concerned for the person (and I’m actually starting to wonder how he would’ve reacted had he known that the abductee was Milo).

As for the computer scene, again, not much to say. It’s Cavendish focusing on the task he wants to accomplish while Dakota’s just there to be there. Again, we see Cavendish be too obsessed with his task to pay mind to Dakota’s objections. We also see him get irritated when Dakota objects, though not as much as later on, as if he could tell that Dakota wasn’t truly believing him but at the same time thinks that Dakota will keep following and supporting him.

Side note : Seeing Cavendish knowing how to use a computer feels really weird. Like, I know he’s from the future so obviously he knows how technology works without any problem, but this is a guy who walks around with an 1850s outfit and who keeps using outdated expressions. So seeing him use a computer just doesn’t feel right.

The armory scene :

Now we get into the juicy part.

Alright so first off, a side note : “I am a naughty boy !” Cavendish, buddy, please don’t ever say something like that again ! Although it’s pretty adorable to see that dork feeling like such a gangster after “breaking” one rule (I mean, he was allowed in by the guard so it’s not really breaking the rules).

Secondly, like in the first scene at the beginning of the episode, when talking about saving the abductee, he seems more focused on the fact that he’s a hero who needs to save the world. It really gives off the impression that he doesn’t care that much about what happened to this person. He just wants validation and uses the current circumstances to do so. Again, this is just sad (I swear making this analysis is starting to make me feel really bad for Balth).

Thirdly, the line “Come on, partner !”. At first, I thought Cavendish was trying to convince Dakota to help him by reminding him of how close they are. But thinking about it again, I can’t help but see it as Cavendish trying to convince himself that Dakota will help him. I mean, he definitely noticed that Dakota wasn’t ok with what he was doing, no matter how oblivious he seems to be to Dakota’s objections. But up until now, Dakota had a tendency to just shrug it off and follow. So seeing him be so insistent now may have made Cav realize that maybe Dakota won’t follow through this time. So he tries to convince himself that Dakota will come through for him, because they’re partners.

Fourthly, the argument itself. When Dakota starts to interject more seriously, Cavendish reminds him of the obvious : that, when they were time-travelers, Dakota couldn’t care less about the rules. But things are different for them now, actions have consequences, and Cavendish doesn’t seem to truly grasp that. Heck, after Dakota argues that they have responsibilities to keep, Cavendish immediately points the finger at him with the “You don’t believe me” line, which completely changes the direction of the argument. Seriously, Dakota was talking about how they needed to follow the rules to survive in this new time-period and Cavendish starts talking about something that has nothing to do with what Dakota just said. Although, given that these two have known each other for at least like 10 years or so, given how much Cav changed from his design in “First Impressions”, I guess him changing the topic like that might be due to him knowing Dakota well enough to understand that, when Dakota objects to him like that, it’s because there’s a lack of trust there.

As for the rest of the argument, I guess this is mostly Cavendish’s desperation and obsession that are speaking. I mean, Cavendish is never taken seriously by anyone aside from Dakota. So here, when Dakota doesn’t support him like he expected him to, this is probably the last straw for him. He isn’t willing to listen to Dakota’s excuses, cutting him mid-sentence. And if Dakota’s face is any indicator, he can clearly tell that Cav doesn’t want to listen and that he’s losing the battle.

Cavendish has made up his mind. He knows what he saw, he knows that aliens are on earth, kidnapping people; and if nobody, not even Dakota, is willing to listen to him, then he’ll have to prove them all himself, no matter the cost.

The ‘leaving’ scene :

Then comes the last scene, with Cavendish packing his bags. Again, he isn’t willing to listen to Dakota. He made up his mind and he’s determined to find the UFO. As he says it himself when Dakota tries to apologize : “It’s too late for that”.

Though, as I’ve seen mentioned in a fic that was basically an analysis of that last scene, we do have Cavendish leave a teddy bear behind. The bear wasn’t on the couch when he was packing, so it’s likely that he felt genuinely bad for ditching Dakota and decided to leave a plush behind to keep him company.

Also, a thing that I keep bringing up in my fics : I truly don’t think that Cavendish wanted to leave forever. I mean, he probably only took the essentials in the bag he used; he probably has much more than that stuff. Also, I highly doubt that he would wish to never see Dakota again. Heck, in “Escape”, when they reunite, Cavendish is pretty nonchalant about the whole thing, as if he expected to see Dakota again. Overall, it’s more that he thinks that Dakota’s going to try to stop him or slow him down since he doesn’t really believe in him, so he wants to do this rescue alone.

And one last thing regarding Dakota : the whole “It’s safer for you to stay here”. I find this line really interesting. Because thing is, no it’s not safer. Cavendish doesn’t go alone to protect Dakota, he does it to prove a point, to prove that he’s right and everyone else is wrong. But thing is, Cav already has some pretty low self-esteem, and accepting the fact that he’s being selfish by leaving wouldn’t help with it. Also, as I’ve mentioned in my long-ass “fun facts about these two” post, when Cavendish is in a situation that’s possibly dangerous, his first reflex is almost always to worry about Dakota’s well-being. So, in my interpretation, Cavendish knows that he’s being selfish by leaving like that and ghosting Dakota, so he tries to tell himself to leave by convincing himself that he’s leaving the guy behind to protect him; because there’s nothing more important to him than Dakota’s safety, so it’s much easier on the mind to tell himself that he’s doing it for Dakota.

Aaaand that’s pretty much all for this analysis, which is already a lot to take in (12 pages. This entire post is 12 pages long. 11 without the pictures).

Thanks for reading !

#Milo Murphy's Law #mml #Abducting Murphy's Law #Vinnie Dakota #Balthazar Cavendish #mml spoilers #season 2 spoilers #Flor talks #aka infodump #A LOT #I wish I was good at montages #or didn't have a monotone voice #that way I could've made a video #instead of a wall of text #long post #VERY LONG POST #rogue arc

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sanstropfremir · 4 years ago

Text

ok alright alright alright kingdom episode two

kinda disappointed that they only showed half the stages, but that's just an editing thing to draw out the content so you can air for longer, i'm not super surprised about that. i would have liked to evaluate them all at the same time, but at least this gives me time to go more in depth for all of them since they're full stages this time and I wrote 3000 words for last episode when they only had 100 secs. so this format will probably keep me sane for longer, i think.

solid stages all round for them, none had especially glaring flaws on the whole. i'm not gonna do a full ranking for this episode since we haven't seen them all, but i will say that btob’s was my favourite from this set and both ikon’s and tbz’s stages were about equal; they both had things i liked and disliked in equal measure so i'm tentatively giving them the same ranking. full opinions and analysis on each stage below the cut, plus another section of general notes because hey what the fuck did you do to that stage mnet???

and for anyone that’s wondering yes i do have the qualifications. also seriously grab a drink or something because this is LONG.

some general notes

and here i thought this section wouldn't be as big as it was last time because mnet was going to get their shit together about the stage design, but noooooooooooo they had to go and make it worse! thanks mnet i hate it! remember how i said you shot yourself in the foot last time? well ya fuckin kneecapped yourself AND all your idols with this one ya dumb fuckin idiots. alright folks welcome back to stage design 101, my recurring segment where i explain the different types of stage layouts and their effectiveness for kpop idol survival shows, i guess.

ok so last week i covered the basics on theatre in the round and traverse staging, which i’ll link here if there’s anyone new or just wants a refresher. i mentioned that its likely that mnet will switch to an in the round style staging because it offers a lot more freedom for camera movement and also for directional blocking. well, i was wrong. so i'm gonna give you a quick rundown of prosceniums. a proscenium, proscenium arch, or just prosc, is an architectural feature that sits around the front ‘opening’ of the stage that delineates the stage from the audience. if you've ever been in or seen any pictures of old european style theatres it can be quite ornately decorated with scrolling, but it's almost always there in most western theatres. it basically provides your ‘wings,’ which are where you exit off into to get offstage, they provide cover from the audience sitelines. pretty much any theatre where the audience is directly opposing the stage across the 180 degree line is a proscenium stage, even if it doesn't physically have the arch. hell, movie theatres are prosc stages. now, there's a secondary architectural feature/device called a false proscenium, where you set a second, smaller archway inside the first prosc, usually done for a specific effect. think of it like a literal framing device; it's often used to visually signify that ‘this is a play, we are telling a story, please be aware that this is a play thank you.’ but sometimes, it can be a semi-permanent structure that’s set in place to narrow the prosc opening. we had this at my university, there was a false prosc set just inside the actual prosc because the stage had a hilariously big prosc opening for a university that never had casts larger than 24 people. so they set false prosc in to make the stage slightly narrower and to widen the wings, because it doesn't matter what size theatre you're in, you always need more wingspace. makes sense? ok, now here’s a very quick drawing of what i'm pretty sure the kingdom stage looks like:

before you get lost: stage directions are oriented to a person standing on the stage, hence SL and SR being reversed. a quick tip for remembering which way is upstage and which is downstage: if you go too far downstage you fall down (most stages are raised between 2-4’ from the floor, so if you step off the end you will actually fall.) the arrows on here signify the entrances i observed during the performances, which is not necessary in this explanation but i just thought it was interesting to note. still not entirely sure what the surrounding architecture is but it appears that the stage is a raised platform inside a room, and not actually built as part of the building. the ‘house’ is just a technical term for where the audience is, and in this case it's where it looks like most of the film crew and the producers/staff are. there’s pretty clearly a platform upstage centre, and i think there may be some others but i don't care about those right now. what i want to talk about is this dumbass false prosc they set IN THE MIDDLE OF THE STAGE. now i suspect that they did this to solve some problems that they could have had that i don't know about, since i don't know who the stage designer was and what the actual limitations of the space are. but basically they've built two stages and stacked them on top of each other to create one very deep stage, and then separated it off with a false prosc in order to control the size of the space a little better, and possibly to add some visual interest. this stage is functional for its purpose, absolutely, and i think, if mnet actually gave a shit about point of view and camerawork, it could produce some really interesting performances. however, because this stage is so deep, it kind of has the same properties as the traverse stage from before, but just with some big led screens in the middle for reasons. you extra have to pay attention to the directionality because you have all the staff and cameras concentrated in one specific cardinal point, so you have to get creative if you want to crossover between the two sides frequently. again, this is not necessarily bad; restrictions often produce some of the most creative decisions. but! we have not seen a lot of consideration for camera and sightlines and audience pov, hence why i think this setup is dumb: it’s not facilitating the best performances it could.

ok now to the actual performances

btob

this is my favourite of the group because it's very clean lined and utilizes a few simple devices to pretty good effect. i realize these reviews are making me sound like i only like simple performances but i promise this is not at all true i'm just very critical and very picky. let’s start with the costumes, because why not.

costumes

i like these very much, i love modernized traditional clothing in all forms, and these are very well tailored and well coordinated. they do the bulk of the work establishing the theme for the performance, along with the costumes on the backup dancers. personally i would have liked them to be a bit more colourful, à la the teal detailing that was on minhyuk’s final look. i'm getting a bit tired of the whole trend of having groups only wear all dark or all white, or maybe sometimes red if they're feeling spicy. obviously uniform colour is the easiest way to tie a group together visually, but on a show like this i think the groups would actually benefit more from looking distinct from each other internally rather than establishing the group as whole.

i liked that minhyuk had a costume change but i didn't really care for how it was how it was broken down. this is a very personal quibble because i literally have spent years prepping quickchanges but the method it broke down wasn’t the most visually compatible with the garment and felt kinda clunky. please ignore this anecdote it's just me being picky.

set

i loved the forest! a very excellent way to divide the stage area and obscure the weird stage lines/architecture that mnet has made. plus the snow, flowers, and fog? makes a really sharp and immediately indicative atmosphere, a very good use of visual shorthand to establish place.

i didnt love the screens, they reminded me a bit too much of rolling whiteboards from grade school, but they are thematically relevant. also, i feel like we didnt actually get to see about half the choreo for them? fuckin mnet and idiocy again. fun use of rear projection with the dancers’ shadows, and also good use of them to direct traffic, if you will.

personally i think that the sheet gimmick from tbz’s performance would have been a better fit here instead of the screens, especially since the fabric motif was already established at the very beginning of the performance. plus you can do some really fun shadow work with a stretch fabric screen.

personally i think there could have been a little bit more integration between the forest area and the screen area, or they could have done the whole thing in the forest space, but that would require a bit more consideration of camera and choreo maneuverability

sound

really liked this arrangement, obviously the song is iconic but they added a more traditional instrument sound. has good structure for the loose narrative that they had and they were well to label this as ‘theatre’ version because this did follow very closely to a traditional musical theatre sound and style

lighting

no complaints. the overall theme for this episode is apparently blue and red? again with them i like their dedication to a limited colour palette and i especially like the blossoms at the climax

staging

there was pretty clear camera choreo and a minimum of nausea inducing moves. i think some of the effectiveness of the staging got chopped by the editing but that’s not really btob’s fault.

i was just saying i wanted them to give minhyuk some time to shine, i was not expecting to get it so soon! this is a very smart choreo that proves you can be interesting without doing a lot of tricking. minhyuk obviously did a lot of practice and work with that sword, his movements are very fluid and he knows how to handle it. and it looks like its either a blunted proper blade or a correctly weighted replica. a lot of the times when sword choreo looks fake it's because the person either hasn't had enough practice or the weapon is not weighted/weighted incorrectly. only complaints are that you would never hold your fingers/palm that close and un-anchored over the edge of the blade, which is just a safety thing. also you would never scrape your blade on the ground like that, nor toss the thing like dead fish but that's a respect thing with a live blade and this is clearly done for dramatic effect so i’ll forgive it. please ignore this anecdote also it’s just my third dan getting uppity.

ikon

costume/set

smart thematically to go with the sort of miscellaneous 30s-40s (western) aesthetic because it's the fastest way to make it look like you built a theme with mnet’s weird pseudo art deco nonsense they've inexplicably got going on in the set dec. however, they should have stuck the theme all the way through, it would have been more visually cohesive and more interesting. we expect more hiphop/electronic sounding songs to come with these kinds of 4th gen costumes, it would have been anachronistic in a fun way to have them do that second half in 40s style suits. here’s a performance from sdc3 that uses that kind of anachronistic play (this was a combo stage with two ballroom dancers and it has a 20s aesthetic but close enough.) also here’s another routine from sdc3 that does a similar effect on a much more abstract scale, and also it’s a fucking incredible performance and it got slept on by the captains. also yes i know these are incredibly experienced career dancers but they way they construct narrative within their routines and their stage presence is SO GOOD.

do not speak to me about the backup dancers costumes, holy shit i hate them. i hate them so much. how do you manage to hit too shapeless AND too fitted in the same fell swoop? i'm so mad at these. i'm neutral on bodycon dresses on the best of days but these were absolutely the wrong choice for this stage. generally kpop has abysmal costuming for female backup dancers on the whole but this is just like.....especially lazy. the point of the costume are to help give an indication of where and when you set your performance. they started off with a vaguely 40s theme and then jumped abruptly modern. why? also skirts like that are the literal worst choice for dancing in, hello?? the men’s looks are just sloppy, when you have a garment that big you want it to serve a purpose within the choreo, whereas with this it's just hiding the dancers’ movements.

as for ikon themselves, see everything ive said about black on black on black styling in the previous two reviews.

the actual set is minimal and that's tragic. i mentioned mnet’s weird art deco theme and it was smart of them to try and play off that with a lack of stuff. definitely a mismatch of stuff pulled from yg’s prop storage, but they made it work as well as they could. no other meaningful comments i’m just kinda sad about it.

sound

the arrangement is fine, no complaints from me. they keyed up the old hollywood style musical theatre sound in the beginning which i really liked. i didn't mind the song/tone switch, i think they pulled it off.

staging

same as btob they learned more towards a theatrical style, which is smart for this particular format of show. i think this was the smartest staging of these three, and also i think the only ones to not get the crew in shot.

despite seemingly leaning into a more old hollywood style the narrative was a bit too loose for my taste. i'm not sure what i would have done to make it clearer at this moment since they had so little to work with, but i did get by on my previous knowledge of the songs. that shouldn’t be the only indication of narrative though! all elements need to support it!!

also like btob they had a pretty intentional point of direction and there weren't a crazy amount of spins. they also used the camera cuts the most effectively that i've seen so far. the first half is actually all in one take!!! incredible!!! thank you!!!! this is how you do it!!

the lighter flick gimmick was well pulled off and a good example of how to use a couple of simple tricks to good effect.

ikon as a whole has really great stage chemistry with each other, and they're extremely cohesive performers. this is a really strong physical performance from them, the dance was very solid and clean. good use of levels without verging into acrobatics. this might be the best group choreo i've seen so far, but we’re not very far so that's not a very high bar to clear.

it's a shame they had the budget of 1 banana.

tbz

i liked this stage better than their intro stage, but i still think they have a long way to go and they're still over ambitious. personally i find stages based on specific pop culture properties to be kind of twee and ineffectual, because it requires a specific knowledge of that pop culture property to work. sometimes the specificity can help with a narrative but you're at risk of alienating a larger portion of your audience out of sheer non-knowledge than anything else.

costumes

again, interesting garments physically, but not much clarity of relation to the theme other than the colour. also the backup dancers???? another case of backup dancers being from an entirely different stage, what is up with those coats/dresses? looked more like they belonged in either sweeney todd or a vampire movie.

hands in front of the camera again, but these were used much more effectively. i'm not the biggest fan of mixing metals and i’m partial to silver on the whole so i didn't love the jewelry, but at least it was vague and stereotypical enough to denote ‘fire magic’ even if it does rely on a derivative middle eastern shorthand.

set

the stage set itself is fine, although definitely feels a bit haphazard to me. doric columns and frozen rocks and whatever that cover for the pyrotechnics was at the front, combined with the candles and the chaise lounge? like ikon, it felt a bit like they were pulling out of the props/set storage. not that all these things do not work together, it's just that you need a thread to tie them together, and this didn't have that for me.

sound

it's a crime they have a song called ‘no air’ and its not a jordin sparks cover. just saying.

i didnt really like this arrangement, again like their intro stage it didn't have a strong structure that suited the narrative, because they were pretty clearly trying a narrative on this one. also were most of the adlibs playback? they were singing live but there were so few shots of anyone specific singing.

lighting

probably the weakest of the three. the projection design was a bit too tacky for me, and although i appreciated the small amount of variety in colour, it felt way too concert-lighting for me.

staging

the editing on this stage is wack and did no one any good. the hands leading/pov was a really smart device and they should have stuck out the one takes like ikon did, it would have made the whole stage feel a bit more cohesive. a lot better directional camerawork from them this time around, well done. again with the hands in front of the camera gimmick which i actually preferred this time, since they were a part of the narrative. the stretch/silhouette fabric i think they pulled off quite well, even if it didn't really fit thematically with the piece. i actually worked on a show a very long time ago that used this exact same effect with dancers and also rear shadow projection, and it requires a lot of rehearsal and trust to pull off well, so props to them. i think it was the wrong choice because there isn't an established motif for the fabric, so it kind of appears out of nowhere for one specific visual moment and then disappears, and i think that time could have been better served for something else narratively relevant.

again, these 4th gen groups are overly focussed on gimmicks as a way to make up for the lack of experience. personally i think this will be detrimental in the long run, and a reliance on gimmicks means that you don't trust your performers. tbz have the manpower to be doing some pretty cool collective dance work and i dont think its being trained or utilized correctly. they are suffering from a lack of cohesive stage presence right now and that can be fixed with training and time.

this might be because the group sizes are so different between these three but this choreo is very directionless. mnet is also providing to be absolute garbage at editing and i feel like i can't see the choreo at all.

this is a thing i've noticed with kpop camerawork in general, there’s very little regard for actually viewing the choreo as a singular work. and for some reason the camera always needs to be moving???? people do actually want to see what’s happening on the stage. the choreographer can only see from one spot, so from that spot is how they are intending it to look. you wouldn't need to upload full cams of every music stage if you just filmed the choreo properly in the first place. if you watch the two sdc3 clips i linked you can see a clear difference in maintaining the integrity of the choreo, even though both shows use several cameras and a lot of cuts. obviously for kpop you want the money shots of idols’ faces but i definitely think there’s a healthier middle ground than what we have now.

ill wait for full subs but i want to know where in the fuck in sk you can rent a tank thas clearly been custom made for underwater photography, because that’s extremely cool even if it was absolutely unnecessary to the actual stage itself. i can think of several ways off the top of my head that would have achieved that same freezing effect without any of that wasted time and effort.

mnet decided to drop full cams while i was writing this and despite watching those my opinions are the same.

in conclusion, some more general thoughts:

i think ikon and btob got it right by leaning more into the theatrical than the cinematic, if that makes sense. i might be talking up my own ass here but these are theatre performances, and they should be treated as such. trying to do things that you can do on film isn't going to do you any favours in the long run, and it makes it harder to make a cohesive performance. i’m harping a lot about narrative but it is so important to performance. although it is not technically necessary, when doing big theatrical performance stages like this it does help with clarity of intent and general success. humans have brains structured around storytelling, it is literally the way our history has been passed down for tens of thousands of years. the atlantic published an article recently on narrative and memory, and it's a really excellent read for maybe after you've taken a break from this behemoth, oh dear god.

tldr: the stages were good but disappointing in their own ways. mnet continues to sabotage via weird stage design decisions and bad editing. see you next week! (or in my ask box if you have questions)

#kingdom review #kpop analysis #kingdom #oh dear lord this is almost 4k #to anybody that actually reads this thank you and im sorry #text

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angelofthequeers · 5 years ago

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If canon!Luka is too much of a blank slate, and fanon!Luka is basically Adrien-lite, what would you fo if you had to fix his character? Not a stan or anything like that, I agree with you on Luka, it's just I saw many posts like like yours about him but not a single one that said: "This is what I would do if I had to give him depth:", please correct me if I'm wrong and just didn't look hard enough. (I'm on mobile and English isn't my native language, please be gentle (._.))

Just have him not revolve around Marinette. That’s literally it. More detail and an analysis of a few scenes below the cut, because that’s the simple answer to your question but I have to go in-depth to really explain where I’m coming from. And your English is just fine! I’ll kick the kneecaps of anyone who makes fun of you for it, because heck if I can speak anything other than English. All the quotes I use are from the transcripts on this site here.

Luka’s got a few basic traits and some hints of flaws but because his screen time revolves solely around his love interest - with the exception of that one scene in ‘Reflekdoll’ with Juleka - they haven’t been developed nearly as much as they could have been, and so we haven’t seen him developing independently of Marinette because any character development is tied directly to her. For example, it could be a double-edged flaw slash core personality trait that he doesn’t get too angry on behalf of himself but he gets furious when someone he loves is threatened. It would be a nice parallel to Adrien and serve to further show how they’re foils. But since we’ve only seen him getting angry on behalf of Marinette, it’s not nearly as fleshed-out a trait as it could have been. If we’d even had just one scene of him reacting to Juleka’s akumatisation, it would’ve expanded him so much further than as just a love interest.

Whether Kagami is objectively more developed is an argument I don’t want to get into, even if I’m going to analyse her below, but she definitely comes across as a lot more fleshed out because she doesn’t exist to revolve around Adrien. Her debut episode involves Adrien but isn’t focused on him and her (first) akumatisation isn’t due to her role as Adrien’s love interest, whereas Luka’s akumatisation episode focused very pointedly on his role as Marinette’s love interest. He only got mad enough to attract an akuma once Bob Roth threatened Marinette, not when the music of his entire band was threatened - because it’s not just him in Kitty Section, and one of the other members is his sister. I can quote the scene and put bold emphasis on how his anger only really flares when it’s Marinette he’s talking about.

Luka: That’s not true! You copied Marinette’s costumes!

Marinette: And it’s the exact same song. You stole Luka’s music!

XY: Oh, come on. Let’s not exaggerate now. We may have just been a little bit… inspired, that’s all.

Luka: Inspired? You flat out stole! You didn’t design this mask! (rips mask from XY’s head) Marinette did!

Marinette: Listen, it’s not too late to do the right thing. Just tell the truth and let Kitty Section appear on the show. That’s all we’re asking.

Bob: Yeah. First they’ll wanna be in the show. Then they’ll be asking for a cut of the profits. No way! Never saw or heard of Kitten Division.

Luka: Forget it, Marinette. It’s no big deal. Let’s just go.

Marinette: No! It’s not fair! I won’t stand by and let my friends’ work get stolen. (to Bob) If you won’t tell the truth, then I will! Right now, on the air, live! (walks up to the camera)

Bob: (grabs Marinette’s arm) If you do that, I’ll tell them you’re the copycats, not me. I’ve got all the music biz eating out of my hand. So who do you think they’re gonna believe? Me, or a group of nobodies?

Luka: Grrr…

Bob: You’ll never have a future in this business. You’ll never make another costume. And there’ll be no more music for your buddies because as far as everyone’s concerned, you’ll be the rip-off artists.

Luka: Grrr…

(The akuma enters the mask Luka is holding)

(’Silencer’)

Luka’s primary concern in this scene is that Marinette was cheated. Marinette is the one bringing up Kitty Section and how their music was stolen, but Luka is laser-focused on how Marinette’s designs were stolen. Even when they first see the stolen music video as a group, he’s focused on Marinette.

Ivan: But that’s our original style!

Luka: (to Marinette) Your unicorn, and your mask!

Marinette: (to Luka) That’s your melody. (to Rose) It’s your music. That’s not fair! That should be you guys up there on TV. There better be a good explanation. We have to have it out with Bob Roth and XY.

Again, Marinette is the one to bring up how Kitty Section was cheated. Marinette and Ivan. And again, Luka was focused on how Marinette was cheated. This episode could have been a great way to flesh out Luka, to show his dedication to his band and his furious desire to protect his loved ones, but it ends up being just a whole 22 minutes of him revolving around Marinette. This is literally the episode of him being The Perfect Boyfriend, for people to project their ideals onto and squee about how he’s so perfect and romantic for Marinette. Leaving out that Adrien and, arguably, Chat haven’t needed flowery speeches and a laser focus on only Marinette/Ladybug to win her heart, and she constantly goes back to him whereas, like I mentioned in my last post about Luka, she seems to kind of just…blush and then move on from Luka’s confession.

Now let’s compare the scene before Kagami’s akumatisation and bold her focus:

Kagami: (She sighs in defeat, then walks up to Adrien, offering her hand for a shake, which Adrien takes. Kagami calmly walks out of the room.)

Adrien: I’m going to offer him a decisive match. (He goes running after Kagami, grabbing her saber from the ground as he goes. Kagami is about to get into her car when Adrien catches up to her) Hey! Wait! Your saber!

(Kagami throws her glove into the car and removes her helmet, turning to look at Adrien expectantly. As she does so, Marinette runs up to the school entrance.)

Adrien: (Momentarily stunned by her appearance.) Let’s do a… decisive match? (As he speaks, he notices Kagami’s ring.)

Kagami: What’s the point? You won. There’s no such thing as a second chance in my family. Goodbye. (She gets into her car, which drives off.)

Kagami’s mother’s: (Voicemail) I’m not available at the moment. Leave a message. (Beep!)

Kagami: Mother, you thought I was good enough, but… I lost. I won’t be joining the D'Argencourt Academy. (she hangs up and sits back in her seat. The akuma flies into her ring.)

Hawk Moth: Riposte! I am Hawk Moth. I’m giving you a second chance to prove that you are the best fencer of all, but in return, you must bring me Ladybug and Chat Noir’s Miraculous.

Kagami: On my honor, Hawk Moth, I shall be victorious! (She transforms into Riposte, slicing open a new sun roof into her car and leaving.)

(’Riposte’)

Even the locations of the akumas give that little extra boost of characterisation. Kagami’s is in her ring, showing the audience that her drive is to be the best and make the Tsurugi family proud and she and her mother don’t tolerate failure, because they stake their honour on success. Luka’s is in the mask that Marinette made, which just shows that…he’s angry because Marinette was wronged. And yes, Hawkmoth’s speech includes the line of “The anger of a creator whose work has been stolen” but considering that every bit of Luka’s anger up to this point has been focused on Marinette, it just…rings hollow. The Lukanette stans noticed this too, but they took it as a positive and used it to shout about how much Luka loved Marinette and how sweet it was that she was the reason he was akumatised - and believe me, I used to be there, I’ve seen it.

And yes, I know that ‘Oni-Chan’ exists. I know that Kagami’s reason for akumatisation revolved around Adrien and that her akumatised object was the rose that he gave her. But I’m focusing on debut akumas and even then, it shows that there’s a jealous, possessive side to her. It works with her previous appearances to round her out, to show that she’s driven and ambitious but also jealous and possessive. ‘Ikari Gozen’ takes this even further and shows that she’s awkward and wants to make friends but doesn’t know how to interact with other people, and it furthers her focus on honour and worthiness and shows that she ties her self-worth with her success:

Hawk Moth: How tragic it is to feel unloved. Alone, deprived of friendship. (turns a butterfly into an akuma) Fly away, my little akuma, and evilise her!

Kagami: I guess I’m not worthy of our friendship; our bloodtypes must be too incompatible.

(’Ikari Gozen’)

Although each episode that she’s in does feel like a totally different portrayal of her, and a lot of criticism/dislike for her came from how she felt all over the place, they’ve also come back together to tie her together as a multifaceted character: someone who’s ambitious and must be the best (’Riposte’), who sees romance as a competition like she does fencing (the whole “change your target” to Adrien and “I never hesitate” to Marinette in ‘Frozer’ and her admission that she has to win Adrien’s heart in ‘Heart Hunter’) - which further adds to her lack of ability to navigate social situations that’s expanded upon in ‘Ikari Gozen’, an episode that also emphasises her fatal flaw of never hesitating. Yes, she’s right to say that hesitation can cost you, but this episode shows that some hesitation is necessary, and jumping into things without thinking and expecting everyone else to do so will definitely lead to some stumbles.

Every time Luka’s on the screen, I don’t really learn anything new about him. All I know is that he’s romantic and likes Marinette and only gets angry on behalf of his loved ones. His first meeting with Marinette focused on how he found her cute and how she was flustered, whereas Kagami’s first meeting with Adrien wasn’t focused on the Adrigami ship outside of Adrien’s Pink Bubble Love Stupor. And first meetings tend to set the tone of how characters are going to interact. Marinette/Adrien and Marinette/Kagami’s first meetings focused on misjudgement and how someone’s impression of another person isn’t necessarily correct, and we see this with how Marinette goes gaga over Adrien and has her moments of seeing him as a perfect Greek god (which isn’t to say that she worships him like a fangirl, but rather that her crush is acting as major rose-tinted glasses) and how she blows Kagami up as an evil villain in her mind until she pops her own bubble and makes herself see Kagami as another person instead of an evil rival. And Ladybug/Chat Noir’s first meeting focused on having to build a partnership on the spot and showed how Chat didn’t fall for her until after she’d stood up to Hawkmoth and declared that they would protect Paris. But Marinette/Luka’s first meeting shows that Marinette gets flustered around pretty boys and Luka just…up and decided that he liked her. It shows that Luka’s focus is going to be Marinette and that’s it.

I’ll cut Luka a little slack and admit that yes, ‘Desperada’ did have him become Viperion because “Desperada attacked my friends and my family”, just as Kagami became Ryuuko to save her mother, and this scene wasn’t specifically focused on how Marinette and only Marinette might have been affected. But the starting scene of the episode once more shows us something else about Kagami - that she’s got a mischievous side and is starting to be rebellious and sneak around behind Tomoe’s back - while showing us nothing about Luka except that he’s…got a crush on Marinette, which appears to be reciprocated, and that he’s good at guitar. Which we already knew.

Marinette: You’re so talented, Luka. How long have you been playing for?

Luka: Since I was in diapers. (strums guitar)(Marinette giggles.)

Alix: I get the feeling Marinette likes Luka a lot.

Alix: Your father let you out?!

Adrien: We’re officially at fencing practice right now, but - oh, no, Kagami. Isn’t this the wrong address?

Kagami: Oh, dear, I think you’re right.(Adrien and Kagami chuckle.)

(’Desperada’)

Even the ending scenes of Luka and Kagami’s debut episodes set the tone for them. In Luka’s debut of ‘Captain Hardrock’, the ending is focused on his role as Marinette’s new love interest and as a rival of Adrien’s, even if they don’t actually see each other as rivals.

Adrien: Thanks, uh…

Luka: Luka.

Adrien: Thanks, Luka.

Alya: (To Marinette): Is the compass going crazy?

(’Captain Hardrock’)

On the other hand, Kagami’s debut episode ending focuses on how she craves friends and would love to get to know a friend of Adrien’s, along with her competitiveness and desire to win in a now-friendly rivalry that grows into a friendship and then romance, rather than love at first sight. Just like the meetings between Marinette/Adrien and Ladybug/Chat Noir, it sets the scene and promises more to come, rather than laying all the cards on the table and basically just stating “yeah, this character’s just gonna be a love interest and just be chill and co-exist with their love rival” like the Marinette/Luka and Adrien/Luka ones do.

Adrien: Please, take it. (He again holds out Kagami’s saber to her.)

Kagami: (She glances between Adrien and her saber for a moment before taking it back) I’ll be happy to get to know your friend Marinette! (She and Adrien bow to each other. She and Adrien look at each other for a moment before Adrien holds out his hand.)

Adrien: My name’s Adrien. What’s yours?

Kagami: Kagami. (She takes Adrien’s proffered hand and shakes it, then walks to her car. She looks back at Adrien.) Get ready for that decisive match!

Adrien: I can’t wait, Kagami.

So basically, to give him depth, I wouldn’t focus so much on his guitar. I’d maybe show someone getting annoyed that he defaults to his guitar, because we got one line in ‘Captain Hardrock’ that he finds it easier to speak through music but it doesn’t really flesh him out since no one else comments on it or gets annoyed by it. It’s a trait that’s got nothing else to work off, whereas Kagami’s awkward attempts to socialise with Marinette and her abrasive manner clash with Marinette’s misconceptions of her and create that scene in ‘Ikari Gozen’ where Marinette realises that she’s treated Kagami awfully and Kagami said that she wasn’t worthy of Marinette’s friendship. Like Luka’s guitar, Kagami’s awkwardness and bluntness aren’t inherently a flaw, but they act as one in certain circumstances and end up fleshing her out just that little bit more.

I’d focus a little more on his relationships with everyone else. At least with Kagami, we know that she’s awkward and has no friends outside of Adrien (and later Marinette), so it makes sense that she wouldn’t have very many other relationships. We’ve even seen her relationship with her mother and how her few friendships - Adrien and Marinette - are influencing her to change and become more rebellious, such as the escape scene in ‘Heart Hunter’. I’m not counting Instagram posts, otherwise I’d point out Kagami spending time with Marinette’s friends as well and bonding with them as more evidence. But Luka’s part of a band and canonically hangs out with Marinette and her friends, so to break him free of just being a satellite love interest to orbit around Marinette, just show him interacting with others independent of Marinette. Show more of him being a big brother to Juleka; show how he interacts with Rose, as Juleka’s best friend; show the relationship between him and his mother, because they seem to be more like house(boat)mates at this point, and Anarka and Tomoe have had roughly the same amount of screen time, especially with their kids.

I’d also make him a little more of a rival to Adrien. He doesn’t have to be mean and antagonistic like how the Marinette/Kagami rivalry started - a rivalry doesn’t necessarily have to be negative - but he does have to show some reaction to losing Marinette to Adrien. All he ever does is push her into Adrien’s arms, which is all well and good to show how selfless he is, but he’s never visibly upset. His smile never wavers. He never shows any sign of being upset at losing the girl he supposedly loves to someone else; he’s basically just The Perfect Boyfriend who’s willing to let Marinette go if it means her happiness with no hurt feelings on his part, and the only force of rivalry that he exerts on Adrien is just making Adrien think that Marinette’s into him and therefore isn’t available, which isn’t even anything that Luka himself does, so I can’t even give that credit to him. He just…exists. While Marinette pushes Adrien and Kagami together for Adrien’s happiness, she shows outward signs of distress. She still gets jealous even though this is a decision she made. She’s sad over it. She’s human. But Luka? You could probably replace him with a pot plant and nothing would change.

#miraculous ladybug #ml analysis #luka couffaine #luka salt #anti lukanette #anti-lukanette #ask #aotq babbles #if only this essay was for university #I got it done in like an hour flat lmao

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yume-fanfare · 4 years ago

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hi i am that anon from like 29th Dec (last dang year) who said i read ur tsuki no hime and loved it and that u understand Aizou. i have read more of ur stuff since then and now i NEED to ask you for writing advice, on both characterization and general writing tips since I didnt mention it before. Sorry about that! i just forgot i sent an ask and i do not get notifs at all (or does anon asks not get notifs?) Also, ART STUDENT! That's why the nice art and art leaning!! I feel smart for sensing it

oh yup, tumblr doesn't send notifs for anon asks! but i'm glad you did see the answer anyway

this post is hideously long, so answer under the cut!

so, on characterization: it is mostly a matter of what would they say, rather than what you want them to say. the joke about "the characters do what they want to" instead of what the writer wants is pretty much true if you want them to be in character lol (that's why sometimes a little bit of OoC isn't too bad)

checking the source material is the most important thing: look at prior similar interactions the characters have had and how they reacted

this is kind of hard with LIPxLIP, as there aren't that many translated texts about them but with honeyworks the most canon and reliable thing to use as reference are the mvs. the mvs are drawn in a way that can pretty much be understood even if you don't have the lyrics, and sometimes it's even better if you can't read them, to properly focus on the images better

look at their expressions closely: while aizou is always explosive in his anger, yuujirou often has a more indifferent expression. so, when they fight, aizou is probably the one to blow up first while yuujirou maintains his composure better. it's kind of the classic "this was only a brief passing panel but i am going to expand on it" www

but the thing about fanfiction is that it's always a bit of a character analysis in itself. you don't start writing having already a color-coded folder of possible situations and reactions a character would have for each setting. you just throw the characters in a scenario and then think from there onwards, and eventually you'll be able to have the folder of situations and what you think their reactions would be like. (though, this links back to the prior point, if the characters have gone through a similar situation in canon, use that as guide! plus, finding little references to canon when reading is always fun)

for general writing, i'm going to mostly talk about my own experiences and process! i'm in no way a professional though

the basic is reading a lot. not just books but also fanfic. in fact, since you're writing fanfic, i Encourage you to read fanfic. even if your story ends up novel length, the way of treating the story is different from that of an actual novel. for example, because you're working under the premise that everyone knows the characters already. the general style of fics is different as well.

in fact, the style is the main reason i'm saying this slfkslfkslkf

read a lot of stuff and find a style you like. think of it as sewing together pieces from here and there to make a frankenstein amalgamation: this person's metaphors, the comparisons from here, the descriptions from there

personally, i adore the "long one-shot with a long title formatted (like this)" fics that are mostly feelings and descriptions and as little dialogue as possible, and some that occasionally play with the "show don't tell" rule, and some months ago i read a book whose descriptions amazed me because you could feel what the character was focusing on the most, rather than being general descriptions of the situation (i actually have a lot of thoughts about descriptions but that's a post for another day). but also i really like dialogue and plot-driven stories, descriptions can get boring and before trying to break rules, you have to be really good at following them

but, let's go step by step: developing an idea

for this i'm going to mostly reference the multichap i finished a while ago as an example

i started with just a few vague concepts in mind: non-idol au with aizou who does some sport and likes music but is insecure about his singing and yuujirou who does some music related thing and encourages him to sing in a way that's somehow related to the hozier song to noisemaking (sing), because it's what inspired me to write in the first place

then, from then onwards i wrote down what would happen in the first chapter of the story bullet-point-list-style, including things like the roommates part or the clubs the boys were in (at first yuujirou was in the choir club lol the change was a last second decision that idk why i took) and then bits of dialogue here and there that would be The Turning Points. those first dialogues were for the fight at the end of ch 1, the apology-date in ch 3 and then some vaguely unused ones for the "yuujirou encourages aizou" part, as those were the first key moments i thought of

because, since it's enemies to friends to lovers, an important aspect was character development

not all fics have character development bc not all of them are long enough (if you're aiming for short and sweet then there's no need). but if they do, i recommend you write down how the character was at the beginning of the story and then how they were at the end and then fill in the middle later, think of what those key turning points that made the character change were (the more little things you add, the more gradual it'll be)

samishigariya illustrates this very nicely: the song starts and finishes with the same lines, but the ending ones feel more light-hearted. the beginning has pre-arisa ken and pre-getting-along-with-yuujirou aizou, when they were the lonely people the title mentioned, and the ending, when they're not lonely anymore. the in between can be seen in depth during the other songs: ken before arisa was a playboy who didn't take love seriously, but after meeting her he realized that games were not all there was to love; and aizou used to be quite cranky and high-key a loner, but then he "meets precious things and knows of love". i will not elaborate on that because this isn't an aiyuu post but Oh You Know

for the fic, aizou would go through that same process, more or less: someone who doesn't really form meaningful connections with people but who, in the end, would end up having quite a bunch of people who care about him as his relationship with yuujirou advances too

since the relationship was the main focus, i wrote a very simple outline for how it would develop throughout 5 hypothetical chapters that was just: 1. civil w each other but mostly bad > 2. bad > 3. half friends > 4. pining > 5. date

and then with that in mind and the bullet point list, the final basic outline ended up like this:

there were scraped ideas and ideas that made it in later, but i believe having a simple outline, a bare skeleton to add things to, is important. stories need continuity, development requires a prior buildup

it's especially important in multichapter fics where you post as you write, you need to have a more or less clear idea of what's going to happen because you can't ignore scenes you've already posted

shorter stories don't need it as much, you can think as you go, but it's still helpful to know where you're going with things to avoid getting stuck

and, on getting stuck: don't be afraid of deleting things. if you can't figure out how to continue things, then delete the situation and start again. it might feel like you'd be wasting time but in the end, it is so much better than being stuck on the same scene for weeks

in fact, you don't have to write in order. jump to the next scene and you'll figure it out later. you Can write the scene you want to write and then build everything else around it

it's normal to write a scene and then realize it would make more sense later in the story, or that it would be better if you added another scene earlier, or sometimes you just find it easier to jump from one part of the story to another. rely on your outline to keep track of what you've written, what you have left to write and what's the best way to arrange your story. make your story understandable

which bring us to editing

there's a lot of much better posts on editing stories, but yeah ctrl+f is your best friend: don't repeat yourself too much. and be sure to vary sentence and paragraph length, as well as sentence structure, to give dynamism to the writing

now, i've mentioned before the show, don't tell rule, but i'm going to talk a bit more about it because it's quite important

once again there's a lot of posts that explain more in depth what it is, so i'm not going to expand too much on that, but, very basically, try to avoid things like "then some time passed and they became friends". explain it: what happened exactly? how did they become friends? if it's important, show it to us, instead of summarizing

since things like these make the story longer, it also gives room for more development and proper explanation for things that happen

for example, the fic was originally going to start with them already in the room, and the whole situation would have been explained in a single paragraph somewhere, but by actually adding the scene where they first arrive to the dorms and argue with the lady at the main desk, the story flows better and it let me actually describe their first meeting

and uuuhhh i think that's all? this took super long to write i hope i didn't forget any super basic stuff lol

i want to add that for enemies to lovers i greatly recommend this post bc it's super good but yeah i think that's basically it, if you have any more specific questions just shoot me an ask

#god this is so long #how should i tag this #tutorials #i guess #anonymous #preguntas

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themurphyzone · 5 years ago

Text

104 Words for 104 Days: Cook

Enjoy!

The roof of Vanessa’s bedroom was ripped off by her overzealous robot brother at six on a Saturday morning. Saturdays were meant for sleeping in, but apparently her dad’s habit of waking up at some forsaken hour to scheme had rubbed off on Norm.

“WAKEY WAKEY CHOCOLATE CAKEY!” Norm cheered, in the closest imitation to cheering that his voice chip would ever produce. “GOOD MORNING, SIS!”

Vanessa rolled over, burying her face into a pillow. If she ignored him, he’d go away once he got bored.

“WHAT A BEAUTIFUL DAY TO MAKE BREAKFAST IN BED FOR OUR DAD!”

She seriously needed to invest in noise-cancelling earmuffs.

“Father’s Day was last month, Norm,” Vanessa mumbled into her pillow. “Or two months ago. I don’t know, the dates all blend in summer and I don’t feel like getting up to find a calendar.”

“WOULD YOU LIKE TO SEE MY PUPPY DOG EYES? I’VE BEEN PRACTICING SO I CAN GET DAD TO PLAY CATCH WITH ME!”

Vanessa jolted awake. She’d seen Norm cry motor oil once while trying the puppy dog technique, and it was very messy business. She had no wish to repeat that incident ever again.

“I’m up!” she snapped, leaping out of bed and snatching her hairbrush off the nightstand. “Put the roof back, let me get dressed, don’t leak motor oil into my room, and maybe I’ll consider helping you!”

“I’LL BE OUTSIDE!” Norm chirped.

Vanessa buried her face into her hands. She wondered how Candace managed to survive being an older sister.

O – O – O – O – O

By some stroke of luck, her mom was on an overnight camping trip for the weekend without wifi, saving Vanessa from any awkward explanations.

Apparently Norm had spent the past few days collecting ingredients, since the storage closet was almost bursting with flour, sugar, salt, and baking powder. The refrigerator was full of blueberries and butter.

She wasn’t sure if Heinz was aware that his living space had essentially been converted into a bakery, or if he was taking advantage of the ingredients and scheming to create a recipe for evil blueberry muffins.

“I DID ALL MY CALCULATIONS, AND THE PROJECTED TOTAL IS SIX HUNDRED BLUEBERRY MUFFINS,” Norm said. “PLEASE HELP ME BRING THESE INGREDIENTS TO THE KITCHEN SO WE CAN GET STARTED.”

He handed her a recipe page and chef’s hat, then gathered a shelf’s worth of items before heading to the kitchen. Sighing, Vanessa grabbed a bag of flour and trudged after him.

“Try not to burn down the kitchen,” Vanessa warned as she dumped a cupful of sugar into a mixing bowl. “Explosions are Dad’s thing.”

“DON’T WORRY, SIS. I’VE LEARNED FROM DAD’S MISTAKES. I KNOW EFFECTIVE WAYS TO BRING THE TRI-STATE AREA TO ITS KNEES AND HOW TO APOLOGIZE TO PLATYPI WHEN YOU ACCIDENTALLY CHEAT ON THEM WITH A PANDA BEAR.”

“I don’t consider that a strange sentence,” Vanessa admitted. “Should I be concerned?”

“NOPE.”

“You’re right. Probably not worth it.”

Norm’s fingers retracted, an assortment of measuring spoons replacing them. He dug the spoons into the baking powder, tossing it into the large bowl that was too high for Vanessa to reach. When he was finished, Vanessa grabbed her own spoon and added the baking powder to her own bowl, which was thankfully sized for a normal human.

“Hey, this thing’s jammed again! That’s it, I’m swearing vengeance against locks! And locksmiths to an extent too, but mostly the locking mechanisms themselves!”

A banging noise persisted in the background, and Vanessa was tempted to keep it there so she didn’t fall asleep on the spot.

“PLEASE IGNORE THAT. THAT WAS…MY…MIXTAPE. I FORGOT TO TURN IT OFF,” Norm said, intently stirring the contents of his bowl.

Vanessa rolled her eyes. “Sure, Dad swearing revenge against an oddly specific object just happens to be on your mixtape. You locked him in his room last night, didn’t you?”

“NOOO?” Norm replied, drawling the syllable for way too long.

“You’re a terrible liar, Norm,” Vanessa said, handing her finished bowl to Norm and starting over with another one. “Do you want me to teach you how to lie properly? You might not have to use that skill around Dad, but it’ll come in handy if you need to lie to anyone else.”

“ALRIGHT. I’LL JUST LIE TO PERRY THE PLATYPUS.”

“No. Do NOT lie to Perry the Platypus. He will give you his ‘I am so disappointed in you’ glare and look like one of those really sad animals on an ASPCA commercial at the same time. I was on the receiving end of that once after I lied about a date, and I felt like I kicked a million puppies for a week afterwards. It’s not a fun experience.”

It took forty minutes to get all the dry ingredients into the bowl and gather the remaining items, but Norm was surprisingly fun to talk to during the monotonous work. It wasn’t like talking with her mom, who was one of the few adults she respected, or her dad, who talked more than he listened. Perry gave good advice, but he could be a brick wall on occasion. She had to project an air of apathy and rebellion with her peer group, and she had to be careful about what she said around Monty.

Norm was surprisingly insightful, and even witty with his own sarcastic quips. Despite admiring Heinz and wanting his approval, he wasn’t blind to the man’s flaws either. He just didn’t have the experience in handling him yet.

And Vanessa didn’t mind giving a few pointers.

“I know I complain a lot about Dad, but I care about him too,” Vanessa said. “He spent nearly a decade searching for a discontinued doll that I wanted as a kid. He didn’t have to. It was just one of those heavily marketed toys for the holiday season, and I was never upset about not getting it. I moved on after a while. But Dad never forgot that conversation. That’s the thing about him. He might be dense as a rock to what you actually want, but he’ll jump at any opportunity to give you what he thinks you want. Sometimes it works, sometimes it can be infuriating.”

Norm was silent for a while. Then he replaced his spoons with fingers and grabbed several boxes of blueberries from the fridge. “USING YOUR ADVICE, I THINK I’LL SIT HIM DOWN FOR A TALK AND EXPLAIN WHAT I WANT FROM HIM SO HE DOESN’T HAVE TO GUESS.”

“Best idea I’ve heard from you all day,” Vanessa said. “And if he tries to bail out, get Perry to sit on him.”

Norm laughed and moved onto the eggs, preparing to drop the entire carton into the mix.

“Norm, you’d better fold in the blueberries,” Vanessa said, quickly stopping him before anything inedible could ruin the mixture. She grabbed a clean bowl and expertly cracked several eggs, tossing the eggshells into a plastic bag. “I agree with Dad on how humans don’t eat eggshells or cartons.”

“YOU AGREE WITH DAD?”

“Yeah, I know. Put it on the record.”

Fifty eggs and seventy-five boxes of blueberries later, Norm’s built-in mixers made short work of the batter. Soon it was golden and thick, ready to be ladled into the muffin trays for baking. Still, Vanessa felt like they were missing something.

There was an unused container of sugar almost as long as her arm sitting on the counter. With such a large amount of ingredients, it was easy to miss one.

“Norm, we forgot about that sugar container,” Vanessa said.

Norm unscrewed the lid and dumped the white grains into the mix, giving it several quick stirs with his spoons. When he was finished, he started ladling the mix into each hole on the muffin tray. Vanessa hadn’t realized they owned so many muffin trays, or that the oven could hold eight at a time, or that Norm could transfer heat from his systems to make them bake faster.

Norm even understood basic safety and poured his undivided attention on the muffins, making sure none of them burned or set off the smoke detectors. It was good to know someone in the penthouse had enough sense to observe safe electrical practices.

Confident that Norm could take care of the kitchen by himself, Vanessa went to the bathroom to wash the sugar and eggs off her hands. When she came out, she found a very sheepish Perry handing a generous portion of his salary to her dad, who was nursing a black eye and bruised hand.

“-so next time, warn a guy before you knock down their door! The key was literally on the peg! You could’ve just grabbed that!” Heinz scolded, holding a bag of frozen peas to his eye. Then surprise overtook the scowl when he spotted Vanessa, and the toothy grin looked pretty ridiculous with half his face covered by frozen veggies. “Morning, Vanessa. What are you doing here? I thought you’d be sleeping in at Charlene’s like a normal teen.”

Vanessa shrugged. “Normal teens don’t have robot brothers who destroy roofs at six on a Saturday morning. Hey, Perry. I didn’t think you’d be here this early.”

Perry tilted his fedora to her.

“I sent a distress signal to OWCA since I was locked in my bedroom. And then a certain agent who I won’t name decided to knock my door off its hinges while I was leaning against it,” Heinz muttered. “In addition to teaching robots certain bad habits like breaking people’s homes. I told you he’d be influenced by your dynamic entrances!”

Offended, Perry pointed accusingly at Heinz.

“Well, it’s not my side he gets it from!”

Heinz stood up, discarding the frozen peas on the couch. Perry got into a fighting stance, but before either of them could start brawling, Norm strolled into the living room, cheerily humming the Muffin Man song as he set a tray of blueberry muffins on the coffee table.

“GOOD MORNING, DAD! GOOD MORNING, PERRY THE PLATYPUS!” Norm said. “VANESSA AND I MADE BLUEBERRY MUFFINS FOR YOUR ENJOYMENT!”

“I’m not done with you, Perry the Platypus,” Heinz said, his eyes lighting up at the sight of the tray. “But we’ll continue this after muffins.”

He nearly swallowed a blueberry muffin whole, then his eyes widened. He rushed to the kitchen, coughing and sputtering all the way as he hurriedly gulped down a glass of water.

Vanessa and Perry sampled a small piece, grimacing as the saltiness exploded across their tongues. And to think Heinz actually survived after eating a whole muffin.

“ANALYSIS SHOWED THAT THE LAST CONTAINER WAS SALT, NOT SUGAR,” Norm said, projecting a holographic image of a chemical formula.

“You couldn’t have said that before we used it?” Vanessa sighed.

“FORGIVE ME. MY OBSESSION WITH IMPRESSING DAD TENDS TO OVERTAKE MY RATIONAL THOUGHTS.”

“At least you’re self-aware,” Vanessa muttered.

“You made how many of these things?” Heinz asked incredulously, taking note of just how much flour, salt, batter, and leftover muffins coated his kitchen. “Alright, do you know how weird it is that this place is a mess and for once I’m not the culprit behind it? I’ve heard of role reversal, but that’s just weird.”

Vanessa agreed as she broke out the cleaning supplies. “So, clean up and blueberry muffins at the café?”

“DO I GET TO TRY COFFEE?”

“No!” Heinz said, pulling on a pair of gloves. “Your systems are for making good muffins and assisting me in evil, not for caffeine.”

Perry and Vanessa shared a knowing smile when Heinz wasn’t looking. It was progress.

“Dad, you can go scheme or something if you want,” Vanessa said. “Norm and I can clean. It’s our mess.”

Heinz shrugged, continuing to scrub at a stubborn crack where flour had settled. “I know, but you and Norm and Perry the Platypus are always helping me clean my messes. I want to return the favor.”

“Thanks, Dad,” Vanessa smiled.

“Anytime, sweetie.”

Courtesy of Perry, a new photo was displayed on the mantle within a week. Heinz was covered head to toe in flour after a mishap with a leftover bag, Norm was rebooting after his squirrel escaped from its wheel and wreaked further havoc, and Vanessa was trying to do damage control around the sink area.

It was the best photo she’d ever seen of her family.

#phineas and ferb #vanessa doofenshmirtz #norm the robot #heinz doofenshmirtz #perry the platypus #fanfiction #104 words for 104 days

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kinetic-elaboration · 4 years ago

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October 30: 1x21 The Return of the Archons

Took a break from Halloween-ing to watch TOS with my mom. Today’s ep, the rather lackluster Return of the Archons.

A very in media res beginning! Unsurprisingly since a lot of the drama of this episode hangs on the audience not knowing the whole story.

Sulu is looking damn fine. These weird outfits really do it for him.

Maybe O’Neill had the right idea in running instead of waiting for the transporter. (Or maybe not, seeing as we later find out they caught him too.)

Look at the heels on their boots lol. I always forget about that.

Today’s official adventure: looking for the missing ship Archon.

“Sulu’s mysterious condition requires that I, the Captain, collect all of the most important people on board the ship and beam down into a planet we already know to be full of dangers.”

“Materialization completed.” Uh good to know Kirk.

Why is Spock wearing that dramatic-ass cloak? (I know it’s because he needs a hood to cover his ears but he still looks very much not of a piece.)

Whereas McCoy looks like a down-home Georgia gentleman. He looks like he’s returned to his natural habitat.

I bet these are the sort of outfits AOS Kirk wished he was wearing when he was sighing wearily at his closet filled with uniforms.

I love that this planet is clearly the set of a Western. Or... Maybury. Or also Miri.

Not only did The 100 steal S3 from this episode, it also stole the Red Sun from it, didn’t it?

They keep saying they came for the festival and yet it is VERY clear they don’t know what the festival is. This disguise is not working.

It got dark damn fast. They’re outside, it’s almost 12--one would assume that’s 12 noon--and then they go inside, talk for about 3 minutes, go to another room, and it’s pitch black out!

Is this like The Purge? (I asked myself this while we were watching and--spoiler alert!--it is! The Purge was based, perhaps subconsciously, on this ep.)

Kirk looks very handsome in this ep. Like whoever directed it looks like he’s in love with him.

“Crewmen, here are your various assignments... Mr. Spock... come with me, somewhere private. To talk.”

Spock sleeping with his eyes open. (Meditating, my mom says.)

Oh look, it’s the secret police, in their brown robes.

Landru doesn’t seem too gentle lmao. “No dissent is allowed. You will be absorbed.” Randomly killing that guy who kinda said “maybe, uh, the festival...isn’t great??”

Kirk makes one comment about how everyone’s slow on the uptake here, and slow to respond to questions and denials, and Spock goes heart eyes. “Captain, how are you so smart and logical?”

“Fascinating, this is merely a hollow tube, Captain.” And uh I guess we’re never going to explain how that hollow tube kills people then?

They’re communing...

Love that Spock points out that the people are being communicated with through telepathy. Though... I remain sightly perplexed how the computer can do that. The next stage in Apple computing I guess.

Why isn’t Reger affected by all this? Like they imply that some people are spared the “festival” festivities because of their age, but that doesn’t seem to explain why he’s not “of the body.” Like being of the body isn’t a choice that people make, you’re ether absorbed or you’re not. They say later that he’s immune--but that in itself requires explanation. Like idk it seems a major plot hole that there can even be a resistance when the computer has controlled the society for thousands of years.

So I guess the backstory on the Archon ship is that they were all either absorbed or killed when they objected to the computer and its creepiness.

I do think the little hints that the society used to be way more advanced are intriguing.

“What should we do about this body that’s going to act as a tracking beacon right to us?” / “Uh, knock him out again.”

This planet is so peaceful.. no war or crime... except for people occasionally beating and raping each other nbd.

Was that Starfleet Officer really just going to shoot that projection? Not the best and the brightest being recruited nowadays I guess.

“The creature called Landru.”

“Enough analysis.” Spock always wants to talk through the whole backstory of the weird situations they’re in, while Kirk is a man of action!

Bones is really not being used to full capacity in this ep. He’s just kinda there in the background, until he’s absorbed.

Spock is very concerned about what will happen to the Captain, but also kind of... skeptical about this whole thing. For someone in control of his emotions he exhibits a lot of emotions imo.

“Happy communing!” Just gonna say this all the time now.

Time for another mind meld. So casual about it now.

Spock’s face during Kirk’s Landru-imitating speech is HILARIOUS. That eyebrow! The eye roll! I really think he’s amused by all of this.

He’s not very good at pretending to be absorbed. He sees Jim and he’s immediately like “Captain...!” all normal like.

“The peace of the factory, the tranquility of the machine.”

“You’re thinking the same thing I am. Mr. Spock... I love you.”

It’s pretty awesome that the same ep that introduces the Prime Directive also immediately finds Kirk forming loopholes in it. “We’re not supposed to interfere.... in living, growing cultures, which this isn’t! Moral conundrum solved.”

Spock actually straight up punched a man in the face lol.

Interesting that the communicators work like that--Spock is talking to the Enterprise on his, and Kirk just slides into the conversation on his device, without Spock abandoning his call. I think because they became cell phones irl that I think of them as cells but they’re not. It’s just weird to see them casually used in these totally bonkers ways.

Lol he returned them to a simpler, easier time. I guess you could say Landru made Beta III great again.

So Reger had second thoughts about actually destroying Supreme Leader once it got too real?

Interesting how Landru’s lair is so much more sci-fi-y in aesthetic than the town. Another hint of what the society used to look like.

Spock without the cloak. Damn son.

“We do not intend to die.” That’s a good attitude.

Revealing the Wizard behind the curtain...

“The whole society is a machine’s concept of perfection.”

A man programming himself into an all knowing machine that lives forever really does remind me of Becca and ALIE except with a 60s aesthetic--a large, physical computer rather than an AI.

“The good of the body is the Prime Directive.” Tbh I feel like what this whole ep is saying is that sometimes Prime Directives need to be bent if the reality of the situation doesn’t square with the spirit of the directive.

I love when Kirk destroys computers using Extreme Logic.

That should be a presidential debate question "What have you done to do justice to the full potential of every individual of the body?"

“Well, now that that’s done, we’re going to go. Have fun rebuilding your entire society from nothing. We’ll leave you a single sociologist to help out.”

So Mr. Sulu is back to normal, and he immediately returns to the bridge to give a little, goofy sitcom smile-and-shrug and kick some random extra outta his chair.

Why do they assume Landru was a good guy lol? I mean he solved their extreme violence problem but he instituted a plenty of other problems instead. Also he was clearly a megalomaniac.

This society’s backstory sounds an awful lot like pre-reform Vulcan. Maybe they should just send a Vulcan to teach them Surak’s ways.

Honestly they were left alone for like an hour and had a handful of fist fights. I think they really were a very violent people! Maybe destroying the dictator-computer was a bad idea!

I find it very odd that the whole festival thing was never actually explained. I guess it must have been a purge idea--that because they are so naturally violent and terrible aliens, they need to let off that steam in some way every now and again, and they do this through a “festival” of no-holds-barred violence. Still kinda wish they’d explicitly circled back on that in some way though.

I think the most interesting part of this episode was the planet’s back story. Kirk acts in the end as if they were basically human, but they’re not. Also, I got the impression that Landru convinced people to follow him first, and then only when he died, set himself up as an eternal God/Computer. So he must have been a very interesting, charismatic person. And that one of his ideas was to return to a “simpler time” in everything from dress to architecture, as if that had any real correlation with levels of violence is... fascinating. Was that the hook that he hung his reform on?

Overall, as I said, not a super strong S1 episode, but not bad at all. Next week is Space Seed, a classic episode that unfortunately was absolutely wrung dry by too many repeats over the course of the franchise. (...Yes I am referring specifically to STID obviously.) Still that shouldn’t take away from the brilliance of the original!

#star trek tos #the year 2020 #2020: fandom thoughts #2020: star trek

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btsandvmin · 5 years ago

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Yo i luv your answers I hope you stay more active :) btw do you think there's a big reason that vm don't do Vlives together anymore i mean we all know what happened in RM's and Yeontan Vlive they are so flirty then before imagine if third person (Yeontan nd Rm) weren't there, there is this awkward atmosphere between them tbh when i look at them talking to each other now it makes me shy i feel like a third wheel do u think that's the reason y Tae said he won't do a live with JM he knows that too?

Thank you! I am glad you like my answers, I too have a lot of fun trying to answer all your great questions. I wish I could be more active, but you know… life. ^^’’

As for your question I have touched upon this subject many times, and yes I personallythink there could be a reason behind Vmin not doing Vlives together anymore.

As you say they tend to relax and forget the people (and the camera) when they are together, and I think they are both aware of this, and thus tries to avoid it. I think they constantly have to hold back, and that makes things awkward especially when they are live and can’t edit the clip. One examplefrom the Yeontan Vlive is how Jimin leaves, but he says “If…” but stops himself. Why does he stop himself, feeling the need to be discreet when the live is on? Though I might be reading too much into it, it just feels a bit private.

Taehyung answers with “I’ll call you if I need you” and Jimin goes to hang out with their producer. Jimin is there waiting for Taehyung to finish his Vlive, but he doesn’t intend to be in it. He uses the excuse of only being there to “deliver Yeontan”.

Of course he shows up anyways, walking back and forth he comes off as almost restless. And of course when he does interact with Tae it’s basically flirting. So, yes, that Vlive and then one with Namjoon makesit look like they have a hard time keeping themselves in check, and so they rather avoid being together live at all.

I personally have a hard time thinking of any other reason why they wouldn’t that makes sense. Because let’s say that it’s awkward and they avoid Vlives because they are on bad terms or simply feel awkward with each other because they aren’t as close as we think. If things were weird between Vmin for that long, surely either they would have gotten over it by now, or there would be other indicators that they for example weren’t close or had fallen out. But things like Taehyung’s letter, Jimin comforting Tae and many many other examples directly contradict this. So, again, if something changed in Vmin’s relationship that made them stop doing Vlive together, I don’t think it’s something negative.

Maybe I should save this for the proper analysis I want to do, but I really really want to talk about this, so I will anways.

I mean, for me I think the fact that Vmin used to do lives (and other videos, tweets etc.) often but then stopped is kind of odd. They basically had more Vlives together thanalone, and definitely the most out of all the “pairs”. But then they all started doing more solo Vlives, so there is that.

But Vmin didn’t just stop making Vlives like they used to, they also started to “pusheach other away” from Vlives, and that was weirder. Though they kept mentioningeach other a lot.

And then thirdly they keep talking about wanting to do it together or asking each other, and yet they don’t. It almost looks like some weird excuses to me at this point. Because why not just do one together if you keep saying you want to?

This is another topic I plan to make a proper longer analysis for, but in short terms I can say that the last proper full Vlive Vmin had alone together was in march 2016. That was their fourth one with just the two of them, and then they also had some more with other members being there, like the Hope on the street where Tae joined later, or Jimin, Tae, Hobi, and Jungkook in the car etc. In all of them they seem very close and comfortable with each other.

So, maybe they just became more comfortable with doing them solo? But again, as you say I can’t help but speculate if it might be another reason than that behind Vmin stopping doing Vlives. And I say that based on their behavior.

Funnily enough the last Vlive they did had some pretty interesting things in it, despite being so short. It’s the one where Tae strips and pretends to take off his pants in front of Jimin. Now I want you all to remember this was live, and Jimin wasn’t prepared. But, it wasn’t actually fully a candid moment because Taehyung was obviously aware that they were live.

They even say it themselves later.

They also reveal they were likely sharing a room. Which is something I think they did all the time basically. (Another analysis I’m working on.)

Anyways, all the times Vmin did Vlive alone together (and even if they weren’t alone) they were basically extremely touchy and close, basically laying on top of each other in some. They also kept mentioning each other when they did Vlives alone, but then again, after that Vlive they never made one alone again (unless you count the one with Yeontan).

Not I know I might be repeating myself, but the reason I find this odd are because of how they acted in the Vlives after they stopped doing it together. Because looking at the three following Vlives where they interacted, they actually tried to make the other leave. Or if it was in solo vlives they said things like “I asked if V wanted to do it, but he said no.” And sure, maybe they rather wanted to do it alone, but what makes me confused here is that this happened several times. People even speculated if they had issues with eachother because they seemed almost rude with wanting the other person to leave, and it seemed it was mostly just between them and not other members.

Even in Paris last year, where Taehyung says Jimin asked to do it together but Taesaid he wanted to do it alone. And yet Hobi shows up to the Vlive. Or now recently where Taehyung sent a text and apparently Jimin replied saying he wanted to do it, but Taehyung thought JK might not “let him leave”. It just seems weird that they keep coming up with reasons not to do Vlive together. Even if they “ask each other to do it” they end up not for one reason or another.

On top of this we have the few times where they do end up on Vlive together that I also find really interesting. For example the Yeontan Vlive and the Rkive Vlive. Both times they keep being touchy, but they also alternate between trying to avoid each other in different ways. It’s honestly odd to watch. My analysis “Vmin - Push and Pull” mention some of these odd moments in other places as well.

I mean, even when they crashed the JK vlive and everyone kept making it about other ships no one seemed to realize that in it, firstly Vmin showed up together, secondly Jimin mentioned sharing a room with Taehyung despite them usually being alone at this time in their career and then Taehyung even says to Jimin “Let’s go sleep.“

Basically I personally think Vmin’s behavior at Vlives is something rather strange, and the pattern from a lot of Vlive moments seem to be that they try to avoid being on live alone because their behavior or the things they say can sometimes risk revealing too much.

I think that something might have changed in 2016 that made Vmin more careful. It could be the group’s popularity, it could be Big Hit getting involved or they perhaps justdecided to be more careful and private with what they show. I don’t really know why, but it seems something could have changed if we look at all these things together.

I know some people think it might be because of other ships, and maybe it is, but then why would it only affect how Vmin behave with each other? Why would it still affect them, even after several years? And in combination with other things, like how they behave with the Push and Pull or how the other members seem to friendzone them etc. I personally think it’s possible that after Bon Voyage in Scandinavia, and Taehyung’s struggle during Hwarang etc. that Vmin either got closer in a way that changed how they behave and what they want to show. Or they perhaps decided to tell others about it and outside influence made them try to be more careful. I don’t know, but these are two ideas I have as possible explanations.

And again, when I say they got closer it doesn’t have to be a hidden romantic relationship, they can have other reasons for wanting to be more private.

Either way I definitely think there could be one or several reasons behind why Vmin doesn’t really do Vlives together any more. In general they seem to have gotten more private, yet closer, and this narrative fits with how they seem to behave in regards to Vlives as well.

I know some members never have had Vlives together, but Vmin used to do it a lot, and that’s why I think it’s still worth looking into it.

Basically here are the patterns I’ve seen with Vmin that in combination makes me wonder about the reasons why they behave like this and if there is a reason behind them not being on vlive together anymore despite clearly still being very close and having a good relationship.

1. After 2016 they basically stopped being live together alone.

2. Yet they kept mentioning each other a lot, and kept saying they want to do vlives or that they asked the other to do a vlive but got rejected. (I can’t think of any other members rejecting someone to do a vlive with them, not wanting to be on one themselves sure, but not refusing someone that seemingly wants to to be on with them.)

3. They have several times had what looks like excuses for why the other can’t or won’t do a vlive with them. Or excuses why they are on them. Like leaving Yeontan or delivering the phone to make the vlive.

4. They have been with other members alone and then it seems to be fine.

5. The times they have been on vlive together after their last proper one in 2016 they have on many occasions tried to make the other one leave a vlive they are in or pushed each other away (like in the Rkive vlive).

6. When we have seen them in Vlives they seem to shift between being awkward or forgetting there is a camera there.

So, indeed at least personally I think there is something off with Vmin in regards to Vlives. My theory is that they know they can’t fully trust themselves while being on live together where they can’t edit out things and thus it’s easier to simply try and avoid it completely.

Thanks for the ask, and sorry for the jumbled reply. I am currently working on a more proper analysis of this with more examples. I hope you all found this interesting, because at least personally it’s something that I find really fascinating in regards to Vmin’s relationship.

Let me know what you think. Thanks for reading! :)

#vmin #vmin analysis #vmin theory #vmin vlive #btsandvmin #btsandvmin answers #btsandvmin ask #my post

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precuredaily · 5 years ago

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Precure Day 163

Episode: Yes! Precure 5 15 - “Nozomi’s Hustled Help!” Date watched: 6 December 2019 Original air date: 13 May 2007 Screenshots: https://imgur.com/a/Uq68glk Project info and master list of posts: http://tinyurl.com/PCDabout

without the bowl this looks like a very different kind of accident

Nozomi’s mom is feeling under the weather and Nozomi has to take care of her! Except, as you know, Nozomi is pretty clumsy, and everyone is afraid she’ll do more harm than good. It’s a whole episode of slips, spills, shatters, and shakes. Also, Gamao is a lazy fuck. Let’s dig in!

The Plot

Rin and her mother, Kazu, visit Nozomi’s mother, Megumi, at her salon: Espoir Hair & Make (note: “Make” is a Japanese abbreviation for “makeup” and I hate it). Through their chatter we learn that the two mothers were also childhood friends, which is a fun bit of world building. Unfortunately, Megumi is getting a headache, so Kazu advises her to go home early and get some rest. She obliges, and when Nozomi finds out why her mom is home so early, she takes it upon herself to do all the cooking, cleaning, laundry, and other chores for the day while her mom rests. Unfortunately, Nozomi is a klutz and makes a bigger mess, spilling water, breaking glasses, and overloading the washing machine. The commotion makes it hard for Megumi to sleep, and of course she’s worried about her daughter, but Nozomi just tells her to go back to bed and rest!

Over at Natts House, Rin has gotten wind that Nozomi is on the hook for dinner and chores, and worries because she knows how terrible Nozomi is at the basics. The other girls, as well as Coco and Nuts, recount their own experiences of her clumsiness and ineptitude, and come to the conclusion that her mother is in danger and they have to go help Nozomi before she burns the place down. However, they’re compelled by the power of PLOT to go to the grocery store first, and Kazu shows up at the Yumehara residence instead. She sees the mess and gently offers to help Nozomi clean up and prepare some warm food for her mother, which she had been trying to do. She commends Nozomi for her effort, saying that her mother would be proud. Now that she’s cheered up, Nozomi needs some eggs for the porridge she wants to make, so it’s off to the grocery store for her as well.

What none of the girls know is that Gamao has taken up a job at this grocery store. As usual, he is extremely lazy and belligerent, so when he sees the girls walking around he seizes his opportunity to try to steal the Dream Collet and leverage his way back into Nightmare by turning a cash register into a Kowaina and wrecking the store. The girls fight back, and Gamao gives them some grief about how he’ll totally leave them alone if they just give him the Dream Collet. Naturally they do not, and Nozomi yells about how she needs to get home to see her mom. They defeat the Kowaina, Gamao flees and apparently abandons his job again, and order is restored. While the girls are out, Kazu teases Megumi that Nozomi is actually more competent than she was at that age, and Megumi begs her not to tell that to their daughters.

All five girls follow Nozomi back to her apartment to help out, and introduce themselves to Megumi and Kazu, who thank them for looking out for Nozomi and Rin. Nozomi then assures her mother that everything will be just fine now that they’re all there to help, so just relax and they’ll do all the work.

Well it turns out, Urara, Komachi, and Karen are all equally clueless about what to do, and too many cooks in the kitchen spoil the broth. Urara breaks some dishes, Karen gets eggshells in the egg mix and sees this as fine, Komachi is off in her own world chopping bean jelly, and Rin is pulled five ways to sunday trying to call all of them out, so the porridge burns again. Coco and Nuts start yelling at them, which the mothers hear and rush to investigate. Nozomi tries to assure them everything is fine even as the other girls are yelling from around the corner that it’s burnt. Both mothers nearly faint from exhaustion, exasperation, and bewilderment at the chaos unfolding in this apartment, and that’s how we end.

The Analysis

What a fun episode. It manages to balance out comedy and empathy, a strong suit of this show in particular. The plot is nothing to write home about, so the characters really make this episode, more than in some others. That’s kind of the theme of this part of the show, fleshing out the world and characters so the audience roots for them and cares about them, and I’m not complaining. Due to this, my assessment for this episode is going to focus on the characters and their interactions with each other.

On the one hand, Nozomi is trying her hardest to take care of her mom, and I can’t disrespect that. She’s going above and beyond even if she’s klutzing it up. That’s Nozomi’s strength, she perseveres, even as she messes things up, she never quits. Her dedication to a cause is truly admirable and a good role model for everyone to see. Kazu recognizes this, when she comes over and sees that Nozomi has made a mess of the house, she still complements Nozomi for trying so hard to help her mom, instead of scolding her or acting exasperated or anything of the sort. She then helps Nozomi to clean up, because she recognizes that Nozomi needs the help, but she does it all gently and kindly. In contrast to this, all of Nozomi’s friends give her grief, directly and indirectly. It’s a good reminder that, however mature the girls may be, they’re still growing and learning. They make bad choices sometimes, act a little mean, but they do right in the end. Kazu is also sympathetic because, evidently, Megumi was even more clumsy as a child, so she’s spent her whole life dealing with this.

I particularly like the revelation towards the end that, despite all their fears that Nozomi can’t take care of her mother because she’s so clumsy, none of the other girls bar Rin are really any better. Karen gets waited on hand and foot so she doesn’t realize egg shells don’t go in the mixture. Urara is also clumsy like Nozomi and has probably never been in a kitchen before, except sets. Komachi is just off in her own world, cutting bean jelly because it’s all she knows. Rin has enough common sense to say “no this is wrong” but isn’t able to stop all four of the others from wrecking the kitchen all over again. It’s a karmic payoff to an entire episode of going “oh no we can’t give Nozomi any responsibilities, she’s too clumsy” when she’s trying her best.

Nozomi and Rin being second generation friends is a really cool little detail. It helps to expand their world and give their parents a little bit of easy character, especially since they’ve both only had brief appearances prior to this. We get to see more about where each of them gets their personalities, but also how they differ from their parents. Kazu is very patient and understanding, while Rin tends to be more vocally critical. However, though she may not have inherited her mother’s demeanor, she got her eye for flower arranging, and apparently she’s starting to resemble her mother at a similar age as well. Megumi, meanwhile, appears much more composed than her daughter, but Kazu informs us that she used to be even clumsier than Nozomi, so we know where she gets it from. Age seems to have mellowed her out, and will presumably have the same effect on her daughter. Both mothers are kind and loving, of course, embracing their children’s shortcomings and thankful for their roles in each other’s lives. Behind closed doors, Kazu also gives Megumi a friendly ribbing about her past behaviors, a lighter version of how Rin and Nozomi act today, and that’s a delight.

Okay, last order of business... Gamao. Gamao is a lazy slob who sleeps on the job (even though he probably got plenty of sleep the night before), acts rude to his supervisor, and complains when she tries to make him do his job. He doesn’t know how to work the register? (doubtful, or he would have raised that concern sooner) Fine, he can go stock shelves. I’ve been a stocker before. Sure it’s not the easiest job in the world, but it keeps you busy and out of the way, and there’s many more challenging positions as well. But nope, lazy slob Gamao calls this “employee abuse” even as he makes his job easier by placing cans on the shelf with his tongue instead of arms.

The fact that Gamao is a lazy slob is not at all new, that’s been a recurring theme of his character, but he continues to impress with every new low. Let’s recap his journey so far:

He ran away from Nightmare when he couldn’t retrieve the Dream Collet from Dream, Rouge, and Lemonade

He was starving on the streets, trying to figure out what to do for food, before finally accepting he’d have to get another job

He was working as a janitor at a park, picking up litter, and presumably abandoned that position after fighting the girls

He works as a checkout clerk and stocker at a supermarket, and probably abandoned that position after fighting the girls

For better or worse, Gamao is the most predictable of the villains right now. He’s belligerent, lazy, and thinks everyone else is responsible for his problems. He sees the Precures as the reason he struggles to afford food, and will always attack them, trying to obtain the Dream Collet to bargain his way back into Nightmare. If it sounds like I hate him, I don’t. I enjoy his episodes, but he really only has one scheme and not much room to switch it up, unlike the others. He serves as an easy foil when the lesson of the episode is about the value of hard work, because he wants everything handed to him on a silver platter. in this case, he serves his purpose, even if it is very convenient that Rin, Urara, Komachi, and Karen decided to go to the grocery store with no explanation, so all five girls could be together to fight him.

In conclusion, this is a great episode about family, and doing what you can in a rough situation. We get to see Nozomi’s serious side, and learned a little more about her and Rin’s moms.

Next time, Komachi learns how to take criticism.... and Nuts learns how to give it. Look forward to it!

Pink Precure Catchphrase Count: 1 kettei!

#Precure #Pretty Cure #Yes! PreCure 5 #YPC515 #PCD163

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yogaadvise · 5 years ago

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Top yoga book recommendations

Esther Ekhart

Your body Your Yoga by Bernie Clark - So much greater than makeup publication. It's composed from the viewpoint that we are as different on the inside as we are on the outside as well as the value of practising yoga exercise from an useful technique, according to the range of movement provided by our very own distinct body.

Living Dharma, the flavour of freedom, Quantity 4 by Burgs - Bringing the Buddha's teachings to life, revealing that they are just as relevant today as they were 2500 years ago.

I am that by Sri Nisargadatta Maharaj - an old standard that every serious yogi interested in achieving knowledge ought to read.

Julie Martin

What is Fascia as well as Why it Matters by David Lesondak - The initial publication to truly give a clear picture for everybody concerning fascia and its properties and also why we really require to start collaborating with this knowledge. You don't need to be a researcher or composition nerd to understand this publication as David has a fantastic, casual design of composing as well as clarifies what he's discussing really clearly. A must-read if you educate yoga!

Awakening the Back by Vanda Scaravelli - A lovely publication created by a leader in the yoga exercise globe. Her job wasn't really fashionable in the early years of the yoga exercise boom, but numerous even more individuals are headed in that direction now. Vanda is accountable for the quote, 'We require to deal with the body, not versus it'.

Healing the Core Injury of Unworthiness by Adyashanti - An amazing book for everyone, as our culture is plagued with the concept that we are not 'worthy'. Adyashanti is a spiritual non-dualistic educator who brings an obtainable high quality to how we can regard as well as ultimately stay in the suggestion of oneness.

James Reeves

Tantra Lit Up by Christopher Wallis - An extremely comprehensive explanation of how Tantra educates most of our modern techniques of yoga

Finding Quality by Jeru Kabbal - Clear, verbalize and stunning. This is the instructor of Esther's initially instructor [Taetske Kleijn] and it's a publication that touched my heart deeply.

Yoga and the Quest for real Self by Stephen Cope - A great read and a terrific tale of the trip right into the globe of yoga

I Touch by John Prendergast - A truly charming review inviting and also being totally attached with our internal globe of thoughts and feelings.

Anat Geiger

Yoga related: God talks with Arjuna, Yogananda's discourse of the Bhagavad Gita. The job he has actually done is astonishing and there is sufficient motivation below for lots of life times. An additional Gita variation I like is Eknath Easwaran's translation. Beautiful.

Also, anything by Vivekananda. He is incredibly straightforward and also extremely motivating. Whenever I read something by him I feel he eliminates some coat of justifications as well as reasons I indulge in as well as reaches me ideal where it most matters. Raja Yoga - his own commentary on the Sutras of Patanjali - leaves me inspired and also amazed every time.

Poetry: Kabir! Stunning as well as informed. There is so much surprise meaning, delicacy as well as beauty in his words. I obtained a publication with 44 of his thrilled poems from my instructors and I prize it deeply. Here's one of my favourites: Are you looking for me? I am in the next seat. My shoulder is pushed against yours. You will not discover me in stupas, not in Indian shrine rooms, neither in synagogues, neither in basilicas: not in masses, neither kirtans, not in legs winding around your own neck, nor in consuming only vegetables. When you actually search for me, you will certainly see me quickly - you will find me in the smallest home of time. Kabir claims: Trainee, tell me, what is God? He is the breath inside the breath.

How awesome is that?

Buddhism I enjoy the works of Pema Chodron. She is an American Buddhist religious woman with enormous concern, a scrumptious sense of humour as well as a talent with words.

Fiction: I was deeply relocated as well as impressed by Cloud Atlas by David Mitchell. It spans numerous lives and lifetimes (in my view) as well as for me it was everything about Karma. It's an intricate book and also worth every effort. Every from time to time I indulge in well-written fantasy stories - excellent v. wicked kind of fights and also challenges!

Marlene Henny

Moving right into Tranquility by Erich Schiffmann - Wonderfully created as well as quickly reaches the heart of what practising yoga exercise has to do with in easy to understand terms (without all the fluffy brand-new age things). The photographs as well as descriptions of the asanas are clear as well as understandable. I reference it regularly for my own practice as well as for teaching. Get it, read it, like it!

Yoga Spandakarika - The Sacred Texts at the Beginnings of Tantra by Daniel Odier Daniel Odier is a great author as well as his take on the Spandakarika is a lot easier to recognize than several various other translations. What I such as concerning this publication that it that provides an interesting viewpoint and enough info about the actual philosophy of Tantra and also leaves enough location for self-interpretation of the sacred text.

Awakening Shakti: The Transformative Power of the Goddesses of Yoga by Sally Kempton - I discovered SO much concerning Hindu sirens, as well as the writer offers the information in an available and compelling way. Each phase, which follows the very same layout, is centred around a specific goddess and consists of reflections to help the reader materialize the goddess as well as her energy. The feminine powers of the world are so interesting. Even assuming regarding them just a tiny little bit as well as taking advantage of them at all can be profound. Certainly recommended!

David Lurey

The Gleam Sutras, translation and discourse by Loren Roche - A heavy poetic present of consciousness and also living a liberated life.

Dying to be Me by Anita Moorjani - A real 'life after death' story that brings a beautiful point of view on the gift of life as well as exactly how to maintain points basic. This publication also offers attractive insights on just how to make challenging choices and also how to keep those we absolutely love in our hearts

A Brief Background of Nearly Whatever by Expense Bryson - Exactly as the title claims ... Fantastic for those who enjoy facts, insights on evolution and also amazing stories of just how we got below as a human race on this one-of-a-kind planet.

Down the Freeway: The Life of Bob Dylan by Howard Sounes - The tale of the best singer/songwriter of contemporary times (in my viewpoint). I am a big Dylan follower as well as this publication lit up many dark edges of the life of among my idolizers. I highly suggest reading a couple of chapters, after that most likely to YouTube for video clips of that time duration to see him and what was taking place. As well as likewise, much more notably, listen to the songs that are explained in the chapters you read.

Gulp by Mary Roach - A lovely as well as detailed story of our digestive system ... yes, seriously! It's amazing and also you'll never ask yourself once more what they are discussing when somebody states 'fecal transplant' at an alcoholic drink party.

Helen Noakes

Life on Land by Emilie Conrad - enthusiastic, dramatic, deep and also discusses breath motion as well as fascia beautifully.

Awakening the Spine by Vanda Scaravelli - Lovely images, poetic radical and also rebellious.

The Initial Body - Primitive Movement for Yoga Teachers by John Stirk - Totally initial, artistic, deep and also imaginative. A publication for life.

Jennilee Toner

Yoga and the Course of the Urban Mystic by Darren Key - Darren Main's book has actually been required reading for all my 200-hour educator trainees because 2010. It is such an enjoyable and easy means to study the practice and viewpoint of yoga exercise. The light and also fresh way Darren Main authentically explains his own way of dealing with the 8 Limbs of Yoga exercise is delightful.

How Yoga Works by Michael Cockroach and Christie McNally - This publication actually changed the means I came close to practising and teaching yoga. My personal technique and also teaching grew unbelievably after my very initial analysis of this Sutra-inspired tale. It came to be more intimate, a lot more intentional, more deliberate and extra soulful. I have actually needed it ever because in my 300-hour teacher trainings and each re-reading has actually even more assisted to advance my method and also training to new degrees of affection and service.

Katy Appleton

One Soul as well as Entering as well as in by Danna Faulds - Danna Faulds' verse publications are expressions and understandings to the internal landscape people as humans. I utilize them to supply deepness in the practice and open the area within.

The Diamond in Your Pocket - Gangaji - this book has to do with spiritual awakening in this life time. The common in the extraordinary!

Tracey Uber Cook

Light on Life by BKS Iyengar - This is a fantastic publication to have in one's collection. It is the culmination of Mr Iyengar's understanding from years of practise as well as teaching, weaving with each other Patanjali's 8 Arm or legs of Yoga exercise as well as the 5 Koshas from the Taittriya Upanishad. I have read this book numerous, often times, though never from cover to cover! I always pick it up and look to a page or phase which calls to me as well as each time it speaks something brand-new and profound to me. I have actually utilized it as a resource in teacher trainings and very suggest it to any person wanting to inquire much deeper right into the method and philosophy of yoga.

The Brilliance Sutras, translation as well as commentary by Loren Roche, PhD - Dr Roche has actually invested decades studying and also equating this luminous translation of the ancient Vijnana Bhairava Tantra message. Its 162 knowledgeables sing the tune of Life and Love in between the Devi (Shakti), the innovative power of deep space, and also Bhairava (Shiva), the boundless awareness which embraces Her and also from which She occurs. The verses define the enigma as well as wonder of Life within every thing, assumed and task. Bringing light to the loving understanding which makes all existence possible.

The Heart of Awareness (Ashtavakra Gita) - translation by Thomas Byrom - Referred to in numerous Vedanta circles as 'the highest training following to silence', this is the tune of understanding in all of its boundless types. I like to take it to the coastline as the sun increases, check out a few lines, and also rest in the quiet of the morning.

Marlene Smits

The Absolutely Nothing that Is by Robert Kaplan - more a metaphysical philosophical publication than a yoga exercise publication, 'taking us from Archimedes to Einstein and making fascinating connections between mathematical insights from every age and culture'.

Living in the Heart by Drunvalo Melchizedek - for a description of how to move from the brain-centred experience of truth to that which originates from the heart.

Irina Verwer

The Course Of Technique by Maya Tiwari - A stunning book on Ayurveda for women. Inspiring as well as heartwarming.

After the Euphoria, the Washing by Jack Kornfield - Quick, succinct, funny, and always informing stories.

Feeding Your Demons by Tsultrim Allione - Clearly created, sensible, and thorough instruction.

Nichi Green

Yoga and also the Quest for the True Self by Stephen Cope - I've simply finished reading this as well as definitely enjoyed it. Written much more like a novel, Stephen is a psychotherapist as well as yoga educator. His insight and experiences of yoga exercise are phenomenal and also he associates a great deal of it to spiritual technique as well as the restorative influence that yoga exercise has when you immerse on your own in it for enough time. Among my leading 10 yoga books!

Gilda Goharian

The Subtle Body by Stefanie Syman - This book is concerning the growth of yoga in the United States as well as exactly how it progressed from an old spiritual technique to a practice that countless Americans position at the centre of their lifestyle. Guide is entertaining and also simple to read.

... Unlike virtually everything by the late Georg Feuerstein, who dedicated his life to the understanding and also technique of yoga exercise! Every one of his publications are thick and scholastic however I can still advise him for his substantial knowledge as well as knowledge. If you ask me to select one I would certainly select Yoga Custom: Its History, Literary Works, Ideology as well as Method. The book supplies a full introduction of every yogic tradition, from the familiar to the lesser-known types. Not always a web page turner however it may be whatever you need if you're interested in yoga exercise viewpoint and background. And also once you begin checking out and get utilized to the design it can be entertaining too.

George Langenberg

Kriya Yoga: 4 Spiritual Masters as well as a Novice - If you have checked out Autobiography of a Yogi by Yogananda then you learn about the sages who acquired the highest degree through reflection in the Kriya Yoga family tree. Yoga is a course of Self Realisation as well as through Kriya Yoga exercise you can walk this path.

I read Autobiography of a Yogi in 1998 and also at the time wished that I might fulfill an educator that would show me 'the way' and show me a lot more regarding Raja yoga, reflection and also Pranayama. In 2001 this wish came to life: I satisfied my Guruji (spiritual teacher) in India and obtained Kriya Yoga exercise initiation in 2002. This book is concerning the Kriya Yoga family tree I comply with and also concerning being devout to a living Master. I have found out so a lot under his assistance over the previous 16 years. The lessons and reflections that I share on EkhartYoga are simply an understanding of the depth of the Kriya Yoga method where breath, embodied awareness and dedication collaborated in greater realms of the mind.

#ashtanga yoga #healing #iyengar yoga #kriya yoga #pranayama #prenatal yoga #raja yoga #spiritual #spiritual awakening #types of yoga #yin yoga #yoga #yoga alliance #yoga music #yoga nidra #yoga works

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