#i really try. i make what i can i write when i can i draw what i can why am i trying. why do i try.

[ultimate-shipper-trash-blog]

I'll Send an SOS to Your Heart

-------

"Ok, I'm imagining things."

Steve is laying on his bed watching his lights flicker.

He plugged in one of those space projectors that's supposed to make your ceiling look like the night sky.

It's not weird that they're flickering, the light was a dollar at Melvads he wasn't expecting it to work long.

The weird part is that the stars keep making a heart shape.

He sees the heart flash a couple of times before he flips over and hides deeper into his pillow.

"No." He groans. "No more upside down shit."

If some upside-down monster was flirting with him he quits.

All the lights in his room surge to maximum brightness.

"Fuck off."

The lights draw a middle finger.

"WHAT THE FUCK!" He jumps out of bed and points at the orbs.

It draws a winky face. (;P)

"Who are you?"

His blood runs cold. An upside down monster can't flirt with him. They don't know English. He has an idea but it can't be true.

They left him there. He's dead.

...isn't he?

'SOS' the lights read.

"Fuck." Tears spring to his eyes. "Eddie?"

'Hiya'

-----

He spends a while talking to Eddie.

It's tough.

It takes a while to write everything out and Steve is still trying not to hyperventilate or cry or pass out so it's taking a lot of energy to keep up the conversation.

'Sleep?'

"No."

'?'

"Nothing I'm just...not tired."

'Liar'

"WHAT! I'm not I just-"

'-_-'

"Fine."

':)'

"I'm scared."

'Me?'

"No, I'm scared this is a dream. That I fell asleep hours ago and I made you out of my guilty conscious. I just don't want to lose you...again."

'Back'

"Back?"

'Bring back'

"Bring...you back?"

'YES'

"You think we can bring you back?"

'Plan'

"Yes! I'll call everyone we can figure it out. Oh! We have El to help us this time! You're gonna love her Eds she's just like the kids you look out for and she's magic! I'll call them right-"

'NO'

"No?"

'tom- sleep now'

"I think this is a little more important than-"

'Sleep <3'

Steve looks over at the clock, 4 am.

Shit.

"Ok. I'm going to sleep. Will you...will you be here in the morning?"

'W STEVIE'

"Ok. Goodnight Eddie."

'GN <3'

----

The plan goes off without a hitch.

It takes them about two weeks to formulate and execute the plan.

Steve spends his days and nights talking to Eddie, keeping him updated. Keeping him in his life.

He speed runs a crisis or two when he realizes he wants to spend the remainder of his days speaking to Eddie.

He can't wait until he's here with him.

Alive.

-----

So it's more complicated than he thought.

Maybe there's a hoard or bats blocking them from Eddie.

Maybe Steve throws himself in front of the kids and fights off the creatures long enough for them to find Eddie and get him back home.

Maybe Steve bleeds a little too much and collapsed as soon as they reach the other side.

----

He wakes in the hospital to nine pairs of eyes staring at him.

They're all arguing with each other. Their voices low as if they're trying not to wake them.

He wants to talk he wants to reach out.

Eddie is standing by the door in a baseball cap and sunglasses as if he was trying to be inconspicuous.

As if Eddie could ever hide from Steve. Steve would find him anywhere he is.

God, he's here! He's in the room! All this time apart and he's so close!

"Mphahhpsh" he can't form words but it doesn't matter.

Everyone stops and Eddie's eyes meet his. His eyes look wet and he looks skinny and exhausted.

He's never looked more beautiful.

Eddie's eyes turn down into a determined glare. He pushes past everyone until he's inches away from Steve.

He takes a deep breath and then leans down and kisses him.

Flat on the mouth. In front of everyone.

The shocked noises are what pulls them apart.

"I'm so happy to see you, I really like you," Steve says.

"That's my line." Eddie smiles and kisses him again.

"Don't ever try to save me again I can't ever see you in a hospital again," Eddie presses their noses together.

"That's my line."

Eddie chuckles and pushes his nose into Steve's cheek. "Dork."

"Yes, yes, you're both terrible. Now what the fuck is happening."

They break apart to see the crews shocked faces. Mike's face is pale and Dustin is an interesting shade of red.

Robin is staring at him a little proud.

He sends a wink her way and pulls Eddie in closer.

They'll figure it all out later. They have time.

----

This started with once sentence in my brain and grew into three different plot points I put together in a rush. :P

Please comment I love to read em!

[mynameismad]

What have I been up to?????

Hey all! I'm sure you're all cycling rapidly through the stages of grief like I am, but I thought I'd just check in and let everyone know what's going on with me and when they can expect more comics!

GOOD NEWS: I got a concept art job! I've been working freelance for a client for about two months now and things are going great! Honestly working on short assignments with weekly deadlines has been an amazing break from the slow, constant march of longform comics. I am surprising myself every day and haven't been this excited to learn and grow as an artist in a very long time. Moving forward, I would like to find a full time job in games and stay there, rather than continuing to hustle full-time in comics. I've paused my Patreon for the foreseeable future.

THAT BEING SAID: I will always be making comics!!!!!! I love them a lot, they've been good to me, and I have all these ideas in my head that NEED to be let out. I want to start making them in my own time, rather than as my main source of income. We'll see how long it takes to find true stability in concept (maybe never, lol) but in the meantime I will keep drawing my silly little guys and posting them online for everyone to see. I have to! I have to keep going and making the art I want to see in the world! We have to keep going!!!!

SAKANA: hoping to get back to the fish boys sooner rather than later. I've been stuck on whether to end the latest chapter right away or get a few more pages in there. We're moving into a HEAVY part of the plot, which will be trickier to write, so I've been procrastinating lol. Please don't take my extended absence as proof that I'm walking away from the story: I've just been busy with a new job and I don't know exactly how to get to the next chapter yet!! (also, jsyk, the Webtoon mirror is something I was doing for fun! not a priority!!)

RR: I actually have a few different projects started for RR! Chapter 2 is like 9 pages in, but then I paused and started work on a 20ish page minicomic, which is like 7 pages in. I'm going to finish the mini first and hopefully upload it to itch.io. For Chapter 2, I created this really elaborate environment in an effort to force myself to learn Blender, but then I got a job....so I have no time to learn Blender lol. Still trying to figure out whether to simplify or push forward.

OTHER: yeah...I am a comic artist at heart so obviously I have a million things I want to do. But SAKANA and RR are the highest priority right now!

UPCOMING: I am pursuing other freelance work for shorter, more manageable projects! If you need somebody to redline all your thumbnails, critique the first draft of your synopsis, or make a 20-40 page comic, please keep me in mind!

In closing: I'm locking my twitter accounts tonight and moving away from the platform for now. I'll be here, Instagram (@/mad_rupert), and BlueSky (@/madrupert). Thanks for sticking with me, let's hold onto and support each other in the coming weeks, months, and years! Let's keep going!!!!! I love you all so much!!!

[zoppa682]

For any nonhumans struggling with species dysphoria, I want to help you all as much as I can. I've been experiencing it all week. It can be quite exhausting and put you in a lot of distress, in my case. X(

Here are some tips I'd recommend to help:

1. Mimic the diet of your kintype/theriotype. You are a shark? Eat seafood. A dragon? Maybe try to burn some food a little (or turn it black like my own preference if you want). You kin a character from [Insert source]? Try recreating foods/dishes from their world or dimension.

2. Listen to relatable music. I'd recommend making a playlist of any songs that feel species affirming/euphoric, or even echo that dysphoria further, therefore turning it relatable. (Few of my favorites are Bones by Imagine Dragons, Control by Halsey, Ancient Dreams in a Modern Land by MARINA, Momento Mori by Fish in a Birdcage, among other songs that feel therian coded to me).

3. Do vocals. Howling, barking, screeching, or roaring are very relieving if you are in the correct space to do them! If you are in a quite space or do not want to out yourself to anyone, try purring, growling, hissing, or other unnoticeable sounds. You have an object kintype? Mimic the sounds of the object, like beeping, clicking, etc. (I personally make microwave sounds just because it is fun). Recite voice lines of your kintype from the source they are in. Mimic their voice and volume to match.

4. Move and physically act like your kintype/theriotype. Quadrobics, mimic the flapping of wings, walk bidepedally, whatever you do, turn your mannerisms and motion to reflect your kintype/theriotype.

5. Dress like your kintype/theriotype. Is your kintype a character? Cosplay them, or mimic their clothing style, clothing color, hairstyle, etc. If they have tattoos, scars, or patterns on their body, copy them on your physical form with paint or pens. (PLEASE USE NON TOXIC MATERIALS. STUFF SAFE FOR YOUR HUMAN SKIN.) Are you a species of animal(s)? Dress in your species' colors, or, once again, paint or color yourself like it/them. Are you perhaps any other form of creature or object? You can use the same tips as the others, and another idea that works for all is that you can buy costume pieces of your kintype/theriotype. Masks, headbands, just normal clothing in general, the options really are infinite.

6. Express your dysphoria through artwork. I love doing art when I am heavily species dysphoric. Drawing, crafting masks, origami, painting, collages, all are forms of art. If you are skilled in music, then you could even create some songs of your own!

7. Go out and explore nature. This one is mainly targeted towards therians, whose types are grounded on the life on earth rather than other dimensions or universes, but just like the other methods, it can be universally used by any types of nonhumans. Collecting things is my favorite way of exploring nature. Collect rocks, shells, sticks, leaves, bugs, plants, anything that makes you feel more comfortable in your own (unfortunate) physical body. Stay grounded in the world around you and you may find the dysphoria slips away. Hiking and going on short walks can also help, building a den, smelling the scents of the outdoors. All great ideas that I personally recommend.

8. Write about your feelings. Whether you are good at expressing yourself through poetry, you keep a diary/journal, or you can project onto OCs for new backstory lore like I do, writing can truly help with any dysphoria. Not only that, but it is sometimes refreshing to come back later and read about what you were feeling before. It can serve as a great reminder that you are a powerful being and you will always overcome the feelings if you try.

9. Research about your kintype/theriotype. It does not matter if you are an animal, concept, or object from earth, a being from fantasy, or a character from the greatest book or show, you learn something new every day. So why not learn about yourself? Read books or watch animal documentaries of your theriotype(s), same thing for you otherkins and your fantasy species. Fictionkins can look up facts about themself as a character, their book, show, game, etc.

10. Talk and interact with other alterhumans/nonhumans. Remember, we are a community, and while you are experiencing horrible episodes of species dysphoria, there are many other beings going through the exact same thing at the exact same time. So why not talk to them about it? Share your experiences, help eachother cope, you may even connect with more individuals that way, building more relationships with others and meeting new beings.

11. Past life meditation. If you are a nonhuman who has a past life/lives, you may find comfort in meditation, where you can truly tap into what you once were, and still are in this life as well. Look to the forgotten, and turn in to remembered. Open up your past and live over again.

12. Listen to sounds. Nature sounds, voices of other characters you know from your world, vocals or sound effects of your kintype. These are all good options to turn to if you want to feel at ease with yourself.

13. Let your emotions out. Sometimes this is all you really need to do when species dysphoria hits hard. Cry, bite things, claw at pillows, LET IT OUT. There is absolutely no problem in being yourself and expressing your heavy emotions in your own, unique, nonhuman way. You may find you feel much better after.

That's all I've got, but I hope whoever/whatever reads this far has an amazing day/night. You are an amazing being, thank you for embracing yourself and living authentically. <3

[silviaflowers]

Hi chat I'm back back again with more epic sketches!

All writing is in the alt text! I'm trying my best to provide image ids but I often forget 😭

ok so short thoughts and then we'll get into some longer ones under the cut!!

I subscribe to both "Athena lived actually" theory and "Ares assisted Odysseus" theory,, I just think they're the silliest siblings fr Argos' design is purely on vibes and i did NOT have a reference for the boar. this is why both of them look slightly weird. The last two drawings are heavily based on the cut song Your Light! I am so normal about it. (More on this below the cut)

The penelope design was heavily inspired by @gigizetz's, and Aeolus was directly lifted from gigi's design as well <3 Telemachus was inspired by Duvetbox's Telemachus but much less heavily lol (Athena was also inspired by Duvetbox)

OK. LONG THOUGHT TIME. STRAP IN

I have some personal siren headcanons that i actually really wanna share SO. I like to think that Sirenelope did not actually look accurate to Penelope. I have two reasons for this, one of which is that one of my big siren headcanons is that they rely mostly on visual memory to disguise themselves. They can tap into words and such usually but what they most rely on is the visuals. Its much less important to act like the wife than to look like her, after all, the siren song usually does the heavy lifting.

But in the same way that Sirenelope makes the mistake of saying "daughter," the visual memories can be corrupted through the beeswax in the crew's ears. So she can't pin down Penelope's appearance as easily as she might with someone with clear ears. Ergo, she makes mistakes (neglecting her beauty mark/mole, making her look younger, etc etc.)

The OTHER reason is that I like to think that sirens try to make their forms more beautiful to appeal to the sailors. For example, Sirenelope tries to smooth out Penelope's wrinkles and make her more conventionally attractive. A little like a snapchat filter.

ok Siren rant over NOW TO TALK ABOUT YOUR LIGHT. So if any of you guys don't know, Your Light was essentially beta Open Arms, Polites cheering up Odysseus right before something awful happens, etc etc. However, it goes more into detail about the interaction between Odysseus and Athena's boar. Polites mentions that they took the boar on together, he was frozen in terror when the boar lunged for him. Odysseus takes the blow, forcing the boar down, and that's when he beats it.

Now im insane about this for other reasons but the MAIN part in relation to the art is like. What if Your Light and Warrior of the Mind coexisted? (this isn't necessarily canon DIVERGENT its just kind of a stretch) So the timeline here is basically that Polites and Odysseus go to face off against the boar, Ody beats it but takes on heavy damage, ("I only took the blow so you could live.") so Polites goes to find something to get him to Not Die Hopefully. and that's when something strange happens and he realizes Athena is there yadda yadda Warrior of the Mind stuff. Then Polites comes back with bandages and they make it back home where Eurylochus is waiting and is like. WHAT??? HELLO??? The "What happened to you!?" is a reference to Puppeteer btw i think thats silly and i like references.

[affableramen]

this idea has been living rent-free in my mind jealous!pantalone early stage of relationship, spy and criminal themes

Jealous!Pantalone was coming up with a plan to expose an evil merchant who had been plotting something big and cruel against Teyvat economy. This particular merchant abused power and destroyed many innocent lives. Yet the mastermind Pantalone is, he created a strategy to take over this nasty man’s plans and finally unveil his dirty business. Yet this whole plan had a big flaw - your involvement.

Pantalone, Tartaglia and Arlecchino were all at his desk while he was explaining the rules of the “game” he plotted against the merchant. At last, you enter the room but, good god—what are you wearing?

“I’ll be the bait.” In extraordinary clothes you shine like a precious diamond, and the glittery makeup makes your rounded eyes the centre of attention.

Arlecchino looks at you with approving and slightly proud look - what a bold move you’ve taken for the sake of Fatui’s secret mission. Tartaglia agreed too:

“She is the only one who can do it”, though his words sounded ambiguous and indefinite, Tartaglia coughed into his fist and explained, “I mean… She kind of seduced you too, Pantalone. I think she can work her charms on another merchant just fine.”

“And besides - it will be nothing more than just shallow flirt.” Arlecchino glared at Tartaglia who just could not shut his mouth in time.

Pantalone stopped writing and almost dropped his pen but gripped it immediately then.

“Absolutely not. We’re not doing it.”

He sounded more gloomy and grumpy than usual, not a hint from the familiar friendly-mannered and charming Harbinger.

Everyone stared at him like if he were an idiot.

“Don’t be ridiculous. Y/N won’t be the bait. I do not allow it, even if it is simply for mission purposes.”

“I will simply talk to the target and look pretty, nothing more nothing less”, you finally said, but that did little to convince Pantalone. He shook his head, the Knave and Childe fell silent.

“Are you jealous?” you crossed your arms.

“No.” Pantalone turned away and continued drawing the plan. “This task is extremely dangerous, I refuse Y/N’s involvement.”

“Yes, he obviously is. If I were him, I would feel jealous too”, said Arlecchino nonchalantly.

“Come on, give her a try, Pants. We don’t really have another choice. There should be a beautiful lady involved in such missions. As if someone would die of it!” He rolled his eyes.

Arlecchino gave you a smirk.

“What are you two blabbering about?!” Pantalone finally exploded. “I won’t let her go—not looking like…this!”

“Looking like…what exactly?” Arlecchino was not happy with his choice of words.

To shift the attention in some way and prevent a conflict you used the red lipstick and rubbed your lips together.

“Then it’s decided.”

This little action made Pantalone bite his own dehydrated lips as the sight of you was so intoxicating.

“Is that enough to charm our target?”

“Too much for some greedy old man.” Pantalone responded earlier than Tartaglia or Arlecchino could open their mouths.

“Relax.” You said to him silently.

“How am I supposed to—when you’re going to work your charms on another man?”

“We need it for a job. We need it to take the damn criminal down.”

Pantalone hit the desk with his fist furiously.

“Fuck the plan, I don’t want to sit and watch you flirt with an old jerk.”

Arlecchino and Tartaglia gave each other a knowing glance and left the room.

“You two decide it between yourselves.”

When everyone left Pantalone grabbed you by your hips and set you on top of his desk and kissed you in the lips passionately.

“Stop—come on—you’ll ruin my makeup!”

He only stopped for a second to look at your face again before proceeding to kiss you more anxious and desperate. After a while he pulled away, breathing heavily, like a pathetic jealous old man he is.

“You may flirt with the target but under one condition”, still gasping for breath profusely he says quietly, his fingers lingering on your shoulders as if he were discreetly trying to hug you.

“What is it, [Pantalone's real name]? What are you afraid of?”

One hand appeared on your cheek and he stroked it gently and affectionately.

“You’re going to seduce me later.”

“You’re unbelievable!” You chuckled under your breath. The audacity and bluntness of this man were insufferable. “But I promise to stay safe and come back to you after this all ends.”

[gynandromorph]

any advice you might have for other artists who also are or want to write, illustrate, and self-publish a graphic novel physically? been super inspired by your work for years and would love to hear if you have any insight on either step of the process in your experience

honestly i'm not sure if i can give any advice because i haven't self-published mine yet and i'm still learning a lot when it comes to drawing it... draw big (450 dpi kind of big) and make it black and white if you can because it'll save you a lot of time and money (if you draw a b/w one you are going to want to aim for like 600+ dpi). keep files with lines on a different layer at the very least if you are working digitally because you have to do something called "backing" them to make them look black. i would have gone with print ninja if not for the censorship laws in china but it should be accessible if your story isn't like. graphic or adult. generally you will want to use a print-on-demand service if possible (nofna uses kablam iirc). for writing one... try to be concise with the story. anything can be published as supplementary content on the side, so try to only keep in scenes and dialogue that the story really needs. you might benefit from a more specific style of scripting, where every panel on every page is described, or a loose scripting style, where almost nothing is described, just dialogue. i'm a planner and generally i have an idea of beats that a story needs to hit as i'm "sculpting" the script in the early phases, but a lot of people are discovery writers who find planning boring, limiting, etc. those kinds of preferences i think come down to experience from experimenting. make sure you know what kind of style you want to do for your comic as well... the messier and looser you go with the style, the easier it's going to be, because you are going to look back on it halfway through the project and like 20 months in and see mistakes, but they will meld into the "vibe" more. however, this is harder to do with black-and-white since it has to rely a lot more on lineart to convey the imagery. anyway. if i learn anything else i'll let you know lol. it's been a horrible time all around and honestly if the plot did not extremely DEPEND ON IT BEING PRINTED, i would have just made the story entirely digital. it wouldn't be worth the constant road blocks and limitations. also i think the more advice you look up about comics the worse it gets because you just acquire more and more useless compulsions insane comic artists regurgitate onto the internet like it's fact and it really really really slows you down in the end. there are so many stupid fucking opinions about how speech bubbles and panels should look i wish i could Unsee

[abyssal-author-and-artist]

My blog is generally pretty lighthearted and I stick to reblogging art and fic and fun stuff, but you know what. I feel like I need to say this.

I am a trans teen in the US. I'm seventeen, so too young to have voted. I'm terrified for my life right now. I usually post about college but I'm actually concurrently enrolled in high school still and the kid who sits behind me in first period government is a massive Trump fanboy. I'm going to have to go to high school Monday and talk about the election. I'm going to have to hear my deadname called and hear people in my super conservative high school talk about how happy they are Trump won. Everything is terrifying. I walk outside of my house and I'm scared I'll be shot. Several months ago I promised that I'd kill myself if that bastard won.

He did and I'm still here.

I'm not thriving. I'm not living my best life. I'm barely living. But I'm surviving. I'm coping. I'm trying my goddamned best. It's hard. I want so bad to just go and take as much medication as I can and slit my wrist for good measure and pass away in my sleep. But I'm still here. And I will be here.

I am in so much pain. But I'm living on spite and determination and everything I can scrape together. I know I need support and those around me need support. So consider this a support masterpost.

Support:

First thing you should see if you're a trans person in the US.

Here's a link to the Trevor Project and here's a link to their suicide hotline page. They've already saved my life once before. Please note - they recommend calling if you need immediate support. Donate if you can, please.

This post is both a suicide hotline masterlist and a post mentioning how something feels deeply wrong here with this election.

On the topic of something being wrong, sign this petition. I'm only seventeen but I did this and it might not feel like much but if we couldn't shoot that bastard (I am not pro-gun but I am when it comes to him) then we'll do the next best thing. Here's the link to the petition itself. Make sure to check the post every once in a while - the original petition got taken down and this is important.

I follow a lot of gimmick blogs, so I got to see this post encouraging us to be loud. Because we should be. Because if we die they've won and my mom didn't smoke weed on the steps of the state capital of Colorado to legalize it just so her son could roll over and die.

Here is the Tumblr Hot Beverage Masterpost, as I've taken to calling it. My personal favorites are the London Fog in the replies, earl grey with milk, honey, and vanilla (in the tags), and some additions from me are hot chocolate with peppermint melted into it, earl grey with lavender, caramel apple tea, and really anything else you can think of. Trust me. This post works better than you think.

Read this post if you haven't seen it already. It's half poem, half Tumblr being Tumblr, all wonderful to read.

Things I just like to see:

PM Seymour and Bettina Levy both have shown their support for everyone struggling right now. It might not be much, but I still really appreciate it and seeing support can really help.

The cat with the kind and reassuring face. No other context.

Four panel comic of hope. Because you're more than enough.

Can't find the post where I found this but this is a link to a virtual toy where you can make your own galaxy.

Please. Eat something. Drink a hot beverage. Draw, write, read, knit, sew, sculpt, bake, do something that helps. Reach out to friends, even if they're online friends. Talk to someone you trust. Make vent art. Write vent fics. It doesn't matter what you do as long as it helps.

Do not roll over and die. Live. Live on spite. Live on determination. Live on shitposts and live on heartfelt stories like this one. If you have anything to add to this post please do. Add more resources. Add more love to this post. I know I'm just a guy on the internet saying shit, but I still care about everyone who sees this post.

[s4pphic-sh3nan1gans]

How would Bojan and Kris share songwriting ideas together? For example, at home on the couch in a homely atmosphere with Kris grumbling sometimes at some lines that Bojan suggests to tease him, or maybe in the studio? How do you imagine it? 💌

aaaaaa this is a very cool ask! 🫶

I'm actually gonna start by drawing my inspiration from something recent that we know happened, which is about the upcoming song "ako toga više neće biti." Kris said that when Bojan first pitched the song he wasn't too sure about it and didn't really understand what it was about, and it's only when the song was finished that he started to fall in love with it. we don't fully know what the song is about yet (and I'll definitely come back to this idea when the song is released and we've heard it as a whole) but broadly speaking, it seems like this is definitely one way the songwriting process can go between the two of them. in fact, it kinda parallels an earlier moment when Kris wrote "ngvot" and Bojan also dismissed it at first, several times if I'm remembering correctly 👀 I'd like to think that the fact they're not afraid to criticise each other a little shows how comfortable and familiar they are with each other, and I don't doubt for a second that for both of them, it stems from their deep affection 🥰

but now, the fanfic writer in me (or maybe I should say the little devil on my shoulder that likes to whisper in my ear 😭) is saying "what if Bojan was writing a song about Kris?". he'd have to make sure it's not glaringly obvious, which is where I can see what you suggested coming into play, with Bojan struggling to filter himself a little and instead speaking his mind in terms of lyric ideas and watching as Kris either blushes or looks at him all mock-scandalised. but really, I think both of them would have a pretty hard time trying to come up with appropriate lyrics 🤭

as for if they were in the studio with the others, I can imagine them both shooting ideas at each other as they'd get into the creative headspace. maybe they'd bicker a little, but they long ago learnt how to keep things civil so there's no repeat of any "creative differences." actually, I'd like to believe that over the years, their heated discussions over song lyrics and musical arrangements have somewhat become part of their flirting in disguise, and they think they're being subtle about it when in reality the others are sharing exasperated looks with each other...

those are my main ideas! I can't wait until the album is released and they hopefully start talking more about the creative process for the songs on the album so we can perhaps pick up even more bokris crumbs 👀

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[slumbergoblin]

Hi Mei :)

[jichanxo]

how different is your creative process between writing and drawing (and in which areas)? do you have a different approach in each artform? if you have an idea, you first think how you'd write it or draw it?

This is definitely going to be long so. Cut.

Just to preface, obviously both writing and drawing are a form of art, but I tend to use the word “art” when I mean illustration or drawing, so that’s what I’m going to do here. And of course a disclaimer that I’m only speaking to my subjective experience.

Tbh I don’t think my approach to both is that different from each other, which is odd, because I’m used to thinking of them as very different processes. Probably because the mediums themselves are so different. But like with my writing, I tend to improvise. Feel it out, see how things go, throw ideas at the wall. I would probably say that I’m more willing to experiment with/scrap my art than my writing. Probably because I’m more confident with my art than my writing, so I find it easier to make judgments like that, or because I’ve made so much that throwing stuff away when it isn’t working is very easy. I get a bit more precious about my writing. I always want to keep it or at least try to adapt it into something less bad, lmao. I’m also just not as confident in my ability to judge what writing is worth keeping or worth permanently deleting. I just haven’t polished that skill for writing as much as I have for art.

With regards to planning my art – I definitely do sometimes, because I consider art my Serious Hobby, which means I do like to have a go at more serious projects as opposed to just improvising all the time (a contrast to my writing where my only “serious project” is senseific, and I fell into that by accident). The things I plan out are the idea/s I want to convey, and what imagery would express that. (like this IW art, and the second one in this umineko post) Or sometimes the imagery gets stuck in my head and I work from that. (yagami’s hair clinging to his neck here)

I actually find that planning too much can be detrimental to my art process. That is to say, not in terms of figuring out ideas/themes, but doing too much drafting. I find it very difficult to do things like clean lineart unless I’m having a Weirdly Good Art Moment, so I just don’t. Hence a lot of my art is very sketchy. I’m just not good at capturing the same looseness with “proper” lineart than with my sketches, so I keep them. Not worth fussing over. This is what works for me.

(even in this, and the first image here, you can see a lot of breaks and incomplete looking lines. not to say necessarily that this is a bad thing of course, but you can see that even in what I consider my “polished” work, I won’t use “proper” linework, but instead a high quality/detailed sketch. I imagine some other artists would have their proper linework stage after these sketches, but i choose to stop here)

this probably reads like I’m talking myself down, but that’s not really what I’m meaning to say – my point is that I don’t figure out details even for my bigger pieces, and that with drawn art I have a better time judging where my time is best spent. I don’t think I have a strong understanding of my writing by comparison, so I can’t decide how to play to my strengths or anything like that, I just have to see how i go.

For writing, either it’s “i’m in the mood for it” or “i’m not in the mood for it”. For art, it’s “today is a good day/bad day”, “today’s a painting day”, “today feels like masking”, “today I just want to sketch”, “today I’m too loose for what I want to work on”, “today I’m too stiff”. You can see the difference in my ability to judge, yeah? So a big difference is to do with just my own (relative) inexperience with writing as opposed to drawing.

I think the other major factor is the differences in the mediums themselves. A fanfic is sequential. There’s a change in time. Illustrations are by nature a single moment in time. Big difference there. Of course, there are comics and animatics and other art that’s both drawn and sequential, but since I don’t do a lot of that, just count that as exceptions for now (and in a way, those are kind of like a combination of writing and illustration, aren’t they?) I find there are some ideas that are conveyed easier or better through writing, and others where the better option is art.

So to answer your last question, often ideas come to me pre-packaged as a “writing idea” or an “art idea”, rather than having to decide that separately. In the case that a sequence is better conveyed with a visual element, that’s when it’s comic time. The gorillashipping comic is a great example of this. The punchline is at its best when it’s not explained in words, and the expression of the final panel does all the heavy lifting. I pitched this idea initially in words (as a joke on discord), but the comic version has more punch.

Comics are also great for when you want to avoid explaining context, and for when you want to force the reader to take a specific pace. Here’s the example I’m thinking of.

The visual space dedicated to the fighting forces you to take time to process, and that time is important for the buildup to the punchline. This wouldn’t work as well if we cut this down to, say, the four panels of the last example. So yeah, timing. And then my other point – context – why are these two fighting? I don’t know. Where are they? I don’t know. It’s not necessary for the joke. The same is true of the gorillashipping joke. How did the relationship between kiryu and kaito happen to make this even remotely possible? I don’t know. But I don’t need to explain it in a joke comic. With writing I find that it feels more necessary to make context clear to the reader so they understand what’s happening, but with illustrations, it’s a lot easier to skip over that. Obviously this isn’t impossible in a written format, but that’s just my personal opinion.

Admittedly I think this second example is doable with just pure writing (replace all the panels with descriptions of the fight that take long enough to simulate the time it takes for the reader to digest the build up, then make the punchline a wham line, yknow), but it varies on a case to case basis. Also I would not want to write fighting. Lmao. I’m not… any good at that. So I guess it is also just in part about playing to strengths.

Anyway, enough comic side tangent. I’ve already started talking about it there, but was going to do a comparison between writing and art as mediums. The main thing, I find, is that they have different strengths. More than strengths/weaknesses though, the mediums themselves convey some things with ambiguity, and other things with detail.

Like I first mentioned, time: it’s easier to convey the passage of time with writing than with illustration. And like I said before with comics – conveying context – because an illustration captures a single moment in time, it’s a lot easier to avoid context entirely, while it’s harder to avoid in writing. I’ve drawn kuwagami cuddles before, and there’s no background, nothing discernable as to the lead up or any other detail. And that’s great! I don’t want to have to invent a plausible reason for them to end up hugging. I can just do it, right? But sometimes it’s the context that makes things significant, so you do want it there. A better job for writing. Writing allows you to be detailed with your context, while illustration leaves it ambiguous. Different strengths. You just pick which best fits the situation.

It’s a similar case for a lot of different factors – they're conveyed differently through both mediums, and depending on your idea, some results are more desirable than others. Rather than explaining, it’s probably better to do a direct comparison. (If it makes any difference to your curiosity, I did the drawing first then the writing. You’ve caught me on a good art day, what a nice sketch…)

I’ll try not to talk too much because I think the comparison and table say enough, but you can see how, despite depicting basically the same thing, these two things feel pretty different from each other. The mediums do different things. The mood of both is similar, but not quite the same. It’s these differences that inform the choice of mediums instinctually. (but again. points at disclaimer. as is true with all “rules” about art, none of these are absolute. you can make an illustration that conveys a strong context. you can write fic that favours describing facial expressions and leaves the intended emotion ambiguous. i’m generalising to make a point here.)

I guess the other thing is that it’s pretty easy to do writing in bed on my phone compared to my art setup, lmao. Convenience and timing also play into it probably.

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[b4kuch1n]

I'm not gonna screenshot it bc 1/it really doesn't matter that much and 2/the person who made the comment is a kid but: a while ago I made a comic that's supposed to be a genuine study and reinterpretation of someone else's sprite comic (made in the spirit of authenticity too - to recreate the vibes of the sprite comics from that era, iirc very specifically because it's funny) and I got a comment on that comic's post that's like "glow up"

which is a compliment obvs. and the commenter probably didn't mean anything by it, it's a common expression. but I've been trying to find a way to gracefully put that comment away ever since it appeared lol

I just very much don't want my art to be taken as trying to one-up someone else's art when that's not the piece's intention. especially when the piece that inspired my art is perceived as "low effort" or "shitpost" or stuff like that. I did mention in the tags of that post that my considering it a study is entirely genuine, and I can legitimately write pages about the cool stuff I find in it other than and inherent in the haha funneys, but that's not for you guys that's for me. I just think that approaching art competition-first like that is a miserable way to do it, and (tipping into overthinking here if the whole tiny-comment-got-stuck-in-my-brain-for-almost-a-month part hasn't given that away yet lol) I really don't want that to be the takeaway from my own art. at least generally. if I actually think the source material is trash and what I'm doing is genuinely categorically better I'd just come out and say it lmao

[cuteniaarts]

Wine stains on porcelain

(Alternatively: @katkastrofa and I have created 5 OCs in 3 days and I suffer from chronic “I wanna draw the little guysssssss” disease)

[antisocialxconstruct]

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