#i really needed them to have this much rp. i was going to be more upset if they didn't

[imageingrunge]

A needlessly thorough review of DATV so I can move on with my life:

WHAT I LIKED:

The story pacing flows better without all that open world slog from DAI I am not bombarded by 50 side quests that have no baring on anything other than rp flavor

The game is pretty, CC is nice

They gave you far more opportunities to flesh out your Rook's background than in DAI and da2 but it's not as fun has having a mini origin story from DAO

no fall damage and if u run out of a combat zone ur companions follow u too

Hossberg wetlands really remind me of dragon age awakenings and I like the way the blight looks there, it gave me a nice nostalgic feeling for the older games

WHAT I DID NOT LIKE (IN DETAIL)

Voice Acting & Dialogue

It is really hard to be invested in a game that feels the need to recap everything you just experienced from 5 minutes ago, (verging on insulting my intelligence) and the silliest part is while i do hate this I got so checked out after act 2 I needed the recap 

A lot of the dialogue and banter is just empty small talk and meaningless pleasantries that sucked the life out of me, had me longing for the days of hearing Ohgren's beer belches reverberate off the walls in the deep roads:

 Voice acting is really consistent, I hated it when you never knew how your inquisitor would sound in DAI sometimes too serious for a funny comment or like yelling at Cassandra and cullen over nothing - Rook is more consistent but it comes at a loss of personality every line is uttered in the same annoying tone that had me being like damn can he stfu already (da2 was ideal voice acting for me if they cant deliver that again just go back to a voiceless protagonist)

Me whenever my rook opened his mouth: i was getting violent on that skip button

The dialogue between rook and their companions holds it back from being enjoyable at all really- here's some examples:

Emmerich's personal quest in act 2: "I want to do this immortality rite it's a very high honor in my order but rook I might die in the process permanently, I am an orphan and afraid of dying" Rook: "You could die?!?! That's awful". In Origins you can have a conversation with Wynn about her inevitable death and respond in a manner similar to rook and Wynn teases you by saying "well i'm not going to live for ever dear" it made me smile and sad about not being able to really help her. Did not feel that way Emmerich though, Im so uninterested in him as a character my response and feelings are "old people die all the time" and then 'wait why the fuck haven't you done this immortality ritual yet instead dragging me over here to collect some flowers"

Companions & Romance

the flirt options aren't all that flirty, its just rook being nice, all the romance content seems behind a 'romance locked in' moment (that comes in so late in the game u already forgot who u were even flirting with at times) so you can't hop ur way from one bed to another before deciding on 'the forever one' (remember when I could ride the iron bull then break up and be with Cullen- I don't think that’s an option here)

The companions are all pretty forgettable, I did everyone's personal quest (with the exception of Taash tried to kill a dragon for them n failed so bad i just moved on) and forgot there was even an approval system with them or that I was supposed to pick choices for them. It felt like i was on a train going in one direction where it did not matter what I said or did to them they would be fine. It’s like I've lost and gained nothing by doing these quests. The deepest thing I learned about Emmerich is that he is a 50 yr old orphan scared of dying. And it makes me not care all that much about them beyond “I just need you to function enough to get me to the end of the game sure Taash embrace being Rivaini, yes Harding live peacefully w that Titan shit inside you idc… Lucanis..ahh what was ur issue again I forget”

I made Lucanis live peacefully with Spite (stuck as an abomination that's supposed to be as volatile as Anders & Justice) Let Emmerich become a lich and no one batted an eye. Everyone just heehee haw hawing over Emmerich's new skeleton form and I forget about spite a lot unless he comments on something i've killed. Was there supposed to be some moral quandary? to make Emmerich a lich I had to "kill off" Manfred... the walking skeleton who might as well have been a rock with a pair of googly eyes attached to him for all i care

I don’t want to help Bellara light funeral pyres in a puzzle game play style that isnt a deep message about death. I want Aveline's speech about reading her favorite book to her dying father after hawke lost thier mother.

For Neve's romance, it took the whole world falling part and everyone dying for her to kiss me for a 2 time and then pity fuck me and afterword she’s like I’m leaving don’t want to be too distracting. All these lines carry no weight like bad actors w no chemistry

jaw on the floor comparing this (first time I said "i love you" to neve)

to the first time I said it to cullen and how he treats u before the big battle

I get that she isn't lovey dovey but at 70 hrs in and 2 kisses it feels like she just dont love me </3

Combat - as a spellblade mage*

combat was this weird mix of sometimes fun sometimes a new and unique form of human torture (wydm press shift 4 times n hold down e then press V C and 2 IM ON A KEYBOARD!) Once u make it past level 20 u are immortal but ur enemies are sponges I dreaded every single dragon fight despite that being my favorite thing to do in DAI. Don't ever want to see another Ogre in my life they body me into corners that hitting space can't save me from.

At some point u just gotta run around the place a lot hoping ur companions can do the damage for you bc the mobs aren’t interested in them at all. i was spamming 2 n slamming on that E key hopping it would be over n done with already, If i wanted to play a flashy monster hunter game, well then id play tw3 at least that combat is fun.

Lore & Story building

At the end of Trespasser, I was under the impression that the conflict in DATV would revolve around solas amassing an army of elves all over Thedas to rebel against the Evanuris. He had a whole network of Spies working against the Inquisition and the Antaam, and planned to restore the elven people, upend their religious views, and try to tear down the veil as a way of atonement. So I was understanding of there only being 3 import choices ( 1- who you romanced, 2- Save or redeem Solas 3- Disband or Keep inquisition). But that's not the story we get; instead its this??

The veil jumpers are like engineering mages with no ties to Solas beyond being an elves. There is no religious struggle they just seem to accept that these Gods have always been evil and need to be stopped. Solas is just a one man army trapped in the fade off screen for like 70% of the game. Should I have just kept the inquisition around after all? The only mention I got was my disbanded inquisition choice was inky going "my name still carries weight in southern thedas" and it seemed like disbanding or keeping it would have an affect on how easy or hard it would be to stop Solas but no it really doesn't at all

“It doesn’t feel like a Dragon Age game”

A criticism I rarely take seriously because that can mean so many different things? Like what is it the atmosphere? The aesthetics? The “dArK fAnTasy” none of these things have ever stayed consistent in any dragon age game. And I’d say DA franchise lost its teeth/edge when dai rolled around it was pretty light in the world of dark fantasy

However…theyre kinda right this time around....

It doesn’t feel like a dragon age game because they removed a lot of the lore your were exposed to in the previous games to the point where this might as well be another game all together. (i am not even a lore nerd but i do need something there to feel like i am in a dragon age game)

Yes the city is named Minrathos you were are told of its cultural significance and history as the seat of the empire but looks like a shittier version of kirkwall (and I kept getting lost going around the map so I hated it even more for wasting my time) Honestly the city felt super high tech and out of place in a fantasy setting imo, I missed it when everyone lived in a wooden hovel in the middle of the woods.

There is no reason for the venatori to follow Elgarnan and ghilian'nan or for the Qunari either but it all gets hand waved away with "they offered us power"

Reading the Inquisitors letters made me feel like im in a spinoff game and the real story is happening somewhere else. And sad to like baby take me with you!! i want to save u from this nightmare

A lot of the factions are sanitized to the point of being boring Darvin's little 'we're warden we don't do blood magic that's just not right" baby I let the wardens sacrifice elves to Corphyeus 3 weeks ago :/

Qunari Culture

So the whole reason you were fighting the Antaam in DAI was because they believed you were in cahoots with Solas, who's whole plan to them is to sow chaos and disorder- that is a HUGE no no in the Qun so they see it as their sacred duty to stop you. The Qunari we meet in DATV mindless npc mooks who attack you not because your with Solas but because the Evil elven gos promised them uhh power n shit for stopping you. Like I know I did not just waste my time in DAI reading about how egalitarian the Qun is everyone is like a Hive, they depend on each other so selfishness is rooted out so wtf was going on in Treviso with these guys. A whole culture decimated down to being darkspawn mobs part 2

What made me never want to play another DA game ever again:

Everything you ever did in Orlais, Ferelden, Kirkwall is pointless. No matter what the last letter from the Inquistor is "yeah the blight reached the south Denerim is gone, ferelden is blighted beyond repair, we took back Skyhold but barely. The Venatori disposed of whoever you put in charge of Orlais and there's giant leviathans rising out the sea in Ostwick"  There is no conclusion to this it's just the state of the world now

I cant even pretend my non solas romanced Inky is happy and safe after all this? My hof and Alistar might as well be dead for all that it ever mattered. I get that the devs wanted a clean slate but did they have to burn my house down and salt the fields? It feels so spiteful and mean, like they wanted to make a whole separate game and tack on the "dragon age" title to it for money. If they're not interested in the lore or world building why should I? it made me fully checked out of the rest of the story. Like damn idgaf about elgar'nan and the other one give me back Redcliff

TLDR I dont know if i should be sad that I still care about this or glad its over either way im blocking all datv tags n moving on

[matrixbearer2024]

Suffering

Are you really even living? Or simply surviving doctor? When had immortality turned from a blessing into a curse? More importantly, did you really even care? Or did you only care because you're now all alone?

AKA; Ford internalizing now that he's alone and invulnerable to the sands of time. The same can't be totally said for his mental state though. After all, he's only human.

Songfic based on "Suffering" by Amelie Farren written for my Time Lord Twins AU!

I'm very delulu for my AU- so have a sneak peek into Doc's future with this song fic I wrote. I have three distinct moments for Stanford as the Doctor in my timelord twins AU:

the Doctor that neglects — when he was young and was only a Doctor thanks to his PhDs

the Doctor that regrets — present, where I normally create content for him and where his blog and RP are currently situated

the Doctor that forgets — the far flung future where he outlives everybody and completely embraces being a time lord

I'll be tagging these posts accordingly, but I'd love to talk about his lore much more if you guys are interested!

The sun had long dipped below the edge of the cosmos, surrendering to the sea of stars that now spilled across the boundless sky. Within the TARDIS, Stanford stood against the vast backdrop of that eternal night, the hum of the ship's machinery a constant, soothing drone beneath the cacophony of his thoughts. The silver pill case in his hand reflected the light of a nearby console, gleaming with a sterile brightness that made his skin crawl. He turned it over between his fingers, contemplating the small white tablets that represented his fragile tether to equilibrium.

  I've thrown aside my worries, but the cares they bite me back. I'm taking twenty vitamins a day, for the iron I lack.

  Stanford grimaced, the corners of his lips pulling downward as the familiar bitterness welled up in his throat. He tilted his head back and swallowed the pills dry, feeling them scrape down his throat as if rebelling against their purpose. Sustenance without substance, that was his life now. He no longer needed food to keep going, no longer needed the simple pleasures of living— he only indulged when he could remember to, when the aching loneliness hadn’t numbed his senses entirely.

  I don't need food I don't need sleep, don't tell me that I'm wrong! I don't know what I'm doing— But can you please just play along?

  The first decade had clawed at him with relentless, gnawing grief. Each year afterward seemed to find a new way to hollow him out, chiseling deeper into the marrow of his being until there was nothing left but the echo of old anguish. He would lie awake in the captain’s chair or pace the TARDIS halls, every footfall a metronome counting out regrets. Days would bleed into each other, a palette of shadows smearing over any sense of time. He’d stopped counting birthdays after the 200th, the last one he’d shared with Stanley.

  Why count when the numbers stretched toward an infinity he wanted nothing to do with?

  My head is made of flowers, and my body made of steel. Cause I can't think— Can't hear— can't feel!

  Stanford’s fingers flexed, muscles tightening and releasing as if testing the reality of their presence. The memories surged forward like a wave, unstoppable and suffocating— hands covered in grime and ash, eyes stinging from the smoke that rose like specters around him, the taste of iron sharp on his tongue. He had touched the stars, commanded them, until they burned him to cinders. His mind was an overgrown thicket now, vines of regret and bitterness weaving through every synapse, thorned reminders of a past he could neither escape nor amend.

  When he closed his eyes, he could see them— faces etched into the void, voices calling out in anguish as they fell. Each step, each choice, stained his path with crimson guilt. He felt like a monument to grief, immovable and ever-decaying.

  They say a picture's worth a thousand words, but I disagree. I can't imagine anything Cause I can't see!

  The doctor let out a breath that shuddered its way past his chest, eyes straying to the holographic stars projected across the TARDIS library. What he once chased with fervor and ambition had turned into an unyielding prison. The titles of “healer” and “teacher”, which once filled him with pride, now felt like weights dragging him deeper into the abyss. What good was saving worlds when he couldn’t save his own heart from splintering?

  I won't break the ice though what else Is there to do? Cause suffering in silence is better—

  He could scream, tear at the walls and curse the very fabric of the universe, but he didn’t. The tears had dried up centuries ago, leaving him a stoic effigy among the whirring consoles and glowing monitors. The charade was familiar— a smile that never reached his eyes, words measured and wrapped in carefully crafted ease. He was an actor in the greatest tragedy ever told, where the curtains never fell.

  Than suffering with you.

  The doctor’s gaze dropped to the leather-bound journal resting on the armrest of his chair, untouched for days. The pages within held maps of stars, sketches of constellations, and annotations written with a frantic hand, desperate to capture even a fragment of meaning. The room around him felt cavernous, echoing with memories of Dipper’s quick wit and Mabel’s bright laughter. He could almost hear them, almost see their shadows darting between bookshelves.

  But it was only him, just him, marooned in this endless stretch of time.

  So I jumped out with a parachute, but the ground caught me off guard. Karma for the rules I break, the ones I disregard.

  The temptation to go back, to step through rifts that bent reality and visit those moments, was irresistible. He’d done it before, left the TARDIS hidden among the trees and traced the familiar paths of Gravity Falls with trembling steps. His heart would clench as he watched past versions of himself and his twin squabble over nonsense, the cheery voices of his grand niece and nephew not long to join. Their voices carrying over the wind with the kind of ease that only came before everything shattered.

  I can feel the tension rising. What fate is worse than this? Stuck between the ones I love—

  He’d watch them, hidden in the shadows of his own memories, a ghost to a life he once lived. Cosmic rules be damned. He’d listen to the echoes of their laughter until it felt like it would break him, that painful, beautiful sound that underscored just how far he’d fallen. But even then, he would not dare approach, would not dare alter a single second.

  And the ones I miss.

  Stanford’s eyes shifted to the flickering flames of the library’s fireplace, its light casting restless, dancing shadows across the room. The orange glow did little to warm the chill embedded in his bones. How many Fords, across how many dimensions, would have craved this? A sanctuary lined with knowledge and power, the respect of entire galaxies balanced on a single whispered name— ‘Doctor.’ And yet, it was all as hollow as the space between the stars.

  My head is made of shrubbery, and my body made of stone. Cause I can't for the life of me— reap what I have sown!

  He tightened his hold on the armrest, the leather creaking under his grip. This wasn’t how it was supposed to be. It never should have come to this— sailing across time, trapped in a machine that hummed with its own form of loneliness, while he wore a mask that no one ever questioned. It felt like being both the sculptor and the statue, shaping and trapped by the life he’d carved out.

  They say a picture's worth a thousand words, but I disagree. I can't imagine anything, 'cause I can't see!

  The weight of immortality, once so alluring, now coiled around him like iron shackles. What did it matter if entire legions paused at the utterance of his name? What did it matter if beings far beyond human comprehension flinched at the sight of him? It meant nothing without the echoes of laughter, without the warmth of shared stories and the unspoken understanding of his family’s presence beside him.

  I won't break the ice though what else Is there to do? 'Cause suffering in silence is better—

  He filled the silence with companions, short-lived stars that burned bright and fizzled out too quickly. They were there, and then they weren’t. Time was relentless, wearing them down to memories while he stood unchanged. Each one chipped away at him, left him a little more hollow. His only true constant was Stanley, and even he didn’t know the full story. Ford wouldn’t let him, couldn’t let him see that far into the dark.

  Than suffering with you.

  The TARDIS thrummed, a soft, sympathetic sound that vibrated through his bones as if it, too, mourned the lives they’d shared and lost. Ford exhaled, the heaviness in his chest pressing down like a stone. He could carry this, he would carry this— because if there was one thing he’d learned in all these centuries, it was that some battles are never meant to be shared. Some wars are fought in silence, against an enemy that wore your face in the mirror.

  And if the burden grew too heavy, well— he was the Doctor. He would bear it alone.

  He had to.

  I try to sink and never float.

  Some days, the weight was manageable, a familiar companion that settled over him like a well-worn cloak. But tonight, the burden felt insurmountable, pressing against his chest until each breath tasted sharp, like the metallic tang of blood from battles fought too long ago to matter and yet too vivid to forget.

  Stanford’s eyes turned to the viewport, where the stars blinked back at him with their indifferent light. Once, those points of light had been symbols of promise, of adventure and uncharted paths. Now they were cold eyes watching as he drifted— an eternal voyager, bound by his own choices and the mistakes that clung to him like barnacles on a shipwreck.

  Cause my head is underwater.

  The doctor’s fingers found the edge of his sleeve, gripping it tight as though it could anchor him. The silence roared in his ears, the kind that made old wounds ache with the sharpness of fresh cuts. Memories of splintered wood and that familiar bite of ozone filled his senses. The frantic fight, the blinding light, the hole that had torn through his chest— a wound that should have marked the end. He let out a shuddering breath, feeling phantom pain coil around him like a serpent.

  I’m here by choice by my own hand.

  The most damning part was knowing that every fracture, every scar, was carved by his own hand. He’d walked into the chaos willingly, driven by an insatiable need to prove something— to whom, he couldn’t even remember anymore. A need that had led him to make choices that, at best, haunted him and, at worst, had cost him everything.

  I’m a lamb sent into slaughter.

  He ran a hand through his hair, disheveling the silver strands that had once been a youthful umber. The weight in his chest grew heavier, spreading through his limbs. He remembered the moment he’d sealed his fate with a handshake and a grin, signing away pieces of himself to a demon who promised everything and gave nothing but ruin. Even now, the jeers of that one-eyed triangle haunted the corners of his vision, mocking him with every beat of his undying heart.

  I’m aware of my own body.

  Every nerve ending screamed in protest as memories flared to life. The repair box’s nanobots— an endless legion that buzzed beneath his skin— worked tirelessly, a ceaseless reminder that he wasn’t wholly his own anymore. Some days, he could almost feel them moving, an itch he could never scratch. His hands curled into fists, knuckles turning white as he resisted the impulse to claw at the sensation, to rip it out and make it stop.

  I can feel beneath my skin.

  But he didn’t. He never did. The discipline of centuries held him captive, a slave to his own stoic facade. He swallowed hard, letting the tension dissipate as much as it ever could, settling like sediment at the bottom of his soul. The fire’s light flickered over his features, casting deep shadows that made his face look carved from stone.

  I can wash away my insecurities.

  He stood abruptly, the sudden motion sending a wave of dizziness through him. The doctor steadied himself against the back of the chair, eyes closing as he drew in a breath. The act was as much a ritual as any he performed— a way to wash the fractures of his spirit, to convince himself that he was still whole. But deep down, he knew.

  But can’t wash away my sin!

  No amount of time, no act of heroism, could ever cleanse the burgundy that stained his hands. It was a truth that gnawed at him, a constant shadow that whispered during his moments of quiet. He turned toward the shelves, running a finger over the spine of a book he’d read a hundred times but never truly absorbed. Knowledge without purpose— just like him.

  They say a picture’s worth a thousand words, but I disagree! I can’t imagine anything—

  The holographic stars in the library blinked and swirled, shifting constellations that once spoke of wonder and exploration. Now, they were a cruel reminder of all the places he’d been, all the faces he’d left behind. He raised a fist, hesitated, then let it fall to his side. He couldn’t even find the anger to break the illusion.

  Cause I can’t see!

  His vision blurred, not with tears— those had dried up long ago— but with the weight of exhaustion that pressed down on him like a vice. Every accolade, every whispered praise, fell flat, their meaning washed away by the tides of time and repetition. The applause of civilizations felt no different than the hollow sound of silence.

  I won’t break the ice though what else Is there to do?

  The cold chill crept into his veins, a familiar companion that had shared his endless nights. Yet, he dared not crack the veneer he’d cultivated— that smile, that reassuring nod. It was a mask, as impenetrable as the TARDIS walls. To break it would mean shattering the delicate balance that kept him standing.

  Cause suffering in silence is better—

  Stanford’s fingers brushed against the journal again, the touch almost reverent, as if it held the answers he’d long given up searching for. The one story he couldn’t write was his own— each word caught in the tangle of what-ifs and could-have-beens that ensnared his mind.

  Than suffering with you!

  He swallowed back the ache, pushing it down to the depths where it simmered and seethed. To bear it alone was better; it was safer. The doctor would stand, resolute and silent, a guardian of time burdened by its cruelest truths.

  And as the night deepened, the stars outside continued their silent vigil, unmoved by the man who carried the weight of universes in his lonely fractured heart.

Tell me what you think about these two! I've got more drabbles in store for them aside from the content already on both their blogs @gftimelord & @gftimelordstwin! Also posted here on Ao3!

[halfphoenix]

I didn't love the pacing of the end of this season but the wrap up does make me so emotional 😭 it's a game with their friends that they love and they will put their hearts into it. everyone gets to come back and they spend SOOO LONG roleplaying after that huge 2 episode battle it makes me so glad 😭😭😭😭

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[kg2hub]

kindergala? more like: lou singlehandedly revives the kindergarten tumblr rp community part 2 electric boogaloo /lh /silly

[piningpercussionist]

What's it even like at Ramona's place. Also is her cat cute and fluffy?

Well, it's not the most spacious place, for starters. Julie has us all beat on that I think, with Neil and Stephen's place coming second. Then maybe my place? I'm not really sure... DEFINITELY not Scott's.

But it's alright. Ramona knows what to do with the space she has, I think. And she just tucks whatever doesn't need out into her little bag that she's got, so there's never really any clutter, unless Scott's provided it. She's got, like, multiple stories to it? Like, one and a basement, or something- in addition to the ground floor, I mean. We've discussed playing down in her basement, sometimes, for practice? She seemed pretty receptive.

It's nice being over there. I dunno. She hasn't done a whole lot with it, but it's nicer hanging out there than it is here, usually. Wish she was less busy so I could come over more... I mean, I could visit Scott when he's there I guess, but it's not really the same. Besides, I wouldn't want Ramona to come back from work and have to chase me off to get some rest or something?

*Kim sort of snickers a little.* Or she'd come back to me trying to hide Scott's body. She doesn't deserve to deal with that.

Anway, more realistically, she's probably exhausted after running around all day, being the only Amazon delivery person in our area and all. Even if she was fine with me lingering, I'm not sure I want front row seats for the two of them being lovey-dovey or whatever. Gross.

And Gideon... Gideon is probably one of the cutest cats I've ever seen. I didn't really like cats too much before now, but I think I've been converted or something. He's just the sweetest thing, sometimes, and Ramona's managed to get him nearly completely desensitized to being picked up, held, moved around- he just genuinely doesn't care, so long as you aren't hurting him.

He's a short haired cat, I think, but he's super soft- Ramona tells me it's because we're always petting him. Something about the oils in our hands making his fur softer? I think I get the general idea there. His fur is like... deceptively dense though? You can sink your fingers in a little and muss it up if you want.

Heh. I don't recommend trying to mess with his stomach at all, though. Gideon's generally pretty forgiving, and doesn't really bite or scratch people from what I've seen at least, but one time Scott tried to give him belly rubs while he was all splayed out on the couch... the attack afterward was pretty tame so far as the initial strike went, but he got Scott good, and there was like... blood, everywhere. You'd think he nicked an artery or something, but no, it was just Scott doing what Scott does.

Is there some sort of like... thin-skinned or heavy bleeder debuff he's got or something? Or was it just him being a moron and splattering it everywhere? Anyway, Ramona had it handled pretty quickly, and tiredly, so that's probably something really typical for them.

[synthetic-sonata]

it is a good day to not know anything about smps

[grims-local-pkmn-irl-hub]

How to Write Engaging Anons

I’ve spoken to a lot of people behind close doors and we have all come to a realization: PKMN IRL as a community isn’t the greatest at sending engaging anons,,,

A lot of anons tend to get off track from what the blog runner is trying to do or will send completely unrelated anons during a plot moment on someones blog which can be incredibly frustrating for the blog runner.

So, I’ve decided to compile a little “guide” to help.

Look over the recent posts of a blog to see if they’re doing anything that could be considered plot relevant before sending an anon. Are they vague posting about something? Did they cut off a tangent too short? Did they mention they have stories to share if anyone wants them? Did they say something off or slightly concerning? ASK ABOUT IT! Ask them to elaborate! Ask for more detail!

Try and keep asks on task if a plot hook/point is currently happening. It is incredibly discouraging for a blog runner to see the notif for an anon only to open it and it have nothing to do with what they are currently trying to reveal/be engaged with. Do not latch onto a bit like your life depends on it because you are most likely just tiring out the blog runner who just wants to share interesting character/story info. Bits have a time and a place.

Don’t have a character that would realistically send that anon? Then don’t send it as that character, send it as yourself. The blog runner and character will not know the difference. This also has an added benefit of baiting a character into talking about something you know your character can then interact with. Anons are great for interaction in more ways than just asks.

Worried someone already sent the ask you’re about to send? SEND IT ANYWAYS! A blog runner would much prefer two of asks of generally the same question than zero asks! And it shows that people care enough to ask that question twice! It gives the blog runner something to think about when writing!

Don’t have any idea of what anon to send without an ask game? SEND THE SUPER “BASIC” ONES! I promise you that very basic questions like “how do feel about this”, “why do you say that”, “you mentioned [this], can you elaborate more” ARE LOVED BY BLOG RUNNERS!!! So much can be understood about a character’s mental state or attitude depending on how they choose to answer these questions. They’re “basic” and “overused” because they are really good questions to ask!

Try and engage critically with a character! Remember! This is an RP community! We are playing these characters as if they are real so you need to treat them like people! For example: Telling a very clearly mentally ill character that their thought process isn’t healthy and that they should just go to therapy isn’t the most helpful anon and it especially isn’t when that seems to be all the blog runner gets when they’re character gets like that. A good way to try and engage critically is to ask similar questions as above such as “why do you think that” along with some others like “can you walk me through your thought process”, “do you know when you started acting/thinking like this”, etc.

IC Hate Anons. These anons are fun and good! They can be very useful for story telling and showing off certain aspects of a character! They can also be super draining especially when that seems to be all that a character gets when trying to do plot hooks/points. It can make a blog runner’s motivation wane and deplete when all it ever seems like is that anons want to use their character as a punching bag. A good way to negate this is if you send an IC hate anon is to quickly follow it up with an anon that’s trying to engage critically and is asking questions and treating the character as a person. This allows for a blog runner to have choices on whether they want their character to be a punching bag right now and get beat down or would rather follow the anons line of questioning.

Ask games. I know I’m beating a dead horse here but SEND AN ASK TO THE PERSON YOU ARE REBLOGGING FROM. The blog runner will see you reblogging it from them and be waiting for an ask to come in and then it never does. Send an ask. They are literally pre-written most of the time. Okay that’s all I have to say here. 👍

Make sure the anon has some sort of substance. Even when sending anons outside of plot periods make sure the anon has something the character and blog runner can actually feasibly answer. One word anons that are just “yeah” or “okay” are incredibly difficult to respond to. So is randomly being sent quotes or things that just generally have nothing to do with the blog or pokemon in general. People have an easier time when being sent asks about their character’s pokemon, family, friends, most recent stupid post, etc. I have about 40 anons rotting in my inbox for @/espers-n-espurrs because they have nothing to respond to. And this isn’t to say silly/dumb anons shouldn’t be a thing. They should be but they should also be something someone could reasonably reply with besides just replying with “why the fuck did you send me this”.

In all, remember you are not only engaging with a character and their story but you are also engaging with a blog runner. You may never know their name or have a one on one conversation with them but the asks you send their characters do have an effect on the blog runner.

Show that you are engaging with their character, show that you care about the story they are trying to tell.

Reblogs are important for interaction but in my mind asks are the backbone of this community. A good ask and a good response allows for a good chance for others to be able to interact with the response IC.

But yeah, remember, the blog runner is still there behind that screen, you are still interacting with them when you interact with their character. Give them something to work with when you send an ask.

[maelancoli]

PADDING OUT DIALOGUE SCENES

in another round of very unprompted writing advice i thought i figured i'd share my two cents when it comes to the topic of struggling to fill out conservational scenes. another thing i see a LOT of lately is a general fretting among writers who find that dialogue comes easily to them but the rest is a struggle. for me it's often been the opposite, i had to work at honing the talking part but description? i've always done a little too much tbqh. but funny enough the solution for both is not disconnected.

a lot of it will come down to knowing your character. what are their ticks? what are their filler words? are they bold and expressive when they're speaking? or are they withdrawn and shy? deciding the behavioral quirks of your character will improve your instincts when trying to be more descriptive. do they fidget with their clothes? do they pick up objects and toy with them? do they fold their arms around themselves or have other defensive posture? where do their eyes go when they speak? do they look around a lot? do they have an intense, unwavering gaze? do they zone out to look at other objects? what are they looking at when they do look away to think or listen? (this is also where having a faceclaim to build characteristics and mannerisms around can be helpful, not just in rp settings but any kind of fiction.)

"i guess...i don't really know how i'm supposed to feel about it," he admitted.

okay so we already have information here to expound on. the character is uncertain and conflicted. how would that effect their demeanor outwardly?

"i guess..." he trailed off with a sigh. he shook his head and his gaze grew unfocused, wandering away from his companion to stare blankly at a clock on the mantelpiece. his index finger tapped lightly at his knee. "i don't know how i'm supposed to feel about it, ya' know?" amir admitted with a shrug. he finally looked at the other man again, but there was a vulnerability which brought a sheepish shadow to his tumultuous gaze.

we've shown he is pensive with a wandering eye and that he's a little uncomfortable with his nervous tick of tapping. the next step is to consider the inner workings of their PoV. what does the scene itself call for them to be doing and thinking between lines? what does the emotion and tension of the scene—or even the comfort and familiarity of it—reflect inside them?

"you don't have to know right now," malik pointed out. he lifted his hands from where they had rested on the surface of the table to turn his palms outward, leaning in closer. "it's okay not to know." they held one another's gaze for a silent moment. amir's lips pressed together and he swallowed down the lump which had formed in his throat. he was not an emotional man. he had always prided himself on his restraint. but it was all beginning to be too much and the empathy in his friend's eyes was only another weight upon his already bowed shoulders. "...maybe you're right," he mumbled thoughtfully.

here we have shown his friend's gesture, adding more presence to the environment around them. and then we have given a little space for the character to feel. we have given a little information about who he is, or at least how he thinks about himself. by bringing his eyes back to his companion we have shown he is opening up, he is actually leaning into the intimacy of comfort and listening. but the mumble shows he is still not confident in admitting the need for help. it shows he has not even accepted fully the grace he's being given.

it isn't just what a character is saying, it's how they're saying it. it's how they're carrying themselves. it's how they're receiving the other characters' words. and showing how they're carrying themselves along with their inner feelings will also help show what is driving their dialogue. it will create a contrast if they're not being a reliable narrator, if they're contradicting or if they're withholding etc.

taking time and being patient with yourself to expound upon these things and to develop your character will make them more real. the more you practice and get to know them, the more instinctive and natural it will become!

[badlydrawnronpa]

hi anon ty for sending the message! I did look through their blog and they very obviously use AI - I would've published the ask normally to let other people know but I decided against it in the end because after a closer inspection I noticed that all commissions are fake (besides being fake art I mean) and they're not actually scamming anyone because. uh. literally most of the blogs I saw interact with them are empty rp blogs that are blatantly controlled by them and one of the commissions I saw on their patreon was for a defunct ohsc rp blog from 2014??? Which honestly was really funny.

so yeah, they're very much not pulling any money from that, and on top of it all they posted pics of themselves sooooo yeh, not going to blast them on a blog with a big following for trying the 'i dont use ai im a real artist' but ultimately not scamming anyone out of their money. They're also not the best at like... hiding they're using AI because you can see their traditional art in other posts, and the style or experience level doesn't match at all.

I will post some of their AI stuff underneath the read more and point out the inconsistencies tho, to help out other people in spotting out ai shit (esp non artists that might have an harder time figuring things out). If you find out the original user that posted these, please don't harass them, be civil.

BTW I'M SAYING THIS NOW: if you see something I point out and say ''ah, I do that, I'm in trouble" - no you're not, if you actually draw the stuff yourself. You can see when an artist's work (and mistakes!) are genuine. Beginner's mistakes can be made by experienced artists too, but if you look at their entire body of work you can see when something doesn't add up.

to start off, I saw anon calling them out on this one so I'm just reiterating some of the points, but here's some junko 'art' they made

when confronted abt it, they said that the fingers look weird because they can't control their shaky hands and drawing small is hard. anyway if you draw digitally you can zoom in on the canvas and work on a detail as big as you need, so that excuse doesn't hold

this other post was basically what made me just say 'yep thats ai' and it was just the second 'art' post I saw from them

while taken alone they could've been a little harder to spot as AI, with them all bundled together you can easily see they came from the same prompt; the user tried to justify the inconsistencies saying it was because they were 'experimenting' with the design of their oc and gundham's scar but I'm telling you now, no sane artist fully renders four pieces that are basically the same concept while changing the design of the character just slightly in every single one of them. anyway, here's the breakdown of every piece:

another that was way easier to break down because it's so full of inconsistencies the moment you really take a look at it

also let's be real if you render art like that you're not gonna put a bright purple unreadable text on your supposed vtuber "art"

let's end this with the AI "commission" that could be harder to break down as AI if seen in a vacuum now, shall we? esp because our friend, the fucked up melty finger, isn't there

I honestly had to look for a while at this one because if you had shown it to me and I didn't see the other stuff this person posted, I could've just chalked up a lot of these mistakes to human error. Tangents between lines, scribbles for details, forgotten uncolored sections is all normal stuff. BUT we know this person used AI in all the other posts, so we know what to look at:

again, some mistakes the AI does can be also mistakes actual artists do: be sure to check the other art the user makes before throwing accusations

they also posted a fake speedpaint that is so embarassing it made me laugh but if I start pointing out inconsistencies in an AI speedpaint we're gonna be here for a long time, so.

TL;DR AI 'ART' SIGNS:

The classics: hands and fingers don't make sense, there's additional weird lines and they melt into other part of the drawing

long hair strands and other long or flowy elements can suddenly disappear behind objects and not reappear where they should

jewels, intricate details, hairpins and other accessories bend and melt into each other and other part of the design

the resolution of the image is very low and/or grainy - a lot of artists post lower res pieces online, but again: look for a pattern and combos of all the other signs

inconsistencies between multiple art posts, character designs constantly being different, sudden art style changes - while this can also be found with real artists, this is an additional tell of someone using AI, when combined with the stuff I mentioned above. humans mistakes usually have a reason for what they happen, AI makes them because it doesnt understand what it's doing most of the time

[wowcatboys]

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

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HEARTSTEEL KAYN/READER : KISSES ♡ Gender Neutral ♡ SFW, NSFW under bold header ♡ TW: Sexual Content ♡ Please don't ask me how much I spent on RP when the skins released!!! IT'S NOT RELEVANT !!

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

KAYN

Kissing Kayn is damn near indescribable. It's all his passion, his excitement, his energy, all focused on you. It's like, well...picture this. The pins-and-needles sensation when your leg falls asleep. The burn of sunbaked summer pavement on bare feet. The gasp that comes when you get shocked by static electricity. Hazy neon signs, spicy cologne, ice water after mint gum. Somehow, Kayn feels like all of this at once.

Kayn really likes those double-sided mints, the ones that are half strawberry. He's usually crunching his way through a pack of those, so it's not rare to kiss him and taste a hint of strawberry and the coolness of mint.

If you think you're going to get away with giving Kayn a tiny peck on the lips, think again. Go ahead, try to whisper your lips against his and pull back. "Uhhh," he raises an eyebrow, scowling, "what's that bullshit about? Come back here." Kayn slides a quick hand around the back of your neck, all-but-crashing you back into his mouth. He doesn't let you go until your bottom lip's shiny with his spit, and your cheeks are heating up.

If you catch Kayn when he's extra sleepy, though, you might get some sweet kisses out of him. Pull him close as he's stirring in bed and pepper kisses across his cheeks like freckles. He'll squish you to himself and lazily touch down on your forehead, your temple, the bridge of your nose. He's the sweetest when he's half out-of-it.

Kayn has zero shame. He will kiss you in front of anyone, and he will kiss you anywhere. If you want a kiss? You get a kiss. Anytime, anyplace.

Just because he's gone full-Rhaast doesn't mean he loses the urge to kiss you. If anything, his urges get stronger. The need to have you, to show everyone you're his, to be so close to you there's barely room to breathe in between. Often, he'll tip the edge of his mask up just to put his mouth on yours.

His favorite place to be kissed is his neck. Kayn's extremely sensitive there. If you attack his throat with little love bites, pausing over his Adam's apple, he squirms into your touch, sighing happily—you might even coax a giggle out of him, if you're persistent enough. (If you call him out on it, though? He will never admit to such a cute noise. "I was coughing," he insists.)

Kayn's favorite place to kiss you? Well, if you're in public...he's a classic mouth man. He loves nothing more than the softness of your lips and the warmth of your tongue.

N S F W

If you're in private, though? Kayn's favorite place to kiss you is just below your waistline, right on the edge of your underwear. He lingers there just before catching your underwear between his teeth and tugging them off of you.

Kayn doesn't kiss you during sex, so much as he attaches to you like a leech. His mouth is always on you, always moving, up and down your neck, hovering over your chest, pausing on your shoulders. And he bites. Gently, most of the time, but he's been known to leave bruise-dark hickies in places spilled over your skin. He's especially rough if you're topping him, riding him within an inch of his fucking life. Kayn's been known to leave teeth marks if you're really blowing his mind.

Who would Kayn be if he wasn't at least a little bit disrespectful to everyone, always? He loves to spit in your mouth. Don't worry, though, he takes it just as good as he gives it. If you spit in his mouth right back, he's instantly so hard it's almost painful.

[doublejango]

Don't just be pretty, be present. Write with the world like it's real.

There is a lot of beautiful writing in the RPC, a myriad of wonderfully different styles and preferences, and that is an excellent thing! If this tip doesn't feel like it is for you, that is okay! Everyone has different styles and desires; it may resonate with some people and not with others and that is absolutely okay. No one needs to be an expert at anything--I'm certainly not! I almost never edit replies, sometimes I just babble pure nonsense, and I'm a tiny bean of an RPer in a sea of amazing artists. These are just thoughts that have been kicking around in my head for a while, and that I hope will help someone here and there.

Don't just be pretty, be present.

Rather than stressing over how pretty your reply is, whether that means word choice or the actual formatting of the post, consider how present your character is in that post. Are they just passively reacting to a situation or a statement? Or are they really interacting with whatever is going on? Whether it's purple prose or stripped down simplicity, for some people things will feel a little flat, a little hollow, if a reply is especially passive--if a character responds but gives nothing back.

Is one of the characters carrying something weird around in the scene, like a chunk of 2x4 or a broken trumpet? Whatever it is, consider having your character interact with that element. Since it has been introduced, it exists, and there is nothing wrong with having your character notice it. Maybe they interact verbally, by asking about it. Maybe they interact through the narrative, by thinking something about it, or having an emotional response to it if it might be something they have previous experience with. Or, hell, if it really feels too random, you can have your character think that. Just like, What the hell is Joan doing with that trumpet? I don't want to deal with any more weird shit today.

React to what is around you in the scene. Interact with the world. If you're in a castle, maybe consider having your character touch the wall and make note of the texture. If something horrible is happening, don't just repeat a list of the events that happened, but show how your character reacts. You can show reactions internally or show reactions externally, and you can absolutely do both! Showing internally could mean demonstrating through their narrative or their thoughts how they feel about whatever just happened. Does it terrify them? Is their heart pounding? Do they want to run? Are they struggling to continue to stand next to their best friend? An external response might be describing their actions without touching on what's happening in their head--like taking a few steps back, a sudden gasp, stepping in front of their loved one--or even just describing how they look. Maybe they go pale, maybe their hands shake or their voice shakes. You don't have to state everything, you can show them however you want to, but for a lot of people, an RP experience is going to feel much more interactive, much more immersive, when you have the scene get to your character.

A beautiful character standing there and observing events is great, and it can be absolutely in character for them to be completely bored about whatever it happening, to show no reactions whatsoever... but that can be boring for your writing partners, especially in an action scene, and not leave them feeling inspired or feeling they have any sort of a hook to respond to. There's a line from an old song that always comes to mind when I think about this: If you're bored then you're boring. Not necessarily always true, there are ways to keep a bored character engaging, but it can be true. It can be very true. If a character has no more reactions than a plank of wood, then the other characters in the scene might as well walk away and go find an actual plank of wood.

A beautifully written reply that ultimately says nothing of significance to the situation can be wonderful, a gorgeous bit of almost poetry--but for some, it may leave your partner feeling like their efforts to create or support an important moment in the plot have fallen flat.

[Adding: Vivid descriptions are interacting. You're interacting with the world when you do that, you're making it more real. Flashbacks are interacting, you're showing how the events affected your character and what is happening in their mind suddenly. Try to give something for your partner to work with, of course, but don't hold yourself back. Chase your inspiration!]

Write like actions have consequences; play with the world like it's real.

I know a lot of people can be unsure how to react, because they don't want their characters to fail, but that is a trap that may lead to a stagnated scene. Your character doesn't need to win all the time. Let them be imperfect, let them fuck up, let them make mistakes, let them fall on their face, let them be in danger, let them risk it all, let them need help sometimes--

Let them be alive. (Or, you know, whatever passes for alive in their particular canon!)

It's RP. It's okay to take risks. It's okay to not be sure what the perfect response would be, it's okay to experiment, to go with what you feel your character would really do--even if that means they drop everything and bolt out of there, even if it means party members don't see eye to eye on something. It can be daunting to write a character with significant flaws, and it's not for everyone, but for a lot of us? I think it can be super rewarding to go through those little arcs and moments, the ups and downs, the times when your character is doing well and the times when they're just--lost. Flailing.

Write like everything matters. Even if you just do it in tiny little ways, use the scene around your character; let the weather affect them, let them idly pick at some grass if they're sitting in a meadow, let them be sore from a particularly chafed feeling spot because they've been sweating in their armor in an arena all day. Let them be cranky. Let them have headaches. Let their intentions, thoughts, preferences, and vibes not always match their lover's in any given moment; there's a lot to be said for characters who aren't always in perfect harmony with each other. Maybe one wakes up cranky and the other wakes up wanting to burst into song, bathe in coffee, and tackle ten new projects before the birds even start singing. Let them clash, let their love show through how they both respond to those little clashes.

And don't be afraid for your actions to have consequences. Write knowing that your character might be absolutely saying the wrong thing and digging themselves an ever-deeper hole here. Write as if your partner's reply has consequences: if the other character is a dick to yours, don't feel like your character must remain unaffected. Maybe they have the kind of personality where that can roll off their back, but then again, maybe they don't. Let your character be affected by things. Let them be hurt, let them be angry, let them be confused. Let them laugh. Let their minds wander.

Let the world, and the people in it, affect them.

If a bus goes by, maybe your character misses a few words of what the other said. Maybe those words are important.

Maybe it's a hot day and your characters have been out and on the go nonstop; it's okay to let your character be cranky, overheated, and dehydrated and just need to get somewhere cooler and quiet to decompress.

And then for big plot moments? If something terrifying happens, or something amazing, don't pretend it isn't happening, don't ignore it in favor of just replying point-by-point to every bit of dialog from your partner's last post. Conversations aren't always perfect. They ebb and flow--and they can absolutely be interrupted. Have fun. Talk with your partners. Don't try to control them, and don't use "it's what my character would do" as a way to trash a plot or ensure someone else has a bad time. Don't use RP replies to punish them. Keep it genuine in-character, whatever that means for your muses, and keep it kind out of character...

But don't keep your writing or your characters behind glass.

Let the world interrupt your character. Let the world move your character. Let the person with them have an impact on them, for better or for worse. Let them be hurt. Let them do the hurting. Let little things annoy them. Let them be distracted. Let the world matter. Let their emotions and reactions show.

They don't need to be a pretty, perfect, porcelain doll to be an incredible roleplay character. They just need to be present in their own scenes, in their own stories <3

[cutely-inserts-my-opinion]

Hello! @tsams-au-confessions here! I'm doing an experiment where I barge into peoples inboxes and ask them about AUs they like! It's your turn! What AUs in any fandom do you like :]

Nwushdjdn oh my god there are so many I love

This list will be long and there will be explosions with me going insane on every one

🔞 = pretty self explanatory, the two that have these have smut, so-

📕 = they have full on fics (that I have read)!

🔞📕 The Highly Unconventional au/story by @alexandraisyes and @turbotasthick (I think?? I'm pretty sure chat-) was kind of my first introduction to tsams shipping aus, so it will always hold a special place in my heart. I couldn't stand it while I read it (it was just so dark it made me sick, its fucking phenomenal writing), but I kept reading it cause it sucked me in. Now I physically can't reread most of the first book lmao, but I love to reread small parts, as well as rereading whats out of the second. I love dad Kc and mom Solar Flare!! And just Sun's relationship with everyone. (I also have a new appreciation for angst, though its still hard for me to read)

I love @sunny-inajar's ATWR au! I'm not usually a fan of Solruin, but God Sommet is so cute I can't even- and I love Eclipse, and Sun is so pretty!!! God i could gush about that au so hard dude- RV is so pretty too idc-

📕 Snjsnhnrfi @kuuchaos's Backstage au is fucking great. I'm going to read the new chapter of Ameliorate as soon as I'm done making this list- Nexus is adorable, Solar and Eclipse are great, I'm really interested to see whats going on with Dark Sun, and nwuensiabshdjd FUCKING NUMBUS DUDE??? Also I can't wait to see more of Jack- god I love all of them im insane

🔞📕 Oh, and of course the @emhm au because oh my god. This au made me realize I relate to Eclipse a lot and I dont like that realization but its okay chat. I love Sun, I want to fight Lunar, and beussusbshs I'm sorry I love Old Moon dude, he's now little guy??? I fucking adore that. And I love the little Sun group chat, nsisnsjs all the different Sun's are so great. And God i just want to cradle Nisshoku and hold him so close the poor little guy. And like I said I related to Eclipse so I love and hate him, but I dont relate to him just enough to think he doesn't deserve anything bad happening to him. I love him dude shwnwusnd I do cringe whenever he's telling people to have sex or talking about when he's had sex with Sun, but that doesn't make me love him any less (well maybe it does but its just a littllee less lmao)

I do really like @ayyy-imma-ninja's fairy au. I need to take the time to learn more about it though- like read all the comics and stuff! Its a really good au

I also do really enjoy the @villainoustrioau. Its a lot of fun to see and I really like seeing all the Eclipse's being evil together!!

And of course, last but not least, the Confessionverse!!!! Because of course, I'm obsessed. I have so much fun getting to talk to J about Sol and Pan, and I love the roommates in general! It's a lot of fun, and the au is just great. Its a very fun and creative way to do an au! (Creativity i don't really partake in since I'm more focused on being a confession blog than an rp blog!)

And uhhh- yeah I think that's it!!!

[randomsufff]

HEHAHBFKI More South Park doodles I think I’m going insane.

Actually this is kind of the product of me being liking South Park way back in high school but was too embarrassed to draw them when I was bored in class and now it’s all kinda flooding back 💀

Read below if you want to know more about my New Kid and my thoughts behind some of the doodles cause this turned out longer then I though 💀

Anyways- introducing my New Kid. No name cause I literally have no idea. Whatever the cannon name is ig- though I’d think it’d be funny if she was referred to New Kid by literally everyone like in game. I like the idea that a lot of people have with their New Kids that they liked the makeover section with the girls during the Stick of Truth a little too much. I also like it cause… uh… I didn’t play Stick of Truth. (The combat system is not my cup of tea) So it’s not until the start of TFBW does she know shes really a girl.

To give context to the top right drawing- I couldn’t remember the dialogue Wendy says in the alleyway if you say you’re a trans girl- but I do know what she says if your a cis girl (I always knew you were a girl) cause I did a second play through as a cis girl. And I don’t know if there’s supposed to be a huge time jump between the end of Stick of Truth and TFBW but I think it would be funny if it was just the next day- so combine these two fact to get “Wendy always clocked New Kid as a girl but NK just found out yesterday 💀”

Anyways- she’s such a cutie, I love her and her cool superhero outfit I gave her. Outside of the game- I’d like to think of her basically exactly how she acts in game. Mostly non-verbal, with the occasional zingy one liner, and just kinda goes along with the crazy shit the happens in South Park un phased. Like if she was in a episode- the plot would happen and she would be on screen, but wouldn’t say anything, and anytime another character would address her, they’d respond however as if she spoke lmao. Aroace, just like me, so she’s just friends with everyone (except Cartman) and vibes with everyone.

The mini Style comic I though of cause 1) I wondered if Kyle had the same elf ears as the other elfs did in game (again, never played and it’s been a while since I saw gameplay so whoops if it’s confirmed or whatever) and 2) I thought it would be funny if Stan was caught lacking and tried to /rp his way out of it (I wanted to add an extra bit where Kyle would be like “Oh, are our characters gay for each other??? (ARE YOU /SRS OR /J STAN)” and Stan would have to just “yes, and” his way out.)

The last three images were kinda of a stream of consciousness put on paper and made neat lol. I really like showing that all the costumes the kids wear are homemade and stuff- either stuff taken from their parents or visibly taped together etc- cause I think it’s charming. Anyways- I though Kyle’s little robe could be like one of his parents bath robe- and it would be a little too long for him to run without eating shit so he’d have to hike it up like a skirt/dress. Which lead to me thinking that Cartman would say some shit about that and how Kyle, who has a literal Golf Club, would smack his ass up. Which then lead to me thinking about how since Kyle’s the Elf King and Stan’s basically his right hand how he might lift it up wedding dress style if needed (/RP GUYS, RIGHT?RIGHT???) and how Cartman would react, which lead to that one JoJo meme cause thats literally how they’d retaliate.

Always- I’ll probably have at least one more post about South Park I swear. There was a period of time before I stopped watching (I gotta pick it up again) where I would doodle a bit of whatever was happening in the episode, each episode. Crazy I know, but not only did it improve my drawing skills but it helped me remember what actually happened in episodes cause I have shit memory and definitely don’t remember some of the episodes I watched. So I might redraw some of those- see if anyone can tell what episode they’re from.

[from-the-owls-nest]

Intro

Hi, uh, I'm Noa. Nice to meet you. I'm new in here and my cabinmates said to do this??

(ooc: this is basically a me camp half-blood version to interact with other rp blogs and the fandom beyond my other rp blog @flipflops-n-bones whose character is a toddler as of now.)

I'm 15, usually - when my brain glitches or when I want, it can be anywhere from toddler to teen (ooc: IRL I'm a young adult as far as ID goes!).

I'm nonbinary, aro-ace or something? Generally some kind of confused queer. I use they/them or she/her as pronouns, default is they.

Uhm. I look like the little picture I put - on the smaller side, dark curls, blue eyes, headphones and hoodie.

I like: stories, books, music, stars, rainbows, owls, cats, hugs, hot chocolate, helping people understand things, windy days at the lake... in general I'm more of a quiet and cozy person, but with my friends I can be quite silly!

I don't like: loud noises, spiders, darkness, pain, social issues, thunderstorms and crowds.

I read a lot, and listen to music, and I like doing crafts like crochet, sewing, embroidery... Also I got some experience with medical stuff if you need any volunteers.

As far as weapons go I'm okay, I think? Learning Archery, and before coming here I was already learning some Karate and Kobudo (basically quarterstaff work) which is really fun!

My Godly Parent is Athena. At least an owl appeared over my head when I came here (before I passed out)... So I guess I'm good with thinking and concepts and like noticing stuff, and "putting the pieces together". At least when my brain cooperates.

Update: I can change into an owl and fly!! And with practice I'll be able to change just body parts into their owl versions (hearing, vision, claws, even beak i guess? - not wings though that's not how physics works). Athenas symbol or something.

And my age and bodily appearance can change based on mood / unconsciously or when I want it to, from like small child to teenager. We're not really sure why. If I find out, I'll tell you.

And since I got adopted by Jack I can change into a cat too!!

My mortal family... um. No. No thank you. No. I'll be here year-round, please. I miss my little siblings, but... let's say there's reasons I left.

I'm dealing with some issues body and brain wise - autism, disability, silly brain - but it's usually not too much of a problem. Like, i get dizzy and walking hurts so I'll sometimes use mobility aids like a cane, crutches or a wheelchair. And I'm confused sometimes and have a really bad memory, or talk weirdly, but yea. Just some chaos all around.

Uh. Oh yea. Please don't be weird or mean, this is for fun.

People I know:

Jack @demigod-jack-hearth My adoptive mum, Daughter of Hestia, Champion of a whole bunch of gods, gives great hugs and cookies!

Nico @nico-sees-dead-people Son of Hades, needs some sleep

Will @dr-flipflops Head Medic, Nicos Boyfriend, Son of Apollo, also needs some sleep

Aria @flipflops-n-bones their kid, reminds me of my brother, Daughter of Demeter?, (my other rp blog)

Crescent - @the-eclipse-is-in-me Nicos sister, Daughter of Hades

Quinn - @quinn-is-victory Crescents partner, Child of Nike

Annabeth - @not-annabeth head counselor of my cabin and i guess half sibling?, Daughter of Athena

Percy - @seewead-brian Annabeths Boyfriend, Son of Poseidon

Grover - @proud-tree-hugger a Satyr. also something with Pan?

Bianca - @the-one-who-returned Nicos Sister who died, Daughter of Hades (link broken?)

Thalia - @thalia-grace1248 was a tree?, now a Hunter, Daughter of Zeus

Kayla - @sun-girl-offical Wills sister, archery instructor, Daughter of Apollo

Hazel - @the-gem-girl-from-the-argoii a roman demigod and Nicos halfsister, Daughter of Hades Pluto

Jason - @demi-gods-blonde-superman a roman demigod, Son of Zeus Jupiter

Piper - @theghostsaredancing Daughter of Aphrodite

Frank - @zankfrang23 a roman demigod, Son of Ares Mars, can shapeshift into Animals

Leo and Harley - @mrmcshizzleandh-meister Sons of Hephaestus

Selena - @hexpect-the-worst Daughter of Hekate

Reyna - @praetorofthebestlegion Daughter of Bellona, now a Hunter

Rachel - @rackel-mackerel-dare Mortal, Oracle

Silena - @silena-beauregard-xxx , Daughter of Aphrodite

Connor - @connorstollslays (link broken?), Son of Hermes

Calypso - @calypsoontheisland former immortal

Magnus - @dont-call-me-beantown Annabeths Cousin, Norse, Son of Frey, Healer

Alex - @alexf1erroo Magnus' Partner

Cleo - @cleoreadsbooks from Egypt

Apollo - @no-longer-lester Apollo. God of Poetry, Music, Healing, ...

[nextstop-fixationstation]

OK analysis time! Matt said that Marcy's affection towards Sasha was more surface level than Anne's, which was described as "complicated." People might assume that this means that Marcy's affection for Sasha wasn't deep, or that their relationship wasn't.

If we're being honest here they weren't presented as having depth to their relationship so much as having acts and services. They're on the level with each other and can interpret each other's needs for a plan but they are lacking somehow when it comes to each other's emotional needs. This is something Darcy touches upon when they say they might not have ever been friends at all, and might be a core conflict between Sasha and Marcy. It's also a good example of why Anne is the actual Heart of their friendship. She connects and makes their dynamic deeper. While Marcy is desperate to keep people together and hates being alone, she admits she lacks a core understanding of emotional intelligence and this is something she admires in Anne. Marcy treats herself as a tool and mostly makes friends by doing things for them and complimenting them. She's kind of the perfect POV character for a journal that gives lore specifically because she's very attentive to things like strengths and weaknesses and team synergy, but isn't necessarily attuned to emotional intelligence. She kind of blocks herself off from feeling certain things too keenly or doubting herself, and masks it using this peppy overachiever persona.

Maybe if Marcy were more emotionally self aware, she would have been even more openly hurt by how dismissive Sasha is of her interests (even though Sasha clearly does like nerdy things), or she would have noticed that her friends don't really care for RP (etc). But in the series what we see is a Marcy so afraid of being left alone that she'll hide every emotion and every hurt aside from what she thinks will make people stay - she delivers compliments, improves infrastructure, says all the right things to earn trust. She's a great twist antagonist! Admitting that her friends don't or can't reciprocate her interests or desires is important to her arc, because it serves as a lesson to her that friendship is more than just doing things together or doing things for each other. Marcy and the others aren't just tools in schemes and plans.

We hear from Anna that Sasha has difficulty knowing when to bring other people to the table, so for someone like Marcy who thinks that she needs to earn everything through acts/upgrades, it makes sense that their relationship remained very surface level. Neither of them pushes the other to see things differently, while Anne does. Anne can acknowledge where people hurt and hurt her, and can acknowledge that this doesn't mean they aren't friends or significant to each other. Anne notes the complexity! It's why she's so compelling.

So, Marcy acknowledging how hurt she is that her friends don't want to do what she wants is significant because she also says, "I believe in you." Love goes beyond the stuff we do for each other. There's a bit of faith, too. What she did isn't right either. Being hurt isn't an excuse.

Darcy isn't just "evil Marcy," the Core is also every temptation for Marcy. Escapism, distraction, perfect friends who go on quests with her whenever she wants. There's a darkness to this kind of insecure attachment that Darcy reveals. Fear of inadequacy and irrelevance. Fear of loss. Fear of change. Fear of what is deeper than skin deep. Maybe my friends will forget me if I move. Maybe I'm just their nerd, just like Sasha's just cool. So their relationship isn't surface level to us, because this nuance is communicated to us through the subtleties of the show's execution. It's a really well acted, well boarded, well written show with fantastic music! It's really amazing!

Sasharcy IS very complicated! But it's complicated because they never dig deeper with each other until it's too late. It's also why it's significant that Sasha is the one to ask, "Can we save this friendship?"

Why is friendship with Marcy so easy? Is it because they got along and there's mutuality here, or is it because they didn't let themselves get any deeper than what was easy? It's so easy for them to just be the controller and the executor.

Forgiveness is hard. Forgiveness takes time. It takes a lot of thought, discussion, and work. Friendship in the long term, deep enough to mean something and hurt when it's gone, is similar. It's not just sentimentality and acts of appeasement.

aaaaand that's what i think matt meant when he was like "marcy's affection for sasha was kind of surface level"! I will admit I was like noooo Matt noooo don't say it was surface level whyyyy but like i had time to think abt it so i'm fine now lol lmk ur thoughts💙

smth i didn't add to my original tweet thread is that i DO find it interesting that marcy appears to specifically empathize with the experience of lonely people who grow up a certain way or doing things a certain way to protect themselves from loneliness. she seems to have an intuitive understanding of people fitting into groups via niches, but is drawn to people who already seem like outcasts as opposed to being able to identify it when someone is surrounded by people they seem to easily connect with. Marcy has this fundamentally insecure and lonely viewpoint that makes her very interesting to read and analyze, and I suspect it also contributes to her popularity. I mean, clearly *I* love her