#i really have a same feeling with both episode at the end

[poopylumpkins]

I finally watched this movie, it hit me so hard.

I’d been listening to the soundtrack for a while, as a bad habit, I tend to listen to movie soundtracks before watching the source material—and I’m really into Yeule’s music—so I discovered the movie thru the release of their featured song in the movie.

I finally gave it a chance and, wow.

Huge tangent under the cut <3

I’m nonbinary. I’m afab. This movie resonated with me so much.

Making this discovery was a hard one, it was like I’d opened Pandora’s Box.

One of my other (dearest) friends had come out as nb when we were younger and it scared me, it was something I was aware of but pushed away in fear of discovery. Same with my lesbian identity. But the TV kept glowing, I wouldn’t lose them over my own cowardice. Eventually I realized I was lesbian, I’d realized I was trans.

Sometimes I feel connected to womanhood, to my femininity.

For the sake of others, I sacrifice my otherness for their comfort. I go by all pronouns because I’m afraid of dropping “she” from everyone else’s mind. I go by they/she in public spaces where I feel safe enough to do so, but at home, I’m still just a woman, I’m still “her”. Only that.

And it’s difficult reconciling this when I do dress femininely, when I let my friends call me woman. Even when I do that to myself, because I am, paradoxically, as I am not. I don’t know, gender is hard. I present as a woman to a lot of people, so I have experiences socialized as such.

Not to tote any weird superiority complexes, but I like the way God is described in the bible. “I am that I am.” The image of everyone, man, woman, otherwise, all simultaneously.

I feel maybe it’s like that for me, with womanhood. I am woman, I am something else. I like masculine terms for myself sometimes. Sometimes it feels like an empty space. Like [Owen] described it on the bleachers to [Maddy]. I severely hate overly gendered conversation. As a transmasc person, I do like dude and bro but yk even that gets tiresome.

“Yes, Girl.”

“Queen.”

“Miss.”

Only my closest friends call me by “they/them” pronouns, even then, I let it slip when they don’t get it right. But they know me for who I am beyond the screen, and I do just go by any pronouns. But we’re also just used to pushing that away in the eyes of others who don’t see the screen glowing.

In I Saw The TV Glow, Owen and Isabel are parallels to each other (because they are one and the same), they’re both too cowardly for confrontation, Isabel realizes she’s dying [as Owen] and apologizes for the sake of others’ comfort, at the end of the movie, at the outburst her realization causes.

The ending is left up to interpretation, whether she buries herself in the ground with Tara, or she continues to die, living a life as someone fake.

I like to remain hopeful, optimistic. Though, “there is still time,” might read as a warning—you still have time, but it will run out eventually—I see it as a message of hope for those of us who can’t explore our gender identities as freely as others. An eventuality.

During the wire breakage scene, where [Owen] finds herself stopped in the road—where she finds the burning papers of the episode guides, she reads “S06:e01” I like to think that that is where the movie ends and her true life begins. She does break out of the midnight realm.

She doesn’t continue to cower away, though she is wont to do. She opened her chest up and saw her missing heart, saw the “Pink Opaque,” and ran back to Tara, leaving this world behind, and saving face with her apologies.

..

This movie also filled me with existential dread.

When [Owen] watched the finale’s tape, when she launched her head into the tv and mourned the fact that her father wasn’t really her father—a foreboding, looming figure representing prominent patriarchal ideals—when she told us about how it was “time to become a real man,” when her father died, further burying herself into this life that wasn’t hers with a family that wasn’t either—it was terrifying.

We never see that family she had onscreen, and the mention of them makes [Owen] look so defeated. She watches the “Pink Opaque” again and it isn’t as she remembers. Just as Mr. Melancholy said would happen.

“Soon you won’t even remember that you’re dying.”

Whole movie was such a harrowing, representative experience. I sobbed. I mourned. It was like mourning for a past me, for the parts of myself that must stay hidden, for covering the screen.

And the fact that Tara was relatively butch in her real life, but was an awkward girl experimenting with her feminine expression up until she realized she had to escape in the Midnight Realm. I felt connection to her expression as much as I did Isabel’s egg crack.

They were so lesbians for each other, too, be it in a qpp sense or in another way.

…

Here I am listening to the OST again, replaying Yeule’s cover of “Anthems for a 17-year-old Girl,” on my 20th birthday (oh yeah that’s today) and just.. feeling such a frenzy of emotions.

Ultimately, just—

There will still be time. You’ll bury the you that isn’t authentic in the ground and rise as your truest form eventually. There will always be eventually. There will always be you..

I will be there waiting for me.

But I know that's not true. That's just fantasy. Kid's stuff.

I SAW THE TV GLOW (2024) dir. Jane Schoenbrun

[haru-dipthong]

Fansub Release + Analysis of Utena Ep 14

This is a big one!!

My fansub release posts aren't usually like this, but this episode is so jam packed with stuff I want to talk about that I had to write my translation notes as a series of essays. It's longer than usual so strap in!

First, a word on “The Mikage Seminar”

I’ve always found the translation “the Mikage Seminar” very strange. In English, a seminar is an event — a lecture. Yet “the Mikage Seminar” is discussed as though it’s not a recurring lecture, but a society or a school of therapy, or a cult (like scientology). In fact I did a bit of reading about scientology to try and find an alternative translation, and discovered that the origins of scientology, namely a set of ideas and practices called Dianetics, bears a lot of similarities to “the Mikage Seminar”. Both involve a type of therapy where one person looks into their mind and talks to an “auditor”.

The auditor coaxes the preclear to recall as much as possible. — Wikipedia

This in particular stood out to me! Mikage often says 「深く。もっと深く」 during his interviews (”Deeper. Dig deeper.”).

The Japanese word ゼミナール doesn’t actually come from the English “seminar” but the German “Seminar” (capitalised). According to Wikipedia, in Germany, and often in Japan, Seminar/ゼミナール is used to refer to a university course that includes a thesis project. So ゼミナール refers to a course of learning, rather than a talk or lecture. And it would make a lot of sense to call a system like Dianetics a “course”. Almost like a “course” of medicine — a “course” of psychological practices that you can join but never complete.

So it would make sense to translate it as “the Mikage Course”. But “course” has more meanings in English than just this, and in the context of a university this makes it sound more like a mundane teaching course. So I tried some other words: the Mikage Sessions, the Mikage Method, Mikage Psychotherapy, Mikage Therapy, the Mikage Movement. None seemed quite right. Until I remembered this post. ゼミナール is a foreign word in Japanese, why not find a foreign word for the translation? And so I settled on this:

The Mikage Seminarium, AKA The Society of the Black Rose…

Seminarium is Latin, and is where both the German and English derive seminar from. Its original meaning is “seed plot”, but it’s also just the Polish word for seminar. I really like how the Latin makes its meaning ambiguous — it kind of sounds like a location, kind of sounds like a society, and kind of sounds like a learning course. Because it is all of these things.

Anthy: では、香苗さん。失礼します。 Kanae: ね、あたしの事、お姉さんって呼んでいいのよ。もうすぐわたしはあなたの本当のお姉さんになるんだから。

A more literal translation:

Anthy: Thank you for having us, Kanae-san. Kanae: Please… you can just call me “sister”. I’m going to be your real sister soon enough anyway.

The translation I ended up going with:

Anthy: Thank you for having us, Miss Ohtori. Kanae: Please... you can just call me Kanae. We're going to be family soon. There's no need for the formalities.

Japanese honorifics strike again!

In English, sisters-in-law don’t ask to be called “sister”. That would be super weird in most scenarios, and this scene is trying to evoke a particular familiar feeling of closing a distance gap in a relationship. The audience is meant to relate. Changing how Anthy addresses Kanae was pivotal to this scene working properly.

わかりました。あなたは世界を革命するしかないでしょ。

I understand. Your only choice is to force the world to change around you.

This line is translated as “Your only choice is to revolutionise the world” by basically every other translation. The reason is clear — the Japanese is the same as when Utena pulls the sword out of Anthy, or when any of the other characters talk about “revolutionising the world”. However, in this context, I don’t like it. The nuance of the English phrase is quite different to the Japanese phrase. In English, it’s often used to describe new commercial products: “This new device will revolutionise the world!” It comes with an implied “for the better”, but has used to describe technological developments so unexciting that it can also feel hollow. When the student council talk of revolutionising the world, they sound like revolutionaries — the context makes it work. But in this context, it comes out of nowhere and doesn’t have any of that fervour, which makes it sound hollow and flaccid when it should sound sinister and manipulative.

I think a pervading throughline for all the Black Rose duelists is that they see their problems as caused by other people, with themselves being blameless. Rather than change how they approach their situation, Mikage tells them they’re in the right.

Your behaviour will set you down a path. If that path leads to your goals, well done! However, if your path does not lead to your goals, there’s only two ways you can achieve them.

The first is to change your behaviour so that it does align with your goals. The second, impossible way, is for the rest of the world to change such that your current path DOES end up leading to your goals. This second way is not possible in the real world. But it is possible in Utena.

Also I’ll just leave this here: “around you” → “revolve” → “revolution” 👀

Kanae tried to build a relationship with Anthy in a passive, non-confrontational, extremely Japanese way — the way she has been taught to behave, the “proper” way, a mechanical following of the social scripts. We don’t see a lot of their relationship, but the way she behaved and spoke of behaving towards Anthy is very very similar to the way my Japanese grandmother has behaved towards my and my brother’s partners.

It was unthinkable to her to change this pattern of behaviour. Her only choice was to change Anthy, change the rest of the world, so that her behaviour would lead to the outcomes she wants. You could describe this forceful bending of reality to be “revolutionising the world”.

この黒薔薇のある限り、私はこれから嘘の私を演じなくて住む。

As long as I have this Black Rose, I'm free from the lie I was living before.

Besides gender, growing up, and resisting change (which exist as separate themes but also all intertwine as one), another major theme present in Utena is the self and subjective reality. The self is explored within those first major three themes, but also in terms of how the self dictates reality with the Black Rose duellists.

Black Rose Kanae says that her past self was a lie.

It reminds me of all the times when I’ve been going through a personal trial and I’ve looked back on my past self and thought “How naive I was. I understand things better now.” And then after a while I realise I was wrong, and my first self was more right. And then later still, maybe I re-realise that the second self was more right! And so on! The reality of truth (or to use Kanae’s language, “lies”) is so subjective.

Who dictates knowledge production? Who decides what is true; what is valid knowledge? This is a question of sociology - and at the moment that answer is "science does, kinda". But science and academic systems are supported by capitalist structures and tainted by capitalistic incentives — needing to be published in a journal, issues of replicability, the barrier to entry into academia in the first place, etc, etc. In the future we may find our current way of organising knowledge to be archaic and primitive in the same way we look back at medieval scholars.

But what about organising self-knowledge? Knowledge where the only one who can really decide what is true is yourself. And the only one that can decide what yourself even IS is yourself. I feel like I have looked back on my old ways of conceptualising myself many times (not even counting the gender-based revelations) and thought it primitive and archaic, and NOW I truly understand who I am and how to think of myself and how my thoughts interact with my other thoughts. But I have no doubt that I’ll look back on this current self of mine and reject their way of thinking too.

After their heart is replaced by the Black Rose, the duellists themselves frame this change as a moment of self realisation, of clarity. Once the rose is inside them, they wake up from themselves, like I have countless times. Kanae says herself, “This is the true me.” Honestly, I don’t doubt it. I think that version of Kanae was her true self at that moment, given the things influencing her. Being brainwashed doesn’t make you less of a person, or less yourself. It just makes you organise your reality differently.

心を凍結させて作っただけの間に合わせのデュエリストでは、彼女は破れないな。

We won't be able to defeat her by simply freezing someone's heart and forcing them to duel.

Anya and I discussed this in depth. I originally translated 心 as “mind”, because that was the first thing that popped into my head and I thought that was the simple part of the translation. However, Anya pointed out that it didn’t make sense with the themes of self and subjective reality, and I strongly agreed, so I changed it to “heart” instead.

Anya suggested “conscious mind” instead of “heart” but I think heart is more accurate. 心 (kokoro) can mean heart or mind in Japanese (I find it interesting that those two things are portrayed as opposites in English), and that kanji is found in the word for biological heart, 心臓 (shinzou). When they say of the Black Rose "This is your new heart" they use 心臓. They also say "Your new 命 (life/lifeforce)" which I translated as soul since it sounded more hardcore and because "your new life" is a set phrase in English meaning a new chapter in your life rather than your life force. I think the idea is that they're freezing the duellists' ability to love and feel empathy, which in my opinion is necessary for them to commit to the unbelievably selfish act of revolutionising/reconstructing/bending the entire structure of the world for their own convenience.

A very special thanks to @dontbe-lasanya for being there to talk through all these themes and ideas. I'm incredibly proud of this episode's translation and I wouldn't have been able to do it without them.

If you want to see more analysis like this, let me know! And also follow this blog to see episodes of the fansub as they're released. You can find all episodes released so far here:

Rose divider taken from this post

[cinematics123]

I don’t think 911 writers will do this, but I think it would be very, very funny:

Eddie and Buck get together, but at first it’s because they HAVE to get together. Say, Chris comes back from Texas and Bobby finds out about the Will and Bobby advises Eddie that, especially given Chris has asked to live with his grandparents before, that the Will is probably not very water tight. And if he wants Buck to look after Chris, he would probably need to do something else (by which, as viewer, Bobby tries making it clear Eddie needs to talk to Chris and his parents about it).

Instead Eddie asks Hen out of the blue how things worked with Mara with the custody fight and Hen drops that they were registered but that it’s easier to adopt as a married couple (Hen thinks this is about her adoption process, only the viewers realize Eddie is talking about Chris).

So Eddie invites Buck out to dinner (note: without Chris) and tells him that he got some information about the Will and has been advised that it’s not very solid and it would only be solid for the person Eddie is married to (Eddie makes it sound like it was a LAWYER he talked to, not just Hen and Bobby).

Buck is still in his “I have been broken up with” mood and said that he’s old now and no one will ever marry him. So if Eddie wants, Buck will marry him officially so that the Will will be fine. Eddie (kind of saying no homo) accepts.

Buck and Eddie just go to City Hall and start signing up their marriage certificate but the judge says how cute they look and gets a photographer to take their picture and it’s clear a BUNCH of strangers in the city hall are all congratulating them. It’s the first real hint that this is not just an on paper thing.

More under the cut

Next episode? Buck’s apartment building catches fire. Guess who’s homeless and ends up at Eddie’s? Buck says he will sleep on the couch, but Eddie jokes that they’re married so he might as well just crash in the same bed. Queue pining roommates era. They all quickly cosy up - and Eddie ends up going to confession again. Only for the priest to remind Eddie that he hasn’t done anything wrong.

Buck starts by saying he’ll start looking for a new place, but quickly admits to Maddie that he hasn’t really been looking, he’s been spending too much time just hanging out with his boys. And we get a shot of all three of them passed out napping with a movie still playing on the couch.

Buck is now basically Chris’ other dad and Buck and Eddie are literally married and pining over each other - and Eddie has even confessed his feelings for Buck to the priest, but both are too scared to cross that line. They both get caught in a floor cave in and end of confessing to each other and kissing - finally crossing that (by this time very blurred) line.

So then finally their relationship ends up going public and the 118 is like “ahhh that’s so great - when did it become official?” And Buck or Eddie says “oh probably back when we got married” and the whole 118 is like 🤦‍♂️🤦‍♂️🤦‍♂️, “you didn’t know to make the first move, but you were secretly married, wtf”.

[dailyravi]

this is gonna be a different kind of daily post, but i feel like it needs to be said.

i feel like 911 lone star is doing it better than og 911.

because if you remember when we first started out it was about the calls and not really about the characters. and as 911 grew it moved from less about the calls and more about the people. and as much as i love these characters, i’m getting sick of it ONLY ever being about the characters. i’m of 911 we get like 1 call and it’s only to further the character arc for the season or ep.

but if we look over at lone star, they have a perfect mix of call to character ratio. we get stupid calls like a lady w a harmonica stuck in her mouth that both progresses the episode story AND the characters.

and i also feel like lone star doesn’t give any 1 character more screen time or story than others. and ofc owen will always have a little more than a character like mateo or nancy. but that’s because owen is basically the main character. buck is not. buck has way more than a character like hen or chim. but buck is not the main character. og 911 doesn’t have a main character, yet buck gets treated like one.

i’m sorry i’m getting sick of the guy. buck does not need 47 new arcs in one season. and honestly i’m getting sick of the same thing over and over. hen does not need all her problems based around her kids. Maddie doesn’t need to cry for the 100th time. eddie has been like this since season 2. and how many more time can Athena and bobby save the day together.

lone star is giving us new and fresh things every season, mabye not that much with owen but at the same time i didn’t expect to be a horse girl this season. i wasn’t expecting the twist with campbell. i wasn’t expecting carlos’s dad to die last season. i get actually shocked by some of the reveals. but with regular 911 i can call it. i can tell what the hell is going to happen. recently the only thing to shock me, is the eddie story line from the end of last season.

and ik this post is long but i need to say it. 911, even if they don’t mean to, prioritizes white characters. like kenneth chois acting is phenomenal, yet oliver stark is prioritized. and i’m not saying that oliver stark is a bad actor, he is the furthest thing from bad. but kenneths acting in there goes the groom and aisha’s acting in hero complex (where they get kidnapped) is better than what i’ve seen from stark.

ik this isn’t ravi related but i don’t really care, i wanted to say it.

[rafyki]

Episode 11 really showed Jack's growth

Okay, I know what you're gonna say: "but he lashed out at Joke! He threw him away again! He got so angry!". And like- yes he lashed out, yes he didn't stop to think, yes he got extremely angry. But that literally happened in the first ten minutes of the episode, alright? There's more than a hour after that, so please let's focus on everything else that happened too, and the fact that Jack acting like that literally only lasts for a short while (as I already said, everything happens extremely fast in this episode, if you really think about it he only stays made for less than a day, which is a perfectly valid period of time to need to sort through complicated feelings - hell, it's an incredibly short time, Jack got over himself extremely quickly).

Anyway, lemme go in order, because I'm not just talking about his relationship with Joke here, but about everything else too.

There are two main things about Jack's character arc (well, more than two, but I wanna focus on these ones now): first, his tendency to hold grudges and be hard on forgiveness and, second, the fact that he never stands up to power and powerful people in an active way (I'll explain better what I mean later).

As for the first, I made a whole other post about it, so I'm not gonna repeat everything again, but let's see how in this episode he got to the end of his growth in this aspect.

He's extremely mad at the start of the episode (rightfully so), so much that he goes on a rampage (we love to see it, tbh), even though he should know that it wouldn't end well.

When he wakes up, he's still mad - of course he is, he didn't have time to think and process everything yet, given that he was beaten unconscious until now. He gets mad at Grandma when she mentions Joke, and then he lashes out at Save and Hope. It's understandable.

But then? Then it only takes Hope saying this for him to calm down and put things into perspective

I think it's important to point out that here it's only been maybe a few hours since the hospital scene. And here, Jack finally has time to think.

This it when he finally stops and thinks and realizes that he was wrong, that he didn't have any right to be mad at Save or Hope (or, well, he does, but how should also be able to understand their positions, because he's been there too), because they're all in the same situation in the end; and he realizes that Joke only did what he did for him. This is the moment when he finally has time to think and realize he was wrong (both about Save and about Joke), realize that he doesn't want to lose Joke, that he misses him.

Let's not forget that the start of Jack's character growth was to learn to forgive. And here, he shows that he's finally able to do this.

He works together with Save and Hope, he trusts them. Why didn't he call Joke to join them then? Well, I think he probably wanted things to calm down first so that after that he would have the time to actually talk to Joke. He didn't have the time to do that in the end, and that's the tragic thing.

But we know that's what he planned to do, because that's exaclty what he says.

Anyway, let's move on or this will become way too long lmao

It's not only in terms of learning to forgive that Jack grew. It's also in the way he finally decides to actively act to oppose Boss.

I mean, Jack was caught in Boss' web of power since he was young, and he's had to deal with the fact that he couldn't escape it, couldn't defeat it, for years. And so, he always submitted to Boss, in a way.

Yes, when he was a debt collector he went against him, in secret (and sacrificing himself and his own money), until Boss found out and Jack had to bow his head againt before him. When Gradma was in the hospital, he let himself in Boss' grasp again and even when Joke and Grandma slapped some sense into him his way to oppose Boss was to simply tell him he didn't want to marry Rose anymore, but was still willing to work for him; now, we know that that only worked because Joke had stolen the ring. What would have happened if Joke hadn't done that? Boss would have refused, of course, and Jack would have had bowed his head again.

Until now, Jack's actions were often passive, a result of him having no choice. Even when he played the ladder game against Lompran, that wasn't a real choice.

Not now, though. In this episode, Jack finally realizes that he can't keep doing it, that he needs to fight back for real. And this is the first time that Jack realizes that he can't always do the morally correct thing if he wants to defeat people like Boss.

Jack has always had really solid morals, and he's always lived by the fact that he needs to be better - better than the corrupted people in power who use them and look down on them. And that means he can't accept theft as a valid way to fix things, even if it would be justifiable and it would make things easier. But he can't do that, because that would mean that he's just as bad as them. Poor people are always expected to do the right thing.

Until now. Because now Jack has finally realized that he can't play it fair against people like them, he understood how that world works, and he realized that he needs to play following their game's rules.

He's learned the power game's rules and he's ready to play.

And that's what he does. He's able to take advantage of Lompran's greed and use it for his own ends, and he's not afraid of risking his own or Save's life - because he knows at this point that they can't play it safe anymore.

He played the game but he also kept his morals, because he still didn't do it for himself; he played their game but he's still better than them

Jack has mostly been a passive force until now, but in this episode he's finally the active force - he's the one with the plan, the one who takes the lead. (Joke, on the other had, has always been the active force of the show, and in this episode he's the passive one, but I'll make another post about this another day)

And I think this will be obvious in next episode too, when he'll (finally!) get a gun and do everything that's needed to save Joke and everyone else from Boss.

And he finally understood that the world isn't black and white and that sometime you need to do something "bad" to fight back, both for youself and for others. And that that doesn't mean you're a bad person.

[l0serg1rls]

today i wanna talk about the big brawl.. season 6, episode 10 and the sekai taikai.. basically how eye would change some things.

this is gonna be an extremely long post .. i like to yap. clearly. so yeah.

initially, when i first watched i loved it.. but rewatching that specific scene. it’s giving lacklustre? i mean the choreography was good that’s for sure but i don’t know.. i feel like it could’ve been done so much better .. also feel like it didn’t really have to end in kwons death either.

the reason why it fell short for me and felt a bit anticlimactic was because it was just random? russian dojo came back and punched gunther in the face, everyone else started fighting.. like okay💀

the thing is there was no reason too really. (have the massive brawl breakout THAT way) a brawl is fine, but the way it was carried out isn’t. also the actual tournament way too short.

i have an idea; so gonna share it here for you all! this might be dumb but i don’t like a lot with this season 6 part 2 after initial thought. anyways here we go 😖:

start off by saying sekai taikai was too short. like a world tournament only being around 30-40 minutes. i would’ve had the episodes longer with a runtime of an hour or over an hour.

i think CK could’ve benefited from longer episodes and more episodes anyway and better writers. but i digress

each international dojo is introduced through short videos or flashbacks as the teams all join together in the arena or whatever, showcasing unique abilities and talent.

cobra kai and miyagi do both face frictions with other teams in the tournament. an aggressive and brutal dojo accuses cobra kai of being frauds who can’t live up to their intimidation tactics (blame kwon for that one, him intimidating others outside of the mat.) leads to that sort of confrontation.

miyagi-dos defense style is mocked by other dojo who sees it as way too soft. tension brews between alllll the teams. it isn’t just a cobra kai and miyagi do thing against all, all dojos have issues w each other.

several preliminary matches are shown, including standout fights featuring (sam, hawk, devon) and (tory, yoon, kwon) other cobra kai teamates deserved to be mentioned more.

tensions rise between tory and another dojos female fighter. tory isn’t balanced and dealing with the grief of her mother still. this girl from the other team is aggressive and fast. forcing tory to become the same. letting out her anger and almost gets disqualified.

johnny and daniel struggle to keep the peace between miyagi do. they’re fighting well, but not as good as they possibly could be. they’re losing a lot of matches and the team becomes completely divided. one side saying to fight aggressive; other side saying to defend

things begins to get a lil heated OUTSIDE of tournament.. rival dojos begin sabotaging each other outside the matches. a lot of street fights if you will. or just them fucking with eachother. an example: miyagi do member is ambushed completely by another dojo.

sam is targeted by a rival fighter in a dirty off the matt attack. causing noticeable, bad injuries, miguel jumps in to defend her and makes himself a target for specific dojo.

the brawl: a rival dojo manipulates tensions between miyagi do and cobra kai. possibly spreading a false rumour. like cobra kai plotting to sabotage a miyagi do fighter by injuring them with an illegal move they could disguise as not an illegal move lol.

yada, yada, yada. something happens, someone could hit someone else, the big brawl happenes!

during big brawl, tory could intervene to protect devon and takes a severe hit leaving her threatened with life changing injuries.

let’s get to kwon real quick: instead of him being an asshole and just getting killed. it’s established that kwon is one of the best fighters on the tournament. during brawl kwon gets ambushed by a jealous rival dojo or just a rival who wants to quite literally take him outta commission 😵.

kwon could also have a personality, so just not an asshole.. or not an asshole all the time , so he’s NOT a bad person and his team actually fw him.

say the ambush is so bad it triggers people from cobra kai to try and rescue him.. another way tory could get critically injured trying to protect him.

‘why tory?’ you may ask.. and why not? kwon was just introduced. it gives off more shock factor that a main character got hurt instead of him.

the impact of tory’s injury:

shock factor- tory being critically injured instead of kwon would exceed expectations.. like NO ONE could’ve seen it coming. her injury would create an emotional gut punch for characters like devon, sam, robby.

next, a full tournament arc. this would give the series time to delve into each fighting style, all the dojos. here’s how they could do it:

establish rivalries. cross-dojo friendships and betrayals .. this one could be interesting. inner team drama.

different fights during the sekai taikai:

tag team matches.

weapon kata demonstrations

survival matches

free for all battles

team relay matches

speed challenges

lastly, activities that the captains of each dojo would have to do or all the kids in the comp:

1. leadership seminar; captains are required to give speeches or participate in discussions about their dojos philosophy, training style, discipline, skills.

2. demonstration matches; captains are required to participate in matches to show their skills and set an example.

3. coaching workshop; leadership skills between the captains would be tested. captains would have to try and coach fighters from the other dojos.

as you can see if you’ve read up to this point, there’s A LOT .. i am a professional yapper. relaying back to my point. all this couldn’t fit into 5 episodes between 30-40 minutes, that’s why everything should’ve been bigger, longer.

CK doesn’t have the budget im aware so most of these are just headcannons unless someone wants to write a fic and do a whole rewrite.. which I might be up to do.. however i cant write for shit😭

uhm yeah 👌

[ratguy-nico]

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[grapejuicegay]

Okay, friend

[lungfuls]

Maybe I'm projecting and being hopeful but I mentioned to M that I don't even get to shit by myself in peace lmao and I feel like something clicked for him. Bc I was like hey, at least you get private bathroom breaks at work (noncombative). And since then he's been a lot more acquiescent when I ask if I can nap and stuff

[sskk-manifesto]

Ep 4 :)

[blubble-lake]

it's been over 2 weeks and this thing (unfortunately) still has a grip on me

[twelvedimensional]

also the depth the interiority that idle rambly monologue of the dr's holds, the fact that his offhand thoughts just coalesce into this wonderfully stark image (the tardis, revered, the tardis, reviled, the tardis, the center of a city and then all alone again at the edge of a sea)

[amtrak12]

[jakeperalta]

truly did not expect to cry through so much of sex education s4 I'm

[dreamcast-official]

huh.