#i need all four boys in

[candygalaxyyy]

Rearranging the Scenes in ‘Never Let Me Go’ Episode 11

Rewatching ep 11 of nlmg felt weird because the pacing is a bit off (and many people have pointed this out across different social media hell-scapes). The content of the episode was perfect but the order of events felt a bit rushed and confusing. Therefore, I have rearranged it in a way which makes sense chronologically and logically (to me anyways). I still like the episode but it’s just not my favourite, and that’s okay. *DISCLAIMER* I am not a director or screenwriter and I do not have a degree in film (nor am I studying for one - I literally do international development and sociology), I am just doing this as an avid consumer of film and tv shows!

Part 1/4: I would have preferred if the first part was actually the end of part 2 instead. It would have been great if they showed them living together again; have them working together and sorting out hotel stuff, like when they went to the market. Just overall boyfriend vibes. The scene where Chopper texts Ben is okay but unnecessary. It would have driven the plot further if we got more interactions with his dad, so we see the point that lead to him pulling out the gun. I mean good on him but I feel like we should have seen his breaking point. And Perth is a good actor so it would have ate down.

They should have also had an in-depth conversation about their strategy of ‘fighting and dying together’ and not letting Kit manipulate them. In all honesty, the mere idea that Palm even considered killing Thanya is so out of character, literally the biggest plot hole EVER in the history of mankind! The fact that he even made it to her hospital room is beyond me. That scene should have never happened. PERIOD.

Part 2/4: So Kit is triggered with them thriving and depending on each other, so he decides to confront Nueng about him canceling his business plans. This makes him even more triggered, thus leading to him kidnapping + threatening Palm. But Palm doesn’t take the bait at all! He pretends to but when confronted by Kit in the bathroom later on he shuts him down. So he decides to order his men to kill Nueng and his mum once and for all. It would have been nice to see him plotting this and have Chopper listening in (and maybe recording too for evidence).

Part 3/4: This parts pacing was good for me. The only thing I would alter is Thanya waking up, Nueng updating her on his life while wiping her hand is perfect and sweet. However I was somewhat underwhelmed :( I think it would have been more emotional if she woke up in the finale after they defeated Kit. Like imagine they just got done with the evil that is uncle Supakit and that second they get a call from the hospital that she’s alive. Almost as if their lives exchanged, he had to die to let Thanya’s soul be free, because with him around she would never know peace. Dramatic yes, but dramatic in a good way!

Part 4/4: This part was also nicely paced, but the only thing that bothers me is the lack of protection for Nueng. LIKE WHAT ARE THE BODYGUARDS FOR, WALKING DOWN STAIRS LOOKING ALL COOL?! There should have been a scene where Kit’s underlines fight off his bodyguards and maybe even Palm. Up the angst there, you know. So we see Palm panic and being so concerned, because he just saw Nueng get kidnapped and he couldn’t save him. So his confrontation with Chopper, that we saw in the preview, carries more weight.

The end. Roll the preview.

To me this is a more satisfying sequence of events and in my head this is the way the episode goes now.

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[jeeaark]

Would Greyhold use his face tentacles to lift weights?

Not Very Well.

Bonus:

[weregonnabecoolbeans]

Julian Blackthorn’s constant awareness of his siblings is both so heartwarming and so heartbreaking to read

[justa-moth]

dead boy detectives textposts pt 6 :D

pt 1 - pt 2 - pt 3 - pt 4 - pt 5 - pt 6

[scrumptiousstuffs]

👀

P’Jojo 🤝 us

Whatever Dorn is doing…it’s working - LOOK AT HIS BICEPS 💪 AND THOSE BROAD SHOULDER

Source: dorn.slpw IG, Jojo and First’s IG

02/09/2024

[raens-art]

[setevulpo]

yknow what i find interesting? the cat king's cat body language. like the way it changes until he shapeshifts back to human in that first meeting? pure gold actually, kudos for the kitty playing the part

the first shot we get of him has our darling king in a pretty calm posture. he's lying down on his side, his ears are forward, he's looking straight at the group, but his pupils are still pretty big. his tail is extended but relaxed. all of that points to him being, at most, interested in the wonder trio, but still showing he's dominating the situation (that's the looking right at them part mostly)

that changes when they actually get closer. we see him lower his head a bit, and the tip of his tail starts flicking. those are both things cat do when focused, and it's a stance closer to the one they use when hunting, but the fact that only the tip of tail is moving also means a little bit of playfulness is involved.

and then! it actually changes again!! when crystal says that "it's just a bunch of cats" and it pans out to the dude's corpse on the floor, the king starts pretty much wagging his whole tail! he is not happy that someone (who may or may not be the one who trapped his cat) decided to underestimate his subjects. a wagging tail in cats differs from the one in dogs cause it's often used to convey frustration or annoyance instead of excitement.

and it isn't a slow wag either (that would mean some form of relaxation still)! that tail is full-on irritation that someone insulted his people!

i am losing my mind over this so it had to be set out there for everyone else to be exposed but! it's so cool!

[littletealights]

What makes you think that Arthur is a person of color? :0 just curious.

gladly.

so, at first, i thought it was me projecting but i think the first clue i got was eddie. yall might think i’m being dramatic but eddie was…suspicious from the get-go. in a normal situation like this, there’s actually 0% chance that it turns out the way it did for arthur.

but that’s beside the point. eddie knocks on the door and receives an unhurried response. he walks away to do.. whatever it is he was doing. arthur comes to the door, opens it, looks around and picks up some trash, muttering to himself. suddenly eddie has urgent business inside the office with a. flimsy excuse at best. strike one.

we, as the audience, know that arthur is being shifty because he’s just killed a man. eddie has been told, quite convincingly, that arthur was moving… boxes or something (im looking at the transcript, arthur just says ‘not furniture’ so…). and that arthur is working with sensitive documents. not sure if you know this but private detectives have to work with proper authorities to be allowed to operate legally. that means they work with the police and the courts. when a PI says a document is sensitive, they mean legally. they mean eyes only. they mean ‘come back later or i could lose my fucking license because you got the wrong look at classified documents.’ a building manager, especially their building manager, should know that. strike two.

he also asks for arthur’s partner, peter yang (who is, i can only assume, an east asian man). i should hope that i dont have to remind you that this is massachusetts in the 30’s we’re talking about, and what that means logically. but i will. america hated asian people the most they ever did until COVID in the 30s through the 60s. the only people they hated more were black and brown people. no matter how shifty and suspicious arthur was acting, eddie would’ve been… let’s just say ‘incredibly unlikely’ to ask for peter instead of the white man. strike three

there’s some little bits about subvocals and tone that i could say, but it’d be a lot and i don’t fully understand it enough to explain well why eddie set off alarms for me. because i dont have to. it takes 5 minutes (from 11:48-16:09 on spotify, so nearly exactly) for eddie to go from inconvenient, to annoying, to suspicious, to violent. and he ends the conversation with a very real threat of violence that essentially boils down to ‘don’t come back to the building again.’ eddie is a maintenance man. he did not have the power to evict anyone. unless, of course, they were a poc. so why was arthur worried about eddie when sneaking back into the building?

but, like i said, i thought i was projecting. projection and being-on-the-lam can easily explain arthur’s hesitance when delivering the baby and asking for a ride. or the gunshop in part 6. but the lighthouse? no, what really solidified it for me was the end of part 8.

here’s what officer collin knows so far: a visibly disabled man has stumbled, confused and upset, away from a lighthouse and a body that CANNOT have been killed by a human; and it is dark outside. that’s it. using this knowledge, he then proceeds to beat said man. brutally. repeatedly.

in part 9 they learn he is blind and when that timid little fucker (mitchell) expresses doubt, collin says this

this is something we like to call coerced confession. arthur did not kill that man (the lighthouse keeper). officer collin knows that arthur didn’t kill that man. (dont play, he knows.) but because it is convenient to say that he did, they’ll threaten and torture him until he says that he did.

now, friends, i’m not going to lie to your face and say that white folk are safe from the cops, youre not, i know. but what im also not going to do is pretend like there os any world in which this happens and arthur is visibly white. not in the thirties, not in america. despite being forgotten or unmentioned they are in the midst of the great depression, the exact last thing these small-town cops need is the arrest of a blind white man on their hands. regardless, i have never ever heard of a cop speaking this way to a white person unprovoked. i, on the other hand, have been spoken to this way myself.

this is already quite long and it doesn’t even cover the sheer magnitude of people who feel comfortable calling arthur (at his grown ass age of visibly-an-adult) ‘boy.’ or the wicked and downright racist way that larson says it, (genuinely. it sounds like he’s a middle school boy who discovered the word ‘fagg*t’ for the first time the way he says it. i couldn’t tell you how many times that word (boy) drove an ice pick through my fucking skull this season.) but i hope you can at least get the picture.

original post is here

[itzrafee]

A thing on Uran and Helena in Pluto

Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.

Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.

I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.

But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.

In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.

Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.

So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.

Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.

im sorry for this one:

[minty364]

DPXDC Promp#58 Part 5

When he came too he was in the basement.

A soft hum came from the now activated portal, Danny couldn’t help but stare at it, the swirling green was mesmerizing and something in him felt a little different. He thought about what that might be for a moment but he was unable to tear his eyes away from the swirling patterns that called to him, beckoning him. 

“D-Danny?” Jazz said from behind him her voice was small and quiet, Danny almost didn’t hear her. 

He was sitting so he let himself fall onto his back and looked up at her.

She was right behind Damian and Tim who were watching him apprehensively, their hands held up in a defensive position. Jazz had a look of confusion and dread on her face while Damian also seemed confused but there was an anger there that Danny couldn’t quite place. Tim meanwhile looked like he was preparing to steal his emotions, probably because he was the eldest of the group. 

He wasn’t sure what was going on but he looked around the lab for the sink he knew had a mirror over it and when he found it he got up and walked over to see his reflection. Or well he tried, his body started floating as soon as he stood, he somehow was able to get to the mirror and looked at his reflection.

He was paler than before, almost as white as a sheet, but that wasn’t what caught his attention. His once blue eyes were a vibrant neon green, his hair once black is now white as snow. Even his hazmat suit inverted colors. White boots and gloves and a black suit. 

He fell back from the mirror onto his back as he shifted away from his reflection. It was terrifying that he could see Jazz, Tim, and Damian watching through him, he was transparent like he wasn’t really there.

He had really died, he was a ghost, the very thing his parents ranted on and on about every time he or Jazz was in ear shot. They’d rant about how evil they were and how they’d find one to dissect after the portal was completed. If that wasn’t enough he realized he couldn’t feel his pulse and he hadn’t been breathing this entire time.

He was panicking now, what exactly did this mean for him? Was his parents going to find him in the basement and try to dissect him? Should he go into the portal? If it did go to the ‘ghost zone’ as his parents called it shouldn’t he live there now? 

He could feel himself start to break as silent sobs wracked his body, he still wasn’t breathing but that probably didn’t matter if he was a ghost. 

If his parents were right about ghosts that meant he was a monster now, he probably wouldn’t be allowed near anyone again. He’d never be able to feel the warm embraces of his sisters hugs again. He desperately wanted to feel that warm again. It was the only feeling he could cling onto, and it was then that something happened. 

A bright light flashed around him, a ring around his center that split in two, one going up and the other going down.

When it was done, Danny was back in his white hazmat suit with black accents. He scrambled back up to see his reflection and he was indeed back to normal somehow and he was again tied to earth's gravity.

He could feel tears well up in his eyes again as he turned around to Jazz and their friends, “I-I’m alive?” he couldn’t stop his voice from trembling, his entire body felt chilly and he couldn’t stop himself from crying, sobbing as he struggled from air that he apparently needed again.

Damian and Tim shared a glance but Jazz ran past them as she pulled Danny into a hug. His sister was so warm and he couldn’t help but melt into it as the two cried sobbing and clinging onto each other. 

Danny was here and he was somehow alive, he was sure being a ghost was permanent but somehow he was alive and he could hold, hug, and protect those he loved. A warmth spread from his chest. 

He could tell he was indeed different now, but he wasn’t going to dwell on it at the moment. His sister was here and he was hugging her.

Damian and Tim approached slowly like they couldn’t believe Danny was here alive and well either. Damian scowled at Danny, he rarely got frustrated at him but here was and Danny didn’t get why, “why did you sacrifice yourself like that?!” Damian shouted.

Danny took a few calming breaths before speaking, “I-I tripped, I saw you and figured it was too late for me…”

Jazz and Tim looked at him terrified before Tim spoke up, “you mean they built the damn ‘on’ button on the inside?” 

Before either Danny or Jazz could speak up the door leading to the kitchen opened up, “kids? Are you still down there?” Their mom called before heading down the stairs. When she got to the bottom they could see the elegant green dress she wore that hugged her figure. She gasped as she dropped her purse, staring at the portal. “JACK!!” she shouted up the stairs before running over to the lockers to put her hazmat suit back on.

Jack walked down the stairs sullenly but once he too saw the now activated portal he rushed to put on his suit as well. 

“I thought you guys had left?” Jazz asked, pushing Danny behind her protectively, Danny wasn’t sure if she realized what happened yet but keeping him away from them until they had a better grasp over what happened was probably a good call.

Maddie shrugged as she put her goggles on her head letting it snap against her forehead with a little snap, “I forgot my Fenton-lipstick.” The reply was nonchalant.

The four friends found themselves getting pushed out of the lab as the scientists busied themselves measuring and taking readings from their new portal.

They quickly got out of the suits and gathered whatever they needed for the sleepover over at Wayne manor. Danny didn’t really care what he was packing, just shoving things into his book bag. Whatever had just occurred rattled him a little. He couldn’t help but worry that this was just the beginning. 

“That was quite some time you all took,” Alfred noted once they were seated in the back with Tim in the front and Danny in the middle in the back. Everyone kept glancing at Danny to make sure he was okay but he felt fine at the moment. 

“Uh, well,” Jazz started, “something happened to Danny,” she struggled to say. None of them were quite sure exactly what was happening but the sooner they got to a quiet space to discuss they were going too. 

Alfred glanced at Danny from the rearview mirror as he drove, “will we need to take Master Daniel to the hospital?”

Tim cut in before anyone else could, “that’s quite alright Alfred, we aren’t exactly sure what happened but we might have a code lazarus on our hands.”

Danny and Jazz shared a look, they were both equally confused having no clue what code lazarus meant. Tim normally wasn’t this serious although Danny figured the circumstances weren’t normal either.

They'd discuss thing’s later when they had privacy at Wayne manor.

[read-write-thrive]

the dead boy detective agency main four are a polycule on various points of the aromantic/asexual spectrum (in addition to their various sexualities), with the various side characters playing the roles of parental figures or talking stages. thank you for coming to my ted talk

[fourswords]

really i think my favorite genre of ideas for anything related to fsa is just "whatever gives link's dad the biggest headache"

[cum-a-calla]

still one of the horniest pics of Kieran i have ever seen. look at him. LOOK AT HIM!!!

[trunklewunjle]

My future boyfriend <3

(I don’t color really, Thaltro just has such prebtty art style and my brain immediately felt whimsy and adopted it)

Memory belongs to @bawmbo

Psych belongs to @thaltro

I belong to Memory

[shima-draws]

AUGHHH. Thinking about Them,