#i might write more on this later

[strangetorpedos]

the first theme of within the wires is love. and the second theme is haunting. and these are often one and the same

[redactedrem]

Headcanon where after so many arguments between the batkids and Bruce over his paranoia and complete disregard for his kids privacy, the entire family had compromised with (in the healthiest way possible) downloading life360 on their phones and that's how they all keep track of each other.

Now Bruce knew that this is mostly for his benefit and is supposed to be a healthy alternative for his unhealthy paranoia and helicopter parenting, but what he wasn't expecting was for his kids to start keeping track of him.

He's putting gas in his car and Dick calls him because apparently Dick has been watching him drive around on the app? And Bruce is currently at a gas station thats right around the corner from a Taco Bell and now Dick wants him to get food for everyone since he's already there.

He's driving home from a meeting and Steph calls him because her and Duke were shopping in the area and wants to know if he can pick them up, when he asks how she knew he was on the same street, he gets a "Oh I just like to stalk everyone on the app for funsies." as an answer.

Jason calls him and he can barely get out a hello before Jason cuts him off, "Bruce why the fuck is your phone battery on 5%, charge your damn phone" which completely stuns him because why does he know that. He clears his throat before answering. "Jason, what?"

"Everyone can see each others phone batteries on '360, now charge your phone." Is all he gets before Jason hangs up on him.

[amiryllisthorn]

I dont know if there is really a word for it, but the dissolution of media down to only a recognizable property to be just be inserted into other media for fans to point at is just depressing.

[salarymanwaka]

[shouyuus]

sfw; modern neighbor!vi au

cool but enough about that. thinking about vi who lives in the same apartment building as you and is on the same floor just a few doors down, who sees you struggling with some boxes when moving in so she sweeps in to your rescue and well i mean you're not one to look a-gift-horse-muscular-butch in the mouth when she's so valiantly offering to carry these boxes for you.

who introduces herself and tells you that she lives here with her sister, who's studying mechanical engineering at the university. her? oh, she's a freelancer! you know how it is these days, teaches boxing at the local gym, helps her dad with the family bar on the weekends sometimes, "bit of this and a bit of that." and it sounds like she doesn't wanna talk about it all that much so you don't ask.

you ask her in for a cup of coffee, say it's the least you can do to thank her for helping you with the boxes.

"pleasure's mine, helping a pretty girl like you."

woof.

you swallow, busying yourself with your beat up little moka pot, asking her if she wants sugar or creamer. both, she says, and you pause, looking over your shoulder. she's leant up against your half-unpacked sofa, her arms knitted loosely over her chest.

"what? i've always like my stuff with a little bit of sugar."

it's a simple enough statement but the way she says it makes all your fingers and toes tingle. you swallow, fiddling with the fraying edges of your sweater sleeve.

"yeah, no -- that's --"

you jump as the moka starts to bubble and you pull it off the stove, feeling the same heat working it's way into your skin.

it's easy, so easy, after that. she offers to help you unpack (only if you need it of course) and well, you could use another pair of hands. you tell her that you'll pay her in pizza, and she smiles so wide you can see the hint of a dimple etching itself into her cheek.

you end up spending the whole day together, and when all the boxes are broken down and tamped into a pile by the door, your fingers grease-stained, sitting curled up on your now fully built-out couch, with plastic cups of prosecco, she sighs, staring into the bubbling liquid with a smile just a hitch away from sadness.

"cool! well -- thanks for the pizza," she sets down the cup and pushes up off the couch. you clear your throat and scramble up as well, pressing your palms into your thighs.

"no! thank you for helping me --" you motion around your apartment, "and uh --" you chew on your lips, teetering on the balls of your feet.

"if you ever wanna hang out," vi says, grinning as she rounds the sofa, glancing over her shoulder, "i'm just two doors down."

you slump down onto the sofa, pressing a hand to your chest, feeling it's wild, fluttering beat beneath your palm as you try to steady your breathing.

a few days later, you knock on her door, only to find a girl with shocking blue space buns and a pair of magnifying goggles on her head that make her look truly unhinged.

"who're you?"

you blink, fingers clutched around a large mug.

"uh -- uhm -- i just -- i moved in to the unit two doors down a few days ago and i was -- i was wondering if i could -- borrow some... sugar?" you hold out the mug, wondering if you've just royally fucked up.

"powder? who's at the door?" vi's voice calls out just as the girl with blue hair opens her mouth.

powder pauses, a sly smirk twisting the edge of her lips as she pushes up her goggles to reveal bright blue eyes just a few shades darker than vi's.

"oh no one, juuuuust... the super cute neighbor you couldn't shut up about from a few days ag --"

something clanks from further in the apartment and the girl named powder gets yanked back as vi appears, wide-eyed and a bit disheveled, clearing her throat as she almost crashes into her doorframe.

"h-hi! what -- what're you doing here?"

"i uhm --" you swallow, warmth prickling beneath your skin.

"sugar," powder says, rolling her eyes, waving a hand as she prances back into the apartment.

"sugar...?" vi asks, almost uncomprehending.

you lick your lips, holding out the cup, "yeah... i -- uh -- ran out..."

vi blinks down at the empty mug for a second too long before her eyes flash up to meet yours.

"yeah? what've you been up to, using so much sugar?"

you lick your lips, biting down on our bottom lip as she steps back to motion you into the apartment. it's not big, but it is cozy, sticky-notes and doodles littering almost every available surface, cups with day-old coffee/water/tea cluttered on the countertops. but vi reaches up into the cupboards and tugs down the sugar bag.

"i --" you cut off as she fills up your cup.

you don't want to tell her that you were trying to bake cupcakes of all things. and for her no less.

"ahh... don't wanna tell me? s'okay -- fine then, keep your secrets," she teases, shooting you a tiny wink as she leans up to put the sugar back.

"it's --" you nearly trip over your words as they tumble out of you, "i was -- wanted to make some cupcakes -- f-for... you..." you force out, turning away as her eyes widen slightly, "but i keep fucking up the measurements so --" you chance her another glance.

vi watches you with a soft smile, leaning against her kitchen counter.

"for me, sugar?"

you nod, now feeling impossibly hot as she vi slates you a knowing smile.

"well, lemme know when you're done," she says, "and uh..." she glances down at your sugar cup, "don't be afraid to put in a little extra for me, okay?"

you walk back to your own apartment in a daze, staring down at the cup of white sugar grains as you finally get back to your kitchen and set the mug down. you look at the two batches of failed cupcakes sitting on the counter and sigh, a helpless little smile ticking up the corner of your lips as you remember the twinkle in vi's eyes as she'd told you to add a little more sugar for her.

you drop your face into your hands with a loud groan, slumping back onto the couch, letting your feet dangle off the side as you stare at the light-stricken ceiling.

and you say, to no one in particular --

"i am so, so fucked."

[neptunym]

weirdos

[starssoblue]

“things were so hard with dad in recent years...how did he go from paparapluie to père? i wish i could face him and understand, but while he was still here i didn't dare try to tell him [any of my feelings] and now...it's too late.” * paparapluie is a pun on the words papa and parapluie (umbrella) since the plush is a frog. père is the french word for 'father.'

[zinepunk]

Some thoughts on the end of arcane season 2:

Wow that was even gayer than expected /pos

Episode 7 was damn incredible. Everything I ever wanted from this show, especially with the “what could have been” themes

I know I wasn’t supposed to find it funny but I cracked tf up every time the alternate realities switched. Like it’d go from Ekko on a date in ideal Zaun being like “nooo I HATE parties :(“ to Jayce GOING THROUGH IT eating raw meat alone in a cave lmaoooo

TimeBomb canon letsgoooooo

GAY SEX???? GAYY??? SEX?!?!?!?

IN A JAIL CELL FOR SOME REASON???? I mean slay ig??

Side note I had a dream that Vi and Caitlyn had sex but woke up and was like damn too bad they’ll never do that in canon. I’m a prophet 😎

Mel’s character design somehow got even better and I love that for her (rip about the mommy issues tho)

Also what was up with Skye being savage as hell? Viktor being like “I’ll miss our talks” and her being like “no you won’t” Tf???!?

Ekko slayed this season but what’s new

Ekko putting Jinx on a suicide watch by rewinding time every time she killed herself was funny as hell ngl. Speaking as someone who’s been monitored 24/7 for that exact reason

I wanna know what the hell Ekko said to Jinx to convince her to not only not die but also save everyone cuz I feel like we missed some steps

Look I know JayVik didn’t become OFFICIALLY canon like the others but that confession was gay as hell. They’re canon to me idc

The reveal that the mage who saved Jayce as a kid was Viktor all along?? Side note, my dad actually predicted that by accident because he couldn’t remember who was who so yay dad

I know this isn’t important whatsoever but VIKTOR WITH A BEARD CAN GET IT

Jinx’s new hair is really growing on me but unfortunately it only lasted like 30 mins

I can’t believe jinx fucking died. I seriously didn’t think they’d kill off one of the main characters

Also did Jayce and Viktor die? That was super unclear like where did they go??

I feel like Vi and Sevika really got the short end of the stick with this ending since both of them had at least two found families EACH die off completely

Anyway in summary I LOVED the ending and the little seeds it planted for future spin offs. Once again I watched the whole thing jaw dropped. I kept thinking “wouldn’t it be crazy if they did xyz? But they wouldn’t do thaaaat” and then they FUCKING DID IT. 10/10 show, ended as beautifully as I’d hoped.

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[imaroyalmess]

An Apprentice’s (Unofficial) Guide to House Garments

based on @energ00n 's apprentice AU! (i'm obsessed with the concept of apprentices making up garment rules)

Wc: 2.1k

The datapad—an older model with discolored spots, showing where servos touched its framing—is the first thing Orion Pax’s optics land on as he walks into his new room. Orion snatches the datapad and tilts his helm as he reads the title over again. A peek at the contents shows that it begins with Hey newbie followed by three exclamation glyphs (an overabundance of any glyph, if you asked Orion).

Orion glances up and catches his own gaze in a mirror hanging in front of him. It’s strange, seeing two sheer fabric pieces delicately flowing over the hard metal of his arms—he’s hesitant to move his arm joints in fear of tearing it. That, as well as the jewelry occupying the space where his cog would be creates a vision that’ll take some getting used to.

He pries his optics away and down to the datapad again, dermas pinching as his processor whirrs. Prima explained to him how to care for his garment personally and what if, since the datapad looks old, the data was outdated? No, safer to follow Prima’s instructions and not confuse himself.

Orion places the datapad to the side and sets off to explore his new home.

~

Hello newbie!!!

Congratulations to you and your new position! There’s so much you need to know before you get started. If you wanna make friends, then you’ll wanna keep reading, little mech!

It’s most important that you know about your House garment. No, no, not how to wash oil stains out of it (though that’s good to know!), I’m talking about the meaning behind what you do with it.

Lucky for you, I’ve compiled a list for your easy reference! Learn them well, little mech!!

DO: Wear your House garment at all times! I’ve been told it’s respectful to the Primes. Also helpful so we can tell each other apart. Usually only an apprentice’s special somebot sees them without it! Even then, maybe not.

~

D-16 has always been a stickler for the rules. It’s structure—it’s security. He can’t afford to slip up and never lets that resolve waver. So how exactly did he let pretty blue optics lure him into a cargo hold that supposedly has a passage leading into the (highly forbidden) archives? D-16 isn’t sure.

“Orion Pax,” D-16 hisses, “you idiot, there’s no way—”

Orion hushes him with a digit to his dermas and a wink. D-16 lowers his voice. “Why did you drag me into this?”

Orion pries the cover away from the passage and lowers it to the ground, a soft clank echoing. “I need you to keep watch for me, ‘kay? It’s a tight squeeze for me so you definitely wouldn’t fit.”

D-16 frowns, a retort fully prepped in his processor, but then Orion unclips his garment and D-16’s vocalizer short circuits. For a horrifying and long nanoklik, only static emits from his voice box. “Wh–Pax, what are you doing?!”

“I told you.” Orion rolls his optics. “Barely enough room in there and I can’t risk ripping my clothes up. Prima would offline me.”

He slips the sheer fabric over his helm and presents it to D-16 with splayed servos. Primus, help him. It takes D-16 exactly 1.46 kliks to reboot and shake his helm vehemently. “No? I…you want me to—”

“It’s just my garment,” Orion states, playful but also firm in a way that says I don’t have time to argue. “I’m not asking you to do anything else. Keep it safe?”

Just my garment. If Orion’s antics don’t get him expelled, his cluelessness would. However, he’s correct about one thing, and it’s that their time is running out.

D-16 half-snatches half-cradles the garment, careful not to let the ends touch the ground. With a deep intake D-16 says, “Go. Before they spot us.”

Orion grins, scrambling his way through the crawl space, leaving D-16 to listen for passing mechs. The fabric feels smooth between his digits.

~

DON’T: touch another apprentice’s attire, especially(!) without their permission. A passing touch may be an accident but deliberately grabbing is almost like a kiss!!! Don’t kiss or put your dermas on their clothing either. That has…intimate implications I won’t discuss here.

~

Orion loves watching Megatronus Prime spar with D-16. The size difference between the two could be laughable, if it weren’t for the ferocity that overtakes D-16’s faceplate and the corrections Megatronus throws out to him. Multiple times, Orion’s systems remind him to function as he watches—his friend is a vision under his Prime’s tutelage, all gritted denta, radiating optics, and arcing gauntlets.

Once satisfied, the looming Prime kneels before his apprentice and speaks lowly to him. Orion’s audials are unable to pick up what’s said but the open and hungry way D-16 receives his feedback sates him. Megatronus returns to his full height, nods to release D-16 from his training for the day and Orion perks up at the gesture.

“D!” Orion calls. His friend pads over to what’s becoming Orion’s usual spot, a barely-there smile on his dermas.

“You been waiting long?” D-16 asks, setting his practice spear against the wall.

Orion shakes his helm. A white lie—he’s been there longer than he should’ve but it’s not his fault that watching D-16 fight is so fascinating. “What were you learning today?”

D-16 dutifully launches into the intricacies of battle strategy and close-ranged combat. Orion props his helm up with his loose fist as he listens—mostly listens, at least. That task becomes difficult as the jargon grows thick and D-16’s broad servos capture Orion’s attention as they move in small motions.

An idea pops into his processor. “Why don’t you show me?”

A pause, then D-16 scoops up his practice spear, muttering, “It’ll look stupid without an opponent.”

Orion hops over the half-wall that’s been separating them and bounces over to stand in front of his friend. “I’m right here though.”

“No,” D-16 said immediately. “It’s not safe.”

“C’mon, D,” Orion teases. “I trust you.”

D-16 cycles his optics and Orion’s lopsided grin grows. “It’s not about that. You don’t know what you’re doing and even if it’s not real, I could hurt you.”

“You won’t,” Orion states, full of confidence.

“I could,” D-16 argues. “Then Prima would offline me for harming his one and only apprentice—”

Orion begins to circle D-16, close enough to reach but far enough that he could evade it. “I know what you’re doing, Pax. It’s not going to work.”

“Is it not?” Orion teases as he keeps in D-16’s blindspot, his friend calmly trying to catch sight of him again. He takes a chance while behind him, dashing out and giving the purple fabric of D-16’s House garment a good tug.

“Pax,” D-16 chastises. Yes, it’s a sparkling-like move, Orion knows and does not quite care. He does it again, giggles erupting from his vocalizer as D-16’s calmness dissipates.

Orion manages to tug at D-16’s garment twice more before D-16’s arm snaps out, captures the joint above Orion’s servos, and crowds him against the nearby wall. The yellow of D-16’s optics blaze. Orion notices how close they are, how his friend’s weight is the only thing that keeps him upright, and he grins.

D-16 growls, “Orion.” And honestly? Orion isn’t sure what’s going through his processor when his reaction to hearing D-16 say his name is to bite down on the gathered cloth by one of the gauntlets he’d been admiring earlier.

D-16 drops him. His aft hits the ground with a rough clank and Orion cries out, “hey!”

But D-16 isn’t listening. His optics are focused on the spot where Orion’s intake fluid darkened cloth’s already deep purple. D-16’s expression is horrified.

“Oh scrap, D.” Orion scrambles to his pedes. “It should go away, right? I’ve never—D! Where are you going? Wait!”

Before Orion can say another word, D-16 runs—no, sprints—out of the practice arena, leaving Orion there alone wondering what he’d done wrong.

~

DO: keep your garment clean! It’s polite and respectful, blah blah blah, you should know this. But! What you don’t know is that leaving a mark on another apprentice’s garment, accidental or not, is a serious offense! You tear it, that’s a show of disrespect to the apprentice and their House and you might have to fight them. On the other servo, if you, say, put a small decal on the cloth, you’re effectively marking that mech as your own. Same goes for intake fluid, though that just tells everyone that you and that bot are...together in a different sense. Catch my drift? 

~

“I’m sorry, D.”

“What for?”

“I don’t know but I made you upset, didn’t I?”

“...no. You didn’t.”

~

DON’T: wear another House’s garment!!! Unless you’re ready to be conjunxes. And I’m serious! It’s saying your devotion to that mech is equivalent to your devotion to your Prime. Ask yourself, little mech. Would you swear undying fealty to them? Would you choose that mech over your Prime? No? Then don’t do this.

(Okay, I might be a little overdramatic, but seriously, don’t.)

~

What fascinates Orion is how different the textiles feel from one another. He’s read about the arts and asked on multiple occasions to speak with the bot who made his House clothes because he must know more. Orion shifts the material of D-16’s garment between his digits, reveling in the weight and watching the fabric fold as he moves.

He drapes a length of it over his arm and turns to D-16, who’s dozing in and out of a light rest cycle. “Do you think purple would suit me?”

“Hm?”

Orion nudges his friend with the bend of his arm still wrapped in material. This time, D-16 rouses, even if only a little. “Your House garment, silly. How does it look?”

“Fine,” D-16 says.

“Just fine?” Orion complains. “You’re the meanest friend ever. You won’t even let me try?”

D-16 resettles his helm. “Not mean. ‘M honest.”

Orion shoves his shoulder plate, only serving to further tangle himself. “Your honesty is mean.”

“Would you prefer a more elaborate answer?”

“Not anymore,” Orion mutters. This time, he lets D-16 rest as he lays the garment over his lap and smoothes out the wrinkles he’s made. 

~

Congrats!!! Now you’re fully equipped to take on the social terrain in the House of Primes!!

In case you didn’t read all that, basically, keep to your own business and every other bot will keep to theirs. You’re lucky you have me to help you out with this because I didn't have anyone explain it to me and I broke about every rule before an apprentice told me. I was so embarrassed!!! No need to thank me though, little mech, whoever you may be. Just have fun! Be responsible! Follow these rules!!! I promise, you’ll have a better time if you do. Byeeee ;)

~

D-16 might cease to function—if he hasn’t already. On this particular solar cycle, Orion had dragged D-16 into another one of his schemes and deemed his quarters the meeting point. The door slid open, Orion welcomed him inside, and D-16’s optics landed on a datapad that made his spark drop.

That thing isn’t supposed to exist—not physically, anyway. How did it get here? How in Primus’ glory does Orion have it?!

“D?” Orion cuts through his panic.

“Have you…” D-16 can barely force his vocaliser to say the words. “Have you read it?”

Orion raises an optical ridge. Confused but fond. “Read what?”

A digit points at the datapad, though D-16 didn’t consciously give the command for it to do so. “That.”

“Oh that?” Orion ambles over to the offending object. “It was here when I moved in. Weird right? Maybe Prima put it here in case I forgot what he told me?”

D-16’s joints creak with the effort it takes to stride over and pick up the datapad. “You don’t need it though, do you?”

Please say no, D-16’s processor screams.

Orion laughs, though his confusion melds into concern as well. “No, I guess not…did you need it? You can take it, if you do.”

And D-16 then and there wishes Orion Pax had chosen a better friend, one who he deserves. Except, D-16 is also selfish and cold in ways where Orion is warm—he doesn’t wish that, in actuality. (It feels kinder to say that he does. Orion deserves kind.)

“Thanks,” D-16 says for lack of any explanation that wouldn’t be a flat-out lie.

Then Orion smiles at him, as he always does, and pats him on the chest plate, right next to his empty cog slot, right on his garment. D-16 musters a quirk of his dermas and tucks the datapad away from Orion’s prying optics. It’s hard to feel guilty about it, when Orion seems so content and his servos make his garment so warm.

~~~

A/N: tysm for reading! i'm sorry if i got any details wrong, i read all the comics over again to make sure i got it all correct but just in case i missed something! please check out the main comic if you haven't already. the worldbuilding, writing, and art style are all stunning!

[corkinavoid]

DPxDC Afterlife, But It's A Bar

[discontinued, feel free to add on]

It was weird. Not wrong, alarming or dangerous type of weird. Not good or comforting either.

Just plain weird.

It all started a few days ago, on Wednesday, to be exact. On a rare occasion, Jason was patrolling outside of his territory ("cover for me, I have a date" my ass, Replacement), and he spotted something out of place. A neon green, almost toxic colored sign that read "Afterlife".

Honestly, who names a place like that? But judging by the placement and design, it was a bar, and Jason could almost appreciate the irony. Maybe it had a slogan along the lines of "our drinks will send you beyond the lines of life and death" or something. But at the same time, it could be interpreted as "alcohol can and will be the death of you," which, technically, is not the best PR campaign for a bar.

Jason decided to visit the place anyway. He was curious about the implied death joke, sue him.

Of course, he didn't visit immediately. He was still on patrol, and he just heard the sound of gunshots to the west. Not to say that the place was quiet.

(Oddly quiet for a bar in Gotham, now that he thinks about it)

Anyway, the next day, he went there not as Red Hood but as Jason Todd, an ordinary civilian who decided to grab a beer in the evening. Only to not find the place.

He couldn't have just miss it - he remembered the street, he knew the building, he was absolutely fucking sure where the "Afterlife" should have been. He searched the whole block nonetheless, and then proceeded to check the whole area, but to no avail.

Damn, it seems like he can't get to the afterlife both literally and- the other literally. Yeah, he might be having too much fun with the oddly chosen name for the nonexistent bar.

It didn't exist on the maps and internet either. At this point, Jason was contemplating the idea of it being a hallucination or a dream. He even checked the recording on his helmet from Wednesday night, but the whole time he was in the area, the video was filled with interference and static.

Weird. Slightly suspicious, but Red Robin, who's been patrolling the same area for weeks before him, never reported any interferences, so it probably had something to do with his helmet and not the area in general.

On Thursday night, he purposefully went there right after patrol. And the nonexistent bar suddenly existed again! The same neon green sign, the same quiet street around it.

Seriously, what is this mysterious fuckery?

Now, if he was a Bat, he would have reported this to others and investigated, lurked around in shadows, and approached with caution. If he was a Robin, he would have still reported and then straight up marched in there and saw how it goes.

Alas, he was Red Hood, so he decided to watch for the bar guests and see just who the hell goes in and out of the place.

And there was the next weird thing.

No one was going in or out. Jason sat there for a whole hour, and not even one person entered or left the building. Despite the muffled sounds of music, voices and laughter coming from the place.

The final kicker was the fact that after some careful questioning and dropping hints, Jason found out that no one except him ever saw the "Afterlife"'s sign. No one's even heard of it, both the Batclan and the Gothamites.

The fuck?

So he did the next logical thing. He brought the smartest member of the Bats with him. Tim owed him anyway. Might as well use it now instead of later.

Friday night proved two things: one, Tim was still his favorite to work with out of all the bats and birds, not questioning anything as to why Jason is asking him to check out a bar, and two, Jason just might be going insane.

Tim couldn't see the "Afterlife" even when Jason pointed at the sign from not further than ten feet. The irony of the stipid name was not even amusing anymore.

Tim didn't ask any questions after this experiment, and Jason didn't want to admit that he is losing the grip of reality, so they ended up simply parting their ways after. Can the Pits cause brain damage? More damage than there was in the first place, that is.

Now that he thinks about it, the color of the sign is really similar to the Lazarus waters. He should have noticed it sooner, but in his defense, who would look at the bubbling pool of toxic waters and think, "Oh, that would make a dope neon sign"? Apparently, the owner of the "Afterlife".

The color might be just a coincidence.

...no, in the world he lives in, coincidences like this just don't happen. Besides, Jason doesn't believe in shit like fate or destiny.

So, here he is, on Saturday night, standing in front of the door to the Afterlife. It would have been funny if it wasn't so weird. What's even more weird is that the closer he gets to the door, the less nervous he feels, like the place is radiating some calming aura. Wait, no, scratch that, Jason is so not calling it a calming aura for God's sake. That sounds just like those homemade witches with their crystals, tarot readings, and whatnot.

He's going to call it... tranquilizer vibes. Yeah, that's better.

He takes a deep breath, getting ready to see whatever it is on the other side, pushes the door open, and walks into the bar.

...

Whatever he's been expecting to see, it's not this.

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[ninja-knox-ur-sox-off]

Started with Knuckles and things snowballed from there. I’m normal about Knuckles, Tails, and Sonic’s hair actually

[wackywatchdotcom]

some very rough concepts for a maze adventure im thinking of....

[ghcstao3]

urban fantasy where witch soap runs an apothecary with his familiar ghost—or, who everybody thinks is soap’s familiar, when in reality ghost is just a black cat shifter who likes to freeload (and help with the potions and balms and whatnot, sure—but mostly he likes to nap in the front window because it gets the most sunlight)

(soap can’t even complain because somehow it gets him more customers)

(something about his “familiar” being cute, and, well. he can’t argue against that)

[starscream-is-my-wife]

Recruitment tactic no. ??? Be there for them when they try to push you away

I was thinking that this took place when Thundercrackers doubts and fears about Skyfires authenticity boils over, around the later half of the 20 year pining ark, so that Skyfire could have some character development when he’s not with Thundercracker, and Thundercracker starting to accept that he’s falling for Skyfire, and these little meet ups will become a problem that should be stopped as soon as possible. Although I like to think that Thundercracker loves when Skyfire shows that he knows what he’s talking about, that’s what attracted him to Megatron in the first place, so after this the crush got even worse, rip!

Something I’ve noticed about Skyfire is that he’s like, pretty sure of himself. He openly defected to Megatrons face and does not hesitate to take something on even when he is super outmatched, although that does makes him really reckless? Probably why Ratchet is working on him 24/7. He just seems like the type of guy that thinks he can land a plane even with the right instructions, but he’s still really nice! Although if something needs to happen he’s probably not going to wait around, he’s going to do it himself. His final words while fighting Sunstorm was ‘I don’t believe in destiny’ or something like that after all. I also like the idea of him being so direct that Thundercracker has a hard time processing it, getting insulted and then complemented in such a quick switch up how are you supposed to respond to that

About Thundercracker, there was a line in his description saying ‘he is persuaded because he wants to be persuaded’, which is why I had Skyfire ramble on for so long, Thundercracker probably wouldn’t stop him because he wants someone to convince him to leave. But Skyfire can’t understand why he doesn’t just do it. Hasn’t it been long enough? But the time that Thundercracker has spent with them is also why he is fearful to leave. This will probably be in the next part so maybe spoilers?? Thundercracker does like Skyfires attention and thought that he wouldn’t get attached to this bright eyed fool. But then that fool turned into a real friend, someone who was smart and not an asshole, then this affection turned into more fear, fear for himself, and this reckless, genius, idiot. He can’t defect now, it’s just going to put a bigger target on them, he should just… wait. For the next possible opportunity. This is something Skyfire can’t accept, he won’t force Thundercracker to do something, but to just wait around for destiny? That day may never come