#i might write more on this later

[strangetorpedos]

the first theme of within the wires is love. and the second theme is haunting. and these are often one and the same

[redactedrem]

Headcanon where after so many arguments between the batkids and Bruce over his paranoia and complete disregard for his kids privacy, the entire family had compromised with (in the healthiest way possible) downloading life360 on their phones and that's how they all keep track of each other.

Now Bruce knew that this is mostly for his benefit and is supposed to be a healthy alternative for his unhealthy paranoia and helicopter parenting, but what he wasn't expecting was for his kids to start keeping track of him.

He's putting gas in his car and Dick calls him because apparently Dick has been watching him drive around on the app? And Bruce is currently at a gas station thats right around the corner from a Taco Bell and now Dick wants him to get food for everyone since he's already there.

He's driving home from a meeting and Steph calls him because her and Duke were shopping in the area and wants to know if he can pick them up, when he asks how she knew he was on the same street, he gets a "Oh I just like to stalk everyone on the app for funsies." as an answer.

Jason calls him and he can barely get out a hello before Jason cuts him off, "Bruce why the fuck is your phone battery on 5%, charge your damn phone" which completely stuns him because why does he know that. He clears his throat before answering. "Jason, what?"

"Everyone can see each others phone batteries on '360, now charge your phone." Is all he gets before Jason hangs up on him.

[amiryllisthorn]

I dont know if there is really a word for it, but the dissolution of media down to only a recognizable property to be just be inserted into other media for fans to point at is just depressing.

[shouyuus]

sfw; modern neighbor!vi au

cool but enough about that. thinking about vi who lives in the same apartment building as you and is on the same floor just a few doors down, who sees you struggling with some boxes when moving in so she sweeps in to your rescue and well i mean you're not one to look a-gift-horse-muscular-butch in the mouth when she's so valiantly offering to carry these boxes for you.

who introduces herself and tells you that she lives here with her sister, who's studying mechanical engineering at the university. her? oh, she's a freelancer! you know how it is these days, teaches boxing at the local gym, helps her dad with the family bar on the weekends sometimes, "bit of this and a bit of that." and it sounds like she doesn't wanna talk about it all that much so you don't ask.

you ask her in for a cup of coffee, say it's the least you can do to thank her for helping you with the boxes.

"pleasure's mine, helping a pretty girl like you."

woof.

you swallow, busying yourself with your beat up little moka pot, asking her if she wants sugar or creamer. both, she says, and you pause, looking over your shoulder. she's leant up against your half-unpacked sofa, her arms knitted loosely over her chest.

"what? i've always like my stuff with a little bit of sugar."

it's a simple enough statement but the way she says it makes all your fingers and toes tingle. you swallow, fiddling with the fraying edges of your sweater sleeve.

"yeah, no -- that's --"

you jump as the moka starts to bubble and you pull it off the stove, feeling the same heat working it's way into your skin.

it's easy, so easy, after that. she offers to help you unpack (only if you need it of course) and well, you could use another pair of hands. you tell her that you'll pay her in pizza, and she smiles so wide you can see the hint of a dimple etching itself into her cheek.

you end up spending the whole day together, and when all the boxes are broken down and tamped into a pile by the door, your fingers grease-stained, sitting curled up on your now fully built-out couch, with plastic cups of prosecco, she sighs, staring into the bubbling liquid with a smile just a hitch away from sadness.

"cool! well -- thanks for the pizza," she sets down the cup and pushes up off the couch. you clear your throat and scramble up as well, pressing your palms into your thighs.

"no! thank you for helping me --" you motion around your apartment, "and uh --" you chew on your lips, teetering on the balls of your feet.

"if you ever wanna hang out," vi says, grinning as she rounds the sofa, glancing over her shoulder, "i'm just two doors down."

you slump down onto the sofa, pressing a hand to your chest, feeling it's wild, fluttering beat beneath your palm as you try to steady your breathing.

a few days later, you knock on her door, only to find a girl with shocking blue space buns and a pair of magnifying goggles on her head that make her look truly unhinged.

"who're you?"

you blink, fingers clutched around a large mug.

"uh -- uhm -- i just -- i moved in to the unit two doors down a few days ago and i was -- i was wondering if i could -- borrow some... sugar?" you hold out the mug, wondering if you've just royally fucked up.

"powder? who's at the door?" vi's voice calls out just as the girl with blue hair opens her mouth.

powder pauses, a sly smirk twisting the edge of her lips as she pushes up her goggles to reveal bright blue eyes just a few shades darker than vi's.

"oh no one, juuuuust... the super cute neighbor you couldn't shut up about from a few days ag --"

something clanks from further in the apartment and the girl named powder gets yanked back as vi appears, wide-eyed and a bit disheveled, clearing her throat as she almost crashes into her doorframe.

"h-hi! what -- what're you doing here?"

"i uhm --" you swallow, warmth prickling beneath your skin.

"sugar," powder says, rolling her eyes, waving a hand as she prances back into the apartment.

"sugar...?" vi asks, almost uncomprehending.

you lick your lips, holding out the cup, "yeah... i -- uh -- ran out..."

vi blinks down at the empty mug for a second too long before her eyes flash up to meet yours.

"yeah? what've you been up to, using so much sugar?"

you lick your lips, biting down on our bottom lip as she steps back to motion you into the apartment. it's not big, but it is cozy, sticky-notes and doodles littering almost every available surface, cups with day-old coffee/water/tea cluttered on the countertops. but vi reaches up into the cupboards and tugs down the sugar bag.

"i --" you cut off as she fills up your cup.

you don't want to tell her that you were trying to bake cupcakes of all things. and for her no less.

"ahh... don't wanna tell me? s'okay -- fine then, keep your secrets," she teases, shooting you a tiny wink as she leans up to put the sugar back.

"it's --" you nearly trip over your words as they tumble out of you, "i was -- wanted to make some cupcakes -- f-for... you..." you force out, turning away as her eyes widen slightly, "but i keep fucking up the measurements so --" you chance her another glance.

vi watches you with a soft smile, leaning against her kitchen counter.

"for me, sugar?"

you nod, now feeling impossibly hot as she vi slates you a knowing smile.

"well, lemme know when you're done," she says, "and uh..." she glances down at your sugar cup, "don't be afraid to put in a little extra for me, okay?"

you walk back to your own apartment in a daze, staring down at the cup of white sugar grains as you finally get back to your kitchen and set the mug down. you look at the two batches of failed cupcakes sitting on the counter and sigh, a helpless little smile ticking up the corner of your lips as you remember the twinkle in vi's eyes as she'd told you to add a little more sugar for her.

you drop your face into your hands with a loud groan, slumping back onto the couch, letting your feet dangle off the side as you stare at the light-stricken ceiling.

and you say, to no one in particular --

"i am so, so fucked."

[neptunym]

weirdos

[zinepunk]

Some thoughts on the end of arcane season 2:

Wow that was even gayer than expected /pos

Episode 7 was damn incredible. Everything I ever wanted from this show, especially with the “what could have been” themes

I know I wasn’t supposed to find it funny but I cracked tf up every time the alternate realities switched. Like it’d go from Ekko on a date in ideal Zaun being like “nooo I HATE parties :(“ to Jayce GOING THROUGH IT eating raw meat alone in a cave lmaoooo

TimeBomb canon letsgoooooo

GAY SEX???? GAYY??? SEX?!?!?!?

IN A JAIL CELL FOR SOME REASON???? I mean slay ig??

Side note I had a dream that Vi and Caitlyn had sex but woke up and was like damn too bad they’ll never do that in canon. I’m a prophet 😎

Mel’s character design somehow got even better and I love that for her (rip about the mommy issues tho)

Also what was up with Skye being savage as hell? Viktor being like “I’ll miss our talks” and her being like “no you won’t” Tf???!?

Ekko slayed this season but what’s new

Ekko putting Jinx on a suicide watch by rewinding time every time she killed herself was funny as hell ngl. Speaking as someone who’s been monitored 24/7 for that exact reason

I wanna know what the hell Ekko said to Jinx to convince her to not only not die but also save everyone cuz I feel like we missed some steps

Look I know JayVik didn’t become OFFICIALLY canon like the others but that confession was gay as hell. They’re canon to me idc

The reveal that the mage who saved Jayce as a kid was Viktor all along?? Side note, my dad actually predicted that by accident because he couldn’t remember who was who so yay dad

I know this isn’t important whatsoever but VIKTOR WITH A BEARD CAN GET IT

Jinx’s new hair is really growing on me but unfortunately it only lasted like 30 mins

I can’t believe jinx fucking died. I seriously didn’t think they’d kill off one of the main characters

Also did Jayce and Viktor die? That was super unclear like where did they go??

I feel like Vi and Sevika really got the short end of the stick with this ending since both of them had at least two found families EACH die off completely

Anyway in summary I LOVED the ending and the little seeds it planted for future spin offs. Once again I watched the whole thing jaw dropped. I kept thinking “wouldn’t it be crazy if they did xyz? But they wouldn’t do thaaaat” and then they FUCKING DID IT. 10/10 show, ended as beautifully as I’d hoped.

[voiice-of-the-soul]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[corkinavoid]

DPxDC Afterlife, But It's A Bar

[discontinued, feel free to add on]

It was weird. Not wrong, alarming or dangerous type of weird. Not good or comforting either.

Just plain weird.

It all started a few days ago, on Wednesday, to be exact. On a rare occasion, Jason was patrolling outside of his territory ("cover for me, I have a date" my ass, Replacement), and he spotted something out of place. A neon green, almost toxic colored sign that read "Afterlife".

Honestly, who names a place like that? But judging by the placement and design, it was a bar, and Jason could almost appreciate the irony. Maybe it had a slogan along the lines of "our drinks will send you beyond the lines of life and death" or something. But at the same time, it could be interpreted as "alcohol can and will be the death of you," which, technically, is not the best PR campaign for a bar.

Jason decided to visit the place anyway. He was curious about the implied death joke, sue him.

Of course, he didn't visit immediately. He was still on patrol, and he just heard the sound of gunshots to the west. Not to say that the place was quiet.

(Oddly quiet for a bar in Gotham, now that he thinks about it)

Anyway, the next day, he went there not as Red Hood but as Jason Todd, an ordinary civilian who decided to grab a beer in the evening. Only to not find the place.

He couldn't have just miss it - he remembered the street, he knew the building, he was absolutely fucking sure where the "Afterlife" should have been. He searched the whole block nonetheless, and then proceeded to check the whole area, but to no avail.

Damn, it seems like he can't get to the afterlife both literally and- the other literally. Yeah, he might be having too much fun with the oddly chosen name for the nonexistent bar.

It didn't exist on the maps and internet either. At this point, Jason was contemplating the idea of it being a hallucination or a dream. He even checked the recording on his helmet from Wednesday night, but the whole time he was in the area, the video was filled with interference and static.

Weird. Slightly suspicious, but Red Robin, who's been patrolling the same area for weeks before him, never reported any interferences, so it probably had something to do with his helmet and not the area in general.

On Thursday night, he purposefully went there right after patrol. And the nonexistent bar suddenly existed again! The same neon green sign, the same quiet street around it.

Seriously, what is this mysterious fuckery?

Now, if he was a Bat, he would have reported this to others and investigated, lurked around in shadows, and approached with caution. If he was a Robin, he would have still reported and then straight up marched in there and saw how it goes.

Alas, he was Red Hood, so he decided to watch for the bar guests and see just who the hell goes in and out of the place.

And there was the next weird thing.

No one was going in or out. Jason sat there for a whole hour, and not even one person entered or left the building. Despite the muffled sounds of music, voices and laughter coming from the place.

The final kicker was the fact that after some careful questioning and dropping hints, Jason found out that no one except him ever saw the "Afterlife"'s sign. No one's even heard of it, both the Batclan and the Gothamites.

The fuck?

So he did the next logical thing. He brought the smartest member of the Bats with him. Tim owed him anyway. Might as well use it now instead of later.

Friday night proved two things: one, Tim was still his favorite to work with out of all the bats and birds, not questioning anything as to why Jason is asking him to check out a bar, and two, Jason just might be going insane.

Tim couldn't see the "Afterlife" even when Jason pointed at the sign from not further than ten feet. The irony of the stipid name was not even amusing anymore.

Tim didn't ask any questions after this experiment, and Jason didn't want to admit that he is losing the grip of reality, so they ended up simply parting their ways after. Can the Pits cause brain damage? More damage than there was in the first place, that is.

Now that he thinks about it, the color of the sign is really similar to the Lazarus waters. He should have noticed it sooner, but in his defense, who would look at the bubbling pool of toxic waters and think, "Oh, that would make a dope neon sign"? Apparently, the owner of the "Afterlife".

The color might be just a coincidence.

...no, in the world he lives in, coincidences like this just don't happen. Besides, Jason doesn't believe in shit like fate or destiny.

So, here he is, on Saturday night, standing in front of the door to the Afterlife. It would have been funny if it wasn't so weird. What's even more weird is that the closer he gets to the door, the less nervous he feels, like the place is radiating some calming aura. Wait, no, scratch that, Jason is so not calling it a calming aura for God's sake. That sounds just like those homemade witches with their crystals, tarot readings, and whatnot.

He's going to call it... tranquilizer vibes. Yeah, that's better.

He takes a deep breath, getting ready to see whatever it is on the other side, pushes the door open, and walks into the bar.

...

Whatever he's been expecting to see, it's not this.

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[meltedredweasels]

I kinda want a soulmate AU where on your eighteenth birthday your soulmates last name appears somewhere on your body

But in this universe Steve gets adopted by Hopper and changes his last name after high school

On his eighteenth birthday Eddie finds Hopper written on his neck and is so confused because the only Hoppers he knows are, the chief of police (who’s almost busted him for drug dealing multiple times not to mention several years older) and his daughter (who is much younger and definitely not his type (guys))

Steve has Munson written on his hip and he knows it’s probably Eddie but he doesn’t bring it up because Eddie probably hates him for who he was in high school

Then one night post Vecna they’re in the back of Eddie’s van out by the quarry and they get on the subject of soulmarks and Eddie asks about Steve’s

(Because he’s been slowly falling in love the last few months and even though it won’t be his name on Steve he still needs to know who the lucky person who has Steve as a soulmate is)

And Steve goes quiet

Eddie’s just about to start apologizing and backtracking when Steve pulls up the hem of his shirt

Munson

Right on his hip in deep red letters

Eddie just stares trying not to let his feelings show

“What’s the matter”

Unable to come up with words Eddie moves his own hair and twists his neck to show Steve his soulmark

“Oookay, why is this a problem?”

Finally Eddie can’t take it anymore

“Because it’s Hopper and not Harrington! Because the only Hoppers I know are the chief and El, and it’s definitely not either of them! Because I wanted it to be you! Because I love you!”

By now Eddie’s full on crying and Steve’s comfort instincts take over and he pulls him onto his lap rocking him back and forth until his sobs dissolve into hiccups

“Would this be a good time to tell you that Hop adopted me and my last name is no longer Harrington?”

[milf-harrington]

hi i wrote a short little something inspired by this post bc it wouldn't leave my head

season 2 canon divergence, in the aftermath of Steve being taken in by Hopper (don't ask me why it's happened, bc i dont know it's just how the story took shape in my head)

--

Steve was pulling a pizza out of the oven when El drifted into the kitchen, bumping hear head against his arm like one of the Henderson's cats. Her hair was starting to curl at the ends, longer than when he'd met her.

"Can you please tell Hop to go to the store? We are out of Eggo's."

She was already holding the walkie when he turned to give her a look, eyes wide and quietly expectant in that intense way of hers. He rolled his eyes, sucking pizza sauce off his knuckle as he reached for the walkie.

They had a quiet stare-off as he held the button down.

"Hey Hop, you there? Over."

Soft static buzzed through the speaker as El leaned further into him, turning her gaze away to inspect the pizza, before Hopper's voice came through with a crackle.

"I'm working." A pause, and then a reluctant: "Over."

He and Hopper shared a similar opinion on walkie-talkie etiquette, but the kids were insistent so they did their best. El looked from the walkie and back to Steve without blinking. He sighed a short laugh. Pressed the button again.

"Jane needs you to go to the store. Over." Better to use her other name if he was working.

"Eggo's?"

"Eggo's."

Satisfied that her demand request had been passed on, El slipped out of the kitchen and plopped down in front of the tv, crossing her legs underneath her as the screen flickered to life. The remote remained untouched on the bench. She wiped her nose with her sleeve.

"Well, I currently have an 18 year old in the back of my car and I'll have to run him to the station first." Another pause. "-ucks sake, over."

The words fell out of his mouth without any real thought, a years worth of comfort in himself dissolving any filter he might've had. "Is he cute?"

The walkie crackled. Steve wanted to smack himself in the head with it.

"My son wants to know if you're cute."

Oh, he was going to kill him, even if he did feel warm and fuzzy over being called Hops' son.

"Uh, I want to say yes, sir?"

There was a second of loud laughter before the walkie cut off and Steve pressed it to his forehead in silent mortification. From the living area, canned laughter from Happy Days burst out of the speakers like the universe was mocking him.

When he looked up, El was smiling at the screen in bemused wonder, colours flashing across her face.

He cleared his throat, eyes shut as he held down the button again. "Please remember the Eggo's on your way home, we're having pizza. Over and out."

He pressed the antenna down for his own dramatics, before quickly pulling it back out again so he could be reached for emergencies.

It wasn't that big a deal, it's not like he'd ever actually meet whoever had been in the car.

[ghcstao3]

urban fantasy where witch soap runs an apothecary with his familiar ghost—or, who everybody thinks is soap’s familiar, when in reality ghost is just a black cat shifter who likes to freeload (and help with the potions and balms and whatnot, sure—but mostly he likes to nap in the front window because it gets the most sunlight)

(soap can’t even complain because somehow it gets him more customers)

(something about his “familiar” being cute, and, well. he can’t argue against that)

[justanofficeworker]

✨MDNI NSFW✨

I need Soap’s reaction to a near feral partner. Just you’re in that part of your cycle where you just want to be fucked and filled. Like Soap comes home after a real long day and all he wants is to spend the night cuddling his sweet girl. And it’s like the beginning of a horror film. He traverses the hall to your bed room and as he gets closer to the door he just hears your little , pitiful sounds. Just barely there whimpers and whines. For a second he thinks you’re crying, but then he opens the door to find you on your back , 3 fingers plunging into your hot cunt.

You don’t even realize you have an audience until he clears his throat. “I dinae think you’d be this depraved sweetling, did you miss me that much?” He’d smirk down at you , in that way that makes your pussy clench. “ jooooohnny, baby..” you can’t even form the words to beg him for something, anything. Any word you try just devolves into high whines for his touch.

Maybe he’ll be merciful and replace your to small fingers with something bigger and harder or maybe he’ll make you suffer for a bit. Let you make yourself cum, knowing the orgasm wont satisfy you.

Better yet he might let you have your way with his skilled tongue. Wetting his stubble with your sweet juices as he strokes his cock in anticipation for your tight heat.

[naffeclipse]

Warm Fangs

Naga!Sun x Reader. Sickness.

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As you sleep, the fever worsens. Chills hit you with a violent shudder. The heat from the sickness flees under the quaking cold. You moan softly, curling up tighter. A soft hiss shushes you but you can’t find anything warm, anything warm at all.

The smooth brush of scales loosens from around you. The outside cold slips away from your feverish skin but stays within.

“It hasn’t broken yet,” Moon murmurs distantly. Cold fingertips brush your hair, damp from sweat, away from your forehead. A whine leaves you. You hate how pathetic it sounds inside your head.

“Oh, no. I was afraid it might linger with our poor lily pad,” Sun lowers his voice but he’s not as quiet as his brother, holding a stage whisper more than an actual whisper. You might have smiled if you weren’t bothered by the mottled moonlight giving way to a blue-bright early morning sky. 

It doesn’t feel warm. The sun is supposed to reheat the earth and take away the frost filling your chest with a shivering revolt.

A few quiet exchanges slip away in your near unconsciousness. Gingerly, you become weightless, lifted into the air like a feather before pressed into other arms. Heat, raw and covering, finally touches your body. You breathe out a low sigh, eyelids fluttering to peek up at the source of the heat. The form softly sways as you’re carried away.

“It’s going to be alright,” Sun hums. He looks down at you, his spiky frills flaring around his head in golden hues before the shadow of the cave eclipses the morning sun. “Don’t move, my water lily, you’re still sick.”

“Hmm, I’m fine,” you half moan. Your eyes fall close again. A tender soreness soaks into every muscle, especially at your neck and your shoulders. The deep, deep ache that refuses to go away. 

You shudder with another chill. Sun clicks his tongue in concern, the forked end whipping with a snapping worry. 

“You amaze me, truly. Even in the throes of illness, you’re still so stubborn.” He laughs softly, endearing but in a way that almost makes you push yourself out of his steady arms. He doesn’t get to think you’re cute. Not right now, when you feel how sticky your body is and how weak your limbs dangle as he carries you deeper into the cave you’ve made a shelter within.

“Sun,” you softly groan.

“Save your strength to fight the fever, not me.” A soft peck of his scaly mouth touches your temple. You nearly dissolve under his doting command. “You need to rest and do as I say so you can feel better. I don’t like to see you like this.”

You, in a reflective, rebellious instinct, almost try to kick out your feet and find solid ground, but Sun lowers you to the cold, cave floor. You’re seized by another icy torrent of coldness. Hugging your arms, you quietly groan. A soft swell of tears teem over your eyelids. That’s from the sickness, you tell yourself. You’re not crying because Sun and his sweet warmth let you go.

“I’ll be gone for only a moment, lily pad. Hold on for me, okay?” he singsongs.

You want to snatch the heat that had held back the torturous chills. Lifting your heavy eyes, you scour the dimness of the cave, catching sight of Sun’s long body softly slipping over the stone towards the shelves that were chipped into the wall of the cavern. The rich yellow hues of his scales are bright even in the shadows of rocks. The markings along his waist and around his throat are scarlet and vibrant with warning of his venom. You watch the outline of Sun’s defined shoulders move, taking and gathering, collecting a pale pink blossom you can’t currently name.

Pressed against the wall in a sleepy bundle of his scales, Moon watches you, eyes half lidded but attentive. You didn’t hear him enter. His hands open and close, as if to reach for you. He holds back. You frown at his distance but recall his cool scales through the midnight fever, and drowsily, in fitful half-sleep, wait for Sun.

He returns with a skim over the floor. His presence washes over you with hope.

“Don’t cry, my water lily. I’m here,” Sun coaxes with gentle mirth. A crooked finger swipes the leaking liquid from your eyes.

“Not crying,” you grumble, voice croaking like a frog. “Not a water lily.”

“Oh, I’m going to have to disagree and blame your lack of sense on the sickness,” he chirps as if you were simply the most adorable thing he’s ever seen.

You pry your eyelids open for a glare. You certainly are not a beautiful and grandiose flower. Not right now in your freezing weakness.

Moon’s hissing laughter echoes. It fills you with another short burst of irate energy that lasts for only the moment of his humor. Sun tuts and shoots Moon a look before gently cradling you. The golden naga guides you upright with a tender hand supporting your back. He rests your head on his shoulder, his underside a shiny, pale cream color, and the gentle heat of his body burns away the chills holding you down. 

He lifts up a small flower, pale pink and pom-pom like on the end of a slender, green stalk.

“Eat this. It’ll make you feel better,” he softly insists.

You eye the flower as if it were a venus flytrap, and you were a particularly weak fly.

“What is it?” you murmur.

“I’ve heard humans call it a sensitive plant, sometimes called touch-me-not. If you had told me you weren’t feeling well early, you could have had this sooner.” The chasiting does not evade your awareness. Sun lowers the plant closer, as if offering a rose instead of medicine. “It will help with your fever and chills.”

“Ugh,” you turn your head ahead. The thought of eating when you have no appetite rears an ugly head within you. “I don’t need it.”

“I disagree strongly, lilypad,” Sun crones in disapproval. “Once you eat it, you’ll start to feel better.”

The soft lift to his tone invades you. You want to squirm, keep turning away from the offered medical plant, but Sun’s warmth surrounds you entirely. Gently, his finger guides your cheek until you face him once more.

“Please, won’t you, for me?” His cornflower blue eyes hold you with his plea. From the corners of his wide mouth, the very tips of fangs glint, but you’re not afraid of his bite. He saved you with his venom, once.

You grimace and force your lips to part. Murmuring praises and coaxes alike in a soft, musical tone, Sun presses the flower head to your mouth until you bite it off, and chew laboriously. It tastes green and dry. He watches you, hawk-like, ensuring you masticate the soft, brittle like petals before swallowing against the vicious dryness of your throat. You gasp after gulping.

His smile grows like a sunbeam at sunrise.

“See? It wasn’t so bad.” He tenderly rubs his mouth against your forehead. “Thank you."

The heat of his affection battles the cold underneath your skin, and when you shiver, he holds you tighter. You fall deeper under his fondness.

"This will pass and you’ll be in tip-top shape again,” he says softly, brimming with heated hope.

Oh, Sun. You want to curse him. You want to tell him that he can’t talk like that, melting your insides and making you nothing but an ooey-gooey mess, but you can’t. You are swept away by his sweet tones. 

No one but Sun unbalances you and catches you in the same motion. He’s disarming. He's the only thing that feels right.

You slump against him in another full-body shudder. Softly humming, Sun begins rearranging your limp form, draping your legs across his deliciously warm tail as the dark end wraps your lower legs. The tightness of his coils used to frighten you before you realized how summery and soft he is. He tucks you gently against his arm, lying down to become your personal pillow.

You are so useless. It’s a miracle you haven’t faded away by now—a miracle of two nagas, no less.

“It’s also called humble flower,” he continues with a soft note. “Perhaps you could take that aspect from it as well, my water lily.”

You moan, unable to offer a rebuttal that you are no flower, but his gentle embrace covers you entirely. His chest thrums lightly with a heartbeat you’ve listened to before. A soft hum fills his throat. He continues pressing his mouth against your cheek, the crook of your neck, and the top of your head as if smothering the clammy effect attempting to surface on your body.

“Soon, you’ll rise and we can stroll through the jungle and find more flowers, more flowers like you, and you’ll feel better. Doesn’t that sound nice?” he chatters endlessly.

You can only snuggle deeper against his chest, against his warm, smooth scales, better than any patch of sunlight, and trust in him.

[loseractivities]

Ok time to yap about Billy Loomis. What is bros sexuality?

Billy is 100% gay. I also think that he’s on the aromantic/asexual spectrum, with the best label fitting him being demiaroace. In simple terms, I think the only way he feels authentic romantic/sexual attraction is when he has a very deep emotional, (whether he likes to admit that or not), bond with someone.

People often like to bring up his romantic relationship with Sidney and his sexual affairs with other women, one of which we have proof of in the later movies. Because he was dating Sidney before his mom even left, and they were known to have started off “hot and heavy”, (as Billy likes to call it), he didn’t really have any reason to be doing that. Or did he?!

It goes without being said that Billy is a conventionally attractive white male in the ‘90s. In the movie, we already see Billy’s efforts to appear as normal as possible, wearing bland clothes with little room for interpretation and speaking very little to others. Which leads to why Billyboy was sleeping with girls when he was a big fat QUEER!! …

Billy loves control! He loves it, he loves planning everything out and acting it out like it’s a movie because of his dumb special interest. He loves predictability, he loves feeling normal, and he loves having control over people. What better way to feel in control, (perhaps of his own sexuality), than by sleeping with and casually dating girls!! It makes so much sense.

How does Stu play into this?

Well firstly Stu is Billy’s only real friend. Through subtext we can tell that Billy trusts Stu a lot, considering he trusted him to 1. Call Sidney while he was in jail. 2. Be ghostface with him and have him not tell anyone. 3. Literally fucking stab him… The list goes on. People like to say that Stu didn’t know Billy’s real motive too, which is fucking stupid because why wouldn’t Billy tell him this?? One entire year between murdering Sidney’s mother and then eventually attempting to murder her and all her friends, and you’re telling me Stu wouldn’t have suspected a thing? Just for fun?? Yeah right!

Also people try to say “okay, well then why did Billy stab him so much in the kitchen if he wasn’t trying to kill him”? Firstly it was always part of the plan for Stu and Billy to be the only survivors because only one survivor is extremely suspicious. Secondly you can tell he was just not thinking clearly, he acted on his anger and lost focus of his goal (KILLING SIDNEY??NOT HIS BF??) which is something he NEVER DOES!!

Man,, the whole final act is my favorite, because it really shows both Billy and Stu coming apart and quite literally COMING OUT as the killers. Come on guys. Media. Fucking. Literacy. They literally penetrate each other right in front of Billy’s girlfriend, and that shit was freaky as fuck.

ANYway I’m going off on a tangent. I do wanna talk about why Billy didn’t explicitly say anything about being gay when he so very obviously is. Billy, in all areas, is much less obvious than Stu.

He’s closed off, secretive, keeps up a pretty believable facade to everyone until the finally is able to drop the act. It makes sense he isn’t as physically or verbally affectionate with Stu, and for this reason people are more inclined to believe Stu is gay and in love with Billy more than Billy is gay and in love with him. Well, in order to get a good sense of Billy’s relationship with Stu, you have to look deeper. Let’s start with some things from the script, since there are very few scenes with the two interacting.

Stu and Billy, in the script, are best friends, have known each other since kindergarten, and are partners in crime. Billy obviously is capable of forming strong bonds and connections with very specific people. Even unhealthily so, and we see this in the relationship he has with his mother. He idolizes her, victimizes her, makes her more than she was as a coping mechanism and never officially comes to terms with the fact his mom probably wasn’t as great as he remembers. And when his mom leaves, he breaks, needs control (as stated previously) because his life is suddenly unstable and who does he turn to? Stu!

Also I just wanna say when Stu drapes over his back Billy leans into him okay thanks. Body language in this movie means SO FUCKING MUCH TO ME these actors did amazing. When Billy follows Sidney inside the look of CONTEMPT ON HIS FACE!! The way he looks through his eyelashes. The acting is impeccable Skeety, I love you!!!! 😐😐 Also the way Billy looks at Stu before stabbing himmm…He;s in love I promise. In whatever way he knows how

Lastly the boy has autism

Passionate interests, he loves horror movies and constantly references them throughout the film. Even at unconventional times, like when his girlfriend is venting about her dead mother. Eye contact and too much staring. Meltdowns when overstimulated. The whole last act was just him stimming and destroying shit because stuff didn’t go his way. Bad reactions when plans are interrupted. At the staircase when Sid runs away he punches himself in frustration. Talks with hands in Sidney’s room about The Exorcist. Favorite person/people (his mom and Stu). Extremely overdramatic. When he got fake stabbed. When he falls down the fucking stairs for no reason. Finally, just socially awkward. Any word out of his mouth makes people uneasy. Ez

…Finally for Billy I js wanna say he arches it a lot and I think only someone who takes it like a good boy wpu;ld do that Ok im done by.e

LIKE AND SUBSCRIBE FOR MORE BANGERS LIKE THIS ONE

[cashmoneyyysstuff]

fire breathing roommate chronicles !

a dragon appears . . ?!

lowkey..just lowkey.. thinkin about waking up one day and seeing dragon! bakugou in your house…accompanied by a giant hole in your wall.

you’re so confused you can barely process it. there’s a handsome man passed out on your floor and from what you can see (which is basically everything since his shirt is torn to shreds) he looks injured. you also live on the third floor so you have no idea how he landed here, but you think the huge sprawled out wings on his back, his tail and those huge reddish horns that scream “ i’m a mythical being !!” might be the reason.

but there is one thing you’re able to think about and that’s how much money will it cost to fix your damn wall??

you call off work. you call it a family emergency because you don’t think “a shirtless man i think might be a demon just blasted through my wall and he looks injured” is gonna fly over well with your boss.

he seems to be able to heal himself because his wounds look better than when you first laid eyes on him and you can see that his skin looks like it’s restitching itself almost, you decide to help him out a bit and at least dress his wounds up the best you can with the little you know about doctor..stuff.

when he comes to though, he acts like you’re the one who knocked him out. he’s snarling and scowling at you, sharp teeth on display while he growls at you from the comfort of your fucking couch. he spits out all types of curses at you, you’re shocked because they come out so naturally. you’d honestly expected him to speak like some type of caveman and for a second you think this is just a very rude man in very convincing cosplay.

he keeps insulting you and he’s a little too good at it, so much so that it actually hurts your feelings a little. he keeps yapping about how if you didn’t let him out this instant he’ll have you grilled and barbecued or how he’d make quick work of you and have you sold to some merchants for a good amount of gold, since you “look like you’re not worth that much.” you’re a little pissed now. you scowl at him and you feel silly for calling off work and not pushing this huge asshole out of your flat and leaving whatever knocked him out to deal with him.

“you’re the one who blasted a hole in my wall, you jerk ! i say i’m the one who should have you sold if you can’t reimburse me for this, asshole ! and if you wanna walk out without a shirt on and get arrested like a creep, the door’s right there.” you don’t care to see him, because you would’ve seen how his eyes widened to the size of saucers at your retorts. you’ve never been more irritated in your entire life when you stalk to your room to get some much needed rest and to fight off the headache you can already feel slamming against your skull. “even demon men are insufferable.” you mutter bitterly before slamming the door.

you somehow managed to fall back asleep because when you open your eyes again it’s about 10 am. you’re frantic for a moment because you think this was somehow just a very vivid dream and you’re so late for work now. you slam your door open wide eyed and your wall is intact.

shit, your boss was gonna let you have it—

you catch something from the corner of your eye. the insufferable demon man is staring..glaring(?) at you but it’s not as intense as earlier,though. and he’s very much still seated on your couch.

“m-my wall..” you trail off. he clicks his tongue and rolls his eyes at you “i fixed it” he gruffs out.

you like how his voice sounds when he isn’t screaming and threatening you, you immediately scold yourself for thinking like that. he stares and keeps staring at you and you can’t decipher what he’s thinking

“oh..” you gasp “thank you.” he clicks his tongue again and looks away from you. just as much of an ass, but you guessed he felt a little bad about your wall, enough to fix it..somehow. you won’t ask for details.

you can’t will yourself to move past your doorframe so you decide to lean on it a little bit, rubbing your fuzzy socked foot against your calf, you catch him staring at the sudden movement before he looks back up at you. “so are you…a demon or something?” he scoffs for what feels like the umpteenth time today “don’t insult me, human.” he snarls then his face relaxes just slightly “m’ a dragon.” he grumbles.

“oh, wow” the little amount of fantasy manga you’ve read could never have prepared you for this.

you thank him for fixing your wall and he glares at you like he’s mad about it. but then he says he owes it to you for healing him. pointing towards his bandage covered chest. you feel your cheeks burn a little and you’re waving him off, telling him it’s no big deal and somehow his brows furrow even harder. “..so ? what do you want from me?” he growls when you tilt your head at him in confusion “don’t play dumb with me, filthy human ! what do you want in exchange for saving me ?”

“ohh…” you moan. then you shrug “i mean, you already fixed my wall, so i don’t really need anything from you, unless you can make my boss give me a promotion.” you giggle at your own joke and you wave him off again when he looks at you questioningly “nevermind.” you giggle.

he ignores you “you don’t want anything..nothing ?” he speaks apprehensively like he expects you to trick him, you shake your head. he looks bothered by it. he lowers his head and his eyebrows furrow in frustration then he growls.

you think maybe, maybe, he’s the type to feel bad whenever they feel like they can’t repay some type of service. you hadn’t noticed he was apparently on death’s door when you bandaged him up before and it makes you sweat drop a little bit, you try your best to shake it off. he stands up to leave, but he glances at you and suddenly his feet have stopped moving like he’s stuck there and he stares. he doesn’t even look mad like you’ve gotten used to him being for the short amount of time you’ve known him, he just looks confused. he stares at you and you stare at him and for a reason that you cannot understand you don’t want him to leave.

“ um !” you shrink into yourself, embarrassed from his gaze and the fact you were suddenly so loud. “well..you can’t exactly go out like this, it’ll be bad for you i think..it might attract attention to see a wounded shirtless guy walking around, people might take you for..i dunno—” you stumble “a crazy, dangerous person ! yeah, and if that happens they might take you away..so..that’d be bad for you, right ?” you hope he doesn’t realize how much you’re bullshitting around for an excuse but he almost seems to humor you when he crosses his arms across his toned chest.

“what do you suggest i do then, human ?” he growls lowly. he stalks towards you slowly, never breaking eye contact. you will yourself to stay with your feet planted firmly to the ground and head held up somewhat high as you stare up at him, damn he’s tall.

“ you stay here until you’re fully healed, if you wanna make it up to me. it would honestly save me so much trouble” it’s the truth. you can’t help but feel bad when the thought of him getting captured or experimented on crosses your mind, even if he is an asshole, but you don’t say that. you hold out your hand for him to shake “deal ?”

he squints at you and stares and you stare back. usually he would’ve stayed true to his threat and burned you alive by now, the trivial lives of humans are none of his concern. and yet for some reason he himself doesn’t know the answer to he stayed, even fixed up your damn wall you were whining about and even considered apologizing to you..which he absolutely never does !

there’s something different about you and he wants to find out what that something is. so, not so begrudgingly he slowly grasps your hand and squeezes lightly. he ignores the tiny voice in his head that tells him how soft and perfect your hand feels in his.

“deal.”