#i might just try doing a side by side thing but then i'd have to use scrollboxes to ensure the sdame height

[anirudhpisharody]

There is not a locked room anywhere that with the right tools and enough time you can't break into.

[ID: A series of 21 gifs from the TV show 9-1-1.

The 1st gif shows Hen and Eddie untangling Halloween decorations at the firehouse. Eddie says, "You never know when a door is gonna close, and when it does, then...". Hen replies "It's sealed".

The 2nd gif shows Shannon talking to Eddie, who is offscreen, at a restaurant. She says, "Because if I try to do this again before I'm ready, there won't be a second chance."

The 3rd gif shows Pepa talking to Eddie, who is offscreen. She says, "It's been too long. You need to do something or you're going to be alone forever."

The 4th gif shows an injured woman lying on a backboard in a c-collar talking to Eddie and Hen, who are offscreen. She says, "We're all gonna die alone. Might as well spend time with our loved ones while we're still living." The gif cuts to a shot of Eddie and Hen looking at her.

The 5th gif shows Shannon lying down in an ambulance with a c-collar. She is talking to Eddie, who is offscreen. She says, "I'd love...a little more time."

The 6th gif shows Eddie during a flashback talking to Shannon, who is offscreen. He says "Can we please talk about this later? Can I maybe just get a little damn time?"

The 7th gif shows Eddie with tears in his eyes talking to Kim, who is offscreen. He says, "Never did get to say all the things I wanted to say. or hear all the things I needed to hear, I guess."

The 8th gif shows Ramon sitting down at a table talking to Eddie, who is offscreen. He says, "Why didn't you tell us?" The gif cuts to a shot of Eddie, who says, "Pretty sure you know the answer to that question."

The 9th gif shows Eddie standing in front of his fridge with tears in his eyes, talking to Ana, who is offscreen. He says, "I should have said something sooner." Ana replies, still offscreen, "Yeah. You probably should have."

The 10th gif shows Buck talking to Eddie, who is offscreen. He says, "You said you did this a year ago, why are you just telling me now?"

The 11th gif shows Eddie underground during the well rescue. You cannot see his face. He says, "I need more time", but the text indicates it's unintelligible. The gif cuts to a shot of Bobby looking frustrated, then cuts to a shot of Buck shouting, "Cap, can't we give him more time?"

The 12th gif shows Christopher yelling at Eddie, who is offscreen. Offscreen, Eddie says, "We'll make an even bigger gingerbread house next year, right?" Christopher replies, "You could be dead next year!" The gif cuts to a shot of Eddie looking up at Christopher, who is offscreen, with a shocked look.

The 13th gif shows Eddie on the phone. He says, "Why wait? Well, there's no better time than now."

The 14th gif shows Eddie at the firehouse talking to Chimney, who is offscreen. He says, "Tomorrow isn't promised to anyone. If you love her, tell her."

The 15th gif shows Shannon at a restaurant talking to Eddie, who is offscreen. She says, "Eddie, uh, I think–". The gif cuts to a shot of Eddie, where he cuts Shannon off and says, "Please, just...let me say this."

The 16th gif shows Buck talking to Eddie, who is offscreen. He says, "Uh, Eddie–". The gif cuts to a shot of Eddie, where he cuts Buck off and says, "Just let me finish."

The 17th gif shows Buck being pushed towards the ground, with blood splattered on his face. He is staring ahead at Eddie, who is offscreen, with a shocked expression. The gif cuts to a shot of Eddie, who is lying on his side on the street, with his head in a puddle of blood. He is staring ahead at Buck, who is offscreen, as his hand falls forward towards Buck.

The 18th gif shows a close-up of Eddie talking to Christopher, who is offscreen. He says, "You can always come back. If you change your mind five minutes or five months from now...".

The 19th gif shows Eddie sitting in a confessional booth. Offscreen, a priest says to him, "Well, I imagine after 23 years, something in particular must be bothering you enough to make you feel like you need to be here."

The 20th gif shows Eddie talking to Buck, who is offscreen. He says, "Don't walk away from something before you even know what it is."

The 21st gif shows Eddie opening his front door. The gif cuts to wide shot of him smiling and nodding hello to Buck, who is offscreen. Eddie is wearing a button-up shirt with no pants. The gif then cuts to a shot of a visibly upset Buck standing outside, looking at Eddie.

END ID]

[funnier-as-a-system]

Big decision making has made me decide to try ADHD meds. My psychiatrist is awesome and she assures me that none of the effects are permanent and if I don’t like them, I can stop and go back to how I was before.

But my question is…what do I do if the meds cut off communication between me and my headmates? I’m not sure we know how to function completely independently from each other. Some of us don’t, definitely.

What advice can you give and what do you know about ADHD meds and the impact they have on headmates?

Might it go in the opposite direction and make communication EASIER? And CLEARER? And make us work more efficiently as a team?

I know the number one thing people taking them say is it makes your brain “go quiet” and I don’t like the sound of that. I’m not prepared to only have one train of thought and I’m a bit nervous about how I’ll react.

There's no one certain way that ADHD meds will impact your internal communication. Some say it makes communication more difficult, others say they make it easier, still others report no difference at all; for some, their brains "going quiet" can include not hearing their headmates as much, but for others, their brains "going quiet" can just mean that their brains calm down enough that their headmates' voices are clearer. So, unfortunately, this is something that won't make its effects obvious until you're on the meds for a while.

But even if meds make communication more difficult, it's unlikely that it will just stop entirely. In addition, you can practice external communication if that sounds like it might be helpful – things like keeping a journal, leaving each other notes, and co-fronting or proxying* to write messages back-and-forth without having to switch (you can even hold entire conversations this way, though it may take some practice).

* I'd recommend asking other system blogs about this, because I don't feel that I can give a good explanation and description of proxying.

At the end of the day, your psychiatrist is correct that you can stop taking ADHD meds if that treatment doesn't work out, which includes if the meds impact your internal communication badly enough that it's not worth taking them. If this happens, perhaps bring up the possibility of short-term meds that you only take when you need to focus on something, rather than daily meds (which I assume you'll be trying out). We tried out ADHD meds, and the negative side-effects outweighed the positives, so we stopped taking them. If worst comes to worst, you can do the same and look for alternative treatments.

You don't have to just wait for results to appear before you take action, though. By recording how you feel and what's going on within your system each day, you can track symptoms, positives, and potential problems as they appear. If you start now, you'll also have records of how you are when you're not taking any meds, so you can compare later down the line if needed (or just wanted, if you're ever curious). Keeping your own records to refer to can also help your psychiatrist know what the effects of this new treatment are, when they appeared, and how things are likely to develop in the future.

In short: things might go better than you expect, if things go poorly they can be fixed and new plans can be made, and in the meantime, you can keep a personal record of your internal and external functioning to help keep track of things and catch any problems you might face early.

Wishing you the best, anon!

[siggiedraws]

Hello! i absolutely adore your art and agree with your sonic opinions, you're overall one of the best sonic blogs out there. May i ask how do you plan out and draw your comics? How do you choose the formatting of panels themselves, the composition, the dialogue and so on? From A to Z, please! I apologize if this ask might be inconvenient, but i'm curious because i love your comics and have attempted to draw a sonic comic myself that failed miserably.

Typically the first step I will take is to just rough it out in a sketchbook, because I find it much faster and when working digitally I feel more pressure to make things look nice. This is where I start thinking about paneling and composition. It doesn't look perfect or cohesive at this stage, but at least now I have a rough idea presented with barely legible scribbles that don't make sense to anyone but me.

For paneling, large panels linger more, and small panels indicate quick succession. This is the most important rule I personally follow when making panels. It affects things like comedic/dramatic timing and how the reader will be guided through your comic.

It's important to vary up the composition when it comes to dialogue scenes where not that much is happening. The shot-reverse-shot format works, but remember that once you have an establishing shot and the reader knows where the characters are, you can get creative. I like to do close-ups where not everything is shown to create a sense of vagueness around what emotion the character is feeling.

Don't do this too excessively unless you're trying to create a claustrophobic feeling - let it breathe with a medium shot or long shot after!

In film-making, there's a rule called the 180-degree rule that basically states that in a two-character interaction, there is an invisible line drawn between them. The camera does not cross this line and stays on one side. This basically keeps the characters on one respective side of the frame at all times to avoid confusing the viewer.

This is by no means something you have to follow for comics, but if you want to create something that is easier to follow, it's a good rule of thumb that I consider when drafting! It can also be broken depending on the effect you're going for.

Once I have a draft, I'll typically go into editing and changing things that don't work quite as well as I'd like. This can be done by yourself or you can get it revised by a friend, like I do!

After the draft is finished, I'll get to lining and colouring. To be honest, it's not something I can teach so easily, but rather something that takes a lot of time and practice to learn. I typically draw the backgrounds with thinner lineart so that the characters stand out. Same deal with colouring - the characters stand out from the background colour-wise. There are multiple ways to do this, but for example, here I made the background have less colour contrast than the characters and stick to an orange-ish tone, while the characters are different colours from the background.

For speech bubbles, generally the words should fit the shape of the bubble to the best of your ability. The line spacing should be as close and compact as possible without touching the lines above or below. This is to save space on the page so that speech bubbles don't take up a majority. The tail of the bubble should point towards the character's mouth.

Avoid tangenting! This is when the very edges of two different things touch each other. It creates a flatter effect so you want to avoid it as much as possible.

That's about all I can think of right now. Hope this helped!

[reinedeslys-central]

when it's been so long since you've read a fic that you forget about it and you find it in the search tags and start reading it again

and it's great, if a little familiar, but you've read a lot of these sorts of fics bc you like this tag a lot, so you assume it's nothing

but then the deja vu starts adding up and you start to wonder

and then moments before the great big Plot Twist Reveal happens you're suddenly like ah hell this is the bloody sundial fic again isn't it

smh this has to be the fourth time yet

[summertimemusician]

Linktober 2024 Masterlist (Possibly Late)

Day 1

Mirror

Day 2

Friend/Companion (WIP)

Day 3

Zelda (WIP)

Day 4

Night/Dark (WIP)

Day 5

Sacred (WIP)

Day 6

Fear/Horror (WIP)

Day 7

Royalty/Noble (WIP)

Day 8

Tunic (WIP)

Day 9

Secret/Mystery (WIP)

Day 10

Species/Race (WIP)

Day 11

Music/Dance (WIP)

Day 12

Favorite Game (WIP)

Day 13

Link (WIP)

Day 14

Fairy (WIP)

Day 15

Sword (WIP)

Day 16

Time (WIP)

Day 17

Dragons (WIP)

Day 18

Shopkeeper (WIP)

Day 19

Reward (WIP)

Day 20

Mask (WIP)

Day 21

Spirit (WIP)

Day 22

Favorite Character (WIP)

Day 23

Element (WIP)

Day 24

Deity (WIP)

Day 25

Ganon/Ganondorf (WIP)

Day 26

Echo (WIP)

Day 27

Rest/Respite (WIP)

Day 28

Bones (WIP)

Day 29

Deku (WIP)

Day 30

Mount (WIP)

Day 31

Free for All (WIP)

Linktober Shadow 2024 Writing

Day 1

Woods

Day 2

Malice/Gloom (WIP)

Day 3

Puppet Zelda (WIP)

Day 4

Ominous/Suspicious (WIP)

Day 5

Skull Kid (WIP)

Day 6

Fear/Horror (WIP)

Day 7

Dungeon/Temple (WIP)

Day 8

Lorule/Dark World (WIP)

Day 9

Secret/Mystery (WIP)

Day 10

Undead (WIP)

Day 11

Demise (WIP)

Day 12

Witch/Witches (WIP)

Day 13

Shadow/Dark Link

Day 14

Boss (WIP)

Day 15

Poisonous/Venomous (WIP)

Day 16

Labyrinth (WIP)

Day 17

Dragons (WIP)

Day 18

Majora (WIP)

Day 19

Ghirahim (WIP)

Day 20

Vaati (WIP)

Day 21

Poe/Spirit (WIP)

Day 22

Chasm/Rift (WIP)

Day 23

Twilight (WIP)

Day 24

Spectral/Astral (WIP)

Day 25

Ganon/Ganondorf (WIP)

Day 26

Hands (WIP)

Day 27

Volcanic (WIP)

Day 28

Bones (WIP)

Day 29

Beast/Creature (WIP)

Day 30

Final Boss (WIP)

Day 31

Free for All (WIP)

[immortalsins]

oughhhhhhhhhhh

[subarashiihibi]

i've already written about these quotes in my own drrr novel notes but i have to post about it here too just because i need to speak about it again but

narita describing izaya as 'very difficult to grasp or classify' here in his first real appearance and introduction is so UGHHHHH it's so fucking good. izaya is like an enigma and he is so complex and he's got all these things going on with him that all work to make him so so so beautiful and so i just really like that narita worded it like that. i love to observe izaya like he's a specimen under the microscope.

the other things i highlighted were also very important to me i think the 'anything that wasn't himself' is also a good glimpse into izaya's personality and the way his mind works. 'equally pleasant face' i just like that one cause i like when they call him beautiful in the story . <3

this also made me feel like i was going to ascend from my couch first time i reread it a while back. how interesting is it that narita describes mikado's feeling as though his 'entire existence would be denied' by the very man who so obviously struggles with facing his own humanity and instead chooses to see himself as an omnipotent figure. i just idk i'm not even going to try and get further into it bc i'm already like just feeling like i need to start rolling around and pulling my hair out but my god i love izaya orihara so much he truly is the goat he is MY goat 🙏🙏🙏

[talkorsomething]

want to cut my hair again like you wouldn't believe. What are the possible consequences of going bald

[your-fave-is-bi]

i love how knitting patterns have super detailed and exact instructions on what to use etc etc and every time i look at one im like. what if i....didn't exactly do that? and just kinda fucked with your instructions a bit hm?

[mythicalcoolkid]

After too many years here I've final what hornets' nests I am not brave enough to kick

[ourceliumnetwork]

my eternal gripe: knowing about the source of the problem(s) SHOULD allow me to stop the problem from happening again. This includes but is not limited to: car trouble, hair care, skin care, mental health, physical disability, injury, and dyslexia.

[medicinemane]

Sometimes you have something that you could say, that you think about saying, that you more or less know how you'd phrase it... but it's just not fucking worth it cause you know for a fact that people don't fucking listen

I don't know, I try to stay... if not optimistic then at least with a mind set of "doesn't matter, we've got no choice but to try and make things better"

Truthfully though I think I'm extremely pessimistic when it comes to the chances of anyone actually listening to what I say

I'm not sure if I'm just bad with words but... it seems impossible to convey even simple thoughts to people so... truthfully I've more or less given up and have just stopped trying. Especially if I don't at least know people well

So there it is

[chuluoyi]

✎ all of me

- gojo satoru x reader

you understand that some things in marriage just needs compromise. and he soon understands too, when you're at your most vulnerable and he fails to be by your side when you need him the most

genre: angst, hurt/comfort, established relationship (you're married & have a son!) argument, feral gojo, mentions of injury & blood, fluff

note: if it isn't obvious by now i'm in the mood of angst-hurt/comfort this week HEHE :)) this is longer than the usual love entry, so i hope you'll enjoy it!

a part of gojo's love entries

general masterlist

Bantering with your husband is not uncommon―in fact, it happens on daily basis.

"Satoru― I'm talking to you!"

But having serious arguments with him is another matter entirely.

Your fists tightening at your sides, facing his unamused expression. How insufferable is he? You told him that everyday, but right now, he's truly surpassed previous levels of infuriating behavior.

"And I can hear you, sweetheart," he retorted, casting a glance your way. The term of endearment he used for you sounding almost like a sneer to your ears and you felt offended.

"I don't think you're taking this seriously," you griped, trying to calm your emotions, still balling your hands. "Someone is following our son on his way back from school―how can you be this... flippant?!"

Numerous photograph of your son exiting the school building from different angles had arrived in your mailbox, and if it wasn't a creepy warning from those who placed a target on his back, then you didn't know what it was.

Satoru let out an exasperated grunt. "I'm telling you, I'll pick him up for the rest of the week. No one will lay a hand on him."

You gritted your teeth. "And I'm telling you, they're trying to make you do just that. Even morons know not to mess with you― they're leaving hints, and you're taking the bait!"

Contrary to what you believed, Satoru felt just as worried as you upon knowing that someone might have marked his precious son, who was now six years old and had recently started attending preschool.

But this is where your approaches differ. You are always the cautious one, overanalyzing each detail, while he leans towards being impulsive, often resorting to brute force.

"Who do you think can stand a chance against me?" Satoru challenged with a real sneer this time. "Remember my words, wife, no one is going to hurt me, you or our baby. I'll end them where they stand."

"That's not the point!" you threw your hands in the air, irate. "Satoru, they're going to take advantage of―"

"Look, I don't want to argue with you." Satoru's gaze was hard on you, his tone clipped, and it made you stiffen. "His safety comes first— and you, of all people, should know I'd never let anything happen to him. You need to quit nitpicking and have a little faith in me."

"I know you are more than capable, but you are not―!"

And then he said it, and his words piercing through you like a knife―

"Don't compare me to you," your husband remarked a little too coldly. "I can do things you can't. Just rest your pretty head, I'll take care of the rest."

Nevermind that he blatantly dismissed your skills as a jujutsu sorcerer, nevermind that he totally didn't listen to you at all―he just went and made himself look like some sort unparalleled god, forgetting how much his hubris could actually take him.

And all these thoughts only made you angrier.

"So be it then." You tried desperately to hold yourself from shaking because you'd be damned if you showed it to him. "A word of advice, Satoru: beware of your arrogance."

With those words, you spun around, marching off toward your son's room, because no way in hell was you going to sleep with that obnoxious prick tonight.

But when you caught the sight of your baby scuttling away from the gap in the door, a fragment of your heart crumbled. Oh. He has seen it all.

In Gojo Satoru's mind, he is made of two things: a powerful jujutsu sorcerer and a family man.

With his immense strength, comes a certain responsibility. And with that responsibility, certain habits have formed. If you just took a few seconds to breathe and looked back throughout the past decade he'd spent with you, you'd know that in fact―

It was also his way to shield you. Satoru stands by the principle that you and his little boy must be protected at all cost, and he most certainly would pull all stops to do just that.

But frankly, he couldn't deny that he felt insulted by how defiant you were. Did you really think he would let anyone ever touch your―his―son? He wouldn't, they'd meet his wrath first and you should've known that.

Still, something akin to guilt nudged at his conscience as he lay alone in your shared bed that night. It felt strange not having you cuddling him. He felt empty.

. . .

None of your shampoo-scented pillow, none of your nightdresses, all of it replaced by a single photo hanging in the wall and the urn of ashes—

Abruptly, he jerked his eyes open, shaken from the most dreadful nightmare he had experienced—

Of you no longer by his side.

“Mama.” Your little boy looked up to you with his doe-blue eyes in the next day, his hand gripping yours. “I’ll be fine.”

You were accompanying him to the preschool. While Satoru had requested Ichiji to drive him, you insisted on tagging along to keep a watchful eye as well. You'd leave your husband to pick him up later just as he wanted.

“Huh?” you turned to him, tilting your head.

“I'll stick by Uncle Ichiji's side the entire time,” he replied in a murmur. “And papa will be picking me up too later. If there are bad guys, they'll get him first.”

You bit your lip, feeling a wave of guilt wash over you. Your boy witnessed your outburst last night and hadn't inquired about it until now, and even then, he was trying to reassure you.

“So… don’t fight.” His round, cerulean eyes then darted towards you, blinking hesitantly, causing you to catch your breath.

He looks so much like Satoru. At six years old, he was the spitting image of him, except his personality—he took after you in that area. It was as if your son was a softer, more innocent version of him. And your heart twisted, remembering your argument last night.

Don't compare me to you.

With a sigh, you bent down to be eye-level with him and managed a smile, holding both of his little hands. “I’m sorry… it was just misunderstanding last night, okay? Don’t worry.”

“…really?”

“Really. Mama and papa were just tired,” you tried to reason, a thin smile on your face. "It's going to be okay, just like you said, yeah? Papa will beat the bad guys out there."

“Will he pull through...? If they bring a knife, and he's just there laughing, they can cut him.”

A giggle escaped your lips at your baby's innocent wonderings, easing the ache in your heart as you recalled how Satoru humored him in so many ways.

You gently poked your son in the cheek. "Nah, do you remember what he always goes on about?"

He puffed up his cheeks in response, his expression turning sour as if combing through memories of hundreds of shenanigans Satoru had instigated to recall his words. You let out a hearty chuckle, finding him so adorable.

"He's strong, he's going to win. He always does."

"Oh. Mmm." Your son scrunched up his nose cutely, before looking away and squeezing your hand. A sincerer smile bloomed in your lips, heart melting at the sight of your growing munchkin.

You will protect him. And maybe you could patch things up with Satoru later that night. Maybe yesterday you were just too paranoid.

That was the plan... at least until your son suddenly screamed—someone wrenching him from your grasp. Without a second thought, you reacted, flipping the attacker away from you and him.

. . . and that was the beginning of how everything started to unravel so terribly that day.

"Gojo-san...! There's been an incident!"

He got that call right after he finished some things with Yaga. Satoru teleported to the preschool right away, only to be greeted by a scene of utter chaos.

Several teachers stood outside the building, and police officers were present at the scene. It was all a blur of cursed energy until his eyes caught sight of—

His little boy, red-faced and obviously in fear, was clinging to Ichiji, who was frantically making calls. Some teachers gathered around him were seemingly trying to coax him to speak.

He didn't waste a second to dash towards him, tearing through the crowd.

"Are you okay? Hey, buddy, what happened?" Satoru pulled him away from Ichiji and turned him over, crouching to his level to check for any signs of injury or harm.

And upon seeing him actually here, his son's eyes immediately welled up with tears, and Satoru felt a chill run through his veins as he broke into sobs, which quickly turned into heart-wrenching wails.

"Mama—! F-find mama—!" the little boy choked out through his tears, clutching onto his shirt tightly and crumbling in his embrace, thoroughly inconsolable.

Satoru's sharp gaze quickly swept over the scene, seeking any clues, while he tightened his hold over him. It was then he noticed traces of your cursed energy mingled with blood.

They hurt you.

"Hey, kiddo—listen to me, it's going to be alright, yeah?" Satoru said, gently pulling away to wipe away his tears, holding the boy's face tenderly in his hands. "Go with Ichiji for now, okay? I'm going to bring mama back, I promise."

He didn't need to be told twice. Your son is always obedient when it matters the most. He gave him a small nod, still shaking with tears.

"Don't worry," he flashed a reassuring smile and ruffled his hair. "I'm the strongest, remember? I'll get her back," he vowed once again. "She'll be fine. Wait for me until then, yeah?"

Ichiji was ready to leave as he had called for those in headquarters as backup in case anything were to happen again. Trusting him to keep his son safe, Satoru took off as soon as he could no longer see the sight of his son's tear-streaked face trying to watch him as the car pulled away.

"I won't repeat myself— where is my wife?"

Satoru wasn't playing this time. He skipped past taunts and just plain threats. These little fries, he thought.

The man he held by the throat was in a lot of distress. "Hyaaa! It's him! Please, please, let me go! I'm acting under orders!"

He then flung him across the wall— might have added more cursed energy than necessary.

At the moment, his entire focus was on trying to locate you. He couldn't let his mind wander to anything else; in fact, he didn't permit himself to.

It didn't take him long to piece together the general location of where you were through the residual of your cursed energy. They stationed several hooligans in this abandoned warehouse to stall him, but he got rid of them quickly and he could sense that you were close by.

"It's Gojo Satoru!"

"Run! Ruuuun!"

What a pain. They picked the wrong person to mess with, and Satoru's lips curled into a manic grin as he opened his palm, pulling them in—

"Cursed Technique Lapse: Blue."

Chaos erupted as the building collapsed around him. He hoped you would realize he was here and manage to avoid getting caught in the wreckage. He was sure you'd know though.

And true to his thoughts, soon he found you— blasting your attacker away with a powerful kick.

Satoru thought that you were a sight to behold, really. And he was about to call out to you when he felt it.

It happened almost in an instant. The way his heart dropped to his stomach, and how his body reacted, barely whispering the incantation for Red as he shot it at something lurking behind you—

At that moment, the only thing you were aware of was the foul stench of a curse. Time seemed to stop before the overwhelming force of Red expelled it away from you.

But before then, you experienced a searing, white-hot pain that scorched through your flesh and pierced your abdomen—

"Y/N―fuck―!" The voice that came from Satoru's throat was raw and laden with panic.

He pulled you against him protectively as you collapsed, blinded by pain. He immediately felt warmth spreading across his lower body—your blood was rapidly drenching his shirt, and he felt a shiver down his spine.

You held onto him tightly while suppressing your scream, feeling every bit of your strength drain away along with the dark crimson blood that poured out of you.

"―toru―" you managed to croak amidst the scalding pain, curling and whimpering in his hold.

"Hey― sweetheart, please―" his voice rang in your ears, as he pressed down on your wound. His hands were shaking, and you clawed at him and groaned in agony. "I-I'm taking you back now― You're going to be alright, yeah?"

The wound was beyond anything you had experienced before, causing you to cry out and gasp for air. It was almost as if something fried your insides. It was hard to stay conscious.

"I've got you now. You're going to be okay." His voice was coarse, as he hurriedly carried you out. And he tried not to let the full-blown panic take over him when your body went limp in his arms, your breaths slowing, head lolling in his chest.

"You're going to be alright! You hear me, sweetheart? You're going to make it. Our baby― he's waiting for you. I promise you, you're going to be fine―"

Perhaps he was trying to tell that to himself, because despite the excruciating pain, a wave of reassurance washed over you.

You were in the arms of the strongest sorcerer alive, what more could you possibly afraid of?

A special grade curse. They had actually unleashed a potent curse and likely aimed at him as their final card—until it veered off course and struck you, leaving a searing gash across your abdomen.

Satoru felt numb as he sat in the waiting room in his bloodied uniform. You got hurt so terribly right in front of his eyes, and all he could feel was this profound void that seemed to bore through him and pierced his soul.

He was supposed to protect you. He said it to your face that nothing and no one would touch your son, and it was in his wedding vows that he'd protect you with his life too.

And yet what happened?

If only he was faster. If only he was able to pull you to him and protect you with his infinity—none of this shit would have happened.

Seeing your face twisted in agony and smeared with blood made him feel sick to his stomach. Inside that OR, you hovered on the brink of life and death, and he was here, unable to do anything.

Satoru rested his head against the wall, feeling a sharp pain surge through his chest. He remembered waking up to your face every morning, the way your touches felt, and how you had brightened his world for the past decade. If he lost you now... he wouldn't survive it. He would wreck anything, everything—

"Papa!" and came his voice of reason. Satoru immediately discarded his bloodstained jacket by instinct, throwing it away before his boy could see it, with Ichiji and Megumi closely trailing behind.

His son crashed himself into him and threw his little arms around his torso, crying—and in that very second, the thump of his heart sounded louder in his ears. Somehow it felt like a knife that twisted his insides.

"Hey, kiddo." Satoru repositioned him so that he would sit on his lap and hugged him, patting him in the back. "There, there... it's alright, yeah? Mama is inside, she'll get better soon."

Your little boy pulled away and wiped his eyes, and Satoru chuckled as he helped him blow his nose. His child was incredibly adorable, and his actions mirrored yours to such an extent that it made Satoru's heart soften.

"Mama g-got hurt trying to... tell me to g-go..." the boy suddenly said amidst his quieter sniffles. "And... she s-said... papa— i-is strong and g-going to win..."

You believe in him. Ignoring the ache in his chest, only able to reply him with a "Yeah..."

Not long after, Shoko emerged from the operating room and informed him that the surgery had been successful, though you would likely need to have a one-week stay in the hospital for observation. He intended to move you to the VIP suite and stay the night there, but then he remembered his son, who was holding his hand.

Satoru crouched down and patted him in the head, fixing him a smile. "See? Mama is okay, but she needs to sleep here to get even better. Now you go home first with big brother Megumi, yeah?"

Your son adored Megumi and often begged you to let him stay over at his place, but this time he looked hesitant, fiddling with his little fingers. "Really? Mama will be home... soon?"

"Mm-hmm, the more she sleeps here, the faster she'll go back home, alright?"

And with that, his baby nodded and Satoru turned to Megumi with a nod. "Thank you for this, Megumi."

The boy whose life he had once saved on some sort of a whim, now grown up and shared the same concern he had for you, Fushiguro Megumi had never before witnessed his benefactor expressing such sincere gratitude for anything before.

When you came to, your body felt as heavy as lead.

The discomfort in your abdomen made you flinch, and you almost let out a groan until you turned to your side and saw him.

Satoru was asleep while sitting in the sofa next to your bed, dark circles evident under his eyes. It might have been your imagination, but his cheeks appeared to be slightly red too.

You tried to recall what had happened to you when it came back—you urging your son to run away as you let yourself being taken away, almost escaping from that warehouse, the flash of excruciating pain, and Satoru's stricken voice.

So he must've been here since last night. Any remnants of your disagreement seemed to have vanished, seeing him there with you, barely covering himself with the blanket, with a frown still marking his forehead even in his sleep.

You wanted to reach out to him until the movement sent a sharp jab to your stomach and you cried out a bit.

In that split second, Satoru's eyes jerked open, and realizing you were awake, his gaze locked onto yours. "Y/N—" But your strained whimper and expression told him everything. "Does it hurt? I-I'll get Shoko, wait—"

And then he hit the call button. Throughout it all, he kept a firm grip on your hand for reassurance. A few minutes later, Shoko arrived and examined your wound, subsequently administering painkillers to alleviate your discomfort.

"It's going to leave a scar," she explained grimly, showing the mangled skin where the curse had made its mark on you, and seeing that, Satoru clenched his fists.

Shoko sighed, empathizing with her friend's frustration. "It's going to fade with time, don't worry. You did well, Gojo. You brought her here quickly. Had you been even slightly later, there could have been an irreversible damage to her organs."

But your husband remained quiet, unable to bring himself to look at you. And after she left, you tried to finally voice your question to him.

"O-our—"

"He's fine," Satoru immediately answered, squeezing your hand. "Our boy is fine. I'll tell Megumi to visit later—he's with him."

A sigh of relief came out of you. "Thank... goodness."

But his expression seemed to fall even further after hearing your response. Satoru settled himself on the seat next to you and lowered the rail on your bed, allowing you to be even closer to each other.

"Do you not feel any pain anymore?" he asked then, gently tucking a strand of your hair behind your ear. He looked so sad, a stark contrast of how he usually was, and it bugged you.

"No... I feel fine now."

"Then, can I hug you?"

Of course you nodded without a second thought, and carefully, he wrapped his arms around your body, pulling you close and resting his face on the crook of your neck.

You knew what it was. Satoru was still visibly shaken by what had happened to you, and he wasn't great at expressing himself, so he tried to find consolation through this physical closeness instead.

"I'm okay..." you patted his back, trying to convince him. "I'm alright now, yeah?" But to your surprise, suddenly his whole body started to shake. "Satoru...?"

“…’m sorry.” His voice was barely above a whisper as he nuzzled you. “I shouldn't... have let you get this hurt...”

It always amazes you how Satoru always gets this distressed whenever you sustain any injury. You had seen him cry precisely two times now—once after you gave birth to your son and experienced severe bleeding, and now.

"It's not your fault..." you whispered in response. "You... have protected me well."

He held you tighter, his tone faltering. "I didn't."

"You have..." you stroked his hair, trying to convince him. "I'm still here, aren't I?"

Hearing you say that made Satoru's chest ache. The thought of something like this happening to you was unimaginable, and now that it had, he couldn't come to terms with seeing you hurt right in front of him.

"Don't—" he choked on his voice, his breath trembled against your neck. "Don't ever put yourself in danger again. If something happened to you, I wouldn't be able to live with myself..."

You couldn't make that promise. Despite the pleading in his voice, you knew deep down that your son's life—and his—meant more, and given the chance, you would obviously save theirs for yours.

“Satoru... I love you, you know that, right?”

So you simply embraced him close, hoping that in this life, you would live long enough that he would never have to see you like this again.

Epilogue

"Papa, how do I become stronger?"

Satoru blinked when his son asked him that so innocently and curiously, taken aback as he led him to your private room later that afternoon. "Oh? What brought this on?"

His first and only son, a perfect miniature of himself, pursed his lips. "I don't want Mama to get hurt again..."

Satoru's heart warmed at his baby’s sincere words, and despite himself, he chuckled.

"What's funny?" his son leveled a glare at him. "I'm being serious."

"Well, aren't you such a good boy? Don't worry, kiddo, I'll teach you my ways~"

"What ways?"

"Well, no need to rush, pumpkin. First of all, you will have to harness your skills and then you have to be more like me—"

"Do I have to be like you…? Is there no other way?"

"—? What's wrong with being more like me?"

"Everything...?"

[sheeezu]

Yes, this is a new account, I just made this. I don't care if people question the authenticity of my post, my experience as a shifter, or whatever I'm about to say.

I don't know how to use Tumblr, nor do I know how to make my post reach people who need it, nor would I be a narcissist and say "you're lucky if you found my post!" I don't mind if this reaches an audience or not, I'm glad to get everything off my chest.

Yes. I've shifted.

I have shifted realities, more times than I can count on my fingers, and that is for a very specific reason, which I'll explain later.

I'm writing this because I'm about to permashift, and no, I won't hear out any antishifters or people who don't like permashifting in general, I don't care about your opinion so don't waste my time.

Before I start, I'd like to say one thing:

I was irrational minded, I lacked belief in myself and shifting. Shifting often times felt like a chore more than a fun activity, and i have to admit, it became an unhealthy habit.

So? Why did I mention this?

Because I had been lurking around shifting communities and I realised everyone feels like this, a very (mentally) painful feeling where the lack of shifts starts acting as your biggest enemy, and the phrase:

"Shifting needs practice!"

Sounds like poison when it comes from an experienced shifter.

Though, is the phrase actually true?

No, not at all.

Shifting does not need practice!!

Here's why:

(BTW, I will explain my "method", no matter if I have time or not. Also, I don't call this reality "Current Reality", instead I call it Void reality, so don't get confused.)

The "practice" you're doing is only affecting your void reality (taking time out of your day, making you constantly think you're in your learning phase, so it doesn't exactly lead to your desired reality, does it?)

Of course, if you view it as a skill, it will in some way act like that, it'll become a skill for you, and you can never succeed on your first, second, third, hundredth try, because in your brain you have registered the fact that shifting is this grand, universal task, and that it is very difficult (because its common sense that you practice difficult things to get good at them)

Practice is a very humane and earthly act, if people have succeeded doing just practice, then good for then, they're right in their own way, but it didn't work for me, and in my opinion it's the worst way to view shifting, and often times it is demotivating, and you'll mess up you're entire journey.

Shifting is not a skill, shifting is a universal law.

I'll become more clear as I explain my journey:

My journey:

I found shifting from a random YouTube video 3 years ago. I might have only said cool and moved along.

A year later something traumatic happened in my life, which shook me so badly I needed an escape.

First of all, I chose astral projecting, but I realised I was too much of a coward to do so.

Then I came towards shifting, first DR was very typical, it was Hogwarts.

Having no knowledge whatsoever in the topics of spirituality, meditation, I went straight to methods, because they were like guides for me, I was very inexperienced, of course, and looked at other people and what they were doing for guidance.

Alice in wonderland method didn't do much, raven method was too uncomfortable (side note, all this raven method does is make you too focused on your void reality, cmon, in your DR are you laying down like a starfish?) And I was having terrible trouble with my intrusive thoughts (which made the floor disappear from under my feet, made the stairs for the stairs method too short to climb or straight up made them dissappear as well)

I didn't have any luck that year, no mini shifts, no lucid dreams, or sleep paralysis. And my DRs never remained constant. They always changed on a daily basis.

I was big on methods, I couldn't realize they never worked for me.

Although, this year of failure led me to finally figure out where I belonged.

A DR made out of scratch, which I spend much effort in putting the pieces of it together.

The DR, which was called "Home reality" really made me feel settled in my journey.

LOA, and the consciousness theory were the leading factors which made me shift.

And don't worry, it isn't what you're tired of being told, I didn't just apply any orthodox definition of LOA and succeeded.

Background to my first shift:

It was a particularly stressful day, I really missed my home.

I was studying at my college (I still am, but...) and I was dreading giving a chemistry test, I did not prepare. In my mind, one thing was constantly looping in my head.

The scenario of the chemistry teacher coming in, and taking the test, and the next day I get it handed back with a big fat zero.

But then I stopped and wondered, having already known about the consciousness theory, so according to it:

"I am constantly letting this thought run in my mind, and constantly letting this reality dictate what happens next."

Basically, I realized what was about to happen next was indirectly in my control, but with my line of thinking, I was letting this reality control it directly.

I stopped, like actually stopped thinking.

And with a blank mind I thought.

"I won't have to take any test today."

And went around telling my classmates this with a confident tone.

The teacher came in, said we'll instead do some practicals in lab.

So the test got cancelled.

Going home, I got excited, i felt powerful.

I decided to apply this to shifting.

Before shifting, I took a nap during the day, (if you're tired your body insists on sleeping, so your mind will get hazy and you will start acting lazy towards your goal)

And after living how I normally would, before bedtime, I listened to some songs, and look at a Pinterest board which reminded me of my home reality.

My method and what happened next:

First phase of shifting:

When I laid down on the bed to start shifting, I first got comfy (for me, if I feel sleepy for some reason, I laid on my back, I can't fall asleep in that position, but if I think ill stay awake until I reach a "detached state" then I sleep on my side, it's comfortable)

I obviously wasn't checking the time, but I spent about 10 minutes getting relaxed, all I do to relax is:

a) look at the blackness (closed eyes, looks like starry skies) and try to believe I'm looking at the milky way.

b) think about my home reality, just faces of my loved ones, and nostalgia inducing images.

c) Affirm, but don't focus entirely on affirming, usually in the back of my mind I'm repeating "I have shifted to my home reality" "I have shifted my senses to my home reality" "I have stopped sensing the void reality" "I am smelling, tasting, feeling, hearing and seeing my home reality" no other fancy affirmations required. (Now that I think about it, you need to affirm NOW because this method has two phases, one where you are shifting, and one where you have shifted, and you are in the 3D, where you are occupying your DR self, their thoughts, and memories, and popular method usually only have one phase, either you are shifting, or have shifted. So my point is if you affirm later and you'll be affirming when you're supposed to be in your DR, and obviously, your DR self won't be spouting out affirmations about shifting to a random reality for no reason.)

During this time, you'll feel tingly all over. It's a good sign.

And you'll feel a certain detachment, like you aren't exactly here, you have no idea what position you're lying in, and where your feet are. (Please, for the love of God do not start counting your feet or get freaked out that you can't feel your leg, you'll come back to the void reality.)

So you can start the next phase.

Middle phase (optional):

To prepare for the next and last phase, you can do this to get ready, or don't (First read the third phase)

This is all about connection to your DR.

Think about memories from your DR, focus on the faces of your loved ones, the way you act, talk, your mannerisms in your DR, or you can simply say affirmations like these one:

My name is ___.

I work as a ___.

My age is ___.

Don't try to imagine vividly or anything, lightly touch upon the basic details of your DR, the construction and foundation of any reality and the person, who has existed there for their entire life.

(That's you!)

Phase three:

Take a sudden, abrupt stop from your stream of thoughts. (Yes intrusive thoughts will still pop up but don't give any importance to them) when you're in a blank state of mind, not longer than 30 seconds, you need to build up to the last step of your shifting method, and journey.

a) start imagining hearing the voices of your loved ones or just any voice, calling your DR name, your nicknames, with different tones. (For example, i heard my name in an angry tone from my father when he was scolding me, I heard my name followed by a laughter when my S/O teased me.)

OK, for me, I started feeling intense, groundshaking symptoms at this moment. Sudden flashing of lights, extreme feeling of floating, and ofcourse, feeling tingliness so much that it felt like pins and needle on my entire body. (I did ignore the symptoms)

b) plan the rest of your day in your DR, which you will be spending.

AGAIN, PLEASE DON'T SAY IT LIKE THIS.

❌️When I reach my DR ❌️ I will have to go to that eye specialist for that appointment.

Instead: (and the more you personalize it, the better)

Ughhh, I have to go to that appointment- this day will suck.

(Don't mind my example, that was the only thing I could think of at the moment)

c) in this reality, you are constantly thinking of something, your thoughts are definitely what constructs this reality, and your current thoughts are affecting your subconscious. (By this point, your subconscious is grounded in your DR, so don't worry about that bastard.)

Now, you're going to start thinking, thoughts which are going on in your DR self's mind, start with one sentence, with which you'll be able to start consciously thinking like your DR self.

And think in the style, tone, and mood of your DR self, and keep the thoughts strictly related to your DR.

Thats it, but what happens afterwards? And what happened to me?

So for me, I started feeling weird while I was thinking.

And I remember I thought this:

"Ugh, I don't want eggs for breakfast."

(I'm not saying this is the key to shifting, at this point, I had covered various topics, including, weather, my upcoming work assignment, and praised my S/O for a good 5 minutes.)

And I started panting, like suddenly I was trying to catch my breath, the room felt bright, so I opened my eyes, and well, I was in my home reality :)

I was delirious for a few second, my S/O was looking at me worriedly, but surprisingly, it didn't even take me a minute to adjust, it felt all so natural and I wasn't scared.

I didn't even feel emotional, at all, and didn't hug my S/O with tears in my eyes, I straight up asked to be served breakfast, incase anyone was wondering.

So that's it.

Although i have much to say, I'm tired of writing, but I'm more than willing to answer each and every one of your questions, although I only have 7 hours left till I permashift, I'll remain mostly active till then.

And no, I'm not rereading this to fix my grammar, so just ask if anything confused you.

Ask away.

I'm still not sure if this'll reach anyone or not.

[inkskinned]

it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.

bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.

the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.

what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.

i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.

i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.

and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.

i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?

[housederiva]

Here's every version of the letter the Inquisitor gets from their LI plus Varric (which didn't make me cry at all)

If your Inky didn't romance anyone:

Inquisitor, Greetings from miserable, rainy Minrathous! (Don't tell Dorian I called it that.) The rotten weather here is making me nostalgic for Skyhold. The mountains were freezing, but at least the air didn't smell like wet garbage. We'll have to get in another game of Wicked Grace, soon. Harding picked up the trail again. I'd tell you not to worry, but I know how useless that is. Instead, I'll just say: I've got a great team on this. Neve could stare down the Maker, and wait until you meet Rook. He's/She's/They're a natural: Smart, resourceful, completely unpredictable. You'd like him/her/them, as long as you don't try to beat him/her/them at cards. Chuckles'll never know what hit him. I'll write again once we have something solid for you. Drinks at the Hanged Man are on me when this is over. Take care of yourself. Varric

Blackwall:

My love, You have summoned me to Minrathous, and I will answer your call, as soon as responsibilities here in the South allow. I have missed being by your side. Will these troubles be the last we face? The world seems always to conspire, through duty or disaster, to pull you away from me. I do not resent it. You are dedicated to purposes far larger and more significant than myself. I hope you do not think me a fool for hoping that one day, your only concern will be the color you wish our walls to be painted, or the flowers we will plant beside our gate. I'm partial to carnations. Yours always, Thom

Cassandra:

My love, We are no strangers to duty, or the separation it demands of us. You head for Tevinter, and though I want to go with you, there is work we both must do. I will not falter in the tasks that wait before me and I pray my actions, in whatever measure they can, will keep you safe. The others see only confidence in my resolve, but you have always known more than mere appearance. I confess to you, and you alone, that I am afraid. I'm afraid of what may happen, that Thedas will face such turmoil as it did before. I know not what awaits us. Yet even in the face of uncertainty, there are two things I cannot doubt and never will. The first is that our paths are never separated long. That I will find you at my side when I need you, as you will find me at yours. I will play my part in this and follow as soon as I can. The second thing I never doubt is you. Whatever lies before you, trust yourself. Trust your heart as I trust it. It will not lead you astray. Yours, Cassandra

Cullen:

The top of the letter has been punctured by small, sharp teeth, leaving most of a beloved name and a few sentences chewed to read. I fear the puppy started on this letter shortly after I did. I'd start over, but I must send this tonight if it's to reach you. Matters are settled here and I make for Tevinter as soon as possible. I almost believed chaos might spare us this time. I can't say I wished to see Minrathous before now, but I am eager to see you. I long to see your face and know that you are all right. You are I've There's I wish I was better at putting into writing all that's in my mind. For now, simply know that I love you. It is the most cherished constant of my life. The days ahead will not be easy. I know there's much you carry, more than many realize. But whatever you must face, you will not meet it alone. You have my sword, my counsel, my - I could write this list forever when all I mean to say is this - Whatever you need of me, I am yours. Cullen

Dorian:

Amatus, I'm writing. Again. Yes, the sending crystals still work and yes, you'll be in Minrathous in a few short weeks. But a letter, written in blind longing, is real. It can be touched, and it can be held, when ink and paper must substitute for your skin on mine and my breath in your ear. I used to scoff at frequent declarations of affection. Trite, I thought. Save them for rare and precious moments. But time and love are no longer things I care to squander, especially not as we race again toward calamity. And so, in each of these fleeting, ephemeral seconds, I will tell you that I love you. Whether penned or spoken, or conveyed by glance or action, I love you. In this moment, and in all the moments to come, for as long as they do, I love you. I will find you soon. Yours, Dorian

Iron Bull

Hey, Kadan, Not the first time we've marched toward different battles. I know you're keeping the crap from catching fire up in Tevinter. Wish I could be there, but I'll make sure there's a world for you to come back to when you're done dealing with crazy vints and stupid Antaam and whatever other crap Solas kicked up. (Shit, the Antaam. Remember when I was worried what would happen if I went tal-vashoth? That right there!) I know you're gonna be careful, and you've got Morrigan there. Just take care of yourself. If anything happens to you, I'm going to have to take Krem and the Chargers and stomp across all of Tevinter to come get you. It'll be a whole thing, and you know it'll upset Dorian. Being apart from you made me realize something else. I spent so long being whatever the Ben-Hassrath wanted me to be. An investigator. An agent. A mercenary sending reports. These past years, since the Inquisition ended, I've been able to just be what I want to be. And what I really want to be is yours. I like the person I am when I'm with you. So come back safe. Love, The signature appears to be a stylized rendering of the Iron Bull's head.

Josephine:

My Dearest Lord/Lady, I have spoken to friends in Minrathous. They offer us their hospitality, not to mention shelter from the worst intrigues of the Archon's Palace. While you're well acquainted with the roving eyes of grand courts, please take care. Tevinter's regard can be the oldest and cruelest of them all. The family writes the weather back home is beautiful. I do miss our quiet times together. There is a question I've wanted to ask you for so long. I would like to pretend I have been busy, or it was not the proper time. But, if I am being honest, I only waited because I have been afraid of choosing a poor moment. Please, let me make a promise to you here. When we return to Antiva, I will ask you, on the steps of the estate, if you will do me a great honor. And I dream you will say yes. Always yours, Josephine Postscript: I cannot believe it nearly slipped my mind. Yvette and Lord Otranto send their best wishes, and hope to see us back home in time to welcome their third child.

Sera:

(An artistically doodled journal page presumably from the Inquisitor's partner, Sera.) Keep this as close as I need you. (A drawing of a pile of flowers, with lines like it's moving, an arrow pointing to it labeled "us.") - North again, Mini-wrathus still stuck up its own pucker. - Magiturds are scared of us. They don't even know. - We work with Maevaris, right? She's wow. - So many Friends! Jennies in all the walls! - We kill him this time. He took from us twice! (A drawing of a cracked egg scribbled out, with "can't even joke" in letters that tore the page.) - Still thinking of you sideways. - Never mind the Dalish, here's the Veil Jumpers! Tempest-kin! (A drawing of a tall, shorthaired elf (Sera?) and Irelin brandishing two fingers, backflipping as a tree explodes in runes.) - The memory thing makes my head spin. If that Rook doesn't take it, throw it out. - Tell Morrigan ppbbth! for me. - I'll also tell her ppbbth! She knows why. - Tell them to Stripe. Him. Up. I wanted more books. (More heavy scribbles that tear.) - You meet; I'll keep you safe. Then I'm your time off, and you're my time on. (The last section has different colored inks, like Sera has returned to it several times.) New naked names: -Sweet-tits (scribbled out) -Bestest (scribbled out) -Loverly (scribbled out) -Lovey (scribbled out) -My-for-always-and-ever - name's not too long, time's too short. -But "Sweet-tits," though (scribbled out)

Solas:

Vhenan, I do not know if you will see these words. My ritual is ready and will soon be set in motion. Perhaps when you read this the world will be as it once was, and you will see why all I did was necessary. I cannot ask your forgiveness, but I hope you come to understand. That night in Crestwood, when I shared the truth about your vallaslin... you do not know how close I came to breaking. I could have shared the truth, or even put my plans aside and simply stayed with you as Solas... as I wanted. I regret the pain I caused you. What I feel for you will never change. The note is unsigned, but the handwriting is Solas'.