#i mean i will still watch it. but
i like to think i have some standards regarding the media i consume (this is one of those comforting lies we tell ourselves every day) but my kryptonite are those video game challenge runs. CAN I BEAT SKYRIM WHILE POORLY MANAGING MY IBS?? and i'm like god almighty i simply MUST fucking know
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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BITCH!!!
WE'RE GETTING EYELASHES THAT DO NOT CLASH WITH GLASSES AND OTHER ACCESSORY TEXTURE MAPS, A COPY BUTTON TO COPY ACCESSORIES AND MAKEUP TO OTHER OUTFIT CATEGORIES, AND WE CAN SET RELATIONSHIP STATUS' AS "ENGAGED" AND "PARTNER" IN CAS. NO MORE USING CHEATS TO SET AS BOYFRIEND/GIRLFRIEND IN GAME! PRAISE JESUS! WOOOOOOOOW! For years, we've been asking for this shit! ahjsdkshjadls;ada
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I love that when a show does something sad and gay the other sad gay shows start trending too
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Good morning, Sleepyhead.
[First] Prev <–-> Next
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hearing adaine described as 'elven oracle, denim jacket wearing cool kid' genuinely means so much to me. she was such a shy anxious girl in season 1 and shes grown so much and really come into her power and i just. i cant wait to see her again
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SPIRIT OF THE WEST: The Major Motion Picture
It's a summer evening in the late 90s and you and your friends are looking for something to watch at the slumber party. You go into your local Video & Variety and happen upon the coming of age romance, Spirit of the West. Let's hope this doesn't awaken anything in you....
SUMMARY:
Dean grew up on a horse farm and can't imagine any other life. There are drawbacks to working for his father, but they're worth it if it means remaining with his beloved horses. Besides, between his broken arm and his lack of prospects, he hasn't got much else.
Something of an outsider, Dean always feels like there's something he's missing. But this tense summer brings back a figure from his past: years ago, a teenaged Cas worked for a season at the Winchester ranch. His return could change everything.
Reviewers rave: "If you ever wanted a 90s horse girl book, but starring a young Dean Winchester, this is your flick."
Spirit of the West is written and directed by Teen_Dean / @urne-buriall
▶️ PLAY Spirit of the West
⏪ REWIND with Spirit of the West Prequel by @foolondahill17
⏩ WATCH IT AGAIN with SOTW Daily
🌟 BONUS FEATURES
✨ Director's Commentary
🎶 The Official Motion Picture Soundtrack
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i always feel bad when i see how the point of a lot of saiki's personality traits flew right over the heads of a lot of fans due to him being an unreliable narrator and a tsundere lol.. so a lot of things he says are immediately proved to be untrue and often just him putting up a front, but some people dont pick up on it..
like i see a lot of "haha saiki would never want to watch a romance movie" guys there is an entire chapter (170) dedicated to him being like "i much prefer mysteries to romance stories.." and then immediately becoming absolutely enamored with a romance story.. he was lying, guys, LMAO
less specific ones include:
"i hate children, they annoy me" *goes out of his way to help kids, comfort them, be kind to them, etc.*
"i only use my powers for self gain/my own convenience." "anyway my mama told me to never use my powers selfishly so i always use them to help people and i try my best not to use them for personal gain<3"
"those guys are so annoying, i would never hang out with them willingly." "yeah it took them about two sentences to convince me to go with them. their thoughts seemed like they really wanted me to go, so i did. i didnt want them to be upset. not that i care about them or anything."
(sorry i post about this kind of thing a lot, i just giggle a lot at how the entire manga is so easily misinterpreted and thousands of people have watched the show but didnt pick up on the main characters most defining character traits and frequent bits.. i think there needs to be a masterlist or something disproving all the extremely common misconceptions about saiki k lol)
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911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this
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i keep seeing sad posts talking about "may castellan making sandwiches every day waiting in hopes that her son will return" and.
guys.
there is no hope for may castellan. she is not waiting at the door with lunch and a tentative smile, waiting for him to come home even though he didn't yesterday, or yesterday, or yesterday, or yesterday. "in hopes" implies that there will come a day when that hope fades. in hopes implies she knows the odds are bad. in hopes implies reality will eventually catch up to her.
there is no hope for may castellan.
she is not waiting in hopes for her son to return. she is preparing, day after day after day (after day after day after day after day after) for the inevitability that luke will return to her. she does not know he is dead. she does not understand he is gone. she does not realize that time has passed; to her luke is nine, still. to her she is still placidly awaiting to return of a fourth grader. luke is not nineteen and betraying his camp. he is not twenty and housing a titan. he is not twenty one and watching his friends get slaughtered in an arena, twenty-two and forcing his sister to hold up the sky, twenty three and realizing, soul shuddering in his chest, that he has made a mistake he can never take back, that he can never undo what he has done.
luke castellan to his mother is a child who has not yet lost all his baby teeth. the cookies she makes for him are soft, because she remembers that. he still leaves the crust behind on his sandwiches. he has scrapes on his elbows and dirt on his nose. he flinches before he hugs her. he spends a lot of time outside, but he comes home before dark.
may castellan's tragedy is not that she is penelope waiting for odysseus to one day return and we know that he will not. may castellan's tragedy is that she does not understand her hero has left at all. may castellan's tragedy is that she will never understand, and she will continue to age, and continue to deteriorate, and one day she will die and she will spend eternity walking the dying poplar fields, whittled down to the memory of something missing from her.
there is no hope for may castellan.
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@danielhowell, thanks for making a show that's equal parts devastatingly hilarious and achingly poignant 🖤🧡
[Image Description: Stylized fanart of Daniel Howell performing his stage show. Inked in black with a gradient orange background behind him, Dan screams into his microphone, "WE'RE ALL DOOMED!" End ID]
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god i wished i lived in the timeline where companies respected animation
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