#i mean i haven't finished the episode yet but

[fazcinatingblog]

15 people, 15 questions

thanks for the tag @chablemisspell!!!

1. are you named after anyone?

yeah my mum saw ads for Twin Peaks(?) when she was pregnant with me and they said "who killed Laura Palmer?" and she thought "you know what, forget Claire from Clairemont Avenue, I know a better name"

2. when was the last time you cried?

sigh, thursday 21st december, 5:01pm, I was trying to avoid doing some invoices and

3. do you have kids?

only pesto, adam, nell, and trent OKAY FINE BUT THEY'RE DEFINITELY FAZ'S

4. what sports do you play/have you played?

i played netball and soccer as a teenager and now i do nothing, sport sucks

5. do you use sarcasm?

noooo i would never >_____>

6. what’s the first thing you notice about people?

i dunno, face?

7. what’s your eye color?

brown, ol' poo eyes

8. scary movies or happy endings?

always happy endings with God Only Knows playing over the top and

9. any talents?

being annoying and obsessing over a washed up AFLM player and genuinely just knowing too much/being an incessant know-it-all and

10. where were you born?

Clayton, Melbourne, Australia

11. what are your hobbies

watching footyball/cricket and writing and thinking about Alex Fasolo and reading and listening to Taylor Swift and

12. do you have any pets?

my parents have a cat, does he count?

13. how tall are you?

not tall enough, probably

14. favorite subject in school?

we ate cake in accounting class when it was someone's birthday

15. dream job

ghostwriting Alex Fasolo's memoirs and/or writing about my boss (the question says DREAM job and in this dream, lawyers don't exist)

tags:

idk my besties @taylorswift and @barackobama

[flamingothing]

Evidence of The Haunted Hill House • Ghost Files Debrief

[that-blue-vault-dweller]

Okay, not to spoil the Fallout show or anything, but umm...

Cannibalism was certainly not what I expected 😅 Granted, I may should have expected it, but I guess it's just one more account of me relating to Lucy MacLean.

[hotasfahrenheit]

"I've already told you, right? I'll always be there for you no matter what and will never abandon you." (I might have to let Tew go and go back to living my same life.)

[My Dear Gangster Oppa, Episode 7]

[thewatcher-ofmedia]

Great, it's a place with a bunch of mirrors

Well that woman is creepy

So there's personifications of shit like Despair, great

[eissaphir]

I know we're all going absolutely crazy over the massive amount of Ineffable Idiots content in the new season, but I think we can all agree that the person that's happiest about it is Michael Sheen

[thesearchforbluejello]

I fundamentally do not understand this show. The Dominion War was RIGHT THERE. Like, RIGHT. THERE. Why did we need some whack Romulus-blew-up backstory when the federation was already decimated by the war?? A follow up on the fallout of that and how the ceding of territory, the betrayal by allies, and the xenophobia of threats from both within and outside would have been SO much more interesting to me.

And they're so busy pulling half developed plotlines out of thin air that they're not even pounding in their anchor points for it all. Like, case in point, Jay looking for Icheb's cortical node. SEVEN HAS IT. IT IS LITERALLY IN SEVEN'S FUCKING HEAD. Like, okay fine easter egg? Maybe? But a major plot point isn't exactly an Easter egg?? Like obviously Beyer knows a shitload about Voyager, so at least one of them must be aware of that, so I assume it's implied... but not everyone has seen every Trek and that is from one specific Voyager episode, and Seven had the perfect opportunity to rub that in Jay's face... And are we not going to talk about Seven becoming a Ranger which is HUGELY antithetical to where she was at in Voyager? Because the fact that she became an individual on a ship that was what, 1/3 Maquis? Um, that's a super fucking important fact? Love that for her, but Christ alive nail. these. plot points. home.

idk I guess these two are nitpicks, but I have so many more and just don't feel like writing a novel expounding upon what I perceive as their many (MANY) failures in writing this show. But this show is just full of those moments and I don't understand their choices. Easter eggs only work when there's actually something semi coherent to hide them in (hence why most of M*rvel's fail nowadays, just saying). This feels almost as incoherent as Renegades, and I am SOOOOO very sorry to be actually saying that because woooooof that is not a compliment. Like... it's the Romulans, it's the androids, it's the Borg. It feels like whatever unholy combination is happening with Applebee's and iHop right now. Like... Okay I guess? But it's just a weird combination and very unnecessary. Just fucking pick one and go from there.

I do however need like a lot more ex-Borg bonding that was such a good moment okay thanks bye

[running-in-the-dark]

a woman Dan was flirting with just called him spineless and desperate (and said those are the qualities she looks for in a man). then she said if he's late to their meeting she will punish him.

I really like this show 😭

[wingsyliveblogs]

A reasonable suggestion, but if it’s not a position you can opt into, I suspect there might not be a choice to opt out, either.

Awww, she made her laugh again...

That wistful smile and the hesitation in her voice says “I really wish I could do that but I very much can’t” and I wonder if that’s because the chosen student simply doesn’t get to say no to this, or if opting out is acceptable but Amity can’t or won’t do it for some other reason that has yet to be revealed. (The letter..?)

Either way, it appears Luz is once again picking up on the fact that Amity isn’t being completely open about what’s on her mind, but is choosing not to push it. That’s probably the best option, at least for the time being.

And at this scene transition, I’ll be pausing for the night! I know I haven’t gotten very far here, but I think I’ll have to call it here for... a few different reasons, actually. I shall return as soon as I can - for now, goodnight!

[infamous-if]

✭INFAMOUS UPDATE IS HERE ✭

238K -> 457K WORDS

Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)

This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.

Please let me know of errors! I tested it a few times with no problems but we know how it goes lol

IN THIS CHAPTER THREE UPDATE:

drama

mayhem

chaos

some betrayal

some surprises

just...read it lmao

PROLOGUE - CHAPTER 2 CHANGES:

**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**

fixed up grammatical errors and typos

expanded some scenes and added some more choices

you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)

you can choose to have changed your band's genre before/after seven

TECHNICAL CHANGES:

you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.

the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.

You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.

There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!

I changed a few stat names but their functions remain the same.

You will be able to choose how you would like to be described (masculine, feminine, neither, both).

O is officially gender-selectable.

You can set the genders of the ROs at the start or wait till you meet them.

PLAY HERE

[lc-holy]

There's been some new info about season 6 and the new Special episodes to come, but I haven't seen anyone talking about it on tumblr.

So I'm taking the liberty of making a summary:

Season 6:

-Sébastien Thibaudeau (the show's writing director) has announced that writing for season 6 is complete. There will be several new writers this season.

-Thomas Astruc has shared an image showing him working on the storyboard for a season 6 episode.

-I'm just coming back to something that was said several months ago since some people don't seem to know: All the animation studios that worked on seasons 1 to 5 will no longer be animating the next seasons of Miraculous. The series is getting a visual upgrade. And ZAG has shared a preview of the new sets for the coming seasons.

-Now we know that the new animation studio to work on the next seasons of miraculous is DWARF. This French animation studio worked on the Miraculous movie.

Special episode:

-The new special "The end of Ladybug" (whose name is only provisional) will take place this year before season 6 airs. This will be the last time Miraculous will be animated in the style we've known since season 1. (No word yet on whether SAMG will continue to animate future special episodes.)

-The dubbing of this special has already been done in English.

(Remember: just because an episode has been dubbed doesn't mean it's ready for broadcast. The dubbing can be done while the animation of the episode is not yet finished).

Other specials:

-Thomas would like the next special episode to take place in Japan.

-Thomas said he had already written the Brazil special episode as well as the Bible for a spin-off. He has also written many other stories in the Miraculous universe, but for reasons unknown to him, nothing seems to be moving to adapt these stories for animation or comics. He asks fans who would like to see these projects come to reality to put pressure on ZAG. (politely, of course).

-Thomas retweeted a fan who created a petition so that the special Tibet episode could one day be made.

-He also explained one of the reasons why Miraculous could not be animated in the Ladybug PV style.

He asks fans who would like to watch Miraculous with this style of animation to petition ZAG, Mediawan or Toei.

I may do more posts like this when I have new information, if you're interested of course (I'll never share spoilers or leaks, don't worry).

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[genericpuff]

holy crap okay so

I'm two episodes into Kaos

normally I keep my expectations pretty minimal because, let's be real, the Internet - and especially Tumblr - has a tendency to severely overhype new series to be way better than they actually are and it often leaves me sitting there like "that's it? that's what people were freaking out over for weeks?? that was just a bunch of cheap ships and tropes that i've seen 123785902380 times before" LMAO

BUT thankfully compared to other series like Hazbin Hotel and The Amazing Digital Circus, I haven't been worn out on excessive fandom exposure prior to watching Kaos, so I didn't really know what to expect going in besides what folks have told me so far - it's a modern-day Greek epic, and it stars Jeff Goldblum as Zeus (which is, unsurprisingly, peak casting).

That said, I'm very pleased to say that so far, the show is absolutely blowing me away. The set designs, characterizations, weaving of all the players into a central narrative led by a very coy narrator, all of it feels both refreshing and respectful to the source material at the same time.

so uh yeah that LO animated TV show... we have reason to believe now that it's gotten picked up by Amazon Prime, at least according to the showrunner's LinkedIn and posting history from February of this year that seems to imply LO may have been picked up by Amazon-

(but still, nothing's really been confirmed because they're being so tight-lipped about this you'd almost think it's because there isn't a show happening at all cough)

But even then, that means at best we still won't see anything of the LO TV show adaption for another 2-3 years, depending on how production goes.

Why am I talking about LO right now? Well it should be obvious - Kaos double-whammied LO by beating it to the punch at its own game.

I mean, just look at the creative choices alone in the design of the Underworld and its rulers, our beloved Hades and Persephone.

And yes, the entire Underworld is color-graded like this, something so simple and yet effective in communicating the nature of the Underworld and what it stands for - a place where the past lives on through the dead, paused in time, devoid of the vibrant color grading found in Olympus - or "Olympia" as its been named in this retelling - which is, by the way, a visual treat to take in every time it's featured.

(and yes, that is S-tier-companion Billie Piper on the left, but I will not tell you who she's playing, you actually really should go into this show as blind as possible for the thrill of figuring out these characters as they're introduced <3)

That's not even getting into the narrative structure of the plot itself or the phenomenal casting and acting, but again, I don't want to spoil too much as the show is quite new, and I want to actually finish watching the show myself before I get more into the details of its story and how it delivers it (I'm very much hoping I will still be singing this show's praises at the end of its 8 episodes, please for the love of god don't jump the shark, I don't think my heart can take that kind of pain again.)

All that's to say though, Kaos is, so far, exactly what us disappointed fans of LO deserve after all these years, and frankly, I feel like whatever is coming for the LO animated TV show is really gonna have to step up to the plate to both live up to the bar that Kaos has set as well as stand on its own without being affiliated as a cheap Amazon knockoff living in its shadow. Sounds a little familiar and a bit ironic, doesn't it?

[gammija]

ive been meaning to make this post for a few weeks, and now that Lena's "I am not a wealthy woman, certainly not compared to your own family," to Gwen seems to have put a spotlight on it, here's my lil suggestion;

Elias Bouchard is a ministerial employee/politician, and the OIAR falls under his responsibilities.

Gwen's Bouchard surname already heavily suggests that she comes from a wealthy family, like Elias did in tma. Alice's "Let me guess, fancy gowns, champagne, bathing in the blood of the poor, that sort of thing," comment in ep3 makes that not just independently wealthy, but high class as well.

Then with Alice accusing Gwen of (benefitting from) nepotism in the first episode, it makes sense that someone in her family has a powerful position somewhere in the OIAR hierarchy.

All those are easy to notice, but one thing I haven't seen many posts about - in that same episode, Collin and Alice have this conversation:

ALICE: [...] Is it an app yet? Do we have a minimalist logo? I assume you’ve finished all the social features?

COLIN: Don't you start. I swear I'm going to shove a cable down that prick's throat, pull it out his ministerial anus and floss him to death.

and later, with Teddy-

TEDDY: Colin, mate, you know you’re never getting out of here.

COLIN: Christ, don’t say that.

TEDDY: Even if his nibs lets you off the hook, which he won’t, you couldn’t bring yourself to just leave.

Based on that, we can conclude that somewhere up the OIARs hierarchy, there's some managerial asshole who insists on keeping Colin around (for the app?).

So, combined with what we know from OG Elias in tma, and Gwens nepotism comments, until proven otherwise, that asshole is Elias to me <3

[reidmoony-toast]

Strawberry Wine. ౨ৎ

"If I was empty space, and you were a formless shape we'd fit"

Spencer x fem singer!reader

The two times they miss each other, and the one time they don't

content: no use of y/n, fluff, pining galore

cw: lil suggestive? (She sings Chappell Roan)

wc: 2.4k

an: I've been cooking this up for a while, but life has been super busy, so I haven't yet finished the other parts. I'm very sorry if they take a few weeks to finish :[ Anyways, hope you enjoy! <3

| pt.1 | pt.2 | pt.3 | series masterlist ౨ৎ

· · ──────────── ·𖥸· ──────────── · ·

He really wished he wasn’t here. He never should have begrudgingly agreed to Penelope’s crazy plans, no matter how much she bugged him about it. This was about as far opposite to his kind of thing that you could get.

The lights were bright–unbearably so; flashing so much he feared he would have an epileptic episode (if it weren’t for the small fact that he didn’t actually have epilepsy, but he digressed).

The large room was also deafening, filled with fans, all of them buzzing in anticipation. Penelope was not an exception–she bounced up and down like a rogue ball, shrieking in excitement close to every thirty seconds. He would know. He had been counting.

Although he would rather be at the very back (if he had to choose anywhere in this wretched place), Penny had physically forced him into the very front row, only a barrier separating them from the stage.

He didn’t know and definitely didn’t want to know how Penelope had acquired such tickets and at such short notice before the show. He had found that he was better living in ignorance of the borderline illegal habits of his best friend.

He had just endured half an hour of what Penny had called the ‘openers’. He was dismayed to hear that the performance was not the actual concert; he learnt that the hard way when he had asked Penelope if they could leave, which she replied to with a cackle, stating that the band that had just exited the stage was, in fact, not the main event of the evening.

He had buried his face in his hands and let out a loud groan. He only had himself to blame for being caught up in the ‘Garcia puppy eyes’ trap, but it didn’t mean he couldn’t whinge at least a little bit–or a lot bit.

He didn’t know much about this singer girl, only that Penelope was obsessed with her, bringing her up in conversation many a time. He admitted that he often didn’t fully (if at all) listen when Garcia gushed over her–he seemed to always zone out.

He had never properly heard her songs, only in passing when Penelope would blast music in her cave, and he didn’t even have a clue what she looked like.

He was mentally preparing himself for the next few gruelling hours, with Penny jumping up and down beside him, when the lights dimmed, sending the whole room into a frenzy.

He winced at the screaming and whooping coming from all around him. Smoke machines started emitting mist, covering the stage and fogging up the colourful lights. The crowd continued to roar, Penelope squealing next to him and gripping the railing of the barrier.

A figure emerged through the haze, the silhouette showing locks of hair cascading over their shoulders, clad in a silk slip dress that ended at the mid thigh, hugging their curves.

They started singing–a smooth, silky voice wrapped around him, making the room suddenly feel more bearable. He swallowed hard. The singing was beautiful. Sweet and rich, wrapping around him like a cosy blanket.

He raised his eyebrows with pleasant surprise. It was, admittedly, not bad in the slightest. He hated to say it, but he was enjoying it, a lot. More than he should, given that it was new-age pop, not the refined tones of classical music–his favourite genre by far.

All thoughts of music flew out of his head as the owner of the angelic voice stepped into the stage lights, allowing him to properly see her for the first time. His breath left his body as he took her in.

She was gorgeous, stunning–almost ethereal, as her other-worldy voice filled his cochlea, transmitting electrical signals through his nerve pathways to his primary auditory cortex.

Her hair shone in the light, giving her a halo of the highest grade, her bright lips curled into a perfect smile around her words, and her eyes shone with a million glinting stars.

He was utterly enamoured by her–every facial expression, every movement she made, every note she sang was all absorbed thoroughly by his wide eyes.

In no time at all, the first song was over, finishing with loud cheering and clapping from the audience. The angel grinned out at the sea of fans, soaking up the feeling.

Unlike Spencer, she was well and truly in her element, looking as though there was not where else in the world she would rather be.

He gazed in open-mouthed awe at the way she floated effortlessly about the stage–and, of course, that breathtaking smile that scrunched her nose and revealed the prettiest dimples he had ever seen.

He was snapped back to reality with a sharp poke in the side from Penelope, centering his gravity away from the girl on stage and back to where he stood.

“What?” He said loudly, an exasperated look adorning his face as he tore his eyes back to his best friend. She was smirking at him, arms crossed in front of herself.

“You have such a thing for her, I’m surprised you're not drooling right now,” she answered mockingly. He scoffed, dismissing her words with a wave of his hands as he faced the stage again, not wanting to miss a moment of the show. He heard Garcia laugh deeply at his half-hearted denial.

All thoughts of Penelope soon left his mind as the heaven-sent saint started to sing again, striking chords in his heart at every note.

The song came and went again, and Spencer wished they would not go by so fast, so he could see her for as long as possible.

The next song started with a more upbeat track, and the angel laughed, running back down stage, scarily close to where Spencer stood. “She was a, Playboy, Brigitte Bardot,” she started to sing, “She showed me things, I didn't know.”

She stuck out her tongue playfully, shaking her hips, making the satin fabric hugging her curves sway.

“She did it right there, out on the deck,” she bit down on her bottom lip as Spencer’s face heated, realising what the song was about. “Put her canine teeth in the side of my neck.”

She gestured with her fingers to a spot on her neck, pretending as if her fingers were the teeth, tipping her head back with imaginary ecstasy. He swallowed heavily, face hot.

“I'm in the hallway waitin' for ya,” she sang, “Mini skirt and my go-go boots,” on those lyrics, she bent over, running her free hand from her heeled boots and up her legs, jutting her ass out.

Spencer’s mouth fell open in shock. He had never felt like this from only a few minutes of meeting someone, let alone just laying his eyes on them. This was completely out of the ordinary for him, and it left him reeling.

~☆~

Songs flitted by like the butterflies in his stomach, and his gaze was permanently fixated on the captivating women centre-stage. He couldn't tear his eyes away even if he tried–and he most definitely didn't.

A new song started, fading in with a catchy guitar riff, and the crowd went wild, sparking a wide smile on the angel’s face.

The drum beat started, and she strutted down the stage, tipping her head back and shaking her smooth curls out in the dim lights before she began to sing. “Midnight,” she dragged out the end of the word.

“Come and pick me up, no headlights,” she blew a kiss to the fans in front of her, winking as she made her way down the stage towards where Spencer was situated.

Penelope grasped his arm tighter and tighter as she neared, buttery voice washing over him.

“Watch us go ‘round and ‘round each time,” she stretched out the note, rolling her head to the side, eyes landing exactly where Spencer was standing. He froze, dumbstruck, as he locked eyes with her.

He gulped heavily as a cheeky grin adorned her face, soft lips framing perfectly white teeth. She straightened up, continuing the lyrics as she floated even closer to him, never breaking eye contact.

“You got that James Dean daydream look in your eye,” She knelt down on the stage in front of Spencer. His breathing stuttered as his gaze remained on her, utterly entranced.

“And I got that red lip classic thing that you like,” she dragged her thumb across her lip, singing to him through a happy, if not slightly teasing, smile.

“‘Cause we never go out of style, we never go out of style,” He could see her mouth curving around each syllable as she sang into the microphone, eyes still, somehow, on him.

He most definitely looked like an idiot in that moment, with his flushed cheeks and slack-jawed awe of the ethereal woman only a few feet away, but he didn't have it in himself to care.

She had seen him, and not only that, she had actually come over and sat, right there on the stage in front of him. No matter how much he tried to convince himself otherwise, she was–without question–looking, and singing, straight at him.

She leaned impossibly closer, leaving only a few inches between their two faces as she crooned the words into the microphone. His eyes flicked across the features of her face before they settled on her own.

Up close, they were mesmerising– long, thick lashes framed bright irises, sparkling with the light of the night sky– he could almost map out the constellations he knew off by heart from the incandescent twinkles in her eyes.

“You got that long hair, slicked back-” She moved her free hand to hover over the collar of Spencer's shirt, seemingly asking silent consent to touch him.

He shook out of his trance long enough to nod vigorously. She let out a short chuckle, grabbing his collar and carefully but firmly pulling him closer by his shirt. “-white T-shirt.”

His breath hitched as hers ghosted his lips with every exhale, noses almost touching, with hardly any room for the microphone as his heart raced impossibly faster.

“And I got that good girl faith and a tight little skirt.” At that, she pulled away, letting go of his collar as she leaned back to run her free hand over her skirt, smirking at Spencer and his flaming-red face.

“And when we go crashing down, we come back every time,” she repeats, still serenading him. “'Cause we never go out of style, we never go out of style!” She finally stood, winking and blowing a kiss at a thoroughly flustered Spencer as she strutted to another part of the stage.

Spencer stood there, dumbfounded. He couldn't believe she had not only noticed him, but also sang right to him. His shirt was crumpled from where she had gripped it, but he didn't dare fix it. If possible, he would never smooth the rumpled fabric if it meant he could have a reminder of her always.

A rough shake of his shoulder brought him back to the present, Penelope standing astonished next to him, incredulous smile playing on her lips and she all but shrieked in his ear–something along the lines of, ‘You're so lucky!’ and ‘You're so down bad!’.

He didn't pay her any mind, instead keeping his still-red face on her, and her only.

She wandered to different parts of the stage during the remainder of the song, but Spencer didn't miss the more-than-occasional glances she sent his way throughout the next few songs, smile growing each time they locked eyes.

When they did, he matched her smile with his own goofy grin, his heart feeling as if it was beating out of his chest, breathing becoming erratic as he clutched the railing with white knuckles.

~☆~

All too soon, the concert came to an end, accompanied by raucous applause from the crowd. He clapped like a mad thing too, finally understanding why her fans acted the way they did.

The version of him from two hours ago would have teased him relentlessly for this, but he didn't care. It was another completely different version of him, a version that had not yet laid his eyes on her.

It certainly felt like a life-altering moment in his existence. His being was now split into ‘before’ and ‘after’. Before and after her.

She waved and blew kisses enthusiastically as she made her way off stage. He deduced that she would have to walk right past Spencer to get there. He pathetically hoped she would look at him one last time–prayed she cared enough to seek him out once again.

Electricity jolted through his entire body, head to toe, as she locked eyes with Spencer when he was in her direct line of sight.

She gave him a wink and a little wave, biting her lip through a larger-than-life grin; he felt giddy, hand coming up in an awkward half-wave. He silently cursed himself for the stiltedness of his actions.

She, however, didn't have such qualms as she blew him an air kiss, giggling as she turned away, skipping the rest of the way off stage. The screaming continued as the heel of her shoe disappeared behind the side-stage curtain.

He felt oddly hollow as the venue lights came back on, signalling the end of the show. He kept staring at the spot where she had last been, silently hoping she would come back out and sing again. Look at him again.

He blinked hard, finally re-orienting himself, glancing around to see a few people staring at him, whispering to themselves.

They were talking about him–about his encounter. He turned away again, ducking his head as his cheeks burned again.

As quickly as they came, the stares went again, and his eyes flicked back to the stage again. He so badly wanted to meet her, talk to her, even just lay his eyes on her again. That would be enough.

Penelope cleared her throat next to him, and he hummed in response, still not looking away. She snorted. “Come on lover boy, time to leave.”

He turned his attention to see her nod in the direction of the exit.

He gazed back at that spot once more, heaving out a melancholy sigh, before turning away, heading towards the door.

“Yeah, let's go.”

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Masterlist ౨ৎ

[soupforsoup]

Fifth tardis team dvd commentary moments that kill me (with honourary colin baker):

*the doctor walks out in a dressing gown*

Peter Davison: *chanting* sexual awakening sexual awakening sexual awakening

Sarah Sutton: sexual awakening alert

Janet Fielding: personally I'm going to sleep

.

The Doctor: "[a steam train]... I always wanted to drive one when I was a boy"

Matthew Waterhouse: DiD yOu ReAllY?? A sTeAm TrAiN?? oN gALLiFrEY???

Everyone else: *losing their shit*

.

Peter: what is that you're holding there?

Matthew: my, my belt thing! My rope belt

Peter: ohhhhh, trousers have fallen down

*Adric literally dies in an explosion*

Janet: *about pockets* nothing to put your hands in now!

Matthew: no hands either!

.

*the cyberman leader is threatening Tegan*

Peter: oh to hell with it, kill her

.

Peter: oh the waitress has just stepped in! Uh should you be sitting down, waitress?

"Waitress" Janet: they're picking on me! I haven't even started yet and you're picking on me!

.

Janet: have I just walked into the middle of two saddo middle-aged men talking about who they fancy?

Peter: yep. yep.

Colin Baker: and funnily enough, your name didn't come up

Janet: thank god I haven't had breakfast

.

Peter: we've managed to kill off Adric

Sarah: yep, we've dumped Tegan

Peter: and uh, lose Tegan at heathrow airport... Result!!

.

Colin: last time I saw you lying on the ground like that, you turned into me!

Peter: fate worse than death Colin

.

Janet: *about a piece of set with a green light coming from it* are you cooking something? Nyssa's making a pot of soup

Sarah: cabbage soup!

Janet: broccoli and stilton!

.

Janet: I think I was very mean to you on this story Matthew, I took to calling you "boom-boom waterhouse"

Matthew: what?

Peter: *wheezing the whole time*

Sarah: oh yeah, of course and the other one was, "matte-finish"

Janet: *laughing* oh yeah!

Matthew: I don't remember any of this!

.

Cyberman in the episode: *about the doctor* "the tall one with the fair hair"

Everyone: *dying*

Janet: and the highlights!

Sarah: the highlights yeah, with the expensive highlights!

Peter: *imitating the cybermen* and the blush on the cheeks

Matthew: *also imitating the cybermen* and the fake tan

.

Sarah: That’s the trouble with all this chat, I can’t listen to the programme, find out what’s going on.

Matthew: You’re not missing much.