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asidian · 10 months ago

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One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

#dead boy detectives #dbda #dbda spoilers #charles rowland #crystal palace #edwin payne #meta commentary

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genericpuff · 8 months ago

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holy crap okay so

I'm two episodes into Kaos

normally I keep my expectations pretty minimal because, let's be real, the Internet - and especially Tumblr - has a tendency to severely overhype new series to be way better than they actually are and it often leaves me sitting there like "that's it? that's what people were freaking out over for weeks?? that was just a bunch of cheap ships and tropes that i've seen 123785902380 times before" LMAO

BUT thankfully compared to other series like Hazbin Hotel and The Amazing Digital Circus, I haven't been worn out on excessive fandom exposure prior to watching Kaos, so I didn't really know what to expect going in besides what folks have told me so far - it's a modern-day Greek epic, and it stars Jeff Goldblum as Zeus (which is, unsurprisingly, peak casting).

That said, I'm very pleased to say that so far, the show is absolutely blowing me away. The set designs, characterizations, weaving of all the players into a central narrative led by a very coy narrator, all of it feels both refreshing and respectful to the source material at the same time.

so uh yeah that LO animated TV show... we have reason to believe now that it's gotten picked up by Amazon Prime, at least according to the showrunner's LinkedIn and posting history from February of this year that seems to imply LO may have been picked up by Amazon-

(but still, nothing's really been confirmed because they're being so tight-lipped about this you'd almost think it's because there isn't a show happening at all cough)

But even then, that means at best we still won't see anything of the LO TV show adaption for another 2-3 years, depending on how production goes.

Why am I talking about LO right now? Well it should be obvious - Kaos double-whammied LO by beating it to the punch at its own game.

I mean, just look at the creative choices alone in the design of the Underworld and its rulers, our beloved Hades and Persephone.

And yes, the entire Underworld is color-graded like this, something so simple and yet effective in communicating the nature of the Underworld and what it stands for - a place where the past lives on through the dead, paused in time, devoid of the vibrant color grading found in Olympus - or "Olympia" as its been named in this retelling - which is, by the way, a visual treat to take in every time it's featured.

(and yes, that is S-tier-companion Billie Piper on the left, but I will not tell you who she's playing, you actually really should go into this show as blind as possible for the thrill of figuring out these characters as they're introduced <3)

That's not even getting into the narrative structure of the plot itself or the phenomenal casting and acting, but again, I don't want to spoil too much as the show is quite new, and I want to actually finish watching the show myself before I get more into the details of its story and how it delivers it (I'm very much hoping I will still be singing this show's praises at the end of its 8 episodes, please for the love of god don't jump the shark, I don't think my heart can take that kind of pain again.)

All that's to say though, Kaos is, so far, exactly what us disappointed fans of LO deserve after all these years, and frankly, I feel like whatever is coming for the LO animated TV show is really gonna have to step up to the plate to both live up to the bar that Kaos has set as well as stand on its own without being affiliated as a cheap Amazon knockoff living in its shadow. Sounds a little familiar and a bit ironic, doesn't it?

#kaos #kaos show #anti lore olympus #lore olympus critical #lo critical

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amethystarachnid · 5 months ago

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hi! i’d like to request a loki x fem!reader

can you base it on “we can’t be friends” by ariana grande. something related to the music video in the sense that reader tries to erase her memory in order to “heal” after Loki turns into the god of stories and she is practically alone now. sorry its not angsty i can’t help myself 😩

hope this is okay! thanks queen

MEMORIES

⤷ LOKY LAUFEYSON

ᯓ★ Pairing: Loki Laufeyson x fem!reader

ᯓ★ Genre: romance, angst, like a lot of angst

ᯓ★ Requests status: open

ᯓ★ Story type: one shot

ᯓ★ Summary: You thought Loki was your forever, the man with who you'd spend the resto of your life with, but he becomes the God of Stories you are left with nothing but memories of him, maybe you should get rid of those too.

ᯓ★ Word count: 8k

ᯓ★ TW(s): hinted depression, sleeping a lot to stay in the dreams and not eating because of this so weight loss

ᯓ★ Okay so, I need to tell you all the truth...I haven't watched Loki...But!! I've started it and I'm currently on episode 2, truth is me and tv series don't really go hand in hand so I don't know if I'll actually finish it. But to write this fanfic I tried to get as much information as I could and I hope you like it!

ᯓ★ My Masterlist

ᯓ★ MARVEL Holiday Special

ᯓ★ MARVEL Multiverse - choose an AU, pair it with your favorite character and make a request!

ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)

ᯓ★ MARVEL Bingo

ᯓ★ English isn’t my first language

The air is cool, tinged with the earthy scent of rain that had fallen just hours before, leaving the world fresh, like a new beginning. You sit on the balcony of your apartment, your legs tucked under you as you sip your coffee. The city below hums with the soft buzz of life, but up here, it's quiet. Just you and him.

Loki’s presence is a constant now. At first, it was a dangerous thrill — the God of Mischief, the trickster, the god of lies and chaos. But over time, you had come to know the man behind the myths, the one who spent far too many sleepless nights overthinking, doubting, and regretting. The one who, despite his flaws and his ever-conflicted nature, had let you in.

You can feel his gaze on you, even before you turn to face him. He's perched at the edge of the balcony, the golden light from the setting sun casting soft shadows on his face. His dark hair is tousled from the wind, and he’s watching you with that look — the one that makes you feel as though you’re the only thing in the universe that matters.

You smile, the warmth in your chest a stark contrast to the cool evening breeze. “What?”

He doesn’t answer at first. Instead, Loki steps closer, the air shifting around him in subtle, magical currents. He always has this way of bending the world to his whims. But right now, he’s just… himself. Not a god. Not a villain. Just Loki.

“Nothing,” he says, voice low, almost like a secret. “You just look… peaceful.”

You blink, surprised. Peaceful isn’t a word you’d ever associate with yourself, but you can’t help the way it feels with him beside you. It’s like the world is calm — for once, there’s no grand scheme or looming threat. Just him. And you.

“You’re the one who always looks so intense,” you tease, nudging him lightly with your elbow. “Like you’re plotting world domination.”

Loki’s eyes flicker with mischief, but there’s something softer in the way he regards you, something tender. “I don’t plot world domination. Not all the time.” He shrugs, as if the matter is trivial.

You laugh, but there’s a quiet moment between you, an unspoken understanding. You know what he means. Loki has always carried the weight of the world on his shoulders. The responsibility of his past, the expectations of his future. And yet, when it’s just the two of you, he lets it slip away.

You let your coffee rest on the railing and, without a word, turn to face him fully. Loki’s smile, small but genuine, tugs at something in your chest. You take a step closer to him, the distance between you shrinking as you reach out, your hand brushing against his.

It’s always like this, these quiet moments — when words are no longer necessary. His hand envelops yours effortlessly, and it’s like the universe settles into place. This is the calm you didn’t know you needed, the simple comfort of being in each other’s space.

“Do you ever think about the future?” you ask, your voice hesitant, unsure if you’re ready for the answer.

He watches you carefully, as if weighing your words. There’s a flicker of uncertainty in his gaze, a crack in the façade of the god you’re so used to. He tilts his head, his fingers gently tracing the back of your hand.

“Of course, I think about it,” he admits softly. “But I’ve spent so many lifetimes running from it, from the choices that will define me. The future… It’s complicated.”

You can hear the hesitation in his voice, the way he never fully commits to what’s ahead. Loki is a god of chaos, after all. He’s never been good with stability, with the idea of permanence. His eyes search yours, as though trying to read your mind.

“And you?” he asks, his voice almost a whisper.

You swallow, a lump forming in your throat. “I think about it too, but… I don’t know. The future feels like a blurry mess sometimes.”

He steps closer, his thumb brushing against your wrist in a soothing motion. “Whatever happens, we’ll face it together.”

There’s a sincerity in his words that takes you by surprise. Loki, the god who’d always kept everyone at arm’s length, including his own family, is now standing before you, offering his loyalty in a way that feels… real. No tricks, no games, just the promise of something honest.

“Together,” you repeat softly, the word tasting different on your lips when it comes from him.

His eyes flicker to the horizon, as though he’s considering something, before he looks back at you with a soft chuckle. “And if the future is full of chaos, we’ll make it our own chaos.”

You laugh, but there’s something in your chest that tightens at the thought of a future with Loki — with all that he represents, with all the uncertainty and danger that follow him like a dark cloud. But in this moment, you push it aside. There’s no room for fear when he’s beside you.

Loki takes your hand and leads you toward the edge of the balcony, his fingers never leaving yours. “Come,” he says, his voice low and gentle. “Let’s watch the sunset. Together.”

As you sit side by side, the sun dips below the horizon, painting the sky in warm shades of pink and gold. The world around you may be shifting, always changing, but here, in this moment, everything feels still. The weight of time feels distant. The future feels like a far-off dream that you can’t quite touch.

You rest your head against his shoulder, the soft sound of his breath steadying your own. Loki shifts slightly, his hand coming to rest on your back in an almost protective gesture. The quiet between you stretches, neither of you needing to speak.

For a moment, everything is perfect. The world, the chaos, the future — it all fades into the background, and all that remains is the calm. The love.

But deep down, you can’t ignore the feeling that this peace is fragile. Like glass, it’s delicate, and even though you’re holding onto it, you wonder how long it can last.

That peace doesn’t last forever.

The memory of that moment — the quiet between you, the warmth of his hand in yours — is the last thing you want to hold on to.

After everything has crumbled, after everything has changed, you find yourself sitting in a quiet, empty room, staring at the walls. The apartment feels hollow now, the silence too loud. The city outside moves on, unaware of the storm raging inside you.

It wasn’t supposed to end like this.

But Loki had become the God of Stories, and with that title came unimaginable power. The ability to rewrite fate itself, to shape reality, to weave his own narrative — and in the process, he’d lost himself. Or maybe it was you who had lost him. Maybe you were the one who didn’t fit into his new story.

You can still hear his voice in your mind, soft and warm, whispering that you would face the future together. But how could you face the future with him now? How could you stand by his side when he was no longer the Loki you knew?

It’s a bitter thought. One that claws at your chest. And the worst part is — you still love him. Even after everything. Even after the gods, after the chaos, after the mistakes, you still want him.

But it’s too much. The memories are too vivid, too painful. You can’t bear to remember him — not when every time you close your eyes, you see his face, and it’s like a stab to your heart.

You’ve made up your mind.

You’ll erase it all. Every memory of him.

The love. The pain. The warmth.

You’re not sure how, but you’ll do it. Because if you don’t, you’ll never move on. You’ll never be free.

The box feels heavier than it should as you lower it to the floor, your knees protesting the motion. A single lamp casts its warm glow across your apartment, but the light feels muted, swallowed by the shadows pressing in from every corner. It’s late, and the city outside seems quieter than usual, as if the world knows the significance of what you’re about to do.

Loki’s things are scattered around you in a mess of memories. A black scarf you once teased him about for being far too dramatic, a small leather-bound notebook filled with strange symbols and half-formed ideas, a gold trinket he’d magicked into existence one lazy afternoon to make you laugh. Each item holds a piece of him, of you, of you and him.

Your breath catches as you sit back on your heels, staring at the pile with a sinking feeling in your chest. It’s almost funny. You thought gathering his belongings would make it easier, like pulling off a bandage quickly to avoid the sting. But it’s worse. So much worse.

Your fingers tremble as they brush over the scarf. You remember the first time he wore it — the way it swept dramatically over his shoulder as he smirked at your teasing.

“Trying to impress me, Mischief?” you’d asked, a playful lilt to your voice.

Loki had leaned closer, that familiar spark of mischief lighting his green eyes. “Is it working?”

You’d laughed, shoving him lightly, but your heart had skipped a beat all the same. He had a way of doing that — making the smallest, most mundane moments feel like they belonged in an epic tale.

You shake your head, pulling yourself back to the present. The memory is too vivid, too sharp, and it slices through you like glass. That was before everything changed. Before he became something… unreachable.

Your fingers curl around the scarf, tightening as the memory threatens to drag you under. For a moment, you consider keeping it. Just this one thing. But no. You can’t. If you start keeping pieces of him, you’ll never let go.

You toss the scarf into the box, the action more forceful than you intended. It lands atop the notebook, the trinket, and the small collection of Loki’s things that have woven themselves into your life.

The notebook catches your eye again, and before you can stop yourself, you’re flipping it open. The pages are filled with Loki’s handwriting — sharp and elegant, like the man himself. Most of it is incomprehensible to you, written in Asgardian runes or some ancient language you don’t recognize. But on one page, near the middle, you find something familiar.

It’s your name.

Your breath hitches as you stare at the word, the letters carved into the page with a deliberate hand. Beneath it, a single line in English:

"You are my home."

The tears come then, hot and relentless, streaming down your cheeks before you can stop them. You clutch the notebook to your chest, your body shaking as the weight of it all crashes over you. He said those words to you once, late at night, when the world had felt quiet and safe.

You remember lying in bed together, his arm draped lazily over your waist, his voice a soft murmur against your ear. “You are my home,” he’d said, the words carrying a vulnerability he rarely allowed himself to show. “In all the realms, in all the chaos, I find my peace in you.”

And you had believed him. God, you’d believed him.

The notebook slips from your hands as you bury your face in your palms, sobs wracking your body. You’d thought you were strong enough to do this, to let him go, but the memories won’t stop. They cling to you like shadows, refusing to release their grip.

It’s not fair. He had no right to carve himself into your soul like this, to leave behind pieces of himself in every corner of your life. How are you supposed to erase someone who’s become a part of you?

You sit there for what feels like hours, the box of Loki’s things staring back at you like a silent witness to your unraveling. Eventually, the tears subside, leaving you hollow and exhausted. Your eyes sting, and your throat feels raw, but you force yourself to move.

Gathering the box, you rise to your feet, your legs unsteady. The plan is simple: take it to the small clearing behind the building, set it ablaze, and watch the memories burn. Maybe then the pain will ease. Maybe then you’ll finally be free.

You step outside, the cool night air biting against your skin. The clearing is quiet, save for the distant hum of the city. You place the box in the center, your fingers brushing over the edges one last time.

You light the match.

The flame flickers to life, small and fragile in your hand. You hesitate, the weight of the moment pressing down on you. This is it. This is the final goodbye.

But as you stare at the flame, something inside you cracks. You think of the sunsets you watched together, the way he’d tuck your hair behind your ear when he thought you weren’t paying attention, the soft, unguarded moments that made you fall in love with him in the first place.

Can you really do this?

Your hand shakes as you lower the match, the flame dancing dangerously close to the edge of the box. The scent of sulfur fills the air, and for a moment, you think you’ll go through with it. You’ll let it all burn.

But then, the match falls from your fingers, the flame snuffing out as it hits the damp grass.

You drop to your knees, the box still untouched, your chest heaving with uneven breaths. You can’t do it. You can’t erase him, no matter how much it hurts to remember. Because the memories aren’t just painful. They’re beautiful, too.

And maybe that’s the cruelest part of all.

The bar is crowded, the kind of loud and bustling place you would never have chosen for yourself, but your friends insisted. “You need to get out,” they had said. “Meet people. Forget about him.”

Forget about him.

As if it were that simple.

You sit at a small, high table near the back, a drink cradled in your hand. The music pulses through the air, the bass thrumming in your chest, but it does nothing to drown out the thoughts that swirl endlessly in your mind. Around you, your friends laugh and chatter, their voices a blur of encouragement and reassurances.

It’s been months since Loki left — or, more accurately, since he became something else, someone you could no longer reach. Months since you tried to burn his things and failed, the box now tucked away in the corner of your closet like a secret you can’t bear to part with.

And yet, even with all the time and distance, the memories still haunt you. He’s still there, in the quiet moments, in the back of your mind, a shadow you can’t escape.

A new drink appears in front of you, courtesy of one of your friends. “He’s cute, isn’t he?” she whispers, nudging you with her elbow. You glance toward the bar, where a man stands with a confident smile and sharp cheekbones. He’s attractive, you suppose. Objectively. But as your gaze lingers, the comparisons begin, unbidden and unstoppable.

His hair isn’t as dark as Loki’s. His eyes aren’t as piercing. And when he smiles, it doesn’t make your chest tighten the way Loki’s did when he let his walls down and gave you that rare, genuine look that was only for you.

“Go talk to him,” your friend urges, her tone light and encouraging. You hesitate, but the expectant looks from the rest of your group leave you feeling cornered. With a reluctant sigh, you slide off your stool and make your way toward the bar.

The man notices you immediately, his smile widening as you approach. He introduces himself — James, or Jake, or something that doesn’t stick in your memory. You force a polite smile, nodding as he talks about his job, his hobbies, his plans for the weekend.

But you’re not really listening.

Instead, you’re thinking about how different he is. Loki’s voice had a way of wrapping around you, rich and velvety, with an edge that hinted at mischief or danger. His words weren’t just conversations; they were an invitation to step into his world, to see the universe through his eyes.

This man — James, Jake, whoever — is ordinary. Normal. And maybe that’s what you’re supposed to want now, but it feels hollow.

He says something that makes you chuckle politely, and for a moment, you catch yourself wondering what Loki would think if he saw you now. Would he be amused, watching you try to piece yourself back together with someone so utterly unremarkable? Or would he feel that flicker of jealousy, the possessiveness he always tried to hide but never fully could?

The thought twists something in your chest, and you excuse yourself quickly, claiming you need to get back to your friends.

“Not your type?” one of them teases when you return, her grin playful.

“No,” you say simply, sipping your drink. But the truth is more complicated than that. It’s not that he wasn’t your type. It’s that he wasn’t Loki.

The pattern repeats itself over the following weeks.

Your friends take you to new places, introduce you to new people, all with the hope that one of them will spark something in you. And each time, it ends the same way.

You meet someone kind, someone charming, someone your friends swear would be perfect for you. And each time, you find yourself comparing them to him.

No one holds a candle to Loki.

No one has that sharp wit, that clever tongue that made even the most mundane conversations feel electric. No one carries themselves with that effortless grace, the confidence of a god who knows he’s meant for greatness but still chooses to share himself with you. No one looks at you the way Loki did, like you were a puzzle he was desperate to solve, a mystery he could never quite unravel.

And the worst part is, you know it’s unfair. You know these men deserve more than your half-hearted attempts at connection. But no matter how hard you try, you can’t stop measuring them against him.

One evening, your closest friend pulls you aside after another failed attempt at setting you up. “You’re not giving them a chance,” she says gently, her concern evident.

“I am,” you argue, but even as the words leave your mouth, you know they’re not entirely true.

She sighs, placing a comforting hand on your arm. “I know it’s hard. I know you miss him. But you deserve to be happy, too. He’s not coming back, and holding onto him like this… it’s only hurting you.”

Her words cut deeper than you expect, and you find yourself blinking back tears. She’s right, of course. Loki isn’t coming back. The man you loved is gone, and the person he’s become is far beyond your reach.

But how do you let go of someone who’s etched into your soul? How do you move on when every part of you still aches for him?

“I’ll try,” you whisper, though you’re not sure if it’s a promise you can keep.

Your friend nods, giving your arm a reassuring squeeze. “That’s all anyone can ask.”

But as the night goes on, as the world moves around you, you find yourself retreating into your thoughts, into the memories of a man who can never truly be replaced.

And in the quiet corners of your heart, you know the truth: no one will ever compare.

The apartment feels colder than it should, the kind of chill that creeps into your bones and refuses to let go. You sit curled up on the couch, staring at the flickering glow of the television, though you’re not really watching it. The sound is just there to fill the silence, to keep the walls from closing in.

But it doesn’t work. Not really.

Because even in the noise, you can hear his voice.

It starts small, the whispers of his tone weaving into the spaces between your thoughts. At first, you think it’s your imagination. Of course it is. Loki isn’t here. He’s not coming back. You’ve told yourself this a thousand times, clinging to the words like a mantra.

And yet…

The scent of leather and the faint trace of cedar linger in the air. The couch dips slightly beside you, a barely-there weight, but enough to make you glance to your right.

He’s there. Sitting casually with one arm draped over the back of the couch, his long legs crossed, and that infuriatingly familiar smirk playing at his lips.

“Miss me, darling?” he asks, his voice smooth and teasing, as if he hasn’t been gone for months. As if you hadn’t been tearing yourself apart trying to forget him.

Your heart lurches, and for a moment, you let yourself believe it’s real. You can’t help it. The sight of him is so vivid, so perfect. The sharp angle of his jaw, the glint of mischief in his green eyes — it’s exactly how you remember.

“Loki…” The name slips from your lips before you can stop it, a mixture of disbelief and yearning.

He tilts his head, his expression softening. “Yes, my love?”

The words hit you like a wave, the tenderness in his tone unraveling you completely. Your vision blurs with tears, and you reach out, your hand trembling as it moves toward him. But the moment your fingers brush the air where his hand should be, the illusion shatters.

He’s gone.

The couch is empty. The room is still. The silence is deafening.

You pull your hand back slowly, your chest heaving as you struggle to catch your breath. “No,” you whisper to yourself, shaking your head. “No, no, no.”

Your voice breaks, the sound foreign to your ears. You clutch at the blanket draped over your lap, holding it tightly as if it could anchor you to reality. But it doesn’t. Nothing does.

“Why are you doing this to me?” you murmur into the empty room, your voice raw with anger and grief. “Why can’t I let you go?”

There’s no answer, of course. Just the echo of your own voice bouncing off the walls. But that doesn’t stop you from talking. It’s becoming a habit now, these conversations with no one.

Some nights, you sit at the dining table, setting out two glasses of wine even though you know the second will remain untouched. You’ll tell stories about your day, laughing softly at jokes that only you can hear. You’ll look toward the chair opposite you, expecting to see him lounging there, his sharp wit ready to match yours.

And some nights, like tonight, you’ll sit on the couch and swear you can feel him beside you.

“Loki,” you whisper again, the name tasting like salt on your tongue. “Why did you leave me?”

The apartment remains silent, but in your mind, you can hear his response. You can hear him apologizing, explaining that it wasn’t his choice, that becoming the God of Stories meant giving up everything he loved.

But it’s a lie. A lie you tell yourself to make the ache in your chest bearable. Because deep down, you know the truth: he could have stayed. He could have chosen you.

And yet, he didn’t.

The illusions get worse as the weeks pass.

At first, they’re fleeting — a glimpse of him out of the corner of your eye, a phantom touch brushing against your shoulder. But soon, they’re more vivid. More real.

You’ll hear his voice calling your name, soft and intimate, like he’s standing right behind you. You’ll turn around, your heart leaping with hope, only to find nothing but empty air.

And then there are the nights when you swear you feel his arms around you, holding you close as you drift off to sleep. Those nights are the worst, because when you wake up, the loneliness is suffocating.

Your friends notice the change in you, though you try to hide it. They don’t understand. How could they? They never knew him the way you did. They never loved him the way you do.

“You’re spiraling,” one of them says gently, her voice laced with concern. “You need help, Y/N. This… this isn’t normal.”

You nod, pretending to agree, but you don’t believe her. How could you need help when the only thing keeping you sane is the thought of him? When the illusions are the only moments you feel whole again?

One evening, you sit on the floor of your living room, surrounded by the box of Loki’s things you couldn’t bring yourself to burn. You pull out the scarf, holding it close to your chest as tears spill down your cheeks.

“I can’t do this without you,” you whisper into the fabric, your voice shaking. “I don’t know how.”

The room feels colder than ever, but as you close your eyes, you imagine his warmth enveloping you. You imagine him kneeling beside you, his hand brushing your hair back as he murmurs reassurances in that velvety voice.

But when you open your eyes, you’re still alone. And the scarf in your hands feels unbearably heavy.

You clutch it tighter, rocking slightly as the weight of your grief crashes over you. The world outside continues on, indifferent to your pain, but in this moment, all you can feel is the absence of him.

It’s a pain that no one else can understand, a loss that no one else can ease. And as the illusions pull you deeper into their grasp, you can’t help but wonder if letting go of him is even possible — or if you’re destined to carry this ache forever.

The dream begins the same way every time.

You’re standing in a golden field, the tall grass swaying gently in a breeze that carries the faintest scent of lavender. The sky above is painted in soft hues of orange and pink, a perpetual sunset that feels both warm and surreal. And there he is, waiting for you.

Loki.

He’s standing a few paces away, his silhouette sharp against the dreamy backdrop. His dark hair is tousled just so, and when he sees you, that familiar, crooked smile lights up his face. He opens his arms, and you run to him, your heart soaring in a way it hasn’t in what feels like forever.

In your dreams, there are no goodbyes, no insurmountable barriers. Here, you are just two people who love each other, untouched by the weight of reality.

“Missed me, darling?” he asks, his voice teasing yet warm as he pulls you into his arms.

“Always,” you murmur, burying your face in his chest. His scent surrounds you — leather and cedar, with a hint of something uniquely him. It’s intoxicating, grounding, and you never want to let go.

The dreams are your sanctuary, the only place where the ache in your chest quiets, where you feel whole again. You wake up every morning wishing you could stay there forever. And slowly, without realizing it, you begin to chase that feeling.

At first, it’s subtle. You let yourself sleep a little longer each morning, lingering in bed even as the sunlight streams through your window. Then you start skipping plans with your friends, feigning exhaustion or sickness so you can curl back under the covers.

The more time you spend in your dreams, the less you care about the waking world. Food becomes an afterthought, meals skipped in favor of lying in bed, hoping to drift off again. Even your appearance begins to change — your cheeks hollowing, your skin growing pale. But you hardly notice. All that matters is Loki.

Your friends notice the change in you long before you do.

“You’ve barely eaten,” one of them points out during a rare outing, her eyes scanning your face with obvious concern. “You’re so thin, Y/N. Are you okay?”

“I’m fine,” you reply automatically, forcing a smile. But your voice lacks conviction, and you can tell she doesn’t believe you.

“You don’t look fine.” Her tone softens, but there’s a firmness beneath it. “We’re worried about you. You’ve been isolating yourself, skipping meals, avoiding everyone…”

“I’m just tired,” you say, cutting her off. “That’s all.”

The words hang in the air, heavy with unspoken truths. You can see the worry etched into her features, but you’re too far gone to care. You’re tired of the concern, the pity, the endless attempts to pull you out of the darkness when all you want is to stay there, wrapped in the illusion of Loki’s presence.

One night, your friend shows up at your apartment unannounced. The moment she steps inside, she freezes, her eyes widening as she takes in the state of the place.

It’s a mess. Dishes piled in the sink, unopened mail scattered across the counter, curtains drawn tightly to keep out the daylight. And there you are, curled up on the couch in a hoodie that hangs off your frame, your eyes hollow and distant.

“Y/N,” she breathes, her voice breaking.

You barely look at her, your gaze fixed on the floor.

She sits down beside you, reaching for your hand. “You’re not okay,” she says, her voice trembling. “Please, let us help you.”

“I don’t need help,” you whisper, but even as you say it, tears spill down your cheeks.

“Yes, you do,” she insists, squeezing your hand. “You’ve been shutting us out, and it’s killing you. You’re wasting away, Y/N. I don’t know what’s going on, but you don’t have to face it alone.”

Her words pierce through the fog in your mind, and for a moment, you consider telling her the truth. Telling her about the dreams, about Loki, about the impossible grief that has consumed you. But the thought of saying it out loud feels like admitting he’s truly gone.

“I just need to sleep,” you say instead, pulling your hand away.

Her eyes fill with tears, but she doesn’t press you further. She stands, her shoulders slumping in defeat. “I can’t force you to let us in,” she says softly. “But I’m not giving up on you.”

After she leaves, you crawl back into bed, pulling the covers over your head. The dreams are waiting for you, and that’s all that matters.

But even the dreams begin to shift.

The golden fields grow dimmer, the sunsets less vibrant. Loki’s voice, once so warm and reassuring, takes on a melancholy edge. He holds you close, but there’s a sadness in his eyes that wasn’t there before.

“Why are you doing this to yourself?” he asks one night, his voice soft but filled with anguish.

“What do you mean?” you reply, confused.

“You’re losing yourself,” he says, his hands cradling your face. “This isn’t what I wanted for you.”

Tears stream down your cheeks as you shake your head. “I don’t care,” you whisper. “I just want to be with you.”

Loki’s expression breaks, his own tears shimmering in his eyes. “But at what cost, my love? You’re fading away.”

The dream dissolves into darkness, leaving you gasping as you wake up. For the first time, the comfort of sleep feels like a betrayal, a reminder of how deeply you’ve sunk into the illusion.

And yet, the waking world offers no solace. You lie in bed, staring at the ceiling, your heart aching with the weight of it all.

Because no matter where you are — asleep or awake — the pain remains. And you don’t know how to escape it.

It’s late afternoon when your friend arrives at your apartment, a determined look on her face as she steps inside. She doesn’t bother to hide her shock at the state of you. You’re sitting on the couch, knees pulled to your chest, staring blankly at the television. Your hoodie hangs loosely on your frail frame, and your skin is pale, almost translucent under the dim lighting.

“Y/N,” she begins, closing the door behind her and walking toward you. There’s no judgment in her tone, only a desperate kind of concern. “I’ve been doing some research… and I think I found something that could help.”

You glance at her, your expression unreadable. “Help?”

“Yes.” She sits down beside you, her movements careful, as though she’s afraid you might shatter. “It’s… unconventional, but it’s worth considering.”

From her bag, she pulls out a pamphlet and places it on the coffee table. The bold lettering on the front reads: The Haven Institute: A New Beginning.

You eye it warily, your stomach twisting with unease. “What is this?”

She hesitates, then takes a deep breath. “It’s a clinic. They specialize in memory modification. They… they can help you forget him.”

The words hit you like a punch to the gut, and for a moment, you can’t breathe. Forget him? The idea is so foreign, so unimaginable, that it feels like an affront to everything you’ve been holding onto.

“No,” you say quickly, your voice trembling. “Absolutely not.”

“Y/N, please just listen—”

“No!” You push yourself up from the couch, pacing the room with frantic energy. “I can’t. I won’t. He’s all I have left. If I forget him, then what? What’s left of me?”

Tears fill your friend’s eyes, but she doesn’t back down. “What’s left of you now?” she asks softly, her voice breaking. “Look at yourself, Y/N. You’re not living. You’re barely surviving. This… this isn’t what he would want for you.”

Her words strike a chord, but you shake your head, unwilling to let them sink in.

“I can’t,” you whisper, your voice cracking. “I can’t lose him again.”

That night, you dream of Loki again. But this time, the dream isn’t a golden field or a serene sunset. It’s your apartment, dimly lit and suffocatingly quiet.

He’s sitting across from you, his posture relaxed but his expression serious. There’s a weight to his gaze, a sadness that mirrors your own.

“You know she’s right,” he says, his voice gentle but firm.

You shake your head, tears streaming down your face. “No. Don’t say that. Don’t you dare say that.”

Loki leans forward, his elbows resting on his knees as he studies you. “Do you think this is what I want for you? To see you like this, wasting away, consumed by grief?”

“I’m not wasting away,” you argue, but your voice lacks conviction.

He tilts his head, his expression softening. “Aren’t you? Look at yourself, darling. You’re a shadow of the person I fell in love with. And it’s my fault. I see that now.”

“No,” you choke out, clutching at the fabric of your hoodie. “It’s not your fault. It’s mine. I’m the one who can’t let go.”

“And that’s why you need to let me go,” he says, his voice breaking. “Not because you don’t love me, but because you do. Because holding onto me is killing you.”

You collapse onto the floor, sobbing into your hands as the weight of his words crashes over you. “I don’t know how,” you whisper. “I don’t know how to let you go.”

Loki kneels beside you, his hands cupping your face as he looks into your eyes. “You can,” he says firmly. “You’re stronger than you think. And if erasing me is the only way to save you… then so be it.”

The dream begins to fade, his voice lingering in your mind even as the golden light dissolves into darkness.

You wake up gasping, tears soaking your pillow. The words from your dream replay over and over in your head, like a mantra you can’t escape: You need to let me go.

For the first time, you take a long, hard look at yourself. You walk to the bathroom and flick on the light, wincing at the reflection staring back at you. Your cheeks are hollow, your eyes dull, your once-vibrant presence reduced to a frail shadow.

Your hand trembles as you press it against the mirror, your breath fogging the glass. This isn’t you. This isn’t the person you used to be.

And Loki — whether he’s a dream, an illusion, or a memory too stubborn to fade — is right. You’ve let your grief consume you, and if you don’t do something soon, there won’t be anything left to save.

The next morning, you call your friend.

“I’ll do it,” you say quietly, your voice barely above a whisper. “I’ll go to the clinic.”

There’s a pause on the other end of the line, and when she speaks, her voice is thick with emotion. “Are you sure?”

“No,” you admit. “But I can’t keep living like this.”

Your friend comes over that afternoon, and for the first time in what feels like forever, you let her hold you as you cry. It’s a small step, but it’s a step nonetheless.

The pamphlet sits on the coffee table, a reminder of what’s to come. And as you stare at it, a part of you wonders if this is the right choice — if erasing Loki from your mind will truly set you free, or if it will only leave another kind of emptiness in its place.

But for now, you cling to the hope that it might bring you peace. That maybe you can find a way to start over.

The clinic is sterile, unnervingly clean, and entirely too quiet. The hum of the fluorescent lights overhead sets your teeth on edge as you sit in the waiting area, clutching the scarf in your lap like a lifeline. It still smells faintly of him, though the scent is fading. You know it’s your imagination more than anything else, but you don’t care. It’s all you have left.

The receptionist calls your name, and you stand, legs trembling as you follow her down a long corridor. Your friend is waiting outside in the car, insisting she couldn’t bear to come in. You told her you’d be fine, but now, as the door to the consultation room closes behind you, you’re not so sure.

The doctor is kind, their voice calm and reassuring as they explain the procedure once again. You listen, nodding at the appropriate times, but your mind is elsewhere — lost in the memories you’re about to give up.

“Do you have the belongings?” the doctor asks gently, gesturing to the small box you’ve brought with you.

You nod, setting it on the table with shaking hands. Inside are the remnants of your life with Loki: a book he loved to read aloud from, a pair of cufflinks he’d left on your dresser, and the scarf you’ve been holding onto for dear life.

The doctor notices your grip on the scarf and tilts their head. “You don’t have to let go of everything,” they say, their tone encouraging. “We can modify the memory tied to an object if you’d prefer to keep it.”

You glance down at the soft fabric, your fingers tracing the intricate weave. The thought of losing this piece of him entirely feels unbearable, but the idea of it being tied to him — tied to your grief — is equally suffocating.

“Can you… can you change the memory?” you ask hesitantly. “Make it something else?”

The doctor nods. “Of course. What would you like it to mean?”

You think for a moment, your mind swirling with possibilities. Finally, you settle on something simple, something that feels safe. “A lucky charm,” you say quietly. “It’s a scarf I’ve had for years, and I keep it for good luck.”

The doctor smiles gently. “We can do that.”

Before the procedure, they give you a moment alone to say goodbye — not to the belongings, but to the memories themselves.

You sit on the chair in the dimly lit room, the scarf draped across your lap. The illusion of Loki appears before you, as vivid as ever, his expression unreadable.

“So, this is it,” he says softly, his voice tinged with sadness.

You nod, tears welling in your eyes. “I guess it is.”

Loki steps closer, his gaze searching yours. “Are you sure this is what you want, my love?”

“I don’t want it,” you admit, your voice trembling. “But I need it. I need to move on. And I can’t… not like this.”

He reaches out, his fingers ghosting over your cheek, though you can’t feel his touch. “You’ve always been stronger than you know,” he murmurs. “Stronger than me, even.”

You let out a shaky laugh, fresh tears spilling over. “That’s not true.”

“It is,” he insists, his eyes glinting with that familiar intensity. “And now, you’ll prove it.”

For a moment, neither of you speaks. You simply look at him, memorizing every detail of his face, every nuance of his expression.

“Goodbye, Loki,” you whisper, your voice breaking.

His smile is soft, bittersweet. “Goodbye, my love.”

He fades slowly, the edges of his figure dissolving into the air until there’s nothing left but an empty room.

The doctor guides you into the operating chair, the soft hum of machinery filling the space. They place a device over your temples, adjusting the settings as they explain what to expect. You barely hear them, your mind still caught in the aftershocks of saying goodbye.

“This will be painless,” the doctor says gently. “You may experience flashes of the memories as they’re removed, but it will be quick.”

You nod, gripping the scarf tightly.

The machine begins to whir, and the first memory surfaces.

It’s the night you met him, his sharp wit and charming smile disarming you instantly. You remember the way he looked at you, like you were the only person in the room.

The memory dissolves, and another takes its place.

Loki teaching you magic, his laughter filling the room when you accidentally summon a puff of smoke instead of a flame. “We’ll make a sorceress of you yet,” he had said, pride gleaming in his eyes.

That memory fades, too, replaced by the time he held you under a canopy of stars, his voice a soft murmur as he told you stories of Asgard.

One by one, the memories play out, each one tugging at your heart until it feels like it might break entirely. But you let them go, because you have to.

The last memory is the hardest. It’s the day he left, his hand brushing against yours for the final time. You see the pain in his eyes, the love he couldn’t put into words, and it nearly undoes you.

“Be happy,” he had whispered, his voice cracking. “For both of us.”

As the memory fades, you feel a strange sense of peace. The pain is still there, but it’s muted now, distant.

When the procedure is over, the doctor removes the device and places the scarf in your hands. “It’s done,” they say gently.

You hold the scarf close, feeling its softness against your skin. It’s just a scarf now — a lucky charm, nothing more.

And as you leave the clinic, the weight on your chest feels a little lighter, the world a little brighter.

It’s not a perfect ending, but it’s a new beginning. And for now, that’s enough.

Life after the clinic is quieter, simpler.

You wake up each morning to sunlight streaming through your window, the warmth of it brushing your face. Your days are filled with routines now — a job you’ve rediscovered a passion for, weekend brunches with friends who are no longer burdened with worry over you, and quiet evenings spent reading or listening to music.

On the surface, everything seems fine. You smile more, laugh more. Your friends notice the change and comment on how much better you look. “It’s so good to have you back,” one of them says during a coffee date, her eyes brimming with relief.

You nod, sipping your latte, and try to believe her.

But there’s an ache in your chest that you can’t quite place. A dull, persistent tug that makes itself known when the world grows quiet — when you’re walking home alone in the evening or lying in bed just before sleep takes you. It’s not sharp or overwhelming, just… there. A void you can’t fill, no matter how hard you try.

Your apartment is different now. Cleaner, brighter. The curtains are drawn back to let in the sunlight, and the once-cluttered surfaces are neatly organized. You’ve even picked up a few plants, their green leaves adding life to the space.

And yet, sometimes, when you walk into the living room, you pause, your eyes lingering on the empty chair by the window. For a moment, you feel like something — or someone — should be there. But the thought slips away as quickly as it comes, leaving you puzzled but not overly concerned.

The scarf has become a part of your everyday life. You wear it on days when you need a little extra confidence, its soft fabric a comforting weight around your neck. It’s your lucky charm, though you can’t quite remember where you got it or why it feels so important.

One afternoon, as you’re folding laundry, you find yourself holding the scarf a little longer than necessary. A strange, bittersweet feeling washes over you, like you’re on the verge of remembering something — or someone — just out of reach.

You shake it off, folding the scarf neatly and tucking it away in your drawer.

Dreams come to you occasionally, hazy and fragmented. They’re filled with flashes of green and gold, the sound of laughter you can’t place, and the sensation of strong arms wrapping around you.

You wake from these dreams with a strange mixture of comfort and longing, your heart aching for something — or someone — you can’t name. But the feeling fades as the day goes on, replaced by the mundanity of everyday life.

One evening, as you’re walking home from work, a sudden gust of wind whips through the street, tugging at your scarf. You clutch it tightly, a shiver running down your spine despite the warmth of your coat.

For a brief moment, you feel as though you’re being watched, as though someone is standing just behind you, their presence familiar and reassuring. You turn quickly, your eyes scanning the empty street, but there’s no one there.

You laugh at yourself, shaking your head as you continue walking. But the feeling lingers, a warmth in your chest that stays with you for the rest of the night.

Time passes, and the ache in your heart becomes easier to ignore. You focus on the present, on the life you’ve rebuilt. You’re content, if not entirely happy.

But every now and then, when the world grows quiet, you find yourself staring into the distance, your fingers brushing absentmindedly over the scarf around your neck.

You don’t know what it is you’re searching for.

And maybe you never will.

ah yes, the angst! I love it, I've been crying for the last 2k words lol

189 notes · View notes

briarlovesclara · 4 months ago

Text

//mismag 2 spoilers

okay guys we did it. We're here. Behold, the official sequels (!) to my relationship chart. the one on the left is immediately after the finale, the one on the right is several years down the line. enjoy ❤️

(as always, details, alt id, and elaboration under cut.)

OKAY VERSION 1:

Sam and Evan: absolutely nothing has changed since the first post, but now they both know about it. Start an undefined relationship but they're both down bad.

Sam and K: I see the light and I apologize for my ignorance because they are BOTH incredibly down bad. They haven't figured it out yet because they're trying to figure EVERYTHING out but it's there.

Jammer and Evan: Jammer's feelings parallel my first post. What does that mean for him? It means locking his wings and coming over every month to see his people. Evan doesn't need to know what they have; he loves it. No notes from him.

K and Jammer: no labels! They are each other's. When someone asks, they respond "that's my K/Jammer". Nothing else needed.

Jammer and Sam: forgot to put the arrow back mutually to Jammer, but I feel like in the last episode they both sort of realized that they could be Something. At least for me, sometimes I meet or know a person and I suddenly think, "oh, I could definitely develop feelings for them". If you know you know and they're aware, but cautious about it.

K and Evan: controversial, but I think they're both down bad in the finale. They still hold that love so close to the surface. You will see where this goes with the next chart.

×××××

okay i was going to finish this last night but tumblr deleted a good chunk of my written out thoughts for the second chart so i got sad so let's do this again

×××××

VERSION 2:

Sam and Evan: pretty straightforward. They became partners of undefined type after the finale, and then one day they started saying "I'm in love with you", and then they both overthought it that night and came back in the morning like "we do need to talk about that" LMAO. probably get married eventually.

K and Sam: more complex. They're best friends who are also dating in the literal sense of they go on romantic dates. When K visits, they have dinners out and alone time at the house, but they just call it best friends (unless someone disturbs them out in public, in which case it's "leave my girl/boyfriend alone").

K and Evan: they're divorced in a romantic way. They make being exes romantic without actively dating. In 7 years they've kissed like 5 times. Their souls have a deep, old connection that is unshakeable and they are also very close friends. They're kinda funny with it too. They're hanging out and someone messes with one of them? "Hey that's my ex-boyfriend you're talking to." Confusion with style points. They love it and cherish what they had.

Sam and Jammer: they are comfortably friends who are in love with each other. Jammer probably has other romantic relationships and stuff, he's just in love with Sam, 1/5 platonically and 4/5 romantically. Same with Sam. She has her partner, her friend she's dating, and her friend Jammer she's mutually in love with.

Evan and Jammer: literal life partners. They will be together for the rest of their lives. They are each other's number ones, best friends, soulmates. In what way, you ask? What are you, a cop?

K and Jammer: more mature version of their version 1 relationship. Fully established and communicated QPR. Whereas most of the pilot program is vibes and unspoken and just love without labels, they are straight up in a QPR. Once they figure it out it's not a big deal, but when either approaches a new romance it's "by the way, I have a queer platonic partner. Here's the boundaries we have in our relationship."

TLDR: happy family :)

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gammija · 1 year ago

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ive been meaning to make this post for a few weeks, and now that Lena's "I am not a wealthy woman, certainly not compared to your own family," to Gwen seems to have put a spotlight on it, here's my lil suggestion;

Elias Bouchard is a ministerial employee/politician, and the OIAR falls under his responsibilities.

Gwen's Bouchard surname already heavily suggests that she comes from a wealthy family, like Elias did in tma. Alice's "Let me guess, fancy gowns, champagne, bathing in the blood of the poor, that sort of thing," comment in ep3 makes that not just independently wealthy, but high class as well.

Then with Alice accusing Gwen of (benefitting from) nepotism in the first episode, it makes sense that someone in her family has a powerful position somewhere in the OIAR hierarchy.

All those are easy to notice, but one thing I haven't seen many posts about - in that same episode, Collin and Alice have this conversation:

ALICE: [...] Is it an app yet? Do we have a minimalist logo? I assume you’ve finished all the social features?

COLIN: Don't you start. I swear I'm going to shove a cable down that prick's throat, pull it out his ministerial anus and floss him to death.

and later, with Teddy-

TEDDY: Colin, mate, you know you’re never getting out of here.

COLIN: Christ, don’t say that.

TEDDY: Even if his nibs lets you off the hook, which he won’t, you couldn’t bring yourself to just leave.

Based on that, we can conclude that somewhere up the OIARs hierarchy, there's some managerial asshole who insists on keeping Colin around (for the app?).

So, combined with what we know from OG Elias in tma, and Gwens nepotism comments, until proven otherwise, that asshole is Elias to me <3

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reidmoony-toast · 7 months ago

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Strawberry Wine. ౨ৎ

"If I was empty space, and you were a formless shape we'd fit"

Spencer x fem singer!reader

The two times they miss each other, and the one time they don't

content: no use of y/n, fluff, pining galore

cw: lil suggestive? (She sings Chappell Roan)

wc: 2.4k

an: I've been cooking this up for a while, but life has been super busy, so I haven't yet finished the other parts. I'm very sorry if they take a few weeks to finish :[ Anyways, hope you enjoy! <3

| pt.1 | pt.2 | pt.3 | series masterlist ౨ৎ

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He really wished he wasn’t here. He never should have begrudgingly agreed to Penelope’s crazy plans, no matter how much she bugged him about it. This was about as far opposite to his kind of thing that you could get.

The lights were bright–unbearably so; flashing so much he feared he would have an epileptic episode (if it weren’t for the small fact that he didn’t actually have epilepsy, but he digressed).

The large room was also deafening, filled with fans, all of them buzzing in anticipation. Penelope was not an exception–she bounced up and down like a rogue ball, shrieking in excitement close to every thirty seconds. He would know. He had been counting.

Although he would rather be at the very back (if he had to choose anywhere in this wretched place), Penny had physically forced him into the very front row, only a barrier separating them from the stage.

He didn’t know and definitely didn’t want to know how Penelope had acquired such tickets and at such short notice before the show. He had found that he was better living in ignorance of the borderline illegal habits of his best friend.

He had just endured half an hour of what Penny had called the ‘openers’. He was dismayed to hear that the performance was not the actual concert; he learnt that the hard way when he had asked Penelope if they could leave, which she replied to with a cackle, stating that the band that had just exited the stage was, in fact, not the main event of the evening.

He had buried his face in his hands and let out a loud groan. He only had himself to blame for being caught up in the ‘Garcia puppy eyes’ trap, but it didn’t mean he couldn’t whinge at least a little bit–or a lot bit.

He didn’t know much about this singer girl, only that Penelope was obsessed with her, bringing her up in conversation many a time. He admitted that he often didn’t fully (if at all) listen when Garcia gushed over her–he seemed to always zone out.

He had never properly heard her songs, only in passing when Penelope would blast music in her cave, and he didn’t even have a clue what she looked like.

He was mentally preparing himself for the next few gruelling hours, with Penny jumping up and down beside him, when the lights dimmed, sending the whole room into a frenzy.

He winced at the screaming and whooping coming from all around him. Smoke machines started emitting mist, covering the stage and fogging up the colourful lights. The crowd continued to roar, Penelope squealing next to him and gripping the railing of the barrier.

A figure emerged through the haze, the silhouette showing locks of hair cascading over their shoulders, clad in a silk slip dress that ended at the mid thigh, hugging their curves.

They started singing–a smooth, silky voice wrapped around him, making the room suddenly feel more bearable. He swallowed hard. The singing was beautiful. Sweet and rich, wrapping around him like a cosy blanket.

He raised his eyebrows with pleasant surprise. It was, admittedly, not bad in the slightest. He hated to say it, but he was enjoying it, a lot. More than he should, given that it was new-age pop, not the refined tones of classical music–his favourite genre by far.

All thoughts of music flew out of his head as the owner of the angelic voice stepped into the stage lights, allowing him to properly see her for the first time. His breath left his body as he took her in.

She was gorgeous, stunning–almost ethereal, as her other-worldy voice filled his cochlea, transmitting electrical signals through his nerve pathways to his primary auditory cortex.

Her hair shone in the light, giving her a halo of the highest grade, her bright lips curled into a perfect smile around her words, and her eyes shone with a million glinting stars.

He was utterly enamoured by her–every facial expression, every movement she made, every note she sang was all absorbed thoroughly by his wide eyes.

In no time at all, the first song was over, finishing with loud cheering and clapping from the audience. The angel grinned out at the sea of fans, soaking up the feeling.

Unlike Spencer, she was well and truly in her element, looking as though there was not where else in the world she would rather be.

He gazed in open-mouthed awe at the way she floated effortlessly about the stage–and, of course, that breathtaking smile that scrunched her nose and revealed the prettiest dimples he had ever seen.

He was snapped back to reality with a sharp poke in the side from Penelope, centering his gravity away from the girl on stage and back to where he stood.

“What?” He said loudly, an exasperated look adorning his face as he tore his eyes back to his best friend. She was smirking at him, arms crossed in front of herself.

“You have such a thing for her, I’m surprised you're not drooling right now,” she answered mockingly. He scoffed, dismissing her words with a wave of his hands as he faced the stage again, not wanting to miss a moment of the show. He heard Garcia laugh deeply at his half-hearted denial.

All thoughts of Penelope soon left his mind as the heaven-sent saint started to sing again, striking chords in his heart at every note.

The song came and went again, and Spencer wished they would not go by so fast, so he could see her for as long as possible.

The next song started with a more upbeat track, and the angel laughed, running back down stage, scarily close to where Spencer stood. “She was a, Playboy, Brigitte Bardot,” she started to sing, “She showed me things, I didn't know.”

She stuck out her tongue playfully, shaking her hips, making the satin fabric hugging her curves sway.

“She did it right there, out on the deck,” she bit down on her bottom lip as Spencer’s face heated, realising what the song was about. “Put her canine teeth in the side of my neck.”

She gestured with her fingers to a spot on her neck, pretending as if her fingers were the teeth, tipping her head back with imaginary ecstasy. He swallowed heavily, face hot.

“I'm in the hallway waitin' for ya,” she sang, “Mini skirt and my go-go boots,” on those lyrics, she bent over, running her free hand from her heeled boots and up her legs, jutting her ass out.

Spencer’s mouth fell open in shock. He had never felt like this from only a few minutes of meeting someone, let alone just laying his eyes on them. This was completely out of the ordinary for him, and it left him reeling.

~☆~

Songs flitted by like the butterflies in his stomach, and his gaze was permanently fixated on the captivating women centre-stage. He couldn't tear his eyes away even if he tried–and he most definitely didn't.

A new song started, fading in with a catchy guitar riff, and the crowd went wild, sparking a wide smile on the angel’s face.

The drum beat started, and she strutted down the stage, tipping her head back and shaking her smooth curls out in the dim lights before she began to sing. “Midnight,” she dragged out the end of the word.

“Come and pick me up, no headlights,” she blew a kiss to the fans in front of her, winking as she made her way down the stage towards where Spencer was situated.

Penelope grasped his arm tighter and tighter as she neared, buttery voice washing over him.

“Watch us go ‘round and ‘round each time,” she stretched out the note, rolling her head to the side, eyes landing exactly where Spencer was standing. He froze, dumbstruck, as he locked eyes with her.

He gulped heavily as a cheeky grin adorned her face, soft lips framing perfectly white teeth. She straightened up, continuing the lyrics as she floated even closer to him, never breaking eye contact.

“You got that James Dean daydream look in your eye,” She knelt down on the stage in front of Spencer. His breathing stuttered as his gaze remained on her, utterly entranced.

“And I got that red lip classic thing that you like,” she dragged her thumb across her lip, singing to him through a happy, if not slightly teasing, smile.

“‘Cause we never go out of style, we never go out of style,” He could see her mouth curving around each syllable as she sang into the microphone, eyes still, somehow, on him.

He most definitely looked like an idiot in that moment, with his flushed cheeks and slack-jawed awe of the ethereal woman only a few feet away, but he didn't have it in himself to care.

She had seen him, and not only that, she had actually come over and sat, right there on the stage in front of him. No matter how much he tried to convince himself otherwise, she was–without question–looking, and singing, straight at him.

She leaned impossibly closer, leaving only a few inches between their two faces as she crooned the words into the microphone. His eyes flicked across the features of her face before they settled on her own.

Up close, they were mesmerising– long, thick lashes framed bright irises, sparkling with the light of the night sky– he could almost map out the constellations he knew off by heart from the incandescent twinkles in her eyes.

“You got that long hair, slicked back-” She moved her free hand to hover over the collar of Spencer's shirt, seemingly asking silent consent to touch him.

He shook out of his trance long enough to nod vigorously. She let out a short chuckle, grabbing his collar and carefully but firmly pulling him closer by his shirt. “-white T-shirt.”

His breath hitched as hers ghosted his lips with every exhale, noses almost touching, with hardly any room for the microphone as his heart raced impossibly faster.

“And I got that good girl faith and a tight little skirt.” At that, she pulled away, letting go of his collar as she leaned back to run her free hand over her skirt, smirking at Spencer and his flaming-red face.

“And when we go crashing down, we come back every time,” she repeats, still serenading him. “'Cause we never go out of style, we never go out of style!” She finally stood, winking and blowing a kiss at a thoroughly flustered Spencer as she strutted to another part of the stage.

Spencer stood there, dumbfounded. He couldn't believe she had not only noticed him, but also sang right to him. His shirt was crumpled from where she had gripped it, but he didn't dare fix it. If possible, he would never smooth the rumpled fabric if it meant he could have a reminder of her always.

A rough shake of his shoulder brought him back to the present, Penelope standing astonished next to him, incredulous smile playing on her lips and she all but shrieked in his ear–something along the lines of, ‘You're so lucky!’ and ‘You're so down bad!’.

He didn't pay her any mind, instead keeping his still-red face on her, and her only.

She wandered to different parts of the stage during the remainder of the song, but Spencer didn't miss the more-than-occasional glances she sent his way throughout the next few songs, smile growing each time they locked eyes.

When they did, he matched her smile with his own goofy grin, his heart feeling as if it was beating out of his chest, breathing becoming erratic as he clutched the railing with white knuckles.

~☆~

All too soon, the concert came to an end, accompanied by raucous applause from the crowd. He clapped like a mad thing too, finally understanding why her fans acted the way they did.

The version of him from two hours ago would have teased him relentlessly for this, but he didn't care. It was another completely different version of him, a version that had not yet laid his eyes on her.

It certainly felt like a life-altering moment in his existence. His being was now split into ‘before’ and ‘after’. Before and after her.

She waved and blew kisses enthusiastically as she made her way off stage. He deduced that she would have to walk right past Spencer to get there. He pathetically hoped she would look at him one last time–prayed she cared enough to seek him out once again.

Electricity jolted through his entire body, head to toe, as she locked eyes with Spencer when he was in her direct line of sight.

She gave him a wink and a little wave, biting her lip through a larger-than-life grin; he felt giddy, hand coming up in an awkward half-wave. He silently cursed himself for the stiltedness of his actions.

She, however, didn't have such qualms as she blew him an air kiss, giggling as she turned away, skipping the rest of the way off stage. The screaming continued as the heel of her shoe disappeared behind the side-stage curtain.

He felt oddly hollow as the venue lights came back on, signalling the end of the show. He kept staring at the spot where she had last been, silently hoping she would come back out and sing again. Look at him again.

He blinked hard, finally re-orienting himself, glancing around to see a few people staring at him, whispering to themselves.

They were talking about him–about his encounter. He turned away again, ducking his head as his cheeks burned again.

As quickly as they came, the stares went again, and his eyes flicked back to the stage again. He so badly wanted to meet her, talk to her, even just lay his eyes on her again. That would be enough.

Penelope cleared her throat next to him, and he hummed in response, still not looking away. She snorted. “Come on lover boy, time to leave.”

He turned his attention to see her nod in the direction of the exit.

He gazed back at that spot once more, heaving out a melancholy sigh, before turning away, heading towards the door.

“Yeah, let's go.”

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Thank you for reading, feedback is appreciated x

Tags: @reidology13 - Comment to be added!

Masterlist ౨ৎ

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