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#i mean i have enough self awareness to know that it must be because i have a fucked up understanding of what it means for someone to love me
shenyaanigans · 9 months
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the journey of a writer is you begin writing just for the sake of writing and often hand wave details that aren't that important to you to get to the fun bits. then you decide you want to improve and you go through a rigorous process of thinking about lots of mechanics and abiding by sense and rationality, because the most damning insult to a piece of fiction is testing the reader's suspension of disbelief too much. this level of self criticism then colors the interpretation of other texts as well, where they are held to a particular standard where every detail must be perfectly logical, well researched, and contain no contradictions (cinema sins, if you will). nirvana is when you realize that doesn't matter and you go back to hand waving details that aren't that important to you.
#kat chats#i know i complained on my priv twitter abt smth like this but i just saw ANOTHER post of this caliber#i'm SO close to doing a deep dive on the suspension of disbelief and its merit as a method of literary criticism#spoiler alert i feel very strongly that if your criticism could be easily suspended through narrative buy in its not a valid critique#or at the very least the buck Does Not Stop at you not believing the author. you have to answer the question why#'it's not compelling because i'm not immersed' ok. why. what's broken the immersion#like. idk. sometimes there are interesting discussions to be had wrt narrative risk vs narrative payoff vs suspension of disbelief#and the fact of the matter is some narrative risk on the part of the author can lead to MUCH greater pay off#can lead to truly affecting art#and sometimes the narrative risk does not have a high enough reward to justify itself#sometimes this happens for only some people and other times this happens for large swathes of the population#shaping what literature we societally say is Good vs Bad#it's a good discussion to have in craft circles and to be aware of#but ultimately stories without narrative risk are almost meaningless. if they're even stories at all#and also sometimes your issue with suspension of disbelief comes down to pedantry#and forgive me but being a pedant does not make for good literary criticism#actually it makes you incredibly bad at it#you can't see the forest for the trees. you cant see the story for the extremely niche nitpicks that do nothing but buff your own ego#remind yourself that reading is not just a self indulgent exercise. you are entering a conversation where you have to listen for a long tim#and you must make meaning of all those words#you are not required to continue going through something that doesn't speak to you#anyways...
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g8d · 4 months
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i dreamt of my ex like a week ago and hes been on my mind ever since. i picked up so many mannerisms from him. it feels like part of him will always live in my body. i make faces he used to make. i have a look in my eyes like how he used to look at me.
#at least i dont talk to him in my head every minute of every day anymore.#i don't even know how i feel about seeing him in myself. i guess its kind of comforting.#the dream kind of made me miss him but then it also reminded me of what it was like. so.#fascinating how the story ended between us. he left me so so many times and he always threw some shit in my face while doing it#and in the end i went back to him willingly one(1) time and also ended up leaving willingly and i didn't say shit...#what is there to say ... he was gleeful when i was in pain. Because i was in pain. and it was because of him#when i left i just said it's better if i don't say anything because i knew i would regret anything i could ever possibly say.#because i would worry he wouldn't understand#because if he'd understood then it would not have been like that in the first place. so i told him he would figure it out#since he did tell me when i went back that he was sorry and he thought the things he did to me could cause ptsd. which they did#so like maybe he will understand#anyway i don't care really i just haven't told anyone this part other than my therapist who seemed kind of like#she had to really make an effort to be kind to me about this. because i definitely made mistakes#like hoping for shit he had outright told me would not be happening#i hate when people act like they love me and then pull the rug out from under me and it keeps happening#i mean i have enough self awareness to know that it must be because i have a fucked up understanding of what it means for someone to love me#otherwise i would not be saying all this on the same post about one person like. you know?
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caparrucia · 2 years
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Full offense and pun fully intended, but I genuinely think the very existence of "dead dove, do not eat" was a fucking canary in the mines, and no one really paid attention.
Because the tag itself was created as a response to a fandom-wide tendency to disregard warnings and assume tagging was exaggerated. And then the same fucking idiots reading those tags describing things they found upsetting or disturbing or just not to their taste would STILL click into the stories and give the writer's grief about it.
And as a response writers began using the tag to signal "no, really, I MEAN the tags!"
But like.
If you really think about it, that's a solution to a different problem. The solution to "I know you tagged your story appropriately but I chose to disregard the tags and warnings by reading it anyway, even though I knew it would upset me, so now I'm upset and making it your problem" is frankly a block, a ban and wide-spread blacklisting. But fandom as a whole is fucking awful at handling bad faith, insidious arguments that appeal to community inclusion and weaponize the fact most people participating in fandom want to share the space with others, as opposed to hurting people.
So instead of upfront ridiculing this kind of maladaptive attempt to foster one's own emotional self-regulation onto random strangers on the internet, fandom compromised and came up with a redundant tag in a good faith attempt to address an imaginary nuance.
There is no nuance to this.
A writer's job is to tag their work correctly. It's not to tag it exhaustively. It's not even to tag it extensively. A writer's sole obligation, as far as AO3 and arguably fandom spaces are concerned, is to make damn sure that the tags they put on their story actually match whatever is going on in that story.
That's it.
That's all.
"But what if I don't want to read X?" Well, you don't read fic that's tagged X.
"But what if I read something that wasn't tagged X?" Well, that's very unfortunate for you, but if it is genuinely that upsetting, you have a responsibility to yourself to only browse things explicitly tagged to not include X.
"But that's not a lot of fic!" Hi, you must be new here, yes, welcome to fandom. Most of our spaces are built explicitly as a reaction to There's Not Enough Of The Thing I Want, both in canon and fandom.
"But there are things on the internet that I don't like!" Yeah, and they are also out there, offline. And, here's the thing, things existing even though we personally dislike or even hate or even flat out find offensive/gross/immoral/unspeakable existing is the price we pay to secure our right to exist as individuals and creators, regardless of who finds US personally unpleasant, hateful or flat out offensive/gross/immoral/unspeakable.
"But what about [illegal thing]?!" So the thing itself is illegal, because the thing itself has been deemed harmful. But your goddamn cop-poisoned authoritarian little heart needs to learn that sometimes things are illegal that aren't harmful, and defaulting to "but illegal!" is a surefire way to end up on the wrong side of the fascism pop quiz. You're not a figure of authority and the more you demand to control and exercise authority by command, rather than leadership, the less impressive you seem. You know how you make actual, genuine change in a community? You center harm and argue in good faith to find accommodations and spread awareness of real, actual problems.
But let's play your game. Let's pretend we're all brainwashed cop-abiding little cogs that do not own a single working brain cell to exercise critical thinking with. 99% of the time, when you cry about any given thing "being illegal!!!" you're correct only so far as the THING itself being illegal. The act or object is illegal. Depiction of it is not. You know why, dipshit? Because if depiction of the thing were illegal, you wouldn't be able to talk about it. You wouldn't be able to educate about it. You wouldn't be able to reexamine and discuss and understand the thing, how and why and where it happens and how to prevent it. And yeah, depiction being legal opens the door for people to make depictions that are in bad taste or probably not appropriate. Sure. But that's the price we pay, creating tools to demystify some of the most horrific things in the world and support the people who've survived them. The net good of those tools existing outweighs the harm of people misusing them.
"You're defending the indefensible!" No, you're clumsily stumbling into a conversation that's been going on for centuries, with your elementary school understanding of morality and your bone-deep police state rot filtering your perception of reality, and insisting you figured it out and everyone else at the table is an idiot for not agreeing with you. Shut the fuck up, sit the fuck down and read a goddamn book.
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mellowwillowy · 8 months
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"Stop the wedding!!"
So you get to see NRC food fighting RSA in the end lol Yan! NRC vs Yan! RSA x GN Isekai'd Player (Self-aware)
All the people inside the cafeteria turned their attention to you, an isekai'd player.
"(Name)!!" Idia beamed in tears, finally someone saving him! ... wait, someone? Oh no no no no! You are not just 'someone'!! Why did he even bother troubling you to this extent? He should have just kissed the bride!!!
"Make it right in time, you got me, Ace?" "Thank you for kicking me like a barrel toward the ghosts, pal," Ace replied dejectedly but posed no annoyance at all.
"Potato, since when do you have the funds to get yourself such a nice suit?" Vil questioned as he inspected your overall. The makeup and hairdo were not done to the utmost perfection but he can let it slide because anything on you equals absolute beauty.
"Oh, this? So you are smart enough to realize Crowley won't cover MY suit! I mean, he was trying teeth and nails to not let me join Ace and Co!"
"At least he does something right for the first time," Leona added. "White suits you though I thought you'd surely go with Black as usual?" Trey cocked his head to the side questioningly.
"Look, this is what Neige lent me. And all his attires are almost pristine white! I'm telling ya'!" At that statement, you saw Vil twitch despite not being able to move, he must have been very pissed at the mention of Neige's name alone.
"Originally I planned on taking Cheny'a's but I realized how eccentric his taste is so I decided to go with Neige. The RSA students are kind enough to assist Neige in tailoring it to my size too! Got them right in time before Crowley could shoo me!"
"Dude, even the RSA knows how to respect them, I don't know if I should be angry or nah but it certainly leaves a bad aftertaste seeing them wearing what RSA makes for them." Cater whispers something to the person next to him, inaudible to your ears.
"What do you say if we steal the suit and then burn it down in front of them after we are done here? I'd like to give them a nice thank you hug too while we are at it." "And we should leave them some of my... flowers collection too. This alone should be enough to show our gratitude right?"
"I'd say we should try giving them a proper form of token of gratitude too, how about Master Lilia's cooking?" Sebek added with a grin, he had his fair share of Lilia's cooking to the point he'd like to share it with the others.
"Oh? Then I'd have to make sure to add extra 'love' into it." He replied, this time intending to poison people so its horrifying taste was multiplied at natural without him realizing it.
"Wait, why would we even bother giving them a handmade cooki-" Jack was immediately silenced by Cater's eerie smile. He had his fair share and he knew they meant nothing well from it at all.
"Hey Ace, do something! Stop throwing all your work on prefect!" Deuce yelled by the sideline, ready to chew his ears off.
"I agree, you shouldn't let someone magic-less handle this handful situation alone, get a hold of yourself right now will you, Ace?" Azul scowled and started to usher Ace into work.
"Dude! Now all of you are cornering me?" "You haven't finished, Ace?!"
And Riddle's voice was all it took to make Ace cowered like a puppy. Rook shook his head in disappointment, this had taken way longer than the original gameplay.
"Hurry! We should wrap things up as though we are changing a dirty tablecloth into a new one!" Epel yelled out rather... unique lines. Was he trying to be as poetic as Rook? If anything, both Rook and Vil said nothing regarding this.
"Riiiiighhhhtttt, I'm kinda checked out now, to be honest." Idia's eyes immediately widened, not you too?!
Just before the other could chant another "Smooch the bride", you immediately lunged toward the bride. All those gym class training paid off! Basically, this and that until the ghost inflated.
And instead of Rook ordering you and Epel around, you took the steering wheel before anyone could. "Move yer' ass you glorified wood logs! Move move move!"
The lucky person is the person who gets to feel you dragging them. Absolute win!
--
"Urgh, I'm so gonna have phasmophobia now." Idia rolled his eyes as the ghosts departed but to be honest? He was happy to see you barging into the cafeteria like a knight in shining armor for him! (It was mostly the others fighting lol)
Idia was taken by surprise the moment your hand smacked his back. "Would you look at it, the star of the show, a handsome groom adorned in black! You look positively breathtaking, senior Idia."
"Eep-! Oh no, they have graced me with their words that are enough to deafen me! What should I do? How should I show them just how grateful I am to be even considered by them???"
"What did you say? I couldn't hear you really well." "Well, brother said that-" "N-n-no! Nothing! I uh... am thankful... for your assistance." He answered bashfully, his hair tip turned into a shade of pink.
"Now now potato, it's time to change, wearing that must have been uncomfortable right?" Vil immediately pulled you away from the pink introvert. "No...? Neige said that it's meant to be comfortable and it's true!" "Well, we have something even wayyyy more comfortable for you, shrimpy! Come on now, let's take it off and dress you up in something else!"
--
Lilia was leading everyone with a basket of something, a speaker in one hand and Neige's suit in the other hand, "Hey you RSA whippersnappers! Get down!"
The head mage was coincidentally away that day and it allowed the NRC students to lead a protest in front of the academy's gate.
Lilia threw the white suit onto the ground while Leona whistled, signaling Rook to shoot an arrow of fire toward it like an Olympic grand opening. (What a duo.)
"Yeah! Eat this you good for nothing!" Cater and Ruggie immediately took out the pie from Lilia's basket and threw it right onto the students' face. Kalim was generous enough to sponsor lots of baking materials for Lilia with Jamil assisting with the baking. It was badly burnt but still hard as a rock.
Cheny'a was careful enough to avoid Trey and Riddle while Vil was feeling rather generous in feeding Neige~ Oh, and Malleus is always bullseye in his shots, hitting everyone down in no time. He was pretty pissed (sulking) that he was not invited to join your fun. Silver was not being merciful too, he didn't fall asleep at all during this whole thing!.
Rollo was feeling rather grateful but also sad that you did not come to him to ask for his help :( And Crowley just watched everything from the sidelines while praying that nothing bad will be sent to him after this. Well, he's happy with how bright his students are.
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karalovesallthegirls · 2 months
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Kara has always dreaded the day she’d meet her soulmate. 
There’s relief in knowing she has one, of course. The person meant for her didn’t die with Krypton. That’s something! Even still, it’s hard to feel excited for the moment they meet, because that’s the moment Kara will hurt them. She’s had their exclamation of pain inked into her skin for as long as she’s been on Earth. In some ways it’s better. Most people have phrases like “good morning” or “hold the door please” as their soulmate’s first words. They have to endure hundreds of almosts, breath held just in case that stranger really is the one. Kara won’t have to do that. Her words are far too distinct.
It's agony, thinking about how their meeting will go. She spends years imagining every possible scenario, each one more painful than the last, yet the day it happens she barely even registers it. The words wash right over her, drowned out by the loud crack as her hand makes sudden contact with a stranger's face. The telltale crunch of contact shocks her. She hadn't registered anyone was there during her dramatic retelling, otherwise she would have kept her gestures small. She wouldn't have flung her hand out with such force.
The woman she's hit is hunched over, clutching at her face. She gasped loud and sharp when it hit, and now she's just wheezily breathing in shock. Kara can see blood starting to drip down her wrist.
“Did you," the woman gasps, and her voice sounds wet. "Did you just break my nose?” Kara wants to die.
“I’m so sorry! Are you okay? I am so sorry!”
People are looking at them and the woman keeps cursing under her breath and Kara really, really doesn’t know what to do. Her hands hover uselessly over the hunched figure, desperate to soothe but scared to touch in a moment like this. “I didn’t mean to – I was telling a story and I got too excited with my hands I guess, I didn’t see you there. Are you- can I-”
She looks to Alex for guidance, but she’s just staring at the interaction with a wide-eyed wonder. Typically her sister knows what to do in a scary situation, but now she’s looking just as clueless. They’re both barely awake at this point – it’s six in the morning and they’ve been at this airport terminal since midnight, miserably watching their red eye flight push into a mid-day departure. They’re both half-delirious, which is fun when you’re goofing off but less so when you’ve just broken a stranger’s nose. 
And then it hits her. The words she’s carried on her arm for so many years are tingling, she realizes, and they’ve been tingling from the second her skin met the girl’s. 
Did you did you just break my nose?
“Oh wow,” Kara says, dumbfounded. “It’s you.” The woman falls silent. She must be realizing too Kara thinks as she fumbles with her sleeve, pushing it up enough to show her inked arm. The woman's eyes drop to the tattoo that's brought such shame to Kara for so long. She feels her eyes like a touch. “I – I’m so happy to meet you! I’m so sorry it happened like this.” She laughs and it sounds strained. Her hands are shaking. The woman doesn't look up from her arm.
Even hunched over in pain, it's clear the woman is beautiful. Important, even, considering how she's dressed. She's dressed like she's en route to lead a business conference, her tight black skirt and matching blazer scream business professional. Though the effects are tampered a bit by the splattering of blood that’s dripped down her white blouse. Kara wonders how old she is to be dressed like that. She must be older to look like that. At nearly nineteen, Kara has never had anything more than a graduation to dress nicely for, and even then she wore her stained dress pants. This woman - her soulmate - must be much older than her, which feels strange to think. She looks Kara's age, maybe even younger. If not for how clearly tailored to her body her clothes are, she'd almost look like she was playing dress up.
Kara feels self-conscious then, sharply aware of how she must look to her soulmate. As smart as it felt to come to the airport in pajamas for her all-night flight, standing in rubber duck pajama pants while trying to have a conversation with her goddess of a soulmate did little for Kara's confidence.
When Kara’s eyes finally track back up to her face, she finds sharp green ones staring back. They're the prettiest eyes she's ever seen, and they don't seem interested in looking away. That's fine with her - she's more than content to stare right back.
It's only the soft plop of blood hitting tile that draws her attention back to her crime, and she can see the way the woman's hands have become covered in blood. "Oh gosh, here - let me…”  Kara fumbles in her backpack for a moment with no clear plan. All she knows is she has to do something to fix this. She fumbles about before pulling out a clean t-shirt. “Here. For the-” She holds it out to the girl and gestures at her own face. Slowly, like she’s scared Kara might grab her or something, the woman takes the offered shirt. She wipes the blood from her face and hands, dabbing beneath her nose. The bleeding seems to have stopped, at least, and the shirt helps contain what's escaped. Watching a stranger wipe blood on her high school band t-shirt shouldn’t thrill Kara as much as it does, and yet.
Kara laughs again, the sound nervous and high-pitched, before taking a step towards her. Her soulmate’s eyes go wide, tracking her movements, and Kara's heart clenches when she steps away. The rapid race of her soulmate's heart beats into Kara's ear - she can literally hear her fear. She holds her hands up in surrender, stepping back to where she’d been before. The last thing she wants is for her to be afraid. “Does it hurt?” she asks, and her soulmate shakes her head no. “That’s good. That’s good. I- uh." She has nothing more to say, and her soulmate's certainly not contributing. Kara’s palms are sweating. She hasn’t sweat since she was thirteen, but one look from this person has her rubbing her hands on her pajama pants like a middle schooler at a dance.
The woman finishes wiping up and lets her arms fall, blessing Kara with her first real look at her face. Bloodied and skittish, she’s beautiful in a way Kara can hardly comprehend, in a way she could never imagine. Kara's pretty sure she's blushing now for some reason, and she has to flex her toes to be sure she’s still touching the ground. “My name’s Kara,” she says, and then gestures over her shoulder. “That’s my sister Alex. We’re flying home for winter break. Midvale - Midvale is home for us. Where- where are you flying to?”
The woman stares and stares, and Kara's starting to panic thinking she'd given her soulmate a head injury that's muted her somehow, when at last the woman speaks just barely above a whisper.
“Home,” she says. It feels like her heart might burst just from hearing that one stilted word. Kara wants to hear a thousand more, wants to hear nothing else for the rest of her life.
“That’s awesome. W-where’s home for you?” The woman's lip trembles as she opens her mouth, closes it, and then opens it again.
 “I’m sorry,” she says, and then throws the t-shirt at Kara’s face. 
Kara fumbles catching it, distracted by the shock and gross factor of having a blood-soaked shirt hurled at her face, and it takes her far too many precious seconds to realize her soulmate is gone. Bewildered, Kara looks around before just catching sight of her vanishing around the corner, high heels and racing heart clattering away. She looks at Alex. Alex waves at her, frantic. “Go!” Alex yells, and Kara takes off.
Pretending to be a human has never been harder than it is while chasing after her soulmate. Normal human pace - especially what's acceptable at an airport - is not fast enough for this, not when the woman has already gotten so far ahead. Kara must look ridiculous, bursting into sprints only to trip suddenly into a walk over and over again, her ears locked on to the thudding heartbeat and faint whispers of her soulmate mumbling, “crap crap crap crap,” ahead.
Kara’s thankful they’re in an airport, at least. Her soulmate can’t just run outside, and Kara is fine embracing the romcom trope of following her love onto the plane. Her soulmate stops moving ahead and Kara speeds up, nearly wiping out twice tripping over luggage and small children. Her heart is in her throat as she clears the corner her soulmate is behind and pushes her way into the door she's passed through. All the wind knocks out of her lungs then when she sees her again. The woman looks up at her in shock, as if she didn't think Kara would chase her. As if Kara would just let her go. With a visible gulp, her soulmate flees around a corner and disappears out of sight. Kara manages a single step forward before a body blocks her way, and she looks up to see a massive security guard staring down at her.
“Membership card, please.”
Kara tries to peer around him. He steps in her way, cutting her vision off. Her soulmate led her into some private place you can't just walk into, she realizes, glancing around at the sleek appearance and exclusive atmosphere. “I- uh, left my card in my other bag,” she says, gesturing back over her shoulder. She can hear her soulmate’s breathing and it's all she can focus on. She’s right there. Just out of sight. Kara is so close. “I’m afraid you need your card to enter the fly lounge,” he says sternly. He starts pushing gently at her, trying to nudge her back out of the sliding glass door she’s come in. Kara almost forgets to let him move her. “I- I’m sorry, someone I need to talk to just went in there and I-” She stops in the doorway, hand firm on the wall. She can hear the way the guard huffs against her solid pressure. She’s not acting very human right now and she knows it.
“I’m gonna have to ask you to leave, ma’am," he says, pushing more forcefully against her. Forceful enough that she knows she has to move even as all her instincts war against it. “Can- can I buy a membership? Like a day pass or something?”
The guard looks over at the front desk, making eye contact with a woman who looks like she would rather watch Kara be flayed alive than allowed another step inside.
“A day membership is $189 plus tax,” she whines out in a nasally voice, tone making clear she already knows Kara won’t be affording that. Which is accurate. Kara barely has enough to buy a meal. 
Looks like her soulmate is rich, then.
The man nudges her back again and a flash of panic echoes through her chest. For a moment, she envisions herself throwing him out the open door, tossing aside anything or anyone that tries to keep her from her future. But she’s already scared her soulmate enough for one day, so she smiles with forced bashfulness and allows herself to be walked back out of the lounge.
The frosted glass door marked High Flyers Club Lounge shuts her out mockingly. But it’s fine! Eventually her soulmate’s flight time will be here and she’ll have no choice but to come out and face her. Kara just has to be patient. (Kara hates being patient.)
She takes a seat against the wall across from the lounge entrance. Her glasses rest low on her nose as she stares her soulmate, soaking in every inch of her as she paces in the luxurious lounge. Her heart is racing, she seems on the edge of a panic attack, and Kara wants desperately to be in there with her talking her down. But she can’t, so she’s left to watch – at least until the girl steps into the private restroom. She stops watching after that. Instead, she settles down to listen to the comforting beat of her soulmate’s heart, closer now than it’s ever been.
Her mind wanders as she waits, mentally reviewing every moment of their interaction. Considering where she failed, where she succeeded. Making lists about what to say to her next. She never got her name, for one thing, and she still doesn’t know where her home is. There’s so much for her to learn.
Her mental meandering is so consuming that it takes her a bit to realize the heartbeat has moved farther away. At first she thinks her soulmate is just moving around the club, but no- she’s moving away from the airport.  A quick glance through walls shows her that her soulmate isn’t in the club anymore. The heartbeat is elevating, she realizes, and Kara runs to the glass wall just in time to see the plane - small, private, with an apparent access point from within the lounge – take off. 
Horror and confusion overwhelm her, bringing tears to her eyes. This doesn't make sense. Why would she just leave without saying a word? Why would her soulmate do that? It's almost unbearable, the pain of it. She doesn’t know how long she stands there, face pressed to the glass, listening as the heartbeat grows quieter and quieter before vanishing all together.
Kara learns a lot about grief after that. 
She knew a lot already – far more than any one person should ever know – but that grief carried a different weight. The loss of her people wasn't a choice by them. They didn't want to die. The loss of her soulmate is its own beast, sharp and cruel in her heart, because this time the person she mourns chose to abandon her. Her soulmate chose to leave. She saw Kara that morning and decided that one look was enough, that Kara wasn't worth any more of her time. She left her there with nothing but a bloody t-shirt and a thousand questions. Kara never even learned her name.
She goes through the stages – she feels her anger burning out in her eyes, feels the sorrow take hold. She denies it, she bargains with everyone, anyone. She calls the Flyer’s Club, tries calling the FAA. She tracks flight logs and makes cold calls and still finds nothing at all. She writes about it on soulmate websites and Medium articles, casting a wide net so that someday when – if, her mind reminds her. if if if - her soulmate ever looks she’ll be able to find her.  
Time dulls the sharpness, though, and the years shift that rejected feeling into a more muted anger. Kara doesn't care about the love lost. She doesn't care if the person is her other half. All she cares about is the anger. Finding her feels more like a hunt than a quest for love – she’s got a lot to say to the other woman when they finally meet again. She just wants one more meeting, that’s all. Just enough time to tell her exactly where she can go. Kara doesn’t need a soulmate, after all. Her life is full of love and joy and adventure, and she doesn’t need another person to complete her. She graduates college with a degree in English, minor in Journalism – her attempts to track down her soulmate really ignite the journalistic bug in her, and with Clark’s constant encouragement it feels inevitable. She moves to a big city despite her small-town fears and she gets a job almost no one survives. Kara is thriving.
It almost shocks her, then, the way her heart trips over itself when she sees her again.
They’re watching the trial, her and Alex, and Alex is halfway through a lecture on how she’d always known Lex Luthor was evil by the way he wore his pants – (“Good guys don’t wear their pants that high, Kara, it’s common sense.”) – when Kara's nerves jolt like a lightning bolt has rushed through her. Her gasp is so sharp Alex screams almost in sympathy. 
“What? What is it?” Alex yells at her, looking around for some danger lurking nearby. Kara tumbles to the floor practically crawling to the television screen. Someone new has taken the stand, someone she'd recognize anywhere.
“Alex,” she says, jamming her finger against the somewhat grainy image projected on her television. “It's her.” “What!” “My soulmate!" Kara knows it like she knows herself, even after all this time. She looks different. Six years of struggle sit clear in her hard gaze, her mouth twisted into solemn resignation. She looks almost casual on the stand, sitting comfortably despite the eyes of the world on her. Like it's just a regular conversation. Like she’s not about to help send her brother to prison for life. “Lena Luthor, sister of the defendant” reads the helpful banner beneath her grim face. Even after everything, Kara is struck by her. She's breathtaking. Kara kind of hates her for it. “Hold on, that’s- you barely even saw her when you met! You don’t know for sure.” Alex sounds desperate, which is fair. The younger sister of the man who tried to kill Superman is certainly not an ideal soulmate for someone like Kara, but it doesn't matter. It's her. “I’m sure,” she says, and feels the truth of it deep in her bones.
A giggle hits her then that's so inappropriate for the moment it makes her feel crazy, but she can't help it. As Lena Luthor begins to explain the piles of evidence she’s gathered against her brother, Kara giggles away. She feels almost drunk on it, smug and satisfied. “Found you,” she says, almost like a taunt. She drags her finger over the screen, feeling the static of her ancient television biting back at her as she caresses Lena Luthor's face. The anger that’s long settled inside of her seems to reignite with every charged word Lena speaks against her brother, with every glance she makes at the camera. She can feel Alex’s nervous energy behind her but she doesn’t care. The politics of this, the implications - none of it matters to Kara. What matters is she has a name, and she has a general location. She's so close she can practically taste it. “See you soon, soulmate,” Kara whispers, and for a second it feels almost like Lena is staring right back.
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ceilidho · 10 months
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prompt: IKEA soap/reader fic. PART 1. tags: dubcon
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You duck behind a stack of boxes when you hear Johnny come whistling into the warehouse.
He shouts your name out somewhere off on the other side of the warehouse, voice echoing through the building. You keep absolutely still, fingers clamped around the clipboard that’s pressed close to your chest. Even your breathing slows, open-mouthed so as to keep it almost soundless. It’s strategic. You’ve gotten good at making yourself invisible back here, practically melting into the stack of boxes. 
A minute or two goes by with repeated calls of your name, echoing from different parts of the warehouse like Johnny’s making the rounds. Searching for you. He’s probably been looking around the store for ages, with his track record. Someone must have let it slip that you were assigned to inventory today instead of being out on the floor. 
You only let out a sigh when it’s been long enough that any reasonable person might have given up on trying to find you in the loading dock.
“Hiding from someone?” a deep voice asks from behind you.
Your gut all but self-ejects. When you turn around, he’s standing there in the same bright blue shirt that you also wear. His is stretched tight across his chest though, like it’s a size too small. You wonder sometimes if it’s on purpose. It’s hard not to let your eyes wander, but by now you’ve trained yourself to keep your eyes level when speaking to Johnny. 
“Nope,” you squeak. “Just…you know…counting. Counting boxes and…stacks.”
He laughs, loud enough to make you startle. It’s far too enthusiastic, like you told a particularly funny joke instead of stumbling over your words and you still don’t actually know if he finds you funny or not. 
“Cool,” Johnny says, taking a step closer to you. The clipboard doesn’t feel sufficient enough to put any real distance between the two of you. “Thought I could maybe come hang out with ye back here. Dinnae want ye to feel lonely.”
“Nope, not lonely at all. Totally peachy. Actually glad I could catch a break from…everyone.” You take a step back.
He follows you, another step forward. “Aye, dinnae worry, I get what ye mean. Some of the others—” he whistles, “—right buggers. Glad to catch a break myself as well.”
A bead of sweat rolls down the back of your neck. “Aren’t you supposed to be…out in the front? I, uh, don’t want you to get in trouble with Jeff—”
“Ah, Jeff’s fine, kitty, dinnae worry about me,” Johnny coos, sounding pleased as punch. He takes you at face value instead of reading into the set of your jaw and the way you keep inching away from him as he gets closer to you, convinced that you genuinely in your heart care about whether he gets written up or not. “They fuckin’ love me, ye ken? Think he wants ta take me out for lunch tomorrow, but told him I’d only go if he invited ye as well.”
“Oh. That’s nice,” you whisper instead of screaming. You’re doing that a lot these days. Talking through the scream bubbling behind your front teeth. 
“Would ye want ta then?” he asks, suddenly in your face, three quick steps bridging the gap between you in barely a second, hardly enough time for you to blink. You blink and it’s just Johnny, in startling definition. Thick eyebrows and scar across his chin, the bridge of his nose perfect like he’s never broken it before. “Grab some lunch with me?”
“I, uh…I brought my lunch from home.”
“It’s a’right, I’ll buy it for ye, hen. Dinnae need ta waste your money.” Sometimes when he talks to you, he gets like this, fervent and almost desperate. He seems only half aware of it. “Ye like that mediterranean place nearby, right? Seen ye go there once or twice; wanted ta tag along, but dinnae want ta alarm ye.”
“You saw me go there?” you repeat. 
“Aye, happened ta glance out the window when ye were on your lunch break. Back before management changed my break time. Cheers for that as well because it was really startin’ ta bother me, ye ken? Not being able ta eat with my favourite coworker.” 
You never know how to respond when Johnny lets on a bit too much about how he feels about you. Sometimes he slips up and it comes rushing out, a big spool of thread unwinding in front of you.  
“Yeah, well…I don’t know about today but maybe…” you say, trailing off. There’s a danger in just brushing him off, you feel. 
“Tomorrow then,” he decides, grin still splitting his face. “I’m no’ on the schedule, but I can drop by at your lunch break and go with ye. How’s that sound?”
“Well, you know…it sounds…” He’s close enough now that if you lean forward, you’ll faceplant in between his pecs. Despite everything, you have to slightly fight the urge. Sometimes you think it’d be easier if he weren’t so absurdly gorgeous. It doesn’t make any of his actions okay, it doesn’t excuse his behaviour just because he’s pretty, yet still he pulls you in somehow, magnetic. “It sounds—you know, actually, I think Jeff wanted to talk to me about something, so if you don’t mind—”
Johnny tries to say something, but you manage to duck around him and scurry off, disappearing into the stacks of boxes before pressing forward until you burst out the main doors out of the warehouse. It leads to a hall that goes towards the store, but you haul it to the women’s washroom instead. The one place he can’t follow you inside. 
In the washroom, you can finally breathe. Resting your hands on either side of the sink, you look into the mirror where haggard eyes with deep circles underneath stare back at you. 
You flinch when one of the toilets flush and the stall door opens, another coworker stepping out. 
“Did I hear Johnny outside?” she asks, taking the sink beside you to wash her hands. You nod, still tongue tied. “He really follows you everywhere, huh?”
For a second, your shoulders relax. “God, I know, he’s always just hovering—”
She cuts you off, sighing dreamily. “You’re so lucky. He’s so hot, it’s unreal. I can’t believe he works here, like that’s insane. I’d kill to have him as obsessed with me as he is with you.”
“He’s—he’s not into me, he’s just…you know, he just hovers.”
The water shuts off. Your coworker shoots you a dubious look, almost mocking. “Yeah, alright. Sure. Not into you. Not like he hangs off your every word. You don’t have to be humble—we’re already jealous. It’s like rubbing it in when you pretend like it’s totally normal.”
You slump, defeated, when she leaves without drying her hands. It’s moot to try and commiserate with anyone. They don’t see him the way you do, not for who he is. Your coworkers love Johnny; you’ve seen someone genuinely fistpump after being scheduled with him. 
They don’t see any of the weird shit though. They don’t see the way he insists on walking you to your car well into the evening after a closing shift together. They don’t notice the way Johnny laughs a little too hard and with too much vigour when someone calls him your shadow, his eyes just a little too bright and fervent. 
They’re never around to see him ask if you want to sit on his lap while he shows you how to use the forklift in the backroom. They’ve never seen him beg management to let him take his breaks with you and doesn't let you have a moment of peace, just sits with you in the breakroom or follows you to your car when you say that you're going out for lunch. 
Sometimes you look at him and think, this guy should not be in the Appliance section of a big box store. Johnny should be on the front cover of magazines, in commercials for toothpaste, acting in Hallmark movies, or maybe hand modelling for obscenely ornate watch companies that cost the equivalent of a mortgage—not handing out free samples of sliced cheese.
That was then.
It starts like this: an overeager sales associate who butts his way to the front of the line on your first day. 
You think at first that you’re golden. It seems like a sweet deal—an easy enough job, maybe not what you went to school for, but still something to pass the time and not too backbreaking. Plus, the guy shaking your hand and chatting up a storm in front of you is making you melt inside. He’s easy on the eyes—all bright smiles, effortless charm, either just brushing or exactly six feet, and built. Broad shouldered and lean. 
Johnny’s a model employee as well—knows the handbook inside and out, and shows you the ropes on your first day along with the assistant manager giving you a tour of the store, which is helpful because there’s at least three floors that you could easily get lost on. He walks elderly customers to their cars with their bags, shows up to work early for every shift, always with a smile and a positive attitude, and you find out early on that management loves him because of his frankly incredible sales record. 
(And you get it too; you can’t imagine anyone looking into those gorgeous blue eyes and turning him down.)
He's also a spokesperson for the company in all of their internal training videos because he was hired through some “Jobs for Vets” program that they just rolled out. The guy can also stack things on a shelf like no one's business, products lined up with military precision (hence the ex-military status). 
All in all, you can’t help feeling like for once in your life, you didn’t draw the short stick. 
Then one day, you’re alone with Johnny in the breakroom early in the morning before the store has opened yet and he turns to you with a wide, boyish grin and says apropos of nothing, “Named my fleshlight after you.”
You think your brain skips a couple tracks like a record player. You rewind and replay what was just said to you. There’s no two ways about it—you must have misheard him. Of course you did because surely your coworker of two months didn’t just look you in the eyes and say with a sweet sunshine smile that he named his sex toy after you. 
He doesn’t laugh, just stands there and smiles while stirring sugar into his coffee. He takes it black. You take note of that because the brain still has to work when the mind shuts down momentarily, so you use it instead to catalogue things around the breakroom. One of the motivational posters hanging near the door is hung a bit off-centre. The fluorescent lightbulb on the far side of the room is dimmer than the others. Johnny’s eyes have a little light spot in them like the tip of an ocean wave.
“Excuse me?” you ask, dumbfounded. Your voice sounds hollow even to you.
“I named her after ye,” he repeats, not a trace of shame in his voice. “Used ta not have a name at all, but figured since I say it so much when I’m enjoyin’ her, she might as well share it with ya.” 
He stares at you after saying that, letting it hang in the air. Your brain chooses that moment to come back online and all it can do is load that image of Johnny home alone with his fleshlight, toes curled in his sheets and the muscles of his legs straining as he moans your name. All you can do is give a little awkward laugh, growing more uncomfortable by the second the longer he stares at you without blinking. 
Then, something passes over his eyes and suddenly he's back to normal, laughing and clapping you on the arm before wandering off to the men's apparel section. 
It leaves you reeling for the rest of the day, sure you imagined it. It recontextualizes a few things for you though. He’s always been on the handsy side, verging on inappropriate, but skirting just enough around the edges of it that you usually brush off Johnny’s weird behaviour. Chalk it up to annoying little brotherly tendencies. You know he has a few older sisters anyway; you figured it was just how he related to women in his environment.
Not so. 
It escalates after that initial escalation. Not that things started off on an appropriate note, but at least before you could rationalize most of his quirks.
Now it’s this: his hand on your lower back during work hours when you’re busy helping a customer and he sidles up next to you, pinkie brushing so low on your back that you worry for a second that he might slip it down the back of your pants. Lifting you up by the hips whenever you have a hard time reaching something on a shelf instead of just reaching up and grabbing it for you. A complete misuse of his height. He digs his fingers into your sides and never lets you go right away when he puts you down. 
“Aw shit, bonnie,” he coos when you complain about it hurting you. “Dinnae mean ta hurt ye. Want me to give ye a little massage in the breakroom?” 
You learn quickly that there’s no point in complaining about his behaviour to anyone. You can't complain to any of your coworkers because the second you so much as criticize his work, they bark at you to be nice to him. He's just re-acclimating to civilian life, of course he's not perfect at his job yet, they say. They defend him almost viciously; the real jealous ones even tell on you in front of him, leaving you to stand there embarrassed and on the spot until Johnny just smiles and says that it's alright. That you'll just have to teach him better. 
There’s not much you can do besides grin and bear it. You can hope one day that you'll get transferred; you don't have much hope for him being transferred. Not with how endeared he is to management.
When you finally open the door, ready to leave the bathroom and get back to work, you nearly scream when Johnny lurches off the wall across from the bathroom door where he’s been leaning. Waiting for you.
“C’mon, hen,” he says, all teeth. “Lemme walk ye back ta work.”
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webslingingslasher · 1 year
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hey, i loveee your writings! i was wondering if you could write a fic or one shot of peter parker and reader getting into an argument based off of peter parker saying something to his friends behind readers back about reader that hurts her feelings? ending is up to you! thanks!
iiiiiiiiiiiiiiiiii dunno how i feel about this
You were many things. 
Beautiful, talented, smart, caring, affectionate, loyal, honest, needy. 
Needy. 
Needy, needy, needy. 
Needy, he called you needy. 
Were you needy? You didn’t think so, but then again, would you be aware if you were? 
Maybe he didn’t mean it, it was a private conversation. He could’ve been just venting, ranting about small things. You’ve done it before with your friends, it could be harmless. 
But, god it hurt. It was so casual coming from his mouth, like it’s a common thought passing through his mind. 
“Hi petey,” you said with a hum, he had just left yours to hang out with his friends when he called. 
Silence drifted on the line. 
“Petey?” 
Shuffles, maybe a cough? Murmured voices, nothing too solid. 
“Peter, you there?” 
Laughs break through, you understand it was a buttdial. 
You were about to hang up but Peter moved around, suddenly the voices were crystal clear. 
“So, how is it with your girl, parker?” 
You think it’s Mark. 
It’s wrong to eavesdrop but if your partner accidentally called while they were about to talk about you, wouldn’t you listen, just for a second? 
Notes from future self, don’t. 
“Eh,” you imagine him rubbing at the back of his head, “good, good. It’s good.” 
Good? 
Good, that’s it? 
Good? 
You thought everything was great, wonderful in fact. When your friends ask about Peter you take your time on the soapbox preaching, he wants to end the conversation immediately. 
Is that a good sign or a really bad sign? 
“Just good? Don’t tell me she stopped putting out, I know how chicks are.” 
“Don’t talk about her like that, Logan.” 
Peter came to your defense, point one for parker. 
On the other side of the line Logan holds his hands up in surrender, “didn’t mean to poke the bear there, parker. Get your girl to suck your dick, you’ll be fine.” 
Next time you see Logan you’ll clobber him. 
Peter grunts, he’s never liked Logan and neither did the friend group. But every group needed that one person that was mutually hated so there was always something to joke and talk about. 
“She sucks my dick just fine, you sound jealous. I’m sure she’s got a friend that’ll pity fuck you.” 
Your eyebrows furrow, Peter doesn’t talk like that. At least not around you, is this what the ‘saturday’s are for the boys’ boys mean when they say locker room talk? 
Mark cuts back in, he lights up a joint. 
“I’m sure parker is just fine, he can barely rip himself away from Y/N.” He coughs on the smoke between laughs, Peter stays quiet. He’s wondering if he should tell his friends this, it’s nothing serious and it didn’t really bother him, and he didn’t want to say anything to you because he knows you’d take offense and stop it; and he’d miss it way too much. 
“Yeah, that’s kinda the problem.” 
He mumbled it, but he said it and what the fuck did that mean? 
You couldn’t stop now, you pray he doesn’t see you’re connected to the call. 
“Trouble in paradise? Do tell.” Mark offers the joint to Peter, he accepts it and passes it to Logan. 
“Sometimes I feel like she’s all over me and needs me for everything, I dunno.” 
Peter tugs at his hair, he’s not saying it right. 
“I think I feel like no matter how much I’m there it’s not enough, she’s so needy.” 
Gut punch. You took such a sharp inhale you have to stop breathing to make sure Peter didn’t pick up on it. You’re reeling trying to look at it from his side, you didn’t seem needy, but everyone’s idea of needy must be different. 
Sure, you do try to extend his visits for as long as possible but that’s because some weeks you feel like you don’t see him but for a few hours and you’re willing to scrape up as much time as possible. And because you love him. And sure, there have been times you ask him to do things or help you but you love watching him fix things around your apartment and have him take extra time to dote on you. And because you love him. 
You want to hang up, you don’t want to know why he thinks you’re needy. If you do then you’ll spiral and question everything you do from here on out. 
On Peter’s end he pulled his phone out to check to see the time, and if you’ve texted. His eyes widen at the screen, he feels like he stopped breathing before he whispered a “fuck” under his breath, he looked at the screen and tried to pretend it wasn’t real. 
It was. Bold and in his face, your saved name and small lettering below it, ‘call connected’ you’ve been on the line for six minutes. You heard absolutely everything, in a panic he hung up the call which was the worst thing he could’ve done, because now you know he knows, and suddenly you realized that if he thought you were needy you’d show him you weren’t. 
—----------------------------------
There is no surprise your boyfriend is pounding on the door. 
Not loudly, but constant and quickly, demanding to not be ignored. 
Like his four missed calls. 
After two straight minutes of his rapping you finally swung the door open, waiting for him to bombard you with reason and apologies. He looked surprised. Peter opens and closes his mouth, he doesn’t know what to say exactly.
Your eyebrow raises at his silence, “you had forty minutes, four missed calls, seven ignored texts, banged on my door for two minutes, and in all that time you didn’t think of one thing to say?” 
“I’m sorry?” He looks sheepish, he gave a tiny shrug. Hoping you’ll find him cute enough to be let off the hook, like a kid with cookie crumbs around his mouth claiming he didn’t know who ate them. 
You run your tongue over your teeth and click them, “yeah, no.” You try to swing the door shut and he foot catches it. 
“Baby,” he catches your eyes, his own look wet and sad. He looked remorseful for his words but didn’t know what to say. “I’m sorry.” 
You know what you want to say, you want to tell him that it hurt your feelings, that you didn’t know you were being that way, why he didn’t tell you, why he felt that way, a million things ran through your mind. 
But that would make him right. Needy about answers, about why he would think that. That would prove him right, and you weren’t needy, you didn’t think you were but anything he might deem as needy wouldn’t be done anymore. 
“It’s okay.” 
Peter pulls his head back, he’s unsure if you know what you said. 
“It’s…okay?” 
You nod, “yeah, sure, I understand, you were just venting, and I shouldn’t have been listening.” 
“But that doesn’t make it okay, because if you did that to me I’d be hurt.” 
But I wouldn’t do that, I only praise you around my friends.  
“Yeah, well, fuck around and find out, you know.” 
It feels off, this is why Peter didn’t want to tell you anything. He knew you’d pull away from him, you already are. 
“Wanna watch a movie? I heard there’s -” he tries to move around your shoulder to come in but you move to block him entirely. He looks at you half confused, half offended. 
You didn’t need him. He had plans with his friends and you weren’t about to prove them all right and have Peter come running back to you, like he always does, and try to fix things. 
This time Peter wouldn’t fix things, you were. It was clear what he didn’t like, so you’ll stop doing it. 
“Don’t you have plans tonight?” 
Peter snorts, “since when do you care? You always beg me to stay with you anyways.” 
Is that one? One of the things that made him think you were needy? 
Not tonight. 
“I won’t beg tonight then, go have fun.” 
Peter regrets everything about the past two hours, he should’ve stayed when you asked the first time. 
“I have more fun with you, lemme in.” Peter tried to push past but you were adamant he leaves. 
“Go smoke some weed with Mark, come back when you have the munchies. I’ll make cookies.” 
Peter shakes his head, “I don’t wanna hang out with them right now, I want to hang out with you.” He tries to move past you for the third time, you put a hand on his chest to push him back.
“No you don’t. You feel guilty and want to prove something to me or yourself or whatever, and I don’t need Logan thinking if you don’t grovel at my feet then I’ll stop sucking your dick.” 
Peter jumps in immediately, “that was fucked up, and I know I said some shitty things too but I didn’t want him thinking I wasn’t getting laid.” His eyes blow up, he moves his hands around, “not that that matters! Cause I’d love you no matter how much we had sex, but we are having sex and he-” 
You hold up a hand to stop him, “I don’t know where you think that’s going but it’s nowhere good. You’re just digging a deeper hole.” 
Peter’s voice is panicked, “there’s a hole?” 
You sigh and clasp your hands, you point them at his chest. 
“I’m not mad and I don’t need you here, I also don’t need you trying to make a point about not meaning it. You said it and you meant it, don’t lie to my face. Either man up or go back to your friends.” 
You were right, this is going nowhere good and Peter knows it. 
“This shouldn’t be a fight, right?” 
You shrug, “I dunno.” 
Peter pleads with you, he wants anything, something he can work off of. 
“I’m sorry, I really am.” He reaches for your hands and you let him hold them, he rubs his thumbs over the back of your hands. 
“Are you sorry you said it or sorry you got caught?” 
Peter doesn’t know how to respond yet, he doesn’t know how to be honest without offending you and he doesn’t want one thing to change. 
“I just….” He groans and tilts his head back, “can I please come inside?” 
You take him in and decide it’s okay for him to enter, your head looks at your roommates door to make sure it’s still closed. 
Peter flops on the couch and slaps the coffee table, you take a seat where he called and waited. 
“You’re not needy. Not at all, and don’t think I’m just saying that because I think that’s what you want to hear. Needy is the wrong word, it makes you seem annoying or unbearable and I promise you’re my most favorite person in the world, so it’s not that.” 
You whisper your words, your thumbnail being nibbled on. 
“So what did you mean?” 
“I don’t even know!” Peter stresses his point, you can see how upset he is, that he not only said it, but couldn’t place it. 
“I just think maybe,” he groans, he doesn’t like being vulnerable. He’s the strong one in the relationship, it wasn’t very manly to cry over loving your girlfriend too much. 
Peter rubs at his cheek and shrugs, “I don’t know.” 
Your eyes narrow, “liar.” 
Peter folds his cards, the only thing he has to lose here is you, and he will if he doesn’t be honest. But it’s a whole new level to him, a layer he’s about to peel back, one that isn’t so light and happy. It’s a side very few people have seen, he’s scared to show it to you. 
“Can we talk?” 
You look at him oddly, “we are?” 
“Private.” 
You’re confused but lead him to your bedroom. Peter didn’t know how to tell you he was about to cry, but when he did he didn’t want your roommate seeing it. 
You wait for Peter’s lead when you reach your room, he pushes you towards your bed for you to take a seat, he stands between your legs and cups your face. Peter tilts your head up until he’s looking down into your eyes, he looks troubled. A small tired grin hugged his lips, “hi baby.” 
“Hi, peter.” you whispered soft, his thumb brushed your bottom lip. 
He takes in a deep breath like he’s remembered the task at hand. 
“I’m about to tell you something I haven’t told anyone else, and it’s a different Peter than you’re used to.” Peter presses a kiss to your forehead and steps back, this time he takes a seat at your desk chair. 
“I don’t think you're needy. I don’t even know what to say, cause like, fuck… I don’t, look, spider-man has a lot of people that need him, right? And he works hard all day and has no one to share it with, but I do. I get to tell you about my shit days, and you’ll patch me up and I’ll pretend to leave just so you can ask me to stay over, and honestly? It feels nice to have someone who needs Peter and not spider-man for once.” 
You try to speak but he stops you, he looks like he’s about to cry. 
“I look forward to it too much. I fucking sit here and play pretend, like it’s a chore to spend time with you, and you always ask me how I do it so good and I’m just so used to hiding it. I’m so used to hiding this lonely feeling, like nothing is enough, and then I had you.” 
Peter shakes his head slowly, he wipes at his nose. Tears drop casually with every few blinks as he speaks, you want to hold him to you forever. 
“I didn’t have to do anything because you did, you made all the decisions I wanted to in the first place. I love when you ask me to fix things, and when you want me to spend every second with you, when you want me to skip a night out, when you get me to stay over for the third night in a row.” 
Peter wipes his eyes, he sniffs and breathes out shakily, this is what it’s about, right? 
“Baby, you aren’t needy. I am.”
“And you projected that on me.” It wasn’t a question. 
He laughs, a tear drips down his nose, he wipes it away.
“I’ve never felt so needed and wanted in my life, and I am so terrified I’ll fuck it up and lose it all.” 
You’d never do that, if the relationship ends it won’t be on your terms.
Finally you stand and sit on his lap, he welcomes you and for the first time you notice how tight he’s always wanted to hold you, forever stuck in his grasp. You straighten the collar on his shirt and fix his hair, his eyes shiny from his tears. 
“You could, you could fuck it all up and lose it.” 
You press your forehead against his, “but I need you too much.” 
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seelestars · 6 months
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WHO CONFESSES FIRST ? (sunday, aventurine)
a/n : i apologize for being super super duper inactive… motivation has been hard for me to find, but now w penacony i feel more inspired! and luckily, im on break so hopefully ill be able to write a bunch more (*≧∀≦*) my writing might not be the best rn, im still slowly trying to ease into writing so do forgive me </3
sunday
- I feel like he would be the type to confess first
- he’s a bit shy about it, but he tries his best to not let it show ! (●´ω`●)
- he would plan out the whole thing meticulously, making sure everything is exactly how he wants it to be during his confession
- if even one thing is out of place (ex. it rains) then he completely reschedules it
- he’s unsure what gifts to get you, so he ends up getting everything that he thinks you’d like !
the weather was perfect for a stroll, or even for mundane relaxation. sunday could feel himself grow nervous as he patiently waited for you to arrive. his hands were filled with flowers, chocolates, and cute little trinkets that reminded him of you. he knew it would be quite unusual if other people spotted the head of the oak family out in a very populated area while holding a bunch of gifts, so he decided to make sure not a lot of people would be around at this hour.
soon enough, you had arrived. your eyes immediately widened as you gasped at the sight of the plethora of things he had gotten you. “sunday… is this all for me?” you state at him in awe, your eyes softening at the slight rosy tint that adorned his cheeks. if you looked closely enough, you could notice the way his wings fluttered gently at the sound of your voice.
“…yes. it’s all for you.” sunday responds, averting his gaze as he braces himself to ask the question he’d been dying to ask. “it’s because I wanted to ask you something. …will you allow me to be your boyfriend?” to really make the moment seem more sincere, he builds up the courage to meet your gaze. his heart was beating incredibly fast as he eagerly anticipated your response—which would hopefully be a yes.
“awww, of course I would!” you laugh softly as you put the gifts you’ve received to the side, tackling him into a warm embrace. “all of this was very sweet of you.” you hum, looking up at him with a gaze so loving it made him shudder and fluster. it was obvious sunday was unused to receiving such affection as he smiles awkwardly, finally able to calm down now that you’ve agreed to date him.
aventurine
- now I feel like he’d push you to confess on purpose once he is sure the feelings he harbors for you is mutual
- he plays hard to get, acting oblivious to your attempts at hinting at your affection for him
- he just can’t help but keep on playing such a game—your determination is so cute to him ! ʅ(◞‿◟)ʃ
- he gives you just enough hope so that you’d persist with your attempts at courting him
- despite how he makes it seem like your tries don’t have much of an impact of him, he’s thinking about it day and night
you don’t know what gave you this sudden burst of confidence, but you were starting to regret it. though, you supposed it was too late now as you were already tapping on aventurine’s shoulder to grab his attention. “h-hey, can I ask you something?” you try your best to appear self-assured as you hide the gift you had for him behind your back.
“ah? it’s rare for you to be asking me things out of nowhere.” aventurine smirks in amusement as he turns around to face you, raising his eyebrows. “it must be a very important question… one that you can’t rest peacefully without knowing the answer to~” he hums, subtly teasing you. of course, he knew the reason behind why you suddenly decided to grab his attention. he was aware of your feelings for him, after all.
“…yes, you’re right. It’s a question I’ve been meaning to ask you for a while now.” you sigh, narrowing your eyes at him once you picked up on his teasing. “before I ask you… you won’t judge me or laugh at me in case you find the question foolish, right…?” aventurine didn’t even have a chance to answer that question as you have already started to talk again. “w-will you date me?!” you nervously pair your confession with the gift you had for him—a box of his favorite perfume.
there was an awkward silence between the both of you for a while. you knew it, he would never want to date you. he seemed out of your league, with many better options surrounding him. but then, to your surprise, his response was one that wasn’t rejecting you. “why not?” aventurine could feel his grin widen as he looked at the perfume, then up at you. his boldness shocked you, as it caused him to give you a quick peck on your lips. “haha! look at you! redder than any wine out there~” he teases, though it ultimately earned him a playful smack.
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frostbitebakery · 10 months
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A Disturbed State Of The Natural Environment, Gods-Fucking-Dammit
A Pada-Wan Story
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for @lttrsfrmlnrrgby
“Obi— Commander Kenobi-“
“You can call me Obi-Wan, Cody,” the kid huffs. “Neither you nor I will suddenly combust into a ball of fire if you do.”
You don’t know that, Cody thinks, not liking how his voice sounds in his mind.
Four days since the incident - or, “The Incident,” how Boil and Waxer like to say in unison with the bucket lights under their chins -, two since the 104th of all Battalions received their signal and towed the 212th fleet to the nearest station within the Republic that would allow them to overhaul the ships’ electronics.
It has been exactly two point five hours since Wolffe stopped wheezing at Cody over comms. Nearly as much time as the kid had vanished from under Cody’s paranoid nose.
“Councilor Kenobi is safe and sound,” General Koon had assured him while Wolffe stood at perfect parade rest a step behind, shriek-laughing his armor off.
The kid sighs. “You have come here for a reason?” he asks, stubborn and prim. “Or is Wooley babysitting me not enough?” He points a thumb over his shoulder to Wooley popping up several yards away, waving.
“If you haven’t noticed Hook, Line, and Sinker also keeping an eye on you, my trepidations are justified.”
The kid rolls his eyes, gesturing to three empty looking spots in the distance. “I am well aware Master Koon is in league with you.”
Cody will not explain safety precautions again. He’s saving that for when the kid really sets out to stomp on any and all walls Cody had to hastily and thoroughly built when his General, his partner, suddenly turned into a child at the worst possible development stage for Cody’s sanity.
The kid studies him while Cody is trying to come up with a legitimate reason for looking for him. Direct admittance to personal concern would backfire on Cody in multiple, entertaining ways, and he frankly doesn’t want to deal with that. From the kid being smug that Cody cares about him very much so keeping his distance must mean something more. To accusations of not trusting Obi-Wan (which, correct, Cody doesn’t know him after all), seeing him as a kid (also true) when he’s sixteen and basically a stone’s throw away from becoming a geezer.
Sixteen. Cody shudders. He remembers very well that half year when he was that developmental age. He shudders again. Gods, the mood swings alone.
“I am reasonably paranoid about your welfare,” he says at last. Wooden which makes him cringe but he’s never lied to Obi-Wan and he’s not starting now.
The kid stares at him for a while. One corner of his mouth quirks up with a shrug and a shuttered look in his eyes Cody desperately wants to make better. “It’s different when they really are out to get you, isn’t it.” The Council had explained how precarious his older self’s safety was at the best of times. Cody had only seen the aftermath and the accompanying ranting about life choices with the occasional visibly happy understanding that Obi-Wan could, actually, grow a non-patchy beard when he’s got a few more years on him.
“May I sit with you?” Cody asks. Shoveling his own metaphorical grave is so much easier with mixed signals after all. But he misses the older Obi-Wan. It’s not fair of him but he needs this.
The expected blush blooms on freckled cheeks. “Yes, of course!” is the eager reply, followed by more blushing.
It’s endearingly cute and Cody would like to chew on his bucket now.
The kid scoots over, wide eyed and expectant.
Gingerly, Cody lowers himself, ignoring the armor digging into his ass and thighs. And lets the silence stretch.
This, really, is what he came here for. A self-indulgent little break to catch his breath. The High General of a Systems Army is compromised and that fact has to remain eyes only to an exclusive handful of people. Only the Jedi Council knows out of obvious necessity. So it’s up to Cody to keep everything else running, keeping the admiralty in the dark because even teenaged Obi-Wan had said he’s got a bad feeling if they were to tell the brass. So they haven’t.
Usually, when flimsiwork and war horrors keep stacking up and expand into an avalanche, Obi-Wan and Cody sit together in silence, sharing a precious cup of real tea, being together and lending support and strength they can’t find for themselves but can always, always find for each other.
Selfishly he wants that strength from Obi-Wan now, the warmth of his body nearby. He’s already breathing easier.
The kid is looking at him curiously, but Cody chooses not to say anything. Instead he turns forward once more, watching the busy night markets of the station and the stars behind it. After a moment the kid does the same.
Shoulders slowly relax and the silence becomes comfortable.
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helluvapoison · 8 months
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Crystal Clear
Zestial x Reader
warning: lil violence, probably inaccurate old english
Consider yourself lucky to find yourself under Zestial’s good graces and watchful eyes. While he sends you bottles of delicious, ancient wine and carnivorous flowers, others are on the opposite end. That’s what Alastor tells you at least and he refuses to elaborate. While you’re curious to know what could be the opposite of flowers, you think your imagination might be an easier pill to swallow than the truth.
You’ve long since agreed to go on that promenade with the Overlord (which you’ve found out means a walk by a lake) but Zestial, according to the notes on the recent bouquet of grey roses, “hasn’t known a moment’s peace” for a month now. His cursive is flawless with accentuated strokes and curls that take up the entire card. You wanted to thank him for all the gifts but a call felt impersonal… and something told you he didn’t own a phone.
A letter would probably suffice except you weren’t sure where to send it. Alastor continued to be no help. At first it struck you as odd because you thought the two of them were friends but that’s on you, you should have known Alastor doesn’t have friends. So you set out to Zestial’s corner of The Pride Ring. It was old fashioned like Cannibal Town but not nearly as nice.
By that, you mean the people are just as shitty as they are everywhere else in Hell.
Not even two steps over the invisible threshold and you’re shoved into the side of a building, cool brick meeting your shoulder hard. You move to give the jerk a silent “fuck you” at the very least, raising your middle finger as she bolts away from you. Two steps the same, she’s dragged into an alley by a shadow.
“Pray tell,” A familiar voice, so smooth and close, drowns out the nearby screaming. Zestial himself steals your attention and your breath. You don’t even have time to wonder where he came from.
“Doth thyn own eyes deceive? A firefly has entered the web of a spider by thous own accord? Thy had not expected this turn of events. What brings thee to my web this hellish day?”
“Oh! I wanted to thank you for all the presents you sent.” You explain, patting your pockets for the envelope addressed to him.
Humming, his eyes roam across his name as he gingerly takes the pink paper. He doesn’t open it then, instead bringing into the abyss of his coat where it disappears from your sight.
“The pleasure belongs entirely to thyn own self,” Zestial says politely, his smile disappearing as he speaks, “Oh how outrageous thou must be, for thou has been generously patient. Apologies, firefly. Thyst swears this will not happen twice.”
You tilted your head, brows pulling together as you deciphered Zestial’s words. When it settles in you’re quick to hold up your hands. You’re so quick to fix things, you missed his pet name again.
“I—Oh! No, I’m not upset! I understand you’re busy.”
This pleases Zestial immensely, his smile returning and etching across his face once more.
“Thous kindness continues. Please, allow thy to return thee from whence thou came. Thyn would be remiss should something happen to thee.” He paused, voice dropping as he glared over his shoulder, “Twice.”
Zestial swiftly offers his arm to you when you try to see what he was looking at. A part of you did know he was sparing you a gruesome sight… the other part didn’t care as much as you should.
Falling into step with the Overlord, you’re suddenly aware of how much labor he’s putting into walking at your pace. It looks effortless enough. He practically glides as he walks anyhow. Still, it didn’t go unnoticed by you. Despite slightly delving into his frustrations (via cards) about how busy he was, he seemed in no rush to return to his territory to deal with whatever it may be.
“I looked up what promenade means, by the way,” You say eventually, though the silence between you both was comfortable enough, “I’d officially like to accept your invitation now. When work slows down for you, of course.”
Zestial chuckles, looking straight ahead, “Thyn has been working tirelessly to ensure uninterrupted time with thee. Much like this, only with a more suitable location for such a sweet soul as thou.”
“Tirelessly, huh? Don’t forget to take breaks,” You chastise playfully.
“In thys undead existence, thyn has come to be sure that there is no time for breaks. Change is constant and quick. Thyn is forced to adapt when thyn does not wish to or thy will be left a—how did one say? A relic.”
Now it was your turn to frown.
“Someone said that to you?”
His amusement remained alive as ever despite the terrible insult.
“Fret not. There shan’t be much for one to say any longer.”
You cross your arms and nod firmly.
“Howevermore, mayhaps there was truth in one’s words. It appears to thy, that the more thyst resists the ever growing changes of this modern day, the farther thyst casts thys own self into darkness.” Zestial sighs and trails off towards the end, “Tis a rather lonely existence.”
Slowly, you nod your head. It takes a minute to translate what he said and another to respond but Zestial is nothing if not patient.
“Change is constant,” You begrudgingly agree.
He hums in appreciation, “Precisely.”
“But it doesn’t have to be lonely if you don’t want it to be. You have Carmilla and—” You hesitate which caught his attention.
“And?”
“Well, I was going to say me. If you want, that is.”
Zestial chuckles. It’s a dark, raspy sound that makes your bones vibrate and sends a shiver throughout your body.
“Thy would be honored to call thoust a friend.. for the time being. Thy can only be content in the darkness for so long now that light has been seen. Thoust will inevitably succumb to a courtship, thyself assures thee.”
“You lost me a little bit,” You replied, dipping your hand from side to side in a so-so motion.
The green of his eyes shrink upwards in amusement yet again. Zestial straightens, looking around as if debating something he doesn’t feel inclined to share this time. You show him the same courtesy he showed you and waited for him to gather his thoughts.
“As commerce for such a divine outing, and solidifying our enriching conversation, thoust will be repaid in kind. Just this once.” Zestial declares, holding up a single, slender finger from his coat, “You and I are much alike, dear firefly, we shall not be easily discouraged from our desires.”
He holds out his hand and waits for yours to join. It’s not a perfect fit, his fingers could wrap around yours two times over, but it feels nice. Zestisl is oddly warm with soft palms and an unfailingly gentle grip. Bowing, he kisses your knuckles like he did the first time,
“Until next time. Thy will count the seconds,” He says quietly.
You don’t realize there’s an audience until he sinks into the cracks on the ground and absconds from your view. If you’re honest, you didn’t catch quite a bit from the last few minutes. You’re still stuck in the web of time where Zestial said he desired you. At least you think that’s what he said. Funny, even when he says it in layman’s terms you’re still not sure what Zestial meant.
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heavencanbeaprisontoo · 6 months
Text
Partner Age-Difference Preferences (Peaky Blinders HCs)
Gn!Reader x Various (Tommy, Arthur, John, Michael)
A/N: suggestive language, toxic masculinity, toxic relationships, discussion of age-gap relationships, the reader is 18+ in all scenarios.
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Tommy:
Prefers same age, won’t refuse a younger partner. Tommy has tried being with older partners but found they wanted too much control. And by “control,” we mean an equal part in the relationship. Tommy wants to have two worlds to live in, his world in business and his world at home. Partners his own age/younger tend to tolerate that more. Either they understand what he needs, or they are too naive to see it.
There is a power dynamic that he’s attracted to as well. A same aged partner will debate with him, but not shove him the way an older partner might. Wordplay is a turn-on for him, it’s really foreplay. Even the exchange of barbed comments can get him going. You could be certain that you’re in an argument with him and slowly it melts into an intense bout of eye-fucking that ends up with you naked. A younger partner is perfect for him to put on a pedestal and protect. If you can stand up to him and keep up with his mind, that’s even better. But don’t expect him not to use your age against you if you actually try to have an argument with him.
With a younger partner, Tommy will accept at maximum a ten year age difference. Occasional lovers can be a bit younger, but not by much. By Series 5 or 6, however, Tommy could go to twenty years age difference.
Arthur:
Doesn’t want to admit it, but most women his age feel inaccessible to him. Really has no preference, but most of his partners are younger due to them not immediately identifying that he can’t be changed. And that’s the cruel thing about it all. An older partner has seen people like Arthur and know that they have to accept him as he is or leave. Other partners might not. Which leads Arthur to greater heartbreak.
Unlike Tommy, he will put his partner on a pedestal regardless of age. Whoever you are, he will deify you based only on your choice to love him. Nobody’s ever chosen him before. You must be special. Saintly. An angel. He’ll feel that way even after you leave him. This would likely be most distressing for a younger partner. Arthur is emotionally volatile and immature. He won’t fully understand that the way he clings to you is abusive. He won’t. Not unless you commit to educating him on that, or really, making an ultimatum with him. Threatening to leave him is the best way for him to change even slightly.
Arthur doesn’t have a true preference for age, but he would not be with someone more than fifteen years younger than him. There’s something about feeling like he could be their father that just immediately turns him off. Fifteen feels safer, somehow.
John:
He’ll say he likes them younger because that’s the thing all men say, right? Really, he wants either a partner his own age or older. A partner that knows what they want and know what To Do when they’re alone in bed with him. Also, an older partner might just make him feel… safe. Ideal age difference with an older partner can go as high as ten years.
John does fairly well picking up younger partners for a night of fun, but he’s self-aware enough to know he can’t make a life with them. He has children, he has a drinking problem, he’s a boy in a suit with a gun. John knows this about himself and he wants to grow up. He wants to be stable. John can’t see that happening with a bouncy young thing he met at a pub.
John never wants to look like he’s not the boss in his relationship. Even if everyone can see that you’re the leader, he won’t admit it. The truth is, John is rather immature. Even a partner that’s his exact age is likely to feel older based on that. Unless you are also immature, you’ll find yourself having to be The Adult a lot of the time. Which embarrasses him, but he won’t change quickly. He’ll just put on his angry face and stomp his feet until you make it up to him.
Michael:
Has tried to be with partners younger than himself and found it just wasn’t what he wanted. Hates to say it out loud, but he actually prefers an older partner. Call it Mommy/Daddy issues, but he wants a partner that he can impress. He wants to prove his worth to you constantly while also having you on his arm as a sort of trophy.
In the case where his partner is older, his ideal age difference would be between 3-8 years give or take. Nothing extreme on paper. That’s not to say Michael wouldn’t be attracted to someone older than that, the 3-8 mark is just his go-to answer.
Like John, part of his attraction to an older partner comes from a want for stability. Michael is less interested in the traditional sense of stability, however. He lived a life in the countryside with two well-adjusted parents and a little brother. Michael knows what that life is like. His want for stability comes from wanting a partner with similar wants and goals who won’t easily change their mind. A younger partner or same-aged partner might change their values over time. An older partner knows precisely what they want, and will support Michael. Support him, be in awe of him, have all their attention on him. That’s what Michael wants.
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oatmealdoodles · 3 months
Text
Apology tour spoilers
I kept putting this off because I pretty much agree with everybody else's takes on this, but I just want to get my opinions out anyways
So right off the bat we get THIS line from Blitzo
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wow, gee, i wonder how that must feel like. Oh how i wonder
Anyways Stolas goes on directly to say that he doesn’t want to talk to Blitzo right know.
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And you know what, thats vaid. All Stolas is saying in this entire interaction is “It’s too soon and i still mad at you, leave.” And i’m sorry but thats not an unreasonable request, especially after a fight that big. I was actually really impressed with how Stolas voiced his feelings thorough the entire confrontation: “I don't want to do words with you, so how about you respect that” “Seeing you right know is hard” “I don’t want to feel worse than I already do” “Im uncomfortable with how you’re speaking to me” This is textbook definition of healthy language.
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And Blitzo for some reason just can’t respect that. Because he’s so dead set on getting things back to the status quo, what’s comfortable and familiar to him: this transactional relationship with no feelings, that he ignore Stolas’s requests blindly.
I saw someone claim that the show was trying to make it seem like Blitzo likes Stolas’s abuse, and I don’t think that’s what’s happening at all. Blitzo loves Stolas, that much is clear. But that doesn’t mean it’s healthy. And sometimes going back to an unhealthy relationship can feel better than without it, because that’s what’s familiar, what’s comfortable. Even if it’s not good for you. Especially for Blitz who already has so many abandonment insecurities. This actually happens a lot in real life and Im glad that HB decided to explore it.
But Stolas doesn’t get off the hook that easily
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My dude, WHAT? Listen, Stolas, you are my favorite part of this episode. Nay, this show. But JESUS CHRIST WOULD EVEN AN OUNCE OF SELF AWARENESS KILL YOU???? “Impish little plaything,” “itty itty imp,” “you are so cute when you are serious,” “Blitzy,” none of that ringing a bell? SERIOUSLY??
Ok in all seriousness I think this line really emphasizes that Stolas is completely ignorant to the very prevalent power dynamic between them. He has no idea that all these actions and things he says to Blitzo hurt him. And that doesn’t makes it ok. Listen, Stolas has demonstrated that he’s willing to put in the work to improving himself. Just now I mentioned how his language changed to be more constructive and effective. The Stolas from the pilot and the Stolas in the last few episode are drastically different people. What Stolas needs is his own call-out episode, someone to give him a slap in the face and say “What you did is F’ed up” and for him to APOLOGIZE to Blitzo.
Also my man ate up this entire exchange
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I have a bit less to say about the Striker stuff, I honestly don't think t was too relavent to the conversation, it’s just more well-written angst with fantastic animation and expressions. And seeing Blitzo slowly realize he screwed up was great too.
Unrelated but this probably to the biggest laugh out of me this episode
Brandon Rogers and Bryce Pinkham continue to be the best voice acting pair I’ve seen in a long time
and guys we FINALLY got Blitzo airing out his feelings to Stolas, completely dumping everything on the table. And then he just backpedals so violently because he’s scared of letting people see his true self, in fear they might hurt him. Also Stolas’s face be like “that escalated quickly…”
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To be honest i could go on and on about all the little charachter detains and mannerisms, the animation, and how BEAUTIFUL the colors are. I want to talk about the section at the party, but this is already long enough. I might make a part two if i find the time, but those were just my thoughts
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agoodroughandtumble · 3 months
Text
Full Resolve - Zoro x Reader
Status: Complete Summary: Not really a plot - just some fluff Warning: 18+, Language, implied smut
Of course Zoro had said it before. Only it was usually swiftly followed by the reassurance that he meant as a part of the crew. So you rolled your eyes and told him not to be so soft.
There were several times he said it with a grateful sigh as you handed him a much needed drink after a particularly stressful day. You always tried to fight back a far too affectionate smile and told him he probably needed it since he looked like shit.
Depending on how many more drinks he had, sometimes the words would come out as a slur as his head slumped against your shoulder so you ran your hands affectionately through his green hair, sighing out a lazy “Yeah, you too.”
And then there were the times when the words were proceeded by a grunted “Fuck” and breathed against your neck, teeth grazing against goosepimpled skin. Those times left you bruised and exquisitely sore. It was hard not to believe him while his hands so desperately clung to any, all parts of you they could find, and his cock was buried so deeply inside you it was impossible to think, to breathe, to exist outside of him, outside of that moment.
But he never meant it. Not in the way you so desperately needed him to. Not in the way you meant it. Usually you didn’t mind – well, you didn’t mind him not saying it but you did mind how bloody pathetic you were about the whole thing. And you certainly minded how your fragile, futile heart always skipped a bit at his words – no matter how many times you them, and no matter how many times you had to remind yourself that he didn’t actually mean it.
Everything was too neatly explained away. He loved you as his crew mate, he loved you because he was drunk and would be saying that to anyone. He loved fucking you, or he was just horny. Either way. You were accepting. Compliant. Because being told a lie hurt far less than acknowledging the truth – and of course you were pathetic. But self-aware, at least. And fully resolved that this was it. As far as it went. He wouldn’t know any of your more self-indulgent thoughts and by the time he got bored of you, you have moved on. Because you had to. Because you were fully resolved.
This morning was being particularly counterintuitive to your newfound resolve. It had started not-so-innocently enough – the activities of the night before still lingering in the air and on your skin. Zoro was still asleep, one arm holding you tightly against him whilst the morning light was making his already ridiculous abs look even more impossible. Just as usual, one hand tangled into his hair, nails slightly scratching his scalp and eliciting soft, lazy grunts from the swordsman.
“Mm, that feels nice.”
You allowed yourself a small, indulgent smile at his words. “That’s the point.”
Zoro shuffled to lie on his side, slinging a leg over your waist. “I love you.”
You tensed. This was new. This was… not in your carefully crafted rulebook of times Zoro said those words. He never said it the morning after. Maybe it was just because he was still half asleep. You stayed silent despite the thousand and one thoughts running through your head.
He must have noticed the chance in your demeanour as he shifted again, this time so he was fully facing you. His eyes were strange. “Why do you never say it back?”
You froze. Your heart was thumping rapidly enough to break a rib. Your brain was completely absent.
“(Y/N)”, Zoro persisted, gaze unfaltering. “Why do you never say it back?” There was a pause, an agonizing, drawn out pause. You squirmed slightly at the unreadable expression across his face. “If you don’t that’s… do you?”
You swallowed hard. Your throat was so dry you weren’t sure you could say the words despite how desperately they clawed at your tongue. “Do I what?”
“Do you love me?” Only then did his eyes leave yours, staring pointedly at anything that wasn’t you.
“Zoro…”
Abruptly, he sat up, the force knocking you back. “Forget it. This won’t happen again, don’t worry.”
You stared at his back and bit your lip, trying to find the backbone to say something, anything to say, for some semblance of understanding. But he was already standing up and getting dressed. You had to stop him. You had to make him stay. “I love you.”
His boxers fell slightly, hands no longer able to pull them above his thighs. “What?”
You took a deep breath. And another one. Fully resolved. Fuck it. “I do. I love you.”
Zoro just stared. For hours, maybe days until an incredulous look met your uncertain one. “Why didn’t you say anything?”
You shrugged, apparently only capable of the feeblest of gestures at this point and embarrassed by your ineptitude. “I didn’t think you did.”
An amused smile slowly worked its way onto his lips. You almost let out a sigh of relief as he climbed back into the bed. “I tell you all the time.”
Which he did. Only he didn’t tell you he just said the words. Oh shit. You fidgeted awkwardly, mind replaying every time he just said the words. Only he didn’t. He told you. Hundreds of times. All the times. When he was drunk, when you fucked, when you shared knowing looks, when he sat a little too close, when he was overprotective, when he always wanted to be partnered up with you, when he told you one morning half asleep and in each others arms whilst your fingers played with his hair.
His fingers tracing along your waist brought you back out of your thoughts. “I didn’t think you meant it.”
Zoro rolled his eyes with a small chuckle, “You’re a fucking idiot.” His eyes turned earnest again. “But you-”
“I mean it.”
He kissed you. Perfectly. “You’re my fucking idiot.”
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cobragardens · 1 year
Text
My Favorite Good Omens Moment:
An Essay on Why It Is Cool and Rad (Part 1)
There's this moment in Good Omens that makes me cackle every time I see it and leaves me full of warmth, so here's an essay on its context and meaning, because explication and analysis are how I show love. I will try to keep my thoughts as tight as possible, but they do have a tendency to spiral outwards, and I am very stoned. Come, sistren, and get nerdy with me.
My favorite moment in the series so far occurs in 1601. To approach it we will first need an assload of context. There's a TL;DR in bold at the end of the Context if you don't fancy reading the whole assload. Key arguments are in italics and bold throughout.
David Tennant gives Crowley a very consistent facial expression every time Aziraphale says something so outlandish Crowley can't quite believe he's hearing it. It's this one:
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Chronologically, we see the Eyebrows of Disbelief twice before my fave moment in 1601: once (above left) in that scene on the Garden Wall that familiarizes the audience with Crowley's face before adding the dark glasses, when Aziraphale admits he's given away his sword; once when Aziraphale tells Bildad the Shuhite that he, Aziraphale, has Fallen because he lied to the angels to save Job's children.
The Eyebows of Disbelief always signal surprise and amusement with something Aziraphale has said or done. This amusement is sometimes at Aziraphale's expense and sometimes not.
In the gifs above, Crowley is laughing because what Aziraphale has just admitted to doing is fantastic and unexpected and frankly pretty gd punk rock. He's not laughing at Aziraphale, he's laughing because he is delighted with him. The only record we have thus far of Crowley laughing at Aziraphale is this one:
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Crowley laughs when Aziraphale informs him--him, a demon who has personally been through the process of Falling--that Aziraphale is Fallen and must be a demon now. As though of the two of them Aziraphale is the expert on how and under what circumstances this occurs.
And yet when Crowley sees Aziraphale's distress--not his fear of being taken to Hell, but his heartbreak and lostness over the fact that his conscience has diverged from God's stated will--Crowley stops laughing, and instead he acts very kindly towards Aziraphale. He validates the gravity of what Aziraphale has done and assures him he won't turn him in. He sits with him so Aziraphale isn't totally alone (like Crowley probably was) as he goes through the loneliest moments of his existence to that point and picks himself up newly weighted with the secret he must now bear.
And after this scene (in canon as it stands thus far), we don't see Crowley laugh at anything Aziraphale says or does again.
And he really has to work for it sometimes. We talk a lot about the things Michael Sheen is able to convey with his face in Good Omens, and absolutely rightly so; David Tennant earns a chunk of his paycheck in this regard as well. If you haven't given yourself the treat yet, rewatch the scene in Will Goldstone's magic shop in 1941 and focus on Crowley's reactions:
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Tennant takes great care to show, with precision, that Crowley is expending effort not to react to Aziraphale's nervous chaos Muppetry and lack of self-awareness. Crowley is self- and socially and contextually aware enough that he knows (better than Aziraphale, at least, which is not a high bar to clear) what's cringe, what's funny, what's ridiculous, how to behave. But whenever Aziraphale crosses a boundary of normalcy, or even sanity, and there is opportunity to laugh at him, Crowley very carefully doesn't react. He doesn't interrupt him, he doesn't try to correct him, he doesn't make fun of him, he doesn't even smirk; he just watches him, as stone-faced as he can manage, no matter how bizarre Aziraphale becomes.
We should be reading this lack of reaction to Aziraphale's social and rational transgressions as powerful positive action. Go watch the Doctor Who episode "Human Nature," or literally any episode of The Inbetweeners, or read or watch Regeneration, and reflect on what it shows you about English masculinity; then consider again the depth of significance in how English- and male-coded character Crowley treats English- and male-coded character Aziraphale in an England created by an English and male-codedpresenting author based off a book written by himself and another male-presenting author. Within its context of English masculinity, Crowley's lack of reaction is not a neutral stance; it is a very fucking loud show of support.
This is not even an inference; it's stated outright in the show. Crowley himself puts it into words 422 years after my favorite moment:
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You know how Crowley calls Aziraphale "angel" because the factuality of the descriptor offers him plausible deniability to any Heavenly or Infernal agents who might be listening? Remember how Crowley is a great equivocator? Crowley is equivocating here, too: he's using the cover of what Maggie and Nina will take as a disparaging joke at Aziraphale's expense in order to make a perfectly sincere statement. This is his genuine perception of one of the relationship dynamics he has with Aziraphale and how he feels about that dynamic. Crowley thinks he himself is quite witty (an accurate assessment), Crowley thinks Aziraphale isn't sufficiently self- or contextually aware to hide how strange he is and therefore frequently says and does mad things (also an accurate assessment), and Crowley is Into. That. Shit.
Okay. Now let's look at 1601.
Chronologically it's been almost 1,000 years since we last saw Aziraphale and Crowley. In 537, Aziraphale isn't willing even to consider a labor-saving working arrangement with Crowley of fucking off home out of the damp of Arthurian Wessex; but by 1601, he's worked (and met, and Arranged) with Crowley "dozens of times now," Crowley says, and Azirapahle does not correct him.
In that millienium, Aziraphale has grown to care deeply about Crowley:
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In fact he may be somewhat smitten with him:
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Seriously, go back and watch Aziraphale here as Crowley approaches and starts speaking to him: he doesn't start smiling until he recognizes that the person speaking to him is Crowley (but he only smiles at Crowley while Crowley's not looking at him).
And Crowley is definitely become smitten with Aziraphale:
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Our man(-shaped entity) is so allergic to work he sets up a meeting to weasel, cajole, or (as it happens) cheat a coin toss to get Aziraphale to do an easy temptation for him in Edinburgh, and then in the same conversation agrees to miracle a play into success because Aziraphale gives him a single hopeful look. Crowley's got it bad.
TL;DR: The Eyebrows of Disbelief happen when Crowley is surprised and amused by something Aziraphale has said or done. Sometimes that amusement is delight with Aziraphale; sometimes it is at Aziraphale's expense. Crowley is aware of this distinction, and when his amusement is at Aziraphale's expense, he suppresses it, even when it takes some effort on his own part, and remains stocially composed. This is equivocation on his part: to Celestial/Infernal operatives lacking knowledge of the intricacies of human behavior, this non-reaction would seem like neutrality; to Aziraphale, who shares with Crowley and the audience the contextual knowledge of English masculinity's utter viciousness, this non-reaction is a profound show of support; and in the safety of support from Crowley, Aziraphale lets his weirdness blossom.
As another meta points out [link if I find it again], we also see in Aziraphale's wordless request about Hamlet and Crowley's immediate understanding of it that by 1601 Aziraphale and Crowley have developed an unspoken, coded method of communication with each other.
Now that we have all of that in mind, here's my favorite moment in Good Omens:
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Ixi of Fuck Yeah Good Omens has even kindly archived a closeup of the aftermath, for Crowley, of "Buck up!" In gif 4, above, you can see that the tiny smile is an involuntary reaction that happens as Crowley's eyes widen: for a fraction of a second, he's caught off-guard. In the closeup it's easier to see that he suppresses the smile and gives a tiny shake of his head, Eyebrows of Disbelief heading for his hairline.
There are a number of things Crowley's reaction could mean and what messages it could communicate (we'll get to that in a sec), but regardless, his reaction is, unquestionably, one of surprise and suppressed amusement. This is an aspect of Crowley and Aziraphale's relationship and characters that I like very much, viz., that one of the reasons Crowley likes Aziraphale (though Aziraphale is judgy and occasionally, unintentionally, horrifyingly cruel) is that in addition to being one of the kindest and most courageous beings in existence, Aziraphale is mad as a bag of frogs. Crowley does not know what is going to come out of Aziraphale's lovely mouth next, but Crowley does know there's a good chance he will struggle to believe he's hearing it, and Crowley likes that.
That's what makes this my favorite moment. What makes this moment so cool and rad, though, is its ineffability. We know from the Eyebrows of Disbelief that Crowley is surprised and amused, but any of several things could be read in that almost imperceptible headshake. Like:
What are you doing? or
Why are you like this? or
How can you be aware that you say these things out loud and yet still say them out loud? or
How has my existence come to this? this moment of listening to such insanity?
each of which is a fair and just feeling to have/message to communicate to a man(-shaped entity) who is yelling "Buck up!" at Hamlet.
But that's only if we read Crowley's amusement as being at Aziraphale's expense. And I don't think we should. Because watch Aziraphale here:
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He's doing it on purpose. He is shouting a hilariously inappropriate, 100% authentic Aziraphale-brand thing over arguably the gloomiest passage of Shakespeare's famously gloomy play--right after Crowley complains about its gloominess--and he is watching Crowley as he does it. Look at his smile! He knows he's being Deeply Uncool, and he is doing it literally right into Crowley's face.
Remember that we just talked about how by this point in the chronology Crowley and Aziraphale have learned to communicate with each other nonverbally through facial expression? So what does it mean when Aziraphale responds to Crowley's grumbling about Hamlet's gloominess by smiling his minxious Mona Lisa Aziraphale smile, looking right into Crowley's face, and yelling at Hamlet to buck up? Aziraphale, in a carefully coded, carefully Aziraphale way, is joking with Crowley. His silliness in this moment is for Crowley.
So with aaaaaaallllll of this essay in mind, what does it mean that Crowley's reaction to "Come on, Hamlet! Buck up!" is widening eyes, an involuntary twitch of his mouth toward a smile, and then, his eyebrows still showing surprise and amusement, a tiny shake of his head?
Once more, with inferences:
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I do propose, y'all, on the basis of this web of evidence I submit for consideration, that what we are seeing here in my favorite moment of Good Omens is the ineffable equivalent of Aziraphale and Crowley sharing a laugh.
Crowley's amusement here isn't at Aziraphale, because Aziraphale is eliciting that amusement consciously and deliberately. Aziraphale, in good spirits and happy to see Crowley, uses his Aziraphaleness to offers Crowley not only an opportunity for amusement, but the opportunity to be in agreement with him about what in this situation is funny. They're on the same side of this joke.
And his humor lands just as he wants it to: Crowley, just for a moment, is caught off-guard, and tickled--
But remember, Crowley is worried in this scene about being surveilled ("I thought you said we'd be inconspicuous here"), and he worries about audio surveillance a lot ("Walls have ears"; "Don't say that. If my lot hear [etc.]," etc.), so he's very limited in what reactions he can show or voice. Aziraphale knows Crowley must be perceived by anyone watching or listening to disapprove of his, Aziraphale's, behavior (just as he must be perceived to disapprove vociferously of Crowley's). Both of them know this.
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--so Crowley suppresses the smile almost successfully, and shakes his head at Aziraphale, minutely, to say Stop. What you're doing is working, you're close to making me laugh, and if I show how much you have just delighted me, it will blow our cover of "just an Arrangement."
I offer three final data points in advancing my argument that what we see in my favorite Good Omens moment is Aziraphale successfully attempting to joke with Crowley and Crowley recognizing that overture from Aziraphale and being momentarily surprised into a reaction of genuine delight before pulling his face back under control and indicating to Aziraphale that he must stop:
Datum 1. Nothing going on with Crowley's face in this moment is accidental. We know for sure we're not seeing David Tennant react to Michael Sheen here not only because of literally every other point of Tennant's and Sheen's performances in the show, but because Tennant is wearing opaque contacts and sunglasses under film lighting and therefore cannot be reacting to anything more compelling than a level-10-lift blur because Tennant cannot see shit. Crowley's reaction is a deliberate and careful performance choice on Tennant's part, and it's underscored by director Douglas Mackinnon's choice to film Tennant in 1/2 profile to keep Crowley's eyes visible and face readable to the audience. This reaction is supposed to be there and supposed to be meaningful.
Datum 2. The husbands in 1601 is not the only moment in Good Omens when we may be seeing an angel and a demon communicate the message Stop doing that, it makes us look too familiar between themselves with a little headshake:
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Datum 3: There is another moment in Good Omens when Aziraphale offers Crowley the opportunity to enjoy a joke with him. There, too, his humor lands just as he intends, so we can use this other moment as a comparison to our 1601 moment. I don't have gifs for it, but go back and watch it, S1E6 49:27-42. Snips below.
Aziraphale says something that surprises and amuses Crowley (he asked Hell for a rubber duck while he was sloshing around in the holy water)--
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--but what Aziraphale says makes Crowley smile long before it makes him laugh.
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In fact, his laugh, though a genuine cackle, is quite delayed, and he laughs only after Aziraphale starts laughing too.
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In other words, Crowley's reaction to Aziraphale offering him amusement they're both on the same side of is exactly the same as his reaction to "Come on, Hamlet! Buck up!" right up until he laughs instead of shaking his head. Here, after Armageddidn't, Crowley doesn't have to suppress his reaction, so he can let the smile bloom; he doesn't have to control his response, so, although it takes him a few extra seconds, he lets the smile turn into a laugh.
But in 1601, it's not safe to laugh at Aziraphale's humor. It's not safe even to smile at him. A single piece of evidence or eye/earwitness testimony that he and Crowley have anything more friendly than the most passing and acrimonious of professional relationships could mean death to either or both of them, and depending on what Falling is like, maybe something worse than death for Aziraphale.
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But Aziraphale is so funny, so effervescent for Crowley, at Crowley, that it catches Crowley just for a moment. Crowley's eyes widen and the corner of his mouth twitches toward a smile.
And that's dangerous. If Aziraphale keeps acting so charmingly mad, Crowley is going to laugh, and they can't afford that risk, so he shakes his head at Aziraphale. Stop, or I won't be able to keep a straight face around you.
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And Aziraphale apparently receives that message, because he immediately eases off. Less than 60 seconds later we learn that he's deeply concerned for Crowley's safety--and that it's not so much that Aziraphale has Crowley wrapped around his little finger as it is that Crowley has wrapped himself around Aziraphale's little finger like a snake arranging itself on the tree branch it calls home.
UPDATE 14/10/23: HOLY SHIT Y'ALL IT GETS EVEN BETTER! THERE IS A SEQUEL!
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shroomdreams · 2 months
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Congrats on 100 followers!
Do you have any favorite characters from your three fandoms you’d like to share headcanons about? Fluffy or smutty whatever you want 🩵
Paper Daisies and Sunshine
Kaeya, Argenti, Calcharo (separate) x GN!Reader
a/n: thanks for asking nonnie! I think i'll be going with fluff for this one as a warm up to the other asks hehe
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Kaeya
He's a very gentle lover, surprisingly! Of course he does tease you, pinching your cheeks and lightly ghosting your skin with kisses, but Kaeya's a romantic through and through
The two of you would often be seen holding hands in the city of Mondstadt, or fingers laced together as Kaeya leads you around. You've essentially become the symbols of love in the city, and many young couples strive to emulate the adoration the two of you have for each other
Kaeya would crave your attention if either of you are too busy to see each other for whatever reason. You end up getting him a pouch filled with the ingredients of your favorite perfume! Whenever Kaeya feels lonely, he'd simply bring out the pouch and lightly breathe in the scent and be reminded of you
In the privacy of your home, Kaeya allows himself to be vulnerable, bearing his heart to you. In order for the two of you to start dating, it would mean that Kaeya trusts you so much to let you see the less confident side of him. He lays on your lap, your hands weaving tiny braids into his hair as he closes his eyes
If you had to go somewhere far, maybe to another nation, you and Kaeya would exchange letters. He'd wax poetic about his grief and loneliness, telling you that his soul is shriveling up without your presence to anchor him. Of course everything in that letter was hyperbolic, but you know Kaeya well enough to glean the true feelings inscribed within the paper
When you come back Kaeya's not letting you go for two days at the minimum. He'll dramatically fall into your arms and pout about how cruel you were to leaving him all alone ❤
(Argenti and Calcharo under the cut!)
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Argenti
He must profess, he thinks you're one of the most beautiful things he's ever seen. It was love at first sight for him, and he fell hard. Your first meeting had him kissing your hand and offering a rose. Being courted by Argenti is a subtle, yet powerful affair. You often found yourself being serenaded by poems and gifted bouquets of flowers. It wasn't long until you became Argenti's beloved
As a traveling Knight of Beauty, Argenti can't often be around to spend time with you due to his duty of honoring the ideals of Beauty. Fortunately, thanks to a handy-dandy IPC gadget, you accompany him as a hologram! He's very grateful for the opportunity to see you, though he'd often say that the projection does not truly capture the true essence of your beauty
Whenever he makes a visit, he takes this moment to take you out on dates! You'd visit your favorite places, eat dessert together, or watch some movies. Whatever you do, Argenti is more than happy to spend time with you
He gets jealous! Argenti won't ever admit to it as such behavior is unbecoming of a Knight, but he feels a pang of annoyance whenever someone flirts with you. Of course his precious love is beautiful! But you're his, you know? Thankfully, his presence is enough to deter the other party trying to pursue you (Because who the hell would challenge a guy in armor and a big ass spear??)
Argenti would absolutely be horrified if he hears you say bad things about your appearance! Although he's aware that he can't cure any self-esteem issues overnight, he would drop everything to make you feel LOVED! He'd hold you close and point out everything about you that he loves. Every flaw and imperfection you see, he sees parts of you that make up one beautiful painting ♥
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Calcharo
You used to be one of Calcharo's informers. He helped you out with your request, and in turn, you tell him of any notable figures. However one thing led to another, you went from an informer to his lover. Congratulations, you have earned his undying protection!
Calcharo is similar to a standoffish dog. He's very quiet, a bit shy in some aspects in your relationship, but one thing you can count on is that Calcharo is a very loyal man! No matter if you're a Resonator like he is or an ordinary citizen, you're stuck with Calcharo until something tears you apart. But Calcharo is not about to let that possibility happen. Nuh-uh, no sir, he spits in the face of destiny!
Scary dog privileges. When walking around, people are extremely polite and nice to you! That's because they don't want to get into an altercation with the tall, dark and murderous man tailing you around. Bandits actively avoid you like the plague. They don't want to die today, thank you very much
Calcharo's also somewhat naive about love and romance, but he does try his best. He often brings you flowers or tiny trinkets that remind him of you. You collected so much you made him a bracelet of the trinkets he brought you! Calcharo wears it on his person at all times, except for when he needs to fight
He's so sweet ❤ He allows you to do whatever you want him with him, whether that's putting his hair up in experimental styles, or peppering his face with kisses, Calcharo does not care. But that doesn't mean he'll let you get away with it without some consequences. When he thinks you need to calm down, he'll grab you by the chin and pull you in for a kiss, effectively calming you down (Please kiss his tacet mark he'll MELT)
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polin-erospsyche · 3 months
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This post was inspired by a comment from an anon in my ask box. They mentioned that if the Queen hadn’t interrupted Polin's wedding, they could have had a beautiful wedding night (if you’re the anon and you’re reading this, hi! And also, I know this isn't everything, but I'll touch on the rest. Small disclaimer: this got long and I’m sorry).
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I agree, that could have happened. But honestly, I'm really glad it didn’t. Don’t get me wrong, I would have loved to see it, but I don’t think it would have been good for them. The intimate scenes we did get tell an overarching story and serve a purpose in the narrative. We’ve been told that these intimate moments are a way for them to communicate, so let’s unpack that.
The first intimate scene is about them discovering each other in a new, intimate way, moving from friendship (which had already started to happen in the carriage) to a lover relationship. This moment is crucial for Penelope's story and character development. From this, she grows in confidence and self-awareness. She expresses this to Colin multiple times, such as when she says, “with the confidence you’ve helped me find this year,” and later, “You’ve taught me to hold my own. You have shown me I’m capable of pleasure beyond imagination.”
From that intimate scene onward, Penelope starts to come into her own power and that includes her sexual power. Colin shows her a level of love and care beyond what she ever thought possible, breaking down the belief system she built around herself. She was ready to sacrifice her dreams of being loved and held for financial stability, a mindset ingrained by Portia. Colin helps her see that this doesn’t have to be the case, chipping away at her long-held beliefs.
Let’s now move to the scene in the alleyway, which links back to anon’s comment. Anon suggests that this is the moment they start repairing their relationship post LW reveal. That following this scene they were in a good enough place to enjoy their wedding night if the Queen hadn’t crashed the party. Yes. And no. 
And oh my god how I’ve longed to discuss this scene but I never quite knew how to approach it. At this point in the show, the narrative is like a tightly wound ball of yarn with so many threads to pull at. So, let’s attempt to pull at them. 
First of all, they’ve entered a whole new playing field. And they’ve entered this playing field while being “the oldest of friends really” so they have ammunition against each other. Pen has hurt Colin by lying (hiding the truth from him time and time again) about her identity. She has let him go on and on about his despise of Lady Whistledown. About his dreams of being an author. These were things he told her in intimacy. Those were things he told his best friend and the person he fell in love with. Not the woman who hides behind her column and has done so much wrong to his family and loved ones. 
There is a separation between the two. For Colin, in that alleyway, there is still just Pen his best friend, Penelope the woman he loves and on the other side of that there is Lady Whistledown, the woman he vowed to destroy. He expresses that when he says “so then you do not need Lady Whistledown anymore”. What he fails to realise at this point, and he cannot be blamed for that, is that Lady Whistledown is an integral part of who Penelope Featherington is as a person. That her alter ego is not just a mask she wears but a crucial aspect of her identity, giving her a sense of power and agency in a world that often limits her as a woman. Something that Pen has slowly come to terms with when she says that she no longer needs to hide behind this alter ego but that does not mean there is no value in it, something that she also explains to him after the Queen has crashed their wedding breakfast. 
Now I say that he cannot be blamed for his refusal of recognizing that they are one and the same because he is still holding onto his misbelief, which is that to be loved and to have a value he must protect what he loves and be useful. Part of that is saving and avenging the people he loves from Whistledown. He has given his word to Eloise, to Marina indirectly, to himself and I’m thinking to Pen silently after what she’s written about herself. He finds himself, due to his misbelief, between a rock and a hard place: “the person he vowed to destroy is, in fact, the person he vowed to protect, and there is no separation between the two” (not me directly quoting myself lol). To this you add all the shame over his writing and his envy of her success and you have a recipe for disaster. 
So essentially, in that alleyway you have Pen who is already well along her character arc and Colin who is still gripping onto his original, unchanged self. This represents a power imbalance. What I love throughout this season, and I might write something about this one day, is that Pen and Colin are never quite on the same level both literally and figuratively. There is always one ahead of the other. This, in the long run, is another recipe for disaster because they are never quite equal. That is UNTIL that butterfly ball when they’ve gone through their character arc respectively. That is the moment they fully come together. They become a unit. They are no longer fighting against each other but with each other and for each other. 
But to arrive to this moment they need to do it separately. They need to be able to work on themselves before they can fully be able to work on their marriage. Genevieve says it well “there is no such thing as true love without first embracing your true self”. For Penelope that is becoming Penelope Bridgerton, an amalgam of the best parts of Whistledown and Penelope Featherington. For Colin that is deconstructing his hero complex and fully believing that he is enough just by being exactly who he is. And that has not happened in that alleyway. Truthfully the surface has barely been scraped in that scene because she essentially shuts down his demons for an instant by saying that she loves him. However, the issues remain. 
So yes, we can speculate all we want. If the Queen had not interrupted their wedding, they might have had a wedding night and they might have had a talk about everything afterward. However, the lack of acceptance of their true selves would have driven them up a wall at the next problem, which was how to handle Cressida.
And I think that is why Polin season is actually so beautiful. It is not just about Polin. It is about marriage and how hard it can get, and how you have to work on yourself to fit around the person you love without sacrificing yourself in the process. It is about choosing each other every day, through the ugly as well as the beautiful, through the hard parts as well as the easy ones. It’s choosing to have faith that you’ll work and figure it out without an assurance that it actually will, but if the love is there, then it just might. That is the story they chose to tell through Penelope and Colin.
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First gif made by my bestie @polinsated 💕
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