#i mean i guess it fits with the “lore” and how there is no ending

[h-didanart]

^w^

Let’s get to it shall we?

So, I have studied the drawing for a bit and ended up coming up with around six relevant things that are probably symbolism

First is the mirror- it is cracked though it mostly is intact, the cracks all originate from the same point in LBM’s reflection: their eye. Mirrors tend to be good for identity symbolism, showing a character’s reflection and all, so thinking about it like that and seeing the state this mirror is at we could come to the conclusion that it probably means LBM has identity issues. This will come back later

Next is the fact LBM is making a gesture of shooting herself, which kinda makes me concerned for his mental health tbh. I see this as potentially symbolizing LBM not liking themselves or at least holding some sort of grudge towards himself. Or maybe it’s meant to be like the past them is dead or something, idk

Next is the fact the mirror is cracked over the eye it never opens, which I’m starting to think is actually missing. Now, I don’t know how you differentiate your Bloodmoons but I have seen others and myself use the ‘two eyes-two twins’ method, so like one twin has one eye and the other the other, and if you do this as well then the implication here is that one of the twins is dead. Which I think is true actually because of the drawing you dropped when I asked you for lore the other day (which I saw but forgot to reblog :()

Next is something I’m not too confident on and am purely adding ‘cuz I think it’s funny. So the yellow stains yes? They seem to be magic of some sort, though their most notable feature is that they’re yellow, and according to the Bibble yellow is the color of betrayal. And deceit and illness in the negative side too I guess. Feel free to disregard this one :P

Next I want to turn to the background on the reflection. It’s all destroyed and there’s magic flying and stuff, which probably means LBM is in a really dilapidated place, or she lost her temper, or I’m overthinking, idk I’m not good at catching thematic symbolism

Next let’s look at the Lord’s expression. Vacant. Empty. I’d say maybe even melancholic. This just strengthens my conviction of one of the twins being dead y’know?

And finally, what I asked about before, the flowers. Red Anemone Flowers have a plethora of meanings, as is standard for a lot of flowers, and thanks to your answer from a bit ago I could narrow the potential meaning a bit. First the slightly more unlikely one, emotional attachment and fragility, two of the Anemone’s meanings in Japan, tied to what we saw before and the fact a mirror— aka a very fragile thing —is in the scene we could get a somewhat emotional view at LBM’s state, seemingly missing someone who they cared for deeply. Then we have one I’m almost 100% certain you intended for, death and loss of a loved one, it just fits so well with everything else, LBM, the bloody god, thinking back on his past and mourning the (potential) loss of their twin, holding resentment towards themselves for it and the environment showing that. And lastly the thing you 100% intended for, the blood of Christ, I mean, I mean, c’mon almost all the art you’ve made for this guy has heavy religious tones, why wouldn’t you use the flower that represents The Christ’s death?

So, putting this all together, I think I can string together the lore that’s being implied here:

Lord Bloodmoon’s twin is dead, they might’ve died on their own terms or the Lord might’ve been involved someway, who knows, what matters is they are dead. And Lord BM, not being very fond of emotions but anger, doesn’t tend to show how much it affects him, mostly turning all the emotions into itself, maybe even having the feelings grow into self loathing stemming from guilt? It affects her, badly.

So yeah that’s my reading

I Am so sorry if I got it all wrong :(

Tbh I’m not very good at symbolism; foreshadowing and implications of the past and characterization are a lot more fun to play with for me personally, and I kinda sucked a lot at catching symbolism in school assignments, so if I got everything terribly wrong I apologize

Requests?!

Lord Bloodmoon Lore

Or uh, Lord Bloodmoon as a stained glass window? Anything Lord Bloodmoon

Or canon BM in a field of flowers I guess

Or your main in Dandy’s World?

pew pew

1/4

plus these goobers

i main Rodger and Finn (Rodger for public runs and Finn for solo ones)

i like extracting a lot, so i like Rodger a lot! in the future id probably end up being a Vee player tbh,,

Finn is just fun because hes fast LOL. dont think i could play as him in a multiplayer lobby because i tend to get a bit.... reckless with him pfft

2/4

[doodlesdreaming]

...huh? ....HUH????

HUUUUUUUUHHHHHH!!!!????

[possiblyfunny]

I forgot how to make posts, but don’t worry guys, I’m still alive-

Ghostly Assistance

Heyyy! I finally drew Leaf! (Plus a slight Aster redesign-) This took way too long, and I apologize for the delay and the overall messiness. She had been sitting in my drawing program as a sketch for two months 😅 but with the Flashbacks up starting in Missing Numbers, I finally got the will to finish it!

Leaf Aoyama belongs to @creatively-cosmic. They have a blog called @themissingnumbers, which you should check out, like—right now.

[Sketch + Extras below the cut!]

Here’s the cover of the book, if you wanted that- (I know it’s crap but I’m tired)

[And for those who are curious, some notes about the art:

-The book is Aster’s. He’s read the book cover to cover well over 25 times. It’s his favorite book on flowers, but he’s more than happy to lend it to someone who wants to learn about flora.

-The content of the art (because there was intended to be a background that got scrapped-) is that Aster was showing Leaf around his secret garden deep in the woods, guiding her so that she wouldn’t get lost and showing her the different flowers and such. (That’s why she has the book-)

-You know how in some video games, you can press a button and whatever special companion you have will show up to give you a hint? (Ex: Navi, Fi, Rotom, Olivia, etc) That’s what Aster is doing right now. Whenever Leaf had a question—he had the answers.

-And if you’re wondering—Yes. Aster did make her a flower crown afterwards. And Yes, he thinks she looks very beautiful with flowers in her hair.]

[peapod20001]

I actually do have very complex thoughts about many different things, it’s just a bit challenging to connect the inner voice to the outer voice sometimes </3

[fatecantstopme]

She's My Siren

Pairing: Dean Winchester x plus size!reader

Summary: The boys are working a case where several men have brutally murdered their wives for no apparent reason. Turns out they were influenced by a siren. The siren sees Dean and appears to him as someone he knows.

Warnings: canon violence, cursing, use of pet names. SMUT, oral (M and F receiving), unprotected sex (P in V), face sitting. Fluffy fluff fluff.

"So what do you think this is? Just a bunch of dudes ganking their wives?"

"I mean, that's what's happening," Sam replied with a shrug. "but I think something is making them do it."

"Well they're not possessed, so what's doing it?" Dean asked.

"I have no idea. Maybe we should call Bobby and (Y/N)."

Dean groaned. "She's gonna laugh at us for not figuring it out."

Sam smiled. "Probably, but we do need their help."

"Fine," Dean grumbled.

Sam pulled out his phone and dialed a very familiar number.

"Hey Sam. Having some trouble?" Bobby answered on the second ring.

"We can't figure out what's causing these guys to kill their wives."

"Tell me what you've got so far," (Y/N)'s voice said from the other end of the phone.

Sam put the phone on speaker so Dean could talk. "All we've got is four guys who murdered their wives for basically no reason. No possession, no shapeshifters, nada."

"All the husbands knew exactly what they were doing...and they all regret it," Sam added.

"Anything else?" Bobby asked.

"All of them met their 'perfect' woman not long before killing their wives," Dean answered.

"Define 'perfect'," (Y/N) said.

"They all said 'she was perfect in every way. Exactly what I wanted'," Sam responded.

The boys couldn't see the look Bobby and (Y/N) exchanged, but they did hear her soft chuckle. "And you boys couldn't think of anything that could fit that description?"

Dean gave Sam an 'I told you so' look. "I'm guessing you have something in mind?" he said aloud.

"I do indeed," she answered. "Ever hear of a Siren?"

"A Siren?" Dean asked. "Like Greek Mythology?"

Sam gave Dean a surprised look.

"I can read, you know," Dean mumbled.

"Yes, like Greek Mythology," (Y/N) said with a small smile. "What do you remember from the stories?"

"Uhh...they're super hot women who lured sailors to their deaths?" Dean said.

(Y/N) rolled her eyes and Bobby chuckled. "Sort of," Bobby replied. "They're actually quite hideous, but they can read minds. They appear to the guy as their ideal perfect woman, put some mojo on them, and make them kill."

"What kind of mojo?" Dean asked.

"Don't really know," Bobby answered. "Siren songs aren't really songs...more like a spell that falls on the person."

"Okay, so how do we find her?" Sam asked.

"Honestly, boys, my money is on her finding you," (Y/N) said.

"Great," Dean mumbled. "So...how do we kill a Siren?"

"We're...uh--gonna have to get back to you on that one," Bobby said.

"Just keep your eyes peeled and don't do anything stupid," (Y/N) said. "We'll get back to you as soon as we find something."

"Thanks guys," Sam said before hanging up.

"Sooo a Siren, huh?"

"Looks like it."

"Who do you think she's gonna look like?"

Sam rolled his eyes. "Probably one of those chicks from 'Busty Asian Beauties' you're obsessed with."

Dean's eyes lit up. "Hell yes. Let's go find us a Siren."

**********

(Y/N) and Bobby had been digging through lore books for hours before they managed to find something potentially useful.

"I love a good 3,000 year old text," (Y/N) mumbled in annoyance.

"I'm not even sure what it means," Bobby responded.

"You're supposed to be the expert, Singer," she teased.

He chuckled. "Let me see it again."

He took the book from her and read the passage again...and again...and one more time for effect. "I think I've got it."

Bobby explained his reasoning to her and she agreed. She placed a call to Sam, but he didn't answer. When she called Dean, he picked up almost immediately.

"You got something for me, sweetheart?"

An almost imperceptible shudder ran through her body at the pet name. She was used to him calling her that and other similar names, but it never ceased to have an effect on her. She knew he called all the girls 'sweetheart', so she knew it didn't mean anything...not that she wanted it to...right?

"Bobby and I think we figured out how to kill her."

"Lay it on me."

She cleared her throat. "Uh, you'll need a stake, dipped in the blood of someone actively under her spell...then just stab her."

"Okay, sounds easy enough. We'll just get some blood from one of the poor saps sitting in a jail cell."

"Not quite, Dean," Bobby cut in. "The guy has to be actively under her spell...none of those guys are anymore."

"Damn. Okay, so how do we get it?"

"I have a terrible plan, but it should work," (Y/N) said.

"I'm always down for a terrible plan," Dean responded.

"Find the Siren, one of you gets dosed, the other uses his blood to gank her."

"You want us to get dosed?" Dean asked in surprise.

"Obviously not, but it's a surefire way to get the job done. As long as only one of you gets dosed."

"What happens if we both get it?"

"You'll probably try to kill each other," Bobby answered.

"Great. That's just great," Dean grumbled.

"If you've got a better plan, go for it," (Y/N) said with a shrug.

"We'll make it work. I'll call you when we're finished." Dean hung up without another word.

(Y/N) and Bobby exchanged another glance.

"Carvistly is what, three hours from here?" she asked.

Bobby nodded. "We should probably head that way."

"Agreed."

**********

"Any luck tracking down the Siren?" Dean asked when Sam walked into the motel room.

"Nope. Any word from Bobby or (Y/N)?"

"Got a way to kill her and a...rather terrible plan."

Dean explained (Y/N)'s plan, as well as how to kill the Siren.

"You're right, that's a terrible plan," Sam said when Dean finished.

"Yeah, but it's all we've got."

"Fine...but how do we find her? I mean, I've talked to all the vics and they all described a different chick. We have no idea what she's gonna look like."

"That's true. Guess we'll just have to hang out at the bar and hope she comes to us."

"We're lucky there's only one bar in town," Sam commented.

"Dude, for real."

The two hunters made their way to the bar and got themselves a high top table towards the back of the room, giving them a good vantage point of the rest of the bar.

"Do we even know how she's picking her targets?" Dean asked.

"Well, all of the guys have been married so far, but I'm sure she'll go for just about any guy desperate enough," Sam answered with a pointed look.

"What's the look for? You saying I'm desperate?"

Sam shrugged.

"I'm not desperate."

"Right...when was the last time you got laid?"

Dean scoffed. "All the time, man."

Sam raised his eyebrows and Dean groaned.

"Okay, fine, so it's been a while. That doesn't make me desperate."

"Whatever you say, Dean."

Dean grumbled as he took a swig of his beer. He was not desperate. Absolutely not. Dean Winchester was never desperate. Maybe he just hadn't been horny lately...a man doesn't need to get laid every day. It had absolutely nothing to do with a certain hunter he couldn't get off his mind. Definitely not.

Sam was scanning the bar, looking for anyone who seemed out of place...but no one was catching his eye. He felt a little bad for teasing his brother, but he just wanted Dean to admit the truth.

"I'm gonna hit the head," Dean mumbled.

He watched Dean walk to the bathroom, several pairs of eyes on him the entire time. Most were women, but none of them stood out as concerning. Just the typical hot bimbos Dean always seemed to take home.

Sam's mind began to wander a bit while he waited for his brother to return. He had a lot on his mind and working this job was, unfortunately, not his priority.

Dean made his way back from the bathroom, jarring Sam out of his trance. "I'm gonna get another beer. Want anything?"

"No thanks, I'm good," Sam replied.

Dean walked off towards the bar and Sam's eyes followed him out of habit. Dean was halfway to the bar when a woman approached him. Sam's jaw nearly hit the floor when he saw her. Had Dean not told him (Y/N) had called from Bobby's two hours ago, he would have been certain she was here in the bar.

He watched the woman walk up to Dean and touch his arm, and he was out of his seat and heading their direction in an instant.

"Hey there, handsome," a woman said from beside him, her hand touching his arm.

When Dean turned to face her, shock lit up his handsome face. He knew it wasn't her, but the resemblance was so uncanny, he almost believed it for a moment.

Realizing the woman before him was the Siren, he quickly regained his cool. "Well hello to you too," he said with a smirk.

"How 'bout you buy me a drink?" she said lightly.

Her voice is wrong, he thought to himself. "I'd love to," he said aloud.

He followed her towards the bar, turning to see Sammy following close behind. The expression on Sam's face told him that his little brother knew what was happening.

Dean held back a little, allowing Sam to catch up to him.

"Dude, she--" Sam began.

Dean glared at him. “Not of word of this to (Y/N), Sammy. Not a word.”

Feeling a little more comfortable knowing his backup was there, Dean continued to follow the Siren. When they reached the bar, he ordered a beer and she ordered some fruity cocktail.

"So what's your name, beautiful?" Dean asked.

"Kimberly."

"Hi, Kimberly. I'm Dean." I guess she doesn't know everything...

"It's nice to meet you, Dean."

The bartender handed them their drinks and Dean followed her to a solitary booth in the far corner of the bar. Dean noticed Sam taking a seat not too far away.

The Siren leaned in close and began chatting with Dean, laying on the flirtation very thick. Despite the fact she was literally wearing the face of the one woman Dean really loved, he found it very hard to reciprocate.

Thankfully, the Siren didn't seem to notice. In all honesty, Dean's bad flirting was better than most of the population's good flirting.

A half hour and another round of drinks later, Dean found himself mere inches from the Siren. Her scent was intoxicating, and he wondered for a moment if that was the 'mojo'...except he didn't feel any different. He knew it had to be something else.

"Your lips look so soft," the Siren muttered as she reached up a hand to touch them.

"They are," Dean murmured as he leaned in closer. "Wanna find out?"

She smiled and for a moment--just a moment--Dean forgot that it wasn't her. His eyes fluttered closed and he pressed his lips to hers in a gentle kiss. He was instantly intoxicated by her...he wanted her so badly he could hardly breathe.

Somewhere in the back of his mind, a small voice screamed at him, reminding him she was a Siren, but the feeling of desire--of mindless devotion--quickly overcame the voice.

After what felt like an eternity, she broke the kiss. Dean was breathless, but he knew he would have happily suffocated to death kissing her.

"Why don't you take me back to your place?" she asked, voice suddenly sultrier than he remembered it being before.

He wanted nothing more than to take her to his bed, so he agreed without hesitation. Dean took her by the hand and guided her outside, helping her into the Impala, and taking off without a second thought.

Sam came running out of the bar, just in time to see Dean speeding away with the Siren in his passenger seat. "Shit..."

When Dean arrived back at the motel, he escorted "Kimberly" into his room. "Sorry for the mess," he said quickly as he knocked a few books off his bed.

"Don't worry," she said as she came up to him and ran her hands up his chest. "I don't mind a little mess."

Dean looked down at her and let out a soft groan. "God, you are so beautiful," he whispered.

She smiled knowingly. She had been more than a little surprised when she read his mind at the bar...it was rare to meet a man who's ideal girl wasn't a tall, thin, bombshell, especially a man who looked like him. But she knew what he wanted and she was more than happy to give it to him...until she got what she wanted.

Dean kissed her passionately and pulled her down onto the bed with him. He began to slowly peel off her clothes and she tugged at his shirt. He broke the kiss just long enough to pull his shirt off over his head.

Suddenly, someone knocked on their door.

Dean groaned. "Ignore it."

She was happy to do so and continued to kiss him.

"Dean!" Sam yelled from the other side of the door.

Dean pulled away for a moment. "Kinda busy here Sammy," he called.

"Open the damn door, Dean! She's not who you think!"

"Don't listen to him," the Siren said. "He wants me all to himself."

Dean's eyes darkened. "But you're mine."

"That's right, sweetie. All yours," she purred. "And I can be yours forever if you just get rid of him."

"Get rid of him?"

"You have to kill him, Dean, or he'll take me away from you."

"That's never gonna happen, baby." Dean stood up and crossed the room.

The moment he opened the door, Sam punched him in the face, sending him spiraling back into the room. The Siren watched with a smile as the two men fought each other.

"Dean, you gotta snap out of it!" Sam yelled.

"You can't have her. I won't let you."

"What are you talking about?"

"Kimberly's mine, Sammy," Dean insisted as he swung at his brother.

Sam ducked out of the way and slipped behind him. Dean swung his foot around and managed to knock Sam to the floor.

The Siren stood off to the side, egging Dean on. "Kill him for me, Dean. We can be together if you just kill him."

Dean was on top of Sam, punching him repeatedly. Sam reached into his jacket and managed to grab ahold of the stake. He jabbed Dean in the arm and kneed him in the groin with a mumbled apology.

Dean groaned loudly and Sam pushed him off and onto the floor. When he stood up, the Siren noticed the stake in his hand, but it was too late. Sam was blocking her exit. She turned to run towards the window, but Sam was faster. He stabbed the stake into her back and she fell to the ground with a scream and a thud.

Sam turned back to his brother, who was now kneeling on the floor. "You okay, Dean?"

Dean looked up at him with a glare. "Did you really have to go for the goods, man?"

Sam chuckled lightly. "Sorry about that, but you were being a dick."

"I was hopped up on Siren juice, dude!"

"Well lookie here, guess they don't need our help after all," Bobby said from the open doorway.

(Y/N) came up beside him with a smirk. "Nice work you two. We thought you might need some backup, but looks like we were wrong."

"We can help with the body dump at least," Bobby said.

Bobby and (Y/N) stepped into the room and Dean yelled "no!" in an oddly high pitched voice. (Y/N) did her best not to look in Dean's direction, despite his outburst...his shirtless form made her stomach do somersaults.

"Jesus, Sam, how hard did you hit him?" Bobby asked.

Dean scrambled to get to his feet, but he wasn't fast enough to stop (Y/N) from seeing the Siren. Sam had reached for her, but he saw the look on her face and knew it was too late.

"I don't think that's his problem..." (Y/N) said softly, pointing to the body of the Siren.

Bobby came up beside her and cursed under his breath. He and Sam made eye contact and slowly started to back out of the room.

"Does anyone want to tell me why the Siren looks like my twin?" (Y/N) asked, stopping everyone in their tracks. She turned to fix all three men with a hard stare.

"We're just gonna...umm--go, uh anywhere else," Bobby said. He grabbed Sam's arm and dragged him from the room, closing the door behind them.

(Y/N) fixed her intense gaze on Dean. "Well?"

"I--um, well--you see, I...um." He couldn't quite meet her eyes.

(Y/N)'s expression softened. She could see his discomfort matched her own. "Sit," she said gently, gesturing to the bed nearest the door. "And maybe put on a shirt."

Dean sat down, tugging his shirt back over his head. She sat across from him, finally able to look at him without feeling incredibly awkward.

"It just sorta...happened," Dean mumbled.

"You sure about that?"

"Yeah--you musta been on my mind when she read it, ya know? So she made herself look like you." He didn't want to tell her the truth...all this time he'd spent pretending he didn't feel this way was going to be thrown out the window in an instant.

"That's not how it works, Dean," she said softly. "Sirens can see your innermost desire...the woman of your dreams."

Dean let out a little groan and bit his lip. He exhaled heavily and finally lifted his head to meet her eyes. "Guess there's no point in lying then."

She shook her head. "Not really."

Dean's heart was hammering in his chest. It was so loud that he was surprised (Y/N) couldn't hear it. She looked beautiful, sitting there with a confused and concerned expression on her face. For the first time in the years he'd known her, he was struggling to push his feelings back down. Now that the box had been opened, he couldn't put them back.

"She didn't get your voice right," he said softly.

"What?"

"Your voice...it wasn't right. It was missing the softness...the--" he struggled to find the right word, "--the melody."

"You think my voice is melodious?" she asked in surprise.

"I think it's the most beautiful sound in the world."

She laughed, thinking he had to be joking. When his expression didn't change, her laughter came to an abrupt stop. "Oh, you're serious..."

"I changed my mind. Your voice is the second most beautiful sound in the world."

She swallowed thickly. "What's the first?"

Dean smirked as he crossed the short space between them and sat on the bed directly beside her. "Your laugh," he whispered.

Her breath caught in her chest as she looked at him. His expression was something she'd never seen on his face before, but it sure looked a hell of a lot like lust.

"Dean..."

"Yeah, sweetheart?"

"What are you doing?"

"I'm clumsily telling you how I feel about you," he answered honestly.

"That you like my laugh and my voice?"

He sighed. "I like them because they're yours."

She wanted to believe it, but she couldn't wrap her brain around the idea that Dean Winchester liked her. It wasn't even remotely possible, so he clearly had to still be under the Siren's spell. There had to be some alternate explanation for why the Siren took on her appearance.

"I guess the Siren's mojo really screwed with your head."

Dean shook his head. "It didn't mess with my head, (Y/N/N). It just made me face something I've felt for a long time."

Her breathing sped up as she stared into his eyes. "And what is it you feel?"

"Affection," he answered. "Adoration...devotion, desire, longing." He reached out and tucked a strand of hair behind her ear, fingertips lingering on her cheek. "Love," he finished softly.

She inhaled sharply, disbelief evident on her face. "You love me?"

"With everything I have."

"Why?"

Surprise lit up his face and he dropped his hand. "Why? What do you mean, why?"

"I mean, why would you love me of all people?"

"I don't really know how to answer that...I just--I just do."

She shook her head and stood up. She began to pace and the words tumbled from her mouth before she could think about what she was saying. "There is absolutely no way that you, Dean Winchester, love me. I mean, look at you! You're literally perfection in human form. Every woman on planet earth with a set of working eyeballs wants you. You could have your pick of any fish in the sea! I've seen the women you go home with, Dean, and they sure as hell don't look like me. I'm not what any man would use to define the 'ideal woman'...I'm short, I'm certainly not thin--I've got hips and thighs and a big ass, not to mention large boobs and a soft stomach. There is nothing special about me. Someone like you isn't meant to be with someone like me."

Dean stood up and grabbed her, pulling her to a stop directly in front of him. "Are you done now?"

She was slightly breathless as she nodded.

"Okay, good. Now listen--I'm not perfect. Not even close. I'm aware that I'm attractive, but inside? Shit, (Y/N), I'm damaged goods. Beyond damaged. Why do you think I only bring home chicks that look like that? Baby, they're easy to entice home and there's zero strings attached. I've kept my feelings buried for so long, it just became easier to pretend they didn't exist. It kept you safe...I didn't want to expose you to the darkness that lives inside me. You deserve so much better than me, (Y/N)."

She stood there in stunned silence--unable to grasp a single word to say.

"And another thing--you're my ideal woman. I don't give a damn what society's beauty standards are. For the record, I love your thick thighs and that gorgeous ass of yours. I love your boobs, and your hips, and your stomach--baby, I love all of you. You're perfect. So don't you dare tell me you're not meant to be with someone like me...because in reality, I'm the one who doesn't deserve you."

"Dean," she whispered.

His eyes fluttered closed for a moment as he tried to stamp out the terror that she was about to rip his heart out. He opened his eyes again and saw the whirlwind of emotions in her eyes. "Yes?" he asked tentatively.

"Please kiss me," she murmured.

He didn't need to be told twice. His lips crashed against hers in a searing kiss. He moaned softly, licking against her lips, silently begging to be let in.

She parted her lips, allowing his tongue entry. She sighed as he tightened his grip on her, pulling her flush against his chest.

Dean deepened the kiss, large hands roaming her soft body until they landed on her round ass. He gave it a light squeeze and she responded with a little moan.

Dean broke the kiss to begin trailing down her jaw to her neck. His lips felt like heaven against her skin and she clung to him, head tossed back in pleasure.

He nipped at her pulse point and she moaned softly, eliciting a growl from deep in his chest. He pulled away from her, slightly breathless, and leaned his forehead against hers. "I take it back," he whispered.

"What?"

"I've got a new favorite sound."

She cocked her head to the side in confusion.

He grinned devilishly. "Those pretty little moans you make? Those are my new favorite."

Her eyes widened slightly, but a small smile played at her lips. "I bet if you try hard enough, you can hear a few more."

He chuckled. "Oh, baby, you ain't seen nothing yet."

"Uhhh guys?" Sam suddenly said from the doorway.

They both turned their heads to face him, embarrassment reddening her cheeks.

"Little busy here, Sammy," Dean grumbled.

"I can see that, but umm...dead monster body," he said as he pointed at the Siren's body.

"Gross," Dean mumbled. "I forgot about that."

(Y/N) chuckled lightly. "We should probably take care of that."

He nodded. "We'll pick up where we left off later." He shot her a wink and gave her another kiss before peeling himself off of her.

**********

An hour later, the body had been properly disposed of and everyone was ready to head home.

"You boys wanna come back to my place and rest for a few days?" Bobby asked.

Dean looked over at (Y/N) before turning his attention back to the older man. "Yeah, Bobby, I think we could use the rest." He glanced back over at (Y/N) just in time to see the soft smile on her lips.

Bobby nodded. "Sam, why don't you ride with me?"

Sam looked confused for a moment, but realization quickly lit up his face. "Oh, yeah--right. Sure. I'll uh, see you guys later, then."

"Mhm," Dean hummed, clearly not really listening anymore.

Bobby and Sam got into Bobby's car and drove off, leaving Dean and (Y/N) alone.

"So, uh...whatcha say we stop at the nearest motel on the way?" Dean asked with a sheepish grin.

She smiled. "I think I could be persuaded."

He grinned fully, reaching out to grab ahold of her and pull her into him. She wrapped her arms around his neck and he leaned down to kiss her.

Every fiber of his being was screaming at him to take her right then and there, but he wanted better for her. Her kiss lit a fire inside of him that burned more brightly than he had ever felt before. He wanted her with a kind of desperation he had never known was possible.

"Why don't we skip the motel," she whispered against his lips.

"Huh?"

She glanced at the Impala. "The backseat is pretty spacious."

He chuckled. "It's plenty big enough, but I don't want our first time together to be in the back of a car. I wanna make love to you properly--on a bed."

She smiled, practically melting against him. "Then you better drive fast, because I don't know how long I can wait."

His eyes widened. "Yes ma'am."

She laughed lightly as he opened up the car door for her and she slid into the passenger seat. Dean ran to the other side of the car and jammed the key into the ignition. The car roared to life and he sped off toward the highway.

**********

"Oh thank God," Dean mumbled about 20 minutes into the drive. "There's a motel 10 miles up."

(Y/N) laughed warmly. "Step on it, handsome."

He grinned and laid his foot down a little harder on the accelerator. Less than 5 minutes later, Dean was pulling into the motel parking lot.

"I'll go get us a room. Should be quick," he said as he hopped out of the car.

A few minutes later, Dean returned with a room key in hand. He opened the car door and held out his hand for her to take.

"Come on, gorgeous. We've got important things to do," he said with a smile.

"Lead the way."

Dean had to consciously force himself to walk at a reasonable pace to the room. (Y/N)'s legs were a lot shorter than his and if he'd walked as fast as he wanted to, he would've been dragging her along.

As soon as they were in the room, Dean shut and locked the door.

(Y/N) glanced around. "Looks clean enou--"

Dean silenced the rest of her sentence with a well-timed heated kiss. He'd whipped her around and pressed her up against the door, hands gripping her hips as he kissed her passionately.

She gripped the edges of his shirt and tugged upwards, silently asking him to remove it. He pulled back, yanking the shirt off his head, before attaching his lips back to hers.

He slid his hands under her shirt and her body tensed up on instinct. She'd always hated people touching her stomach, but she did her best to push away her discomfort.

Despite her best efforts, Dean could feel her unease. "Baby, look at me," he whispered.

Her eyes met his and she visibly relaxed.

"I've got you, okay? I love you, I love your body, and I wanna touch and see every inch of it...but if you're not ready, I can wait."

Her heart skipped a beat at the sound of his sweet words. Normally, she would have taken him up on his offer, but not now. She wanted this...wanted him...and that meant giving in completely.

She pushed him back ever so slightly, giving her enough space to unbutton her shirt and slip it off. It fell to the ground, leaving her upper half in just a bra.

She was self-conscious for no more than a moment. Dean's hungry eyes traced their way down her torso and back up, desire evident in his gaze.

He pressed his body up against hers again, a soft moan escaping his lips. "So fucking perfect," he whispered.

He slid his hands up her back and deftly unhooked her bra. She let him pull it off and toss it somewhere behind him. He groaned as he palmed each of her breasts in his large hands. He began to kneed them gently, pinching her nipples as she gasped.

Suddenly, his hands left her breasts and traveled to her thighs. "Jump," he whispered.

"Excuse me?"

He gripped her thighs tightly. "Jump, baby. I've got you."

She looked at him like he was crazy, but she trusted him completely. She jumped up and Dean caught her with ease, tugging her legs around his waist. She locked her heels behind him and he pressed her back against the door.

Her breasts were now at the perfect height for his mouth to feast on...and feast on them he did. He sucked and nipped, his light stubble scratching against her skin deliciously.

His arms wrapped around her back and he lifted his head to look at her. "Keep those legs tight, okay?"

As soon as she nodded, he pulled away from the door and carried her to the bed. He laid her down gently, but instead of crawling on top of her, he stood at the end of the bed.

She sat up slightly. "Dean?"

He licked his lips and looked back up at her face. "Hmm?"

She crooked her finger, gesturing him to come to her.

Instead of climbing onto the bed, he leaned down and placed a kiss to her belly, just above her pants. "These should go," he murmured.

He made quick work of removing her jeans, his calloused hands gliding back up her legs to the hem of her underwear.

"I don't think you need these either." He tugged them off and threw them onto the ground.

She laid before him, completely bare, and she didn't feel self-conscious at all. She couldn't--not with the way he was looking at her.

His breathing was slightly labored as he stared at her. He palmed his painfully hard cock through his jeans, a strangled moan escaping his lips.

She sat up and licked her lips. "I can help you with that."

His eyes widened, pupils dilated to the point of obscuring his green irises. "Oh yeah?"

She nodded and slid off the end of the bed, dropping to her knees before him. She looked up at him and slowly began to undo his belt.

"Holy fuck..." he murmured. He couldn't take his eyes off of her as she undid the button on his jeans and slowly began to pull them down.

He helped her take them off completely before she hooked her fingers in the waistband of his boxer briefs. "These are in my way," she said huskily.

He yanked his underwear off with such speed, if she'd blinked she would have missed it. What she couldn't miss, however, was his surprisingly large member mere inches from her face.

Dean noticed her wide eyes and he grinned. "Like what you see, baby?"

Her lust-filled eyes flicked up to his. "I like every inch of you."

He wasn't sure if she was talking about his body or his cock, but he didn't have time to think about it. She gripped him tightly and slid her mouth onto his cock, eliciting a loud moan from him.

She kept her eyes fixed on his face as she began to move her head and her hands in an expert rhythm. He could barely breathe as he stared down at her...pretty mouth stuffed full of his cock and her big (y/e/c) eyes looking up at him.

He slid his fingers into her hair, pulling it back from her face so he could see it better. The blunt tips of his nails raked against her scalp as he tightened his grip, a moan of ecstasy escaping his lips.

"Fuck, baby...feels so good."

She moaned around his cock, the vibration sending a shock of pleasure through him. His hips jilted forward slightly, causing her to gag a little. He instantly pulled back, not wanting to hurt her.

In response, she grabbed onto his upper thighs with both hands and tugged his hips forward, relaxing her throat as she did to take him even farther into her.

Her watery eyes met his in a silent plea. Dean was pretty sure he knew what she wanted, so he tentatively pulled back and thrust his hips forward gently.

Her eyes seemed to light up and she moaned loudly, giving him the confirmation he needed. He gripped her head with both of his hands and he began to fuck her pretty face.

(Y/N) tightened her grip on his thighs and desperately tried to keep her eyes open and on his face. She wanted to see him come undone more than anything. At this moment, she was just along for the ride.

Dean's grip on her hair tightened to an almost painful level, but she didn't complain. The moans and whispered pleas coming from his mouth were reward enough.

"Baby, I'm so close..." he groaned.

She released a deep moan and his eyes flicked down to meet hers. The moment his gaze found hers, he came with a moan of her name. (Y/N) didn't let go of his cock until she'd swallowed every last drop of his spend before finally releasing him.

He nearly collapsed on the bed, but through the fog in his brain, he remembered (Y/N) would have needs of her own.

"Come here, baby," he said softly as he reached for her. "Lie on the bed."

She stood up with his help and laid down on the bed, feet hanging over the edge. When Dean didn't move to join her, she began to shift uncomfortably.

"You're too far away," he insisted.

She immediately started to move closer to him, but he shook his head, grabbed her hips, and tugged her to the edge of the bed where he wanted her.

She gasped in surprise. "Dean!"

He grinned as he dropped to his knees. "What? I wanna taste you."

She looked a little shy. "You don't have to."

He looked at her in confusion. "I know I don't have to...I want to."

"Oh..."

"Baby, if you taste half as delicious as you look, then I'm going to be the happiest man in the world."

"Oh," she whispered in a slightly more surprised tone.

Dean grabbed her legs and threw one over each shoulder before diving into her pussy like a starving man at a feast.

"Oh!" What started out as a pleasantly surprised sound quickly turned to moans of enjoyment.

She'd known he would be good...after all, he had a lot of practice, but she hadn't expected to feel like this. Dean's mouth had been on her pussy for less than 30 seconds and she was already a gasping mess.

Her hand fisted his hair, tugging on it slightly, legs desperately searching for something to hold onto.

Dean was an incredibly fast learner. He paid attention to what made her moan, what made her grip his hair harder, what made her squirm...he was determined to be the absolute best she'd ever had.

"Dean," she gasped. "You--it--shit...feels so good."

He grinned against her pussy before wrapping his lips around her clit and sucking intently. His tongue began to swirl around her clit, spelling out her name in fast-moving cursive.

"Oh god!"

Her legs began to tighten around his head and he had a vague thought about wanting to be smothered by her thighs...but the thought was pushed aside when she cried out, cumming all over his mouth and chin.

He hungrily lapped up as much as he could before she yanked on his hair and desperately tried to squirm away. "Sensitive, Dean!"

He finally allowed her to pull his head up and he stared at her pretty face as he licked his lips. "Infinitely better than I'd imagined," he murmured.

"Huh?" she asked, clearly still dazed from her orgasm.

He smiled as he crawled on top of her, placing a kiss to her lips. "You taste like heaven," he whispered.

She blushed, but she wrapped her arms around his neck and pulled him down to her for another kiss.

He'd found himself growing hard again while he was eating her out, and as he deepened the kiss, his cock brushed against her pussy, eliciting a sharp gasp from her.

He smiled against her lips. "(Y/N)?"

"Hmm?"

"If I told you I wanted to do something really really badly, would you be willing to do it for me?"

She cocked her head to the side as she regarded him. "That would depend on what it is."

"Fair enough."

Suddenly, he flipped onto his back, taking her with him. She gasped as she found herself looking down at him from above. "You could have just asked," she said with a chuckle.

"Oh that?" He smirked darkly. "That's not what I want..."

Her breathing began to pick up pace again. "Then what do you want?"

He grinned wolfishly. "I wanna taste that sweet pussy again."

Her eyes widened. No one had ever eaten her out twice during sex. "But you just did..."

He nodded. His eyes softened as he looked at her, his fingers gently rubbing circles into her thighs. "Please baby? I would do anything."

She bit her lip. She couldn't deny, the idea of him wanting to eat her out again was an incredible turn-on...but she was still sensitive from a few minutes prior.

"Please," he begged again, green eyes widening.

She sighed, realizing there was no way she could say no to him when he was looking at her like that. "Alright."

He grinned. "That's my good girl. Now come up here."

Her pussy clenched around nothing at the praise, but then confusion settled on her face. "Come up...where?"

"Here," he said, patting his mouth. "I want you to sit on my face."

Her eyes widened in shock. "What? No! Absolutely not. No way." She tried to scramble off of him, but his strong arms held her in place.

"Why not?" he pouted.

"Umm because I could seriously hurt you! Or I don't know, smother you to death!"

He laughed lightly. "I would die a very happy man."

"I'm serious, Dean! I'm not light!"

The smile disappeared from his face as he took in the shock and disbelief on hers. He sat up and ran his hand along her cheek. "Hey, baby, look at me."

Her eyes slowly shifted to meet his.

"(Y/N), I want this. Badly. Now, I would never force you to do something you didn't want to do, but I don't want you to say no out of some misguided desire to protect me. I'm more than capable of picking you up and tossing you around, so I promise you're not going to smother me or hurt me. I wanna feel those sexy thighs of yours wrapped around my head as I devour that sweet pussy."

His eyes darkened as he spoke and it lit something inside of her. She was scared of hurting him, but she could see how much he wanted this. "I'll--I'll try," she whispered.

He smiled. "That's my girl." He laid back down on the bed. "Now come here and have a seat, gorgeous."

She blushed, but did as he told her--mostly.

"Babe, I said sit."

"I am sitting," she protested.

"No, you're not." He grabbed her hips and tugged her down so she was directly against his lips. "Fuck yes," he mumbled into her before getting to work.

(Y/N) gasped loudly. This new position changed the angle of his tongue inside of her and his nose bumped against her clit every time he moved.

Within seconds, she was a moaning mess above him, hands grasping onto the headboard for stability. Her hips started to move of their own volition and Dean gripped her hips to help facilitate the movement.

She didn't know she could feel this incredible...her body was shaking with a pleasure she'd never felt before--every nerve ending alive with need.

"Dean, I can't--I need--please."

He tightened his hold on her hips and focused his tongue on her clit as she rode his face. Seconds later, she yelled his name as she orgasmed, drenching his face in her slick.

God help him, but he didn't want to stop. He'd never been happier. The sounds she made, her taste, the need to pleasure her...all of it made him want to never stop.

Unfortunately for him, (Y/N) managed to scramble away with cries of sensitivity. She collapsed on the bed beside him, trying to catch her breath. Her legs shook with the aftershocks of her orgasm as she came down from her high.

Dean wiped his mouth and turned to look at her, a wide grin gracing his handsome face. "Thoughts?"

"You can...do that...again...anytime you want," she said between breaths.

He chuckled. "Oh, baby, don't tempt me." He rolled on top of her and gave her a soft kiss to her lips. He slowly kissed along her jaw and down to her neck, sucking on her pulse point.

She had no idea how he knew that would drive her crazy, but she was glad he did. Despite her exhaustion, she wanted him...wanted to feel him so badly she could hardly breathe. "Dean..." she whispered.

"Yeah, sweetheart?"

"I want you."

He raised his eyebrows. "Where?"

She fidgeted a little before murmuring, "Inside me."

He pressed his index finger against her lips. "Here?"

She shook her head.

"Then where, baby?"

She took his hand and guided it between her legs, placing it against her dripping pussy. "Here."

His eyes seem to sparkle as he looked down at her. He wanted to hear her demand what she wanted, but this was close enough for now.

"Anything for you, baby."

He sat up and gripped his cock, giving it a few strokes before lining himself up with her core. His eyes flicked up to hers and he asked softly, "You ready?"

She nodded.

"Words, baby."

"I'm ready, Dean, please."

He pushed into her slowly, eliciting a sharp moan from her lips. The stretch was deliciously painful, but she was desperate for him to keep going. She whined softly when he stopped to let her adjust, so he continued to push until he was fully seated inside of her.

He dropped his head down to her forehead, breathing heavily. He'd never been gripped this tightly in his life and it felt amazing.

(Y/N) had similar thoughts. He fit her perfectly...a feeling she'd never before experienced. Like the last two pieces of a puzzle locking into place.

Dean shifted his hips, starting a slow pace to keep from hurting her. Much to his surprise, she couldn't care less about the pain, she wanted more.

"Dean, faster," she whimpered.

He couldn't tell her no even if he'd wanted to, and he certainly didn't want to. He began to thrust into her with more force and speed, earning moans of pleasure from her lips.

"You feel so good, baby. Never felt this good before," he whispered softly.

The room filled with the sounds of their shared moans, the salacious slapping of skin, and the whispered words meant only for each other.

Dean was about as far from a virgin as a person could be, and (Y/N) wasn't new to this either, but he had never ever had a sexual experience even remotely close to what he was feeling with her.

Most of his experience came from one-night-stands, which meant there hadn't been feelings of any kind involved, but with (Y/N)? He could hardly breathe, it felt so right. Three words crept into his mind, but he pushed them away quickly. He didn't want to ruin this.

He focused back on the beautiful woman beneath him and his heart nearly exploded at the sight. He'd never seen anything so incredible, so beautiful, so perfect. He was dying to watch her come apart for him--he just knew it would be a sight to behold.

"Do you think you can give me another one, baby?"

Her eyes widened. "I don't know, Dean...I've never cum more than once before and I've already done it twice."

He smiled. He liked knowing he'd done something no one else ever had. "Come on, pretty girl. I know you can do it for me," he murmured.

Before she could say another word, he shifted her hips to give him better access. The new angle left her speechless as his cock slammed into that delicious soft spot deep inside of her--a spot she hadn't been certain existed until this moment.

She dug her nails into his back, clinging to him for dear life. It felt so good she could hardly think. Her brain was filled with nothing but the pleasure she was feeling.

Dean knew she was getting close and he was desperately holding back his own impending orgasm. He would be damned if he came before her. "I need you to cum for me baby. Can you do that?"

She nodded and held onto him even tighter.

Dean's motions never slowed, his aim never faltered. He was determined to push her over the edge. He wanted it more than anything.

Her legs began to shake and strangled cries left her throat as she neared orgasm. With one final thrust, (Y/N) shattered--a broken scream of his name leaving her lips.

Dean continued to thrust, chasing his own high as he helped her ride out hers. "Where do you want it?" he whispered.

In her haze, it took her a moment to figure out what he was asking her. "Inside of me," she begged. "Wanna feel you fill me up."

"Fuck," he groaned as he moved impossibly faster. Moments later, he came harder than he could ever remember, emptying inside of her for what felt like an eternity.

Eventually, his hips slowed to a stop and he nearly collapsed on top of her, completely spent and out of breath.

After a few moments, Dean pulled out and rolled over to collapse beside her on the bed. "That was...fucking amazing."

She laughed lightly. "I would have to agree."

He turned to look at her. "Best sex of my life."

She rolled her eyes. "Okay, riiiiight..." She chalked up his statement to a post-nut haze.

"I'm serious, babe. There's something different about having sex with someone you love."

(Y/N)'s entire body froze, but her mind beginning to race. He'd said earlier that he'd loved her, but she honestly hadn't believed it. Hearing him say it now reminded her that she hadn't responded to him the first time.

Dean noticed the tension immediately and suddenly realized what he'd said. He started to panic...Shit, shit shit. "(Y/N/N), I--"

She waved him off. "Dean, you don't have to explain--" she started.

He pulled away from her so he could see her face better. "That wasn't some post-orgasm utterance. I meant it--I mean it."

She laid there, desperately trying to wrap her brain around what he was saying. "What?" she said again, softer this time.

He rolled onto his side so he could see her better. He reached out and gently caressed her face, eyes watching her reaction with trepidation. "I'm in love with you, (Y/N). I've known it for a while, but it didn't seem like something you would want to hear. I said it earlier in that motel room, but we didn't really have a chance to talk about it--and I don't want you to think for even one second that I didn't mean it. I love you with everything I have, baby. I would burn this whole world to the ground for you."

Hearing Dean Winchester say those words was enough to shock her into silence, but hearing them directed at her? It was a feeling she couldn't even begin to describe. "I don't know what to say," she whispered.

Pain flashed across his face, but he hid it before she could really notice. "You don't have to say anything."

"Of course I do," she insisted. "I never expected to hear you say anything like that to anyone, let alone me. I'm struggling to find the words to say...I guess I'm just unprepared. I never thought Dean Winchester would be the one making me speechless with his beautiful words, but here we are. All I can think to say is, I love you too."

A warm smile graced his features. "I couldn't have asked for a more perfect response." He leaned down and kissed her gently. "I love you," he said again.

She smiled back. "I love you too."

Dean pulled her against his chest and held on tightly. He didn't want to let her go for fear of losing her. He knew their lives were risky--he knew either one of them could die at any time--and he didn't want to waste a single moment. He'd already wasted so much time pretending not to love her. He would never make that mistake again.

Apparently (Y/N) was having similar thoughts because she whispered, "I never thought I'd be thankful for a Siren."

Dean chuckled lightly and kissed the top of her head. "Me neither, baby. Me neither."

[raven-at-the-writing-desk]

something i noticed

A while back, I wrote this analysis reviewing how unfair the magic education system is in Twisted Wonderland. I would recommend reading that before this post, as it provides tons of context for what I’m about to talk about and add onto the discussion.

In 2-6 of the Tapis Rouge event, Vil has stylists from Luxe, a high end fashion brand, dress up Azul, Jamil, and Ace to be a part of his red carpet entourage. Once the boys come out in their new threads and makeup, Jamil and Azul, two individuals who are meticulous about details, provide some telling commentary.

According to those two, the team of stylists that helped them were mages. Azul further remarks that they were quite skilled mages and that having this kind of talent indicates a “first class brand store”. Their hair and makeup is also suggested to be done via magic, though this service is not normally performed for customers. Previously, we knew that skincare can be infused with magic (Vil does so with his own) and that magic can be used to style one’s hair (Jamil tells us in his Birthday Boy vignettes that he does his intricate hair with magic and used to take far longer with it when he lacked the precision). Idia states in book 6 that Jamil had no formal magic training before NRC, so that means Jamil was self-taught in his hair-handling magic.

… Okay but 😭 WHAT DOES THIS IMPLY ABOUT MAGIC AND CLASS??? Is it just a coincidence that the teams of stylists who staff a high class store are ALL mages? Surely not, given how uncommon mages are in the general population. The store (or maybe the brand itself?) must be going out of its way to hire them because I guess being dressed with magic is a more “luxurious” experience than the normal way. We can also guess from Azul and Jamil’s accounts that the degree of magic these staffers use requires significant skill and precision, which either means they need formal instruction or lots of practice on their own. Neither option is afforded to people with naturally low or no magic reserves at all 💀 meaning jobs like this are gated to mages only.

Now, this doesn’t inherently mean the rich and famous people who frequent these stores are also all mages (Kalim’s dad and Vil’s dad are two non-mages who are extremely wealthy and influential); the majority of them must still be regular people since humans seem to be the majority, and 90% of humans are non-mages. It also doesn’t guarantee that the Luxe stylists are paid more than a non-Luxe stylist (although I do think this is possible for a prestige brand, especially if we factor in commissions on sales).

What’s sticking out to me here is that there exists an association between magic and luxury. The reverse also appears to have some truth based on what little other lore we have; Ruggie states that there are not a lot of mages from his hometown, which could imply a history of non-mages being driven into poorer communities. It all fits together a little too well to seem coincidental… but obviously, Ruggie’s hometown is just one place and could be an outlier rather than the exemplar. We know that most non-mages must live an average lifestyle, not the extremes that Ruggie has experienced. Still, the claim that magic is typically associated with the upper class holds and it continues to be perpetuated in the lore.

Anyway, Fellow and Rollo were right—

[espace--positif]

This image from the third Elden Ring Book of Knowledge on SOTE has been circulating, and people are citing it as proof that Radahn was a willing participant in Miquella's plans. I don't think these words can serve as definitive proof, and I maintain that Radahn was controlled by Miquella. Here's why.

Image credits: @/Siofra_Mariner on Twitter

To me, the words "their order" and "their cause" don't prove that Radahn is united with Miquella by choice. These deliberate words make me think of Leda's group, Those United in Common Cause, who end up at odds with each other when Miquella's charm inevitably breaks. I think that that very same influence is being alluded to here, with Miquella having used his influence to control Radahn and join him to his cause.

The words "Miquella will intervene once again" imply that Miquella has to fight against some form of natural current, has to change the course of fate, in order to succeed (or try to succeed) at defeating the Lord of the Old Order; to me, the first time he intervened and changed the course of fate is referred to in the first paragraph, where they detail his resurrection of Radahn's body, free of scarlet rot. The text also refers to Radahn's "deserved rest" - again implying that Miquella's resurrection and use of Radahn is somewhat unnatural and morally wrong. If Radahn truly were a willing participant, I don't think that it would have been referred to this way. The story of one intervening with another's fate ironically occurs earlier in the base game, with Radahn stilling Ranni's fate by holding back the stars.

Next, I want to talk about, guess what, more wording.

"Miquella's wish to instill Radahn as his Promised Consort upon his ascent to godhood, a promise he made to Radahn in their childhood."

Note that the wish is Miquella's wish, not Miquella and Radahn's wish, not their collective wish. The word promise is also interesting if we look at the way Miquella uses the word in the DLC dialogue, and towards whom it's directed.

"I promise you, a thousand year voyage, guided by compassion."

Miquella says this to the Tarnished when they are grabbed. Two grabs, and the Tarnished gets their "Heart Stolen", charmed by Miquella forevermore. The Tarnished is resistant, and this is one way through which Miquella deals with resistance.

To Miquella, promises and vows are not shared agreements, but they are the way he enacts his will and influence upon others. They are unidirectional, assured, and a means to an end. His compassion extends to all, but strips all free will, and Radahn's is no exception.

A few notes that didn't fit into any of the above points:

This is my interpretation of the game and the text, and I always enjoy reading other people's interpretations. I think that's the great thing about Elden Ring's ambiguous lore; there can be many readings, and we'll really never know which are right.

I'm very biased when it comes to the topic of Miquella's desecration of both Radahn and Mohg, one in body, and one in soul - I feel like it really cemented how wrong Miquella ended up turning after abandoning all those aspects of himself in the Land of Shadow, and I felt all kinds of icky and sad when I finished the DLC because of this. St. Trina's being discarded and her death was devastating, especially when she was one of the most human and compassionate characters in Elden Ring, granting respite to all the frenzied merchants out of true compassion.

I do believe that Miquella is a victim of the cycle, though, and that he lost himself in more ways than one after witnessing what happened to his mother. To Miquella, the only way to make people stop doing horrible things is to stop them from doing anything of their own volition at all. In theory, it works. But it is so sad. I'm reminded of Melina's dialogue when you choose to inherit the frenzied flame: "However ruined this world has become, however mired in torment and despair, life endures. Births continue. There is beauty in that, is there not?" I sympathize with Miquella, I really do. I understand that he did all this because he not find any alternatives. The world being comprised of cyclical happenings that one person cannot fix is a recurring theme in Souls in general, and Miquella is just another victim of another cycle, which ends up begetting more violence, much like the violence enacted on Marika which prompted Miquella to try and fix things in the first place.

That’s it! I really needed to get this off my chest, and it definitely didn’t fit into a tweet (which is where all the discourse is happening lol). If you made it to the bottom of this yap, I'd love to hear your thoughts on this as well! Thanks for reading my ramblings <3

[randomfoggytiger]

React: A Late-Canon Reviler Gives the Revival a Try (My Struggle I), Part I

For David Duchovny’s birthday, I put out a poll asking Tumblr which of his projects I should watch for the first time. 

The Revival won. Welp. 

I then, fool that I am, put up another poll wherein I doomed myself by including an option to watch the whole thing. 

And here we are. 

My Struggle I. 

Oh, boy. 

This post will be long because I'm laying the groundwork for the rest of the series.

MY MODUS OPERANDI

I don’t care how cute or cuddly or happy or heartfelt individual MSR moments are, popcorn will be thrown if those scenes are achieved through incomplete, inane, or nonsensical plot points. Give me 1+1=2 or give me death.

The Revival is part of a whole that includes all of Seasons 1-9 and Fight the Future and I Want to Believe. As much as I prefer to distance this series from canon, the reality that it functions as a direct follow-up remains; and it needs to be judged accordingly.

And, as always, I separate the art from the artist~.

...WELP. It’s time to face my doom. 

Let's go!

MY STRUGGLE IV

The intro’s… fine. Engaging, even. 

I did notice, though: the last series and Fight the Future and I Want to Believe began with the same formula: glimpses from what will be an x-files case, then straight to Scully’s perspective. Usually Mulder’s narration and POV didn’t feature until the tail-end of a two or three parter, i.e. Redux or Amor Fati or… well, even then, it was juxtaposed against Scully’s. 

Scully was the voice of The X-Files-- even Chris Carter noted that her report of each episode’s casefile became a motif of the show. Mulder’s narration was rare, very rare, even in episodes that were written to focus on him. 

A definite and purposed choice, to be sure. Mulder as an active agent in his own story. …OR a story that focuses on Mulder’s voice instead of Scully’s. 

We shall see. 

The intro continues; and it’s still engaging, possibly gripping (too bad I know where this leads)... but the music got a bit LOTR there. Is that just me? Seems… mellow, orchestral, a little more fantasy than sci-fi. Am I nitpicking? Maybe. 

The BIBLE references UFOs?? Lol, no. (Unless you count the objects described in Revelations-- the book, not the episode-- but even then, those are largely considered to be drones, not UFOs.)

Chris Carter, I see you. 

(Note from the future: NOW I see why the Bible bit was included-- lots of heavy-handed "God means this, Scully" in order to get her on-board to join the files. Ugh.)

…They’re really doubling down on the UFO lore, huh. All of which evaporated because of global warming, I guess. 

GUYS, why couldn’t this have been about life on Earth after Colonization?????

It fits with the disaster footage, it fits with Mulder’s voiceover, it fits with the character progression from Season 9 (I GUESS), it fits with a whooooooooooole ton of other factors. 

I’ve never been one for wanting Colonization in canon, but it literally would have worked for this series. There wouldn't need to be a complete wipeout of humanity, maybe just a “disaster happened, but the humans are fighting back” scenario. 

And that would fit with Mulder and Scully’s "breakup", PERHAPS-- they spent so much time working, trying to save the world (she in science, he on the ground or with untainted factions who coalitioned post-Colonization) that their relationship cracks would need to be actively worked through. Not broken up so much as together and repairing.

It would also help CC and co. to avoid the tempest of modern US politics and the more mainstream conspiracies that were taking hold at that time-- a broader reach to all audiences, a "bigger picture" for everyone to unite under.

(Guys, they should have let me write for this show. …I take it back, I’d have quit after three days.) 

Also: The show writers spent all their brain power on this sequence and this sequence alone, didn’t they? 

Obiwan Kenobi and Military Man are going on a bus somewhere.  

...On closer inspection, neither man looks like anything like Obiwan Kenobi, but the nickname is staying.

We’re back to Scully at a hospital-- not unlike I Want to Believe’s opening.

Skinner called? Oh. Didn’t know he was “here” this early. 

WAIT. 

Wait, wait, wait. 

Scully just called up Mulder like nothing’s a big deal? He answered like nothing’s a big deal? She’s smiling over his joke from the get-go?

…And we’re supposed to believe they’re seriously broken up. Which the show will insist is the case. 

David and Gillian really said, “Script? What script?” and did what they wanted. I salute them. 

Also, “What’s happening out there, Scully?” is a great line to point to Mulder’s continued isolation… which the series will IMMEDIATELY toss aside because he’s, apparently, not been as much of a hermit lately? (Granted, this could be a joke at his own expense because he’s no longer claimed by ~the darkness~, but…. I don’t think the writing’s gonna be that clever, I’ll be honest.)  

Siiiiiiiiiiiiiiiigh. 

Fine, I admit it. 

I’m loving this so far. 

And that’s gonna make me even angrier later on. 

“Why doesn’t he [Skinner] just call me?”

“He doesn’t know how to reach you, Mulder. I barely know myself.”

Mulder is baffled and a tinge annoyed, Scully is amused and straight shooting. 

THERE IS NO HINT, BEHAVIOR, OR MANNERISM SUGGESTING THEY’VE BROKEN UP. None. At all. He’s isn’t reluctant to answer her call, isn’t sad or withdrawn, isn’t affected by anything she’s saying other than to be teasy or poky. She isn’t hesitant to call, isn’t sad or depressed, isn’t anything other than a little pleased to dangle a juicy tidbit in front of Mulder’s face. 

This is gonna follow IWTB’s ping-pong writing-- they’re fun and in-character, they’re suddenly out-of-character, they’re fun and in-character, they’re suddenly out-of-character, etc. etc. etc.-- isn’t it?

(Mulder taping over his laptop’s webcam is a great touch and not something at all that I’ve done before. At all.) 

“I thought you were done with UFOs-- the ‘stranglehold they put on your very existence’, I believe you put it.” 

“I’m just the messenger, Mulder.”

That’s GOOD, that’s necessary writing. That’s planting the seeds of what happened between them, what led to a cooldown or a breakup or a whathaveyou. AND STILL neither character acts as if they’ve broken up: no melancholy, no sadness, no nothing. 

Mulder’s timbre became a little sardonic while quoting back her words, but that doesn’t mean they’ve broken up. If anything, that points to a bicker and line-in-the-sand between them-- him bringing up UFOs at the dinner table and her reminding him to talk to someone else about it before turning the topic to how the lettuce is growing or something.

Neither actor is performing like one would if pain and trauma and heartbreak and distance were placed between them; and that really complicates things because the breakup is built on top of the aforementioned list of struggles. 

Would Mulder have dug his heels in post 2012, seeing it as a sign that “the aliens” just changed their plans? Yes. 

Would Scully have seen a pursuit down that rabbit hole as a waste of time? Debatable. The Truth S9 Scully wouldn’t have-- the aliens are still out there; and they cost her months of her life, months of Mulder’s abduction, months of Mulder’s death, months of Mulder’s separation, and the ultimate cost: William’s adoption and their life on the run. Post The Truth Scully would have seen this as her quest, too: she won’t give up, she says in the finale, because he won’t. 

IWTB Scully, however, would- and that's a problem. 

I’ve already discussed, at length, how out-of-character Scully was in I Want to Believe (posts here.) Although Mulder doesn’t escape from the same writing blunders, she is really, really scalped: of her courage, of her will, of her determination. 

Whenever Scully gave up, in canon, it was only because she thought she was holding Mulder back, or when she felt Mulder had lost his faith and trust in her. That held true in Season 9-- despite the appalling writing choices there, too-- but didn’t in IWTB. 

The Revival had the perfect opportunity to factory reset the writers' mistakes: portray a wiser duo who continue to fight the fight according to their strengths, like they always have before Mulder ever met Scully. (When Mulder tells Scully to set up a meeting with Skinner, he adds, “Don’t pretend I’m going alone”-- which reinforces my point.) 

But I know that's not going to happen.  

Scully goes without argument-- THAT’S GOOD, THAT’S GOOD CHARACTER WRITING. At this point in the game, of course she would-- they trust each other, they have for years, they’d have reached even deeper levels after going on the run for [insert math] years. All good things! 

The problem: this will create a huge conflict with her actions later.

(I’m already so disappointed.) 

“Uber?”/”Hitchhiking. Relax, Scully, I’m kidding” was a fun modernization of their humor, I’ll take it. 

This scene is starting to highlight the distance between them, which is all well-and-good, but feels tonally different from the previous scene. As in, their two scenes were definitely filmed on different days, in different moods, and with different intents. 

She’s worried about him, with tears in her eyes; he has his walls up; there’s distance, as previously noted. 

“Good for you to get out of that little house every once in a while”/”Certainly was good for you” is followed up with knowing, indulgent, pleased smiles and you expect me to believe these two are seriously broken up. Nope. I’ve seen Scully sad but amused, I’ve seen Scully too sad to be amused, but these two? This moment? Nah.

Tonally dissonant-- the IWTB problem: at-ease and close one minute, at-odds and distant the next. Hoorayyyyyy....

None of this makes sense for a long-term, permanent (as Scully infers later to someone else) breakup. Nor for a short-term, semi-permanent one. Math doesn’t math. 

“I’m always happy to see you,” she says, implying he's the one who permanently pulled away… which will be contradicted later this very episode. 

“I’m always happy to find a reason [to leave the house],” he says, somberly. 

Both of which are odd lines. 

If he’s happy to leave the house to see her… why hasn’t he? 

If she’s happy to see him, always, but says a relationship between them was "impossible" (which she will later), why is Scully staring at him with heart eyes, hoping he gets better so they can continue their relationship? (And mark my words, this tone underscores her interactions with him the rest of this series.) 

Tad’s here. He’s... fine. He represents the overly cautious very well. At least he hasn’t gone full Alex Jones mockumentary (...yet.) 

I’ve heard criticisms that Mulder and Scully don’t act like themselves in this series, but based off the few minutes I’ve seen here… I don’t agree. 

The essence is the same. Truly. Scully’s got the same face that lights up the same way, Mulder’s got the same expressions and young-at-heart humor. Neither are really melancholic. Neither are David or Gillian esque. 

Perhaps that will change. 

(Note from the future: OH BOY. Which Mulder and Scully are we talking here-- OG Mulder and Scully? Nope. IWTB Mulder and Scully? Yep. David and Gillian? Once or twice.)

But, again, their interactions feel… wasted. Hollow. They’re supposed to be broken up, but their breakup doesn’t contribute to their interactions or the plot. They’re supposed to have suffered and are working back to each other… but they aren’t really separated, haven’t seemed to suffer (note from future: except for one scene which comes outta nowhere), and won’t collapse back together on-screen.

They’re supposed to be wiser and more mature, but they’ll still engage in a silly will-they-won’t-they while Mulder eats up the latest UFO or conspiracy slop he’s either already engaged in or debunked [insert math] years ago and Scully clings to her cowardice like a leech. 

First nagging problem: Scully smiling at Tad, Scully excusing Mulder’s mannerisms when he becomes briefly jealous, Scully making nice with a conspiracy nut. 

…Isn’t that Mulder’s job? Didn't she leave because conspiracies were consuming her life? Does this mean she actually does want this life back but is she playing coy or elusive because...?

Furthermore, when Mulder popped a comment off to a witness or informant in the past, Scully never excused him-- just breezed over it professionally with another question. She’s only saying “excuse him” here because she’s taken a shine to Tad. WHY, on this post-2012 global warming green Earth, WOULD SHE?

Tad says Mulder is the X-Files, Mulder says that “book is closed”... WAIT. Wait, hold up--

Pause. Stop. Rewind. 

Mulder wants to believe. Actual proof is hard to come by. 

Tad thinks Mulder is the X-Files. 

MULDER SAYS… *ahem*... Mulder says, “I’m afraid that book is closed.” …Which means he’s no longer into UFOs or aliens, too. SO. why did Scully LEAVE.

If that’s behind him, why aren’t they together again???? Mulder didn’t know who Tad O’Malley was a minute or so ago, meaning he’s been outta the conspiracy scene for a bit. That MEANS his departure from Conspiracyville's been long enough to patch-up his obsession and ensuing depression, I guess.

But then... what about Scully??

Because Mulder wants her to come back (already subtly established in each scene), and Scully is concerned for his welfare; but Scully thinks he’s still into UFO conspiracy and hasn’t come back because of it? BUT SHE ISN’T SHOCKED WHEN HE SAYS “I’m afraid that book is closed” MEANING SHE KNOWS HE’S PUT THAT BEHIND HIM... BUT STILL HASN’T RETURNED?

And both of them aren’t acting as if they’ve broken up, anyway, except for a pointed line of dialogue here and a brief reaction there before they yeet back to the status quo.

They’ve left that behind them, Scully says, for better or worse. And Mulder latches onto that better or worse, making a pointed barb at their breakup, but…. There’s no writing glue, just suggestion and inference; and the suggestions themselves don’t add up. 

Here come the bullet points. 

Season 10 posits Mulder became depressed after the aliens didn’t invade in 2012-- that’s reasonable and logical, his nature is depressive when his expectations are subverted or smashed or etc. 

Season 10 also posits Scully left because Mulder became too much to deal with. That’s… not logical, since her nature is to rescue and nurture, even when Mulder’s being an actual boil on her sittin’ cheeks (ala Demons, etc., etc.) 

Season 10 posits Mulder’s hard to get a hold of-- despite being in the same house the FBI helicoptered to in IWTB-- and posits it might be hard for Scully to get a hold of him-- despite the fact both characters easily got in contact, knew it was each other, and even joked about the fact it’s hard to get in contact with Mulder… which means it really isn't. (The script doesn’t catch these discrepancies, of course, pretending Mulder is very hidden away at the same ol' house he'd been discovered at in 2008.) 

Season 10 says Scully doesn’t want UFOs to be part of her life anymore, that it was a stranglehold… yet she came along on a conspiracy gig without question to… what? Be around Mulder? But then, why warm up to the conspiracy guy-- an embodiment of what drove her and her partner apart?

Season 10 posits Mulder chased Scully off with his conspiracy spiraling YET ALSO states he’s put that part of his life-- conspiracies, UFOs, the X-Files-- behind him. Which implies: A. Mulder’s aaaaaaall better now and B. he put that all behind him but Scully never came home and C. Scully shouldn’t know he put that all behind him if that’s what’s keeping her away; but she does know because his declaration doesn’t take her by surprise, which means she’s still driven away and concerned for him for no discernable reason.  

Season 11 posits Scully didn’t leave because Mulder became too much to deal with but because she, too, had issues to deal with. This point wasn't mentioned or hinted at in the episode that introduces their breakup, which makes that line of reasoning a complete rewrite. (Whatever. I’ll judge how well that’s executed when I get there.)

It doesn’t add up. 

Are we surprised. 

Five seconds after this, I had to listen to a back-and-forth between Tad O’Malley and Mulder on conspiracies and Conservatives and alien beliefs and the O’Reilly Factor and….

This seems out of touch, I’m not sorry. 

When this show aired, Conservatives already had their miles-long conspiracy theories. For Mulder to be ignorant of that fact while allegedly knowing exactly who and what Tad believes while also alleging….

More bullet points!

Fox “I’m afraid that book is closed” Mulder has, supposedly, been out of the conspiracy scene. 

Fox “I’m afraid that book is closed” Mulder isn’t aware that not only did 2015 Conservatives believe in aliens-- despite the fact Tad is a watered-down copy-paste of Alex Jones-- but that there were also Conservative believers in the 90s (who were a fringe in their own group, but.) This was Mulder’s expertise; and his eidetic memory isn’t likely to have tossed that info because it was no longer relevant to his life. 

Fox “I’m afraid that book is closed” Mulder has supposedly not been out of the conspiracy scene-- despite saying he is-- because he does know who Tad O’Malley is-- despite not knowing who he was two minutes ago. 

Mulder is assuming that Conservatives “of your credentials” don’t believe in UFOs or “9/11 false-flag conspiracies” despite people from the Left, Center, and Right publicly believing those conspiracies in 2015. 

Fox “I’m afraid that book is closed” Mulder is supposed to be dismantling Tad’s grift; but he (and the writers) sound uneducated and incredibly out-of-touch during this dialogue-- as if all Conservatives were still Bush-era believers. Most were suspicious of the government by this time (they helped elect a man who ran on a “drain the swamp” campaign, after all.) Mulder’s bewilderment here is old and tired, even by 2015 standards. 

This writing is flashy-- long sentences, quick back-and-forths-- but poorly constructed and badly executed. 

This is also the first segment where David Duchovny is peeking through Fox Mulder; where Scully is swinging wildly between absolutely-fine-with-Mulder and we’re-no-longer-together; and where we, the audience, are being force-fed that only one side of the political aisle believes in aliens-- or the Bigger Question or whatever-- on a show that wants to poke at unfounded conspiracy beliefs.

Oh, look! Scully made a Scully-face, so everything’s good now! 

(UuuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGH--)

Sveta. Aww, I like her--

“You don’t remember me.”

“No, I think I’d remember.”

WHAT WAS THAT. 

Show writers, STOP with the romantic triangulation, it’s NOT. GONNA. HAPPEN. David doesn’t even TRY to make that romantic-ish. Yet you angle on Scully’s face as if she’s supposed to be out-of-the-loop and a tinge jealous. 

WAIT, WAIT, WAIT, hoooooooooooooooooooold up. 

Svetta was a dark-haired little girl Mulder interviewed after her first abduction, meaning she’s set up to be another Samantha. 

So…………………. What’s with the murky jealousy issue, CHRIS. You wedged it in solely so Scully would feel jealous over Mulder? Y’know. Like I Want to Believe? 

And I say Chris Carter because he wanted to play the breakup angle:

"We do it in an interesting way," Carter told The Hollywood Reporter. "We put some of the tension back in that was relieved by them being together. It added to the storytelling opportunities. It's something that I came up with; I had been thinking about it. There was always talk of [breaking them up] if we did another movie."

The first shot canon takes right between the eyes:

Scully being “familiar” with the “screen memories” abductees are given was a cool touch… except she’s never been given “screen memories.” The abductees in Jose Chung’s From Outer Space were given screen memories-- she was returned a blank slate. (Even Mulder didn’t have “screen memories” after his abduction.) 

Scully poking Sveta about aliens taking her unborn fetuses seems a tad (heh) strong except all the alien-related pregnancies have been the result of government testing, not alien probes. So. If this scene followed canon's rules, her skepticism would be warranted.

But this skepticism is still odd. 

Two seconds ago, she was making nice to Tad O’Malley in the car, and now she’s leading the questioning for Sveta. The odd icing on top of this odd cake is that Scully left because she didn’t want UFOs to have a stranglehold on her life, yet here she is leading an interview with an abductee.

Sveta: “I have alien DNA, for sure.”

Scully: “Have you had a doctor confirm that?”

Sveta: “No.”

Me, too, Mulder. Me, too. 

Scully doesn’t question the alien DNA bit, so that’s good. 

…I’ll bet everyone forgets she and Mulder have a bit lingering in their systems from the black oil and his brain thingy and residue from when she touched the ship and and and. 

“Something you can test. Dana.” 

What… what was that. 

Honestly, what was that. Whatever mood David was conveying through Mulder, it didn’t match anything from any previous scenes, let alone this one.

Is he poking at Scully? Why? He’s not jealous anymore (if he even was.) The way he says it and her expression in response implies they have a tense back-and-forth going on, but they don’t. THEY DON’T. 

We’re 13 minutes in and I could make another numerical list. But I won’t. Yet.  

Back to not-Obiwan Kenobi and Military Man. 

That alien’s stupid bad-looking. 

Wait. 

That’s not how canon said Roswell unfolded. 

And the first alien shot on Earth was by Deep Throat’s hands-- that was his whole turning-point backstory. 

CURSE YOU, LACK OF A SHOW BIBLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

(Note from the future: All of that past canon? Fake. Faked. All lies. None of that happened.)

“What have you done??” Not-Obiwan Kenobi yells… and what have they done? 

Back to Scully and Sveta. 

Sveta can move things with her mind-- not all the time-- but at least Scully is listening to her claims without automatically shutting them down. 

But also…

“I can move things. With my mind,” should have IMMEDIATELY had a greater impact on Scully, up-close-and-personal as she was to her son’s abilities. But nope! No reaction! Of course! 

Sveta “You were together but now you’re not” is asking the right questions. I don’t even mind Sveta. I’ll bet this episode’s the last time we see her, though. 

Does she contribute to anything? No. But she’s nice, so. 

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIT, WAIT, WAIT. 

Scully diagnosed-- wait, hold up, list time. 

Scully diagnosed Mulder with depression. 

That killed their relationship. 

…THAT killed their relationship? After everything? 

The writers are going to have to explain, in detail, why that killed it. 

Why does canon need to explain? Because we have a history of Scully sticking by Mulder during the worst periods of both their lives-- leaving him would have to require a very, very good reason.

And there is no indication, thus far, that Mulder’s depression drove a humungous wedge between them, forcing her to walk away. In fact, there is no indication a wedge exists between them, AT ALL-- only the odd, inconsistent word or phrase here or there that bears no weight on the plot or their ultimate decisions.

Whenever Scully left in canon, it was because she could no longer help Mulder. Season 11 will rewrite Season 10’s initial explanation but setting that aside: we’re not given any indication that she did try to help him; or that his depression was so deep and so dangerous that it drove her away.

And if it were that deep or that dangerous enough to drive her away, Scully leaving would have been the last and worst possible action she could have taken. If Mulder's mental state was in such a massive nose-dive that she couldn’t handle what he was going through, Scully-- a medical professional-- would have had him hospitalized, even temporarily against his will, because she would know (per Demons or Gethsemane or Amor Fati) that this level of depression always manifested in suicidal tendencies for her partner.

But Mulder, as per the rules laid out in this episode, never went that far in his deterioration. (Note from the future: We'll get to that.)

If he had, Skinner would have been aware of his hospitalization and wouldn’t have asked for his help; Scully would have been aware and wouldn’t have passed on the information; and Scully wouldn’t have called from the hospital with a degree of buoyancy when relaying Skinner's request to Mulder. 

In short: Scully leaving = very big, very drastic measure. Mulder suffering from depression = very big, very bad consequences. Scully's nature and past actions = getting Mulder help, even if he resists at first (i.e. shooting him in the shoulder to save his life.) Mulder and Scully's partnership = unbroken, except through distrust or botched writing.

“And you have a child together.”

Wow, that wasn’t clunky at all. 

SCULLY STICKS SVETA HARD WITH A NEEDLE BECAUSE SVETA MENTIONS WILLIAM, darkly saying "That's enough", SO SVETA WOULD KNOW SHE DID IT ON PURPOSE.

I’m… so disgusted. Like, eck. Urk. Awful. 

Telling Sveta to back off, strongly, would be in-character; USING PAIN TO DO SO is…. So wrong on so many levels. Scully never utilized medicine to inflict pain or injury on her enemies.

Wow, this grossed me out. You know why?

Scully diagnosed Mulder with depression and left. At first glance, that seem like an out-of-character action that the writing can salvage later by this or that means.

BUT THEN, Scully inflicts pain on Sveta for mentioning William, leaving the audience with the impression that she’s vindictive. 

Which then connects the dots between “vindictive” and “left Mulder when he was diagnosed with depression.”

And since we, the audience, haven’t been given a stronger reason for how Mulder’s depression got that bad or why she didn’t help him through it, we’re then left with a sour impression of Scully’s character. 

The writers then try to imply Sveta was spilling out Scully’s personal secrets to prove that her powers were real, but that still doesn’t give Scully the right to abuse her power. Especially because a traumatized woman was trying any method possible to be believed.

And the fact that Sveta is also a victim of the government weaponizing science and medicine makes me even angrier at Scully.

Ohhhhhhhhhhhh, BOY, another helicopter outside the Unremarkable House, my favorite part of IWTB....

Mulder’s never seen… an alien replica vehicle. 

Oh, my mistake: “No. Never. Not like that.” Covering all the bases, I see. Y’know, in case the writers FORGOT MULDER SAW ONE in SEASON 1, EPISODE 2. 

OH, LOOK, he’s got his wonder face back, everything’s aaaaaaaaaaaaall better now!

Running on free energy they’ve had since the 40s, sure Jan. Whatever you say. 

This just feels so old. Like. Tech we haven’t had since the 40S, GUYS, GET IT, BIG MONEY CORPOS KEPT IT FROM US. Yeah, we got it. 

And the flashbacks to Not-Obiwan Kenobi just walking off with an alien corpse because Military Man didn’t… see… value in studying… it. I guess. 

Scully doing “God’s work” giving kids ears because their biology neglected it.

I admit, that’s an intriguing window into her perspective of God vs. science, and how she sees a person’s biology separate from God messing them over or messing them up just because. I dig it.

(Note from the future: This will be used as a plotline club rather than a nuanced discussion of her faith.)

Mulder being the most challenging relationship she’s ever had-- “and the most impossible”-- is a weird line. Because yes, it’s true that their relationship is challenging; but her fervor at impossible is the only time in this episode we see an adversarial tendency, DESPITE My Struggle I trying to drum up moments to prove TENSIONS still LINGER (they don't.) 

It’s IWTB all over again. Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh. 

“Yeah. I got that impression.” Tad says, and Scully’s hurt because she thinks Mulder gave Tad that impression of her. 

So. So. Wait. 

Scully lied when she stated “It’s impossible” because she didn't like Tad poking into her private affairs?

But she sounded truly convinced their relationship was "impossible" while saying it.

So, she was either angry or still confused about her emotions-- which is fine, Scully's not always in-tune with her inner workings-- when Tad replied, "I got that impression."

Which explains why she was so hurt at Mulder's seeming rejection.

Because she thinks Mulder’s behavior led Tad to that conviction.

Which means CC just wants Mulder and Scully to be caught in a miscommunication fic.

Also, why is Tad so sad about this? Were they his OTP, or is he pretending to sympathize to get in Scully’s pants? Because that’d be crummy, Chris, to have her be overly nice to Tad only for him to try to twist that into an opening as the new conspiracy guy on the block. 

On a lighter note, Chris Carter said Mulder and Scully could still get it in their 50s, so there’s that.

HE DID, HE DID SET SCULLY UP TO BE PURSUED BY TAD--

WHAT. WHAT. WHAT WHAT WHAT--

KNOCK IT OFF, CHRIS. 

Poor Sveta. She’s gonna be butchered in this script, isn’t she?

The series is EATING up vast amounts of time with very little scale or grounding. For all I know, a day or a week could have passed. 

It’s so, so badly paced. 

Mulder’s investigating now, without Scully, because he noticed Sveta had a tell during the interview. 

Um. 

Sure, that’s a Mulder thing to do.

Oh, wait. This is the “work of men” realization.   

The dialogue between Mulder’s questions and Sveta’s answers are really disjointed, as if they’re mildly talking past each other-- another aspect of IWTB I couldn’t stand. 

Welp, at least it’s easy to prove they were both written by the same people. 

The second shot-in-the-head for canon: 

“Sveta, who took your babies?” 

“Men.”

“Men? Humans? You saw their faces.” 

Also, Sveta’s babies are referred to as her babies, but William-Jackson isn’t Scully’s baby despite sharing half her DNA but Emily Sim was Scully’s baby despite also only sharing half her DNA.

It’s a mess. 

Well… Mulder doesn’t seem too surprised here that men were involved in her abductions (I mean, he's long since been aware the government was involved from day one, so.) It’d be really stupid if the writing made him surprised about this later, wouldn’t it?

…Wouldn’t it?

Another poorly constructed set of lines:

“I haven’t worked for them [the government] in years.” 

“But you always wondered… if they were lying to you, too.” 

No, he didn’t wonder-- he believed it.

A wonky way to address his old skepticisms, for sure. 

JUST AFTER I NOTED THAT MULDER DIDN’T LOOK SURPRISED AT SVETA'S REVELATION, HE CALLS UP SCULLY AND MAKES A BIG DEAL ABOUT IT BEING A CONSPIRACY OF MEN. 

I knew this was coming, but maaaaaaaaaaaaaaaaaaaaaaaaaaan that was so, so poorly handled.

SCULLY WAS GETTING (sort of) WINED AND DINED BY TAD O’MALLEY??????????????

I HATE IT HERE, WHAT ARE YOU DOING, WHAT IS HAPPENING, WHAT IN THE WORLD AND WHY, HOW COULD YOU BE SO EASILY FLEECED, DANA, THIS ISN’T AN ED JERSE PARALLEL BECAUSE YOU THINK MULDER DOESN’T WANT YOU, THIS IS STUPID, THIS IS THIS IS THIS IS

WHAT. 

I thought Scully had dated Tad O’Malley in the past (sometime after the breakup) but this is worsefarworse. 

SVETA IS THE KEY TO EVERYTHING, I’M SO TIRED. 

“Mulder, where are you going?” sounds exactly like Scully, and now I’m mad Gillian didn’t use that voice for the rest of the show (voice recovery aside....)

I KNEW SKINNER WAS BEHIND GETTING THEM BACK. He just calls up Scully to call Mulder up, then just unlocks the old office when Mulder wants to get back in. 110% Skinner thought this would help his buddy Mulder. And he’s not wrong. 

Wait. 

Did Skinner put in more effort to save Mulder from his mental health struggles (per this My Struggle I episode) than Scully??????

Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii-- my brain is broken. 

The hold on Skinner’s face while he says “Can you tell me what this is about” was way too long. 

Also, don’t try to play coy with me, Skinman. 

Now the camera’s zooming around and losing its “X-Files” feel by being too… modern. 

Skinner telling Mulder to calm down is the only time in canon where I agree with him. Mulder’s just spouting and demanding and not really making clear sense and this is why you don't let Mulder back into his basement without Scully by his side, Skinner-- don’t you remember that lesson?

Skinner telling Mulder to calm down then saying he doesn’t take orders from him only for Mulder to say “Who do you take orders from?”, ugh.

GUYS, THIS WAS RESOLVED IN SEASON. 2. BECAUSE MULDER KNEW MEN WERE BEHIND THE CONSPIRACY SINCE SEASON 1, EPISODE 2; AND SKINNER SINCE SEASON 2, EPISODE ASCENSION.

BECAUSE SKINNER’S ALREADY HAD HIS LOYALTY TESTED AND THIS IS HURTING MY BRAIN MAKE IT END.

I’m not even 25 minutes into this, help. 

“Why do you think I called you? Because I was looking out for you, because I’ve always looked out for you.” Is… is Skinner the only character who’s progressed? That’s exactly what he would do-- he’s acting sensibly, rationally, and in-character... and more mature, more veteran, than his agents.

I know the Revival is supposed to be “Mulder and Scully all grown-up” but none of their actions have been intelligent, measured, or informed by their age or life experience. It’s a farce that I hope future episodes will rectify. 

“A decade of my life--” Mulder rants and kicks his poster like a toddler AND YOU KNEW ALL THIS INFORMATION FROM SEASON 1, MULDER. NONE OF THIS IS NEW. WWWWWWWWWWWWWWHAT IS THIS. 

I can’t imagine how disappointed philes were when they tuned into this episode. Well... I can because of how I feel; but at least I knew, roughly, how bad it would be going in. 

This is worse. 

Skinner: “You’re blaming me for that?”

Mulder: “No, I’m blaming myself. I’m sure they lied to you, too.” 

This isn’t a revelation, chump. 

At least Skinner confirms my theory: “There hasn’t been a day since you’ve left that I haven’t reached for my phone to call you, Mulder, wishing you were still down here.” 

Feral Mulder is touched. 

“Since 9/11--” OH NO, WHY ARE WE GOING THERE “--this country’s taken a big turn and in a very strange direction.”

Guys. Guys. This isn’t… this… what. 

“Now they police us, spy on us, and tell us that makes it safer--” CAN THE WRITERS GET OFF A SOAP BOX FOR FIVE SECONDS. Of course it isn’t safer to be unnecessarily policed or spied on, but the answer isn't just "boo, the government!" What… why… my brain’s melting, I feel it deteriorating. 

This, again, feels so Bush-era. Like, whoever wrote this didn’t update their mentality. 

Also, the camera shots and cuts are weird. Holding too long, zooming out at “pause and take THAT in” moments, focusing on Mulder’s phone while he silently calls up Skinner to prove a point… it’s supremely unsubtle.

Back to Tad, I don’t care. You did this to yourself, Scully, cozying up only to be used as a name drop on his show. Stupid. 

Is Scully gonna be shocked she has alien DNA? She shouldn’t be. 

But then again, Mulder shouldn’t be shocked this has all been a work of men, so. 

She’s expecting-- no, hoping-- for a call from somebody named Mulder. 

Sure, they’re broken up with hard feelings. Sure. Absolutely. 

Is this old man Not-Obiwan Kenobi?  

Of course.

At least Mulder seems old hat at this informant business. 

But of course, he’s “not even close” to putting it all together. 

Stupid. 

WAIT.

The countdown was WRONG-- Mulder states it began, not ended in 2012, meaning he's believed this theory for some time. Meaning... why was he so depressed after 2012? Why are there still depression concerns in 2015?? Seriously, what's with his depression if the 2012 Colonization was allegedly the cause of it but there is no Colonization and the clock's simply been reset????

WHY WAS HE DEPRESSED IF HE RECONFIGURED THE COUNTDOWN. WHAT.

Mulder: "Not by aliens, not with aliens, but by a conspiracy of men--"

“You’re wasting my time.” Tell him, old man Not-Obiwan Kenobi!

“Ten years ago, you came to me--”

Wait, ten years ago? What, 2005? The guy showed up while Mulder was on the run? And Scully never… knew about this?

There were no aliens lighting each other on fire??????????????????? WAIT, I NEVER HEARD THIS INFORMATION. 

THERE WERE NEVER ALIENS, AT ALL???????????????????? Like, AT ALL????? 

The writers are saying that Scully's experience on Ruskin Dam in Season 5 was not two warring alien factions BUT TWO GROUPS OF MEN LIGHTING EACH OTHER ON FIRE, OR GIVING EVERYONE FALSE MEMORIES OF ALIENS LIGHTING EACH OTHER ON FIRE, OR...??????

hONESTLY. 

Let's be real specific for a second: Chris Carter expects us to believe that the ENTIRE mytharc from the original show was ALL faked; that there were no aliens, ZERO, ZILCH; and that CSM and Deep Throat and all the others created elaborate schemes JUST to manipulate MULDER because the aliens weren't a threat from the start????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? DON’T BELIEVE YOUR LYING EYES. THEY WERE ALL MEN IN SUITS.

Like… do you realize how stupid that is? How actually, unfathomably stupid that is? It’s not just “the aliens didn’t invade because of global warming,” no, it’s “they were never a problem to begin with, we just manipulated Mulder into believing they were because… because he’s so important, I GUESS.”

Roswell’s also a smokescreen, of course. 

Y’know how, during the 90s, DD thought The X-Files was a stupid sci-fi show? If he thought each mytharc plot was as bad as this one, no wonder he wanted to bail. 

Oh, by the way, the global warming explanation is part of a theory: the fascist elites will dominate the world and escape from consequences into space, leading the rest of humanity to die by a globally warmed planet. The aliens weren't chased off by global warming because they were never a factor to begin with.

Wow.

I CAUGHT A CONTINUITY ERROR!

Scully shows up at his place in her uniform from yesterday, panicked, like she’d just run from Tad’s side to see what happened despite her saying over a day has passed.

Going to ignore his “What are you doing here, Scully?” because we’ve ping-ponged back to the out-of-character Mulder that the writers use when it’s time to remind everyone he and Scully are broken up. 

It’s IWTB all over again, I’m so tired. 

They’re talking past each other and he’s touching her shoulders now because he needs her to trust him and yadda yadda yadda. 

It’s soooo, sooooo, soooooooooooooooooooooooooooooooooooooooooo highschool, I’m sorry. This is Riverdale. This is [insert whatever teen series you want to watch.] These are teenagers masquerading as adults, for the angst.

None of this holds up, their emotions shift left and right without provocation, things just happen, and there is no strand of continuity stringing anything together.

Scully trying to talk Mulder down from further pursuit doesn’t make sense because, AGAIN, she’s the one who's always gone back to the files even when he walks away; and every time he’s given up, or wanted to, SHE'S called him back and held him accountable and kept him going. 

This is the Scully from IWTB with no gumption of her own, who denies her leaps forward because of plot, plot, plot. 

Guys, I’ve been religiously dosing myself with caffeine (via chocolate), but my body keeps trying to make me go to sleep because it’s so uninvested. I don't even need sleep.

“This is my life, this is, this is everything I believe in--” HOW. MANY. TIMES. Has he said this before. WHEN HAS THAT LINE EVER WORKED ON SCULLY.

But that's beside the point: "this" was no longer his life after Amor Fati, by his own choice. Closure brought him closure, but he was already spittin' walk-away talk by Requiem, chose to leave in Vienen, and insisted Scully stay gone in Alone. In Season 9, it was Scully who had to beg him into hiding to pursue the Truth or whatever; and it was Scully who brought him the case in IWTB and Scully who relayed Skinner's request and tagged along both times until she got uncomfy and decided never mind, too hard.

Y’know? This claim gets to me because it’s a lie. A lie so blatant that 90s Mulder would have thrown hands over it, a lie so baseless that it erases his declaration in the hallway:

“I don’t know if I want to do this alone. I don’t even know if I can.” And every time Mulder yells his “THIS IS MY LIFE”, he erases that part of his past, the part that willingly left the files or the big Truth or the next chase to save Scully’s life or to keep her by his side. 

Chris Carter said Mulder and Scully were The X-Files post The Truth… but I guess he keeps conveniently forgetting that. More accurately, he keeps making MULDER forget that, in spite of all evidence in Mulder’s history and personality to the contrary. 

It infuriates me. 

“Tad O’Malley is a charming man--” get outta here. 

Now Scully’s been played the fool so she’s going to think Mulder’s being toyed around with by a social media sociopath. You’re an idiot, Scully. 

You’re an idiot, Mulder. 

You expect us to be idiots, writers. 

Here’s some ham-fisted “Fate” dialogue for you, *ahem*:

Scully: “How do you know he’s not playing you, he’s a player!” (You would know, Scully.) 

Mulder: “He’s a Godsend!”

Mulder’s not a believer in God, BUT this is also supposed to refer to the God conversation Scully and Tad had in the hospital, which will inadvertently make Scully ~believe~ again.

“What are you talking about?” I’m with ya there, Scully. I’m with ya, there. 

Scully’s trying to insist Mulder's on a verge of a breakdown, which… UGH. 

This scene implies Mulder hasn’t had a breakdown or a break from reality YET-- Scully spends the episode constantly concerned for his health and begging him, here, to watch what where he's stepping because he’s on the verge of spiraling. 

Which means he hasn't spiraled, because she's afraid of what would happen to him IF he did.

MEANING that there wasn’t an inciting factor that made her leave: no alcoholism, no outbursts, no nothing. He just became depressed, probably withdrawn, and wouldn’t change; so, she left. 

Do you realize what that means, per this episode? It means Scully ANTICIPATED a breakdown and left BEFORE it happened. Then hoped he’d get better before it did. 

Which breaks the established morals of her character. If she had been able to help, she would have stayed. If she hadn’t been able to help, she would have found another way to help him, even if it involved calling in a third party against his will. Instead, she withdrew and hoped he would get better BEFORE he reached a breaking point-- essentially, leaving him to an impending breakdown while hoping and praying against it.

This makes her decision to leave a mark of weak character-- not because she was a woman who left her depressed husband, but because Dana Scully, whose character we amply know, left. It checks none of the boxes she'd have to clear first before choosing to take one step out the door.

All the fic I’ve read to justify their breakup-- and make no mistake, CC wrote her to say “as your friend” intentionally--  or time apart or whathaveyou had Scully reach a breaking point. Because, of course! That's logical. But here, in canon-- in black and white-- that didn’t happen. 

We, the audience, have to create a plausible scenario in our minds to justify the steps she took. Because. it. Is. not. In. canon (as per this episode.) 

Now Scully’s gonna get jealous of Sveta, I’m so done. Riverdale, uuuuuuuuugh. 

Mulder just lets Scully walk away because Scully thinks he wants Sveta but “Sveta is the key to everything” and if Scully wants to misunderstand that she should have more trust in him, I guess, and I NEED A RESPIRATOR.

He just says “Scully” once  and lets her huff off.  

TAD’S BACK, GO AWAY. 

WAIT, TAD STOPS HER BEFORE SHE LEAVES. 

Mulder: “I would have invited you, Scully, but I didn’t think you would come.” 

That’s…

That’s….

Let’s break down this stupidity: 

Scully shows up. 

Mulder had Sveta in the house because he was calling her and O'Malley for a group meeting. 

When Scully becomes nearly hysterical over his safety, he doesn’t reason with her, just spouts like a lunatic. 

When she misreads the Sveta situation and stomps off, he lets her go with a weak, “Scully"--

--because he knew Tad was right behind her and was pulling in to stop her from leaving. 

Because Tad and Sveta were invited but Scully was not. 

And Scully was not invited because.  

Because she might not show up. 

I’m just preaching to the choir at this point, continuing on. 

Scully gave in, just like that. Guess she’s not leaving, anymore. 

She’s so, so… spineless. Has been since Season 9, has been a BIT since Season 8 (though that was at least justified and kept to a bare minimum.) 

I’m just. So sick of passive Scully. 

I HATE THOSE STINGER NOISES NOW. 

It’s always, “You can't let this information out because these men work in secrecy”/”What is it?”/”You’ll see”; then stinger; then we, the audience, are immediately shown what it is.

No suspenseful build-up.

Tad: “Then why are you [Scully] here?”/”Scully: “Mulder, what are you up to?”/Mulder: *knowing look*/stinger/next scene.

KNOCK IT OFF ALREADY.

“Implanting of alien embryos”-- so Sveta’s babies weren’t her babies. 

So Scully’s baby wasn’t her baby. 

But Emily was her baby but William isn’t. 

Sure, Jan. 

In spite of this information, the Revival will paint William as their son until it doesn’t; despite, again, stating from day one that the alien babies are implanted embryos and not biological babies.

So, these two boneheads should have suspected that William wasn’t theirs, anyway. 

Even though William is theirs because the CSM timeline doesn’t add up, which they would have mathed in their heads by the time little William was snuggled in their arms. 

It’s all so stupid. 

Why does this feel so fearmongery about the government? And I’m not going to sit here and say the government should be trusted-- it has a VERY bad history, I'm aware. But this is “my first conspiracy” level of worldbuilding.  

Did the writers think it was clever to set O’Malley up as a bad actor then reveal he was a good actor, modeling him after the notorious Alex Jones only to point and jeer, “HAH, you assumed! He’s actually on Mulder’s side!” 

Because that’s not genius, that’s laziness. 

Scully only now decides to inform everyone Sveta has no evidence of alien DNA? So, what, she was never going to tell them unless Mulder kept being, what, crazy? 

“They got to her,” says Mulder about Sveta, but Scully LITERALLY SAID she had no alien DNA, so what was Sveta supposed to believe???????? That Tad O'Malley wasn't using her for as a hoax???

Mulder ran all the way to her house, or ubered then ran, or whatever… and she’s gone, of course. 

Poor Sveta. 

Tad O’Malley’s Truth Site is gone, oh, noooooo. 

Look, I’ll always be against censorship. But this is sending so many odd and mixed signals that it’s creating craaaaaaaaaaaaazy levels of dissonance. 

Mulder wrote “Don’t Give Up” in Scully's car dust…. 

Riverdale. 

Mulder presents the global warming = no aliens theory? 

I’m so tired. 

WAIT, SCULLY BELIEVES MULDER'S THEORY NOW THAT HER BOY TAD’S BEEN PULLED OFF THE NETWORK. 

“We need to find her [Sveta], Mulder,” Scully insists. 

Hold on, prediction time: Scully only changed her mind because this case now involves her-- i.e. only extending empathy to Christian (a boy that reminded her of William) and not to the string of missing, possibly murdered, women in IWTB.

OF COURSE. Her results for Sveta ended up being wrong AND HER OWN GENOME HAS ALIEN DNA IN IT, TOO. 

You selfish, self-centered clone of Dana Scully. 

Scully truly hasn’t recovered since… Season 9, let’s be real, where she told Mulder to leave then spent the whole year crying over his absence. In IWTB, she brought Mulder a case then left him when he wouldn’t stop his pursuit (to SAVE. LIVES.) And in the Revival, she called Mulder and the gang crazy until her own genome showed alien DNA. 

Hate this, hate this, HATE this. 

Also, yeah, she already knew she had alien DNA in the OG series, moving on.

Oh, and now they get a call from Skinner just when Scully says someone has to stop the bad guys. 

OF COURSE. 

Remember the God convo from earlier, guys???? GOD. FATE. SOMETHINGSOMETHINGSOMETHING. 

You had ONE good idea to explore-- how Scully views God vs. the aberrations of biology-- and then just... used it as a convenient club to beat in the “God/Fate means for us to do this” instead. 

“Scully, are you ready for this?”

“I don’t know there’s a choice.” 

Can’t someone PLEASE just explore her faith with nuance? PLEASE? 

Sveta's DEAD???????? I’M SO MAD, I liked her!

YOU FAILED HER, SCULLY. 

YOU FAILED MULDER, SCULLY. 

WHY DOES SCULLY HAVE TO KEEP FAILING PEOPLE???????????? 

Skipping the CSM scene because I don’t care, the END. 

CONCLUSION

How does Scully’s mischaracterization keep reaching new lows? 

How does Mulder become less wise with age? 

How is Skinner the only mentally mature character here?

I’m so tired.

[precambrian-sea-pancake]

Gonna infodump about my D&D character

(Sadly forced to keep things confidential because my party members follow me on tumblr…you know who you are 👁️👁️)

I’ve only had Gawain for a short time but OH MY GOODNESS I FUCKING ADORE THIS SILLY GUY!!

Also kinda shocked that the moodboard I made for him got that many notes. That’s a first…

Also please enjoy the drawing @hootbon made for me. I will never shut up about their art.

So…for what CAN post publicly…

Gawain is your token Lawful Good Paladin TM. Bonus points for being a protector aasimar I guess. (Though I might multiclass into a bard depending on how things go. It would fit him well. They’re my favorite spell caster.)

His personality is gonna be SO fun to play. Before I explain that, I should mention that he’s actually the youngest of the group at 24. The second youngest is the Kobold (Maran) who’s 37. So he’s a lot more naive and still understanding himself and the world around him. People often dismiss him due to that unfortunately. But, you know, imagine a dumb collage age boy and you get somewhat of an idea.

He’s a very sweet and compassionate guy, extremely extroverted and fun loving…maybe a bit flirty at times. Definitely cracks witty comments and one liners in battles ranging from something clever to “suck my dick” or something dumb like that. That doesn’t mean he can’t be serious, he absolutely knows when he should. Ironically he’s the most “normal” of the group, often being the straight man. Overall heart of gold and just wants to help people.

He has a bit of a rebellious and impulsiveness to him. As clever as he is, he’s mostly driven by his emotions. It’s always a “do what feels right in the moment” rather than logic. In general he’s just very emotional and struggles with hyper empathy. This also causes him to question a lot of the authority around him.

I’d also say he has that Disney Princess syndrome. Gawain is convinced that he has some grand destiny and is meant for more. He’s always wanted to explore and learn more about the world, meet new people and cultures, live a life of glory and adventure. Maybe he’s in over his head or maybe he’s not…we’ll see.

However, another big reason for doing all this is that he wants to understand who he is…more accurately WHAT he is. He was born to humans, raised by humans, and grew up in a mostly all human kingdom. So he grew up thinking he was one despite some strong differences between him and the others. Aasimar are VERY rare, and more like myths to most people, and others don’t even know they exist. So people either assumed he was blessed or cursed, some treated him like the messiah, and others thought he was a freak and dangerous. So yeah, he never felt like he belonged and wants to learn about himself.

Somewhere in his life he ended up becoming a squire and completed his training just before the start of the campaign…

And that’s all the backstory information I can post because my friends will see this.

I guess I can do a bit of trivia:

It’s still D&D lore, but the world itself is homebrew. Humans are actually not the majority race, far from it. Most humans live in a large archipelago with various human nations. I remember the DM said the estimated population of humans was 20,000 to 30,000. The two mainland continents are one dominated by dwarves and the other by elves, along with other races being far more common on the mainland. Not really about my character but I LOVE that detail. It’s somewhat relevant I guess since I said Gawain grew up in a human society.

The god he venerates most is Ilmatar.

His eyes reflect his emotions and power. When using any of his abilities or when under intense emotions (both positive and negative), his eyes will turn a solid gold color.

Prior to his training, he was a courier. His parents ran his town’s postal service and that’s one of the things that got him into the idea of adventuring.

He’s more of a cat person than a dog person. He likes both, but I feel like he’d go for the cat.

The first weapon he ever used was a bow rather than a sword. The specific sword he uses is an arming sword.

He is a wonderful singer, his voice is almost ethereal in when he sings (little aasimar headcanon of mine).

His favorite study is anthropology, but also really likes history and geography. He’s always collecting little souvenirs and trinkets from everywhere he visits.

He keeps a diary and loves to write stories and sketch things. A lot of story inspiration comes from his dreams, which are often very vivid…and he remembers them super well.

Neither of his parents have blonde hair, nor is it a recessive trait they had. It’s actually part of his aasimar traits.

He talks in his sleep because I think it’s funny.

If this wasn’t a medieval fantasy world, he’d definitely use Gen Z slang. Maybe even tell someone “L + Ratio” or “Skill issue” after besting them in battle. In that same hypothetical reality, his favorite band would be Starset and The Score.

He takes good care of his appearance and health, so he does enjoy certain beauty products. A spa day is his ideal day off.

He hates salmon. He thinks it tastes bad and prefers catfish. I don’t know why I even thought of that fact but it’s there.

[enteroctopusdarkysilis]

✨Bionicle crab !✨

It was, originally, meant to be just another arthropod. However, someone reblogged my previous rahi, along with this comment :

Well, guess what ? Yes, absolutely. I’m glad I saw it because it gave me the inspiration for this monstrosity (and it made me laugh more than I would admit, too). Thanks.

I must recognise that if I compare my rahis, there is a clear pipeline. I don’t think it can go much further in this direction.

Anyways, details/closeups/weird illegal technic I just found out, below the cut !

Front (smol Visorak for scale) :

Because it’s really big. It’s also a good excuse to show off my really fancy and glittery Kanohi. No clue where it comes from but it’s beautiful !

I’m really happy with how mean this things looks, overall. It’s most definitely the bad guy for Toas to fight. It has a really good scale to work with my larger customer Toas [here], but it could also act as a really large rahi for my smaller space-based Toas [here]. Why a large crab stealing Kanohis in space, you may ask ? No idea. I’d have to actually think out a lore for that.

I started the conception with the frame (which does make sense, in theory), then the legs, and finally the shell. This was only partially smart, because that meant I did not account for the shell's mass when building the legs. Essentially, this poor thing can't stand on it's own, so I'm using two technic bars underneath to keep it up right (which are hidden in editing, of course).

Top/Hind (shell) :

I think the shell was pretty decent. I tried to use as little pieces as possible to keep it light, but it's still a lot. Among these pieces can be found one Visorak claw and three Mantax feet, which have a nice texture for organic feet. There is also another foot at the front which comes from an Inika set which I can't seem to find. I'm also using some of these large technic panels, which cover a lot of surface without being too much of a pain to set up (still quite a lot, since they're connected to the feet at at an angle, feet which which are also connected to the frame at an odd angle...) Speaking of Mantax, I alsu used the black-pearl shells, because these, too, have a really organic vibe, and it gave a small touch of pearl which was missing on the body.

I tried to keep the back relatively slick, to avoid something similar to an abdomen since it's not a spider. Still I had to extend it a little bit using the rounded cubical cover, to hide some socket joints, but it's okay-ish.

Neath :

Truly a mess, I must admit. As I started with each side separately, I tried to somehow connect them with the large grey technic frame (in the middle). On either sides, I have a whole bunch of axle connectors, both standard and angled, which allow for the thing to appear rounder than it could have been. The two leg sockets peices at the front are used for the eyes, and the pieces abov (barley visible) is a classic Bionicle shoulders piece clipped backward as a base for the pincers arms.

Pincer :

Or mandatory unusual feet usage. These really works well as any kind of claw or armor, in my opinion. The black arm pieces used here (Hordika leg piece) were particularly good for the job as they technic pin holes in there allowed me to add ad additional socket practically at the same level at the original one (even if I would rather have used black technic bars instead of the light grey ones, but i couldn't find any in my supplies... It's likely the Space station's fault.

Legs :

Or equally mandatory foot out of not foot pieces. Here is a cursed homebrew way to make legs : one Bohrok head part (bricklink call these shoulders ?) to display the piston-like element and serve as structure, linked with Toa Metru legs (which slots above nicely. And then comes the magic trick, for the Rahkshi shells (silveragain, because I have many of these) have a small attachment point toward the end, that is meant to hold the back blades in place; but it also perfectly fits right on the small ledge in the middle of the leg piece ! Granted, it's not a very secure connection, but these two pieces don't need anything else but that to hold. I actually loved this one so much, you can notice two additional Rahkshi shells held similarly on the tope of the crab's shell.

In order to connect the legs individually to the frame, I am using Vahki legs for the exterior limbs, and Pihraka arms for the central ones (these arms have the particular property of having the restrictive sockets on either sides, which makes it good to keep the leg's shape.

The middle sections are made using two simple axle-socket pieces connected by old plates, usually found in technic sets predating the Bionicle them.

…And obviously, I had to make another makeshift studio (I actually really like this one). Have a look at all these terribly assembled elements !

[unhappytimeleaper]

Character analysis; main concepts

A lot of this references some hints to lore and stuff I found. Not a lot are direct spoilers, but since Venti is built on his vagueness to his past, this likely will be able to be subject to change as time goes on.

Also, I wasn't sure if I asked if anyone would reply to whom to pick for my analysis. I asked some friends on a Yandere discord server, and in passing, one of them mentioned Venti, so I just went with it. Shout out to them. I hate making decisions. And leaper lore, but Venti is the reason I got into Genshin, so I guess it's fitting he is first.

Anyway, that means sending who I should do next. I'd prefer to space Genshin characters out, but anyone on my lists can be requested, as well as general requests being open.

The final quick personal note is I wanted to thank everyone for the 150 followers. I know it's not a lot, but I am thankful for the handful I know have been around for a while and for those who have considered following; Tumblr and most other SNS are rough for creators as reblog ratios are so low and other issues, but I am very grateful for those who keep coming back.

Venti [Barbatos]; Unedited. Gender neutral reader. Part 1 of 3

Warnings; yandere!! It touches on every main category of the troupe, so if you are sensitive to manipulation [emotional and mental], alcoholism, codependency, guilt [even self-imposed], obsession, lying, stalking, some general creepy behavior, breaking and entering, possessiveness, delusional thoughts, unwanted touching [sfw], and anything else you can think of being related to yandere troupes, then it's best to just not read. Also, a massive warning for talks about religion, idolization in the 'church,' and abuse of power within religious settings.

Word Count: 8.4K

This blog is 17+ please have your age in your bio or tagged; any ageless blog and below the age asked for will be blocked at the end of the week.

Maxed Stats

General manipulation

As a key component, Venti is a general trickster; he comes naturally with the skills of forgery, fabrication, pilfering, and illusion-making. These tools under his control make him naturally an enigma but build into easy traits of manipulation as he needs not just to you but to anyone. And for an early establishment, Venti's natural manipulation is not just tied to these specific skills. Still, it almost comes coded into how he exists as more of himself is revealed. Though these particular skills of lying are much harder to pick up on, between the riddles of his words and decent, innocent appearance, it's easy for him to pull off a twist of words or lie his way out of a situation.

As pointed out, manipulation is a skill that Venti can best use against anyone. To you, he is likely able to find excuses to keep up his actions. Outside of the wall of Mondstadt, he can quickly find reasonings as to why he's there, too. More often than not, he's somewhere close. While in areas like Windwail and Brightcrown, he can stay hidden, only needing to reveal himself if you find yourself in trouble, in regions like Starfell and Galesong, you can often see him not too far off in the distance. Even if you doubt his reasoning, it's hard to find proof of his stalking, making the moments unsettling, but his cuteness and way of words make it hard to get upset. Guilt festers as he looks so sad with accusations of something more sinister and that he has ulterior motives. Or how within the walls Venti is quick to find you and cling on, either in close proximity of walking or physically bound to you somehow— it's easy to tell when he's been drinking as he tends to be much more touchy in those moments. While it takes a lot for him to truly get drunk, he likes to play it up as there are so many more benefits and things you let slide. You have to take care of him in some way, and he always has a reason to be around longer.

In cases of late nights together, Venti sometimes lets you feel as if you have the upper hand, too. Pretending to be more drunk than he is and more open, allowing you to handle your chance at burning questions as he wistfully gives answers. Often, they are still vague but do let you delve more into his past, the trauma he has endured, or the loneliness that has come into his life. The more you learn, the more guilt grows at the idea of rejecting him. Of leaving Mondstadt in favor of exploration or answers. It's also not one where everything he shares is a goal of manipulating these feelings or actions.

Venti's love is absolute; for that, he wants to share what he can, with his goal of being bound to you, which means sharing these personal moments. For him, learning about you is so much easier with his status and age. Still, you can seldom learn about him in the same way, even more, as he can't fully spill his guts about his past at a moment's notice. However, he can think of this as an added benefit; manipulation, even if it's not the goal, is still emotional manipulation.

These times, there often are levels of manipulation about other places and people he puts in place. Different regions and gods aren't free from their past either, and Venti is known to share moments of these in his riddles. Aspects of how the lands have changed, how they have changed, but the imposing struggles carry through their lands. It's not really shit-talking them, nor a full-on slander campaign, but the language and words he uses are often dulled in favorability of what they could be. Similarly, he might often find ways to weave in things that could cause greater fear in you to manipulate you into thinking you are much too weak for the creatures that lurk there. While some parts you can chalk up to his story-telling nature and that by making it more dramatic, it sounds better, there often is a growing uneasiness about how vicious parts it could really be. More than countless times, there have been moments of your own danger, only saved by the grace of the wind and Venti nearby… In contrast, he speaks of Mondstadt and its people much more positively, and while he has some jealousy of those in his region you gain closeness with, he also tends to have a much more positive relationship with them, allowing those to be better tools to help in his love life than those in say Sumeru or Inazuma. He tends to maybe add in some more lighthearted jabs that can have an air of jealousy in them, even more if Venti feels you've been around them a lot recently, but in the way he talks, it often is more of playful bad-mouthing than down right insults.

As touched on, Venti's manipulation of you isn't always intended or done with negative goals. One side of this is again linked generally to how he speaks. Being this enigmatic person whose words are always wistful and hold more profound meaning, there is a natural draw to learn more. It's only made more of something that is hook when he doesn't often go around sharing this self-lore to someone so known but distant in Mondstadt to just anyone. It's almost like a balloon or bubble; the hints that are added build up little by little as time goes on without seeking out Venti for more until it pops. A droplet of information at a time until it consumes your mind, going back looking for more details to answers to the questions you'd had running in your mind for days. Soon enough, you are the one asking where the mysterious bard is to the townspeople, only cementing more in their minds the nature of your relationship being more than platonic. It also, again, just makes you feel special, a self-imposed superiority that you are the person who knows him best [which this ego can be inflated more if you know him as barbatos as well]. Venti knows these actions are manipulative in a sense, and again. At the same time, it doesn't truly harm anyone; it's still manipulation at its core in building this unique reliance on him.

And Venti's manipulation is ever present in the town and the people of Mondstadt. The key ways he uses these are to get more information about you and, as usual, get away with things. However, as briefly stated, Venti uses the wind and himself as a factor in starting rumors that there is naturally more to what is happening between you that can be exploited for later use. But back to the first point, Venti is able to once again use his 'charm' and way of speaking to easily coax others to give out more information about you. He literally likes things about your past, interests, personal relationships with others, likes, dislikes, and such through his friendly demeanor and guiding the conversations. And while he can easily track and monitor you through the wind, by talking to others around and having them tell him where you are, it helps set up a close alibi if you were to question him later. Essentially, in this case, the guards and townpeople become effective scapegoats for his stalking if needed. Furthermore, these questions end up helping intensify any rumors as the questions, over time, can become more and more romantic.

His manipulation does also be a benefit as he really is one with the people, if not distant in details. By having personal connections to groups like people in the Adventure's Guild and Knights of Favonius through people like Jean & Kaeya, they easily can be tools to help with his… well, propaganda. Even the temple with Rosaria. You ask about traveling and other nations to people in the Adventure's Guild, and they tend to often only share more gruesome or darker aspects of their stories. Of have plenty of tragedy by the time they reach the 'positive goal' that it's a natural persuasion to not want to often venture too far outside of Mondstadt. Or say you are one to leave; Venti could use points of manipulation he's built to have, say, Rosaria or Kaeya go with you, depending on where. The wind can always join you, but Venti isn't up and one to fully be able to run off from Mondstadt for long periods of time. If you plan to go on just a trip for travel, it's one thing for him to run off and join you, but freedom itself in Mondstadt is unique. It's not necessarily true freedom, and while he's awake with a purpose, he can't in his heart run from Mondstadt to travel with you. And while he'd be able to do anything in his power to persuade you to not leave, he's one to physically force it unless you're genuinely trying to run off for something dangerous. However, if someone else were to go. Friends of you and Venti… you'd have to come back, right? Kaeya can't leave his post forever, and it was him who accompanied you for this task, so it would be unfair to go on alone and not see him back… Yes, through others, you'd always be lured… guilted into returning home to him eventually.

Manipulation is also used here in more of a test; he does this often with people but imposes an idea or thing involving you. Those he wants to use in a way of getting close, he bluffs some lies out, and their reaction or steps they handle in regards usually is how he tests to see if they are reliable in what he needs. It's nothing extreme, but it's best to know if he can trust their feelings and opinions on you before letting you get too close. If they fail, well, a little bending of the truth to make it so neither of you wants to interact and never really hurt anyone.

This all helps build into how appearance tends to help. Not only for the general public but even for you, as his boyish charm and looks naturally tend to frame him as innocent. People are quick to brush off his questions even if they progressively get more concerned as 'puppy love' or that it's simply 'too cute' to see the young love from the bard. Many might even favor this as they see it as him likely being willing to turn a new leaf and grow into something worth settling down [i.e., get a job and place to live, though really, instead, it grows more into him crashing at your home and still playing song for whatever he can— money or alcohol]. His verbal actions are easily brushed off, but even the physical side of things, too. Pilfering is a great talent of his, but when caught with your items or breaking in when you're out, he tends to be pushed aside if he plays up his demeanor and lies. Scolded with warnings, sure, but scratching his head and sighing with a 'promise I won't do it again' tends to get everyone to roll their eyes and back off. As mentioned, his appearance can even present him as harmless to you; if someone brings it up, you might also awkwardly laugh and brush off the events. It's just Venti being Venti. He truly is primarily harmless, and he's stayed over so much at this point him breaking in was likely just a result of a habit of being in there…

And the limits of manipulation can be pushed if he so chooses. Call it divine intervention, more or less cause while he does so more with a dirty conscience, he can be driven as Barbatos to truly step in. Religious intervention. It seems weird when the Church of Favonius suddenly comes in contact with some old documents, ones with never seen details of an old love interest to their beloved god. The news and rumors sweep the nation, and even weirder, most of the details and notes recount someone… like you. Things seemed to get stranger, and from there, only more documents could be found of this exact figure appearing throughout history, like some sort of reincarnation. The fascination of it all quickly became the center of the topic, and with the likeness you bared in the story and aspects of appearance, you're status seemed to shoot up within the night. Not so much a holy figure but deemed with some strange uplighting in the way people spoke. That is, or how Barbatos ever seemed to come back to Mondstadt, you'd need to be there just like how the past reminisced. For those who do know, it weirdly only pushes you away from them if you ever seek help, that that story must be bound to fate, and that Venti can't be as much of a nuisance if you give it time. The problem is only dug in worse as Venti creates poems and ballads of the sort, claiming he actually had heard of these but never sought to share them until now. As the stories grow, you're pushed more and more to the church with the idea of gaining barbatos' favor and attention. Leaving… just became much more complex.

Dependence [reversed]

Dependence comes in a weird form, at least compared to others. While in general fashion, dependence typically is the idea that they want you to solely rely on them for everything, not only for power and love, it can even be with money, housing, or other necessities. While Venti likely would be much more dependent on him being really the main source of your love and affection, the rest… he doesn't care so much about. Power may be a little; he doesn't need or want you to depend on him for it, but it does give him a little ego boost when you have to or ask him. And too many other aspects of actual dependence go against aspects of his belief in freedom. Venti's course of manipulation never truly prohibits your own freedom; again, less you actively seek to do something he knows poses a threat; it just often forces you to rethink and become more hesitant in actions or thoughts.

As for other forms of dependence, well, Venti doesn't have them. He steals, only really eats apples, to your knowledge, and is homeless. It's quite pitiful in a humorous way. However, as you get closer and bond more with the bard-friendly nature, it is hard for you to let him live like this. Well, in certain ways, stealing alcohol or bribing others to give him some with songs you can't really stop unless you plan on going bankrupt. But more frequently, you invite him for meals and shelter him in your place. Even more frequently if the weather is bad or as winter approaches. Venti isn't manipulating you necessarily into these tasks, but dependence some with a factor of self-guilt. He's your friend, someone you've gotten close with, and with that, he's come to truly rely on you for these things. He was fine in the past, but to leave for who knows how long and let him fall back into such a life would make you a bad person. Right?

Logically, Venti knows he doesn't need to depend on you for these things as they don't have any real effect on his life, but it's so domestic. He gets access to all your items; you put time and love into meals, or even sharing what you purchased from Good Hunter fills him with warmth. On cold nights, he finds it easier to slip under your blankets and, even if it's fake, pretend to sleep like how couples would. Being a god comes with a lot of good but a lonely life, and after seeing so many, there comes a time when it's nice to indulge in it. Gluttony has always been a crime of his, it seems, such as with alcohol, but this also can't be that bad if no one is getting hurt. So just let him depend on you a little longer. At least until he can find out some solution before he sleeps again.

Self Harm

Similar to dependency on basic things, one form of manipulation that Venti doesn't do on purpose but knows that there still is a benefit to his actions is his indulgence in drinking. While it takes a lot for him to truly get drunk, as noted, he does like to play it up for you, and it's not uncommon for you to have to take care of him or come help him. In all sense, Venti, while not necessarily drunk, is an alcoholic, and to a detriment, it is a form of self-harm. Through learning more and hearing the tales and songs of his past, it's apparent the wounds run deep, and Venti's only way he knows to deal with them is through drinking in an attempt to numb or forget. The reality of knowing this is hard; you see it with others you've likely gained closeness with and how drinking has affected the lives of so many.

This leads to two outcomes: this, again, guilt that breeds when thinking of leaving. The connection Venti has formed is tangible with how deep it is to you, even if you don't reciprocate in that way. That's if you were to leave, would things only get worse with his drinking problem? Unlikely, he would died from drinking, but it's more than just drinking; it's the mental state of him in that position and how the loss of more people would rip the wound open even more. Furthering, if you had actually spent time talking about his past and working to unpack and find better ways to cope with the trauma outside of alcoholism, leaving would be a dick move and revert all that progress no matter how you explained it. How much could you're conscious take knowing this? How far could you make it without the guilt of him back home as the stories of his past cloud your mind? The wind tickling your skin and almost like a whisper reminding you of it. It's one thing to share a drink or two with the bard and have a fun night in the tavern, listening to his songs and dancing. It's another to picture him alone under a tree, empty bottles scattered from stealing from him alone, reminiscing about his lost friend and the imagery of war. The wind gets colder, licking the back of your neck, and the guilt is painful, ready to burst out your chest for even thinking of it. Some wounds you cannot heal, but the idea of making them worst or abandoning the person who's come to need you most is mentally crippling.

General obsessiveness

Venti doesn't necessarily read as obsessive. Not outwardly, at least, though it's easy to blame his charm for that. Okay… well, maybe not charm, but within his manipulative nature and looks, his actions and questions regarding you don't play as obsessive to those who listen. It's unlike many others who you can just look at them and feel in your bone there is something off, or in how they speak, they care just a little too hard. His sharp tongue and trick of words allow people to very easily give up information without thoroughly having them aware they have, making his tendencies go far under the general public's radar still. And for those who do somewhat witness it, he doesn't mind playing up his role a little more. Just a young, helpless bard looking to woo someone. It isn't a crime, right?

The mask he wears holds many layers. The bard, the god, the lost wind. Not many will ever get a look at what really goes on and what is an exaggeration. Or under exaggeration when it comes to you. In most cases, Venti stretches his stories up, his words riddled and larger than life that people have to dim down to work out the true meaning. So when he sells his obsessive love as much less, people are quick to brush it off or dim it down further to avoid those actual layers of emotions being peeled forward.

A chunk of this also extends to the shame and questions it brings out of freedom. Venti has never tried to take it away in a solid way, but is it true freedom to either of you when you fill so much of his thoughts that you can't really do anything without him? It is the thought that replays and replays of you and him doing things; it's the obsessive nature of having to know where you are, who you're with, and what you're doing. Are you safe? Are you planning on leaving? Should he come to find you just to be sure?

What about the images. The visions he remembers from the wars, from the people he's lost, and that truly, at any time, perhaps something will happen, and you'll be next. The flashes of violence and fear that only make the goal of getting his next drink to numb them go away— or you. The sight of you, the smell of you. Having you hold him and remind him that the past is gone.

You'd be able to see it, maybe not the full extent, but you've come to know the bard enough to tell when the cogs in his mind are turning and the way he tries to drown out aspects of himself. It's hard to tell what he's thinking, but you know some of it is tied to the past as he holds the stolen wine in one hand and grips you so tightly with the other as you try to stumble back to your home and out of sight. You can tell something is off when he's snooping through your things early in the morning as you're just waking up and when he's clearly been inside your place while you were out with a friend. Or that he's been leaving more and more questionable lyrics? No, less like poems or lyrics but ramblings about love and fear and what can only be aspects of you on the counter as he runs around god knows where. It's worrying. It's uncomfortable to an extent, but not enough or in a way that you can just cut him off. Kick him out. Maybe just talking or setting a little break, but the pressure in your chest and bile in your throat at the thought of cutting contact brings you to a sobbing mess each time.

But, what does keep him from being fully obsessive is that Venti still has things to do. Freedom of Mondstadt and giving up his title as the god doesn't mean he's abandoned his role truly, and if he's awake, that means between drinking, being with friends, telling stories, and everything about you, there is something he has to do. He still is out fulfilling a duty no one, but he knows of, and really, part of that seems more scary than anything he's done to you. You know he'd never hurt you; it's not a fear of that, but as Venti opens up more to you, the parts he still keeps hidden remind you that this is only a fraction of what you know. Guess it's good that you still have some time and space to yourself, but as obsessive as he is in his thoughts and other flaws, he can dial it back if needed for a short amount of time. At least from your perspective.

Wrong idea; type 2

In a sense, Venti is give an inch; he'll take a mile. Like a stray cat. You feed him once he keeps coming back for more. One thing is that this wrong idea can start more slowly, but the second you mess up and do something more romantically affectionate, it instantly becomes much more intense in the progression of what he's willing to take or do.

As mentioned, for anything to start, you need to be at least on a friendship level basis with Venti, and a sorta higher level of one. Nothing extreme, but the type of friends who do spend a considerable amount of time together and, for example, willing to open your house to him to stay in occasionally. Not even in a 'stay in the same bed' type way, but he knows aspects of your personal life, and to a level, you learn more of his 'Venti' side for any of his traits to really start manifest. However, it is already very easy to set off more and delve into the realm of leading him into the wrong idea territory.

Some ideas of how this might be are such as gaining more physical contact. While the intent is friendly, Venti is from a different time, and being touchy already seems less common than you already have a 'flirty' aptitude. Grabbing his arm or hanging off of him when sober makes his heart flutter that there could be more. Certain gifts, flowers, or making uniquely special foods just for him. Not just any meal, that's normal, but if you were to make something sweet with apples that wasn't a typical dish, it leads his heart to beat just a little harder. Or that one time when he did stay over and you fell asleep holding onto him rather than the usual routine of wandering off to your own spot after putting a drunk Venti 'to sleep.' You must have been exhausted… but this is his first time really getting to see you up close.

You must be doing all this with some… ulterior motive. Sure, he's heard of courting; he's older than people think and knows more of the ins and outs of things. People treat him like someone far more innocent by these looks— not just with drinking. And yeah, it comes in handy sometimes, but not when people talk down to him about this. At first, there was some apprehension. Teyvat was in a dangerous time, and as carefree as he plays himself up, he's always guarded about his next move.

Obsessiveness starts more simple. His questions are more of curiosity about many things, and what is better than to trick it out of people and you. Sure, he knows most basic things of your life, but that couldn't mean you aren't linked to more questionable things and had figured out he was Barbatos, either. He comes off a nosey at best. When digging to see if you'd ever been caught doing 'bad things' most inform sure— but in the sense you had been a kid and teen once. You'd easily gotten into trouble more than a few times but never was it for anything imminent or serious. He digs more into the lineage of your family and the other people you associate with. Nothing strange… fine, but perhaps a different route. He remembers some old common courting techniques, and he's seen some of them in this era, too. He's not blind to it, but as he shares more of the details, the more people tell the 'young' bard. It's probably a hint that he should reciprocate. I mean, he already hangs off of you like a hangover anyway. It's surprising he isn't already attached at your hip with how much you both sort of rely on each other. Although you tend to treat him more as a companion than him, he depends on you like a leech.

And the switch flips.

In certain aspects, if you did have some sort of crush, it likely would melt away with how quick his obsessively wrong idea notion takes over. What was harmless flirting testing the waters is instantly blown into a large scale. Even if you didn't like him in that way and other signs were one of platonic closeness or accidents, it doesn't seem to make a difference. His touchiness is insatiable, and the amount of time he starts demanding you spend with him is much more intense. If you try to brush him off, his poutiness damps the air, and things just an uneasy tingle. You find him trying to make all sorts of snacks and now haggling not just for drinks but for gifts. Every story he tells, every song he sings, and every poem has some romantic undertones that, paired with former questions and actions, people know it is about you. And the stalking doesn't help.

Venti's turning point makes him feel like there is more and that there could be more. He's not fully delusional. There are aspects of a lucid point that you're pulling away, but that just means he needs to try harder, right? He's seen so many relationships go like that. If you stop trying, if you let them pull away, that's really how you lose them. It's obvious how much time he puts into this, how much he thinks about how to move forward, and how he can use things like his skill sets of manipulation to keep you bound to him [not literally but in a figurative state]. However, it is only time before you get worn down from trying to fight and redirect… adapting does become just so much easier. Conversations, trying to explain, just don't seem to reach him. Lucid and all, you can't understand him or his goals anymore, and even when he does calm down back into a slight breeze, the second you give him a bit of that former closeness back, it picks back into a blustery.

Stalking

While Venti's stalking habits have mostly been pointed out, there is one other big thing that needs to be recognized. Sure, in Mondstadt and the borders of other regions, he often can find himself about to sneak away and physically follow you around for extended periods of time [days, weeks, etc.]; what happens if you leave. Of course, Venti can easily manipulate others to go with you as a safety net and use it to get you back home, but things are rough when you're gone. Luckily, or to your dismay, you aren't ever really alone as the wind follows you. No matter how far you go, how pleasant the weather is, or how rough the wind is a constant companion following in your wake. It's often a nice breeze, though it picks up a significant amount if you're nearing danger or in danger. Though a strange pattern of it picks up when you spend a little too long talking with locals…

Yes, the wind itself can't do much, but its following reminds you of your faithful companion back home, the one you'll have to eventually return to. And while 'freedom' is given, it's never truly 'free' as the wind follows far and wide until you come back to your love.

Final [unique]

Where final comes in is related more to Venti's 'sleep.' From the context, it seems Venti has less control over when he sleeps and for how long. It's not that he chooses to abandon his land in the time. It's that he cannot fight when he goes into his slumbering state. For hundreds of years, and the times he wakes up are only that when there is something of great importance. This wouldn't be much of a problem before you— Mondstadt was given their freedom, and it was just how it was. He awoke, he came, he helped, and he left; nothing more or less.

However, he had been awake for longer than usual. There was something, even outside of you, that had brewing. Something deeply important kept him awake, even if he didn't know what. And he established a life. A true life this time, with friends in the taverns and everyday 'enemies' with his habits. He found a 'job' and a 'home' within his city as one of the people. And he fell in love. It's one thing to become intrinsically a part of an environment, and even if you don't feel the same way, have that connection knowing any moment it could be lost. To go back into a long-standing sleep with every person, even facet of that life is potentially gone when you are to wake up again. To lose that loved one to time.

Venti has lost so much, each person he's established a bond with passing or having to move on to more incredible things. When he awakes, everything is different; every person is mostly a new face, with few exceptions of those only being a few like him. Is it wrong for love to be so fragile when he knows the change of fate of it being lost is greater than the reward? That if he were to fall asleep, you would easily be able to move on. Find someone new, forget about him, or at least be nothing more than a distant memory. He knows other types of love can be platonic, that the affection you give to the city kids isn't the same, or the way you play with the cats as he watches from a distance. He knows that when he sees the couples in Mondstadt, he's supposed to be happy for them, and imagine if it was you two rather than have the breeze pick up ruining their outing. That he shouldn't be this jealous or bitter; it's unsuiting of his persona, but how else are you supposed to know when love is useless if not with you, the one person he could so quickly lose. When you're not around, this gets worse. Celestia, be damned if he were to fall asleep without at least getting to see you one more time.

This acknowledgment does considerably bring out more of his obsessive nature, almost like paranoia, but in a way that no one can quite place. That he needs to have knowledge of where you are and how long you've been gone, or that he needs to be with you to make up for the time. The obsession leaks into you're time together; since he doesn't need sleep, he'll just lay there watching you. Hands sometimes ghost your face as he pulls you close, worrying about if he can't save you if he were to suddenly fall back asleep tomorrow and never see you again. It's the way sometimes he grips your arm a little too tightly and breathes in too deeply when hugging. That he needs to find a solution to keep you immortal so if he does sleep, you'll still be there when he awakes, or even better, you can sleep with him [and awake] at the same time. You'd never have to be alone, he'd never have to be alone. And sure, it's a stretch, but it's not a loss of freedom because once awake, you can still go anywhere you want together, and even with this idea, you still have full mental awareness and control over your mind.

General Delusional [unique]

Venti isn't delusional. His perceptiveness to things around him and his need to protect himself, plus his lifetime, has made him more or less hyperaware of things and life around him. He hears the prayers of people and the lives of others, and being lucid/logical is simply a must for that of a god. But he hears the prays, he hears the others speak, and he yearns in a sense to be able to have the luxury of being delusional. Of just being able to let everything go and pretend things are good or that you like him back in that way. It sounds nice. Easy. To be able to imagine your life together as some fantasy story, he's the knight who'd come and save you and live happily ever after.

Scratch that. barbatos isn't delusional, but Venti can be. The mask, the person he's playing can be. He isn't just a storywriter; he's a storyteller. An actor, a character of his identity. So no, deep down, he knows the truth; he's extremely aware of that, but why not just play the part. Let him play as if he was lost in those delusions and that whatever it is can be that way. When you're cooking dinner for each other, Venti knows you're just making a meal as always, but why not play it up. That you're coupled and that this is making a meal together as a such— it was a little weird when he came over to help, but you didn't question it. At least he was doing something. But meal times together when he would help progressed weirdly. Putting his arms around you as you try to cut things, holding out utensils for you to try things on. It got very strange the one time when baking, he leaned over and licked a crumb off your face. You didn't bake for a while after that.

Or going out. What once was normal progressed into him inching closer and closer, then hands briefly touching. You didn't think much. It's the bard unless your Diluc. He's been pretty much harmless around the city. You think. So what if he was one to try to hold hands or brush arms that just matched his bubbly personality. Though the linking of arms and leaning into when waking, staring into your eyes with such affection did change things a lot.

It's nothing more than a role, or sort of game to Venti. The delusion is there, but it is more like oil sitting on top of water. He can turn it off at any moment, but where is the fun in that when everything in his life is so serious. With you, it's easier to just pretend. At least he still has all the control and lucidity of the problems when needed.

Projection

This has been touched on already, but to relate it back, Venti isn't so much delusional in the sense he believes it's real but that if he projects the message hard enough through stories, through songs, and to the people of Teyvat that you're together then in some way, that will be true. The projection of his words he knows are false, and he knows in some way, even if it isn't true, that if a story is spread enough, people take it as fact. And if everyone takes it as fact, then it's just easier for you to accept it as well. He really doesn't have to do anything to force you. It's not taking away anything. It's just altering it so that way things work out in his favor. Much like the general sense, it pairs as well. If he tells himself it's true, perhaps he can force that delusion to cloud the lucidity he feels about all of it. It's almost like in a state of being drunk, where you know what's going on to a certain level, but it's foggy. It's rose-tinted enough that if everyone thinks it, he can, too.

This projection is only made worse if he gets involved as Barbatos. It changes things from just the slightly weird couple who, honestly, the people of Mondstadt can't really explain how they ended up that way. They remember bits of it, but it seems like someone through someone, though some random grandma just mentioned you were taken, and everyone ran with it. But if the church were to find the falsified relics and stories, then there just is nothing you can do. Now, it's not only Venti trying to project something there but the whole church following, believing that you are some saint and by having you married? Honestly, you aren't really sure what all this goal is to have you 'connected to Barbatos' even means, but whatever it is… it doesn't sound good. The expectations of you are doubled, and the projection of you being more than human is suffocating. But it's only made worse when Venti comes forward as Barbatos to you, saying you should just play the part. Stay with the church as some saint and with him. You'll still have a life of freedom outside of it, just with some more expectations about how you interact with others. You'd be bound by the marriage of some sort, and he'd find a way to make it eternal. It doesn't sound too bad, right? Freedom isn't truly free, but it never has been. It's an elusive concept, something subjective, but if you still have the right to enjoy your life and the good of being such, then it should be okay. You can still leave the church figuratively and travel, arguing it's on some journey for something. You aren't restricted in how you speak or think, but things like infidelity and how you speak of love need to be more kind. Yet you'd live a life of peace, one of never needing to be allowed and have the blessing of a god in your favor.

If not, think of the projection people will have if you say no. If you try to run away, you lose everything. That would be the true loss of freedom. The loss of your friends, your loved ones. Your home. Venti projects this idea of love and what love should be for you two, not between you and him necessarily, but to everyone else, making it all the more terrifying at the consequences when he finally does. Not if, but when.

Monopoly

This is where things get rough because Venti is possessive in a way that can't be controlled. He feels it settling in his chest when he spends too long talking to the shopkeeper or giggling a little too hard at a friend's joke. He hates it when you work and when you dedicate your time to the kittens outside The Cat's Tail. He whines when you have to leave in the morning and when you turn up to Angel Share just a little too late, begging to know who you are with. It hurts him. He can't explain it in the way it crushes his soul, seeing you give your time to others, your energy, and your care. It pains him so deeply to see you run yourself thin for the world around you, for those who could never understand you like he does.

Venti knows it would be easy to whisk you away. To use his godly powers to keep you safe, to keep your attention and love only on him. How things would be so much better for you, for each other, if you could just monopolize your time for him and you and no one else. The idea weighs on him like a pile of bricks. He knows it's wrong; he knows it goes against everything he stands for. And call him childish, but he can't help how he feels.

It's true he never really acts on it. Clinging onto you and carping over it, sure, the way he tugs slightly on your arm after you keep talking to the passerby you bumped into, an old friend, ready to drag you off to somewhere in Mondstadt, you can be alone. How he holds on just a little too tight when you talk about events at work and the people you chatted with, quickly wanting to move to a more interpersonal topic.

Venti never really monopolizes you or your relationships, but his bratty and more childish act really is brought out more with you around. You still get the socialization and ability to be around whoever, but it always needs to be rightfully compensated with some alone time with the god as well, so pick your battles sparingly and just go with him when his fuse starts to burn out.

Bizarre Seeking [unique]

Tying back to his sleep issue, the case of bizarreness only relies so much on how far he's willing to push to keep you immortal, either through godhood or other means. It's surprising he'd even consider it; his testament for Celestia is apparent in conversations, and the path to godhood is not seen in a much higher light based on conversations. But Venti knows sacrifices need to be made to get what you want, and if that means the pursuit of godhood or immorality to not lose any more of his loved one, then that's a sacrifice to be made.

Because of this, Venti ends up pushing you into countless more and more weird scenarios. You end up visiting a certain alchemist more, not really ever knowing the reasons why, and stranger things of yours seem to be going missing. What is that strange bruise on your arm, and why does this one piece of hair seem slightly shorter than the rest? You also swore that Caramel Pinecone tasted weird last time, but even when you ordered the Love Poem instead, it was still off…

The limits of Venti's morality are very much pushed with the goal of finding a way to extend your life more permanently, and while the actions he takes are questionable, they aren't anything he would do less deemed necessary. Beyond that, once he finds the key to unlock it, his bizarre-seeking tendencies end up dying down or stopping altogether.

Also, while he considers and will try to push for a Celestia ascension if push comes to shove, the ability to actually achieve godhood this way is much more complicated and dangerous. Something he might keep trying for, but this way is much less likely to succeed, and he knows this, which is why other bizarre tendencies take priority.

General protectiveness

Overall, protectiveness is a standard feat. Venti doesn't want you to get hurt and will do nearly anything to prevent it, hence a considerable factor of his stalking outside of walls of the city or towns. Even with others, if he thinks they pose some physical threat, Venti has little fear of stepping between you and 'the threat.' It's not so much a protective coating or an extreme case where he needs to check everything you do, touch, eat, drink, or interact with. Still, there is a natural sense of him wanting to protect you and watch over you to make sure that nothing can gravely hurt you. This mirrors why the wind follows you if you travel and picks up to warn you and redirect you away from dangers, a protective aura of Venti that trails after you. It's not even a doubt that you can't, but the inherent need to make sure you make it back in one piece.

There is, again, only one primary reason Venti will use full force to intervene, and this is if he knows you are purposefully trying to run off somewhere that will put you in danger for any reason. Often downplaying his strength of wind, the storm, if needed, will border Mondstadt making it. Hence, nothing gets in or out until you agree to drop it, tearing nearly everything that comes in contact with the barrier if you don't agree to listen to him first and think of a genuine plan. The wind sees all, and while terraforming isn't much on his bucket list anymore, Barbatos has no fear of proving his worth and power if in the name of love and protection. Even if it hurts you to know whatever your goal is foiled, if it's the one-stop against your freedom, there are some things not worth being risked.

Lowest Stats

General [none]

The one trait Venti inherently lacks is sadism. Nothing he does to you or others is derived from the pleasure of hurting or seeing others hurt. And while those such as the abyss creatures for fatui foot soldiers are at the whims of his fighting, it's not done with the goal or satisfaction of a battle but rather a necessity for 'his' people and you.

It's apparent that actions that long-term hurt you or have serious effects, both mental and physical, that fundamentally change you aren't truly a goal. Yeah, the immortality would literally change you, but not with the goal of making you conform or transform into a new mental mindset. At least not right away, as he knows that a long life naturally changes people, but there never is a purpose to rid you of traits. To tie you down and break you until you love him the way he loves you.

Freedom, as touched on, is never truly free. Not of people, not of actions, or even of mindsets. But is it that Venti wants you to be you; be the self you choose to be and the freedom that comes with that, even if aspects of it hurt him. It's why if he has to let you go to Sumeru for a festival he knows wouldn't be possible for him to also attend, he lets you know you'll come back to him without the burden of being changed or conformed to have to come back. It's why, in every case, Venti does whatever is in his power to keep you from being genuinely hurt, even if he can't always fulfill that promise. It's why, despite everything, he can't hurt the people who create the fires of jealousy in his core being.

Venti has an awareness that many of his actions are immoral and that he has dirtied his hands in the past just as much. he knows of the guilt you struggle with, and then he is using his skills to manipulate and play everyone like a fiddle, but in the eyes of a god and one who believes in freedom, it is not in his role to harm anyone in the light of you. It's a turning point he could never come back from if he were to directly hurt you or anyone else with the goal of keeping you with him, and it would be a dishonor to everything he was created from. A stain on the nameless bard he honors so deeply, so while the envelope of what is okay is pushed every day with his other actions, there is never once a hand that is laid on you for the sake of 'love' from Bardatos.

──⭒─⭑─⭒────⭒─⭑─⭒──

Statistic diagram; Venti [Barbatos]

[peijizerojournal]

re: 'khaos reigns'

i have SO much to say about it lol but i'm still gathering my thoughts. all i know for sure is : even though the bar (in regards to quality of story and characterization) was on the floor, i am still, yet again, extremely disappointed !

(rant/review/spoilers below. will maybe add to this, but also maybe not. just purging some of my thoughts lol)

in a nutshell,

the way liu kang, kuai liang, cyrax, sektor and bi-han's characters were all deviously misrepresented was just appalling.

kuai liang is depicted as heartless, arrogant and temperamental. posturing as a 'grandmaster' even though he's done nothing but usurp authority by establishing a 'clan of his own' and pointing the finger at everybody but himself. lecturing cyrax about honour... pfft.

liu kang is strangely unforgiving and not very compassionate (he was literally more gracious in how he handled shang tsung/quan chi over bi-han?? like what??) not to mention his lack of urgency with dispatching of havik and rescuing geras. instead of extending some authentic benevolence to bi-han, he instead goads and chastises him after his transformation, and fails to elaborate further when they have their brief interaction regarding his hopes for a different future. the miscommunication between them -- in other words -- continues to be infuriating.

sektor doing nothing but being comically op and fawning over bi-han every three seconds is so all over the place, like they couldn't decide or couldn't find a nuanced balance in her persona (an issue with many characters, it seems...). while i thought she was the most accurately characterized out of all of these major players, her defining traits such as her obsession with the cyber initiative and boosting the lin kuei's position are not made so clear in the actual story? instead the writers chose to focus on her over-the-top, one-sided adulation toward bi-han. it makes her so hard to take seriously as a threat or as the next acting-grandmaster. another storytelling fail!

cyrax starts off the dlc defiantly, standing up for what she believes in and deciding to help the shirai ryu, yet during the rest of the story, she has no agency and just follows kuai around profusely apologizing for something she didn't even do (and kuai was relishing in that shift of power.... gross.)

and bi-han... i think that situation speaks for itself. missing chunks of the leak script and clever editing in the trailers left most of the fanbase baited and switched, and not to mention literally anything could happen next because of the lack of commitment to any of the lore and to even the timeline itself. many of the tower endings contradict much of the intro dialogue and the campaign itself. i guess by introducing alternate timelines and universes so early on, it gives the writers fair game to retcon anything and everything. which, effectively, pulvarizes any meaning for liu kang's 'new era' going forward.

i could keep ranting but, in short: 'khaos reigns' was rushed, boring, full of poor characterization and enough 'macguffins' and 'red herrings' fit for a superhero movie. so many plot holes and loose ends that weren't followed up on (like hello, what's with the hand on noob's hip? and where the hell did titan havik go at the end? was he banished? what about the kamidogu???). there were so many missed opportunities to flesh out preexisting conflicts too, and the pacing of everything from dialogue to the transitions between chapters was completely disjointed. all the characters actions were seemingly shortsighted and many of the decisions made led to nowhere and nothing really changed by the end. nobody went through any real character arc or growth, nobody knows what happened to our over-hyped 'villain of the week,' and the tower endings cancel out the dlc's true ending, essentially making all of it, and none of it, 'canonically accurate.'

it's clear whoever's writing this has no respect or insight for the source material, and is just doing whatever they want: whatever's popular, whatever sells, right? the one thing about a multiverse story is, you can keep that going forever. the possibilities are endless, and if they don't like something... it can be changed with a snap of the finger. kind of reminds me of one of supernatural's awful later seasons, or destiny 2's "shadowkeep" expansion. 'khaos reigns' comes across as a shoehorned seasonal narrative that exists solely to sell noob, cyrax and sektor and little else.

oh yeah, and the future dlc's that are sure to come.

[harmonysanreads]

Trivia - Jeux de Vagues

I suppose this is the somewhat ‘lore’ of the aforementioned fic. I recommend reading the fic first before diving into this as this contains spoilers :> I normally wouldn't do this but per the vote of @verridaiya I was encouraged to regardless. Something to note would be that even though this is what I had in mind while writing, readers' personal interpretations are equally valid!

“Jeux de Vagues”

I mentioned this in a reblog already but the title comes from the second movement of the symphony “La Mer” by Claude Debussy, a French composer. It literally translates to ‘Play of the waves', quite fitting for a leisurely tea-party with Neuvillette, no? I also highly recommend listening to the piece in general, it might take some patience but if you love daydreaming about watching the sea waves away from your struggles as well, this is the music for you!

“6 to 12 O'clock”

Before I tell you why I'm showing this particular line, I want you guys to take a guess on what I meant by the 'noon to evening and midnight to dawn' part :>

.

.

.

One of the rules of afternoon tea etiquette is that when you stir the tea, the appropriate motion to do is a 6 to 12 O'clock (so towards yourself and away from yourself) instead of going in circles. I thought just outright saying it wouldn't be fun so I instead used the four time indicators of 6 and 12 ! But of course, this could also symbolize the duration of Reader “scheming” since the beginning of the marriage.

“Fin de siècle”

Fin de siècle is a French term meaning “end of century,” a phrase which typically encompasses both the meaning of the similar English idiom “turn of the century” and also makes reference to the closing of one era and onset of another. [Taken from Wikipedia]

I kept on thinking about how to incorporate the ‘Isolation’ theme for Yandere!Neuvillette while also respecting his ideal of fairness. In one of his voice lines, he encourages to speak-up against grave injustice. With that in mind, this idea of “Keeping Reader isolated but giving them a chance to gain freedom by debating against Neuvillette once every century” was born. If Reader can successfully prove that Neuvillette is a terrible husband or their marriage is unjust, they can leave. But obviously, that's just false hope.

“Mon trésor”

Mon trésor is a gender-neutral French term of endearment which means “My treasure” in English. Huge thank you to @/cerulean-castle and @/iceunhie for responding to my cry of help for this one as I was puzzled about French terms of endearment for a while. @/iceunhie gave me the link to a post of gender-neutral French terms of endearment which I found really helpful <3

As for why I chose Mon trésor as what Neuvillette calls Reader, it was due to the specific connotations between dragons and their treasures. Or in Neuvillette's case, Reader is his treasure. Hence, after sufficiently provoked, he doesn't flinch from referring to them as ‘abandoned property’.

“The words unspoken are the flower.”

Directly quoted from Neuvillette's [About : Wriothesley] voice line. According to him, it's an Inazuman proverb which means “Some words are better left unsaid.” which is Neuvillette's answer to his subconscious question of why he goes to such lengths for Reader.

Now, you can interpret this in a variety of ways and I'll say some of the “possible” ones. Perhaps he refuses to verbalize the causes because doing so would force him to face the hypocrisy and irrationality behind his actions. Perhaps he truly doesn't know, as there are many things he's on the path to understanding. Etcetera.

I might add onto this post if anyone has more questions from the fic itself. Writing Jeux de Vagues was quite difficult because I had a deadline of sorts but I was determined to finish it. Although there might be room for further improvement, I'm still happy that I pulled it of :') I hope that at least, my love for Neuvillette's character can be felt through the fic <3

[inafieldofdaisies]

Hi daisies 🧹🫶🏻😂 can you lore drop me some Sébastien facts that you can share so far? 👀

Sébastien has, in Calahan's words, a name so long that it doesn't fit on a standard name tag: Sébastien Theodore Phoenix Sawyer Thatcher Landon Nicholas Gallagher-Kerring

He has quite the tumultuous relationship with his father where he's constantly torn between pleasing him and completely defying him any chance he gets

His mother is a well-known French artist who married Frank-Gerald out of love but soon discovered the man only wanted a heir and had utmost trouble staying faithful and keeping up the promises of a 'dream life' he wooed her with

His father would do anything to keep up apperances hence why any transgressions and attempts at rebellion Séb makes are quickly buried in the press. Same goes for his inevitable divorce to Gisèle that resulted in an airtight NDA, hefty settlement to 'keep her happy' (his words) and strict conditions for seeing their only son. Thanks to his team of lawyers, to the outside world their failed marriage remained picture perfect.

Séb is set to inherit his father's empire when he turns 25, over which he harbors an array of conflicting emotions: if he should leave it all behind and essentially tell 'old Gerry' to fuck off or would it mean his father would win and everything he (and his mère) went through would have been for nothing.

His most recent act of rebellion is the reason Sébastien ends up stuck in Hope County in his own version of 'Princess Heir Protection Program' with a cult twist. You can guess who becomes the Carter Mason to his Princess Rosalinda

Frank-Gerald is a big-game hunter and considered their yearly (and nonnegotiable) father-son hunting trips as perfect bonding time. Séb blames turning vegetarian on him.

Sébastien is a collector at heart, especially when it comes to first editions of items. His fashion sense is even stronger, so you can imagine how hard he takes being stranded with just the clothes on his back (outfit includes a ruined yellow Skydiving suit he cannot live down and is the source of many jokes and nicknames Calahan has for him) and the closest closet full of brands being John's.

I don't talk too much about Séb but he's on my mind all the same so consider this a Wip Whenever tag, it's been a while <3

@socially-awkward-skeleton @strafethesesinners @strangefable @hollywood-is-bleeding @cassietrn

@lilywatt @shellibisshe @aceghosts @wrathfulrook @josephslittledeputy

@josephseedismyfather @trench-rot @dumbassdep @killyourrdarlingss @katsigian

@voidika @g0dspeeed @purplehairsecretlair @imogenkol @simonxriley

@derelictheretic @cloudofbutterflies92 @carlosoliveiraa @neonshrike @elligatorrex

@mkdecimation @theelderhazelnut @finding-comfort-in-rain

@direwombat @la-grosse-patate and anyone with something to share this week <3

[lilliths-httyd-blog]

Summarising every single HTTYD movie, short and episode in roughly one sentence:

HTTYD 1:

ADHD incarnate befriends Death: The Dragon and with the power of friendship they OH GODS OH FUCK OH HOLY SHIT WHAT THE FUCK IS THAT

Legend of the Boneknapper:

Gobber likes to tell campfire stories

Book of Dragons:

DreamWorks attempts to write a reader POV fanfiction

Gift of the Night Fury:

Critical series lore in a Christmas special?? Yeah seems normal for this franchise

Riders of Berk:

1. Mildew tries to get a bunch of teenagers executed or some shit

2. Solidifying Gobber as a total madlad: The episode

3. Hot take: You can skip this episode, it's arguably the worst one in the franchise, but you WILL miss a penis joke so there's that going for it.

4. Toothless develops an Older Sibling complex over Beyblade: The Dragon™ and HOLY FUCK WHAT IS THAT???

5. WHAT THE ACTUAL FUCK IS WRONG WITH YOU, MILDEW?? I mean I knew you were an ass but I didn't expect THIS??

6. "The films aren't anything like the books!" UM, ACTUALLY- (aka the episode where Hiccup goes full-on Book!Hiccup mode and Alvin is nothing like his book counterpart but the rest of the outcasts are)

7. "Look at this super dangerous dragon I found! I'M GONNA WRESTLE IT!!"

8. Hiccup has body image issues

9. Mildew gets bitten in the ass (SATISFYING)

10. The Mary Sue: Part One

11. The Mary Sue: Part Two

12. Oh yeah Snotlout's dad is an abusive cuck who can go fuck himself I'm not even joking. Love Snotlout tho I gotta say.

13. "IS THIS WHAT YOU WANT?! STRIKE ME DOWN, ZEUS!! YOU DON'T HAVE THE BA-"

14. Toothless has a mortal enemy apparently and it is fucked up

15. (Dagur fanboys start screaming in the distance)

16. Snotlout fixes his mistakes (they were very big mistakes)

17. VALKA??? VALKA MENTION??? HICCUP HAS A DRAGON PLUSHIE??? (silently weeping by the end of the episode)

18. Fishlegs and Snotlout piss off some helicopter parents who are also Invisible Acid Dragons™ (ohhhhhh no)

19. Are there... other Night Furies????

20. Lol no BUT I'LL TELL YOU WHAT THERE IS-

Defenders of Berk:

1. Fight Club reference

2. That one time Meatlug became magnetic and almost died

3. Dagur is gay for Hiccup but like in a yandere way

4. Whoever designed the Screaming Death must have been on a particularly fucked up slice of magic mushroom because I've never seen something more in need of holy water than that dragon (my childhood favourite :D )

5. Snotlout's dad is a fucking asshole but I never thought he'd stoop that low

6. Behold: My second favourite dragon who canonically killed Astrid's uncle

7. They tried to train Terrible Terrors in this episode, guess how that went lmaooo

8. (grabs more holy water) IT'S BACK.

9. Hey remember Tiny Beyblade Dragon? Yeah now he's kinda sorta the size of a house. Meanwhile everything is on fire (twin's fault)

10. Behold: My favourite dragon's frozen carcass preserved in ice- I mean my favourite dragon is hibernating in ice- I mean OH SHIT OH FUCK HOLY FUCKING SHIT OH NO-

11. Dagur subjugates my favourite dragon and then karma bites him in the ass

12. Snotlout and Gustav are an anxiety/adhd wombo-combo

13. Ruffnut cuts her hair short to save the life of a really cute dragon and Dreamworks was too pussy to keep it like that for the rest of the season.

14. (darude sandstorm plays)

15. The dragons get high and try to kill each other

16. Toothless is on drugs (I'm not even joking, during the Toothless POV shots you can literally hear stoner music playing)

17. Dagur with helmet hair Dagur with helmet hair Dagur with helmet hair

18. THORNADO NOOOOOOOOO T-T

19. ALVIN, DAGUR, SNOTLOUT AND THE SCREAMING DEATH. HOW IS THIS SUPPOSED TO GET BETTER THAN IT ALREADY IS???

20. IT GOT BETTERRRRRRR!!!!!!!!!!

Dawn of the Dragon Racers:

The gang got new fits and invented a sport

Race to the Edge S1:

1. Oh shit, Dagur's out of prison, better go chase him down and OOOH, SHINY TELESCOPE THINGY?? (Hiccup is a magpie apparently)

2. Gothi once again proving herself to be an absolute madlad

3. Hiccup and the gang move out of home because telescopy thingy told them to. What could possibly go wrong? (GONE WRONG)

4. Welcome to our new home on Dragon's Edge! It's been years since we've been able to function effectively as a team, and Tuffnut's been smoking way too many hallucinogens lately OH FUCK HE WASN'T HALLUCINATING OH FUCK ME

5. Snotlout is gay for Fishlegs

6. NOT GUSTAV NOOOOOOOO

7. Basically what happens when you put me in charge of anything

8. "Look at this super dangerous dragon I found! I'M GONNA WRESTLE IT!!"

9. Fishlegs and Snotlout are gay

10. THE MARY SUE IS BACK AND I LOVE HER SO MUCH

11. WELL THAT PLOT TWIST CAME OUTTA NOWHERE

12. (darude sandstorm vocoded to running in the 90s plays)

13. they made girl dragon pink

Race to the Edge S2:

1. Astrid becomes that "SHOW ME YOUR WAR FACE" guy basically

2. SCOTLAND FOREVER!!! 🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿🏴󠁧󠁢󠁳󠁣󠁴󠁿 (new villain alert and he is AWESOME)

3. MARY SUE IS WORKING FOR THE VILLAINS NOW???

4. Dreamworks introduces Dragon Werewolfism and does NOTHING with this concept after this episode?? What a ripoff!

5. Fuck Snotlout's dad so much

6. Hiccup punches Snotlout in the face and knocks him out which is no surprise considering he is God of Dragons

7. MARY SUE WAS SPYING ON THE VILLAINS ALL ALONG NOW???

8. Two people and a singular dragon try to fight off an entire armada

9. They succeed somehow

10. Oh hey it's a HTTYD 2 dragon (Free Willy parody? You couldn't have done anything more original?)

11. SKRILL!! SKRILL!! SKRILL!! SKRILL!! SKRILL!! SKRILL!!

12. Prepare to thirst in 3... 2... 1: (Viggo appears)

13. If you thought Dagur was homosexual, you aren't prepared for how gay Viggo gets

Race to the Edge S3:

1. Dagur did WHAT NOW???

2. Fuck Cavern Crashers so much but SNOTLOUT SNOUTLOUT OI OI OI!!!

3. Sword in the Stone parody?? Are all the Fishlegs episodes story parodies now??

4. Did... Did they try to portray Snotlout's dad as being in the right in this episode?? Ew fuck that.

5. Viggo almost caused Covid-19

6. Hiccup forgets that not everyone has ADHD and the dragons go completely fucking feral

7. This show loves to force romances, doesn't it?

8. I think these people took HTTYD/Pokemon crossover fics a bit too far

9. A musical episode which has a reason to exist. Sarah Z was right all along?

10. Favourite Fishlegs episode :)

11. DAGUR DID WHAT NOW???

12. My go-to introductory episode for non-fans. It's got everything. Including Viggo.

13. OKAY BUT THAT CLIFFHANGER WAS METAL

Race to the Edge S4:

1. OH THAT FINALE WAS METAL MALA IS JUST SO METAL I LOVE DEFENDERS OF THE WING

2. If you listen closely you can hear TJ Miller in absolute hysterics in the recording booth

3. At this point in time Viggo only values Hiccup as being worth 1000 gold coins

4. I love Snotlout so much... Spitelout can go suck a bag of rocks

5. Oh fuck yes Dagur's back

6. Viggo throws a hissy fit and kisses a man and Toothless is willing to die just so Hiccup doesn't have to die alone (sobbing)

7. Everyone is high in this episode

8. "You didn't think after all we've been through I'd expose myself without some... added protection?"

9. Jumping into a volcano on purpose: The episode

10. Viggo takes a sip of water in this episode (very important)

11. It took Hiccup and Astrid over four years since their first kiss to officially start dating, but they finally did it and it was one of the best episodes in the whole show

12. Ryker has had enough

13. Viggo confesses his love for Hiccup and then fucking dies (or did he?)

Race to the Edge S5:

1. "The volcano on Dragon's Edge is a dormant volcano" THINK THE FUCK AGAIN, FISHLEGS

2. How the fuck did Gen Z: The Dragon get ahold of Viggo's sword?

3. Savage needs therapy

4. Snotlout's casual sexism almost gets him killed: Lesbian Island edition

5. If you've ever watched an elderly person try to escape a nursing home then you've seen this episode before. Just without as many bones and corpses

6. The Gays Are Back In Town ft. Gay Snotlout, Gay Fishlegs and Gay Viggo

7. "my city now" - Krogan

8. You cannot watch this episode and tell me that Viggo isn't in love with Hiccup

9. Krogan insulted Viggo's hobby and Viggo got mega salty about it

10. Astrid punches a dragon with poisonous scales and almost dies because Save Stormfly Make Anditode™, turns out she did this for no reason whatsoever because Stormfly Wasn't Dying

11. Tuffnut fakes his own death in order to make Ruffnut happy

12. Dagur not-so-casually finding his fathers dead body

13. Rage.

Race to the Edge S6:

1. My blood has never boiled so hard as it did watching this episode

2. Stoick gets played like a cheap kazzoo and regresses back to how he acted in HTTYD 1 out of sheer stress

3. THIS SHOW LOVES TO FORCE ROMANCES, DOESN'T IT?

4. Fishlegs can't believe that his ancestors were Dragon Hunters as if he wasn't once enrolled in Dragon Killing School

5. Nothing solves a sibling rivalry like teaming up to kill the annoying cousin

6. THIS EPISODE GOT AGE RESTRICTED ON NETFLIX BECAUSE ASTRID SHOOK HER TITS AT HICCUP AND DAGUR AND MALA HAVE A MUTUAL PAIN KINK

7. The twins are just. So ride or die for each other it's not even funny.

8. Viggo confesses his love for Hiccup and then fucking dies for real this time (Viggo fans start sobbing as The Winner Takes It All by ABBA starts playing in the distance)

9. Snotlout writes a book

10. What if the gang had never left Berk? What if Hiccup never shot down Toothless at the start of HTTYD 1? What if Spitelout actually loved his son?

11. Protecting an island filled with a bunch of dead dragons

12. The satisfied smirk on my face knowing what the characters don't

13. The most satisfying death in the history of mankind.

HTTYD 2:

Way to straight up ruin Hiccup's life, am I right?

HTTYD 3:

Ruining every character and spitting in the face of all that I love

Homecoming:

20 minutes of my life that I'll never get back

Snoggletog Log:

Half an hour of a fireplace and the wrong voice actors. This shit plays like a DVD menu.

[camilleonne]

Trying to work out Gale age+ timeline, plus analysis

BG3 is my first introduction to the DnD lore, so this is really just me trying to work out where the BG3 story fits into the broader timeline of DnD. All of this information I got from the Forgotten Realms wiki, so if I'm misunderstanding anything I'd love input!

My goal with this is to guess how Gale's personal story fits into the timeline of the Forgotten Realms, mainly to estimate how old he might be and how long his relationship with Mystra was. According to the Wiki, Mystra was only recently resurrected, which means her relationship with Gale is very restricted in how long it could have been.

Here's Mystra's timeline:

1385 - Mystra dies, the Weave becomes unstable, magic changes, and the Spellplague begins

1395 - the Spellplague mostly ends, but the Weave is still unstable and Mystra is still dead

1479/1480 - Mystra returns with help from Elminster, magic starts to go back to normal

1482 - the Second Sundering begins, which aims to reorder the hierarchy of gods

1484 - gods begin acquiring Chosen mortals in order to cement their power

1487 - Mystra returns to her full power, the Weave is finally restored, and the Second Sundering ends

1488 - prayers to deities are ignored, and instead divine missives are directed through deities' Chosen

1489 - prayers begin to be answered again, while Chosen's powers and gifts are revoked by their patron gods, since they no longer serve a use to their gods. Only a few Chosen retain their powers.

1490 - nothing of note happens, according to the Wiki

1491 - Mystra restricts mind-reading magic. Otherwise, nothing of note happens pertaining to Mystra

1492 - the plot of Baldur's Gate 3 happens

If I understand this timeline correctly, the earliest Mystra could have begun interacting with Gale is the year 1480. But because this is when she had only just been resurrected, this is likely when she began to "mentor" him, and not when their romantic relationship began.

It was probably sometime between 1482-84 that Gale became Chosen and his romance with Mystra began. And if Gale was also one of the many Chosen who were cast aside by their gods in 1489, simply because he was no longer useful, then their romantic relationship would have lasted 9-10 years at most, but more likely was 7-8 years. But still! Nearly a decade of having a close relationship with your patron deity is hugely influential on someone's personality and outlook on life, and definitely explains where a lot of Gale's arrogance and hubris come from.

1480-82 - earliest possible time frame Mystra could have begun interacting with Gale

1482-84 - likely when Gale is Chosen, and the earliest their romance could have started

1489 - Gale likely loses his status as Chosen, and with it his extra powers gifted to him by Mystra. He would have been cast aside for no reason other than he was no longer useful to Mystra. This likely happened with little to no explanation from Mystra, forcing Gale to guess as to why he had been cast aside by his god and lover

1490 - this is likely the year that Gale searches for the "missing Weave" and takes the orb into himself, destroying his innate magical gifts and leaving him weakened and dying

1491 - Gale isolates himself in his tower for a year, depressed and heartbroken

1492 - BG3 plot occurs. One way or another, Gale comes to terms with his relationship with Mystra and manages to remove the Karsite Weave from himself

Gale mentions something about being called "delusional" by his professors when he graduated from wizard college (or whatever it's called). My guess/headcanon is that Gale would have graduated wizard school before Mystra began to mentor him. So he'd be, at the youngest, 21 when she initiates contact with Gale. Gale mentions that he'd been in relationships before Mystra, but that she was his longest partner, and 21 fits that backstory pretty well. This means that Gale is either 30 or 31, at the youngest, when Mystra casts him aside. This puts Gale at approximately 33-35 years old when BG3 occurs.

Another important thing is that, at least from Gale's perspective, he was cast aside by Mystra suddenly and without explanation. This left him having to guess why he was no longer one of her Chosen, which is what motivated him to win back her favor. Unfortunately, by trying to win her back, Gale took in the Karsite Weave, which ate away at his innate magical abilities and left him even weaker than he had ever been before.

Something that sticks out to me about this timeline is what Mystra says to Gale when he's finally able to confront her. She says to him something to the effect of "I would have made you my Chosen again, you just needed to be patient. But because you were impatient, you will never be my Chosen again". Likely the key difference between Elminster and Gale as both being powerful wizards devoted to Mystra is that Elminster understands that Mystra is a goddess, and should be treated with a sort of awe. If she does something that he doesn't understand, he just defers to her judgement as a goddess. But since Gale was in love with her, he treated their relationship like one between mortals, not that between a deity and their faithful. Gale's main folly is that he was in love with Mystra, while she was just using him as a pawn to consolidate her power. She probably wasn't lying to him about him being gifted, and probably would have made him Chosen again when it suited her, but Gale wanted more and couldn't stand the lack of communication, and so those powers were revoked from him.

It's really sad because Gale wanted real love, and wanted to be treated as an equal to Mystra. In a normal, human relationship, begin treated equally by your partner is a normal expectation. But because Mystra is a god and would never acquiesce her power, especially after only very recently regaining full control of it, Gale was doomed to be heartbroken. Also, the fact that Mystra cast Gale aside without telling him why, then didn't warn him that the Weave he found was deadly and would kill him, and then didn't tell him how to fix it, and then told him to kill himself to apologize, then ONLY tells him the truth of the situation after he starts to threaten her power, is super shitty. Can you blame him for any of it when he was literally ghosted by his goddess/girlfriend of 10 years?

The fact that Mystra is one of the "good" gods and can't even be bothered to treat one of her Chosen with decent respect, after manipulating him for his entire adult life, is super messed up. It really ties into the subthemes of BG3 about gods and how they just... really don't give a shit about their followers. Even the "good" ones still only really care about their power and protecting their interests. Like obviously Shar and Vlaakith are evil and treat their followers like shit, but the fact that Mystra does essentially the same thing with zero remorse, and then also blames Gale for all of it and forces him to beg her for forgiveness, is... sad.

And that's why Gale is a sweetheart and deserves all the love. Thank you for coming to my Ted Talk.