#i made them hot again
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luminartt · 5 months ago
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“You lying, cheating piece of shit!!”
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Radioapple week 📻🍎
Day 5: Domestic/Demon
LATEEE shsjdhs my god I am cooked
Yes it's in my style shshsh
Day1 || Day2 || Day3 || Day4 || Day6 || Day7
Idea from: @theineffableoystercatcher
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expelliarmus · 4 months ago
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the-meme-monarch · 1 month ago
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i love the interpretations of Any of the pines being trans but to me mabel and dipper Are fraternal twins they are just also both trans. they just swapped names and ‘pretended’ to be the other. i know dipper being transmasc is like the most popular trans hc in the fandom, so to me this is why dipper’s name is mason but he always wanted the name tyrone
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thornescratch · 23 days ago
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The utter GLEE and willingness to choose violence that each of these men exhibits as soon as they pick up a tortilla, this team building exercise game was perfect, ten out of ten, no notes.
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oatmealcrisp-freak · 2 months ago
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"shipping saiki is aphobic because he's aroace!"
stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office
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shannonsketches · 7 months ago
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Why is the anime so weird, it's not even the same series dude?? It's like,
Anime:
GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)
VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!
Manga:
GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.
#dbtag#I do not understand this writing it's so bad aklsdlkasjd#Toei wants Goku to be Clark Kent SO bad and he SO isn't lmao#they're so good and dumb and rounded and complex in the manga what is the anime so afraid of#Toriyama said 'no no this man is a detached faux-immortal who has a dear pure heart but he's childlike and selfish even though he's kind'#and toei went 'got it goku's never done anything wrong ever in his life'#toriyama said 'Vegeta's gone through a lot and he's finally settling into his more mature leadership role with the confidence he's earned'#and toei said 'got it vegeta has the confidence of a high school bully except now he can interact with his family as a comedy bit'#girl hWHAT#Toei trying to group Goku and Vegeta as two people who would rather train than be with their families and Toriyama said NO Vegeta wants#to be HOME this is the first time in years that he's HAD ONE and it makes him HAPPY to be with his wife and children!!#Vegeta trains so that he can protect the things he doesn't want to lose again and Goku trains because it's the thing that makes him happies#They are NOT the same lmao And yeah Vegeta still wants to beat Goku but he also knows that Gohan could dogwalk both of them if he wanted#He also knows Trunks and Goten are going to surpass them it's not about being the best anymore he's past that he just wants to Not Need Gok#He just doesn't want to have to rely on Goku to save the day he wants to be Enough on his own he just wants to know he can be#because every time it's mattered he WASN'T and people he loved were lost to his inability to protect them and he carries that#Like Whis diagnosed him with anxiety and cptsd out in the open and Beerus said he was self-centered for feeling guilt#+ he lowkey enjoys the rivalry it keeps him goal-oriented so he can't get complacent and lazy which is what triggered his Buu Saga breakdow#realized how Fucked Up it was that having a home and loving family made him feel like he was failing and went 'wait no I won actually??'#now he's chill as fuck in the manga. cool confident leader.#and sometimes he is childish and dumb with Goku as a treat#you know what rocks about his rivalry with Goku in Super though is that it's Playful. Vegeta is learning how to Play.#You ever seen a shelter dog get introduced to a really playful dog and it takes a minute for the shelter dog to understand it's safe here#And then they're both running around the backyard playing hot potato with one braincell?? That's Goku and Vegeta's relationship#and the way the anime sleeps on that dynamic is so fucking criminal especially when it's literally canon it's in print it's out there#you had the playbook how'd you fumble it this bad#anyway that's my 25+ year blorbo thoughts I love Geets a lot okay#And I love Goku in the manga a lot I'd forgotten that he's actually a great character when Toei's not fucking up his whole vibe
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artsy-1diot · 3 months ago
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drawing kudos managers as I beat them part 8
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I haven't watched chainsaw man the opening song is a banger though anyways I DID IT ITS OVER?? THATS EVERYONE??????
ngl I was not expecting to finish this series I'm not very good with finishing drawing stuff like this but this was super fun and so is the game so that probably helped!!!
now its time to get on that rare loot grind even more than I already was yippee
also I've been thinking of fighting everyone in order on stream cus I'm proud of myself would y'all watch that??? idk
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homicidalbrunette · 7 months ago
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Hey here's three minutes of Plane Jane and Katya vibing/flirting you're welcome
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draculiza · 3 months ago
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I spent all evening trying on different variations of my pirate outfit for Castlefest and I think I've finally got it! Still trying to decide on pants or skirt but I reckon these will both be airy enough while also still looking interesting ^_^
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datshitrandom · 2 months ago
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Favorite Fanfics (109/?): Leaps and Dives by @annepi-blog | illustrated by @esilher
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danceofthedragon · 15 days ago
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is it just me or does it feel like implying jack rose and wanderlust might be siblings killed the JD fandom
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sylvhen · 2 months ago
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just having a normal one thinking about how badly Armand wants to be loved but every time he gets close to it, he self sabotages and ruins it. almost as if. he subconsciously doesn't think he deserves it.
#I'm fine I'm good I'm so normal about him#he does it with EVERY romantic relationship we see him have it's insane#first with lestat and their whole Thing. especially the nicki stuff we haven't seen yet.#then louis. like he lets himself have it and then realizes it's possible for it to work and IMMEDIATELY blows it#by you know. trying to kill him. actually succeeding in killing his daughter.#making sure there's no possible way louis will ever forgive him even as he plots and manipulates to underplay his role in it#they loved each other but armand made sure it would never be in the way he craved the most and then punished himself for it#by strong manning the relationship together with hot glue and stickers even if it was hurting them both#AND THEN with daniel too ffs#DOUBLE of it with daniel if past-devil minion happened too fuck#turning him and then leaving him bc daniel SEES him for who he is and he's not afraid (I mean he is but YOU GET WHAT I MEAN)#possibly erasing his memories of him from the 70's & 80's as both a fucked up attempt to keep daniel alive#(which tbf it works but is STILL a fucked up thing to do)#and to get himself out of a situation in which someone finally started to love him unconditionally the way he wants so badly#but he can't let himself have that can he#I AM SO NORMAL ABOUT THE VAMPIRE ARMAND GUYS#I might be wrong idk I have yet to rewatch s2 but#BUT IT HURTS ANYWAY DONT IT#iwtv#armand#iwtv amc#the vampire armand#interview with the vampire#iwtv s2#armandposting#robin going insane about armand again#iwtv armand
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samijey · 2 months ago
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Ilja Dragunov vs Trick Williams IV - NXT Spring Breakin' 2024
One thing I really appreciate about this match is although it was babyface vs babyface, everyone involved knew most fans wanted Trick to win and really leaned into it with Ilja toeing the line and acting almost heelish while staying true to his character - something he started hinting at in their previous match at No Mercy where he even got the crowd to boo him by provoking them.
All of this worked really well against Trick's resilient underdog story and made him come across as probably the "most" babyface version of himself thus far - Melo had just openly turned heel, so naturally the heat drew itself in that case, but to achieve the same effect against another babyface whom he has less backstory with and no big betrayal to fuel the match was pretty smooth.
This moment (that, mind you, happened during a picture-in-picture ad - yes, I zoomed into the damn screen to make these gifs, that's why they look so fuzzy) perfectly demonstrates this, complete with Trick pulling off the sparkly eyes while he's in peril (Sami Zayn would be proud), and the defiant kick he gives Ilja, who's taunting him... and proceeds to deliver a beatdown that wouldn't feel out of place in a Gunther match.
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miraneko19 · 6 months ago
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Realized this while playing Birushana. Tomomori. You know.
#birushana#birushana rising flower of genpei#otome#wizardess heart#shall we date#blanking on what other morally controversial otome games ive played#but seriously that trope of “im lowkey obsessed with the heroine and even seeing the hate in her eyes as she looks at me is perfect.”#to “i would love to see what other expressions i could bring her to make-”#ALL the way to the final installment of “oh. when she smiles.. when shes happy.. and looks at me with such happiness?#that is the best expression she has ever made. she looks beautiful like that... everything else pales in comparison- no.#i actually dont care to see her tears or to have her look at me in anger ever again.“#and just. falling in love with her happiness and doing everything they can to make her smile and laugh among other things??#because they feel really good doing it??#sorry i know thats common with villain love interests but im REALLY a sucker for it okay i cant help it#but also no seriously what other games like this have i played again?? i havent played any of the villain routes in hakuouki yet#but i feel like this trope is probably in there so.#hakuouki#JUST THE LOOK OF SURPRISE ON THE LOVE INTEREST'S FACE WHEN THEY SEE THE PROTAG SMILE AT THEM FOR THE FIRST TIME#AFTER ONLY EVER PREVIOUSLY SHOWING FEAR OR HATE#I LOVE IT AAUUUGHHH#oh!! thats right!#steam prison#paradigm paradox#piofiore#BECAUSE YANG I FUVKING LOVE YANG EVEN THOUGH HES AWFUL UGH#even if tempest#ill tag that in here too bc Tyril was that way for a hot second in the beginning of his route/timeline when he was first meeting Anastasia#i definitely know theres more but damn#anyway#we support character development in this house
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hellofastudysession · 24 days ago
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am i rlly going to write a death note literary analysis when i could be doing other things
about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.
first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.
all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...
or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.
we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.
in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.
"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.
in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.
here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.
in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...
its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.
this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.
(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)
not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.
also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.
anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...
that's all.
no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.
but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.
one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!
but with the view of "mu"... it makes a bit more sense. just a little. maybe.
there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.
it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?
the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.
"there's no point at all."
of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.
and that's... actually okay, because it's over now.
yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.
there is always the end.
#*naomi was killed off bc the author thought shed solve the case too quickly. ironic. i dont think it was meant to forward a theme other than#'light evil! oh no!!!' bc it had minimal buildup and absolutely no repercussions. it is just kind of smth that happens#everything in death note is just smth that happens bc. at some point i just have to admit its NOT RLLY WELL WRITTEN#but it says something. it says many things. and i like balancing the two in my head#death note#personal#**>reduces anime ending to a footnote /j#anime ending: light regrets COMING THIS FAR- not his crimes. he sees l as another regret and dies.#another example of the tragic self (and tragic relationship) ultimately being more important than morals#l would be proud of the torment he inflicted on light if he were not fucking dead#i would also bring up the argument that the way every death note character uses the note is so extreme that its hard to compare them#to real people but lets assume that the author was trying to replicate how actual human beings work as much as possible*#you made it deep enough into the tags would you like to hear about near and mello being nonbinary—#'there is an end so why not enjoy the middle? chain yourself to a hot boy eat strawberry shortcake be bisexual and lie'#*either that or they were just explicitly trying to have fun like they said they was doing#light yagami#sure ill tag my boy#'you cant say the curtains are just blue!' well can i say the curtains were shittily made#norrie if you look at this post ever again ill death note you myself
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theyilinglaozus · 2 years ago
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"You said I killed you - haunt me, then!"
↳ Wuthering Heights ; Emily Brontë @userdramas event 04: Love - a love that hurts and haunts, yet can also defy even death. [x]
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